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Cherry Jones
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Cherry Jones (born November 21, 1956) is an American actress. She started her career in theater as a founding member of the American Repertory Theater in 1980 before transitioning into film and television. Celebrated for her dynamic roles on stage and screen, she has received various accolades, including three Primetime Emmy Awards and two Tony Awards, as well as nominations for an Olivier Award and a Screen Actors Guild Award.
Key Information
Jones made her Broadway debut in the 1987 play Stepping Out. She went on to receive two Tony Awards for Best Actress in a Play for The Heiress in 1995 and Doubt in 2005. Her other Tony-nominated roles were in Our Country's Good in 1991, A Moon for the Misbegotten in 2000, and The Glass Menagerie in 2014. Her most recent Broadway performance was in The Lifespan of a Fact in 2018.
She is also known for her work on television with breakthrough roles as Barbara Layton in The West Wing and President Allison Taylor in 24, the latter of which won her the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series in 2009. She received a Screen Actors Guild Award nomination for Transparent in 2015 and earned two Primetime Emmy Awards Outstanding Guest Actress in a Drama Series for her roles in the Hulu drama series The Handmaid's Tale in 2019 and the HBO drama series Succession in 2020.
Her film appearances include The Horse Whisperer (1998), Erin Brockovich (2000), The Perfect Storm (2000), Signs (2002), The Village (2004), Amelia (2009), The Beaver (2011), A Rainy Day in New York (2019), and The Eyes of Tammy Faye (2021).
Early life and education
[edit]Jones was born in Paris, Tennessee. Her mother was a high school teacher, and her father owned a flower shop.[2] Her parents were very supportive of her theatrical ambitions, encouraging her interest by sending her to classes with local drama teacher, Ruby Krider.[3] Jones takes great pains to credit her high school speech teacher, Linda Wilson, with her first real preparatory work.[4] She is a 1978 graduate of the Carnegie Mellon School of Drama. While at CMU, she was one of the earliest actors to work at City Theatre, a fixture of Pittsburgh theatre.[5]
Career
[edit]Most of her career has been in theater, beginning in 1980 as a founding member of the American Repertory Theater in Cambridge, Massachusetts.[6]
Her Broadway performances include Lincoln Center's 1995 production of The Heiress and also a 2005 production of John Patrick Shanley's play Doubt at the Walter Kerr Theatre. For both roles, she earned a Tony Award for Best Leading Actress in a Play.
Other Broadway credits include Nora Ephron's play Imaginary Friends (with Swoosie Kurtz), the 2000 revival of A Moon for the Misbegotten, and Timberlake Wertenbaker's Our Country's Good, for which she earned her first Tony nomination.[7] She is considered to be one of the foremost theater actresses in the United States.[8] In 1994, she also appeared in the Broadway run of Angels in America: Millennium Approaches and Perestroika as the Angel, replacing Ellen McLaughlin, who had originated the role.
She has narrated the audiobook adaptations of Laura Ingalls Wilder's Little House series including, Little House in the Big Woods, Little House on the Prairie, Farmer Boy, On the Banks of Plum Creek, By the Shores of Silver Lake, The Long Winter, and Little Town on the Prairie. In recent years, Jones has ventured into feature films. Her screen credits include Cradle Will Rock, The Perfect Storm, Signs, Ocean's Twelve, and The Village.[citation needed]
Jones played President Taylor on the Fox series 24, a role for which she won an Emmy for Outstanding Supporting Actress in a Drama Series.[9] She played the role in the seventh season, from January to May 2009, as well as eighth season, which aired from January to May 2010.[10]
In 2012, Jones starred in the NBC drama series Awake as psychiatrist Dr. Judith Evans.
Also in 2012, she portrayed Amanda Wingfield in the Loeb Drama Center's revival of Tennessee Williams' The Glass Menagerie alongside Zachary Quinto, Brian J. Smith and Celia Keenan-Bolger.[11]
In 2014, Cherry Jones was inducted into the American Theater Hall of Fame.[12]
In 2015 and 2016 Jones had a recurring role on the Primetime Emmy Award-winning Amazon comedy-drama series Transparent in its second and third seasons. She was nominated for the Critics' Choice Television Award for Best Guest Performer in a Comedy Series for her work in the 2015 season.
In 2016, she appeared in "Nosedive", an episode of the anthology series Black Mirror.[13]
In 2018, Jones played Holly, the feminist mother to June/Offred in The Handmaid's Tale. She won an Emmy for her performance.[14]
In 2019, Jones played the role of a grouchy psychic and tarot card reader in the comedy Wine Country,[15] directed by Amy Poehler.
Personal life
[edit]In 1995, when Jones accepted her first Tony Award, she thanked Mary O'Connor,[16] with whom she had an 18-year relationship.[17][18]
She started dating Sarah Paulson in 2004. When she accepted her Best Actress Tony in 2005 for her work in Doubt, she thanked "Laura Wingfield", the Glass Menagerie character being played in the Broadway revival by Paulson.[19] In 2007, Paulson and Jones declared their love for each other in an interview with Velvetpark at Women's Event 10 for the LGBTQ Center of New York.[20] Paulson and Jones ended their relationship amicably in 2009.[21]
In mid-2015, Jones married filmmaker Sophie Huber.[22]
Acting credits
[edit]Film
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1987 | Light of Day | Cindy Montgomery | |
| The Big Town | Ginger McDonald | ||
| 1992 | Housesitter | Patty | |
| 1995 | Polio Water | Virginia | Short film |
| 1997 | Julian Po | Lucy | |
| 1998 | The Horse Whisperer | Liz Hammond | |
| 1999 | Cradle Will Rock | Hallie Flanagan | |
| 2000 | Erin Brockovich | Pamela Duncan | |
| The Perfect Storm | Edie Bailey | ||
| 2002 | Divine Secrets of the Ya-Ya Sisterhood | Buggy Abbott | |
| Signs | Officer Paski | ||
| 2004 | The Village | Mrs. Clack | |
| Ocean's Twelve | Molly Star/Mrs. Caldwell | ||
| 2005 | Swimmers | Julia Tyler | |
| 2009 | Amelia | Eleanor Roosevelt | |
| Mother and Child | Sister Joanne | ||
| 2011 | The Beaver | Vice President | |
| New Year's Eve | Mrs. Rose Ahern | ||
| 2013 | Days and Nights | Mary | |
| 2015 | Knight of Cups | Ruth | |
| I Saw the Light[23] | Lillie Williams | ||
| 2016 | Whiskey Tango Foxtrot | Geri Taub | |
| 2017 | The Party | Martha | |
| 2018 | Boy Erased | Dr. Muldoon | |
| 2019 | Wine Country | Lady Sunshine | |
| A Rainy Day in New York | Mrs. Welles | ||
| Motherless Brooklyn | Gabby Horowitz | ||
| Our Friend | Faith Pruett | ||
| 2021 | The Eyes of Tammy Faye | Rachel LaValley | |
| 2022 | The Sky Is Everywhere | Gram Walker | |
| TBA | The Steel Harp | TBA | Post-production |
Television
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1986 | Alex: The Life of a Child | Tina Crawford | Television film |
| 1987 | Spenser: For Hire | Tracy Kincaid | Episode: "Sleepless Dream" |
| 1992 | Loving | Frankie | Unknown episodes |
| 1993 | TriBeCa | Tough Woman | Episode: "The Loft" |
| 1999 | Murder in a Small Town | Mimi Barnes | Television film |
| The Lady in Question | |||
| 2000 | Cora Unashamed | Lizbeth Studevant | |
| 2001 | What Makes a Family | Sandy Cataldi | |
| Frasier | Janet | Episode: "Junior Agent" | |
| 2002 | American Experience | Narrator | Episode: "Miss America" |
| 2004 | The West Wing | Barbara Layton | Episode: "Eppur Si Muove" |
| 2004–2005 | Clubhouse | Sister Marie | 3 episodes |
| 2008 | 24: Redemption | President-Elect Allison Taylor | Television film |
| 2009–2010 | 24 | President Allison Taylor | Main role (season 7–8); 44 episodes |
| 2012 | Awake | Dr. Judith Evans | 11 episodes |
| 2015–2019 | Transparent | Leslie Mackinaw | 12 episodes |
| 2016 | Mercy Street | Dorothea Dix | 2 episodes |
| 11.22.63 | Marguerite Oswald | 5 episodes | |
| Black Mirror | Susan | Episode: "Nosedive" | |
| 2017 | American Crime | Laurie Ann Hesby | 4 episodes |
| 2018 | Portlandia | Ms. Mayor | Episode: "Rose Route" |
| 2018–2025 | The Handmaid's Tale | Holly Maddox | 5 episodes |
| 2019 | Chimerica | Mel Kincaid | 4 episodes |
| 2019–2023 | Succession | Nan Pierce | 3 episodes |
| 2020 | Defending Jacob | Joanna Klein | 8 episodes |
| Close Enough | (voice) | Episode: "Robot Tutor/Golden Gamer" | |
| 2022 | Five Days at Memorial | Susan Mulderick | 7 episodes |
| 2023–2024 | Velma | Victoria Jones (voice) | 11 episodes |
| 2023 | Poker Face | Laura | Episode: "The Orpheus Syndrome" |
| Extrapolations | President Elizabeth Burdick | Episode: "2059: Face of God" | |
| 2025 | Foundation | Ambassador Quent | Season 3 |
Theater
[edit]| Year | Title | Role | Venue |
|---|---|---|---|
| 1983 | The Philanthropist | Liz | |
| 1984 | The Ballad of Soapy Smith | Kitty Chase | |
| 1985–1996 | The Importance of Being Earnest | Cecily Cardew | |
| 1987 | Claptrap | Sarah Littlefield | |
| 1987 | Stepping Out | Lynne | |
| 1987 | Tartuffe | Dorine | Portland Stage Company (Maine) |
| 1988 | Macbeth | Lady Macduff | |
| 1991 | Our Country's Good | Reverend Johnson/Liz Morden | |
| 1991 | Light Shining in Buckinghamshire | N/a | |
| 1992 | The Baltimore Waltz | Anna | |
| 1992 | Good Night Desdemona (Good Morning Juliet) | Constance Ledbelly | |
| 1993–1994 | Angels in America: Millennium Approaches | Various replacements | Walter Kerr Theatre, Broadway |
| 1993–1994 | Angels in America: Perestroika | Various replacements | |
| 1993 | And Baby Makes Seven | Anna | |
| 1993 | Desdemona | Bianca | |
| 1995 | The Heiress | Catherine Sloper | Cort Theatre, Broadway |
| 1996 | The Night of the Iguana | Hannah Jelkes | Roundabout Theatre Company |
| 1997–1998 | Pride's Crossing | Mabel Tidings/Bigelow | Lincoln Center |
| 1999 | Tongue of a Bird | Maxine | The Public Theater |
| 2000 | A Moon for the Misbegotten | Josie Hogan | Walter Kerr Theatre, Broadway |
| 2001 | Major Barbara | Barbara Undershaft | American Airlines Theatre, Broadway |
| 2002–2003 | Imaginary Friends | Mary McCarthy | Ethel Barrymore Theatre, Broadway |
| 2003 | Flesh and Blood | Mary Stassos | New York Theatre Workshop |
| 2005–2006 | Doubt | Sister Aloysius | Walter Kerr Theatre, Broadway |
| 2006 | Faith Healer | Grace | Booth Theatre, Broadway |
| 2010 | Mrs. Warren's Profession | Mrs. Kitty Warren | American Airlines Theatre, Broadway |
| 2013–2014 | The Glass Menagerie | Amanda Wingfield | Booth Theatre, Broadway |
| 2014 | When We Were Young and Unafraid | Agnes | Manhattan Theatre Club |
| 2017 | The Glass Menagerie | Amanda Wingfield | Duke of York's Theatre, West End |
| 2018 | The Lifespan of a Fact | Emily | Studio 54, Broadway |
| 2024 | The Grapes of Wrath | Ma Joad | Lyttleton Theatre, London |
Awards and nominations
[edit]References
[edit]- ^ Internet Broadway Database Cherry Jones [1] at the Internet Broadway Database
- ^ Pollet, Alison (September 1, 2003). When I Was a Girl. Gallery Books. p. 53. ISBN 9780743480642.
My mother was an English teacher, my father had a flower shop, and my grandmother worked at the flower shop.
- ^ Rapp, Linda. "Jones, Cherry (b. 1956)" (PDF). GLBTQ Archive. Retrieved October 1, 2023.
- ^ Chinoy, Helen Krich; Jenkins, Linda Walsh (May 26, 2018). Women in American Theatre. Theatre Communications Grou. ISBN 9781559362634 – via Google Books.
- ^ Conner, Lynne (2007). Pittsburgh In Stages: Two Hundred Years of Theater. University of Pittsburgh Press. p. 247. ISBN 978-0-8229-4330-3. Retrieved July 15, 2011.
- ^ Hartigan, Patti (May 11, 2017). "Cherry Jones returns to the city where she launched her career". Boston Globe. Archived from the original on September 3, 2018. Retrieved September 1, 2018.
- ^ Internet Broadway Database Cherry Jones at the Internet Broadway Database
- ^ Brantley, Ben (February 14, 2013). "'The Glass Menagerie,' at Loeb Drama Center, Cambridge, MA". New York Times. Retrieved February 17, 2013.
- ^ Joyce Eng (September 20, 2009). "Kristin Chenoweth, Jon Cryer Win First Emmys". TVGuide.com. Retrieved September 20, 2009.
- ^ "Jones moves into 24 Oval Office". Reuters. July 21, 2007. Retrieved July 26, 2008.
- ^ Hetrick, Adam. "Zachary Quinto, Celia Keenan-Bolger and Brian J. Smith Join Cherry Jones for A.R.T.'s Glass Menagerie" Archived October 19, 2012, at the Wayback Machine playbill.com, October 18, 2012
- ^ "Cherry Jones, Ellen Burstyn, Cameron Mackintosh and More Inducted Into Broadway's Theater Hall of Fame". Retrieved April 10, 2013.
- ^ "'Black Mirror' Season 3 Trailer: "No One Is This Happy'". Deadline. October 7, 2016. Retrieved October 7, 2016.
- ^ Dowling, Amber (January 25, 2018). "'The Handmaid's Tale' Enlists Cherry Jones for Pivotal Season 2 Role (Exclusive)". The Hollywood Reporter. Retrieved January 25, 2018.
- ^ "'Wine Country': Film Review". The Hollywood Reporter. May 6, 2019.
- ^ Crews, Chip. "A Benefit of 'Doubt'". Washington Post.
- ^ Witchel, Alex (September 20, 2013). "Cherry Jones, at the Peak of Her Powers". The New York Times.
- ^ "Cherry Jones: Prop 8 Supporters 'Will Be Ashamed of Themselves'". Queerty. February 11, 2009.
- ^ AfterEllen.com Sarah Paulson Archived June 9, 2005, at the Wayback Machine
- ^ "Velvetpark – Art Thought Culture". Retrieved May 5, 2015.
- ^ "Cherry Jones & Sarah Paulson Call It Quits With 'Happiest Break-Up'". Access Online. October 9, 2009.
- ^ Bendix, Trish (November 10, 2015). "Cherry Jones on getting married and playing a lesbian feminist in Season 2 of "Transparent"". Afterellen.
- ^ Stephen L. Betts (November 7, 2014). "Bradley Whitford, Cherry Jones Cast in Upcoming Hank Williams Movie". Rolling Stone. Archived from the original on December 28, 2017. Retrieved December 16, 2014.
External links
[edit]- Cherry Jones at the Internet Broadway Database
- Cherry Jones at Playbill Vault
- Cherry Jones at IMDb
- Cherry Jones at the Internet Off-Broadway Database (archived)
- Cherry Jones – Downstage Center interview at American Theatre Wing.org
- TonyAwards.com Interview with Cherry Jones
Cherry Jones
View on GrokipediaEarly Life and Education
Upbringing and Formative Influences
Cherry Jones was born on November 21, 1956, in Paris, Tennessee, a small town in Henry County known for its rural character and annual World's Biggest Fish Fry.[6][7] Her mother, Joan Jones (née Cherry), served as a high school English and American literature teacher, educating over 3,500 students across her 30-year career before retiring in 1989, and her influence emphasized literary appreciation and verbal expression in the household.[8][9] Her father owned and operated a local flower shop, providing a practical, community-oriented family environment rooted in small-town Southern commerce.[10][11] The family included a younger sister, who later became an accountant in Nashville.[12] From childhood, Jones exhibited a tomboyish energy, roaming outdoors with a dog named Lassie and improvising dramatic scenarios in the woods near her home, enacting roles ranging from Tarzan and cowboys in mock battles to Shakespearean characters like Romeo and Juliet.[13][14] These solitary yet vivid play sessions, often inspired by books and imagination rather than formal instruction, marked her initial foray into performance, fostering an innate affinity for storytelling and character embodiment amid the constraints of a conservative rural setting.[14] She has reflected on recognizing her homosexuality early in life, navigating personal identity in a Tennessee context where such awareness could isolate amid prevailing social norms, though her family's support mitigated overt conflict.[15][16] Her parents played a pivotal role in nurturing her theatrical inclinations, actively encouraging participation in local and regional opportunities, including a formative summer theater program at the University of Tennessee at Chattanooga that affirmed her vocational path.[17][18] Joan's background in literature likely instilled a deep reverence for narrative craft, while the family's emphasis on creativity over conventional expectations allowed Jones to channel her energetic, performative tendencies without suppression, setting the foundation for her professional discipline in an era when regional theater access remained limited.[19][20] This upbringing blended Southern practicality with unorthodox artistic freedom, shaping her resilience and commitment to authentic character exploration.[21]Academic Training
Cherry Jones received her formal acting training at the Carnegie Mellon School of Drama, enrolling directly after high school and earning a Bachelor of Fine Arts degree in drama in 1978.[22][3][23] During her time as a student in Pittsburgh, she became one of the earliest performers to work with the City Theatre Company, gaining practical experience alongside her coursework.[24][23] This intensive conservatory-style program emphasized rigorous performance techniques, which Jones has credited with shaping her foundational approach to theater.[25][26] No additional postgraduate academic training is documented in her career trajectory, as she transitioned promptly to professional repertory work post-graduation.[10][15]Career
Early Theater Work and Broadway Debut
Jones relocated to New York City in the summer of 1978 following her graduation from Carnegie Mellon University, intent on establishing a career in theater.[27] In 1980, she joined the American Repertory Theater (A.R.T.) in Cambridge, Massachusetts, as a founding member, where she performed throughout much of the 1980s in an array of classical and modern works.[14][28] Her early roles at A.R.T. encompassed productions by playwrights such as Shakespeare, Chekhov, Molière, Brecht, Shaw, and Federico García Lorca, including Three Sisters, Sganarelle, The King Stag, As You Like It, King Lear, and Twelfth Night opposite Diane Lane.[14][7] These performances honed her versatility across ensemble casts and experimental stagings under artistic director Robert Brustein, earning her reputation as a dedicated ensemble player in regional theater.[29] Jones made her Broadway debut in late 1986—previews leading to the official 1987 opening—in Richard Harris's Stepping Out at the John Golden Theatre, portraying Lynne, a shy tap-dancing student in a comedy about an amateur dance class.[30] The production, directed by Tommy Tune and starring Liza Minnelli, ran for 361 performances, marking Jones's transition from regional stages to New York commercial theater amid a sparse era of only about six Broadway shows running at the time of her arrival.[27]Peak Theater Achievements and Tony Wins
Cherry Jones reached the height of her Broadway acclaim with two Tony Awards for Best Actress in a Play, awarded for performances that showcased her command of complex, introspective characters in period dramas and contemporary moral dilemmas. Her first win came in 1995 for portraying the reclusive Catherine Sloper in the revival of The Heiress at the Cort Theatre, a role that highlighted her ability to convey emotional restraint and quiet intensity in Ruth and Augustus Goetz's adaptation of Henry James's Washington Square.[31] The production, directed by Michael Blakemore, ran for 340 performances following its March 9, 1995, opening and earned widespread praise for Jones's nuanced depiction of a woman navigating familial manipulation and personal longing.[31] Building on this success, Jones's second Tony arrived in 2005 for her role as the steadfast principal Sister Aloysius Beauvier in John Patrick Shanley's original drama Doubt: A Parable, which transferred to Broadway after premiering at the Manhattan Theatre Club on October 23, 2004. In the play, Jones embodied a nun grappling with suspicion of child abuse by a priest, delivering a performance marked by unyielding conviction and subtle vulnerability that anchored the production's exploration of certainty versus ambiguity.[30] The Broadway run at the Royale Theatre (now Bernard B. Jacobs) extended over 500 performances, solidifying Doubt's status as a critical and commercial hit.[32] These Tony-winning roles capped a series of high-profile Broadway engagements that underscored Jones's versatility in lead parts, including Tony-nominated turns as a convict in Timberlake Wertenbaker's Our Country's Good (1991) and as the tormented Mary Tyrone in Eugene O'Neill's A Moon for the Misbegotten (2000 revival).[32][30] Her work during this era, spanning the late 1980s to mid-2000s, established her as a premier stage actress capable of sustaining long runs and drawing audiences to intellectually demanding plays, with The Heiress and Doubt representing the pinnacles of her theater career in terms of awards recognition and cultural impact.[33]Expansion into Film and Television
Cherry Jones entered the film industry in 1998 with the role of Liz Hammond in The Horse Whisperer, directed by Robert Redford, marking her screen debut after establishing a theater career.[34] She followed this with the portrayal of Hallie Flanagan, the director of the Federal Theatre Project, in Cradle Will Rock (1999).[28] In 2000, Jones took on supporting parts in two high-profile productions: Pamela Duncan, a sympathetic neighbor, in Steven Soderbergh's Erin Brockovich, and Edie Bailey, the wife of a fisherman, in Wolfgang Petersen's The Perfect Storm.[1] These roles showcased her versatility in dramatic ensemble casts.[1] Her film work continued into the early 2000s with Officer Paski in M. Night Shyamalan's Signs (2002), a tense science-fiction thriller.[35] Jones collaborated again with Shyamalan as Mrs. Clack in The Village (2004), contributing to the film's isolated community dynamic.[36] That year, she also appeared as Molly Star/Mrs. Caldwell in Steven Soderbergh's Ocean's Twelve, adding to her repertoire of character roles in blockbuster heists. On television, Jones made early guest appearances, including on Frasier, before narrating an episode of American Experience in 2002.[4] Her breakthrough came with Barbara Layton on The West Wing in 2004, a recurring role that highlighted her authoritative presence.[4] She also played Sister Marie in the short-lived series Clubhouse (2004–2005).[1] The role of President Allison Taylor on 24, starting in 2008, solidified her television stature, earning a Primetime Emmy for Outstanding Supporting Actress in a Drama Series for the seventh season in 2009.[4]Recent Roles and Projects (2010s–2025)
In 2010, Jones starred as the title character in a revival of George Bernard Shaw's Mrs. Warren's Profession at the American Airlines Theatre, portraying a Victorian-era brothel owner navigating moral and economic dilemmas.[30] Her performance earned critical praise for its sharp wit and complexity. Later that decade, she took on Amanda Wingfield in the 2014 Broadway revival of Tennessee Williams's The Glass Menagerie, directed by John Tiffany, which garnered her a Tony Award nomination for Best Actress in a Play. Jones's interpretation emphasized the character's desperate fragility amid economic hardship. Jones returned to Broadway in 2018 for The Lifespan of a Fact at Studio 54, playing editor Emily alongside Daniel Radcliffe and Bobby Cannavale in a play exploring truth versus narrative in journalism.[37] The production, which ran from October 2018 to January 2019, highlighted her ability to convey intellectual rigor and exasperation in debates over factual accuracy.[38] On television, Jones portrayed Nan Pierce, the matriarch of the fictional Pierce Global Media empire, in HBO's Succession during seasons 2 (2019) and 4 (2023), depicting a principled yet outmaneuvered media owner resisting a corporate takeover.[39] Her role underscored tensions between journalistic integrity and family legacy. In Hulu's The Handmaid's Tale, she played Holly Maddox, the estranged mother of protagonist June Osborne, across multiple seasons starting in 2018, earning a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series in 2019.[40] Jones received another Emmy nomination in the same category in 2025 for her work in the series.[41] Additional television appearances included Laurie Ann Hesby in ABC's American Crime (2017), Mel Kincaid in Showtime's Chimerica (2019), and Ambassador Quent in Apple's Foundation (2021–present).[10] In film, Jones appeared as the mother in Woody Allen's A Rainy Day in New York (2019), followed by supporting roles in Motherless Brooklyn (2019) as a political aide, Wine Country (2019) in the ensemble comedy, and The Party (2017) as Martha, a troubled academic at a dinner gathering.[42] She played Faith Pruett in Our Friend (2019, released 2021), portraying a friend supporting a family through illness, and Helmsley in The Eyes of Tammy Faye (2021), depicting the televangelist scandal's periphery.[43] Later projects included Gram Walker in The Sky Is Everywhere (2022), a coming-of-age drama, and Loie Fuller in the biographical Obsessed with Light (2023).[44] These roles demonstrated her versatility in both dramatic and lighter fare, often as authoritative maternal figures.Acting Credits
Selected Theater Roles
Cherry Jones received a Tony Award nomination for Best Featured Actress in a Play for her portrayal of Liz Morden and other convict roles in the 1991 Broadway production of Our Country's Good at the Nederlander Theatre, directed by Max Stafford-Clark.[45] She achieved her first Tony Award for Best Actress in a Play in 1995 for playing Catherine Sloper in the Broadway revival of The Heiress at the Cort Theatre, a role that showcased her ability to convey emotional depth in Ruth and Augustus Goetz's adaptation of Henry James's Washington Square. In 2000, Jones earned a Tony nomination for Best Actress in a Play as the fiery Josie Hogan opposite Gabriel Byrne in Eugene O'Neill's A Moon for the Misbegotten at the Walter Kerr Theatre, a revival that ran for 261 performances.[45] Her second Tony win came in 2005 for Best Actress in a Play as the resolute Sister Aloysius Beauvier in John Patrick Shanley's Doubt: A Parable, which originated at Manhattan Theatre Club's off-Broadway space in 2004 before transferring to Broadway's Booth Theatre, where it played 525 performances. Jones portrayed the manipulative Mrs. Warren in the 2010 Broadway revival of George Bernard Shaw's Mrs. Warren's Profession at the American Airlines Theatre, earning a Drama Desk Award for her commanding performance in the Roundabout Theatre Company production.[46] In the 2013 Broadway revival of Tennessee Williams's The Glass Menagerie at the Booth Theatre, she played Amanda Wingfield, receiving Tony and Drama Desk nominations for her depiction of the domineering Southern matriarch.[45] More recently, in 2018, Jones appeared as Emily in the Broadway premiere of The Lifespan of a Fact at Studio 54, engaging with themes of truth and journalism opposite Bobby Cannavale and Jeremy Shamos.[46]Film Roles
Jones made her film debut in Light of Day (1987), portraying Cindy, the sister of the protagonist played by Michael J. Fox.[47] She followed with supporting parts in Housesitter (1992) as Kathy Davis and The Ice Storm (1997) as Dot Halford.[47] In The Horse Whisperer (1998), Jones played Liz Hammond, a horse owner seeking help for her injured animal from the titular character.[48] Her performance contributed to the film's depiction of rural recovery and human-animal bonds. She also appeared in Cradle Will Rock (1999) as a member of the ensemble cast surrounding the historical Federal Theatre Project.[2] Jones portrayed Pamela Duncan, a Pacific Gas & Electric customer affected by contamination, in Erin Brockovich (2000).[49] That year, she also played Edie Bailey, a crew member on the fishing vessel Mistral, in The Perfect Storm.[50] Her role as Officer Caroline Paski in Signs (2002), directed by M. Night Shyamalan, involved investigating crop circles and alien sightings alongside Mel Gibson's character.[51] Shyamalan subsequently cast her as Mrs. Clack, a villager in the isolated community, in The Village (2004).[52] In Ocean's Twelve (2004), she appeared as Molly Star, also known as Mrs. Caldwell, in a brief but memorable con-artist sequence.[53] Later films include Amelia (2009), where Jones depicted Eleanor Roosevelt, advisor and friend to aviator Amelia Earhart.[54] She played Ginger, a company executive, in The Beaver (2011). In Motherless Brooklyn (2019), Jones portrayed Gabby Horowitz, a tough political figure in Edward Norton's noir adaptation.[55] More recent roles feature Jones as Rachel, Tammy Faye Bakker's mother, in The Eyes of Tammy Faye (2021), and Gram Walker, the grandmother in The Sky Is Everywhere (2022).[56]| Year | Film | Role |
|---|---|---|
| 1987 | Light of Day | Cindy[47] |
| 1998 | The Horse Whisperer | Liz Hammond[48] |
| 2000 | Erin Brockovich | Pamela Duncan[49] |
| 2000 | The Perfect Storm | Edie Bailey[50] |
| 2002 | Signs | Officer Caroline Paski[51] |
| 2004 | The Village | Mrs. Clack[52] |
| 2009 | Amelia | Eleanor Roosevelt[54] |
| 2011 | The Beaver | Ginger |
| 2019 | Motherless Brooklyn | Gabby Horowitz[55] |
| 2021 | The Eyes of Tammy Faye | Rachel[56] |
Television Roles
Jones first gained notice on television in the NBC political drama The West Wing, portraying Republican congressional candidate Barbara Layton across three episodes in 2002 and 2003.[47] Her most prominent television role arrived in 2008 as U.S. President Allison Taylor on the Fox action series 24, a part she originated in the television film 24: Redemption and continued through seasons 7 and 8, appearing in 48 episodes until 2010.[1][23] For this performance, depicting a principled leader navigating national security crises, Jones won the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series in 2009.[2] Following 24, Jones took the recurring role of Dr. Judith Evans, a psychiatrist, in the NBC supernatural drama Awake, which aired its single 13-episode season in 2012.[4] She later appeared in supporting capacities in limited series such as the Hulu adaptation 11.22.63 (2016), based on Stephen King's novel, and the Apple TV+ miniseries Defending Jacob (2020), where she played defense attorney Joanna Klein across all eight episodes.[44][1] In prestige cable and streaming projects, Jones guest-starred as Holly Maddox, a former educator aiding the protagonist's daughter, in two episodes of Hulu's The Handmaid's Tale in 2018, earning a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series.[2][57] She recurred as Nan Pierce, the widowed matriarch of a competing media conglomerate, in HBO's Succession starting in 2018, with appearances spanning multiple seasons amid the Roy family's power struggles.[57] More recently, Jones voiced Victoria in the animated series Velma (2023) and portrayed Ambassador Quent in Apple TV+'s Foundation (2021–present), drawing on her stage-honed intensity for roles in expansive sci-fi narratives.[57]Awards and Nominations
Tony Awards
Cherry Jones has earned five nominations for the Tony Award, the highest honor in American theater, with two wins in the category of Best Performance by an Actress in a Play. Her victories came for leading roles that showcased her command of complex, introspective characters in revivals of classic works, highlighting her precision in dramatic delivery and emotional depth. These achievements underscore her status as a premier stage actress during the 1990s and 2000s, amid a career marked by selective Broadway engagements.[45] Her first Tony recognition arrived in 1991 as a nominee for Best Performance by a Featured Actress in a Play for Our Country's Good, where she portrayed dual roles including Liz Morden, a convict in the historical drama set during Australia's founding as a penal colony. This off-Broadway transfer to Broadway marked an early breakthrough, though she did not win against competitors like Elizabeth Franz.[45]| Year | Category | Production | Role | Result |
|---|---|---|---|---|
| 1991 | Best Featured Actress in a Play | Our Country's Good | Liz Morden / Reverend Johnson | Nominated[45] |
| 1995 | Best Actress in a Play | The Heiress | Catherine Sloper | Won[58][59] |
| 2000 | Best Actress in a Play | A Moon for the Misbegotten | Josie Hogan | Nominated[45] |
| 2005 | Best Actress in a Play | Doubt | Sister Aloysius Beauvier | Won[45][60] |
| 2014 | Best Actress in a Play | The Glass Menagerie | Amanda Wingfield | Nominated[45][61] |
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