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Inkstone
An inkstone is a stone mortar for the grinding and containment of ink. In addition to stone, inkstones are also manufactured from clay, bronze, iron, and porcelain. The device evolved from a rubbing tool used for rubbing dyes dating around 6,000 to 7,000 years ago. It is part of traditional Chinese stationery.
The inkstone is Chinese in origin and is used in calligraphy and painting. Extant inkstones date from early antiquity in China.
The device evolved from a rubbing tool used for rubbing dyes dating around 6,000 to 7,000 years ago. The earliest excavated inkstone is dated from the 3rd century BC, and was discovered in a tomb located in modern Yunmeng, Hubei. Usage of the inkstone was popularized during the Han dynasty.
Stimulated by the social economy and culture, the demand for inkstones increased during the Tang dynasty (618–905) and reached its height in the Song dynasty (960–1279). Song dynasty inkstones can be of great size and often display a delicacy of carving. Song dynasty inkstones can also exhibit a roughness in their finishing. Dragon designs of the period often reveal an almost humorous rendition; the dragons often seem to smile. From the subsequent Yuan dynasty, in contrast, dragons display a ferocious appearance.
The transition to civil rule under Kangxi Emperor in 1681 saw an increase in imperial inkstone production. Inkstones were often given as gifts, likely in part to help connect existing Chinese literati culture to the new Manchu imperial culture.
The Qianlong Emperor had his own imperial collection of inkstones catalogued into a twenty-four chapter compendium entitled Xiqing yanpu (Hsi-ch'ing yen-p'u). Many of these inkstones are housed in the National Palace Museum collection in Taipei.
Qing dynasty emperors often had their inkstones made of Songhua stones, but this choice was not popular outside of the imperial workshop. Inkstone design outside the palace developed largely in parallel with imperial inkstone design, although they occasionally intersected. Gu Erniang was the most famous inkstone-maker among Chinese scholars in the early Qing dynasty. Records indicate her inkstones were elegant and relatively simple, as was the preferred style at the time. However, by the late Qing dynasty, the inkstone market had turned to favoring highly intricate and novel designs.
Inkstones can be made from a variety of materials, such as ceramics, lacquered wood, glass, or old bricks. However, they are typically made from stones harvested specifically for inkstone-making. Different stones yield different quality ink; as such, the material of an inkstone is critical to its functionality. Inkstones made from the stones of specific quarries, and from specific caves within those quarries, are highly sought out by collectors.
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Inkstone
An inkstone is a stone mortar for the grinding and containment of ink. In addition to stone, inkstones are also manufactured from clay, bronze, iron, and porcelain. The device evolved from a rubbing tool used for rubbing dyes dating around 6,000 to 7,000 years ago. It is part of traditional Chinese stationery.
The inkstone is Chinese in origin and is used in calligraphy and painting. Extant inkstones date from early antiquity in China.
The device evolved from a rubbing tool used for rubbing dyes dating around 6,000 to 7,000 years ago. The earliest excavated inkstone is dated from the 3rd century BC, and was discovered in a tomb located in modern Yunmeng, Hubei. Usage of the inkstone was popularized during the Han dynasty.
Stimulated by the social economy and culture, the demand for inkstones increased during the Tang dynasty (618–905) and reached its height in the Song dynasty (960–1279). Song dynasty inkstones can be of great size and often display a delicacy of carving. Song dynasty inkstones can also exhibit a roughness in their finishing. Dragon designs of the period often reveal an almost humorous rendition; the dragons often seem to smile. From the subsequent Yuan dynasty, in contrast, dragons display a ferocious appearance.
The transition to civil rule under Kangxi Emperor in 1681 saw an increase in imperial inkstone production. Inkstones were often given as gifts, likely in part to help connect existing Chinese literati culture to the new Manchu imperial culture.
The Qianlong Emperor had his own imperial collection of inkstones catalogued into a twenty-four chapter compendium entitled Xiqing yanpu (Hsi-ch'ing yen-p'u). Many of these inkstones are housed in the National Palace Museum collection in Taipei.
Qing dynasty emperors often had their inkstones made of Songhua stones, but this choice was not popular outside of the imperial workshop. Inkstone design outside the palace developed largely in parallel with imperial inkstone design, although they occasionally intersected. Gu Erniang was the most famous inkstone-maker among Chinese scholars in the early Qing dynasty. Records indicate her inkstones were elegant and relatively simple, as was the preferred style at the time. However, by the late Qing dynasty, the inkstone market had turned to favoring highly intricate and novel designs.
Inkstones can be made from a variety of materials, such as ceramics, lacquered wood, glass, or old bricks. However, they are typically made from stones harvested specifically for inkstone-making. Different stones yield different quality ink; as such, the material of an inkstone is critical to its functionality. Inkstones made from the stones of specific quarries, and from specific caves within those quarries, are highly sought out by collectors.