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Jesus Jones
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Jesus Jones
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Jesus Jones are a British alternative rock band from Bradford-on-Avon in Wiltshire, formed in late 1988, who continue to record and perform, as of 2025.[5][6] Their track "Right Here, Right Now" was an international hit, and was subsequently globally licensed for promotional and advertising campaigns. The single was also nominated for a Grammy Award at the 34th Annual Grammy Awards in 1991, as was its album, Doubt.[7] They also achieved chart success with the songs "Real Real Real", "International Bright Young Thing" and "Info Freako".

Key Information

Career

[edit]

Liquidizer, Doubt and Perverse (1989–1995)

[edit]

In 1989 Jesus Jones released their debut album Liquidizer, featuring the singles "Info Freako", "Never Enough" and "Bring it on Down",[8] all of which narrowly missed the top 40 in the UK Singles Chart.

In early 1990, Jesus Jones recorded their second album, Doubt, but their record label was forced to delay its release until the beginning of 1991.[why?] The album sold well, due to the success of "Right Here, Right Now".[8] The song is about the swift end of the Cold War, and reached No. 2 in the US and No. 31 in the UK.[9][10] In June 1990, Jesus Jones appeared at the Glastonbury Festival.[11]

Other singles from Doubt included "Real, Real, Real" and "International Bright Young Thing", which became two of their biggest hit singles in the UK, reaching No. 19 and No. 7 respectively in the UK Singles Chart.[10] In 1991, Jesus Jones were the only UK winners when they won the Best New Artist award at the MTV Awards.[12] In April 1991, the British music magazine NME reported that their US tour had sold out before Jesus Jones arrived in the country.[13]

The follow-up to Doubt was Perverse (1993), a darker and more industrial based album, which, though a big seller, did not reach the worldwide hit status of Doubt. Perverse was one of the first rock albums recorded entirely digitally.[14]

Already and London (1996–2003)

[edit]

After the release of the Perverse album, Jesus Jones took an extended hiatus and did not return to the recording studio until December 1996. After the recording of their fourth album, drummer Gen left the band before the album was released. They released their fourth album, titled Already, in 1997 after which Jesus Jones and their record label EMI parted company. The final months of the band are chronicled in the PDF book written by Mike Edwards "Death Threats From An 8 Year Old In The Seychelles".

Later activities (2004–2015)

[edit]

With the exception of the release of the Culture Vulture EP in 2004, no new material from the band had been released between 2001 and 2018. However, in 2010, a series of download albums were released to Amazon.co.uk. The release consisted of six different albums containing "in concert" performances at the BBC, such as London T+C 1991 and London Astoria 1993.

In 2005, the Live at the Marquee DVD was released on Secret Recordings of a filmed gig from 2002.

The single "Right Here, Right Now" was resurrected in 2006 as an advertising jingle for the American retailer Kmart, in an image campaign for CBS News, and in promotional advertisements for the now-defunct television channel TechTV. In 2007 Hillary Clinton used the track for her electoral campaign. Ford Motor Company used "Right Here, Right Now" in their 2010 televisual advertising campaign. A cover of the song was also recorded by New Zealand band The Feelers to use in advertising for the 2011 Rugby World Cup.[15] In 2011 the band released The Collection & Other Rarities, which included many of their B-side tracks as well as demos and rarities.[16]

Mike Edwards and the rest of Jesus Jones perform at the Wonder Bar in Asbury Park, New Jersey, on April 6, 2024.

In November 2014, EMI reissued all four of the band's albums in a special CD+DVD bundle. In addition to the original album's tracks the reissues feature radio sessions, long-deleted b-sides, rare remixes and alternate versions. The DVDs include rare live concert footage and other extras.[17]

In a 2015 interview for the online periodical Soot Magazine band leader Mike Edwards acknowledged that, besides re-recording some older tracks with new arrangements, he was in the process of writing material for a new album: "I am writing new stuff – I was actually writing some new material yesterday and I have loads of little bits and pieces ticking over".[18]

Since the mid-2000s, Jesus Jones have continued performing live. In August 2011, the band went on a short tour (dubbed on one poster "The World's Smallest World Tour"), playing three shows in Australia before closing with a show in Japan. In November 2011, the band were due to perform in the UK in Birmingham and London, but the dates were postponed due to bass player Al Doughty being ill. They took place in January 2012. The band also toured the UK in December 2013 as part of The Wonder Stuff's Sleigh The UK tour. In March 2015, the band again returned to Australia and New Zealand for a five city tour.[19]

Later activities (2015-current)

[edit]

Jesus Jones have released further albums, namely Passages and Voyages in 2018 with further singles "Still Smiling" and "Animal Instinct" distributed online in 2024.

Band members

[edit]
  • Mike Edwards (born Michael James Edwards, 22 June 1964. London – vocals, guitars, keyboards (1988–present)
  • Jerry De Borg (born Jerry de Abela Borg, 30 October 1960, Kentish Town, London) – guitars (1988–present)
  • Al Doughty (born Alan Jaworski, 31 January 1966, Plymouth) – bass (1988–present)
  • Gary Thatcher - bass on selected dates.
  • Iain Baker (born Iain Richard Foxwell Baker, 29 September 1965, Carshalton, Surrey) – keyboards, programming (1988–present)
  • Gen (born Simon Edward Robert Matthews, 23 April 1964, Devizes, Wiltshire) – drums, additional percussion (1988–1997 then 2014–present)
Former members
  • Tony Arthy – drums (1999–2013)

Discography

[edit]

[20]

Studio albums

[edit]
Title Album details Peak chart positions Certifications
UK
[21] 		AUS
[22][23] 		CAN
[24] 		EUR
[25] 		FIN
[26] 		GER
[27] 		NED
[28] 		NZ
[29] 		SWE
[30] 		US
[31]
Liquidizer
  • Released: 2 October 1989
  • Label: Food (FOOD3)
  • Formats: LP, CS, CD
 32 118 — — — — — — — —
Doubt
  • Released: 26 January 1991
  • Label: Food (FOOD5)
  • Formats: LP, CS, CD
 1 23 35 10 — — — 6 — 25
Perverse
  • Released: 25 January 1993
  • Label: Food (FOOD8)
  • Formats: LP, CS, CD
 6 32 38 39 13 96 63 50 29 59
Already
  • Released: 18 August 1997
  • Label: Food (FOOD22)
  • Formats: CS, CD
 161 — — — — — — — — —
London
  • Released: 9 October 2001
  • Label: Mi5
  • Formats: CD
 — — — — — — — — — —
Passages
  • Released: 20 April 2018
  • Label: Jesus Jones Recordings
  • Formats: LP, CD, download
 — — — — — — — — — —
Voyages
  • Released: 9th November 2018
  • Label: Jesus Jones Recordings
  • Formats: LP, CD, download
 - - - - - - - - - -
"—" denotes items that did not chart or were not released in that territory.

Compilation albums

[edit]
  • 1993 Scratched: Unreleased Rare Tracks & Remixes (Japan only)
  • 1999 Greatest Hits
  • 2002 Never Enough: The Best of Jesus Jones
  • 2011 The Collection: A Selection of Band Favourites and Rarities
  • 2018 Zeroes and Ones: The Best of Jesus Jones (2-CD compilation)
  • 2022 Some of the Answers (15-CD boxed set)

EPs

[edit]
Year Title Tracks Peak chart positions
UK
[21]
1989 Food Christmas 63
2004 Culture Vulture
  • "Culture Vulture"
  • "Find The Dial"
  • "Head In The Sand"
  • "Halfway House"
 —
2016 How's This Even Going Down?
  • "How's This Even Going Down?"
  • "Stripped"
  • "Fall"
 —
2016 Suck it Up
  • Suck it Up"
  • "Grateful"
  • "So Welcome"
 -
2019 Liquidizer EP
  • "Move Mountains"
  • "All The Answers"
  • "Bring it on Down"
  • "Someone to Blame"
 -
"—" denotes items that did not chart or were not released in that territory.

Singles

[edit]
Year Title Peak chart positions Album
UK
[21] 		AUS
[22][23][36] 		CAN
[37] 		EUR
[38] 		FIN
[26] 		GER
[39] 		NED
[28] 		NZ
[29] 		US
[31] 		US
Alt.
[31]
1989 "Info Freako" 42 — — — — — — — — — Liquidizer
"Never Enough" 42 — — — — — — — — —
"Bring It on Down" 46 — — — — — — — — —
1990 "Real Real Real" 19 117 10 48 — — 59 37 4 26 Doubt
"Right Here, Right Now" 31 35 18 87 13 84 61 29 2 1
"International Bright Young Thing" 7 79 58 29 — — — 22 — 6
1991 "Who? Where? Why?" 21 167 — 82 — — — 48 — —
"Right Here, Right Now" (re-issue) 31 — — 87 — — — — — —
1992 "The Devil You Know" 10 54 47 34 — — 77 15 — 1 Perverse
1993 "The Right Decision" 36 184 88 — — — — — — 12
"Zeroes and Ones" 30 — — 78 — — — — — —
1997 "The Next Big Thing" 49 — — — — — — — — — Already
"Chemical No.1" 71 — — — — — — — — —
2002 "Nowhere Slow" — — — — — — — — — — London
"Come on Home" — — — — — — — — — —
"In the Face of All of This" — — — — — — — — — —
2005 "Right Here Right Now"
(Robbie Rivera featuring Jesus Jones) 		— — — — — — — — — — Non-album single
2016 "How's This Even Going Down?" — — — — — — — — — — Passages
"Suck it Up" — — — — — — — — — —
"—" denotes items that did not chart or were not released in that territory.

Video albums

[edit]
  • 1991 Big in Alaska

Other

[edit]
  • 1990 Live (a.k.a. Move Mountains & 4 More) (US-only live EP)
  • 1991 Live in Alaska (German-only live VHS)
  • 1993 A Perverse Conversation with Jesus Jones (US-only interview promo)
  • 1993 Zeroes & Heroes (Double EP)
  • 1997 4 Track Sampler for Promo Only (Promo EP)
  • 1998 Back 2 Back Hits (US-only 'Best of' with EMF)
  • 2002 Never Enough The Best of Jesus Jones (Videos DVD)
  • 2005 Live at the Marquee (Live DVD)
  • 2008 The Remixes (Remix download album)
  • 2010 BBC in Concert 26th February 1991 London T+C
  • 2010 BBC in Concert 30th March 1993 London Astoria
  • 2013 Liquidizer Live DVD

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jesus Jones

View on Grokipedia
from Grokipedia
Jesus Jones is a British alternative rock band from in , formed in late 1988, renowned for pioneering a fusion of with electronic elements, including and influences through sampling and layered guitars. The band was founded by vocalist, guitarist, and primary songwriter Mike Edwards, alongside drummer Simon "Gen" Matthews, guitarist Jerry De Borg, bassist Alan Doughty, and keyboardist Iain Baker, with the core lineup remaining intact into the 2020s. Their debut , Liquidizer (1989), introduced their energetic, rave-infused sound with tracks like "Info Freako," establishing them in the UK indie scene. Breakthrough came with their second , Doubt (1991), which topped the for one week and achieved platinum status in the United States, propelled by the global hit single "Right Here, Right Now," which reached number 2 on the and topped the Modern Rock Tracks chart. Subsequent releases like Perverse (1993), which peaked at number 6 on the UK Albums Chart and featured singles such as "The Devil You Know" (UK number 10), showcased innovative digital recording techniques and continued their exploration of technology in music, though commercial success waned after the mid-1990s. Later albums, including Already (1997) and London (2001), reflected a shift toward more introspective themes, while the band maintained a cult following for their genre-blending influence on acts like The Prodigy. As of November 2025, Jesus Jones remains active with their original members, having toured the UK with EMF in October, and working on the release of a new album, Twilight, expected by the end of the year.

Background

Formation

Jesus Jones was formed in late 1988 by vocalist and multi-instrumentalist Mike Edwards from , , , along with Iain Baker on keyboards and programming, Jerry De Borg on guitars, Al Doughty on bass, and Simon Matthews (known as Gen) on drums. The band emerged as a reaction to the frustrations experienced in their members' prior musical endeavors, with Edwards, Baker, and De Borg deciding to break away from an existing group during a holiday in to pursue a fresh creative direction. Edwards, who had previously played in the short-lived band alongside Doughty and Matthews after relocating from to in 1986, sought to blend rock instrumentation with electronic elements inspired by the burgeoning and scenes. The band's name originated as an in-joke during that Spanish vacation, where Edwards, De Borg, and Matthews—jokingly referring to themselves as "Joneses" due to the commonality of the surname in —found themselves surrounded by locals named , leading to the hybrid moniker that captured a sense of ironic cultural fusion. Initial rehearsals took place in late 1988, focusing on integrating guitars and keyboards with programmed beats to create a high-energy sound that merged indie rock's raw edge with emerging dance rhythms. The group quickly began performing early gigs in local venues, such as a packed bar at Union, often in a stripped-down four-piece setup before solidifying their full lineup, which helped refine their innovative approach. By the end of 1988, Jesus Jones had recorded initial demos that showcased their distinctive fusion of and electronic influences, catching the attention of industry scouts. These efforts culminated in a signing with , a of , in December 1988, based solely on the strength of their demo tape, marking the transition from local experimentation to professional recording.

Musical style and influences

Jesus Jones' music is characterized by a fusion of with electronic dance elements, prominently featuring genres such as , indie dance, and grebo, which encompasses their early aggressive, genre-blending approach. The band's sound integrates guitar-driven with influences from , , and hip-hop, utilizing sampling, keyboards, and programming to produce upbeat, danceable rhythms that emphasize layered guitars and pop hooks. Their style evolved from rap-influenced aggression and in their initial phase to a more polished pop-rock aesthetic in later works, incorporating darker, introspective electronic textures while maintaining crossover appeal between rock and audiences. Key influences include hip-hop pioneers like for sampling techniques and rhythmic drive, noise rock acts such as , punk icons like the , and the broader acid house scene that shaped their electronic fusion. Additional inspirations draw from contemporaries in indie-dance like and , as well as early heavy metal bands such as and , contributing to their "in-your-face" rock energy. Signature elements of their music include politically charged lyrics inspired by in hip-hop, combined with optimistic and energetic tempos that bridge rock's raw power with dance's propulsion.

Career

1989–1995: Early success with Liquidizer, Doubt, and Perverse

In 1989, Jesus Jones signed with , an imprint of , shortly after their formation the previous year. Their debut album, Liquidizer, was released in October 1989 and peaked at number 32 on the . The album's , "Info Freako," reached number 42 on the UK Singles Chart earlier that year, marking the band's initial chart entry and gaining cult status in the UK and . The band's breakthrough came with their second album, , released in January 1991, which topped the for one week and peaked at number 25 on the US 200. Key singles from drove its success: "Right Here, Right Now" reached number 31 in the UK and number 2 on the US , while also topping the Modern Rock Tracks chart; "Real Real Real" charted at number 19 in the UK and number 4 on the US Hot 100; and "International Bright Young Thing" peaked at number 7 in the UK. "Right Here, Right Now" earned Grammy nominations for Best Alternative Music Performance (for the album) and Best Pop Performance by a Duo or Group with Vocals (for the single), and its video won MTV's Best New Artist in a Video award in 1991. The song also became a cultural touchstone as an anthem of post-Cold War optimism during the era, frequently played on news programs to underscore global political shifts. Jesus Jones' third album, Perverse, arrived in January 1993 and peaked at number 6 on the . Its lead single, "The Devil You Know," reached number 10 in the and topped the Modern Rock Tracks chart, reflecting the band's continued blend of and electronic elements. During this period, Jesus Jones toured extensively across the , , and to support their releases, including headline shows in , major venues like The Warfield in , and European dates, solidifying their international presence amid rising popularity.

1996–2003: Already and London

Following the commercial disappointment of their 1993 album Perverse, Jesus Jones entered an extended hiatus, during which frontman Mike Edwards pursued solo projects and the band members explored other endeavors. They reconvened in 1996 to record their fourth studio album, Already, which marked a continuation of their signature blend of and electronic elements, though released during the height of the guitar-driven movement. Already was released in February 1997 on , the band's final album with the major label, and featured 12 tracks written entirely by Edwards. The album incorporated more pronounced electronic production, including synthesized beats and samples, reflecting the band's ongoing experimentation with fusion amid a shifting music landscape dominated by Britpop acts like Oasis and Blur. Lead single "The Next Big Thing" peaked at No. 49 on the UK Singles Chart, while follow-up "Chemical #1" reached No. 71, signaling a decline from their early-1990s chart successes; the album itself entered the at No. 161, underscoring challenges in recapturing mainstream momentum. In support of Already, the band undertook extensive touring, including multiple dates across the in 1997 and 1998, performing at venues such as New York's Irving Plaza and Los Angeles' to connect with their core alternative audience. These tours highlighted internal creative tensions, as Edwards pushed for bolder electronic integrations, but also fostered experimentation that influenced their evolving sound. However, the album's modest performance led to the band's departure from later in 1997, prompting a shift to independent operations. By 2001, with original drummer Simon "Gen" Matthews having left in 1996—reportedly due to burnout after over a decade with the band—Jesus Jones reformed with replacement Tony Arthy on drums and signed to the independent Recordings in the UK (and Koch Records in the ) for their fifth album, . Released in October 2001, the album drew from personal themes in Edwards' life, including reflections on relationships and urban isolation, across tracks like "" and "Asleep on the Motorway," while maintaining electronic-rock textures but with a more introspective tone. It achieved no significant chart placement in the UK or and produced no top 40 singles, with promotional EPs such as "Nowhere Slow" receiving limited ; despite critical praise for its maturity, the release underscored the band's transition to a niche, independent status.

2004–2015: Hiatus and reformation

Following the release of their 2001 album , Jesus Jones entered a period of semi-hiatus, during which maintained low activity levels while members pursued personal interests outside music. Lead singer and primary songwriter Mike Edwards immersed himself in , participating in events and writing articles for UK-based publications. The band resumed sporadic live performances beginning in 2005, including appearances at the Vilar de Mouros Festival in and club shows in , Birmingham, , and . That year, they released the live DVD Live at the Marquee, capturing a full concert from their Dublin performance and showcasing material from their catalog. Activity remained intermittent through the late , with a brief tour in October 2008 featuring intimate venues such as The Luminaire in . These outings highlighted the band's enduring appeal among indie and alternative rock audiences. In , Jesus Jones reformed on a more structured basis to mark the 20th anniversary of their breakthrough album , launching a tour that included joint dates in with and a headline slot at the Woolley Festival near , , where they performed the album in its entirety. This resurgence involved the core lineup and focused on and European gigs, signaling a gradual return to performing. Drummer Tony Arthy, who had joined in 2001, remained a key part of these efforts until his departure in late , contributing to the stability of the group's occasional shows during the transitional years.

2016–present: Revived activity and new releases

Following their , Jesus Jones experienced a resurgence in creative output and live performances, beginning with the independent release of their sixth studio , Passages, in April 2018 through a campaign on . The double , produced by frontman Mike Edwards, explored themes of life's transitions and mortality, blending the band's signature with electronic elements and guest contributions from artists like on trumpet. A companion , Voyages, followed in November 2018, featuring additional tracks and remixes that complemented Passages while expanding on its experimental sound, also released independently via the band's own channels. In 2024, the band continued their independent streak with digital singles "Still Smiling," released in September 2023 with remixes including a collaboration with Jinx Padlock, and "Animal Instinct" in September 2024, both distributed via platforms like and streaming services. These releases marked a return to shorter-form output, emphasizing upbeat, introspective lyrics over full albums, and were supported by limited merchandise drops. In July 2025, Jesus Jones announced their seventh studio album, Twilight, for a hoped-for release by the end of the year, with Edwards describing it as a reflective work on endings and new beginnings, produced without major label involvement; as of November 2025, however, the album remains in . The band has maintained independence since their days, achieving success through direct fan support and . Live activity ramped up significantly, highlighted by a co-headlining tour with EMF and bis in October 2025, covering cities including , , , , , and , where the band delivered sets mixing classics with newer material. Plans for a leg were canceled due to logistical challenges, but the group performed at the Shiiine On Weekender festival in from November 14–17, 2025, alongside headliners , , and others, fostering renewed connections with '90s alt-rock audiences. Drummer Simon "Gen" Matthews, an original member who rejoined after Tony Arthy's departure in late 2013, has anchored the rhythm section through this period, contributing to the band's cohesive sound on stage. Jesus Jones sustains fan engagement through active presence on platforms like and , where they share updates, behind-the-scenes content, and exclusive merchandise, ensuring a dedicated following without reliance on major labels.

Band members

Current members

The current lineup of Jesus Jones, as of 2025, consists of the five original members, with the drummer having rejoined in 2013 after leaving in 1997.
  • Mike Edwards – vocals, guitars, keyboards (1988–present); the band's founder and primary songwriter.
  • Jerry De Borg – guitars (1988–present).
  • Al Doughty – bass (1988–present).
  • Iain Baker – keyboards, programming (1988–present).
  • Gen (Simon Matthews) – drums (2013–present).

Former members

Simon Matthews, known professionally as Gen, served as the band's original drummer from its formation in 1988 until 1997. He contributed to the band's early albums, including Liquidizer (1989), Doubt (1991), and Perverse (1993), before departing shortly after recording Already but prior to its release. Tony Arthy joined Jesus Jones as drummer in 2001, replacing Matthews, and remained with the group until his resignation in December 2013. During his tenure, Arthy performed on the albums London (2001) and subsequent releases, supporting the band's activities through the early 2000s and into the hiatus period.

Discography

Studio albums

Jesus Jones have released six studio albums to date, with their debut in 1989 and an upcoming seventh scheduled for 2025. The band's early work was issued through in the and associated labels in the , achieving commercial success in the early before shifting to independent releases in later years.
AlbumRelease yearLabelUK peakUS peak (Billboard 200)
Liquidizer1989/EMI32—
Doubt1991/EMI125
Perverse1993SBK/670
Already199757—
2001Mi5——
Passages2018RT Industries (independent)——
Twilight2025 (upcoming)RT Industries——

Compilation albums

Jesus Jones has released several compilation albums that curate selections from their discography, including greatest hits collections and expanded sets featuring rarities. These releases highlight the band's evolution from their early sound to later works, often including bonus material not available on original studio albums. The band's initial compilation effort was the limited-edition The Greatest, issued in in 1998 by . This single-disc collection focuses on their most prominent singles from the late 1980s and early , such as "Info Freako" and "Never Enough," drawing primarily from their era. It served as an accessible entry point for international fans, emphasizing their breakthrough in the scene. In 2002, EMI followed with Never Enough: The Best of Jesus Jones, a more comprehensive double-CD . The first disc assembles 19 key tracks, including chart-toppers like "Right Here, Right Now" from Doubt (1991) and "Zeroes + Ones" from Perverse (1993), representing their commercial peak. The second disc adds 12 remixes and B-sides, such as the Ben Chapman mix of "Real Real Real," offering fans deeper cuts and alternate versions that showcase the band's experimental production style. Released amid a period of reduced activity, it capitalized on nostalgia for their early success. Marking a resurgence in catalog reissues, Edsel Records launched Some of the Answers in 2022 as a 15-CD box set. This expansive retrospective includes remastered versions of all six studio albums—Liquidizer (1989), Doubt (1991), Perverse (1993), Already (1997), London (2001), and Passages (2018)—augmented by 131 bonus tracks comprising unreleased demos, rarities, live recordings, and remixes. For instance, it features early demos like "Miss Universe" and alternate takes from sessions across their career. The set is housed in a deluxe book-format package with a 100-page booklet containing track-by-track annotations by keyboardist Iain Baker, photographs, and essays, providing comprehensive context for the band's 30-plus years of music.
TitleYearLabelFormatKey Features
The Greatest1998CD (limited edition)12-track hits collection focused on early singles; Japan-exclusive.
Never Enough: The Best of Jesus Jones20022×CD19 hits + 12 remixes/B-sides; covers 1989–1993 material.
Some of the Answers2022Edsel Records15×CD All studio albums + 131 bonuses (demos, lives, rarities); includes book.

EPs

Jesus Jones released a limited number of extended plays throughout their career, primarily in the early and mid-stages of their discography. These EPs served as promotional vehicles, live showcases, and experimental outlets, often featuring unique recordings not found on full-length albums. The band's debut EP contribution came on The Food Christmas EP in 1989, a shared release on featuring artists from the label. Jesus Jones provided a cover of Crazyhead's "I Don’t Want That Kind Of Love" as their sole track, recorded in a raw, style reflective of their grebo influences at the time. Issued in formats including 12" vinyl (12FOODG 23) and (CDFOOD 23), it was a holiday-themed sampler limited to distribution and not commercially charted. In , Jesus Jones issued a US-exclusive live EP titled Live (also known as Move Mountains & 4 More), recorded during a broadcast by WXRT in . Released on in format (K2-19727), it captured the band's energetic early post-Liquidizer, with five tracks: "Move Mountains" (3:55), "What's Going On" (3:30), "Barry D. Next to " (2:26), "Broken Bones" (3:05), and "Song 13" (4:07). Notable for its raw audience energy and inclusion of B-sides like "Broken Bones," the EP helped build American buzz ahead of Doubt. The group's most recent EP, Culture Vulture, arrived in 2004 on Recordings, marking a return after the London album. This four-track release (MI5CD001) experimented with remixable elements, including audio stems for the title track to encourage fan remixing. Key tracks include the driving opener "Culture Vulture" (3:22), the introspective "Find the Dial" (3:31), "Head in the Sand" (3:49), and "Halfway House" (4:34), blending electronic textures with the band's signature guitar-driven sound. Limited to 1,000 copies initially, it was later reissued digitally and highlighted themes of media saturation.

Singles

Jesus Jones' singles discography spans from their debut in 1989 to recent independent releases, with peak commercial success in the early on both and charts. The band's early single "Info Freako", released in 1989 from their debut album Liquidizer, reached No. 42 on the UK Singles Chart. "Right Here, Right Now", issued in 1990 and later re-promoted in 1991 from Doubt, peaked at No. 31 in the and No. 2 on the Billboard Hot 100. "Real Real Real", also from Doubt and released in 1991, charted at No. 19 in the UK and No. 4 on the US Billboard Hot 100. "International Bright Young Thing" followed later in 1991 from the same album, achieving the band's highest UK position at No. 7, though it did not enter the US Hot 100. From their 1993 album Perverse, "The Devil You Know" reached No. 10 in the UK and topped the Tracks chart. "The Next Big Thing", the lead single from 1997's Already, peaked at No. 49 on the UK Singles Chart. In 2024, the band independently released "Still Smiling" as a standalone single. Similarly, "Animal Instinct" was issued independently in 2024, with no major chart entry.

Video albums

Jesus Jones released their debut video compilation, Big in Alaska, in 1991 on VHS through PMI Records. This 50-minute program combined live concert footage from an Alaskan performance with music videos and band interviews, highlighting tracks from the Doubt album such as "Info Freako," "Bring It On Down," "Never Enough," "Real Real Real," "International Bright Young Thing," "Right Here, Right Now," and "Who? Where? Why?". The release captured the band's high-energy stage presence during their breakthrough period, blending alternative rock with dance elements in a raw, promotional format aimed at international audiences. In 2002, EMI issued Never Enough: The Best of Jesus Jones as a DVD compilation, featuring official music videos for 12 key singles from to 1993. The collection included visuals for "Info Freako," "Never Enough," "Bring It On Down," "Real Real Real," "Right Here, Right Now," "International Bright Young Thing," "Who? Where? Why?," "The Devil You Know," "The Right Decision," "Zeroes + Ones," "The Next Big Thing," and "Chemical #1," providing a overview of the band's chart successes and stylistic evolution from grebo-infused indie to mainstream . Directed by various filmmakers, the videos emphasized the group's innovative use of sampling and electronic elements in a visually dynamic style. The live concert DVD Live at the Marquee followed in 2003, released by Secret Records and documenting a full performance from London's iconic on November 8, 2002. The 90-minute recording showcased the reformed lineup delivering 18 tracks, including staples like "Zeroes + Ones," "Right Here, Right Now," "Real Real Real," "International Bright Young Thing," "The Devil You Know," and "Info Freako," along with deeper cuts from Liquidizer and Perverse. Filmed to commemorate the venue's closure, it highlighted the band's enduring live prowess with high-production audio and multi-camera visuals, serving as a bridge between their peak and revival.

Other releases

Jesus Jones have contributed tracks to several film soundtracks, primarily through licensing their existing songs. Their 1991 single "International Bright Young Thing" from the album Doubt appears on the soundtrack for the science fiction film Freejack (1992), directed by Geoff Murphy, where it underscores scenes of high-energy pursuit and futurism. Similarly, "Right Here, Right Now," another Doubt track, features in the documentary How to Boil a Frog (2010), a film exploring solutions, providing an ironic backdrop to discussions of environmental urgency. Beyond band releases, lead singer and guitarist Mike Edwards made a notable on the English band The Fall's 1990 Extricate. Edwards contributed guitar to the track "Popcorn Double Feature," adding a layer of texture to the album's raw, experimental sound during a period of lineup flux for The Fall following internal changes. The band participated in charity efforts through compilation albums in the early 1990s. On the 1992 triple-CD set Ruby Trax – The NME's Roaring Forty, released by to mark 40 years of publication and benefit charitable causes, Jesus Jones delivered a cover of Jimi Hendrix's "Voodoo Child (Slight Return)." Their rendition, clocking in at over five minutes, infused the psychedelic rock classic with their signature sample-heavy, dance-inflected style, appearing alongside covers by artists like and . In the 2020s, Jesus Jones issued miscellaneous recordings that included previously unreleased material. The 2022 vinyl reissue of Scratched (Unreleased Rare Tracks & Remixes), originally a Japan-only 1993 compilation, expanded the collection with two exclusive mixes of "Right Here, Right Now" and a Prodigy vs. Jesus Jones collaboration on "Zeroes and Ones." This Record Store Day exclusive highlighted archival rarities, blending early demos and alternate versions not found on standard albums. The same year, the 15-CD box set Some of the Answers incorporated over 130 bonus tracks, including digital-only extras like session outtakes and live demos from across their career, offering fans deeper access to non-album cuts.

References

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