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Pauldron
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A pauldron (sometimes spelled pouldron or powldron) is a component of plate armor that evolved from spaulders in the 15th century. As with spaulders, pauldrons cover the shoulder area.[1] Pauldrons tend to be larger than spaulders, covering the armpit and sometimes parts of the back and chest. A pauldron typically consists of a single large dome-shaped piece to cover the shoulder (the "cop") with multiple lames attached to it to defend the arm and upper shoulder. On some suits of armour, especially those of Italian design, the pauldrons would be asymmetrical, with one pauldron covering less (for mobility) and sporting a cut-away to make room for a lance rest.[2]
Jousting
[edit]The pauldron of a knight was also important in jousts. While most points in a jousting competition were scored by unhorsing the opponent or striking the lance, points could also be scored if a lance was to hit the enemy pauldron, albeit for lesser points than a true strike.[3] Many pauldron styles used a lance rest to assist in the joust, allowing the knight an area to ready the lance for stronger blows. The pauldron would typically be cut shorter to allow this rest without restricting arm mobility or the rider's protection. Typically, only the right pauldron would support this cut-away, as this was the lance arm of the knights contending in a joust.
Typical tournament armor for jousting would be padded with cloth to minimize injury from an opponent's lance and prevent the metal of the pauldron from scraping against the breastplate. This protective cloth padding would extend about half an inch from the rolled edge of the armor, and it was secured in place with rivets along the entire edge. This cloth protection could not be too thick in battle, or the knight would have no arm mobility. However, in a safer tournament setting, mobility was less important compared to safety, thus leading to heavier padding. In fact, knights in this era could be padded to the point where they look "more wide than tall" compared to contemporary depictions of jousting armor.[4]
In fantasy fiction
[edit]
In visual artwork inspired by fantasy fiction, pauldrons are often depicted with spikes. Such a feature would be impractical in combat, as performing any action that requires raising an arm risks a spike poking the wearer in the head.
An example of this style of pauldron can be seen in the armor worn by Sauron in the Lord of the Rings film trilogy.
References
[edit]- ^ "pouldron". Oxford English Dictionary (Online ed.). Oxford University Press. (Subscription or participating institution membership required.)
- ^ Hurt, William. "Milanese right pauldron and lance rest". Age of Armour. Retrieved 25 January 2014.
- ^ Kirstin Olsen (2017). "Jousting in England". Daily Life through History. ABC-CLIO.
- ^ d'Anjou, Rene (1409). Traicté de la forme et devis comme on fait un tournoi.
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Pauldron
View on Grokipediafrom Grokipedia
A pauldron is a plate of armor designed to protect the shoulder and upper arm, typically consisting of curved steel plates that wrap around the joint for comprehensive coverage. Unlike earlier spaulders, which were simpler wing-like guards, pauldrons provided more extensive, articulated protection.[1] The term originates from the Middle English pouldron or polron, derived from the Middle French espalleron, meaning "shoulder," which itself stems from Old French espaule.[2] Introduced by European armorers in the late 14th century, pauldrons evolved as a key element in full suits of plate armor during the transition to the 15th century, providing enhanced defense against blows while allowing for greater mobility compared to earlier mail reinforcements.[1]
By the 15th century CE, they became standard in knightly harnesses across Europe, particularly in England, France, and Germany, where they were integral to complete body armor worn over chain mail for battles, jousts, and tournaments.[1] This evolution reflected broader advancements in metallurgy and armor design, shifting from flexible mail to rigid plates that better deflected weapons like swords, lances, and arrows.[3]
Typically constructed from forged steel—sometimes iron in earlier or less affluent examples—pauldrons were shaped with overlapping lames (bands) or as solid, rounded forms to ensure flexibility at the shoulder while maintaining protection.[3] They were secured to the breastplate or arm defenses via leather straps, buckles, hinges, or laces, often featuring decorative etching, gilding, or embossing in high-status parade armors of the Renaissance era.[1] German examples from the 16th century, such as those in museum collections, demonstrate their robust build, with dimensions around 18 inches in height and weights contributing to the overall 40-60 pounds of a full suit.[3]
Overview
Definition and Purpose
A pauldron is a component of plate armor designed to cover the shoulder joint and upper arm, typically consisting of a main globular or domed plate known as the "cop," with additional overlapping lames or curved plates attached to provide layered protection and articulation. These plates are usually fastened via straps, buckles, or sliding rivets to the cuirass (the main body armor) on one side and the rerebrace (upper arm guard) on the other, forming an integral part of a full suit of armor.[4] The design emphasizes rounded, angled surfaces to enhance deflection capabilities while maintaining a secure fit over the wearer's anatomy. The primary purpose of the pauldron is to safeguard the vulnerable shoulder region against strikes from edged weapons such as swords and axes, as well as projectiles like arrows, by distributing and redirecting impact forces away from the body. This protection extends to the shoulder area, thereby reducing the risk of penetration or severe injury during close-quarters combat.[5] At the same time, the segmented construction allows for restricted but functional arm mobility, enabling the wearer to wield weapons, raise shields, or perform essential movements without excessive hindrance.[5] Unlike earlier spaulders, which served as precursors often made from lamellar, splinted, or brigandine materials for basic shoulder coverage, pauldrons represent a more advanced, full-plate iteration integrated into comprehensive harnesses for enhanced durability and seamless functionality. Similarly, they differ from besagews, which are small, circular rondels specifically guarding the underarm or armpit area against thrusts,[6] as pauldrons provide broader, continuous enclosure over the entire shoulder assembly rather than targeted gap protection. This evolution from simpler designs underscores the pauldron's role in balancing comprehensive defense with practical wearability in plate armor systems.Evolution from Spaulders
In the 14th century, pre-pauldron shoulder armor primarily took the form of spaulders, which consisted of flexible, overlapping lames crafted from metal or leather plates, integrated into transitional armor ensembles to provide mobile protection over the shoulders while allowing arm movement.[7] A key evolution occurred in the 15th century, when spaulders transitioned into rigid, cup-shaped pauldrons designed for enhanced impact resistance, this change aligning with the emergence of comprehensive full plate armor systems throughout Europe.[7] This progression was driven by metallurgical improvements that produced more uniform and harder steel—evidenced by mid-15th-century armors achieving 300-400 Vickers Pyramid Hardness levels, compared to the inconsistent hardening in 14th-century pieces—as well as the escalating requirements of heavy cavalry engagements, where mounted warriors needed robust defenses against lances and melee weapons.[8] Early pauldron designs displayed regional distinctions, with Italian variants around 1420 featuring globular main plates with articulated lames in the Churburg armory's S18 harness, and German Gothic styles from circa 1420-1450 incorporating initial rigid forms with subtle fluting for structural reinforcement.[9][10]Historical Development
Medieval Origins
Pauldrons emerged in late 14th-century Europe as articulated shoulder defenses within the broader transition to full plate armor, with the first examples appearing around 1420 in Italian and Burgundian workshops.[11] These early pauldrons consisted of multiple lames—overlapping steel plates—allowing for greater mobility compared to the rigid spaulders that preceded them, marking a technical shift toward comprehensive limb protection.[12] By the early 15th century, they had become integral to knightly harnesses, evolving alongside advancements in metallurgy and forging techniques that enabled precise articulation.[11] This development occurred amid the prolonged conflicts of the Hundred Years' War (1337–1453) between England and France, as well as the internecine struggles among Italian city-states, where professional condottieri forces demanded enhanced personal defenses.[11] Plate armor, including pauldrons, gradually supplanted chain mail hauberks to provide superior resistance against the piercing capabilities of evolving weaponry, reflecting a socio-military emphasis on individual knightly protection in an era of increasingly lethal ranged and melee engagements.[11] In England, records from King Henry V's wardrobe during the war indicate the procurement of shoulder defenses termed "pauldrons," underscoring their integration into royal and noble equipage by the 1410s.[13] Notable early examples include the articulated pauldrons produced in Milanese workshops, such as those by the Missaglia family, who were active from around 1430 and supplied high-quality Gothic-style armor to European nobility.[14] At the Battle of Agincourt in 1415, French and English knights employed transitional harnesses with rudimentary pauldron-like shoulder guards, though these predated the fully articulated forms that would standardize by mid-century.[13] A surviving left pauldron from circa 1430, featuring four deep lames for flexibility, exemplifies Italian craftsmanship and was likely intended for field use in continental campaigns.[12] The adoption of pauldrons was driven by the proliferation of polearms, such as halberds and bills, and powerful crossbows, which targeted vulnerable joints in earlier mail-and-plate composites, necessitating robust, contoured shoulder coverage.[11] These defenses integrated seamlessly with great helms for head protection and couters at the elbows, forming a cohesive upper-body system that balanced deflection of downward strikes with arm mobility essential for wielding swords or lances.[11] This evolution prioritized layered steel construction to mitigate blunt and piercing trauma, adapting to the tactical demands of mounted and dismounted combat in medieval warfare.[12]Renaissance and Later Periods
During the 16th century, European pauldrons reached a peak of elaboration in both Gothic and Milanese styles, reflecting advancements in design that balanced protection, mobility, and aesthetics. The Gothic style, prevalent in southern Germany and Austria, featured fluted surfaces—parallel ridges that enhanced structural rigidity while allowing for thinner steel plates, thus reducing weight without sacrificing defense. These fluted pauldrons, often symmetrical and angular to emphasize a slender silhouette, were prominently incorporated into field armors for knightly cavalry, as seen in examples from Nuremberg around the 1520s.[15] In contrast, the Milanese style from northern Italy favored smoother, rounded forms with asymmetrical pauldrons, where the left shoulder defense was typically larger to shield against lance strikes in combat or tournaments, prioritizing fluidity and elegance in line with Renaissance ideals.[16] Pauldrons in these regional variants also served ceremonial purposes, particularly in parade armors commissioned for nobility. German Gothic pauldrons, heavy and rounded in profile for maximum coverage, adorned the armors of Holy Roman Emperors such as Maximilian I, whose reign (1493–1519) popularized the intricate fluting known as "Maximilian style," extending to elaborate shoulder defenses in composite harnesses produced in Augsburg and Innsbruck around 1515–1525.[17] Italian Milanese examples, lighter and more angled, were lighter in construction to suit the agile fencing techniques emerging in Renaissance Italy, often featuring decorative embossing or gilding for courtly displays. These styles exported widely from production centers in Milan and Nuremberg, influencing armors across Europe.[18] The utility of full pauldrons waned by the late 16th and 17th centuries as advancements in firearms rendered comprehensive plate armor increasingly impractical. Musket balls and improved artillery pierced standard plates, prompting armorers to thicken steel or add proofing, which escalated weight and cost; consequently, full harnesses gave way to half-plate configurations protecting only the torso and head, with pauldrons reduced to minimal or vestigial forms.[19] This decline accelerated after 1650, as tactical shifts toward infantry lines and volley fire prioritized mobility over heavy protection, leading to the complete obsolescence of pauldrons in military contexts by the 18th century.[20] Outside Europe, analogous shoulder defenses appeared independently in other cultures, such as the Ottoman Empire's plated mail hauberks with reinforced shoulder plates for elite sipahi cavalry, and Japan's samurai sode—rectangular iron or leather lames suspended from the dou cuirass to guard the upper arms—though these lacked direct influence on European designs.[21][22]Design and Construction
Components and Features
A pauldron is primarily composed of a main protective cup, which forms a dome-shaped plate fitting over the shoulder joint to provide core deflection against blows. This central element is articulated to a series of overlapping lames below, known as the lower lames, that extend coverage down the upper arm while maintaining flexibility through their graduated, upward-overlapping design. Connecting mechanisms include sliding rivets along the rear edges for smooth articulation and leather straps or pivots at the front and sides to enable arm movement without restricting the wearer.[23][24] Attachment to the overall armor suit typically involves leather straps and buckles securing the pauldron to the cuirass at the shoulder, ensuring stability during motion; in more integrated designs, the lowest lame connects directly to rerebraces (upper cannons) covering the upper arm via sliding rivets that allow rotation and extension for full arm protection. Variations in shape include rounded forms common in English armors of the late 15th century, optimized for broad deflection of strikes in field combat, contrasted with peaked or flanged profiles in jousting variants designed to guide lances away from the body. Asymmetrical configurations also appear, particularly in tournament armor, where the left pauldron is enlarged to shield against the opponent's lance while the right remains slimmer for wielding weapons.[23][25] Functional enhancements include besagew rings, circular plates riveted to the inner edge of the pauldron to seal gaps at the armpit and protect vulnerable arteries beneath. These rondels slide or pivot to accommodate arm raising without exposing the joint. Decorative embossing and etching on the main plate and lames often feature intricate motifs such as trophies of arms or allegorical figures, serving as markers of the wearer's status while preserving structural integrity through shallow relief that avoids weakening the metal.[26][23]Materials and Manufacturing
Pauldron construction primarily utilized tempered steel as the core material, with thicknesses typically ranging from 1 to 3 millimeters to balance protection and mobility.[27] Earlier iterations, particularly in the medieval period, incorporated wrought iron for cost-effective production or boiled leather—known as cuir bouilli—hardened through immersion in wax or oil to provide lighter-weight alternatives suitable for less affluent wearers or auxiliary troops.[28] Leather elements, such as straps and internal padding, complemented metal components to enhance fit and comfort while mitigating chafing.[27] The manufacturing process began with hand-forging, where heated steel or iron was hammered on anvils using specialized tools like stakes and swages to form the basic shape of the pauldron lames.[27] Subsequent shaping occurred over wooden or metal forms to create the curved, overlapping plates, followed by riveting for articulation and assembly.[29] Finishing steps included polishing to achieve a smooth surface that reduced friction and improved aesthetics, and bluing—a heat-induced oxidation process often sealed with oil—to form a protective patina against rust.[30] Heat treatment, such as slack quenching after carburization, hardened the steel to enhance durability without excessive brittleness.[29] Quality variations distinguished elite pauldrons from standard issues; high-end pieces for nobility featured gilding, etching, or embossing for decorative appeal and status, often using higher-carbon steel for superior resilience.[18] In contrast, mass-produced armor for infantry relied on lower-grade iron or inconsistent alloys, forged more rapidly in workshops to meet wartime demands, resulting in thicker but less refined plates prone to quicker wear.[27] Fifteenth-century innovations included refined regional techniques, such as Italian oblique hammering for complex contours and German parallel strikes for uniformity, alongside improved annealing cycles to prevent warping during shaping.[27]Military and Sporting Use
In Battlefield Combat
Pauldron in battlefield combat provided critical protection for the shoulders during close-quarters engagements, absorbing the force of overhead strikes from maces and halberds that were common in medieval infantry clashes. In the Wars of the Roses (1455–1487), these weapons proved particularly effective against armored opponents, with flanged maces designed to dent or deform plate components like pauldrons rather than penetrate them outright, thereby preventing debilitating shoulder injuries in melee.[31][32] Archaeological evidence from the Battle of Visby in 1361 includes early forms of shoulder protection, such as small plates associated with coats of plates, indicating their role in transitional armor as precursors to fully developed pauldrons.[33] Despite these advantages, pauldrons imposed notable limitations on mobility, particularly restricting full arm elevation required for drawing longbows in archery roles. Medieval archers, often operating in mixed units, typically avoided heavy shoulder armor to maintain draw range, as full plate ensembles increased metabolic costs of locomotion by 1.9–2.3 times compared to unloaded conditions.[34] Additionally, the joints between pauldrons and upper arm defenses created exploitable gaps, vulnerable to targeted thrusts via half-swording techniques, where combatants gripped the sword blade for precise stabs into armpit or shoulder seams during grapples.[35] Historical evidence underscores pauldrons' evolution for battlefield resilience. Excavations at Visby uncovered fragments of early shoulder protections associated with coats of plates, demonstrating their use in absorbing melee damage among levied farmers facing professional Danish forces. By the 15th century, tomb effigies of English and Scottish knights, such as those in Aberdeen's St. Nicholas Kirk, depict reinforced pauldrons with additional lames and fluting for enhanced deflection, reflecting adaptations to prolonged field engagements.[36] Adaptations in pauldron design catered to varied troop roles, with foot soldiers equipped with lighter, simpler versions—often just two or three lames—to prioritize agility over comprehensive coverage, contrasting heavier, multi-lamellar constructions for mounted knights.[37] In combined arms tactics, such as those employed by Italian condottieri, lighter pauldrons integrated with pavise shields allowed crossbowmen and infantry to advance under cover, shielding shoulders from arrow storms while enabling coordinated advances against enemy lines. These features, including sloped surfaces for blow deflection, built on core design principles to balance protection and maneuverability in open-field warfare. Similar shoulder protections evolved independently in other regions, such as the Byzantine empire's splinted arm defenses, influencing cross-cultural exchanges.[38]In Jousting and Tournaments
In jousting, pauldrons were adapted for the intense, ritualized impacts of lance charges, with the left pauldron on the shield side often enlarged and fitted with reinforcing ridges to glance off incoming lances, a design prominent in 15th-century Burgundian tournaments.[39] These features allowed the rider to absorb and redirect the force of an opponent's weapon during one-on-one encounters, prioritizing deflection over the mobility required in battlefield chaos. Asymmetrical designs became common to balance protection and maneuverability, featuring an oversized left pauldron for lance deflection—often reinforced and weighing several kilograms more than the right—paired with a smaller right pauldron for freer arm movement. Examples from Henry VIII's armors in the early 16th century illustrate this, such as the 1540 field and tournament garniture where the right pauldron was reduced in depth at the front to accommodate lance handling, while the left incorporated detachable upright guards and a reinforce for added shielding.[40][5] The Royal Collection's 1539–40 garniture further demonstrates asymmetry, with the left pauldron wider (32.1 cm) than the right (25.4 cm) to enhance deflection on the vulnerable side.[41] Tournament styles evolved from open-field jousts, which mimicked combat and demanded robust pauldrons, to safer barrier (tilt) formats by the 1500s, leading to slimmer, less bulky designs as the wooden barrier prevented full-body collisions.[42] This shift reduced the need for extreme asymmetry while retaining key reinforcements for the left shoulder. Safety enhancements included padded cloth liners beneath the pauldrons to cushion blows and absorb lance splinters, alongside leather straps and sliding rivet mechanisms to secure lames and prevent dislodging during charges at speeds of 40–50 km/h.[42]Depictions in Culture
In Fantasy Fiction
In fantasy fiction, pauldrons are frequently depicted with exaggerated, oversized forms adorned with spikes or angular protrusions to convey power, intimidation, and heroic or villainous stature, often at the expense of realistic mobility. This trope appears prominently in tabletop role-playing games like Dungeons & Dragons, where illustrations of plate armor for fighters and paladins feature broad shoulder guards that enhance the character's imposing silhouette, diverging from historical designs for visual drama. Similarly, in the Warhammer 40,000 universe, Space Marine power armor incorporates massive pauldrons that dominate the silhouette, symbolizing the warriors' superhuman might and serving as canvases for chapter heraldry, as seen in cinematic trailers where the shoulder pads are scaled even larger for emphasis. These designs prioritize menacing aesthetics over practical articulation, reflecting a broader fantasy convention where armor serves narrative and artistic purposes rather than functional ones.[43] Literary works also stylize pauldrons to integrate house or faction identity, such as in George R.R. Martin's A Song of Ice and Fire series, where Lannister soldiers' plate armor includes pauldrons emblazoned with lion motifs to denote allegiance and status during battles. In contrast, J.R.R. Tolkien's The Lord of the Rings adaptations in film portray Rohirrim warriors in leather and mail ensembles evoking a rugged, horse-lord ferocity that amplifies their charge's dramatic impact, though the books emphasize simpler mail hauberks. These elements underscore pauldrons' role in world-building, blending heraldic symbolism with fantastical exaggeration.[44][45] Video games further amplify this stylization, treating pauldrons as key customizable components in character progression. In World of Warcraft, players equip pauldrons as shoulder slot gear that can be enchanted for magical enhancements, such as increased spell power or elemental resistance, while transmogrification allows swapping appearances for spiked or ornate variants that boost the avatar's fantasy persona without altering gameplay stats. This mechanic encourages personalization, turning pauldrons into icons of player achievement and lore immersion.[46] Artistically, pauldrons' portrayal has evolved from the muscular, dynamic warriors in 1980s fantasy illustrations by Frank Frazetta, whose works like Death Dealer feature rugged shoulder armor emphasizing raw power and menace through bold lines and shadows, to modern CGI in games and films. Contemporary digital renderings, as in Warhammer 40,000 cinematics, use exaggerated proportions and metallic textures to heighten visual spectacle, shifting focus from realism to epic scale while drawing on Frazetta's influential emphasis on heroic exaggeration.[43]In Modern Media and Reenactment
In contemporary film and television productions, pauldrons feature prominently in realistic armor replicas to evoke medieval aesthetics while prioritizing actor mobility. For instance, in Game of Thrones, the jousting armor worn by Loras Tyrell includes ornate silver pauldrons filigreed with floral motifs, crafted from lightweight alloys and polished for visual impact during tournament scenes. Similarly, in The Witcher Netflix series, Geralt's Season 1 armor incorporates leather pauldrons with metal accents, designed for practicality in combat sequences and reproduced using durable yet flexible materials by prop makers.[47] Historical reenactment groups, such as the Society for Creative Anachronism (SCA), employ reproduction pauldrons based on 14th- to 16th-century European patterns to ensure authenticity in simulated combat. These steel or leather pieces, often articulated for full shoulder coverage, undergo rigorous testing for safety and historical accuracy at large events like the annual Pennsic War, where thousands of participants engage in armored battles and demonstrations.[48][49] Modern adaptations of pauldrons extend to live-action role-playing (LARP) and cosplay, where safety drives material choices like EVA foam or 3D-printed polymers for lightweight, non-lethal protection. In LARP scenarios, these foam pauldrons mimic historical designs while allowing unrestricted movement during immersive events.[50] Steampunk fashion incorporates pauldrons as stylistic elements, blending Victorian-era influences with mechanical gears and leather for asymmetrical shoulder accents in costumes.[51] Pauldrons hold significant collectible value, with museums preserving original pieces to highlight their craftsmanship and cultural importance. The Metropolitan Museum of Art houses a German left shoulder defense (pauldron) for jousting armor dating to ca. 1490, made of steel and demonstrating late-15th-century Gothic styles through its rolled edges and lames.[52] Preservation efforts by such institutions, including conservation and public exhibition, underscore ongoing interest in these artifacts, though historical examples rarely appear at auction due to their rarity and institutional holdings.References
- https://en.wiktionary.org/wiki/besagew