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Personality rights
Personality rights
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Personality rights, sometimes referred to as the right of publicity, are rights for an individual to control the commercial use of their identity, such as name, image, likeness, or other unequivocal identifiers. They are generally considered as property rights, rather than personal rights, and so the validity of personality rights of publicity may survive the death of the individual to varying degrees, depending on the jurisdiction.

Classification

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Personality rights are generally considered to consist of two types of rights: the right of publicity,[1] or the right to keep one's image and likeness from being commercially exploited without permission or contractual compensation, which is similar (but not identical) to the use of a trademark; and the right to privacy, or the right to be left alone and not have one's personality represented publicly without permission. In common law jurisdictions, publicity rights fall into the realm of the tort of passing off.

There are two main camps of theory regarding publicity rights, specifically in the United States: a more consequential or utilitarian based theory approach and a more moral-based deontological approach.[2] The consequential or utilitarian approach assumes that because there is a potential for creators to obtain rights to an object - here an individual's personality - it will incentive creators economically to create more goods.[2] In contrast, a commonly cited justification for the deontological doctrine, from a policy standpoint, is the notion of natural rights from a Lockean theory of property, and the idea that every individual should have a right to control how their right of publicity is commercialized by a third party, if at all.[2] Often, but not always, the motivation to engage in such commercialization is to help propel sales or visibility for a product or service, which usually amounts to some form of commercial speech[3] (which in turn receives the lowest level of judicial scrutiny).

Civil law and common law jurisdictions

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Legal systems of the world: civil law in blue, common law in red.

In contrast with common law jurisdictions, most civil law jurisdictions have specific civil code provisions that protect an individual's image, personal data and other generally private information. Exceptions have been carved out of these general, broad privacy rights when dealing with news and public figures. Thus, while it may violate an ordinary citizen's privacy to speak about their medical records, one is generally allowed to report on more intimate details in the lives of celebrities and politicians.

Unlike most common law jurisdictions the personality rights in civil law are generally inheritable, thus one can make a claim against someone who invades the privacy of a deceased relative if the memory of their character is besmirched by such publication. However there is a fruitful current debate regarding the alienability or transferability of these rights, in the United States specifically, in the spirit of limiting the free transfer of personality rights - as they are freely transferrable currently- to a more protective system to prevent improper access to a right so closely rooted in an individuals personality from a wrongdoer.[4]

Personality rights have developed out of common law concepts of property, trespass and intentional tort. Thus personality rights are, generally speaking, judge-made law, though there are jurisdictions where some aspects of personality rights are statutory. Currently in the United States, all 50 states each have their own way of defining and enforcing the right of publicity, and this creates issues of uniformity across the country because each system is different and not "roughly parallel" to the other states.[5] In some jurisdictions, publicity rights and privacy rights are not clearly distinguished, and the term publicity right is generally used. In a publicity rights case the issue to decide is whether a significant section of the public would be misled into believing (incorrectly) that a commercial arrangement had been concluded between a plaintiff and a defendant under which the plaintiff agreed to the advertising involving the image or reputation of a famous person. The actionable misrepresentation requires a suggestion that the plaintiff has endorsed or licensed the defendant's products, or somehow can exercise control over those products. This is done by way of the tort of passing off.

The meaning of the law is best illustrated by principal cases on the subject.

Country-specific jurisdictions

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Australia

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In Australia, false association or endorsement is actionable via the law of passing off, not a separate law of "right of personality". The Henderson case[6] was a decision of the Supreme Court of New South Wales (both the first instance and appellate jurisdiction). The plaintiffs were ballroom dancers and they sued the defendant in passing off alleging it wrongfully published their photograph on the cover of a gramophone record entitled Strictly for Dancing: Vol. 1. An injunction was granted on the ground that the use suggested the plaintiffs recommended or approved of the defendant's goods, or had some connection with the goods.

However, in the 1988 case of Honey v Australian Airlines,[7] Gary Honey, a well known Australian athlete, failed in his claim for damages after Australian Airlines used a photograph of him on a poster without his permission. The judge held, in essence, that the poster depicted excellence in general rather than a particular person.

Canada

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Statutory protection

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The provinces of British Columbia, Manitoba, Newfoundland and Labrador, and Saskatchewan have enacted privacy legislation dealing with personality rights, which have the following traits:[8]

  1. An appropriation of personality can be achieved through the use of a person's name, likeness, or voice (but British Columbia has a more restrictive definition).
  2. The plaintiff must be identified or identifiable by the use made of his persona.
  3. An action for the appropriation of personality can only succeed where the defendant intended to commit the wrong (but British Columbia has no "intention" requirement).
  4. The defendant's use of the plaintiff's persona must have resulted in a gain or advantage for the defendant (but British Columbia has a more restrictive definition, relating only to commercial gain).
  5. An appropriation of personality is actionable without proof of damages.
  6. The right of action for appropriation of personality is extinguished upon the death of the person whose privacy was violated.
  7. The following constitute statutory defences in all four provinces: (i) that the plaintiff consented to the use of his persona; (ii) that the use of the plaintiff's persona was incidental to the exercise of a lawful right of defence of person or property; (iii) that the use was authorized or required under a provincial law or by a court, or any process of a court; and (iv) that the act was that of a peace officer acting in the course of his or her duties. The Manitoba Act provides additional defences.

Common law provinces

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Canadian common law recognizes a limited right to personality. It was first acknowledged in the 1971 Ontario decision of Krouse v. Chrysler Canada Ltd., where the Court held that where a person has marketable value in their likeness and it has been used in a manner that suggests an endorsement of a product then there is grounds for an action in appropriation of personality. This right was later expanded upon in Athans v. Canadian Adventure Camps (1977) where the Court held that the personality right included both image and name.

In Gould Estate v. Stoddart Publishing Co. Ltd. (1998), the Ontario Court of Appeal concluded that simply writing about somebody, even for the purpose of generating a profit, does not constitute appropriation of personality.

The general tort of appropriation of personality is still in development, but it is currently[when?] being argued that it will be recognized in all common law provinces,[9] with certain characteristics:[10]

  1. Athans confirms that there is "a proprietary right in the exclusive marketing for gain of his personality, image and name..."
  2. There is always a requirement that the plaintiff be identifiable.
  3. An action for appropriation of personality will have to be intentional for a plaintiff to recover at common law.
  4. There is a requirement that the defendant must have acted for the purpose of commercial gain, but Gould suggests that this may be restricted to "endorsement-type situations".
  5. It is a matter of uncertainty whether the common law tort of appropriation of personality is actionable per se or whether damages must be shown.
  6. Privacy rights are extinguished upon death, but personality rights are inheritable.
  7. A defendant will not be liable for an appropriation of personality at common law where: (i) he has consented to the use of his persona; (ii) the use made of his personality rights was merely incidental to another purpose; or (iii) the publication constituted a matter of public interest.

Quebec

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In 1994, the new Civil Code of Quebec introduced new provisions that enshrine the right to privacy as an attribute of personality:[11]

3. Every person is the holder of personality rights, such as the right to life, the right to the inviolability and integrity of his person, and the right to the respect of his name, reputation and privacy. These rights are inalienable.

...

36. The following acts, in particular, may be considered as invasions of the privacy of a person:

(1) entering or taking anything in his dwelling;
(2) intentionally intercepting or using his private communications;
(3) appropriating or using his image or voice while he is in private premises;
(4) keeping his private life under observation by any means;
(5) using his name, image, likeness or voice for a purpose other than the legitimate information of the public;
(6) using his correspondence, manuscripts or other personal documents.

In Aubry v Éditions Vice-Versa Inc, the Supreme Court of Canada also affirmed that under Quebec's Charter of Human Rights and Freedoms privacy provisions, a photographer can take photographs in public places but may not publish the picture unless permission has been obtained from the subject, except where the subject appears in an incidental manner, or whose professional success depends on public opinion.[12] The relevant provisions of the Charter are:

4. Every person has a right to the safeguard of his dignity, honour and reputation. 5. Every person has a right to respect for his private life.

Therefore, the following general characteristics may be drawn:[13]

  1. An appropriation of personality can be realized through the use of a person's name, likeness, or voice.
  2. The plaintiff must be recognizable in order an appropriation of personality to be actionable.
  3. There is no need for the courts to look for an element of intent.
  4. Distinctions based on commercial purposes are irrelevant, and inconsistent with s 9.1 of the Quebec Charter.
  5. The plaintiff is required to show that she suffered damage through the appropriation of her personality rights.
  6. Quebec law may allow an action to be taken by the estate of a deceased person, provided that it can be proved that there is a patrimonial aspect at stake.
  7. A defendant will not be liable for an appropriation of personality under Quebec law where: (i) the plaintiff expressly or impliedly consented to the appropriation of his personality; (ii) the use of the individual's persona is incidental to another purpose; (iii) the appropriation of personality is authorized by law; or (iv) the publication is a matter of public interest.

Cyprus

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In Cyprus, people depicted in photographs can oppose their use in advertisements and their publication in magazines, even if it was taken in a public place.[14]

Denmark

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In Denmark, the Danish Penal Code chapters 26 and 27, provides certain personality rights. The governmental Danish Data Protection Agency, has made a declaration regarding publication on the Internet of pictures taken of persons in a public area:[15]

The predominant point of reference, is that any publication of a portrait photograph requires consent [of the person depicted]. The reasoning for this, is that such a publication might provide the depicted person with discomfort, possibly with other information such as name, of the publication for all with access to the internet, and the considerations of this discomfort is judged as more important than a possible interest in publication.

A portrait photograph is defined as a photograph, with the purpose of depicting one or more specific person(s). The personality rights however may be contracted for persons who are generally accepted as public persons.

France

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In France, personality rights are protected under article 9 of the French civil code. While publicly known facts and images of public figures are not generally protected, use of someone's image or personal history has been held actionable under French law. The most famous case in recent history is perhaps the publication of the book on François Mitterrand called Le Grand Secret[16] in which Mitterrand's doctor published a book that not only revealed private facts about Mitterrand's life, but also revealed medical confidences protected by doctor–patient privilege.

Germany

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In Germany, personality rights are protected under the German civil code, where the concept of an "absolute person of contemporary history" allows the depiction of individuals who are part of history but still gives them some protection of their rights of privacy outside the public sphere. A succinct statement of the German law can be found in the following judicial statement from the Marlene Dietrich case: the general right of personality has been recognised in the case law of the German Federal Court of Justice since 1954 as a basic right constitutionally guaranteed by Articles 1 and 2 of the Basic Law and at the same time as an "other right" protected in civil law under § 823 (1) of the BGB (established case law since BGHZ 13, 334, 338 - readers' letters). It guarantees as against all the world the protection of human dignity and the right to free development of the personality. Special forms of manifestation of the general right of personality are the right to one's own picture (§§ 22 ff. of the KUG [de]) and the right to one's name (§ 12 of the BGB). They guarantee protection of the personality for the sphere regulated by them.[17]

In addition to the general personality rights, there are special rules that forbid taking intimate pictures without consent (§ 184k StGB), and that forbid taking pictures which violate the "most personal sphere" of those pictured (§ 201 StGB - in particular, photos of private situations such as inside the bedroom, and photos of helpless persons, such as accident victims). In contrast to the general rules about the right to one's image, these rules also apply to just taking images, not only to publishing them.

Greece

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The relevant Greek laws include 57 AK and 2472/1997. As regarding photography:

  • Taking a picture of a person in a public space: Requires consent. Taking a photo or video of someone or drawing them in a painting constitutes an illegal act by itself according to Article 57 of the Greek Civil Code (57 ΑΚ, 57 Αστικός Κώδικας) even without any publication of the resulting photo, video or drawing. The law assumes that consent has been provided silently if the depicted person has been paid for the photography session. The law also provides some exceptions for persons of contemporary history.[18] Furthermore, the law 2472/1997 also applies in many circumstances, even in photographing political rallies in public places or in photographing the police; Greece also requires photographers to obtain a government permit before photographing people participating in political protests in public places.[19]
  • Publishing pictures of a person in a public space: Requires consent.[18] The publication of photographs of identifiable police officers beating civilians in public places may be against the law 2472/1997 and as such these images should be turned to the authorities for review.[19]
  • Commercial use of a published picture of a person in a public space: Requires consent.[18]

Guernsey

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The relevant Guernsey law was enacted on 3 December 2012 under the name of Image Rights Bailiwick of Guernsey Ordinance 2012 and allows for the registration of a personality right, together with images associated with that personality. Images are widely defined and can be any number of personal attributes, such as likeness, mannerisms, gestures, voice, nickname etc.

Personalities able to register fall into 5 categories, namely sole, joint, group, legal and fictional character. In addition, humans can be registered up to 100 years after the date of death, making the law very favourable for estate managers and trustees.

Hong Kong

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In Hong Kong, as in most other common law jurisdictions, there is no separate "personality right", and false association or endorsement is actionable under the law of passing off. The main case on this point relates to Cantopop singer/actor Andy Lau and Hang Seng Bank over the allegedly unauthorized use of Lau's image on credit cards,[20] which has led to the observation that only limited personality rights exist in this jurisdiction.[21]

Iran

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There are few studies on the right to fame in Iranian law. However, through general principles, an attempt has been made to support celebrities.[22]

Jamaica

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In a 1994 case involving the estate of Bob Marley, the Supreme Court of Jamaica acknowledged a property right of personality which survived his death.[23]

Japan

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In October 2007, J-pop duo Pink Lady sued Kobunsha for ¥3.7 million after the publisher's magazine Josei Jishin used photos of the duo on an article on dieting through dancing without their permission. The case was rejected by the Tokyo District Court. In February 2012, the Supreme Court rejected the duo's appeal based on the right of publicity.[24][25]

Portugal

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In Portugal, personality rights are protected under the "tutela geral da personalidade" on article 70 of the Portuguese Civil Code and, also, in article 17 of the Constitution of the Portuguese Republic. Some personality rights, like the right to image or honor are specifically typified in the civil code in the articles following the "tutela geral". Specifically regarding image rights, article 79 of the Portuguese Civil Code states that an image of a person cannot be published or exposed without her consent, even after the person's death (in which case the consent is to be obtained from existing family or heirs). However, consent is not needed for public personalities when in their public roles, for use in scientific, didactic or cultural purposes, or when the image is produced in a public setting. However, if the image harms the honor, reputation or decorum of the person it cannot be reproduced or exposed without consent.

People's Republic of China

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In the People's Republic of China, rights of personality are established by statute. According to article 100 and 101 of the General Principle of Civil Law of the People's Republic of China, the right of name and the right of image are protected. It is prohibited to use another's image for commercial use without that person's consent. In the new Tort Liabilities Law which came into effect on Jan 1, 2021, the right of privacy is mentioned for the first time in the legislation.[26]

South Africa

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In South Africa, personality rights are protected under the South African law of delict and the Bill of Rights, which also provides for freedom of expression and freedom of association.[27] After much uncertainty concerning the recognition of image rights in South Africa, the Supreme Court of Appeal provided clarity in the landmark case of Grütter v Lombard.[28][29][30] In South Africa, a person's right to identity is violated if the attributes of that person is used without permission in a way which cannot be reconciled with the true image of that person.[31] Apart from the unauthorized use of a person's image, this kind of infringement also entails some kind of misrepresentation concerning the individual, such as that the individual approves or endorses a particular product or service or that an attorney is a partner in a firm, while this is not the case. Secondly, the right to identity is violated if the attributes of a person is used without authorization by another person for commercial gain.[32][33] Apart from the unauthorized use of the individual's image, such use also primarily entails a commercial motive which is exclusively aimed at promoting a service or product or to solicit clients or customers. The mere fact that the user may benefit or profit from any product or service in respect of which the individual's attributes have incidentally been used, is not in itself sufficient. This violation of the right to identity therefore also entails unauthorized use of the individual's attributes with a commercial purpose, whether it is done by means of advertisement or the manufacture and distribution of merchandise covered with the attributes of the individual. Personality rights are not absolute and it goes without saying that the use of a person's attributes must be unlawful before a plaintiff will succeed with any claim. With the use of a person's image, the personality rights, privacy, human dignity and freedom of association of the individual must often be weighed against the user's right to freedom of expression. The use of a person's image can be justified on the grounds of consent, truth and public interest, fair comment and jest.[34]

South Korea

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In South Korea, as defined in the Civil Code, section 751:

A person who has injured the person, liberty or fame of another or has inflicted any mental anguish to another person shall be liable to make compensation for damages arising therefrom.[35]

While the concept of personality rights is recognized, it is not yet widely known. The Korean terminology ("인격표지영리권", literally translated to "personality sign commercial rights") is still much less frequently used compared to the transcription of the English term "publicity rights".

Nor any independent law on personality rights exist in South Korea (as of October 2023). However, in 2022, a related provision was enacted under the existing Unfair Competition Prevention Act.[36][37] This revision is considered to have provided a foundation for an independent Act in near future. Much change is expected as it has been reported that around 80% of Korean entertainment agencies voiced difficulties in publicity right violations of their talents.[38]

On December 26, 2022, the Ministry of Justice announced plans to stipulate personality rights in Civil Code in the near future. The most notable difference between the new law and the Publicity Rights provision under the Unfair Competition Prevention Act would be the expansion of scope; the new law will go beyond 'celebrities' and will recognize everyone's right to their name, portrait, voice, etc.[39][40]

Personality rights are said to exist to some extent by both influence of constitution and tort liability,[41][42] but cases filed to enforce such rights against shopping malls have been unsuccessful.[43][44]

South Korea's portrait rights are too widely recognized compared to other countries. Because of this, it is common for South Korean media reports to blur people's faces in press photos, even though there is no problem of defamation. In contrast, most countries regard blur as a distortion of the truth. It is common that the public's faces photographed only in the South Korean media are blurred even when there in no possibility of defamation. Criticism has been raised against this.[45]

Spain

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According to the agency (Spanish) Data Protection for the collection and dissemination on Internet of images of a person without their consent may be a serious breach of the Data Protection Act which would be punishable by a minimum fine of 60,000 euros. According to El Mundo Data Protection Agency decided to investigate ex officio by the mere distribution of the image of a person on the Internet without their consent.[46]

United States

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In the United States, the right of publicity is based on state-level law, as opposed to federal, and recognition of the right can vary from state to state.[47] The rationale underlying the right of publicity in the United States is rooted in both privacy and economic exploitation.[48] The rights are based in tort law, and parallel Prosser's "Four Torts" which might be summarized as: 1) Intrusion upon physical solitude; 2) public disclosure of private facts; 3) depiction in a false light; and 4) appropriation of name and likeness. If looking at it through the prism of Prosser's four torts, violation of a right of publicity most closely aligns with appropriation. The right of publicity often is manifest in advertising or merchandise. In states without a specific right of publicity statute, the right of publicity is usually recognized via common law. The right of publicity has evolved rapidly, with a history of reported cases in the United States and worldwide.[49]

The right of publicity is defined as the right of all individuals to control commercial use of their names, images, likenesses, or other identifying aspects of identity. In certain contexts, the right of publicity is limited (under U.S. law) by the First Amendment. The right of publicity can be referred to as publicity rights or even personality rights. The term "right of publicity" was coined by Judge Jerome Frank in 1953.[50]

The extent of recognition of this right in the U.S. is largely driven by statute or case law. Because the right of publicity is primarily governed by state (as opposed to federal) law, the degree of recognition of the right of publicity can vary from one state to the next. The right of publicity is not simply an analog to trademark law, though it could be noted that the right of publicity has some commonality with the protection of trademarks as long as one understands that the right of publicity is a distinct legal doctrine, with its own policies, objectives and standards, including notable differences from trademark law.[51] For example, falsity or likelihood of confusion generally do not have to be established to present a colorable right of publicity claim.

At a national level, the U.S. Supreme Court held in the 1977 case Zacchini v. Scripps-Howard Broadcasting Co. that the First Amendment did not immunize a television station from liability for broadcasting Hugo Zacchini's human cannonball act without his consent. This was the first, and so far the only, U.S. Supreme Court ruling on rights of publicity and it served to confirm the overall validity of the doctrine and the interests it protects.

Indiana has one of the stronger right of publicity statutes in the U.S., providing recognition of the right for 100 years after death, and protecting not only the usual "name, image and likeness", but also signature, photograph, gestures, distinctive appearances, and mannerisms. Notably, Oklahoma also provides 100 years of protection after death, and Tennessee's statute provides rights that do not ever expire if use is continuous. There are other notable characteristics of the Indiana law,[example needed] though most of the major movement in right of publicity emanates from New York and California, with a significant body of case law which suggest potentially contradictory positions with respect to recognition of the right of publicity under certain circumstances.

Some states recognize the right through statute and some others through common law. California has both statutory and common-law strains of authority protecting slightly different forms of the right. The right of publicity shares characteristics of a property right and as such is transferable to the person's heirs after their death. The Celebrities Rights Act was passed in California in 1985 and it extended the personality rights for a celebrity to 70 years after their death. Previously, the 1979 Lugosi v. Universal Pictures decision by the California Supreme Court held that Bela Lugosi's personality rights could not pass to his heirs.[52][53]

  • In October 1990, actor Crispin Glover filed a lawsuit against Universal Studios for both the unauthorized use of his likeness and the use of footage of him from Back to the Future in Back to the Future Part II; his permission had not been sought for the latter and he received no payment. After a motion to dismiss was denied, the case was settled for an undisclosed amount. The Screen Actors Guild changed its rules to prohibit its members from unauthorized mimicking of other SAG members.[54][55]
  • In September 2002, Tom Cruise and Nicole Kidman sued luxury cosmetics company Sephora for allegedly using a picture of them without permission in a brochure promoting perfumes.[56]
  • In March 2003, eight members of the cast of The Sopranos alleged that electronics retailer Best Buy used their images in newspaper ads without permission.[57]
  • In the July 2003 case of ETW Corp. v. Jireh Publishing ruled that a painting of the golfer Tiger Woods and others is protected by the US Constitution's First Amendment and treads neither on the golfer's trademarks nor publicity rights. Similarly in the July 2003 case of Johnny and Edgar Winter v. DC Comics, a depiction of blues music duo the Winter brothers in a comic book as worms called the Autumn Brothers obtained First Amendment protection from publicity rights suit. In May 2005, Toney v. Oreal USA Inc. clarified the distinction between the purview of copyright versus the nature of publicity rights.[58]
  • The 2006 New York County Supreme Court case Nussenzweig v. DiCorcia, after dismissing the complaint on statute of limitations grounds, held in the alternative that personality rights are limited by First Amendment rights of artistic freedom of expression.[59][a] The decision was affirmed on appeal by the Appellate Division and the Court of Appeals, but those courts only addressed the statute of limitations holding, not the First Amendment holding.[60]
  • In 2008, a federal judge in California ruled that Marilyn Monroe's right of publicity were not protectable in California. The court reasoned that even though Monroe died in California, she was legally domiciled in New York at the time of her death, and New York does not protect a celebrity's deceased right of publicity and that her right of publicity ended upon her death.[61]
  • In the 2009 case of James "Jim" Brown v. Electronic Arts, Inc., the United States District Court for the Central District of California dismissed athlete Jim Brown's theory of false endorsement under the Lanham Act and determined that the First Amendment protects the unauthorized use of a trademark in an artistic work when the mark has artistic relevance to the work and does not explicitly mislead as to the source or content of the work. Applying this test, the court found a lack of implied endorsement and held that the First Amendment protected Electronic Arts in its use of a virtual football player that resembled Mr. Brown.[62]
  • In 2019, Emily Ratajkowski was sued by photographer Robert O'Neil for copyright infringement when she posted a paparazzi picture taken by O'Neil depicting Ratajkowski outside of a flower shop in Manhattan.[63] The picture showed Ratajkowski with a bouquet of flowers covering her face, and Ratajkowski added the caption, "mood forever", when she posted the image to her Instagram story.[63] The parties ultimately settled the copyright claim out of court, but the dispute raised right of publicity concerns[64] given the use of Ratajkowski's portrait and picture under the New York right of publicity statute.[65] However, courts have historically found licensing or publishing these images as non-commercial uses, complicating the right of publicity argument.[64] Emily Ratajkowski now[when?] faces a similar copyright infringement suit for posting another photographer's paparazzi picture of her to her Instagram account.[66]
  • On April 29, 2020, the NCAA Board of Governors supported proposed rules for college athletes expected to take effect in 2021.[needs update] The rules would allow athletes to be paid for use of their name, image and likeness (NIL) in endorsements and appearances.[67]

U.S. jurisdictions that recognize rights of publicity

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California Civil Code Section 3344(a) states:

Any person who knowingly uses another's name, voice, signature, photograph, or likeness, in any manner, on or in products, merchandise, or goods, or for purposes of advertising or selling, or soliciting purchases of, products, merchandise, goods or services, without such person's prior consent, or, in the case of a minor, the prior consent of his parent or legal guardian, shall be liable for any damages sustained by the person or persons injured as a result thereof.

See also

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Notes

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References

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Sources

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Personality rights, also termed the right of publicity , are proprietary legal interests that grant individuals exclusive control over the commercial exploitation of their identity, including their name, image, likeness, voice, signature, or other indicia of , to prevent unauthorized use for profit without consent. These protections, distinct from mere interests by treating identity as a marketable asset that can be licensed or inherited, emerged from torts but crystallized as a property right in the landmark case Haelan Laboratories, Inc. v. Chewing Gum, Inc., where a upheld a player's assignable right to exploit his image on trading cards. In the , such rights are governed by state statutes or , with recognition varying widely—approximately 30 states provide statutory protection, and about half extend postmortem duration, often for fixed terms like 50 or 70 years in jurisdictions such as —to safeguard economic value against misappropriation in advertising, merchandise, or endorsements. Key tensions arise in balancing these claims against First Amendment free speech protections, particularly in non-commercial expressive contexts like news, art, or , as seen in disputes over likenesses in films or products, where courts weigh commercial intent against . Internationally, civil law systems often embed analogous safeguards within broader moral and personality rights frameworks, emphasizing dignity and non-economic harms alongside commercial ones, though enforcement remains jurisdiction-specific without uniform global standards.

History and Origins

Early Conceptual Roots

The philosophical underpinnings of personality rights trace to John Locke's , as expounded in his Second Treatise of Government (1689), which holds that individuals acquire proprietary interests in natural resources by mixing their labor with them, thereby entitling them to the fruits of those efforts without spoiling the common stock or leaving others worse off. This first-principles reasoning—that labor creates value and ownership—extends analogously to personal attributes like name, likeness, and reputation, which individuals cultivate through sustained effort, investment, and public exposure, generating an inherent claim against uncompensated exploitation by others. In civil law traditions, early precursors emerged from Roman legal institutions that safeguarded personal dignity and attributes through judge-made remedies, such as actions under iniuria for offenses against honor, reputation, or physical integrity, which implicitly recognized the inviolability of one's name and image as extensions of . These protections, while not codified as modern personality rights, influenced subsequent continental European systems by establishing causal links between unauthorized interference with personal identifiers and harm to individual autonomy and social standing, predating formalized property conceptualizations. By the late 19th century, these ideas manifested in nascent privacy doctrines addressing misappropriation, exemplified by Samuel D. Warren and Louis D. Brandeis's 1890 article "The Right to Privacy," which synthesized precedents to argue for tort liability against non-consensual commercial uses of one's portrait or endorsement in advertisements, even absent or . Such cases, arising amid early photographic and print media, highlighted causal harms from unapproved endorsements diluting personal control over identity, laying conceptual groundwork without reliance on mass entertainment economies.

Development in the United States

The foundational catalyst for personality rights in the United States emerged from concerns articulated in the 1890 article "The " by Samuel D. Warren and Louis D. Brandeis. Published on December 15, 1890, the piece contended that existing principles, including those against property invasion and breaches, implied a broader "right to be let alone" to counter press intrusions into personal life, particularly amid technological advances like instantaneous . This framework initially positioned personality rights as tortious invasions of , influencing early 20th-century cases addressing unauthorized depictions, such as the 1902 New York decision in Roberson v. Rochester Folding Box Co., where a model's was used without consent on product , though recovery was denied absent statutory basis. A doctrinal shift toward treating personality rights as proprietary occurred in the 1930s through 1950s, decoupling economic exploitation from pure harms. The landmark case Haelan Laboratories, Inc. v. Chewing Gum, Inc., decided by the Second Circuit on April 3, 1953, established the "right of publicity" as an assignable property interest in one's identity value, beyond mere emotional distress remedies. Involving competing gum manufacturers' use of baseball players' photographs, Judge Jerome N. Frank held that players could exclusively license their publicity value, reasoning that public recognition of celebrity generates commercial worth akin to , enforceable against interlopers even post-player consent to one party. This ruling marked personality rights' evolution from inalienable protections to transferable assets, fostering industries reliant on endorsements and licensing. Post-1960s jurisprudence and legislation further solidified the right of publicity as a distinct economic entitlement, with states codifying protections and federal courts affirming its limits against free speech claims. By the 1970s, statutes proliferated to address commercial misappropriation, exemplified by California's Civil Code § 3344, enacted in 1971, which imposes liability for knowing use of another's name, voice, signature, photograph, or likeness in advertising without consent, allowing damages including profits attributable to the violation. The U.S. Supreme Court's 1977 decision in Zacchini v. Scripps-Howard Broadcasting Co. provided federal imprimatur, upholding an Ohio common-law publicity claim against a television broadcast of a performer's entire "human cannonball" act, as the right prevents uncompensated appropriation of the full value of one's performance labor, notwithstanding First Amendment interests in news reporting. These developments emphasized causal links between identity exploitation and economic harm, prioritizing incentives for personal branding over undifferentiated privacy.

Global Spread and Evolution

The U.S.-developed right of publicity, emphasizing commercial control over one's likeness, exerted influence on international jurisdictions amid post-World War II of American media and entertainment industries, prompting adaptations in diverse legal traditions. European civil law systems, prioritizing tied to human dignity, incorporated analogous protections through privacy and honor provisions rather than transferable economic interests. This diffusion accelerated with the 1949 German , which constitutionally enshrined inviolable personal rights including image and reputation, shifting from pre-war state-centric approaches to individual enforceable claims. In contrast to the U.S. property-like model, European frameworks often subordinated commercial exploitation to broader dignity protections, as evidenced in French droit à l'image balancing personality against public interests without full economic alienability. The ' Article 8 privacy rulings further shaped national evolutions, indirectly supporting image safeguards amid rising media intrusions, though without supranational publicity statutes. From the 1970s to 1990s, Asia's expanding consumer markets and -driven prompted judicial expansions of personality protections, blending U.S.-inspired commercial elements with local . Japan's courts recognized safeguards against unauthorized endorsements via anti-abuse provisions in the and constitutional personality guarantees, addressing fame commercialization in television and product placements. Similarly, in , South African adapted delictual remedies and passing-off doctrines to counter false celebrity associations in endorsements, fueled by post-colonial media booms and global brand influxes. European Union efforts toward image rights coordination, influenced by cross-border media flows, yielded no unified regime by the late , preserving national variances in moral versus economic emphases. This patchwork persisted into the , with U.S. precedents cited in comparative as catalysts for evolving protections, yet tempered by civil 's resistance to full .

Conceptual Foundations

Distinction Between Privacy and Publicity Rights

The right of , as articulated in the seminal 1890 Harvard Law Review article by Samuel D. Warren and Louis D. Brandeis, safeguards individuals against non-consensual intrusions into their private lives, emphasizing protection of personal dignity and prevention of emotional distress from unauthorized disclosures or portrayals. This framework, influential in jurisdictions, addresses harms such as unreasonable intrusion upon , public disclosure of private facts, portrayal in a , and appropriation for non-commercial ends, with remedies typically centered on injunctive relief to halt the offending use and compensatory damages for mental anguish rather than economic loss. In contrast, privacy claims do not extend to control over commercial exploitation, focusing instead on qualitative harms to and reputation independent of . The right of publicity, recognized as a distinct doctrine in the 1953 U.S. Second Circuit decision Haelan Laboratories, Inc. v. , Inc., treats an individual's —encompassing name, likeness, and other indicia—as a interest amenable to commercial licensing and transfer. Unlike , which inheres as an inalienable personal entitlement, publicity rights emphasize economic control, enabling claimants to seek damages for or lost licensing fees when their identity is exploited in advertising or endorsements without permission. This evolution from privacy's tort reflects a shift toward viewing as an alienable asset, with statutes in states like New York (Civil Rights Law §§ 50-51, enacted 1903) providing statutory backing, though federal recognition remains absent. While overlap exists in misappropriation scenarios—where unauthorized use of identity might invoke both doctrines—the divergence lies in intent and redress: privacy targets dignitary injuries from offensive or defamatory non-commercial depictions, warranting cessation via injunctions, whereas addresses pecuniary dilution of commercial value, prioritizing monetary recovery to reflect market harm. Courts thus apply publicity claims selectively to for-profit contexts, rejecting them for expressive or news-related uses absent direct endorsement simulation, underscoring the doctrine's narrower economic scope compared to privacy's broader shield against personal affronts.

Elements Protected: Name, Image, Likeness, and Voice

Personality rights encompass protection for core identifiers of an individual's —name, , , and voice—that enable commercial association with the person's identity and . These elements are protected because their unauthorized use exploits the causal connection between the individual's unique traits and the economic value derived from public recognition, such as implied endorsement in or . Courts assess protection based on whether the attribute distinctly evokes the person to average observers, preventing free-riding on without consent. The name, as a primary identifier, is shielded from unauthorized commercial appropriation, including real names, pseudonyms, or handles publicly associated with the individual. This protection targets uses in products, endorsements, or promotions where the name implies affiliation or quality tied to the person's identity. For example, § 3344 explicitly prohibits the knowing use of another's name on merchandise or in without prior , allowing recovery of for such . Image and likeness cover visual attributes directly linked to , with image typically denoting exact photographs, signatures, or portraits, while likeness extends to any representation—such as caricatures, robots, or digital recreations—that reasonably identifies the person through distinctive features like structure or posture. hinges on recognizability, where the depiction must cause consumers to associate the commercial use with the specific individual, thereby leveraging their persona's inherent value. This distinction ensures causal from the visual cue to the person's identity, as seen in precedents evaluating whether altered images still evoke the protected figure. Voice protection applies to actual audio recordings or imitations that replicate the timbre, inflection, or style distinctive to the individual, evoking their identity in commercial settings like advertisements or voiceovers. This extends to "sound-alike" uses where the imitation purposefully mimics recognizable vocal traits to capitalize on the person's fame, as affirmed in Midler v. Ford Motor Co. (1988), where the Ninth Circuit held that a celebrity's voice constitutes protectable identity when targeted for its unique appeal in endorsements. Mannerisms, when audibly or visually tied to voice in recordings, similarly fall under this umbrella if they reinforce the evocative link to the person.

Moral Rights Versus Economic Rights

Moral rights in personality rights frameworks provide inalienable protections for an individual's personal bond to their identity, encompassing the right to attribution—ensuring proper credit for uses of name, likeness, or voice—and the right to , which guards against distortions, mutilations, or contexts that degrade the persona's . These rights, non-transferable and typically non-waivable, reflect a civil law emphasis on the creator's or person's inherent , as exemplified in France's droit moral under Article 6 of the Law of March 11, 1957, where the author's personality is deemed inseparable from the protected expression, extending analogously to non-literary personas. In jurisdictions recognizing them, persist beyond economic transactions, allowing veto over uses that harm personal honor even if commercially licensed. Economic rights, conversely, treat aspects of personality—such as name, image, likeness, and voice—as proprietary interests amenable to commercial exploitation, licensing, assignment, or inheritance, predominant in common law systems like the United States where the right of publicity functions as a descendible property right. This enables estates to monetize a deceased person's identity indefinitely in many states, as seen in California's Civil Code § 3344.1, which extends protection up to 70 years post-mortem for commercial uses without consent. Unlike moral rights, these are fully alienable, prioritizing market-driven value extraction over personal sanctity. The core tension arises from their incompatible structures: moral rights' inalienability enforces dignity-centric barriers to exploitation, potentially curtailing adaptations or derivatives that could yield economic gains, as alterations risking integrity cannot be contractually waived. Economic rights, by commodifying identity, facilitate broader commercialization but expose personas to profit-motivated degradations absent moral overrides, creating causal trade-offs where robust moral enforcement in civil law regimes correlates with restrained persona merchandising relative to common law's publicity-driven markets. For instance, European moral rights have been critiqued for enabling authorial restraints on transformative uses, thereby limiting downstream creative or commercial outputs that economic-focused systems permit via consent. This dichotomy underscores a fundamental causal realism: prioritizing non-market integrity reduces exploitable value, while emphasizing transferable property amplifies economic incentives at the potential cost of personal inviolability.

Justifications and Rationales

Property Rights and Labor Theory Basis

The right of publicity, as a facet of personality rights, draws justification from John Locke's labor theory of property, which posits that individuals acquire ownership over resources by mixing their labor with unowned materials, provided such appropriation leaves "enough and as good" for others. Locke extended this principle to , asserting that persons inherently possess rights over their own bodies and capacities as the foundational basis for all property claims. Applied to personality rights, this theory views the commercial value of one's name, , likeness, or voice as emerging from deliberate labor investments—such as cultivating public recognition through performances, endorsements, or career efforts—that transform innate attributes into proprietary assets akin to other . Legal scholars, including those analyzing the doctrine's natural rights foundations, contend this labor infusion entitles creators to exclusive control, preventing uncompensated appropriation by others. In this framework, the persona functions as a self-created subset, where the fruits of labor—manifest in marketable fame or branding—vest property interests that are inheritable and transferable, much like copyrights or patents derived from similar productive efforts. Proponents argue that recognizing alienability fosters efficient markets for licensing personal attributes, enabling individuals to capitalize on their investments without dissipating value through non-exclusive use. This treatment aligns with Lockean provisos by not enclosing but rewarding incremental through personal endeavor, as the raw materials (e.g., physical appearance) remain accessible to all while the enhanced commercial utility attaches solely to the laborer. Causally, absent such protections, third parties could freely exploit the developed , eroding the returns on labor and thereby discouraging investments in skill-building or achievement that generate societal benefits like cultural . This rationale underscores personality rights not as mere extensions but as safeguards ensuring that labor's outputs remain under the originator's dominion, mirroring protections for tangible and intangible creations alike.

Economic Incentives for Personal Branding

Personality rights create economic incentives for individuals to invest in building distinctive personal brands by enabling the commercialization of their name, image, likeness, and voice through licensing agreements. These rights allow celebrities and public figures to negotiate endorsement deals that convert fame into substantial revenue streams, as unauthorized uses are legally barred, ensuring exclusivity. For instance, player has earned approximately $1.3 billion from his Nike endorsement contract, which leverages his persona for shoe and apparel sales. Similarly, soccer player secured a $1 billion deal with Nike, highlighting how such rights facilitate long-term partnerships that amplify brand value. By preventing third parties from exploiting a without consent, personality rights safeguard against dilution of its commercial appeal, maintaining scarcity and enhancing negotiating leverage in deals. Unauthorized commercial appropriations could saturate the market with imitation products or ads, eroding the uniqueness that drives and . Legal protections thus preserve the persona's economic potency, as seen in state laws that prohibit non-permissive uses for profit, thereby incentivizing ongoing brand curation to sustain high-value licensing opportunities. Market dynamics underscore these incentives, with the global athlete endorsements sector valued at $2.14 billion in 2023 and projected to grow to $3.13 billion by 2030, reflecting increased in persona-based commercialization enabled by publicity rights. Specialized firms, such as those assessing celebrity brand worth through metrics like revenue potential and IP strength, have proliferated to quantify likeness value for licensing and , further evidencing how these rights spur a formalized market for assets.

Empirical Evidence of Value Creation

The commercial exploitation of protected personas generates billions in annual licensing revenues, demonstrating the economic output enabled by personality rights. In the United States, the licensing sector, which encompasses rights to names, images, and likenesses, reached approximately $69.9 billion in revenue by , with a of 3.1% driven in part by and athlete endorsements. Globally, licensed sports merchandise—reliant on the authorized use of athletes' identities—totaled $36.36 billion in 2024, projected to expand to $49 billion by 2030, reflecting the monetization of publicity rights in apparel, memorabilia, and digital products. These figures, derived from market analyses, highlight how legal protections prevent unauthorized appropriation, allowing rights holders to capture value from commercial demand. Empirical valuations of specific publicity rights further quantify their contribution to economic activity. For example, in estate tax assessments, Michael Jackson's right of publicity was valued at $4.2 million based on projected licensing income streams, while similar evaluations for deceased celebrities like have supported ongoing revenue from image licensing exceeding millions annually through controlled merchandising deals. In sports, the Players Association's group licensing program, which leverages players' name, image, and likeness rights, distributes proceeds from official merchandise, contributing to athlete earnings and league-wide economic incentives. Such data indicate that personality rights underpin a scalable market where protected identities yield measurable returns, with endorsement contracts often comprising a significant portion of athletes' off-field income—such as Lionel Messi's $70 million in 2024 from branding ventures. Data on talent investment correlates with these protections, as secured encourage upfront expenditures in persona development. Professional leagues and firms allocate resources to marketing and training, with studies showing that enforceable publicity correlate with higher endorsement values, prompting investments in that exceed baseline performance enhancements. For instance, the advent of name, image, and likeness rules for U.S. athletes in has spurred over $1 billion in deals within the first few years, linking legal safeguards to increased sponsorship inflows and talent cultivation programs. Absent such , economic models predict diminished innovation in sectors due to free-rider risks, as evidenced by comparative analyses of unprotected markets showing lower rates for identities.

Criticisms and Limitations

Conflicts with Free Speech and Expression

The right of publicity, as a state-law protection against unauthorized commercial exploitation of an individual's identity, inherently tensions with First Amendment guarantees of free speech, particularly when asserted to challenge expressive works like parodies, artistic depictions, or commentary that incorporate a person's name, image, or likeness without adding commercial endorsement value. Courts typically resolve these conflicts by distinguishing between purely commercial uses, which receive lesser constitutional protection, and transformative or expressive uses that contribute to public discourse, employing balancing tests to avoid undue suppression of speech. In Zacchini v. Scripps-Howard Broadcasting Co. (1977), the U.S. upheld a performer's right-of-publicity claim against a for airing his entire "" act without permission, ruling that the broadcast appropriated the performer's economic value rather than constituting protected newsgathering or commentary, thereby prioritizing the performer's labor-derived property interest over the broadcaster's speech claim. Judicial frameworks, such as California's test articulated in Comedy III Productions, Inc. v. Saderup (2001), further delineate permissible expression by protecting works that alter or add significant creative elements to the original likeness, while permitting claims for literal, unaltered reproductions sold for profit, as in charcoal drawings of marketed on merchandise. This test, borrowed from doctrine, aims to safeguard artistic innovation but has been criticized for subjective application that may deter creators from depicting real persons in satirical or biographical contexts due to litigation risks. Similarly, (1988) reinforced speech protections by holding that parodies of public figures, even those inflicting emotional distress, cannot support tort liability absent , a principle invoked in disputes to shield non-defamatory expressive content from overbroad claims. Critics contend that expansive right-of-publicity doctrines chill satire and public discourse by privileging celebrities' economic prerogatives, fostering among artists, filmmakers, and journalists wary of costly lawsuits over incidental or transformative inclusions, with state-by-state variations exacerbating uncertainty and forum-shopping. For instance, claims against avatars or documentary footage have prompted arguments that such rights unduly favor private control over cultural commentary, potentially undermining democratic debate on public figures. Proponents counter that the commercial-expressive distinction appropriately targets exploitative —such as look-alike robots in advertisements, as in White v. Samsung Electronics America, Inc. (1992)—without broadly impeding high-value speech, as courts routinely dismiss claims against parodies or news uses that lack endorsement implications or commercial replication. Empirical observations of rising litigation underscore the need for clearer federal guidelines to mitigate chilling effects while preserving incentives against free-riding on .

Overreach in Post-Mortem Applications

In jurisdictions that recognize post-mortem personality rights, these protections descend to heirs or estates, allowing control over commercial uses of the deceased's name, image, likeness, or voice for specified durations. statute extends such rights for 70 years after death, applicable to individuals domiciled in the state at the time of passing or whose publicity had commercial value there. New York law, amended in 2020, provides 40 years of post-mortem protection for deceased personalities whose rights held commercial value at death or thereafter. offers the longest term at 100 years, while states like cap it at 20 years, and others, such as , reject descendible rights entirely, treating publicity as personal and non-transferable upon death. Proponents of extended durations contend that they enable legacy monetization, permitting estates to license personas for advertising or merchandise, thereby preserving economic value derived from the individual's lifetime branding efforts. For example, estates of figures like have generated substantial revenue through controlled uses, with post-mortem licensing deals exceeding hundreds of millions in some cases. This framework aligns with property-like treatment of publicity, incentivizing heirs to invest in archival management rather than allowing uncompensated exploitation. Critics highlight overreach in these applications, arguing that lengthy terms create cultural lockups, indefinitely restricting public access to historical personas that would otherwise enter the , without empirical evidence of net harm from non-commercial biographical or homage uses. Such rights often burden creators of or films depicting deceased figures, as estates demand licensing fees or pursue litigation, even where expressive value predominates over commercial intent, escalating production costs without proven diminishment of the persona's market value. Controversies arise from heir exploitation, where distant relatives or assignees profit from passive , decoupled from the deceased's labor theory basis, as seen in disputes over figures like , whose estate initially lost post-mortem claims but spurred statutory expansions favoring perpetual-like control. This dynamic prioritizes private gain over broader societal benefits from unrestricted cultural reuse of long-deceased icons.

Challenges to Innovation and Parody

Courts have frequently upheld and transformative uses as defenses against right of publicity claims when they serve expressive rather than purely commercial purposes, thereby mitigating some risks to creative innovation. For instance, in Winter v. DC Comics (2003), the California Court of Appeal ruled that a series depicting wrestlers as vampiric superheroes constituted protected speech under the First Amendment, as the characters added significant original elements beyond mere likeness, distinguishing it from unauthorized commercial exploitation. Similarly, the Eleventh Circuit in ETW Corp. v. Jireh Publishing, Inc. (2000) protected an artist's of from a publicity rights challenge, finding it an expressive commentary on Woods's achievements rather than a substitute for his endorsement services. These rulings apply a test, borrowed from doctrine, to weigh interests against free expression, allowing that critique or comment on the celebrity without directly competing in merchandising markets. Despite these defenses, the high costs of defending against publicity rights lawsuits—often exceeding $100,000 in legal fees even for straightforward cases—deter small creators and independent innovators from engaging in potentially permissible parodies. Litigants must navigate state-specific statutes and variations, with discovery and motions practice amplifying expenses, particularly when celebrities wield greater resources to initiate suits. This functions as an anti-competitive barrier, enabling rights holders to monopolize markets for persona-based goods and services, such as merchandise or endorsements, by discouraging entrants who might mimic or satirize to build their own brands or test consumer interest. Critics argue this extends beyond labor-based claims, creating in cultural references that stifles derivative innovation, akin to overbroad regimes that limit follow-on creativity. Proponents of robust publicity rights counter that empirical evidence of widespread stifled innovation remains scant, as successful claims predominantly target direct commercial appropriations rather than non-exploitative parodies, preserving incentives for original persona development without broadly impeding expressive works. Court records show parodies routinely prevailing when they avoid substituting for the celebrity's market, with few documented instances of legitimate artistic projects being permanently halted post-litigation. Data on disputes indicate that while suits impose short-term burdens, the doctrinal emphasis on commercial intent—excluding incidental or artistic uses—ensures core protections do not systematically block market entry for mimics, as evidenced by the proliferation of satirical content in media and advertising absent proportional suppression rates.

Modern Developments and Challenges

Impact of Digital Technology and AI

The advent of generative AI technologies has profoundly disrupted personality rights by enabling the creation of highly realistic digital replicas of individuals' likenesses, voices, and mannerisms without their , often for commercial exploitation such as unauthorized advertisements or non-consensual . Creating AI digital twins of employees without explicit consent poses significant legal risks, primarily violations of the right of publicity, which protects individuals' control over the commercial use of their name, image, likeness, or voice; this can lead to lawsuits, especially if used for marketing, training, or other corporate purposes, as general employment contracts may not suffice and specific, informed consent is recommended to authorize such uses and limit liability. Deepfakes, which leverage to superimpose a person's onto another's body or synthesize their voice, circumvent traditional mechanisms inherent in personality rights doctrines, allowing perpetrators to generate infinite variations at minimal cost and distribute them globally via the . This scalability amplifies economic harms, as victims lose control over their persona's commercial value—previously protected through licensing—while facing diluted market exclusivity for endorsements or branded content. For instance, AI-generated deepfake has targeted celebrities and non-public figures alike, eroding the proprietary interest in one's identity by commodifying it without remuneration or recourse. These technological capabilities challenge the foundational causal link between an individual's labor in cultivating their public and the economic incentives for its protection, as AI models trained on scraped can replicate personas indefinitely, undermining the that underpins value creation. Enforcement of personality rights becomes infeasible across borders, where a produced in one can instantaneously harm reputation or revenue in another, outpacing fragmented legal remedies reliant on takedown notices or litigation. from cases involving unauthorized AI ads demonstrates measurable losses, such as diverted endorsement deals, yet the borderless nature of digital dissemination renders traditional injunctions ineffective against viral proliferation. Moreover, the opacity of AI training datasets—often incorporating unlicensed images from public sources—exacerbates these issues, as rights holders struggle to trace and halt upstream infringements. In response to these disruptions, specific threats to performers' personas have prompted targeted measures, such as California's AB 2602 (enacted September 17, 2024), which voids provisions granting broad to digital replicas of living individuals' voices or likenesses without and union representation, effective January 1, 2025. Similarly, AB 1836 (also signed September 17, 2024) prohibits the production or distribution of unauthorized digital replicas of deceased personalities' likenesses for expressive works without estate approval, addressing post-mortem extensions where AI revives personas for profit, effective January 1, 2026. Globally, these challenges highlight enforcement gaps, as AI's low-barrier replication scales harms exponentially, straining personality frameworks designed for analog-era appropriations and necessitating reevaluation of consent models to preserve causal control over one's .

Recent Legislative Changes

In September 2024, Governor signed Assembly Bill 1836 (AB 1836) and Senate Bill 1224 (SB 1224), expanding the state's post-mortem right of publicity to explicitly cover unauthorized AI-generated digital replicas of deceased performers' voice, likeness, or performance. These laws require written consent from the rights holder—typically estates or designated representatives—for any commercial use of such replicas in works, with protections extending 70 years after death, mirroring existing post-mortem durations but addressing AI-specific threats like endorsements. Violations trigger civil liability, including and injunctive relief, driven by empirical concerns over AI tools enabling unauthorized voice and image synthesis without original contracts. Similar state-level expansions emerged elsewhere in the U.S., reflecting a patchwork response to documented AI misuse cases, such as non-consensual digital recreations in . For instance, New York's 2024 legislative proposals and enacted measures built on its Civil Rights Law to curb digital exploitation of likenesses, though federal efforts like the NO FAKES Act remained stalled in as of 2025, lacking enactment. These changes prioritize of economic harm to estates, with California's framework cited as a model for balancing against verifiable unauthorized commercial appropriations. In , judicial interpretations rather than new statutes drove surges in personality rights enforcement against likeness misuse in endorsements from 2023 to 2025, with courts invoking Article 21 of the ( and privacy) to protect celebrities' commercial personas. Notable was the High Court's September 2025 ruling safeguarding Aishwarya Rai Bachchan's image from AI-generated deepfakes in advertisements, affirming proprietary interests in voice, likeness, and attributes without statutory codification. Case volumes rose amid digital advertising growth, with over 80% of flagged influencer endorsements in 2023-2025 lacking disclosures, prompting injunctions against unauthorized uses but highlighting enforcement gaps absent dedicated legislation. European Union adaptations focused on the AI Act (Regulation 2024/1689), effective from August 2024 with prohibitions on exploitative AI practices starting February 2025, indirectly bolstering personality protections via bans on manipulative deepfakes and vulnerability exploitation in online contexts. However, lacking a unified right of , member states rely on fragmented directives (e.g., GDPR) for remedies, precluding full and exposing variances in addressing commercial digital misuse. In Asia beyond India, responses remained uneven, with countries like issuing AI governance guidelines in September 2024 emphasizing ethical data use but without personality-specific statutes, while and the advanced data privacy amendments addressing biometric misuse yet falling short of comprehensive likeness protections. These adaptations underscore empirical pressures from online proliferation but yield no uniform framework, contrasting U.S. state innovations.

International Harmonization Efforts

The Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS), administered by the and effective since January 1, 1995, mandates minimum standards for copyrights, trademarks, patents, and related IP rights among WTO members but omits any binding provisions for personality rights, treating them as outside its core scope of trade-harmonized protections. This exclusion reflects causal divergences in national priorities, where personality rights—encompassing commercial exploitation of name, likeness, and persona—are viewed variably as extensions of , unfair competition, or IP, rather than uniformly enforceable trade obligations. Consequently, TRIPS influences indirect protections through broader IP frameworks but fails to compel standardization, perpetuating reliance on domestic laws that differ in scope, duration, and remedies. The (WIPO) has facilitated discussions on personality rights, notably through forums like the 2025 WIPO Intellectual Property Judges Forum, which addressed intersections with , , and emerging digital threats without yielding a dedicated . These efforts encounter structural barriers from sovereign resistance and entrenched legal traditions: systems prioritize economic incentives against misappropriation, while civil law approaches embed protections in human dignity and , complicating consensus on extraterritorial application or post-mortem duration. Absent multilateral binding instruments, harmonization remains aspirational, with WIPO's role limited to rather than enforcement mechanisms. This fragmented landscape empirically manifests in cross-border disputes through , where litigants strategically select jurisdictions with expansive protections to circumvent weaker regimes, yielding inconsistent judgments and heightened enforcement costs. For example, in transnational advertising or endorsement cases, plaintiffs often favor U.S. venues like —offering perpetual post-mortem rights under statutes like § 3344.1—for broader recoverability, even if the exploitation occurred elsewhere, as national courts apply choice-of-law rules variably without overriding international norms. Such practices underscore causal inefficiencies: without unified standards, economic actors exploit variances, deterring global commerce while inflating litigation uncertainty.

Jurisdictional Variations

Common Law Jurisdictions

In jurisdictions, personality rights—encompassing the commercial exploitation of an individual's name, likeness, image, or other indicia of identity—are typically enforced through judge-made torts rather than codified statutes, emphasizing economic harm and precedent over inherent moral or dignitary interests. Remedies such as , which addresses false endorsement or misrepresentation leading to consumer confusion, and misappropriation of personality, which protects against unauthorized commercial use, form the core mechanisms. These rights evolve via , with protections assignable in many instances and post-mortem duration varying significantly by jurisdiction, often tied to demonstrable ongoing commercial value rather than fixed terms. Free speech considerations, particularly defenses against non-commercial expressive uses, play a prominent role, balancing individual economic control against broader public interests in expression. In the United States, the right of originated in the 1953 New York case Haelan Laboratories, Inc. v. Chewing Gum, Inc., which distinguished it from mere by recognizing a proprietary interest in one's for commercial licensing. Over half of states recognize this right through statutes or , with variations in scope: for instance, California's Civil Code § 3344 protects against unauthorized use of name or likeness for , extending post-mortem indefinitely if commercial value is renewed through licensing or . New York limits post-mortem to 40 years under Civil Rights Law § 50-51, while states like and provide perpetual protection for deceased celebrities with established commercial value. Assignability is generally permitted, allowing transfer of during life or via estates, but claims require proof of commercial injury, with First Amendment defenses often prevailing in artistic or news contexts. Outside the U.S., protections remain more fragmented. In England and Wales, no standalone personality right exists, but passing off applies to implied endorsements, as in Irvine v. Talksport Ltd. EWHC 367 (Ch), where Formula 1 driver Eddie Irvine successfully claimed damages of £25,000 for a brochure photo suggesting his endorsement of the radio station, establishing goodwill in his image for merchandising. Canadian common law provinces recognize appropriation of personality as a tort, first articulated in Krouse v. Chrysler Canada Ltd. (1971), protecting against non-consensual commercial use without requiring publicity status, though post-mortem enforcement is limited and non-assignable in most cases. Australia relies on passing off and related torts like defamation, denying a broad right of publicity but awarding damages for economic loss from unauthorized likeness use, as courts stretch misrepresentation doctrines to cover celebrity endorsements without statutory backing. Across these systems, enforcement prioritizes tangible commercial detriment over abstract personality integrity, with jurisdictional inconsistencies prompting calls for clarification amid digital exploitation.

Civil Law Jurisdictions

![Map of legal systems][float-right] In civil law jurisdictions, personality rights are integrated into comprehensive civil codes, deriving from general principles of and rather than specialized statutes focused on commercial value. These rights emphasize moral and non-economic protections, such as , honor, and , which are deemed inalienable and generally non-transferable. Unlike economic-oriented approaches, civil law systems prioritize preventing dignitary harms over monetizing one's likeness, with protections often extending to name, image, voice, and as facets of the broader right to personality. France exemplifies this framework through Article 9 of the , which declares that "Everyone has the right to respect for his private life," a provision judicially expanded to encompass image rights prohibiting unauthorized reproduction or exploitation . Courts enforce this by assessing whether use distorts the person's image or invades , irrespective of commercial intent, underscoring a dignity-centric rationale over transferable value. Remedies typically prioritize injunctive to halt infringements, supplemented by moral for non-pecuniary harm, rather than substantial economic compensation. In , the general right of personality, anchored in Article 2(1) of the guaranteeing free development of one's personality, is actionable under Section 823(1) of the (BGB) as an unlawful . This doctrinal construct, developed through rather than explicit codification, protects against attributions or depictions that impair personal integrity, with limited economic transferability as the right adheres to the individual and cannot be alienated like property. Post-mortem enforcement is circumscribed, allowing relatives to challenge uses that desecrate the deceased's memory or , but without perpetual inheritable economic claims. Across other civil law systems, such as and , similar codifications in civil codes yield robust image protections favoring cessation of misuse over damages, reflecting a consensus on inviolability with restrained post-mortem scope to heirs for preservation, not indefinite commercialization. In China, the Civil Code provides strong privacy protections under Article 1033, which prohibits unauthorized processing of private information; illegal possession of private images, such as intimate photos, constitutes infringement even without dissemination, as acquisition and storage qualify as prohibited processing, with remedies including cessation of infringement and deletion.

Hybrid and Emerging Systems

South Africa's legal framework exemplifies a hybrid approach, merging Roman-Dutch civil law traditions with English influences and robust constitutional protections to safeguard personality rights. These rights are primarily enforced through the law of , addressing wrongful invasions of personality such as and , as affirmed by the Constitutional Court's interpretations of sections 10 (human dignity) and 14 () in the 1996 . Courts have incrementally recognized publicity elements, permitting claims for unauthorized commercial exploitation of an individual's or identity, particularly in contexts like endorsements , though remedies remain equitable rather than statutory. This constitutional overlay prioritizes balancing individual autonomy against public interests, fostering a system responsive to post-apartheid emphases on amid a burgeoning sector. In , China's 2021 Civil Code represents an emergent codification adapting personality rights to a socialist civil law structure, with Book IV dedicating provisions to , , name, , , and . Article 1018 explicitly grants natural persons control over the making, use, publication, or authorization of their likeness, extending to commercial contexts and establishing a right of effective January 1, 2021. Unlike purely market-driven Western models, these protections incorporate state-centric limitations, subordinating individual claims to , public order, and collective interests, as reflected in broader principles. This framework supports China's expanding celebrity economy, including valued at over 300 billion yuan in 2020, by enabling civil remedies like injunctions and damages. Enforcement challenges in these systems intensify with accelerated digital transformation, where platforms enable widespread unauthorized image use via social media and AI tools. In , the explosion of online content— with over 25 million internet users by 2023—has led to frequent claims for non-consensual commercial alignments, yet judicial backlogs and evidentiary hurdles in proving economic harm limit efficacy. Similarly, in , the 1 billion-plus social media users amplify portrait right infringements, compounded by AI deepfakes and algorithmic dissemination, though state-regulated platforms like impose content controls that prioritize censorship over private enforcement. These dynamics underscore tensions between legal recognition and practical , often requiring hybrid remedies blending civil suits with administrative interventions amid inadequate cross-border mechanisms.

References

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