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Salt Cathedral of Zipaquirá
Salt Cathedral of Zipaquirá
Salt Cathedral of Zipaquirá
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The Salt Cathedral of Zipaquirá (Spanish: Catedral de Sal de Zipaquirá) is an underground Roman Catholic church built within the tunnels of a salt mine 200 metres (660 ft) underground in a halite mountain near the city of Zipaquirá, in Cundinamarca, Colombia. It is a tourist destination and place of pilgrimage in the country.[2]

Key Information

The temple at the bottom has three sections, representing the birth, life, and death of Jesus. The icons, ornaments and architectural details are hand carved in the halite rock. Some marble sculptures are included. The cathedral is considered one of the most notable achievements of Colombian architecture,[3] being described as a "Jewel of Modern Architecture".[4] The cathedral represents a valuable cultural, environmental and religious patrimony for the Colombian people.[5]

The cathedral is a functioning church that receives as many as 3,000 visitors on Sundays, but it has no bishop and therefore no official status as a cathedral in Catholicism.[6]

Geology

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Salt deposits in Zipaquirá were formed around 250 million years ago, and were raised above sea level during the late Tertiary period, when the Andes were formed.[7]

Location

[edit]

The complex is located in Zipaquirá, in Cundinamarca Department, 49 kilometres (30 mi) north of Bogotá, at 2,652 metres (8,701 ft) altitude. National highway 45A connects Bogotá and Zipaquirá, as does the Tren Turistico De La Sabana (Savanna tourist train). The city is recognized, not only for the cathedral, but for being near one of the oldest human settlements in the Americas, El Abra archaeological site.[8]

History

[edit]

The halite mines were exploited already by the pre-Columbian Muisca culture since the 5th century BC,[9] with it being one of their most important economic activities.[7][10] The traditional halite mining was described by Alexander von Humboldt during his visit to Zipaquira in 1801.[11] He depicts this deposit as bigger than the main halite mines of the time, such as those in Spain, Switzerland, Poland and the County of Tyrol with a calculated resource estimation of one million cubic meters. Von Humboldt also criticized the excavation techniques as being unpractical for future exploitation, recommending drift mining instead, since the halite tunnels don't require beams, lowering the costs.[11]

Old cathedral

[edit]
Main altar of the old cathedral, with cross

Years before the underground church was built (around 1932), the miners had carved a sanctuary, as a place for their daily prayers asking for protection to the saints before starting to work. In 1950, the construction of a bigger project had begun: the Salt Cathedral which was inaugurated on August 15, 1954, and dedicated to Our Lady of the Rosary, Patron saint of miners. It was compound of three naves and a monumental cross. Part of the galleries were actually carved by the ancient Muisca. However, as the church was carved inside an active mine, structural problems and safety concerns led the authorities to shut it in September 1992. This construction cost of the original church was over 285 million U.S. dollars.[12] The building had 120 m  length, 5.500 m2 surface and 22 m  height. It had six main columns, and a maximum capacity of 8000 people.

The main nave included the monumental cross, which was illuminated from the base up, projecting a large cross-shaped shadow in the ceiling. The right nave included the Stations of the Cross icons and the Rosary chapel, with the Virgin of Rosary Icon (sculpted by Daniel Rodriguez Moreno and later transported to the new cathedral). The left nave included the icons of the birth of Jesus and the baptism of Jesus, with a waterfall symbolising the Jordan River.

New cathedral

[edit]
Main altar in the new cathedral with cross and angel sculpture.

The Industrial Investment Institute, together with Salinas Concession and the Colombian Society of Architects opened a contest for the design of the new cathedral, the winner of which was the project presented by Roswell Garavito Pearl[13] which included structural changes in the access tunnel and the dome.

In 1991 the construction of a new cathedral was undertaken, 200.0 feet under the older one. This new Cathedral was inaugurated on December 16, 1995. Its various corridors and sanctuaries were achieved by making small but significant additions to the caves left behind by previous mining operations.

The main sections of the building are:

  • The Stations of the Cross: At the entrance of the church, there are 14 small chapels, representing the Stations of the Cross, which illustrate the events of Jesus' last journey. Each station has a cross and several kneeling platforms carved into the halite structure.
  • The Dome: Located at the end of the main descending entrance ramp. From here, the visitor descends to the bas relief cross chambers, the balcony and the Narthex labyrinth.
  • The three naves: They are interconnected by a crack, symbolising the birth and death of Christ. Copies of Creation of Adam and Pietá can be seen.

Four large cylindric columns represent the Four Evangelists

The cathedral has an electrical generator and access for vehicles to the inner space (for emergencies only).

Salt Park

[edit]
Holy Family sculpture.

The cathedral is within a larger complex, Parque de la Sal (Salt Park),[14] which also includes a museum of mining, mineralogy, geology and natural resources. The Salt Park covers an area of 32 hectares (79 acres). Visitors can observe pieces of art, depictions of the mining process, geology displays, educational exhibitions about environmental friendly mining and sustainable development

The main places at the park are:

  • The Sacred Axis, a square with a halite hand carved cross (4.2 metres (14 ft) height)
  • The Salt Dome
  • The mine
  • The Brine Museum, where visitors learn about the extraction process of salt from the halite. Also, exhibitions of the geological studies, engineering and architecture process in the creation of the cathedral can be seen.
  • The Reservoir
  • The Forests
  • The Salt auditorium.
Water "Mirror".

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Salt Cathedral of Zipaquirá

View on Grokipedia
from Grokipedia
The Salt Cathedral of Zipaquirá is an underground Roman Catholic church built within a salt mine in the town of , , , approximately 48 kilometers north of at an elevation of 2,652 meters above sea level. Carved 180 meters underground, it spans three naves and serves as both a functioning and a major , drawing over 600,000 visitors annually. The site's history is rooted in the ancient practices of the indigenous people, with commercial extraction beginning under Spanish colonial rule in the early to finance Colombia's independence campaigns. Miners constructed an initial chapel in dedicated to the Virgin of the of Guasá for during work, followed by the first official in 1954 at the mine's second level, which measured 120 meters in length and covered 5,500 square meters but was closed in 1990 due to structural instability. The current , inaugurated on December 16, 1995, was excavated 60 meters deeper in a more stable area of the mine, involving the removal of 250,000 tons of rock salt by a team of 127 miners and sculptors over five years. Architecturally, the cathedral features three interconnected naves symbolizing the birth, life, and resurrection of Christ, illuminated by modern chandeliers and adorned with salt-carved sculptures such as La Piedad (a depiction of the Virgin Mary holding Jesus) and a 16-ton cross at the altar, which was transported in three pieces. Additional elements include the 14 Stations of the Cross carved into the salt walls, reflective brine pools mimicking mirrors of water, and supporting infrastructure like an auditorium, museum, and climbing wall within the Salt Park complex. Recognized as the First Wonder of Colombia by the on February 4, 2007, the cathedral holds profound cultural, spiritual, and economic importance, attracting around 10,000 international and 40,000 domestic tourists monthly while hosting Sunday masses and services that blend faith with the mine's industrial heritage. It stands as a testament to human ingenuity in transforming a vast salt deposit—one of the largest in the world—into a that has welcomed over 13 million visitors since its opening.

Geological and Geographical Context

Geology

The (rock salt) deposits that form the foundation of the Salt Cathedral of Zipaquirá originated as evaporites during the period, specifically in the to early stages, approximately 90 to 85 million years ago. These deposits precipitated from the of in a restricted marine basin within what is now the Sabana de region of the Eastern . During the Tertiary period, tectonic forces associated with the uplifted these ancient salt layers, folding and elevating them as part of the broader mountain-building processes that shaped the . This uplift exposed the deposits to and mining accessibility over time. The geological structure of the salt mine consists of thick beds up to 180 meters in thickness, exhibiting characteristic from alternating layers of relatively pure and argillaceous (clay-bearing) , with 17 to 20 alternations per meter. These salt layers are interbedded with and encased by dark-gray to black, pyritic, marly claystones of the surrounding Chipaque Formation, forming anticlinal structures that facilitated preservation. Ongoing salt mining, initiated by pre-Columbian indigenous groups and intensified through modern room-and-pillar methods, has carved out extensive underground tunnels within the halite deposits, directly exposing the stable salt formations that now house the cathedral.

Location

The Salt Cathedral of Zipaquirá is situated in the municipality of Zipaquirá, within the Cundinamarca department of Colombia, approximately 49 kilometers north of the capital city, Bogotá. The site lies at an elevation of 2,652 meters above sea level, with precise coordinates of 5°01′07″N 74°00′33″W. This positioning places the cathedral within a halite mountain, leveraging the region's extensive salt deposits to create its underground structure. Visitors can reach the cathedral via National Highway 45A, a major road linking directly to through the Sabana de plateau. An alternative and scenic route is the Tren Turístico de la Sabana, a tourist train that departs from 's Estación de la Sabana and travels approximately 48 kilometers to , offering views of the surrounding savanna . The cathedral is closely integrated with the town of , a historic known for its and . Nearby, the El Abra Regional Archaeological Park represents one of the earliest known human settlements in the , dating back over 12,000 years and providing a significant prehistoric context to the area.

Historical Development

Origins and Early Chapels

In the early , miners working in the salt mines of , , began carving a small within the underground tunnels as a and protection before entering the hazardous depths of the mine. This makeshift emerged from the miners' deep-seated need for spiritual safeguarding amid the dangers of salt extraction, reflecting their reliance on faith to mitigate risks such as collapses and toxic exposures. By 1932, this initial sanctuary had evolved into a more dedicated chapel, hewn directly from the salt rock, where regular religious services, including daily masses, were conducted for the mining community. The chapel's establishment marked a formalization of these practices, transforming an informal prayer space into a communal site for observances that strengthened the workers' resolve during long shifts underground. The geological stability of the halite formations in the tunnels facilitated this early religious adaptation, enabling safe gatherings without immediate structural threats. This development was deeply rooted in the cultural traditions of Zipaquirá's mining workforce, who held a profound devotion to of Guasá, known locally as the of miners and a symbol of protection in the salt mines. The Virgin of Guasá, often depicted with mining tools at her feet, embodied the blend of indigenous and Catholic influences in the region, fostering rituals that integrated work perils with spiritual intercession among the laborers. These practices underscored the miners' communal identity, where faith served as both solace and a marker of resilience in their demanding profession.

Construction of the Old Cathedral

The construction of the old Salt Cathedral began in 1950, initiated by the administration of the salt mine as an expansion of earlier informal chapels carved by miners for worship during their shifts. Work commenced formally on October 7, 1950, involving miners and sculptors who excavated and shaped the underground galleries within the active deposit. This effort transformed a modest devotional space into a larger , reflecting the deep religious traditions among the mining community. The cathedral was inaugurated on August 15, 1954, and dedicated to , the patron saint of miners, underscoring its spiritual significance for the workers and surrounding region. The structure spanned 120 meters in length, encompassed a surface area of 5,500 square meters, and rose to a height of 22 meters, supported by six massive columns each with an 80-square-meter base. Designed to accommodate up to 8,000 worshippers, it featured three naves and a prominent wooden at the far end, illuminated to evoke a sense of divine presence amid the saline environment. For nearly four decades, the old cathedral functioned as a vital pilgrimage site, hosting masses, religious processions, and visits from devotees drawn to its unique subterranean setting. However, its location within an operational mine led to progressive structural degradation, prompting intermittent closures before its permanent closure in 1990 due to instability in the supporting pillars and overall safety risks.

Development of the New Cathedral

Following the closure of the original Salt Cathedral in 1990 due to structural instability and safety risks from ongoing activities, construction of a new, permanent underground cathedral began in 1991. The project was designed by Colombian architect Roswell Garavito Pearl, whose proposal won a national competition organized by the Colombian Society of Architects. Approximately 250,000 tons of salt were carefully extracted to shape the space, adapting to the existing mine's galleries and tunnels rather than conducting a complete excavation. Engineering efforts focused on enhancing safety through targeted reinforcements, including the use of logs to support the tunnels and hand-carving by over 100 miners and sculptors to ensure structural precision. These measures addressed the vulnerabilities of the salt medium, such as its susceptibility to deformation from blasting vibrations, while preserving the natural subterranean environment. The design integrated three interconnected naves symbolizing the birth, life, and death of Jesus Christ, connected by a symbolic crack representing his . The new cathedral was inaugurated on December 16, 1995, by Colombian President , marking it as a stable, long-term sanctuary. Despite its ecclesiastical role and capacity to host up to 3,000 worshippers on Sundays, it holds no official diocesan status within the Roman Catholic Church, lacking a resident and operating as an independent .

Architectural Design and Features

Overall Design

The Salt Cathedral of Zipaquirá encompasses an expansive underground layout covering approximately 8,500 square meters, positioned 180 meters beneath the surface within a salt deposit. This structure, inaugurated in 1995 following the closure of the original cathedral due to structural defects, integrates expansive spaces carved directly from the salt mine to form a functional site. The cathedral's core consists of three interconnected central naves, linked by a symbolic fissure representing key stages in Christ's life, which together facilitate the Way of the Cross . These naves culminate in a prominent main dome and areas, designed with sufficient dimensions—spanning up to 75 meters in length and 25 meters in height—to accommodate large-scale religious masses and pilgrim gatherings. The layout emphasizes spatial flow, allowing visitors to traverse the underground corridors while evoking a sense of progression through sacred narrative. Constructed primarily from the mine's rock salt, the cathedral's walls serve as both structural elements and aesthetic features, with artificial strategically applied to highlight the translucent qualities of the salt and produce ethereal illumination effects throughout the chambers. While the salt provides the foundational medium, subtle reinforcements ensure stability in the subterranean environment, prioritizing for ongoing liturgical use. This integration of natural and engineered space underscores the cathedral's role as a modern engineering feat adapted to its unique geological context.

Key Artistic Elements

The Salt Cathedral of Zipaquirá features hand-carved icons sculpted directly from the rock, depicting key biblical scenes that enhance its spiritual narrative. These include the 14 , known as the Via Crucis, which line a 386-meter leading to the main chambers; each station consists of an altar with a lit , hand-carved kneelers, and reliefs illustrating Christ's Passion, crafted meticulously into the salt walls by miners and professional sculptors. A prominent example is the enormous salt-carved in the central dome of the , recognized as the world's largest of its kind, standing as a focal point illuminated to symbolize divine presence. Complementing the salt carvings are sculptures that add classical depth to the cathedral's . In the dedicated to birth, a symbolic salt-carved cascade evokes the in the river , created by miners and sculptors. In the dedicated to resurrection, salt-carved figures inspired by Michelangelo's , known as , depict Mary cradling with indigenous facial influences, symbolizing renewal and hope. These sculptures, integrated into the overall structure, were contributed by national and international artists, including Italian sculptor Ludovico Consorte, whose dates to the . Lighting and multimedia installations amplify the ethereal quality of these artistic features, creating a transformative ambiance within the underground space. Multicolored phosphorescent and LED lights illuminate the salt carvings and crosses, with purple hues on the dome's central cross and green tones in access tunnels evoking a mystical glow; water mirrors reflect these lights for optical illusions that mimic infinite depth. In the dome, advanced lighting simulates a starry celestial vault, enhancing the sensation of ascending toward heaven. A 15-minute 3D video projection titled “Guasa, treasure of a people,” shown in the adjacent auditorium, narrates the site's geological and cultural story.

The Salt Park

Park Overview

The Salt Park, known as Parque de la Sal, is a 32-hectare surface complex established adjacent to the Salt Cathedral of Zipaquirá, encompassing landscaped areas that complement the underground site. This expansive park integrates the historical legacy of the salt mine by featuring dedicated spaces that honor the labor and traditions of mining in the region. Central to the park is Miner's Square (Plaza del Minero), an open anteroom surrounded by 40 wax palms symbolizing the operational years of the original Salt Cathedral, along with pathways that guide visitors toward the underground entrance. The square includes outdoor sculptures, such as a stone carving by artist Miguel Sopó Duque depicting indigenous mining activities and the Miner's Monument in steel by Alfredo Arújo Santoyo, which collectively evoke the mine's cultural and industrial heritage. These elements create viewing areas that allow visitors to reflect on the site's evolution from an active salt extraction operation to a preserved landmark. Designed as an educational and recreational space, the promotes awareness of heritage through interpretive features tied to the area's geological and , while also fostering environmental consciousness via ecological trails along natural pathways. Visitors access the cathedral's subterranean chambers directly through these park pathways, bridging the surface landscape with the underground experience.

Facilities and Exhibits

The Salt Park encompasses several educational facilities dedicated to the region's heritage and natural resources. Central to these is the Museum of the (Museo de la Salmuera), which houses exhibits on the historical processes of salt extraction, including displays of traditional tools such as picks, carts, and techniques used by local miners. These artifacts and interactive models illustrate how was collected from underground sources and processed into salt, emphasizing the economic significance of the Zipaquirá salt deposits since colonial times. Complementing the museum are exhibits on and , which explore the formation of the deposits and modern conservation efforts to preserve the mine while minimizing environmental impact. Visitors can view geological cross-sections of the salt layers and information panels detailing eco-friendly extraction methods adopted in recent decades. Archaeological displays within the park reference pre-Columbian salt use by the people, who mined the area as early as the 5th century BCE for preservation, trade, and ceremonial purposes, with replicas of ancient tools highlighting this indigenous legacy. Amenities in the Salt Park include the Salt Auditorium, a versatile venue with capacities ranging from 260 to 800 people, designed for hosting events such as seminars, corporate meetings, and cultural performances amid the park's scenic surroundings. An underground reservoir adds to the site's allure, featuring illuminated water surfaces that reflect light to create immersive cavern-like effects, integrated with forested pathways that offer shaded walks through the park's greenery. Interactive elements enhance visitor engagement, notably the Sacred Axis pathway, a symbolic square pathway leading toward the cathedral entrance, centered by a hand-carved halite cross standing 4.2 meters tall, evoking spiritual reflection through its minimalist design and salt illumination. In June 2024, the Underground Monumental Museum was inaugurated adjacent to the Salt Cathedral, featuring 11 salt rock statues and 11 marble statues created by 22 artists from 19 countries, enhancing the site's international cultural appeal.

Cultural Significance and Tourism

Religious and Cultural Importance

The Salt Cathedral of Zipaquirá stands as a prominent destination within Colombian Catholicism, drawing thousands of faithful annually to its underground chambers for worship and reflection. As a functioning Roman Catholic church, it hosts regular Sunday masses, typically at 1:00 p.m., accommodating up to 3,000 attendees, and sees heightened participation during major religious observances such as services commemorating Christ's and , as well as celebrations. Despite lacking a resident and thus not holding official diocesan status, the site embodies a profound symbolic religious center, where the subterranean environment fosters a unique sense of spiritual intimacy and devotion among pilgrims. Culturally, the cathedral is revered as a cornerstone of Colombian heritage, officially declared the First Wonder of Colombia on February 4, 2007, in recognition of its architectural innovation and enduring value as national cultural patrimony. Frequently hailed as the "Jewel of Modern Architecture," it symbolizes the nation's ingenuity in blending engineering, art, and faith, attracting approximately 600,000 visitors each year who engage with its role in preserving 's religious and artistic legacy. The site's significance extends to the pre-Columbian indigenous heritage, as the salt mines of were vital to the people for trade and rituals, underscoring salt's sacred role in their cosmology and daily life. This historical continuum is reflected in the cathedral's artistic elements, such as sculptures incorporating features, which honor the indigenous spiritual connection to the land and its resources while integrating Catholic iconography.

Visitor Experience and Access

Visitors to the Salt Cathedral of Zipaquirá can choose from several tour options to explore the underground site, including guided walks led by professional guides that typically last 1 to 2 hours, covering the main chambers and artistic features. Audioguides are available in seven languages—Spanish, English, French, , German, Italian, and Japanese—to enhance the self-paced experience for international tourists. Accessibility features include free wheelchairs for those with mobility needs, as well as rental options for baby carriages ($23,000 COP) and pet strollers ($16,000 COP), making the site pet-friendly with carts available upon inquiry at the box office. The cathedral operates daily from 9:00 a.m. to 5:40 p.m., with the last admission at 5:40 p.m., though weekends see higher crowds due to increased local and tourist traffic. Admission prices vary by package: the basic passport starts at 110,000 COP (approximately $26 USD as of 2025) for adults, with discounts for children aged 4-12, seniors over 60, and free entry for children under 4; residents pay a reduced rate of 17,000 COP with ID. The site attracts approximately 600,000 visitors annually, with a record of over 700,000 in 2024 as recovers post-pandemic. Recent enhancements include free access available throughout the 180-meter underground tunnels, allowing visitors to stay connected during their tour. The cathedral emphasizes sustainable practices, such as energy-efficient lighting in the salt mine environment, though no major renovations have been reported as of 2025. Located at an altitude of 2,652 meters above , visitors should prepare for cooler conditions with an average underground temperature of 14°C; wearing comfortable shoes for walking and a light jacket is recommended to ensure a comfortable experience.

References

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