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Antillia
Portolan chart location
Map of Albino de Canepa, dated 1489. Phantom island of Antillia, with its Seven Cities, on top; the smaller companion island of Roillo is below it
In-universe information
TypePhantom island

Antillia or Antilia is a phantom island that was reputed, during the 15th-century age of exploration, to lie in the Atlantic Ocean, far to the west of Portugal and Spain. The island also went by the name of Isle of Seven Cities (Portuguese: Ilha das Sete Cidades; Spanish: Isla de las Siete Ciudades).

It originates from an old Iberian legend, set during the Muslim conquest of Hispania c. 714. Seeking to flee from the Muslim conquerors, seven Christian Visigothic bishops embarked with their flocks on ships and set sail westwards into the Atlantic Ocean, eventually landing on an island (Antillia) where they founded seven settlements.

The island makes its first explicit appearance as a large rectangular island in the 1424 portolan chart of Zuane Pizzigano. Thereafter, it routinely appeared in most nautical charts of the 15th century. After 1492, when the north Atlantic Ocean began to be routinely sailed and became more accurately mapped, depictions of Antillia gradually disappeared. It nonetheless lent its name to the Spanish Antilles.

The routine appearance of such a large "Antillia" in 15th-century nautical charts has led to speculation that it might represent the American landmass,[1] and has fueled many theories of pre-Columbian trans-oceanic contact.

Legend

[edit]
A full image of Canepa's 1489 map, featuring Antillia (on the west) in relation to the Iberian Peninsula.

Stories of islands in the Atlantic Ocean, legendary and otherwise, have been reported since classical antiquity.[2] Utopian tales of the Fortunate Islands (or Isles of the Blessed) were sung by poets like Homer and Horace. Plato articulated the utopian legend of Atlantis. Ancient writers like Plutarch, Strabo, and, more explicitly, Pliny the Elder and Ptolemy, testified to the existence of the Canary Islands. The names of some real islands re-emerged as distinct mythical islands with associated legends, e.g. capraria (the island of goats) and canaria (the island of dogs) are often found on maps separately from the Canary Islands (e.g. Pizzigani brothers, 1367).

The Middle Ages saw the emergence of Christian versions of these tales. Notable among these are the Irish immrama (tales of a hero's journey to the Otherworld), such as the immram of Uí Corra, or the sea voyages of the 6th-century Irish missionaries Saint Brendan and Saint Malo. These are the source for several legendary Atlantic islands such as Saint Brendan's Island and the Island of Ima.[3] The sagas of Norse seafarers to Greenland and Vinland, notably the Grœnlendinga saga and the saga of Erik the Red, have also been influential. Norse encounters with North American indigenous peoples seem to have filtered into Irish immrama.[4]

The peoples of the Iberian Peninsula, who were closest to the real Atlantic islands of the Canaries, Madeira and Azores, and whose seafarers and fishermen may have seen and even visited them,[5] articulated their own tales. Medieval Andalusian Arabs related stories of Atlantic island encounters in the legend (told by al-Masudi) of the 9th-century navigator Khashkhash of Cordoba[6] and the 12th-century story (told by al-Idrisi) of the eight Maghrurin (Wanderers) of Lisbon.[7]

Given the tendency of the legends of different seafarers – Greek, Norse, Irish, Arab and Iberian – to cross-fertilize and influence each other,[8] the exact source of some legendary Atlantic islands – such as the mythical islands of Brasil[9] and the Isle of Mam[10] – are extremely difficult to disentangle.

It is from Christian Iberia that the legend of Antillia emerged. According to the legend, in c. 714, during the Muslim conquest of Hispania, seven Christian bishops of Visigothic Hispania, led by the Bishop of Porto, embarked with their parishioners on ships and set sail westward into the Atlantic Ocean to escape the Arab conquerors. They stumbled upon an island and decided to settle there, burning their ships to permanently sever their link[11] to their now Muslim-dominated former homeland. The bishops erected seven settlements (the "Seven Cities") on the island. In one reading (from Grazioso Benincasa), the seven cities are named Aira, Antuab, Ansalli, Ansesseli, Ansodi, Ansolli and Con.[12]

The legend, in this form, is told in various places. The principal source is an inscription on Martin Behaim's 1492 Nuremberg globe which reads (in English translation):

In the year 734 after the birth of Christ, when all Spain was overrun by the miscreants of Africa, this Island of Antillia, called also the Isle of the Seven Cities, was peopled by the Archbishop of Porto with six other bishops, and certain companions, male and female, who fled from Spain with their cattle and property. In the year 1414, a Spanish ship approached very near this Island.[13]

Inscription of Johannes Ruysch, 1508. The Isle of Demons further north may be Antillia's old companion, Satanazes.

The legend is also found inscribed in the 1507/08 map of Johannes Ruysch, which reads (in English):

This island Antilia was once found by the Portuguese, but now when it is searched, cannot be found. People found here speak the Hispanic language, and are believed to have fled here in face of a barbarian invasion of Hispania, in the time of King Roderic, the last to govern Hispania in the era of the Goths. There is 1 archbishop here and 6 other bishops, each of whom has his own city; and so it is called the island of seven cities. The people live here in the most Christian manner, replete with all the riches of this century.[14]

Ruysch's inscription is reproduced almost verbatim in the Libro of Spanish historian Pedro de Medina (1548).[15] Medina gives the island's dimensions as 87 leagues in length and 28 in width, with "many good ports and rivers", and says it is situated on the latitude of the Straits of Gibraltar, that sailors have seen it from a distance, but disappears when they approach it.[16]

The adjustment to the 714 date and the burning of the ships is due to Ferdinand Columbus (1539), who also reports an alleged encounter with the islanders by a Portuguese ship in the time of Henry the Navigator (c. 1430s–1440s).[17] António Galvão (1563) reports that a 1447 Portuguese ship stumbled on the island, and met its (Portuguese-speaking) inhabitants, who reported they had fled there in the "time of Roderic" and asked whether the Moors still dominated Hispania.[18] More elaborate versions of this story have been told in more modern times.[19]

Yet another variant of the tale is told in Manuel de Faria e Sousa (1628), of Sacaru, a Visigothic governor of Mérida. Besieged by the Muslim armies and finding his situation hopeless, Sacaru negotiated capitulation, and proceeded, with all who wished to follow him, to embark on a fleet for exile in the Canary islands. Faria e Sousa notes they may not have reached their destination, but may have ended up instead on an Atlantic Ocean island "populated by Portuguese, that has seven cities ... which some imagine to be that one which can be seen from Madeira, but when they wish to reach it, disappears".[20]

The island is mentioned in a royal letter of King Afonso V of Portugal (dated 10 November 1475), where he grants the knight Fernão Teles "the Seven Cities and any other populated islands" he might find in the western Atlantic Ocean.[21] It is mentioned again in a royal letter (dated 24 July 1486), issued by King John II of Portugal at the request of Fernão Dulmo authorizing him to search for and "discover the island of Seven Cities".[22]

Already by the 1490s, there are rumors that silver can be found in the island's sands.[23] In the 16th century, the legend gave rise to the independent Spanish legends of the Seven Cities of Gold, reputed by mercenary conquistadors to be fabulously wealthy and located somewhere on the mainland of America.

Etymology

[edit]
1455 map of Bartolomeo Pareto. Antilia is the large island on the western edge.

The term Antillia is probably derived from the Portuguese "Ante-Ilha" ("Fore-Island", "Island of the Other", or "Opposite Island").[24] It may be a reference to the belief that the island lay directly "opposite" from mainland Portugal (as it is usually charted), consistent with the Seven Cities story. Its size and rectangular shape is a near-mirror image of the Kingdom of Portugal itself. Some suggest the ante-ilha etymology might be older, possibly related in meaning to the "Aprositus" ("the Inaccessible"), the name reported by Ptolemy for one of the Fortunate Isles.[25]

Others regard the "ante-ilha" etymology as unsatisfactory, on the basis that "ante", in geographical usage, suggests it sits opposite another island, not a continent.[26] As a result, alternative etymological theories of Antillia abound. One theory was that "Antillia" is merely a poorly-transcribed reference to Plato's "Atlantis".[27] Another is that it is a corruption of Getulia, an ancient Roman name for a geographical location in northwestern Africa.[28] Another theory, famously forwarded by Alexander von Humboldt, is that it comes from the Arabic al-Tin or al-Tennyn, for "dragon", a reference to the old Arab legends about sea dragons on the edge of the ocean (frequently depicted in Arab maritime charts), and that the island may have been known as Jezirat al Tennyn, or "Dragon's Isle", in Andalusian Arab legend.[29]

One more recent hypothesis (although not finding wide acceptance), is that Antillia may mean "in front of Thule".[30] Sometimes written Tile, Thule was a semi-mythical reference to Iceland, already spoken of in classical sources. If so, then ante Tile, the "island before Thule", might very well be Ireland, which might have had seven "cities" at the time.[31] This theory, however, seems highly speculative. Ireland (Hibernia) was well-known and appears distinctly on all 15th-century maps.

In a fresh work on the subject, the author Demetrio Charalambous notes that in medieval maps, the name of the island is written Antylia, which is inconsistent with the interpretation commonly accepted that the name means "ante-ilha" in Portuguese. No medieval map records the name "Antilha", by which the author dismisses the name as being Portuguese. Instead, he noted that the first cartographers to mention the island (although they did not represent it) were Francesco and Domenico Pizigano in 1367, who called it Antullia. From this follows that the name means "Anti-Tullia", i.e. Anti-Thule, later transformed into Antyllia, and finally Antillia.[32] According to his interpretation, the name denotes the island opposite to Tyle, but this does not mean it is before Iceland, but beyond it, as represented in the maps. The name means the island opposite to Tyle by sailing southwest, and therefore refers to America.

Cartographic representation

[edit]

The rediscovery of the Canary Islands by Europeans in the 14th century revived an interest in Atlantic island myths.[citation needed] With the existence of lands out in the Atlantic Ocean confirmed, 14th-century European geographers began plumbing the old legends and plotting and naming many of these mythical islands on their nautical charts, alongside the new discoveries. Mythical Atlantic islands litter the early 14th-century portolan charts of Pietro Vesconte and Angelino Dulcert.

Some historians believe the legend of Antillia was first insinuated cartographically in the 1367 portolan of the Venetian brothers Domenico and Francesco Pizzigano. This was insinuated by an inscription (albeit with no island) on the western edge of the map, which was read by some 19th-century historians as referring to "statues on the shores of Atullia" (ante ripas Atulliae) beyond which sailors should not pass.[33] However, later readings have suggested it should be read as the statues of Arcules (Hercules), and that the inscription's reference is probably to the Pillars of Hercules, the non plus ultra (outer limits) of ancient navigation, and not Antillia.[34]

1424 map of Zuane Pizzigano. First clear depiction of Antillia (large red rectangle), Ymana (future Royllo, small blue island to the west), Satanazes (large blue rectangle to the north) and Saya (future Damnar, umbrella-shaped red isle far north)

Antillia makes its first unambiguous appearance in the 1424 portolan chart of Venetian cartographer Zuane Pizzigano, as part of a group of four islands, lying far in the Atlantic Ocean some 250 leagues west of Portugal, and 200 leagues west of the Azores archipelago (which also usually depicted in contemporary charts). Pizzigano drew Antillia as a large, red, rectangular island, indented with bays and dotted with seven settlements, with the inscription ista ixola dixemo antilia ("this island we call antillia", in Venetian). Some sixty leagues north of it is the comparable large blue Satanazes island (ista ixolla dixemo satanazes, called Satanagio/Satanaxio/Salvagio in later maps), capped by a small umbrella-shaped Saya (called "Tanmar" or "Danmar" in later maps). Some twenty leagues west of Antilia is the small blue companion island of Ymana (the 'Royllo' of later maps). These four islands will be collectively drawn together in many later 15th-century maps, with the same relative size, position and shape Pizzigano gave them in 1424. They are commonly referred to collectively as the "Antillia group" or (to use Beccario's label) the insulae de novo rep(er)te ("islands newly reported").

Cartographic appearances of Antillia (in chronological order):[35]

  1. 1424 map of Zuane Pizzigano of Venice as ista ixolla dixemo antilia
  2. 1435 map of Battista Beccario of Genoa
  3. 1436 map of Andrea Bianco of Venice
  4. 1455 map of Bartolomeo Pareto of Genoa – omits Satanazes
  5. 1463 map of Grazioso Benincasa of Ancona
  6. 1463 map of Pedro Roselli of Majorca
  7. 1466 map of Pedro Roselli
  8. 1468 map of Pedro Roselli
  9. 1460s anonymous Weimar map (attrib. to Conte di Ottomano Freducci of Ancona) – labelled as septe civit[36]
  10. 1470 map of Grazioso Benincasa
  11. c. 1475 map of Cristoforo Soligo of Venice – omits Satanazes, Antillia labelled as y de sete zitade[36][what language is this?]
  12. 1474 "map" of Paolo Toscanelli – map missing, but Antilia referenced in letter.
  13. 1476 map of Andrea Benincasa of Ancona (son of Grazioso) – omits Satanazes
  14. 1480 map of Albino de Canepa of Venice
  15. 1482 map of Grazioso Benincasa
  16. c. 1482 map of Grazioso Benincasa (different from above)
  17. 1482 map of Jacme Bertran of Majorca
  18. 1487 map of anonymous Majorcan cartographer
  19. 1489 map of Albino de Canepa
  20. 1492 Nuremberg globe of Martin Behaim – omits Satanazes, first with inscription relating legend.[37]
  21. 1493 anonymous Laon globe
  22. c. 1500 Paris map ("Columbus map") of anonymous Portuguese/Genoese (?) cartographer.[38]
  23. 1507-08 map of Johannes Ruysch – relocates Satanazes to Isle of Demons(?), relates legend.

As is evident, on some maps (e.g. Pareto, Soligo, Behaim), Antillia appears without Satanazes.[39]

Significantly, although included in his map of 1436, the Antillia group is omitted in the later Andrea Bianco map of 1448, although some authors believe that two rectangular islands depicted by Bianco much further south (in the environs of Cape Verde), and labelled merely dos ermanos ("two brothers") may be a reference to Antilia and Satanazes.

The controversial and possibly fake Vinland map, dated by its supporters around 1440, shows the outlines of Antillia and Satanazes islands (but not the two smaller ones) under the general label Magnae insulae Beati Brandani (great islands of St Brendan).

Antillia (and all its companions) are conspicuously omitted in the map of Gabriel de Vallseca (1439), the Genoese map (1457), the Fra Mauro map (1459) and the maps of Henricus Martellus Germanus (1484, 1489) and Pedro Reinel (c. 1485). With a few exceptions (e.g. Ruysch), Antillia disappears from almost all known maps composed after Christopher Columbus's voyages to the Americas in the 1490s (e.g. it is absent on the 1500 map of Juan de la Cosa, the Cantino planisphere of 1502, etc.)

It appears in virtually all of the known surviving Portolan charts of the Atlantic – notably those of the Genoese B. Beccario or Beccaria (1435), the Venetian Andrea Bianco (1436), and Grazioso Benincasa (1476 and 1482).[40] It is usually accompanied by the smaller and equally legendary islands of Royllo, St Atanagio, and Tanmar, the whole group often classified as insulae de novo repertae, newly discovered islands.[41]

Andea Bianco, 1436. Antillia at right

On these maps, Antillia was typically depicted on a similar scale to that of Portugal, lying around 200 miles west of the Azores. It was drawn as an almost perfect rectangle, its long axis running north–south, but with seven trefoil bays shared between the east and west coasts. Each city lay on a bay. The form of the island occasionally becomes more figurative than the semi-abstract representations of Bartolomeo de Pareto, Benincasa and others: Bianco, for instance, shifts its orientation to northwest–southeast, transmutes generic bays into river mouths (including a large one on the northeastern coast), and elongates a southern tail into a cape with a small cluster of islets offshore.

Around the time of Spain's discovery of South America, Antillia dwindles substantially in size on Behaim's globe and later charts. Contrary to the earlier descriptions of the two island groups as distinct entities, a 16th-century notion relegates Antillia to the island of São Miguel, the largest of the Azores, where a national park centering on two lakes still bears the name Sete Cidades National Park.

Medieval beliefs and the Age of Discovery

[edit]

A Portuguese legend tells how the island was settled in the early 8th century in the face of the Moorish conquest of Iberia by the Archbishop of Porto, six other bishops and their parishioners to avoid the ensuing Moorish invasion. Each congregation founded a city, namely, Aira, Anhuib, Ansalli, Ansesseli, Ansodi, Ansolli and Con,[42] and once established, burnt their caravel ships as a symbol of their autonomy. The reporting of this settlement comes courtesy of a young couple who eloped back to Europe on a rare trading ship[43] and reported the seven cities as a model of agricultural, economic and cultural harmony. Centuries later, the island became known as a proto-utopian commonwealth, free from the disorders of less favoured states.[44]

Since these events predated the Kingdom of Portugal and the clergy's heritage marked a claim to significant strategical gains, Spain counterclaimed that the expedition was, in fact, theirs.[45] One of the chief early descriptions of the heritage of Antillia is inscribed on the globe which the geographer Martin Behaim made at Nuremberg in 1492. Behaim relates the Catholic escape from the barbarians, though his date of 734 is probably a mistake for 714. The inscription adds that a Spanish vessel sighted the island in 1414,[41] while a Portuguese crew claimed to have landed on Antillia in the 1430s.

In a later version of the legend, the bishops fled from Mérida, Spain, when Moors attacked it around the year 1150.[citation needed]

Toscanelli's notions of the geography of the Atlantic Ocean. Antillia at the middle-right.

With this legend underpinning the growing reports of a bountiful civilisation midway between Europe and Cipangu, or Japan,[46] the quest to discover the Seven Cities attracted significant attention. However, by the last decade of the 15th century, the Portuguese state's official sponsorship of such exploratory voyages had ended,[47] and in 1492, under the Spanish flag of Ferdinand and Isabella, Christopher Columbus set out on his historic journey to Asia, citing the island as the perfect halfway house by the authority of Paul Toscanelli.[48] Columbus had supposedly gained charts and descriptions from a Spanish navigator, who had "sojourned ... and died also" at Columbus's home in Madeira, after having made landfall on Antillia.[49]

Following John Cabot's first 1497 voyage to Newfoundland, several people believed he had discovered Antillia. Upon Cabot's return to England, two residents of Bristol – the Italian merchant Raimondo de Soncino (in a letter to the Duke of Milan, dated August 24, 1497) and Bristol merchant John Day (in a letter to Christopher Columbus, written c. December 1497) – refer to Cabot making landfall and coasting the "Island of Seven Cities".

Later influence

[edit]

Others following d'Anghiera suggested contenders in the West Indies for Antillia's heritage (most often either Puerto Rico or Trinidad), and as a result the Caribbean islands became known as the Antilles. As European explorations continued in the Americas, maps reduced the scale of the island Antillia, tending to place it mid-Atlantic, whereas the Seven Cities of Gold were attributed to mainland Central or North America, as the various European powers vied for territory in the New World.

See also

[edit]

References

[edit]

Sources

[edit]
  • Babcock, W.H. (1920) "Antillia and the Antilles", Geographical Review, vol. 9 (2), p. 109-24.
  • Babcock, W.H. (1922) Legendary islands of the Atlantic: a study in medieval geography New York: American Geographical Society. online
  • Barreto, M. (1988) O português Cristóvão Colombo, 1992 trans. as The Portuguese Columbus: secret agent of King John II. New York: Macmillan.
  • Beazley, C.R. (1897–1906) The Dawn of Modern Geography. London. vol. 1 (-900), vol.2 (900–1260) vol. 3 (1260–1420)
  • Beazley, C. (1899) Raymond "Introduction" in C.R. Beazley and E. Prestage, 1898–99, The Chronicle of the Discovery and Conquest of Guinea, London: Halyut. v.2
  • Buache, Jean-Nicholas (1806) "Recherches sur l'île Antillia et sur l'époque de la découverte de l'AmériqueMémoires de l'Institut des Sciences, Lettres et Arts, Vol. 6, Paris: Baudoin, p.1-29
  • Columbus, Ferdinand (c. 1539) Historia del Almirante Don Cristobal Colon, en la cual se da particular y verdadera relacion de su vida y de sus hechos, y del descubrimiento de las Indias Occidentales, llamadas Nuevo-Mundo (1892 Madrid edition, 5 volumes)
  • Cortesão, Armando (1953) "The North Atlantic Nautical Chart of 1424" Imago Mundi, Vol. 10. JSTOR
  • Cortesão, Armando (1954) The Nautical Chart of 1424 and the Early Discovery and Cartographical Representation of America. Coimbra and Minneapolis. (Portuguese trans. "A Carta Nautica de 1424", published in 1975, Esparsos, Coimbra. vol. 3)
  • Cortesão, Armando (1970) "Pizzigano's Chart of 1424", Revista da Universidade de Coimbra, Vol. 24 (offprint),
  • Crone, G. R. (1938) "The Origin of the Name Antillia", The Geographical Journal, Vol. 91, No. 3 (Mar.), pp. 260–262
  • Crone, G.R. (1947) "The Pizigano Chart and the 'Pillars of Hercules'", The Geographical Journal, Apr-Jun, Vol.100, p. 278-9.
  • D'Avezac, M.A.P. Marquis (1845) Les îles fantastiques de l'océan occidental au moyen âge: fragment inédit d'une histoire des îles de l'Afrique. Paris: Fain & Thunot. online
  • Dickson, Donald R. "The Tessera of Antilia: Utopian Brotherhoods & Secret Societies in the Early Seventeenth Century." Leiden, New York, and Köln: E. J. Brill, 1998
  • de Faria e Sousa, Manuel (1628) Epítome de las historias portuguesas: dividido en quatro partes 1677 edition, Brussels: Foppens. online
  • Formaleoni, Vicenzio (1783) Saggio sulla Nautica antica de' Veneziani, con una illustrazione d'alcune carte idrografiche antiché della Biblioteca di S. Marco, che dimonstrano l'isole Antille prima della scoperta di Cristoforo Colombo. Venice. online
  • Gaffarel, Paul (1882) "L'île des Sept Cités et l'île Antilia", Congresso Internacional de Americanistas, Actas de la Cuara Reunión, Madrid, Madrid: Fortanet, vol. 1, p.198
  • Galvão, António (1563) Tratado que compôs o nobre & notauel capitão Antonio Galuão, dos diuersos & desuayrados caminhos, por onde nos tempos passados a pimenta & especearia veyo da India às nossas partes, & assi de todos os descobrimentos antigos & modernos, que são feitos até a era de 1550, Lisbon (trans. R. Hakluyt, 1601, as The Discoveries of the World from Their First Original Unto the Year of Our Lord 1555. 1862 edition, London: Hakluyt online)
  • Hassel, George (1822) "America - Einleitung" in Caspari, et al. editors, Vollständiges Handbuch der neuesten Erdbeschreibung, Weimar: Geographischen Instituts. vol. 1 - p.6
  • Hennig, R. (1945) "Eine altes Rätsel der Pizigano-Karte gelöst" in Mitteilungen der geographischen Gesellschaft Wien, vol. 88, p. 53-56.
  • * Higginson, Thomas Wentworth (1899) Tales of the Enchanted Islands of the Atlantic. New York: Macmillan.online
  • von Humboldt, Alexander (1837) Examen critique de l'histoire de la géographie du nouveau continent et des progrès de l'astronomie nautique aux quinzième et seizième siècles, Paris: Gide, vol. II.
  • Kretschmer, Konrad (1892) Die Entdeckung Amerika's in ihrer Bedeutung für die Geschichte des Weltbildes. Berlin: Kühl. online
  • de Medina, Pedro (1548) Libro de las grandezas y cosas memorables de España. Seville. (1595 edition, Alcala de Henares: Iuan Gracian, online
  • Morison, S.E. (1940) Portuguese voyages to America in the fifteenth century Cambridge, Mass: Harvard University Press.
  • Morison, S.E. (1955) "Review of Cortesão's 'Nautical Chart of 1424'", Speculum, Vol. 30 (3), p. 467-70.
  • Nansen, Fridtjof (1911) In Northern Mists; Arctic exploration in early times. New York: F.A. Stokes. vol. 1, vol. 2
  • Nordenskiöld, Adolf Erik (1897) Periplus: An Essay on the Early History of Charts and Sailing Directions, tr. Frances A. Bather, Stockholm: Norstedt.
  • O'Curry, Eugene (1861) Lectures on the Manuscript Materials of Ancient Irish History, delivered at the Catholic University of Ireland, during the sessions of 1855 and 1856. Dublin: Duffy. p.289).
  • La Ronciere, Charles de (1924) La carte de Cristophe Colomb, Paris: Champion
  • Spence, Lewis (1925) The Problem of Atlantis. London: Rider.
  • Vignaud, H. (1902) Toscanelli and Columbus: The letter and chart of Toscanelli on the route to the Indies by way of the west, sent in 1474 to the Portuguese, Ferman Martins, and later on to Christopher Columbus; a critical study on the authenticity and value of these documents and the sources of the cosmographical ideas of Columbus, followed by the various texts of the letter. London: Sands. online
  • Vignaud, H. (June, 1902) "Did Columbus Discover America?", Everybody's Magazine, June, 1902, Vol. 6, No.6, p.549.
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Antillia, also known as the Isle of Seven Cities, is a legendary reputed to exist in the Atlantic Ocean, approximately midway between the and the . According to medieval and Spanish , it was settled around 714 CE by seven Visigothic bishops and their followers, who fled westward during the Muslim conquest of , each bishop founding a city that formed a utopian Christian refuge. The name Antillia likely derives from the Portuguese term "ante-ilha," meaning "island before" or "island ahead," reflecting its perceived position as a precursor west of . This legend gained cartographic prominence in the early , first appearing on the 1424 created by Venetian cartographer Zuane Pizzigano, which depicted Antillia as part of a group of islands including Satanazes to the north. The chart, a hand-drawn aid on emphasizing coastal ports and rhumb lines, is preserved at the James Ford Bell Library of the and represents one of the earliest European mappings of transatlantic features. Subsequent depictions of Antillia appeared on maps by cartographers such as Battista Beccario in 1435, Andrea Bianco in 1436, and Grazioso Benincasa in 1462, 1470, and 1482, as well as on Martin Behaim's 1492 globe, the oldest extant terrestrial globe. These representations positioned Antillia roughly at 33°N and 54°W longitude, often as a large island with surrounding islets like Ymana and Saya, serving as imagined navigational aids or territorial markers during the Age of Exploration. In 1475, King Afonso V issued a royal letter granting explorer Fernão Teles exclusive rights to seek and claim the "Seven Cities," underscoring the island's perceived economic and strategic value. Antillia's cartographic presence persisted into the early 16th century, notably on Juan de la Cosa's 1500 world map, where it blended with emerging knowledge of the , reflecting the era's fusion of and empirical discovery within Spain's official Padrón Real mapping system. However, as and Spanish voyages, including those following Christopher Columbus's 1492 expedition, mapped the Atlantic more accurately, the island was gradually omitted from charts by the late 1500s, recognized as a fabrication rooted in rather than geography. Despite its nonexistence, Antillia influenced early narratives and symbolized hopes for hidden Christian outposts amid religious conflicts.

Legend and Mythology

The Seven Cities Narrative

The legend of Antillia centers on a foundational originating in the early 8th century during the Muslim conquest of the in 711 AD. As Visigothic fell to the invading forces under , seven Christian bishops, led by the Archbishop of Oporto (or in some accounts, associated with the defeated King ), gathered their parishioners and fled westward across the Atlantic Ocean to escape persecution. They settled on the remote island of Antillia, where each bishop founded one of seven prosperous cities, establishing self-sustaining Christian communities isolated from the . This narrative, rooted in Iberian , portrays as a desperate act of preservation amid the collapse of Visigothic rule. Central to the tale are elements emphasizing permanence and seclusion: upon arrival, the bishops ordered their seven ships burned to prevent any return to Iberia, symbolizing an irrevocable commitment to their new homeland. The cities, often described as golden or richly endowed, flourished in this seclusion, with the island's position far west in the Atlantic rendering it inaccessible to later seekers. These motifs underscore themes of divine providence and communal fidelity in the face of conquest. The narrative exhibits variations across retellings, particularly in the and Spanish traditions popularized in the 14th and 15th centuries. While the core involves and their flocks embarking on seven ships, some accounts highlight divine intervention, such as favorable winds or miraculous guidance during the voyage, to explain their successful arrival. The number of ships consistently matches the seven cities, reinforcing symbolic completeness, though details on the parishioners' numbers or the exact route remain sparse. These elements appear in key primary sources, including references in the works of the 14th-century chronicler Galvano Fiamma and the correspondence of Paolo dal Pozzo Toscanelli in 1474, which drew on earlier Iberian oral and written chronicles to disseminate the story; a 1447 account of a ship visiting the island is also noted in later retellings. Later chroniclers, such as Manuel de Faria e Sousa in his 17th-century works citing medieval traditions, preserved these variants, attributing the legend's endurance to its role in medieval identity.

Mythical Attributes and Descriptions

In medieval European lore, Antillia was envisioned as a vast, fertile in the mid-Atlantic, often depicted as rectangular in shape and extending approximately 87 leagues in length by 28 leagues in width, with abundant rivers, good harbors, and rich deposits of gold and silver that supported its prosperous communities. The 's landscape was imagined as tropical and lush, featuring green shrubbery, groves, and mountainous terrain marked by extinct volcanoes, fostering an environment teeming with such as , , sheep, and deer, as well as diverse birdlife. This idyllic setting contrasted sharply with the barren or perilous seas surrounding it, emphasizing Antillia's role as a self-sustaining paradise isolated from the . Societally, Antillia was portrayed as a Christian divided into seven distinct cities, each governed by one of who, according to the originating from the eighth-century Moorish of Iberia, led their Visigothic followers westward to escape and established permanent dioceses under an . The inhabitants preserved their Hispanic or Portuguese linguistic and religious customs in seclusion, maintaining a communal way of life focused on , , and shared resources, with no external contact to , as inscribed on the 1492 Behaim : "Hie populus christianissime vivit, omnibus divitiis seculi hujus plenus" (Here the most Christian people live, full of all the riches of this world). This structured, pious society underscored the island's theme of divine refuge and spiritual continuity. Supernaturally, Antillia was shrouded in mystery, reputed to vanish or become unreachable when approached by outsiders, possibly through protective mists or divine intervention, rendering it visible only from distant locales like while evading discovery. Unlike other phantom islands such as the Celtic Hy-Brasil, which embodied fairy-tale enchantment and periodic apparitions tied to otherworldly realms, Antillia's lore centered on a historical Christian , portraying it as a tangible yet guarded haven for the faithful rather than a purely magical domain.

Etymology and Naming

Linguistic Origins

The name "Antillia" is most commonly traced to medieval Portuguese or Latin roots, deriving from the diminutive form of ante insula, meaning "island before" or "fore-island," which alluded to its supposed west of the as a landmass in the Atlantic. This interpretation aligns with the island's portrayal in early European navigational documents as a preliminary feature preceding further western territories. An alternative etymology, advanced by Alexander von Humboldt in his analysis of historical geography, links "Antillia" to the Arabic phrase Jezirat al-Tennyn (or al-Tin), signifying "island of the dragon," drawn from Islamic maritime traditions that depicted sea monsters as guardians of uncharted western realms. Humboldt connected this to broader Arab legends of perilous oceanic boundaries, influencing medieval European cartography through translated navigational texts. The nomenclature further reflects Genoese and Venetian maritime lexicon, as documented in 14th-century portolan charts, where Italian chartmakers employed Latin-inflected terms for phantom islands amid practical for Mediterranean and Atlantic routes. Spelling variations, such as "Antilia," first emerge in 1424 records from the Venetian cartographer Zuane Pizzigano's portolan chart, representing the earliest known textual reference to the island in European sources. This name later influenced the designation of the , the archipelago in the , as European explorers applied "Antilia" to the newly discovered islands during the late 15th and early 16th centuries.

Interpretive Theories

In the 19th century, Alexander von Humboldt proposed a connection between the name Antillia and ancient Carthaginian or Phoenician voyages across the Atlantic, suggesting that the island's designation might derive from the Arabic "Al-tin," meaning "the dragon," symbolizing a mythical paradise guarded by serpentine perils akin to classical lore of dragon-protected realms. Humboldt's hypothesis drew on reports of ancient coins resembling Carthaginian types found near the Azores, positing that Phoenician navigators could have reached the western ocean and inspired later European cartographic phantoms like Antillia. This theory framed Antillia not merely as a geographic placeholder but as an echo of prehistoric maritime ambition, where the "dragon-guarded" motif evoked perilous yet alluring frontiers beyond known seas. Symbolic interpretations of Antillia often portray it as a metaphor for lost Christian purity and eschatological aspirations amid the Iberian , particularly through the legend of Portuguese bishops fleeing the Moorish invasion of 714 to establish a secluded haven of faith. In this view, the island's seven cities represented episcopal strongholds preserving uncorrupted against Islamic expansion, embodying hopes for a millennial restoration of religious dominion during centuries of territorial strife. Scholars have linked this imagery to broader apocalyptic narratives in medieval Iberia, where Antillia symbolized divine refuge and the ultimate triumph of , distinct from mere navigational aids on portolan charts. Debates persist regarding whether "Antillia" evolved from "Antilla," a feminine diminutive form in denoting a "little " or cluster of islets, reflecting the linguistic of Latin "insula" () in and related tongues. Humboldt himself supported this by parsing the name as "ante illa," or "before that ," implying a counterpart to in size and shape, thus emphasizing its role as a mirrored, extension of Iberian . This derivation underscores Antillia's conceptual role as a proximate yet elusive , contrasting with more remote mythical lands. Earlier theories proposing Basque or Celtic origins for the name Antillia have faced significant critiques due to insufficient linguistic or historical evidence linking it to pre-Roman Iberian substrates. Proponents occasionally invoked Basque terms for coastal features or Celtic insular motifs, but these lack corroboration from medieval sources, which consistently tie Antillia to and Italian cartographic traditions rather than indigenous Atlantic tongues. Humboldt and subsequent scholars dismissed such connections, prioritizing Romance etymologies and Mediterranean influences as more verifiable foundations for the name's emergence in 14th- and 15th-century maps.

Cartographic Representations

Early Depictions

Portolan charts, which originated in the late , functioned as essential navigational aids for mariners engaged in Mediterranean and early Atlantic trade, emphasizing precise coastal outlines, rhumb lines for compass directions, and port locations to facilitate commerce between , , and the emerging Atlantic routes. These charts, often produced by Italian cartographers, prioritized practical utility over geographical accuracy in uncharted regions, incorporating both verified landmarks and speculative elements drawn from oral traditions and exploratory reports. The first explicit cartographic representation of Antillia appears on the 1424 portolan chart by Zuane Pizzigano of Venice, preserved at the James Ford Bell Library of the University of Minnesota. This map depicts Antillia as a prominent rectangular island positioned in the mid-Atlantic, bearing the label "Antilia" along with an inscription alluding to the Seven Cities legend and noting a 1414 Spanish vessel sighting. This portrayal reflects the era's blend of nautical pragmatism and folklore, with the island's form suggesting a sizable landmass potentially serving as a waypoint for transatlantic voyages. Some scholars have misinterpreted an inscription on the earlier 1367 by the Venetian brothers Domenico and Francesco Pizzigani, preserved in the Biblioteca Palatina, (MS 1612), as relating to Antillia, but it actually refers to the and does not depict the island explicitly. Earlier 14th-century maps occasionally show vague, unnamed landmasses in the western Atlantic, indicating speculative interest in oceanic expanses, though without direct connection to the Antillia legend. However, early positionings of Antillia exhibited notable vagueness and inaccuracies, typically situating it ambiguously westward of the , underscoring the speculative geography of the period before systematic exploration.

Evolution in 15th-Century Maps

The portrayal of Antillia proliferated across 15th-century European cartography, building on the 1424 representation and incorporating mythical elements tied to its legendary seven cities. On Battista Beccario's 1435 from , Antillia appears as a large rectangular island west of the , opposite the , depicted with seven two-lobed bays symbolizing the fabled cities and labeled as part of "Insulle a Novo Repte" to suggest newly reported lands. This enhanced the island's , possibly drawing from the 1424 inscription about a 1414 Spanish vessel sighting, and positioned it as a substantial approximately 200 leagues westward. Subsequent maps reflected shifts in Antillia's location, often placing it farther west to align with imagined transatlantic routes toward . Andrea Bianco's 1436 Venetian atlas illustrates Antillia as an elongated quadrilateral island, roughly 240 leagues from , with added features like internal mountains alongside the seven cities, emphasizing its mythical . These adjustments mirrored growing speculative interest in Atlantic , as Bianco's work duplicated Azores-like islands nearby while extending Antillia into more remote oceanic expanses. Portuguese explorations significantly influenced these depictions, integrating emerging knowledge of the into broader Atlantic frameworks. The 1424 portolan chart by Zuane Pizzigano served as an early milestone, naming "Antilia" as a rectangular island slightly beyond proto- positions, potentially incorporating pre-discovery rumors of eastern Atlantic outposts that aligned with Portugal's 1427 findings. Later iterations, such as those by Bianco, adapted these elements amid Portugal's systematic voyages, treating Antillia as a motivational phantom beyond verified territories. Antillia's cartographic presence declined sharply after Christopher Columbus's 1492 voyages, as empirical discoveries supplanted mythical geography. It lingered briefly on maps like the 1493 Laon globe but was omitted as a distinct entity by the early , with its features absorbed into the real archipelago and nomenclature, rendering the legend obsolete in practical .

Historical and Cultural Impact

Role in the Age of Discovery

The legend of Antillia played a significant role in motivating maritime expeditions during the mid-15th century, as rumors of its untold riches drew explorers westward into the Atlantic. In 1474 and 1475, King granted charters to Fernão Teles to search for and colonize the mythical island, promising him governorship and rights over any discovered lands and inhabitants. These efforts were part of a broader push to uncover Atlantic islands believed to hold vast wealth, building on earlier cartographic depictions that positioned Antillia as a viable target approximately 250 leagues west of . Antillia's integration into navigational theories further amplified its influence on the Age of Discovery, particularly through the correspondence of Italian scholar Paolo dal Pozzo Toscanelli. In a 1474 letter to Portugal's Fernão Martins, at the request of King Afonso V, Toscanelli proposed a westward route to , explicitly citing Antillia as a strategic midpoint island—known as the Isle of the Seven Cities—between and the Asian mainland, including stops at Cipangu (). This document, along with an accompanying sea-chart, circulated among Portuguese navigators and reached , who obtained a copy and used it to bolster his arguments for transatlantic voyages. Columbus's awareness of Antillia, derived from these Portuguese sources and maps like the 1435 Beccaria chart, informed his proposal to the Spanish monarchs, where he justified a westward crossing by referencing existing Atlantic islands as of feasible routes to . Earlier, in the 1480s, Columbus had pitched a similar expedition to Portugal's King John II, seeking three caravels to reach western lands including Antillia, though it was rejected; these ideas persisted in his Spanish overtures, framing the phantom island as a potential stepping stone amid reports of annual sightings by mariners from the Canaries and . Such mythical incentives helped secure funding for voyages that inadvertently led to the European encounter with the Americas. By the late 1480s, disillusionment set in as searches for Antillia yielded no results, exemplified by pilot Pedro de Velasco's reports of failed attempts to locate land west of , which instead highlighted the perils of uncharted waters. These disappointments shifted exploratory focus toward verified discoveries, diminishing Antillia's prominence while underscoring how the had bridged medieval myth with the empirical drives of the era.

Later Influences and Legacy

The name "Antilles," applied to the Caribbean islands, derives directly from the mythical Antillia, with Italian cartographers in the interpreting Columbus's discoveries as fragmented remnants of this legendary landmass. Venetian cartographer Benedetto Bordone was among the first to use the term in this context, featuring woodcut maps of the —such as , , and nearby islands—in his 1528 Isolario, a descriptive atlas of global islands that bridged medieval myths with emerging geography. This nomenclature persisted, evolving into the modern designation for the Greater and Lesser Antilles, symbolizing how Antillia's phantom allure shaped colonial naming conventions. In the 19th and 20th centuries, Antillia experienced scholarly revivals amid growing interest in phantom islands and speculative history. American author , in his influential 1828 biography A History of the Life and Voyages of Christopher Columbus (revised in subsequent editions including 1835), portrayed Antillia as an emblem of elusive dreams and unverified western lands that fueled Columbus's ambitions, embedding the myth within Romantic narratives of exploration and lost paradises. Later, in 20th-century phantom island studies, British collector and author Edward Brooke-Hitching examined Antillia in The Phantom Atlas (2016), connecting it to theories of pre-Columbian transatlantic contacts, such as possible Basque or voyages that may have inspired the Seven Cities legend through sightings of distant shores or debris. These works highlighted Antillia's role in broader debates on medieval cartography's blend of fact and fantasy, influencing cultural depictions in and as metaphors for unattainable ideals. Contemporary analysis has thoroughly debunked Antillia as a real geographical entity, attributing its origins to a confluence of natural phenomena and human error rather than any lost continent. Scholars now explain sightings as optical illusions, including superior mirages that distorted distant landforms or clouds into island shapes, combined with floating vegetation like sargassum mats in the Atlantic, which early mariners mistook for verdant shores. Exaggerated sailor tales, amplified through oral traditions and portolan charts, further perpetuated the myth, but extensive oceanographic surveys and satellite mapping have found no corresponding landmasses, and archaeological expeditions yield zero evidence of settlements or artifacts linked to the Seven Cities narrative. This legacy underscores Antillia's value in understanding how perceptual biases and exploratory fervor constructed enduring geographical fictions.

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