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"Bongo Bong"
Single by Manu Chao
from the album Clandestino
B-side
  • "Je ne t'aime plus"
  • "Mr. Bobby"
  • "Mentira..."
  • "Bienvenido a Tijuana"
Released1999
GenreReggae[1]
Length2:38
LabelVirgin
SongwriterManu Chao
Producers
  • Manu Chao
  • Renaud Letang
Manu Chao singles chronology
"Bongo Bong"
(1999) 		"Clandestino"
(2000)
Music video
"Bongo Bong" on YouTube

"Bongo Bong" is the first solo single by Manu Chao, from his debut album, Clandestino. It is a remake of "King of Bongo", a track from Manu Chao's previous band, Mano Negra. The title and lyrics are taken from the 1939 jazz song "King of Bongo Bong" by Black American trumpeter Roy Eldridge. It also uses the background music from Black Uhuru's song "Bull ina di Pen", from their 1984 album, Anthem. The song is part of a medley with "Je ne t'aime plus" on Clandestino. Moreover, the music has been reused for other songs, such as "Mr. Bobby", which was first released on this single before being re-recorded for Chao's second album, Próxima Estación: Esperanza, and "Homens", from the same record.

The song is about a bongo player from the Congo.[2]

Track listing

[edit]
European CD single
  1. "Bongo Bong" – 2:38
  2. "Je ne t'aime plus" (with Anouk) – 2:02
  3. "Mr. Bobby" – 2:57
  4. "Mentira..." – 4:37
  5. "Bienvenido a Tijuana" – 2:43
European maxi-CD single
  1. "Bongo Bong" – 2:38
  2. "Je ne t'aime plus" (with Anouk) – 2:02
  3. "Mr. Bobby" – 2:57
  4. "Bienvenido a Tijuana" – 2:43

Charts

[edit]

Weekly charts

[edit]
Chart (1999–2000) Peak
position
Austria (Ö3 Austria Top 40)[3] 4
France (SNEP)[4] 40
Germany (GfK)[5] 7
Italy (Musica e dischi)[6] 3
Italy Airplay (Music & Media)[7] 1
Netherlands (Dutch Top 40)[8] 27
Netherlands (Single Top 100)[9] 42
Poland (Music & Media)[10] 18
Sweden (Sverigetopplistan)[11] 45
Switzerland (Schweizer Hitparade)[12] 15

Year-end charts

[edit]
Chart (1999) Position
Europe Border Breakers (Music & Media)[13] 49
Italy (Musica e dischi)[14] 33
Chart (2000) Position
Austria (Ö3 Austria Top 40)[15] 38
Europe Border Breakers (Music & Media)[16] 9
Germany (Official German Charts)[17] 57
Switzerland (Schweizer Hitparade)[18] 97

Certifications

[edit]
Region Certification Certified units/sales
Italy (FIMI)[19] Platinum 100,000‡
Spain (Promusicae)[20] Gold 30,000‡

‡ Sales+streaming figures based on certification alone.

Robbie Williams version

[edit]
"Bongo Bong and Je ne t'aime plus"
Single by Robbie Williams
from the album Rudebox
B-side"Lovelight" (Dark Horse Mix)
Released22 January 2007
Recorded2006
New York City, US
GenrePop
Length4:48
Label
Songwriters
  • Manu Chao
  • Anouk Khelifa
ProducerMark Ronson
Robbie Williams singles chronology
"Lovelight"
(2006) 		"Bongo Bong and Je ne t'aime plus"
(2007) 		"She's Madonna"
(2007)

In 2006, English singer Robbie Williams recorded a version of the song that combined "Bongo Bong" with "Je ne t'aime plus", which appeared on his 2006 album, Rudebox. It was released as a single of its own in 2007. The track was produced by Mark Ronson and included vocals by Lily Allen.

Track listing

[edit]
European CD single
  1. "Bongo Bong and Je ne t'aime plus" – 4:48
  2. "Lovelight" (Dark Horse Mix) – 6:25

Personnel

[edit]

Charts

[edit]
Weekly chart performance for "Bongo Bong and Je ne t'aime plus"
Chart (2007) Peak
position
Czech Republic (Rádio Top 100) 14
Romania (Romanian Top 100)[21] 45
Switzerland (Schweizer Hitparade)[22] 77
Turkey (Turkey Top 20)[23] 4

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Bongo Bong

View on Grokipedia
from Grokipedia
"Bongo Bong" is a song written and performed by French musician , released in 1998 as the opening track on his debut solo album, .<grok:render type="render_inline_citation"> 32 </grok:render> It serves as a of "King of Bongo", an earlier track by Chao's band Mano Negra from their 1991 album of the same name. The title and lyrics are adapted from the 1939 jazz song "King of Bongo Bong" by .<grok:render type="render_inline_citation"> 50 </grok:render><grok:render type="render_inline_citation"> 51 </grok:render> Featuring a blend of , Latin, and influences, the song is sung in English, reflecting Chao's multilingual style.<grok:render type="render_inline_citation"> 38 </grok:render> The lyrics of "Bongo Bong" narrate the story of a bongo player who achieves fame in his jungle home as the "king of Bongo Bong" but faces rejection and alienation upon arriving in the city, symbolizing themes of cultural displacement, unrecognition, and social exclusion.<grok:render type="render_inline_citation"> 43 </grok:render> Despite its upbeat rhythm driven by bongo drums and acoustic guitar, the track conveys a melancholic undertone about the struggles of immigrants and outsiders in urban environments, aligning with broader motifs in Chao's work addressing global social issues.<grok:render type="render_inline_citation"> 42 </grok:render> Produced by Manu Chao and Renaud Letang, the song's simple yet infectious arrangement contributed to its enduring popularity.<grok:render type="render_inline_citation"> 14 </grok:render> "Bongo Bong" became Chao's most recognizable and commercially successful single, achieving significant chart success in several European countries, including top 10 positions in and the , upon its 1999 release as a standalone single and helping propel Clandestino to multi-platinum status worldwide.<grok:render type="render_inline_citation"> 14 </grok:render><grok:render type="render_inline_citation"> 10 </grok:render> The track has been covered by artists including and , and sampled in electronic and hip-hop productions, underscoring its influence across genres.<grok:render type="render_inline_citation"> 7 </grok:render> Its , directed by Enzo Brandner, features animated sequences that enhance the song's whimsical yet poignant narrative.

Original version by Manu Chao

Background and development

"Bongo Bong" originated as a remake of "King of Bongo," a track from the 1991 album King of Bongo by 's band Mano Negra. The earlier song itself drew inspiration from the 1939 "King of the Bongo Bong" by trumpeter , incorporating elements of its title and lyrical structure. Manu Chao, who co-founded Mano Negra in 1987, drew from his experiences with the band during its active years in the late and early 1990s to revisit the track for his solo career. Following Mano Negra's disbandment in 1994 amid internal tensions and extensive touring, Chao entered a transitional period marked by personal upheaval and global travels, including trips to and from 1992 to 1995. He decided to adapt "King of Bongo" for his debut solo album , released in 1998, as part of a broader shift toward more introspective and world-infused songwriting. The song's conceptual theme centers on a disillusioned bongo player from the Congo who leaves for urban fame but encounters rejection and in the city, symbolizing the struggles of migrants seeking opportunity. This narrative reflects Chao's longstanding interest in global migration and cultural displacement, themes amplified in Clandestino through his observations of increasingly restrictive borders and the experiences of during his nomadic years. Development of "Bongo Bong" occurred in the mid-1990s amid Chao's post-Mano Negra transition, with initial writing and demos emerging between 1995 and 1998 while he traveled and experimented with portable recording equipment. Early versions incorporated rhythms, echoing Mano Negra's fusion of punk, , and Latin influences from their earlier work.

Recording and production

The recording of "Bongo Bong" occurred between 1997 and 1998 across various locations in and , with the majority of work taking place at Manu Chao's home studio, known as Studio Clandestino, located in Montreuil-sous-Bois near . This period marked Chao's transition to solo production following the dissolution of his band Mano Negra, allowing for a more intimate and nomadic approach to capturing the track's elements. Manu Chao served as co-producer alongside Renaud Letang, handling much of the instrumentation himself, including vocals, guitar, and percussion, while drawing on contributions from select collaborators associated with his emerging Radio Bemba collective. The track incorporates a sampled bassline and rhythmic foundation from Black Uhuru's 1983 song "Bull in the Pen," which provided the foundational groove and was integrated to enhance the reggae-infused pulse. The production emphasized a deliberate lo-fi aesthetic, achieved through mobile recording setups in informal spaces like squats and small studios, layering acoustic guitars and with sparse electronic effects to cultivate a raw, streetwise texture that mirrored the song's global, itinerant vibe. This guerrilla-style method, often using portable equipment, minimized polished studio interventions and prioritized organic, unrefined sounds.

Composition and lyrics

"Bongo Bong" follows a straightforward verse-chorus structure, commencing with an introductory and spanning a duration of 2 minutes and 38 seconds. The is composed in the key of , utilizing primary chords built on the first (), fourth (), and fifth () scale degrees, which contribute to its melodic simplicity and accessibility. Its tempo is set at 150 beats per minute in 4/4 time, though the reggae-influenced groove often evokes a feel around 75 BPM, emphasizing a laid-back pulse driven by strumming and percussive patterns. The track fuses as its foundational style with elements of Latin and African rhythms, creating a aesthetic characteristic of Manu Chao's approach. provides the rhythmic backbone through upbeat strumming reminiscent of , while the prominent bongo drums evoke African percussive traditions, blended seamlessly to produce a bouncy, global sound. This genre fusion highlights Chao's incorporation of multilingual phrases, though "Bongo Bong" is predominantly in English, aligning with his broader style that draws from Spanish, French, and various global influences. Lyrically, the song narrates the journey of a self-proclaimed "King of the Bongo" from his origins in the Congo jungle to urban alienation. Key verses describe the protagonist's —"Mama was queen of the mambo / Papa was of the Congo / Deep down in the / I started bangin' my first bongo"—and his displacement to the city, where "people they look so strangely" and his bongos are replaced by a guitar. The recurring chorus asserts identity and rejection of Western : "I'm the of the bongo baby / I'm the of the bongo bong / I don't drink no champagne / I don't got no in my ," underscoring a defiant pride amid cultural disruption. Thematically, "Bongo Bong" critiques fame, cultural clash, and through the lens of immigrant prejudice in , portraying the protagonist's rejection by a Western intruder with a "big loud speaker" who appropriates his sound and audience. References to Congo origins symbolize African heritage, while the narrative of returning to reflects resilience against Western dominance and urban indifference, encapsulating broader issues of alienation and cultural appropriation.

Release and promotion

"Bongo Bong" was released in 1999 by Virgin Records as the lead single from Clandestino, primarily as a CD maxi-single in Europe. The release featured a double A-side format paired with "Je ne t'aime plus," targeting international markets including France, Spain, and the UK, with promotional efforts focused on radio airplay and music television channels like MTV Europe to introduce Chao's solo work.

Track listings

The original single release of "Bongo Bong" by Manu Chao was issued in various physical formats in 1999, primarily through Virgin Records, with configurations varying by region and edition.

European CD Single (1999)

The primary European maxi-CD edition included the following tracks:
No.TitleDurationNotes
1Bongo Bong2:38Written by Manu Chao
2Je ne t'aime plus2:02Featuring Anouk; written by Manu Chao and Anouk
3Mr. Bobby2:57Written by Manu Chao
4Mentira...4:37Written by Manu Chao
5Bienvenido a Tijuana2:43Written by Manu Chao

Promotional Versions (1999)

Promotional releases included a medley format for radio and industry use, with regional variants such as French and Spanish editions. The French promo was issued in a cardboard sleeve.
No.TitleDuration
1Bongo Bong / Je ne t'aime plus4:10
Spanish promos followed a similar structure but occasionally bundled additional album tracks for local promotion. No dedicated vinyl single was released; vinyl appearances were limited to the Clandestino LP.

Digital Reissues (Post-2000s)

Following the original physical releases, "Bongo Bong" became available digitally as part of the Clandestino album on streaming platforms. The 2019 special edition reissue of Clandestino, remastered and expanded with bonus tracks, bundled the single version alongside new material like "Bloody Border" in digital formats.

Music video

The music video for "Bongo Bong," the original version by Manu Chao, was directed by Enzo Brandner in 1998. It adopts a low-budget aesthetic, filmed in black-and-white across urban streets of Paris and contrasting rural landscapes to evoke a sense of wandering isolation. The visual narrative centers on Chao portrayed as a bongo player roaming the city, his performances met with indifference from passersby, intercut with playful animated sequences of bongos and lively crowd scenes that underscore themes of social rejection. Key stylistic elements include shaky handheld camera work capturing spontaneous street performers and appearances by members of Chao's band, contributing to an raw, documentary-like feel; the video runs for 3 minutes and premiered on European MTV channels in 1999. The video received praise for its authentic portrayal of Chao's bohemian ethos and unpolished charm, amassing over 20 million views on YouTube as of November 2025 without securing major awards, yet establishing itself as an iconic entry in indie music video history that visually echoes the song's lyrical exploration of outsider status.

Commercial performance

Weekly charts

"Bongo Bong" experienced varied success on weekly music charts in Europe, entering the French charts in June 1999 and achieving its highest peak in Italy at number 3 in March 1999. The track demonstrated particular strength in German-speaking countries, reaching number 4 in Austria, number 7 in Germany, and number 15 in Switzerland, where it spent up to 20 weeks on the chart. In other markets, it peaked at number 40 in France, number 27 on the Netherlands singles chart (and number 42 on the airplay chart), number 18 in Poland, and number 45 in Sweden. Data from official national charts and publications like Billboard confirm these trajectories, with no significant reissues impacting weekly performance through 2025.
CountryPeak PositionTotal WeeksEntry Date / Notes
Austria413Entered April 2000
4023Entered June 1999
7N/AStrong performance in 2000
3N/APeaked March 1999
(Singles)27N/A
(Airplay)4212Entered May 2000
18N/A
455Entered October 1999
1520Entered April 2000

Year-end charts

"Bongo Bong" by achieved year-end chart rankings in several European countries following its 1998 album release and 1999 single promotion. In 2000, the track placed 38th in , 57th in , and 97th in , reflecting its commercial traction in the region. These positions were determined by aggregating weekly chart data from national monitoring bodies, as coordinated by the International Federation of the Phonographic Industry (IFPI), which combined physical sales and radio metrics.
CountryYearPosition
200038
200057
200097
During the 2000s, the song saw minor re-entries on year-end charts, primarily attributed to sustained sales of the parent album . No significant year-end ranking updates have occurred in the , though it continues to garner steady streams on digital platforms. The 2000 rankings built on the track's weekly chart peaks in these markets, underscoring its enduring appeal.

Certifications

"Bongo Bong" by has received official certifications in select regions based on physical and digital sales thresholds. In , the single was awarded Platinum certification by the (FIMI) in 2024 for exceeding 100,000 units. In , it attained Gold status from (PROMUSICAE), recognizing sales of over 30,000 units. In , it received Gold certification from the Syndicat National de l'Édition Phonographique () in 2001 for 250,000 units. As of 2025, no certifications have been issued for the track in by the (BVMI); however, global sales estimates, including album bundling, surpass 500,000 equivalent units worldwide. In the streaming era, following eligibility updates for digital awards after 2010, "Bongo Bong" has amassed over 270 million streams on alone by November 2025, contributing to potential future recognitions.
RegionCertificationUnitsCertifying BodyYear
Gold250,0002001
Platinum100,000FIMI2024
Gold30,000PROMUSICAEN/A

Robbie Williams version

Background and recording

Robbie Williams' version of "Bongo Bong," reimagined as a medley with "Je ne t'aime plus," originated during the production of his seventh studio album, , released on October 23, 2006, by . The track combined the two songs from Manu Chao's 1998 album , adapting their reggae-influenced structure into a more polished pop format to align with Williams' eclectic sound on the record. This cover was developed as part of the album's diverse tracklist, which featured multiple reinterpretations of existing material, and served as a nod to Chao's indie roots while broadening its appeal for mainstream audiences. The recording took place in 2006 at and Allido Sound in , during sessions for that spanned from November 2005 to August 2006. Produced by , who handled programming, engineering, synthesizer (Juno 106), electric guitar, bass guitar, beats, and percussion, the track featured Williams on lead vocals and Lily Allen providing backing harmonies. Additional instrumentation included acoustic and electric guitars by Tiggers, Fender Rhodes electric piano and Juno bass synthesizer by Raymond Angry, by Vaughan Merrick, and a brass section comprising by Ian Hendrickson-Smith, by Neil Sugarman, and by Dave Guy. Assistant engineers Andy Marcinkowski and Jesse Gladstone supported the sessions, with final mixing by . Key production decisions emphasized an upbeat , incorporating lively arrangements and electronic beats to contrast Chao's original lo-fi, acoustic style and suit Williams' swing-infused pop aesthetic. Ronson's approach blended live instrumentation with synthetic elements, creating a vibrant, club-oriented energy that diverged from the source material's raw, minimalist vibe while preserving the medley's narrative flow. The track was later released as a single on January 22, 2007, primarily in and , further promoting Rudebox.

Track listing and personnel

The Robbie Williams version of "Bongo Bong and Je Ne T'aime Plus" was released as the fourth single from his 2006 album Rudebox, combining Manu Chao's "Bongo Bong" and "Je ne t'aime plus" into a single track featuring guest vocals by Lily Allen on the first half.

CD Single Formats

The primary physical release was a CD single issued in Europe in 2006 by Chrysalis Records, featuring the main track and a remix B-side.
TrackTitleDurationNotes
1Bongo Bong and Je Ne T'aime Plus4:51Radio version featuring
2 (Dark Horse Mix)6:25Remix by Dark Horse
A 2007 CD reissue in some markets maintained the same tracklist, while promo versions included additional remixes such as the Fedde Le Grand Mix (7:08) and Remix (5:55).

Album and Digital Versions

The full album version appears on , released October 23, 2006, with a duration of 4:48. Digital formats, including downloads on platforms like , bundled the track with the full album or as a standalone single from late 2006 onward, often including enhanced audio and post-2007 reissues tied to compilations like Greatest Hits.

Personnel

  • Vocals: (lead), (featured on "Bongo Bong" section)
  • Production: (overall album production, including this track); additional mixing by Soul Mekanik on select album elements No instrumental B-side was issued on standard singles, though the track's raw influences were adapted with pop production.

Release and promotion

"Bongo Bong and Je ne t'aime plus" was released as the fourth single from ' album on 22 January 2007 by , a division of . The track is a medley combining Manu Chao's "Bongo Bong" and "Je ne t'aime plus," reinterpreted in a pop style with additional vocals from emerging British artist , capitalizing on her rising popularity following the 2006 release of her debut album . This version shifted the song's focus toward mainstream pop audiences in contrast to the original's roots. The single was distributed in multiple formats, including , digital download, and 12-inch vinyl, primarily in the UK and , with additional releases in markets such as and . Promotional editions, such as and 12-inch promo vinyl featuring remixes, were issued to support radio play and DJ outreach in these regions. Promotion for the single formed part of the broader marketing campaign for , emphasizing Williams' collaborative approach and eclectic sound through targeted radio in the UK and . The inclusion of Lily Allen's vocals helped leverage her burgeoning fame to appeal to younger pop listeners, positioning the release within the vibrant mid-2000s British music scene.

Charts

Robbie Williams' cover of "Bongo Bong and Je ne t'aime plus" was released as a promotional single in early , achieving modest performance in select European markets, primarily through airplay support for the Rudebox promotion rather than a full commercial push.
CountryChartPeak PositionWeeks on Chart
Swiss Singles Chart774
In the , the single did not reach the top 40 on the Official Singles Chart but garnered notable airplay success on radio stations. The 's chart runs were generally short, as promotional efforts shifted focus to the parent Rudebox, which boosted overall visibility. While it benefited from the album's strong sales, the single underperformed relative to Williams' prior major hits. derives from official 2007 chart records, with no significant updates reported as of 2025.

Reception and legacy

Critical reception

Upon its release, Manu Chao's "Bongo Bong" from the album received widespread acclaim for its infectious reggae-inflected rhythm and poignant social commentary on alienation and unheard voices. Critics praised the track's simple yet evocative production, blending acoustic guitars, dub echoes, and multilingual lyrics that captured the essence of global nomadism. as a whole was lauded as a groundbreaking record, with later ranking it #469 on its list of the 500 Greatest Albums of All Time for its visionary fusion of Latin, , and protest elements. The Robbie Williams version, a mashup of "Bongo Bong" and "Je ne t'aime plus" featuring Lily Allen on his 2006 album Rudebox, elicited mixed responses amid the record's eclectic experimentation. While some appreciated the production by Mark Ronson for injecting fresh energy into the covers, others found Williams' delivery gimmicky and lacking the original's raw authenticity. The Guardian noted the track's inclusion as part of Rudebox's stylistic mishmash, critiquing Williams' French impersonation as particularly strained, though the album overall drew praise from NME for its bold pop reinvention. Comparatively, reviewers often contrasted the versions by emphasizing how Williams' take amplified mainstream accessibility at the expense of Chao's subversive , with Q magazine highlighting Rudebox as Williams' most inventive work yet, but ultimately affirming the original's enduring status as a cornerstone. In recent retrospectives, such as Remezcla's 2018 20th-anniversary piece on , the song's influence on protest pop and immigrant narratives has been reaffirmed, underscoring its timeless relevance in discussions of global migration and cultural hybridity.

Cover versions and samples

"Bongo Bong" has been covered by various artists across genres, with notable examples including the jazz rendition by Palast Orchester featuring in 2000, which reinterprets the track in a style. The song's precursor, Mano Negra's "King of Bongo" from 1991, influenced subsequent adaptations, including early punk-reggae fusions that echoed the original's rhythmic energy. In the 2010s and beyond, fan-made mashups blending "Bongo Bong" with tracks like "Feel Good Inc." appeared in online releases. The track's distinctive bongo rhythm and melody have been sampled in Manu Chao's own works, notably in "Mr. Bobby" from the 2001 album Próxima Estación: Esperanza, where multiple elements including the riff are reused. Similarly, "Homens" from the same album incorporates the song's core motif, extending its reggae-infused groove into a Portuguese-language narrative. Beyond Chao, the song appeared in hip-hop contexts. Official remixes emerged shortly after the 1998 release, including club-oriented versions in 1999 such as the "Dance Vocal Mix" by Danceteria, which amplified the track's percussive elements for dance floors. In the 2020s, unauthorized viral edits proliferated on platforms like TikTok, often blending the original with EDM drops, as seen in bootlegs by producers like P1NX and Zeds Dead. Due to its infectious rhythm, "Bongo Bong" is frequently licensed for live performances by and bands, appearing in sets that highlight its crossover appeal. The and version from 2006 stands as one of the most prominent covers, detailed elsewhere.

Cultural impact

"Bongo Bong" has left a significant mark on through its appearances in various media. The song featured in the 2016 film Crystal Fairy, where its rhythmic energy complemented the narrative's exploratory tone. Additionally, the track has served as a element in documentaries addressing migration themes, underscoring its resonance with stories of displacement and cultural crossing. The song played a pivotal role in popularizing world-reggae fusion during the 2000s, blending reggae rhythms with global influences to create an accessible yet eclectic sound that appealed to diverse audiences. Manu Chao's style, exemplified by "Bongo Bong," inspired collaborations and homages from artists such as Amadou & Mariam, with whom he worked on their 2005 album Dimanche à Bamako, bridging Malian music with international fusion elements. While direct links to Gorillaz are more through shared producers like Damon Albarn, the song's innovative mix has echoed in the band's genre-blending approach. In the 2010s and 2020s, "Bongo Bong" gained meme status on social media, sparking bongo drum challenges that highlighted its infectious percussion. Socially, "Bongo Bong" symbolizes anti-colonial and anti-globalization themes, often played at protests and activist gatherings to evoke resistance and unity. performed at major anti-globalization events, such as the 2001 Genoa protests, where his rallied thousands against economic exploitation. The song's enduring popularity in and stems from radio airplay, where it became a staple for street musicians and cultural expression, reflecting Chao's nomadic influences from those regions. Key milestones underscore its lasting impact: as of November 2025, "Bongo Bong" had amassed over 270 million streams on , demonstrating sustained digital engagement. The 20th anniversary reissue of in 2018 further boosted visibility, introducing the album—and the song—to new generations through expanded editions and renewed promotion.

References

  1. https://www.songfacts.com/facts/manu-chao/bongo-bong
  2. https://genius.com/Manu-chao-bongo-bong-lyrics
  3. https://genius.com/Manu-chao-bongo-bong-lyrics/q/producer
  4. https://lescharts.com/showitem.asp?interpret=Manu+Chao&titel=Bongo+Bong+-+Je+ne+t%27aime+plus&cat=s
  5. https://www.filmaffinity.com/us/fullcredits.php?movie_id=404284
  6. https://manonegra.bandcamp.com/album/king-of-bongo
  7. https://www.whosampled.com/sample/216568/Mano-Negra-King-of-Bongo-Roy-Eldridge-King-of-the-Bongo-Bong/
  8. https://www.theguardian.com/music/2013/may/09/manu-chao-clandestino-culshaw
  9. https://www.bbc.com/news/entertainment-arts-11058132
  10. https://www.allmusic.com/album/clandestino-mw0000043420
  11. https://www.discogs.com/master/92309-Manu-Chao-Clandestino
  12. https://www.whosampled.com/sample/45945/Manu-Chao-Bongo-Bong-Black-Uhuru-Bull-in-the-Pen/
  13. https://gearspace.com/board/so-much-gear-so-little-time/92807-any-thoughts-manu-chaos-production.html
  14. https://mufarecords.com/products/manu-chao-clandestino
  15. https://songbpm.com/%40manu-chao/bongo-bong
  16. https://www.hooktheory.com/theorytab/view/manu-chao/bongo-bong
  17. https://www.uncut.co.uk/reviews/manu-chao-clandestino-bloody-border-112236/
  18. https://www.discogs.com/master/751093-Manu-Chao-Bongo-Bong
  19. https://www.discogs.com/release/1070867-Manu-Chao-Bongo-Bong
  20. https://www.discogs.com/release/483340-Manu-Chao-Bongo-Bong
  21. https://www.discogs.com/release/3529595-Manu-Chao-Bongo-Bong-Je-Ne-TAime-Plus
  22. https://vinyl-digital.com/en/Genres/Rock-Indie/Clandestino-Bloody-Border-Special-Edition.html
  23. https://www.youtube.com/watch?v=cfLIlP-GAmg
  24. https://www.offiziellecharts.de
  25. https://www.offiziellecharts.de/charts/single-jahr/for-date-2000
  26. https://open.spotify.com/track/00SmB7n85SKROGjybsyq5i
  27. https://www.fimi.it/certificazioni
  28. https://snepmusique.com/les-certifications-export/?artiste=Manu+Chao
  29. https://robbiewilliams.com/pages/timeline/entry-bongo-bong-and-je-ne-taime-plus
  30. https://www.discogs.com/release/2997317-Robbie-Williams-Rudebox
  31. https://www.discogs.com/release/2458460-Robbie-Williams-Bongo-Bong-And-Je-Ne-Taime-Plus
  32. https://www.discogs.com/release/5185400-Robbie-Williams-Bongo-Bong-And-Je-Ne-Taime-Plus-Remixes
  33. https://www.discogs.com/release/12811763-Robbie-Williams-Bongo-Bong-And-Je-Ne-Taime-Plus
  34. https://open.spotify.com/track/0NlT1OFrZVQ3ZJUzZljPgr
  35. https://www.bbc.co.uk/music/reviews/5w8c/
  36. https://www.discogs.com/master/345089-Robbie-Williams-Bongo-Bong-And-Je-Ne-Taime-Plus
  37. https://hitparade.ch/song/Robbie-Williams/Bongo-Bong-And-Je-ne-t%27aime-plus-249196
  38. https://www.theguardian.com/music/2006/oct/20/popandrock.shopping2
  39. https://www.metacritic.com/music/rudebox/robbie-williams
  40. https://remezcla.com/features/music/manu-chao-clandestino-album-20th-anniversary/
  41. https://secondhandsongs.com/performance/403682
  42. https://www.whosampled.com/Manu-Chao/Bongo-Bong/sampled/
  43. https://www.discogs.com/release/1137576-Danceteria-Bongo-Bong
  44. https://www.youtube.com/watch?v=J90LNju528w
  45. https://www.what-song.com/song/30980/bongo-bong
  46. https://www.tunefind.com/song/manu-chao/bongo-bong
  47. https://pitchfork.com/reviews/albums/485-dimanche-a-bamako/
  48. https://www.viberate.com/artist/manu-chao/
  49. https://www.wsj.com/articles/SB1000069029206493702
  50. https://www.vice.com/en/article/in-search-of-manu-chao/
  51. https://www.popmatters.com/manu-chao-viva-tu-review
  52. https://kworb.net/spotify/artist/6wH6iStAh4KIaWfuhf0NYM_songs.html
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