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Evan Almighty
Evan Almighty
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Evan Almighty
A man with a long white beard and wearing robes standing with a group of animals at the front of large wooden boat. In the distance buildings of Washington, D.C. can be seen.
Theatrical release poster
Directed byTom Shadyac
Screenplay bySteve Oedekerk
Story by
Based onCharacters
by Steve Koren
Mark O'Keefe
Produced by
Starring
CinematographyIan Baker
Edited byScott Hill
Music byJohn Debney
Production
companies
Distributed byUniversal Pictures
Release date
  • June 22, 2007 (2007-06-22)
Running time
96 minutes[1]
CountryUnited States
LanguageEnglish
Budget$175 million[2]
Box office$174.4 million[2]

Evan Almighty is a 2007 American fantasy comedy film[3] that is a spin-off and sequel of Bruce Almighty (2003). The film was directed by Tom Shadyac, written by Steve Oedekerk, based on the characters created by Steve Koren and Mark O'Keefe from the original film. It stars Steve Carell and Morgan Freeman reprising their roles as Evan Baxter and God, respectively, with new cast members Lauren Graham and John Goodman. The film is a modern-day retelling of Noah's Ark, which Evan reluctantly re-enacts on God's behalf while he also pursues a new career in government.

Production of the film began in January 2006. Several visual effects companies were used to provide CGI for the numerous animals and the climactic tsunami scene. By the time the film had completed production, it had become the most expensive comedy film ever, later being overtaken by Men in Black 3.

The film was released by Universal Pictures on June 22, 2007, and was a box-office bomb, grossing $174.4 million worldwide against a $175 million budget, and received generally negative reviews from critics.

Plot

[edit]

Newly elected to Congress, former television news reporter Evan Baxter leaves his hometown of Buffalo, New York and moves to the community of Prestige Crest, located in the fictional town of Huntsville, Virginia, where his congressional campaign declares that he will change the world. Evan prays to God to give him this opportunity. His wife, Joan, also prays that she, Evan, and their three sons will be closer together as a family.

On his first day in Congress, Evan introduces himself to his staffers and then given the opportunity to join his greedy boss, Congressman Chuck Long, to co-sponsor his Citizens' Integration of Public Lands Act (CINPLAN) bill. Over the next few days, strange events occur in Evan's life:

  • Eight vacant lots in Prestige Crest are purchased under his name
  • Ancient tools and gopher wood are delivered to his house that he did not order
  • A man claimed to be God appears everywhere he goes
  • Pairs of animals start following him around everywhere he goes
  • His hair and beard grows uncontrollably regardless of how many times he shaves
  • The number 614 starts appearing in various forms throughout his daily routines

Evan realizes the number refers to verse 14 in chapter 6 of the Book of Genesis, where God instructed Noah to build an ark in preparation for a coming flood. God appears to Evan and asks him to build an ark because a flood is coming. Though initially hesitating, Evan starts building the ark on the vacant lots by using the tools and materials provided, giving him an opportunity to spend more time with his sons, but Joan sees this as a midlife crisis.

While Evan still maintains his career in Congress, his changing appearance alienates his staffers and God and the animals who appear and follow him become more disturbing. God provides Evan a robe and warns him that the flood will come by mid-day on the 22nd of September. When God indefinitely exposes Evan's new appearance during the public introduction of the CINPLAN bill, Long suspends him from Congress after Evan tries to explain his mission and warn the other congressmen about the upcoming flood. Joan falsely believes that Evan has gone insane and departs with her sons, leaving Evan to continue building the ark alone. Meanwhile, God disguises himself as a waiter at the restaurant, where he tells Joan that she should see this as an opportunity for the entire family to be closer. Joan is inspired by God's meaning and decides to return to Evan to help him finish building the ark together to prepare for the flood.

On September 22, Evan's three staffers finds evidence that Long has turned Prestige Crest over to private investors by damming off a nearby water source, but he had cut corners in building the dam. They suspect Long would do the same with the CINPLAN bill. With the ark finally complete, the animals board two by two. However, the police threaten to demolish the ark with a wrecking ball as it violates land codes. When only a small amount of rain falls, Evan realizes that the flood would be the result of Long's dam failing. When the dam actually fails, the entire community manages to board the ark and all the houses of Prestige Crest are destroyed. The ark then rides the floodwaters into Washington, D.C. by riding through the National Mall until it reaches its final destination in front of the Capitol, which interrupts the vote for Long's CINPLAN bill. Evan confronts Long on his accountability for the cost-cutting that lead up to the dam's failure, inciting the other congressmen to turn against him.

The voting for the CINPLAN bill is suspended due to an investigation of Long's profiteering behavior. Evan is reinstated to Congress and all the animals return to their natural habitats. With his appearance returned to normal, Evan re-encounters God during a family hike in the mountains. God states that Evan had successfully changed his world by growing closer to his family because the key to changing the world is a single Act of Random Kindness (ARK). During the film's closing credits, God issues a new commandment to the outgoing audience: "Thou shalt do the dance", which is followed by the film's cast and crew members dancing to the C+C Music Factory song "Gonna Make You Sweat (Everybody Dance Now)".

Cast

[edit]

Production

[edit]

Screenplay

[edit]

The film's screenplay was originally titled The Passion of the Ark and was written by Bobby Florsheim and Josh Stolberg.[4] It became the subject of a seven-studio bidding war in April 2004. The script was sold to Sony Pictures in a deal worth $2.5 million plus a percentage of the profits, a record for a spec script from previously unproduced writers.[5] Universal Studios immediately made a deal to co-produce the script with Sony Pictures and have Steve Oedekerk rewrite it into the sequel to Bruce Almighty. Oedekerk had been involved with Bruce Almighty as an executive producer and co-writer of the screenplay (with Steve Koren and Mark O'Keefe, who wrote the story). The studio later discarded the original The Passion of the Ark script completely, and Oedekerk fashioned a new script from scratch (only he received final credit on the finished film as screenwriter). Jim Carrey was asked to reprise his role as Bruce in the sequel and, when he declined, director Tom Shadyac convinced Steve Carell to accept the leading role.[6] Shadyac, reflecting on the first film, stated "[Carell] delivered some of the funniest stuff in the movie. We thought, 'Why not take that character and spin him off into a different film?'"[1]

Unlike the first film Bruce Almighty (2003), Buena Vista Pictures Distribution (through their Buena Vista International label) was not involved in financing, co-producing and as an international distributor for the sequel.

Casting

[edit]

Jim Carrey declined to reprise his role from the original Bruce Almighty and has said that he is "not a big fan of doing the same character twice."[7] This marked the third time a sequel has been made to a film for which Carrey declined to reprise his role—the others being Dumb and Dumberer: When Harry Met Lloyd and Son of the Mask.

Budget

[edit]

The initial budget, at approximately $140 million, led Evan Almighty to become the most expensive comedy film ever made. Added costs such as set construction, visual effects, and problems with filming multiple animals in a controlled location brought the budget up to $175 million.[8] Once marketing for the film was also included, the film's entire spend was estimated to be around $200 million.[9] The ballooning budget caused Sony to drop the project and hand it over entirely to Universal Studios.[8] Part of the budget was Carell's payroll, where he earned a reported $5 million for his leading role.[7] The Virginia Film Office estimates the film brought $20–25 million to Virginia, with the majority of it in the Charlottesville area.[10] Universal defended the cost of the film, saying it was "designed as a four-quadrant film, and therefore poised for bigger [box office] returns than typical comedies."[11]

Ark design and construction

[edit]
The ark being prepared for filming a scene

Construction of the ark began in January 2006 and the scenes involving the ark were shot in a Crozet, Virginia, subdivision called Old Trail.[1] The ark was designed to meet the actual measurements of the biblical ark, measuring 450 feet (137 m) long, 80 feet (24 m) wide, and 51 feet (16 m) high.[7] The ark's layout was also based on pictures in several children's books that crew members had read in their childhoods.[1] When the characters were filmed during the day building the ark or were on location elsewhere, crew members would further construct the ark at night.[1] A concrete base was built to support the weight of the large ark; after filming was completed, the ark was taken down in a week, and the base in another week.[1]

In disassembling the set, everything that was salvageable from the ark was donated to Habitat for Humanity. "Leave no trace" was the slogan used by the director as a part of one of the DVD's bonus features, "The Almighty Green Set".

Costumes and filming locations

[edit]
The fully constructed ark is at the center of the image with a downcast sky. A large ramp on the left side of the image is leading up into the ark. In the foreground of the image is a paved street.
The Ark used for filming was located in Crozet, Virginia.

To create Evan's beard and long hair, three designers would take three hours each day adding individual hairs using prosthetic adhesive and making Carell wear custom wigs. The wigs consisted of both human and yak hair.[12] With his new look, Carell was sometimes nicknamed "Mountain Man", "Retrosexual", or "Unabomber."[12] For his costumes, designers spoke with textile experts, researched historical information on the clothing that was likely worn at the time of Noah, and used aged fibers for the clothing.[1]

Scenes for the film were filmed in various locations in Virginia, including areas in and around Crozet, Waynesboro, Richmond, Charlottesville, and Staunton, though some filming did take place at Universal Studios in Hollywood, California.[13]

Visual effects

[edit]

For the CGI used throughout the film, companies Industrial Light & Magic (ILM) and Rhythm & Hues Studios (R&H) developed different parts of the film. R&H focused on the animation of the animals, while ILM completed the final scene of the ark rushing through Washington, D.C.[14] Lindy De Quattro, the ILM associate visual effects supervisor, revealed that "This is the first time where we had to do a whole series of shots that were happening mid-day, where you were going to get a really long look at the water and what it was doing."[14] The company initially experienced problems creating the water effects and had to develop new tools that would choreograph the movements of the water. In addition, ILM used similar tools that were used on their prior film Poseidon.[14] Lighting was also an issue as the characters on the ark had been filmed on a greenscreen stage, and the visual effects company had to ensure that the lighting matched that of the characters and the outside setting. Details were added to the ark for long-distance shots to make the design of the ark more appealing and relate the ark's size to scale in comparison to the amount of water. To complete the scene, ILM used thirty to sixty crew members and produced 200 shots over a yearlong period between April 2006 and May 2007.[14]

Signage on a lamppost in downtown Waynesboro, Virginia, for Evan Almighty filming

Rhythm & Hues created 300 pairs of animals for use on the ark and fifteen pairs with higher detail for closeup shots.[1] R&H was also assisted by C.I.S. Hollywood, another visual effects company, who provided a large number of composites, involving hundreds of greenscreen animal elements.[1] In scenes where there are multiple species of animals, crew members would film the animals on the greenscreen and R&H and C.I.S would digitally add the animals one at a time, sometimes taking several weeks to a couple of months. Andy Arnett, the animation supervisor, declared that "The research was extensive. It took six or seven months to perfect the look and feel of the animals before we had the first shot out the door."[1]

For the scene in Congressman Long's office, CGI was used the entire time for the fish that follow Evan around from the fish tank. Cafe FX, the visual effects company hired for the scene, ordered ten different kinds of tropical fish from a local store and studied their movements to imitate them on screen using computer animation. Jeff Goldman, the visual effects supervisor, stated "Early in the sequence, we mimicked the actual behavior of the fish in our animation, but as the scene plays out, the fish are a counterpoint to Steve Carell's comedic timing."[15]

Marketing

[edit]

In late May, during production, the media learned that director Tom Shadyac angrily complained to producers, saying "I'm not seeing any ads, and I don't know why. I'm not getting answers. People are giving me information that isn't true ... I'm only hearing about all the other summer movies, and nothing about mine."[16] Shadyac also fired his marketing consultants that he had used for prior films due to his thoughts over the mishandling of the marketing. He later apologized for his outburst with producers, and claimed that it was as a result of his nervousness before the film's release.[17]

Grace Hill Media, a marketing firm that targets religious Americans and was also used for marketing Bruce Almighty, The Da Vinci Code, and The Passion of the Christ;[18] held exclusive screenings of the film in mid-June in fifty cities in the United States to reach religious moviegoers.[17] Grace Hill provided free screenings to blogs in exchange for publicity on the blogs.[18] The film and its subsequent home video release was marketed to Christians and their churches through a "kindness campaign" called Ark ALMIGHTY.[19][20]

The first trailer of the film premiered on March 29, 2007, during a marathon of The Office, which also stars Steve Carell and Ed Helms.[21] For online advertising, an eight-minute clip of a scene was released on Yahoo! two days before the release of the film.[22]

The film was also an official sponsor for the 2007 Tooth & Nail Tour along with Best Buy, PureVolume, AbsolutePunk and White Castle.[23]

Environmental impact

[edit]

Director Tom Shadyac felt the film reflected environmental themes of how humans are stewards of God's creation. In keeping with the themes, Evan Almighty became NBC Universal's first film to offset the production's carbon emissions.[24] Producer Michael Bostick revealed how the emissions were offset:

We worked closely with The Conservation Fund to calculate our carbon emissions from what we used on the movie—whether from vehicles used or any of the construction equipment. Once our carbon emissions were calculated, we planted trees that will effectively zero out our climate-changing footprint left behind from the movie.[1]

Shadyac accomplished this by requiring crew members to plant 2,050 trees at the Rappahannock River Valley National Wildlife Refuge in Warsaw, Virginia and the San Joaquin River National Wildlife Refuge near Modesto, California.[1] He also bought over 400 bikes for all the cast and crew, to get to work instead of driving.[25] In addition, rather than simply demolishing sets, Shadyac tried to donate houses built for the production and had the Ark set recycled, by donating materials to Habitat for Humanity.[24] During the premiere of the film for cast and crew at Universal Citywalk, the attendees were encouraged to donate to a campaign to plant trees in forests around the world. The after party used recycled cups and plates to offset the use of resources.[26] Shadyac also required that when Industrial Light & Magic developed the climactic scene, that the CGI flood did not appear to harm any of the trees in the scene.[14]

The film partnered with the website Get On Board Now,[27] which focused on the importance of conservation during production of the film. Donations were taken at the website for The Conservation Fund, which paid for the planting of 15,000 trees.[24]

Animal welfare

[edit]
Two Asian elephants are at the center of the image, side-by-side. Two men on opposite sides (holding thin, metal poles) are guiding the elephants through orange cones on the dirt ground. In the background is grass and trees and an overcast sky.
Two elephants being trained for filming

The American Humane Association oversaw the 177 species of animals that were used in the film.[1] In scenes including both predators and prey, the animals were digitally added instead to ensure their safety.[28] The American Humane Association gave its permission for the film to display "No animals were harmed in the making of this movie" over the closing credits.[29]

PETA accused the film's producers of using animals that had previously been abused. Two chimpanzees who appear in the film, Cody and Sable, were surrendered by their owner to settle a lawsuit that documented allegations of beatings and mistreatment.[30] PETA was also critical of Birds & Animals Unlimited, the primary animal supplier to the film, for alleged serious and continuing violations of the U.S. Animal Welfare Act, including failure to comply with veterinary care requirements and failure to provide shelter from heat and sunlight, which PETA details and claims it can document.[31]

The film's director, Tom Shadyac, said of PETA's criticisms "many of these animals have been rescued from other situations and can't be returned to the wild" and "There's a certain amount of hypocrisy whenever you work with animals, even to show, which we hope we're showing, that respect of all of God's creation ... I don't know. I respect their criticism."[32] A Universal Studios spokesperson declared:

The live animals used in the filming of Evan Almighty were supplemented by a great number of computer-generated animals, but it would have been impossible to depend on CGI exclusively as some key scenes in the film demonstrate the need for peaceful and productive co-existence between man and animals. One of the most prominent, inescapable messages of the film is the responsibility that humans have to protect and care for animals.[33]

Release

[edit]

Theatrical

[edit]

The premiere for the film was held on June 10, 2007, and guests included Adam Sandler, David Hasselhoff, Kate Flannery, Eddie Murphy, Kevin James, and Mindy Kaling, among others.[34]

Home media

[edit]

The film was released on HD DVD and DVD on October 9, 2007, by Universal Studios Home Entertainment,[35] and was the fourth-most rented DVD of the week earning $6.4 million.[36] In the film's first six weeks of release, it earned $27,676,676 in domestic DVD sales.[37] The HD DVD and DVD's special features include deleted scenes, outtakes, cast interviews, and footage of the animals used in the film. The film was released on Blu-ray on August 7, 2012.[38]

Proposed ban

[edit]

Malaysia's Muslim Consumers Association (PPIM) called for a ban on the film, claiming it is offensive to Islam. Secretary-General Maamor Osman claimed that the film was depicting the great flood as comedy and characterized God with the portrayal of a human, both of which are considered blasphemous in Islam. Similarly there was some public protest against Bruce Almighty being shown in theaters, but that film was released on DVD and was also shown on television broadcasts. Evan Almighty was still released in Malaysia on August 23, 2007.[39]

Reception

[edit]

Box office

[edit]

Though Evan Almighty was well-hyped, especially with churchgoers,[40] and had double the budget of Bruce Almighty, it performed under expectations. On its first weekend, it opened in 5,200 screens in 3,604 theaters and earned $31.1 million[41] (on its first two days the film earned $11.4 million followed by $8.3 million on Sunday).[40] The opening was less than half of the first film's $68 million weekend ($85 million counting Memorial Day).[9] Nikki Rocco, the president of distribution for Universal Pictures declared, "We never expected it to be much higher ... it is not unusual for family films to open at a level like this and build. This film will have legs."[9] The film managed to remain at the third spot at the box office in its second week, before dropping to fifth place in its third week.[42]

Internationally, the film also opened in first place in Russia and Ukraine, earning $1.5 million in Russia with 329 venues and $179,000 in Ukraine at 64 locations. The gross in the opening weekends for the two countries was 10% and 11%, respectively, bigger than the opening for Bruce Almighty.[40] Altogether, the film earned $173,418,781 worldwide with $100,462,298 in the U.S. and $72,956,483 in the international box office.[43]

Critical response

[edit]

On the review aggregator website Rotten Tomatoes, 25% of 195 critics' reviews are positive, with an average rating of 4.5/10. The website's consensus reads: "Big on special effects but short on laughs, Evan Almighty underutilizes a star-studded cast that includes Steve Carell and Morgan Freeman."[44] Metacritic, which uses a weighted average, assigned the film a score of 37 out of 100, based on 33 critics, indicating "generally unfavorable" reviews.[45] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[46]

Critic Richard Roeper commended Jim Carrey for declining to reprise his role in "three of the worst sequels of all time", which included Dumb and Dumberer: When Harry Met Lloyd, Son of the Mask and Evan Almighty. He continued: "Evan Almighty is a paper-thin alleged comedy with a laugh drought of biblical proportions, and a condescendingly simplistic spiritual message."[47] Several reviewers credit Carell's performance to significantly improving the humor of the film.[48][49] Peter Travers of Rolling Stone gave it 1 out of 4, calling it "shamelessly juvenile, pseudo-religious, mock-sincere" and "not that funny". He praised Carell "who projects the movie’s only sense of mischief. But it’s too little and too late."[50] He later included it on his list of the Worst Movies of 2007.[51]

Accolades

[edit]

Before Evan Almighty was released, it was nominated for "Best Summer Movie You Haven't Seen Yet" at the 2007 MTV Movie Awards. Competing against seven other nominees, it lost to Transformers.[52] At the Golden Raspberry Awards Evan Almighty was nominated for the Worst Prequel or Sequel, but lost to Daddy Day Camp.[53]

Year Ceremony Category Recipients Result
2007 Teen Choice Awards Choice Movie Actor – Comedy Steve Carell Nominated
Choice Hissy Fit Steve Carell Nominated
Choice Scream Steve Carell Nominated
2008 Golden Raspberry Awards Worst Prequel or Sequel Nominated

Soundtrack

[edit]
Evan Almighty: Music from and Inspired by the Motion Picture
Soundtrack album by
Various Artists
ReleasedJuly 3, 2007
GenreCountry, rock, CCM, dance
LabelCurb Records
ProducerAdam Anders, Matt Bronleewe, D.J. Butcher, Mike Curb, Chuck Howard, Dann Huff, Doug Johnson, Hal Ketchum, Jo Dee Messina, Kathy Nelson, Eric Pittarelli, Tom Shadyac
Singles from Evan Almighty
  1. "Ready for a Miracle"
    Released: 2007
Professional ratings
Review scores
SourceRating
AllMusicStarStar[54]

Evan Almighty: Music from and Inspired by the Motion Picture debuted in 2007.[55] The soundtrack debuted on June 19, 2007.[56] "Revolution" was performed by Rascal Flatts in the film.[57] Their version is not on the soundtrack, but it appears as a bonus track on their album Still Feels Good.[58] Also not included on the soundtrack are Elton John's 2006 hit, "Just Like Noah's Ark" of which only a little bit is heard during the start of building the ark, and John Mayer's "Waiting on the World to Change", used in the main ark-building montage. "Ready For a Miracle" was released as a single for the soundtrack by American country pop recording artist, LeAnn Rimes.

Rascal Flatts' version of "Revolution" peaked at number 57 on the Hot Country Songs charts,[58] and "The Power of One" by Bomshel reached number 52 on the same.

The soundtrack was nominated for a Dove Award for Special Event Album of the Year at the 39th GMA Dove Awards. The song "Be the Miracle" by Room for Two was also nominated for Contemporary Recorded Song of the Year while "Ready for a Miracle" by LeAnn Rimes won the Dove Award for Traditional Gospel Recorded Song of the Year.[59]

No.TitleRecording artist(s)Length
1."Ready for a Miracle"LeAnn Rimes3:36
2."One Love"Jo Dee Messina3:53
3."Have You Ever Seen the Rain?"John Fogerty2:47
4."Walk on Water"Blue County3:50
5."Spirit in the Sky" (with Mikeschair)Plumb3:24
6."The Power of One"Bomshel4:33
7."Be the Miracle"Room for Two2:17
8."God Makes Stars"Hal Ketchum3:03
9."This Land Is Your Land"The Mike Curb Congregation3:16
10."Never Give Up"Tracy Edmond4:00
11."Revolution"Blue County4:17
12."Revolution"Stone Temple Pilots3:39
13."Sharp Dressed Man"Jo Dee Messina3:49
14."Sharp Dressed Man"ZZ Top4:15
15."Gonna Make You Sweat (Everybody Dance Now)"C+C Music Factory4:07
16."Have You Ever Seen The Rain?"Creedence Clearwater Revival2:41
  • Note: Tracks one, two and fourteen to sixteen are taken from the film while tracks three through thirteen are inspired by the film.[60]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Evan Almighty is a 2007 American fantasy comedy film directed by Tom Shadyac, functioning as a standalone sequel to the 2003 film Bruce Almighty. It stars Steve Carell as Evan Baxter, a newly elected congressman who receives a divine command from God—portrayed by Morgan Freeman—to construct a massive wooden ark in preparation for a prophesied flood, mirroring the biblical story of Noah. The narrative follows Baxter's struggles as animals inexplicably follow him home, his family grapples with the task, and he faces skepticism from colleagues and the public while promoting environmental stewardship through acts of kindness. Produced by with a of $175 million—the highest for any up to that point—the movie emphasized for the ark's construction and animal sequences, involving real animals and CGI. Despite opening to $31.2 million domestically, it grossed $174.4 million worldwide, failing to recoup costs when accounting for marketing expenses, marking it as a box-office disappointment. Critically, the film holds a 24% approval rating on based on 193 reviews, with detractors citing its heavy-handed moral messaging, lack of edge compared to its predecessor, and uneven blend of spectacle and sentimentality. It earned nominations for , including Worst Sequel and Worst Actor for Carell, underscoring perceptions of creative overreach. Discussions around its underperformance highlighted audience fatigue with faith-infused blockbusters and a tonal shift toward wholesomeness that alienated broader viewers. Nonetheless, it pioneered environmental initiatives in production, becoming NBC Universal's first film to fully offset carbon emissions.

Synopsis and Cast

Plot Summary

Evan Baxter, a former television news anchor in Buffalo, New York, campaigns for and wins a seat in the United States Congress under the slogan "Change the world." He relocates with his wife Joan and their three sons—Donnie, Ryan, and Jordan—to a spacious new home in suburban northern Virginia, where he settles into his role as a freshman congressman under the mentorship of veteran politician Congressman Chuck Long. During a constituent breakfast on his first day, Evan prays for guidance to fulfill his promise, after which God, appearing in human form, commands him to build an ark in his backyard as preparation for a flood, directly referencing the biblical account of Noah. Evan dismisses the encounter as a hallucination but soon experiences inexplicable events: his hair and beard grow uncontrollably overnight, pairs of animals begin following him everywhere, and he receives mysterious deliveries of lumber, tools, and hardware via email notifications signed "Almighty." God communicates further through modern means, including emails and animal visitations, urging Evan to proceed despite skepticism from his family and ridicule from colleagues, who view his appearance and behavior as signs of mental instability. Joan, frustrated by the disruption and Evan's obsession, temporarily leaves with the sons, while Evan reluctantly enlists his boys' help and the animals' assistance to construct the massive wooden vessel over 40 days. Meanwhile, Congressman Long advances a bill authorizing development in a nearby national forest, which includes reallocating funds from a maintenance project, exacerbating structural weaknesses in the local . As the ark nears completion, heavy rains cause the to rupture, unleashing a that sweeps through the suburbs. Evan's ark, launched by the waters, rescues Long and stranded residents, including Joan's , who reunite amid the crisis. In the aftermath, Evan defeats Long's bill, and the reconciles, with Evan interpreting the ordeal as a call to promote "Acts of Random Kindness" (ARK) to foster unity and .

Cast and Characters

Steve Carell stars as Evan Baxter, a former television news anchor who has been elected to the , portraying an ambitious politician navigating his new role in . reprises his role as , depicted as an omnipotent yet approachable figure who intervenes in human affairs with a blend of wisdom and humor.. Lauren Graham plays Joan Baxter, Evan's devoted wife and mother to their three sons, serving as the familial anchor amid domestic challenges.. The Baxter sons are portrayed by as the eldest, Dylan; Graham Phillips as the middle son, ; and as the youngest, Ryan, each contributing to the family dynamics central to the narrative.. appears as Congressman Long, a senior politician who represents opposition to Evan's initiatives in .. Supporting performances include as Rita, Evan's congressional aide, and as Marty Stringer, his staff member, both adding comedic elements to the political setting.. plays Jesse, a friend providing , while minor roles such as in a cameo enhance the ensemble..
ActorCharacterRole Description
Evan BaxterAmbitious congressman and ex-newsman
GodDivine intervener with authoritative demeanor
Joan BaxterEvan's wife and family supporter
Congressman LongPolitical antagonist in

Production

Development and Screenplay

The screenplay for Evan Almighty originated from an original titled The Passion of the Ark, penned by novice writers Bobby Florsheim and , which centered on a modern-day of "For Dummies" books receiving a divine command from to construct an ark. This concept ignited a competitive bidding war among seven studios, culminating in acquiring the rights for $1.5 million. In the wake of 's commercial success following its May 2003 release, Universal Pictures entered a co-production agreement with to repurpose the project as a spiritual sequel and spin-off, pivoting the narrative to feature Evan Baxter, the character portrayed by in the original film, in a -inspired storyline. Director , returning from , opted to abandon the acquired script entirely due to its misalignment with sequel expectations, instead directing a conceptual overhaul to integrate the ark-building premise with Baxter's arc while modernizing the biblical tale for comedic effect. Steve Oedekerk, who had contributed to Bruce Almighty, was tasked with crafting a fresh screenplay from the ground up, receiving sole credit for the final version after extensive rewriting to emphasize Baxter's transformation and obedience amid humorous divine interventions. A revised draft circulated by January 3, 2006, reflecting iterations to harmonize slapstick comedy with family-oriented elements and understated religious motifs, influenced by studio demands for wider market viability without diluting the core fantastical premise. This evolution marked a departure from the initial standalone script, prioritizing continuity with Bruce Almighty's tone and characters to capitalize on established audience familiarity.

Casting Process

Steve Carell was cast in the lead role of Evan Baxter to reprise his supporting character from Bruce Almighty (2003), capitalizing on his burgeoning status as a comedic lead after starring in The 40-Year-Old Virgin (2005) and gaining prominence on The Office (2005–2013). Director Tom Shadyac highlighted Carell's polished, preening portrayal of the news anchor-turned-congressman as a key fit for the film's blend of humor and moral transformation. Morgan Freeman returned to portray , ensuring continuity with his authoritative depiction in , which provided gravitas to the divine interventions central to the plot. Shadyac noted Freeman's reluctance for extensive promotion but emphasized his selective approach to the role, aligning with the character's omnipotent yet understated presence. For the Baxter family, Lauren Graham was selected as Joan Baxter, Evan's wife, to ground the fantastical elements with relatable emotional depth, serving as the "straight man" amid escalating absurdity. Graham described the role's appeal in its focus on a heartfelt, supportive narrative, contrasting her prior fast-talking characters like in Gilmore Girls (2000–2007), which allowed for a simpler, more sincere performance. Supporting roles, such as those filled by John Goodman and Wanda Sykes, were chosen to enhance ensemble dynamics, with emphasis on performers capable of delivering sharp wit alongside the thematic emphasis on obedience and family unity.

Budget and Financing

Evan Almighty was produced on a budget of $175 million, which at the time marked it as the most expensive ever made. This amount exceeded initial projections of approximately $140 million, with overruns attributed to production choices emphasizing tangible spectacle through practical elements rather than relying solely on digital effects. Universal Pictures handled the primary financing, motivated by the commercial success of the predecessor Bruce Almighty, which had earned substantial returns and suggested potential for a family-oriented franchise expansion. The studio initially sought to mitigate costs by pursuing co-financing and international distribution partnership with Sony Pictures Entertainment, but these negotiations collapsed, obligating Universal to cover the escalated expenses independently. Executive decisions prioritized investments in high-caliber talent, including leads like and , alongside logistics for visual and thematic ambitions, positioning the film as a blockbuster despite genre norms for lower budgets. Speculation from industry observers placed actual production costs potentially above $210 million, highlighting the financial risks undertaken for perceived market differentiation.

Ark Construction and Animal Logistics

The full-scale ark set for Evan Almighty was constructed in , within the Old Trail subdivision, beginning in January 2006. The physical structure measured 275 feet in length, 80 feet in width, and 60 feet in height, utilizing wooden elements to evoke biblical authenticity while incorporating practical engineering for set stability, including a precisely leveled foundation prepared with specialized robotic equipment. This design drew inspiration from the dimensions specified in Genesis 6:15—300 cubits long, 50 cubits wide, and 30 cubits high—with the on-set build scaled for filming feasibility and later digitally extended to approximately 450 feet in to align more closely with traditional interpretations of about 18 inches. Over 177 species of animals were sourced from trainers across the and transported to the location, where they were housed in two custom-built facilities equipped with running water, species-specific enclosures—such as elevated structures for giraffes—and protective measures like for predators including lions, tigers, bears, and wolves. Animal handlers, overseen by the American Humane Association to ensure adherence to welfare standards, trained the creatures for on-set behavior, pairing them in twos for scenes but often using same-sex individuals to mitigate risks, such as avoiding aggressive male elephants. Additional logistics included padded surfaces for equine performers and coordinated transport to minimize stress, enabling safe integration into ark-loading sequences without compromising production timelines.

Filming Locations and Schedule

Principal photography for Evan Almighty occurred primarily in various locations across Virginia, including Crozet, Charlottesville, Waynesboro, Staunton, and Shenandoah National Park, with supplementary scenes filmed in Washington, D.C.. The selection of Virginia sites facilitated the construction of large-scale sets, such as the ark in the developing Old Trail neighborhood of Crozet, leveraging the region's rural and suburban landscapes to depict the protagonist's home and flood sequences.. Director Tom Shadyac, an alumnus of the University of Virginia, favored these areas for their scenic suitability and personal connection.. Filming commenced in March 2006 and extended through August 2006, encompassing approximately six months of .. This timeline accommodated the logistical demands of outdoor shoots in Virginia's variable spring and summer weather, as well as scheduling adjustments for specific locations like Staunton, where shoot dates shifted multiple times.. The extended schedule allowed for the coordination of practical elements, including on-location animal handling and set preparations, though it did not involve visual enhancements..

Visual Effects and Post-Production

The visual effects for Evan Almighty were produced by Industrial Light & Magic (ILM) and Rhythm & Hues Studios, which handled distinct components of the film's CGI requirements. ILM delivered 182 shots, encompassing the computer-generated ark and the climactic flood sequence that simulated dynamic, midday-moving CG water for the first time in their work. Creating individual flood scenes required animators to guide water simulations through a three-step process, taking 15 to 20 weeks per sequence. Rhythm & Hues Studios focused on animal-related effects, generating CGI for migrations, sequences where animals trailed protagonist Evan Baxter home, and the boarding of the ark by pairs of species. Post-production integrated these digital elements with practical footage, including the physically built ark, to depict supernatural occurrences such as divine commands materializing animals and environmental disasters. Editing employed Lightworks software to composite live-action animal performances with CGI counterparts, ensuring seamless transitions between real and generated creatures. This phase occurred following principal photography in 2006, aligning with the film's June 22, 2007, release.

Themes and Messages

Biblical and Religious Elements

Evan Almighty draws its central premise from the account in Genesis 6–9, where commands to build an ark of to preserve his family and representatives of every animal kind from a catastrophic . In the film, similarly instructs Congressman Evan Baxter to construct an ark, leading to the miraculous appearance of lumber, tools, and animals that assemble around his home. This adaptation incorporates direct biblical allusions, such as Evan's beard growth echoing Noah's era and the animals entering the ark in orderly fashion. The film's flood, however, is portrayed as a localized event in suburban , resulting from a dam's structural failure exacerbated by congressional , rather than the global deluge in Genesis triggered by humanity's total moral as stated in Genesis 6:5 ("The Lord saw how great the wickedness of the human race had become on the "). This narrative choice localizes to specific ethical lapses, such as greed and environmental neglect, omitting the scriptural emphasis on universal sin warranting wholesale destruction. Such modifications prioritize a modern, contained crisis over the Bible's portrayal of an earth-encompassing cataclysm that reshapes and eradicates pre-flood life. God is depicted as an affable, hands-on figure played by , who manifests physically—appearing in Evan's car or workplace—and employs humor, such as quipping about Evan's freak-out or dispensing advice through everyday metaphors. This contrasts with the Genesis narrative's solemn, theophanic communication, where addresses directly but with majestic authority, without comedic levity or casual incarnations. While some theological observers interpret this as highlighting 's personal accessibility and covenant faithfulness akin to Genesis 6:18, others argue it anthropomorphizes the divine in a manner that dilutes the biblical portrayal of 's transcendent holiness and the gravity of judgment. The gathering of animals in the film features pairs and groups arriving autonomously, mirroring Genesis 7:8–9's description of creatures entering "two by two," but neglects the biblical distinctions of seven pairs for clean animals used in (Genesis 7:2–3). Instead, the sequence emphasizes spectacle, with species like elephants and birds following in processions, diverging from scriptural logistics that prioritize preservation for repopulation over dramatic visuals. These elements reflect creative liberties that adapt ancient motifs for comedic effect, reducing fidelity to the original text's emphasis on precise divine specifications for ark dimensions and cargo.

Family Values and Personal Obedience

In Evan Almighty, the protagonist Evan Baxter's unwavering obedience to a divine directive to build an ark initially fractures his family relationships, as his wife Joan and sons—Jordan, Dylan, and Ryan—perceive his behavior as evidence of a mental breakdown, prompting Joan to leave with the children. This strain underscores the film's depiction of personal obedience as a test of familial loyalty, where Evan's prioritization of a higher moral imperative over immediate domestic harmony leads to temporary isolation but ultimately catalyzes reconciliation. Joan's prayer for greater family closeness, voiced early in the narrative, aligns with Evan's plea to "change the world," framing obedience not as self-sacrifice but as a pathway to restored unity grounded in shared purpose. The narrative resolves this tension through the sons' gradual involvement in the ark's construction, shifting from skepticism to active participation, which reinforces traditional familial roles: Evan as the steadfast patriarch modeling duty, and the children learning resilience through collective effort. This progression illustrates a causal link between individual submission to perceived divine will and interpersonal restoration, as Evan's persistence—despite public ridicule and professional sabotage—convinces his family of the command's authenticity, culminating in their reunion during the impending flood. The film's epilogue, depicting a family hike where divine affirmation reinforces their bond, posits obedience as the antidote to modern familial drift driven by ambition and doubt. Central to this theme is the acronym "ARK," interpreted by God as "Acts of Random Kindness," which extends personal obedience beyond mere compliance to proactive benevolence, linking individual faith to familial and communal flourishing. Evan's execution of these acts—such as aiding neighbors and animals—demonstrates that covenantal responsibility, rooted in reciprocal divine-human agreement, counters self-centered individualism by fostering empathy and interdependence within the household. This mechanism averts relational "disaster," as the family's eventual embrace of the ark project not only averts physical peril from the flood but also heals emotional divides, emphasizing that dutiful action yields tangible relational stability over autonomous pursuits.

Political and Social Commentary

In Evan Almighty, the protagonist Baxter's election to serves as a vehicle for satirizing , particularly through his entanglement with Congressman , who pressures him to support the "" bill—a legislative measure enabling development projects, including a , that promise kickbacks to Long from corporate interests. This plotline underscores a preference for personal over political expediency, as Evan's divine mandate to build an ark compels him to prioritize obedience, ultimately leading to the exposure of Long's graft when a validates his warnings. The film critiques bureaucratic inertia by depicting as a body resistant to ethical disruption, where Evan's anomalous behavior—growing a , being trailed by animals, and constructing an ark on —is dismissed as eccentricity rather than heeded as a call to . This favors individual moral action over systemic reform, portraying ethical transformation as stemming from personal divine encounters rather than institutional mechanisms. Reviewers have praised the film's exposure of governmental graft, noting symbolic elements like birds defecating on corrupt legislators as pointed jabs at Washington ethics lapses. However, critics argue it oversimplifies political dynamics, reducing complex to comedic divine intervention without deeper causal analysis of incentives like campaign financing or . Such portrayals align with real-world instances of congressional scandals but risk understating entrenched interests that persist beyond individual reckonings.

Environmental Undertones

The film depicts the impending as a direct consequence of avarice and toward natural constraints, specifically through Congressman Long's promotion of a development bill that bypasses environmental protections, leading to a compromised that ultimately bursts. This narrative device frames ecological disregard as a catalyst for disaster, echoing calls for of the as a divine mandate, with Evan's ark-building endeavor highlighting themes of restoring balance through personal responsibility. Yet, these elements remain subordinate to the core spiritual message of obedience to God, as the flood's resolution depends on faith-driven action rather than legislative or technological interventions to address development excesses. The portrayal thus prioritizes individual moral renewal over systemic environmental reforms, portraying nature's upheaval as a providential corrective rather than an inevitable outcome of policy failures. Critics from a biblical literalist perspective argue that localizing the flood to a man-made anthropocentrifies the event, diluting the Genesis account's depiction of a global deluge as undifferentiated on human sinfulness, and risks conflating localized lapses with eschatological warnings. In reality, dam failures arise predominantly from overtopping during extreme (accounting for roughly 30-40% of historical U.S. cases), internal via , or embankment instability, rather than isolated corrupt shortcuts, with state dam safety programs documenting 173 outright failures alongside 587 near-misses since systematic tracking began, many averted through maintenance and not resulting in biblical-scale inundation. This dramatization, while raising awareness, may inadvertently normalize exaggerated about development-induced cataclysms without corresponding empirical data on heightened probabilities from such projects alone.

Marketing and Release

Promotional Campaigns

The promotional campaign for Evan Almighty centered on leveraging the film's comedic elements and biblical themes to appeal to family audiences and faith-based communities, building on the success of . Trailers released in early 2007 highlighted spectacle-driven sequences such as ark construction and animal gatherings alongside humorous family dynamics, aiming to position the film as lighthearted entertainment with inspirational undertones. A key initiative was the "Ark Almighty" campaign, which promoted "Acts of Random Kindness" (ARK) as a tie-in to the movie's message of personal obedience and positive change, encouraging participants to perform and share kind deeds for viral spread among families and social networks. This effort included resources for churches to integrate ARK activities into services, fostering grassroots promotion aligned with the film's narrative of incremental goodwill. To target religious viewers, partnered with Grace Hill Media, a firm specializing in faith-oriented , organizing pre-release screenings in over 50 cities for and leaders to generate endorsements and organized attendance. These tactics sought to mobilize congregations through bulk theater buyouts, emphasizing the film's moral lessons without proselytizing, while drawing fans of the predecessor by spotlighting Steve Carell's expanded role.

Theatrical Release

The world premiere of Evan Almighty occurred on June 10, 2007, at the Gibson Amphitheatre in , with celebrity attendees including and . The film, distributed by , entered wide theatrical release in the United States on June 22, 2007. It carried a PG rating from the for mild rude humor and some peril, with a runtime of 96 minutes. Internationally, the rollout expanded rapidly, with releases in coinciding with the U.S. date, and in , , and on June 21, 2007. No significant delays or market-specific edits were reported for religious sensitivities, though in , Muslim advocacy groups petitioned for a ban in July 2007, arguing the film's depiction of offended Islamic principles; the requests did not result in prohibition, and the movie screened as planned.

Home Media and International Distribution

The film was released on DVD and formats on October 9, 2007, by Universal Studios Home Entertainment. In its debut week, it ranked as the fourth-most rented DVD, generating $6.41 million in rental revenue over the first six days. By the end of its initial six weeks on rental charts, cumulative DVD rentals reached $41.1 million. A Blu-ray edition followed on August 7, 2012, offering high-definition visuals of the film's effects-heavy sequences. Digital distribution expanded availability through rental and purchase options on platforms including , Apple TV, Google Play Movies, , and Fandango at Home, with pricing typically starting at $3.99 for rentals. The title has periodically appeared in subscription streaming rotations, though availability varies by region and service, such as past inclusions on in select markets before its removal. Internationally, distribution was handled by subsidiaries and local partners, including for the and Finnkino for , with theatrical rollouts staggered after the U.S. in June 2007. The film earned $73.9 million in foreign markets, comprising 42% of its $174.4 million global , with performance showing variance across regions—lower overall than domestic but buoyed in areas with audiences receptive to faith-oriented comedies. No significant home media reissues or digital revivals occurred from 2023 to 2025, limited to nominal anniversary acknowledgments in industry retrospectives.

Reception

Box Office Results

Evan Almighty was released theatrically on June 22, 2007, and grossed $31.2 million during its opening weekend in , securing the number-one position at the . The film's domestic total reached $100.5 million, while its worldwide earnings amounted to $174.4 million. These figures fell short of the $175 million , resulting in a financial loss, as theatrical revenues typically require roughly double the budget to cover costs after exhibitor splits and expenses estimated at $100 million or more. The underperformance stood in stark contrast to its predecessor, , which generated $484 million worldwide on an $85 million , heightening expectations for the sequel's returns. Contributing factors included the summer release window's intense competition from holdover blockbusters like (still in wide release) and , alongside the film's escalated costs from extensive visual effects and location shoots, which ballooned the budget to the highest for any comedy at the time. Despite promotional tie-ins and a broad family appeal, the opening take represented only about 18% of the budget, insufficient to offset the financial scale and leading to rapid domestic drops in subsequent weeks.
TerritoryOpening Weekend GrossTotal Gross
$31.2 million$100.5 million
InternationalN/A$73.9 million
WorldwideN/A$174.4 million

Critical Reviews

Evan Almighty garnered predominantly negative reviews from professional critics upon its June 22, 2007, release, with a 24% Tomatometer approval rating on aggregated from 193 reviews. The site's consensus highlighted the film's failure to blend comedy with its moralistic elements effectively, describing it as overly reliant on spectacle at the expense of wit. Similarly, Metacritic assigned a weighted score of 37 out of 100 based on 33 reviews, categorizing the reception as "generally unfavorable." Critics commonly faulted the film's pacing, which dragged amid repetitive sequences of ark-building and animal interactions, undermining its 96-minute runtime. Humor was often deemed forced and juvenile, with gags centered on Steve Carell's character enduring biblical trials eliciting few genuine laughs compared to the predecessor . Over-dependence on CGI effects for animal antics and flood visuals was another frequent critique, as reviewers argued these prioritized visual bombast over narrative depth or satirical edge, resulting in a tonal mismatch between preachiness and . A minority of reviews acknowledged strengths in the production's , which effectively realized the ark's construction and creature cameos on a $. Carell's earnest depiction of Baxter's transformation drew praise for injecting sincerity into the role, providing a to the film's broader comedic misfires. Some dissenting critics noted the underlying heart in its family-oriented themes, though this was insufficient to offset execution flaws in aggregate assessments, with no significant critical reevaluations emerging since 2007.

Audience and Faith-Based Responses

Faith-based audiences, particularly within evangelical and family-oriented Christian communities, largely praised Evan Almighty for its promotion of biblical themes such as obedience to God's calling and family unity, viewing it as a wholesome alternative to secular comedies. Reviewers from organizations like Focus on the Family highlighted the film's positive portrayal of Evan's persistence in building the ark despite ridicule, interpreting it as a modern lesson in faithful obedience akin to Noah's story. Similarly, outlets such as Christian Spotlight on the Movies commended its gentle, entertaining approach to spiritual lessons, noting it as suitable for family viewing and effective in sparking discussions on divine purpose without overt preachiness. However, responses were mixed among more conservative evangelicals, who critiqued the film for softening the biblical flood narrative's emphasis on for sin, instead framing the deluge as a consequence of human corruption via a , thus diluting themes of wrath and . Some labeled depictions of —portrayed by in a casual, humorous manner—as or incomplete, arguing it failed to convey 's full holiness and , leading to accusations of from segments of the audience. reported such concerns prompted debates within evangelical circles, with detractors viewing the film's lighthearted tone as prioritizing entertainment over scriptural gravity. Christian review aggregators and faith media reflected this divide, with sites like acknowledging its family appeal while urging discernment for theological liberties, such as the "Acts of Random Kindness" (ARK) acronym reinterpreting as a for goodwill over judgment. Baptist Press and , conversely, endorsed its moral clarity on compassion and faith amid mockery, positioning it as an accessible entry point for non-believers into biblical concepts. Over time, the film has garnered a niche following in faith communities for its unapologetic wholesomeness and emphasis on personal obedience amid modern distractions, often recommended in family media guides as a counter to edgier Hollywood fare, despite its commercial underperformance.

Awards and Nominations

Evan Almighty garnered limited formal recognition, primarily in comedic performance and technical categories, with no major industry awards such as Oscars or Golden Globes. The film received two Teen Choice Award nominations for Steve Carell in Choice Movie Actor – Comedy and Choice Hissy Fit, alongside a win for Choice Movie Scream for his performance. It also earned a pre-release nomination at the 2007 MTV Movie Awards for Best Summer Movie You Haven't Seen Yet. In technical fields, the film's were shortlisted among seven entries for the Academy Award for Best , competing with high-profile releases like Transformers and The Golden Compass, though it did not advance to the final three nominees. Composer won an ASCAP Award for Top Box Office . The production received three nominations at the Young Artist Awards, recognizing young performers including Graham Phillips and .
AwardCategoryRecipientResultYear
Choice Movie ScreamWon2007
Choice Movie Actor – ComedyNominated2007
Choice Hissy FitNominated2007
MTV Movie AwardsBest Summer Movie You Haven't Seen YetEvan AlmightyNominated2007
Best Visual Effects (shortlist)Evan AlmightyShortlisted2008
ASCAP Film and Television Music AwardsTop Box Office Film ScoreWon2008
Young Artist AwardsVarious (child actors)VariousNominated (3)2008
Best Family TV SpotEvan AlmightyNominated2007
Worst Prequel or SequelEvan AlmightyNominated2008
The film was also nominated for a Golden Award for Worst or , reflecting some critical disdain for its standalone status, but it lost to . Overall, these accolades highlight niche appreciations amid the film's commercial underperformance relative to expectations.

Controversies and Criticisms

Animal Welfare Allegations

People for the Ethical Treatment of Animals (PETA) raised concerns about in the production of Evan Almighty, alleging that the film employed animals supplied by Birds & Animals Unlimited, a company with a history of USDA citations for Act violations, including failures in compliance prior to 2007. PETA contended that using such suppliers inherently risked perpetuating prior mistreatment patterns, particularly highlighting chimpanzees like Cody and Chester, which had appeared in the film and were linked to the supplier's facilities. These claims emphasized broader ethical issues with training wild animals for , arguing that stress from handling large numbers—over 200 species including elephants, bears, and primates—could not be fully mitigated despite protocols. In response, the American Humane Association (AHA), which monitored the set, certified that "No Animals Were Harmed" during filming, confirming adherence to welfare standards through on-site oversight, veterinary checks, and safety measures such as leashes, cages, fencing, and hotwire enclosures tailored to species. Production handlers, numbering over 40, followed AHA guidelines, with no reported injuries or distress incidents attributed to set activities; AHA representatives noted the crew exceeded basic compliance in managing the for scenes like the ark procession. No direct USDA inspections or violations were documented specifically for Evan Almighty's on-set handling, distinguishing supplier history from production practices; USDA records focused on BAU's pre-film infractions rather than film-specific events. While PETA's advocacy reflects opposition to all animal use in media—potentially amplifying supplier critiques—AHA's science-based certification, backed by daily monitoring, supports the absence of verifiable harm, though debates persist on whether trained animal performances, even regulated, align with optimal welfare absent alternatives like CGI.

Environmental Production Impact

The production of Evan Almighty involved extensive physical , including a full-scale ark built in stages, which required significant use of heavy machinery such as cranes and excavators powered by internal combustion engines. This contributed to the 's carbon footprint, though specific quantitative data on emissions from these activities remains unavailable in public records. Director implemented on-set measures to reduce environmental impact, including prohibitions on vehicle idling, provision of hybrid cars for select personnel, and encouragement of use among crew members. To achieve carbon neutrality, the production partnered with the Conservation Fund to calculate total emissions from scripting through and offset them via tree-planting initiatives, marking Evan Almighty as NBC Universal's first such effort. Crew members planted 2,050 trees at the Valley National Wildlife Refuge as part of this program. Additional practices included of building materials and participation in eco-friendly activities, aligning with broader industry trends toward . Flood sequences, simulated through practical effects and , likely entailed substantial water usage for on-location shooting in , but no verified figures on volume or sourcing have been disclosed. While offsets compensated for calculated emissions, critics of such mechanisms argue they do not eliminate the causal chain of , potentially normalizing high-impact productions under the guise of equivalence rather than reduction. Compared to industry norms for comedies of similar scale—with budgets exceeding $175 million driving material and energy demands—the film's initiatives represented incremental steps but lacked evidence of deviating from typical environmental loads for effects-heavy features.

Religious and Cultural Debates

The portrayal of divine intervention and biblical motifs in Evan Almighty sparked debates among religious observers, particularly evangelicals, who questioned whether the film's comedic retelling of the narrative honored scripture or trivialized it. Critics from conservative Christian perspectives argued that depicting as a lighthearted figure played by , who performs whimsical acts like appearing in modern attire and summoning animals, undermined the biblical God's and holiness, potentially fostering irreverence toward sacred texts. Similarly, the film's depiction of a localized in suburban , tied to an ecological message rather than global judgment on human sin as described in Genesis 6-9, was seen by some as diluting the story's emphasis on divine and accountability, transforming a tale of cataclysmic retribution into a feel-good fable about personal kindness. Proponents within faith communities countered that the movie served as a modern parable promoting obedience, family unity, and acts of compassion, aligning with Noah's faithfulness amid ridicule, and praised its avoidance of overt profanity or sexual content compared to its predecessor Bruce Almighty. Organizations like Answers in Genesis acknowledged the film's intent to convey God's call to build an ark but critiqued its evolutionary undertones in animal depictions and failure to affirm a young-earth global flood, viewing it as inconsistent with literal biblical interpretation. Secular commentators, meanwhile, dismissed the effort as superficial pandering to faith-based audiences, arguing it prioritized commercial appeal over theological depth or cultural critique, evidenced by Universal's targeted marketing to churches via specialized PR firms that distributed study guides and sermon resources. These tensions manifested in mixed institutional responses rather than organized boycotts; while some evangelical outlets endorsed viewing it as family entertainment with redemptive themes, others, including voices in , highlighted evangelical reservations over sacrilegious elements like the anthropomorphic God, contributing to perceptions that the film's $175 million budget did not yield proportional faith-community turnout despite promotional outreach. No widespread calls for boycotts emerged, but individual Christian bloggers and forums expressed discomfort with Hollywood's pattern of selectively adapting scripture for comedic effect, fearing it normalized a diluted view of divine justice in .

Commercial and Artistic Shortcomings

The film's ballooned to $175 million, the highest for any up to that point, driven by extensive , large-scale set construction including a full-scale ark replica, and coordination with numerous animals, which imposed stringent financial pressures and heightened the threshold for profitability. This escalation, from an initial estimate of around $140 million, reflected an overambitious scope that prioritized spectacle over streamlined storytelling, ultimately straining recoupment in a genre typically reliant on lower costs for quick returns. Artistically, Evan Almighty suffered from a tonal mismatch, departing from 's irreverent, adult-oriented humor—centered on Jim Carrey's chaotic wielding of divine powers—to a sanitized, PG-rated emphasizing familial reconciliation and moral imperatives, which critics described as painfully tame and lacking genuine laughs. The script, burdened by didactic elements and repetitive animal gags, failed to sustain comedic momentum, with awkward scenarios that prioritized inspirational messaging over wit, leading to accusations of bloat and an uneven blend of and sermonizing. Causal factors included the "sequel curse" of sidelining Carrey's magnetic energy in favor of Steve Carell's more subdued everyman, shifting focus from empowering fantasy to burdensome obedience under divine command, which drained the original's escapist appeal. This pivot, viewed by some as a misguided infusion of faith-based uplift to broaden appeal, instead alienated comedy enthusiasts expecting edgier satire, while the protagonist's passive role—merely heeding rather than wielding power—undermined narrative drive and audience investment.

Soundtrack and Media Extensions

Musical Score and Soundtrack

composed the original score for Evan Almighty, employing a full orchestral palette infused with religious grandeur to evoke the film's biblical themes. Central motifs include "God's Theme," characterized by reverent solo gospel vocals and sweeping strings, alongside "The Ark Theme" for dramatic construction sequences and "Evan’s Theme," a warm piano-led cue tracing the protagonist's arc. Comedic cues provide lighter counterpoints, blending with heavier dramatic swells influenced by temp tracks from composers like , though the overall style prioritizes inspirational weight over overt humor. The score album, Evan Almighty (Original Motion Picture Score), was released by on July 3, 2007, comprising 16 tracks spanning 48 minutes. Notable cues such as "Genesis 6:14" (5:19) and "The Flood" (6:56) underscore key narrative pivots, supporting emotional transitions like familial reconciliation and divine intervention without overshadowing dialogue or action. A separate soundtrack compilation, Evan Almighty (Music From and Inspired By the Motion Picture), issued by Essential Records on June 19, 2007, features inspirational tracks integrated into the film. Songs like "Ready for a Miracle" by LeAnn Rimes and a cover of "Have You Ever Seen the Rain" by John Fogerty amplify motifs of hope and resilience, appearing during montage sequences and flood preparations. Additional licensed pieces, including Woody Guthrie's "This Land Is Your Land," reinforce the story's communal and redemptive undertones. Together, score and songs enhance the film's tonal balance, providing subtle uplift to faith-driven comedy.

Tie-In Media and Merchandise

The film inspired several books focused on its central "ARK" theme, standing for Acts of Random , promoting everyday acts of goodwill as a modern interpretation of biblical obedience. "Do Good: Evan Almighty" by Kevin Johnson, published in 2007 by , provides practical guidance on performing random acts of kindness to "," drawing directly from the movie's of divine instructions for compassion over ark-building. Similarly, "Evan Almighty Devotional," also by Johnson and released the same year, offers a journal format with quotes, reflection prompts, and challenges tied to the film's messages of and action, targeted at teenagers. These publications served as promotional extensions, aligning with ' marketing emphasis on inspirational rather than a traditional of the plot. Merchandise included animal-themed toys reflecting the film's ark storyline, such as plush figures of species featured in production, like elephants used in scenes. A notable example was a TY Beanie Baby "Swinger" monkey bundled with the 2007 DVD release, distributed through retailers like to boost sales amid the film's $100 million domestic . Official tie-ins extended to ark replicas and animal collectibles sold via major chains, contributing to the family-oriented marketing push, though specific merchandise revenue figures remain undisclosed in public financial breakdowns. Video games were limited to casual browser and mobile titles emphasizing puzzle and collection mechanics linked to the ark and animals. "Evan Almighty: Arketris," developed by Blockdot and released in , featured a Tetris-style where players stacked ark-building blocks. Other mini-games included "Evan Almighty: Round Up" for herding and "Zoo Rescue," both promotional web-based experiences tied to Universal's campaign. "Evan Almighty: An Says," another simple interactive, focused on animal sounds and themes, available as advergames to engage younger audiences without narrative depth. No major console titles or official sequels in gaming form were produced.

References

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