Feeling Good
Feeling Good
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Feeling Good

"Feeling Good" (also known as "Feelin' Good") is a song written by English composers Anthony Newley and Leslie Bricusse for the musical The Roar of the Greasepaint – The Smell of the Crowd. It was first performed on stage in 1964 by Cy Grant on the UK tour.

Nina Simone recorded "Feeling Good" for her 1965 album I Put a Spell on You. The song has also been covered by other famous artists, including American singer Sammy Davis Jr., English rock band Traffic, Canadian singer Michael Bublé, American jazz saxophonist John Coltrane, American singer and actor Brian Stokes Mitchell, British singer George Michael, English pop singer Tony Hadley, American band Eels, American musician and singer Joe Bonamassa, Irish musician and singer Eden, English rock band Muse, British blues rock band Black Cat Bones, American DJ and electronic music producer Bassnectar, American singer and musician Sophie B. Hawkins, American rock musician Leslie West, Swedish DJ and music producer Avicii, American singer Chlöe, Palaver Strings & Kebra-Seyoun Charles, Victory, American rock music duo Sirsy (Melanie Krahmer), American rapper and singer Lauryn Hill, French DJ David Guetta, American singer Micah Dubitzky, and many others. It was also performed by American singer and pianist John Legend as part of the Celebrating America performance marking the inauguration of Joe Biden.

Although Bricusse and Newley shared songwriting credits, the words of the song are usually attributed to Bricusse, with the music by Newley. The song was first performed in public by Guyanese-British singer and actor Cy Grant on the opening night of The Roar of the Greasepaint – The Smell of the Crowd at the Theatre Royal in Nottingham on 3 August 1964. The show, directed by Newley, toured British provincial theatres, and was then taken to the US by theatre producer David Merrick. It opened on 16 May 1965 at the Shubert Theatre in New York City, where the role of "the Negro", who sings "Feeling Good", was taken by Gilbert Price.

In the show, Price's character is asked to compete against the show's hero "Cocky"; but, as "Cocky" and his master "Sir" argue over the rules of the game, "the Negro" reaches the centre of the stage and "wins", singing the song at his moment of triumph. It was described as a "booming song of emancipation", and a Billboard review said it was "the kind of robust number that should have strong appeal". The original cast recording of the show, featuring Price's version of the song, was released by RCA Victor in early 1965, before the show reached New York.

A version by Cy Grant with pianist Bill Le Sage – much jazzier than the original stage version – appeared on their 1965 album Cy & I. Anthony Newley's own recording appeared on his 1965 album "Who Can I Turn To" and other songs from "The Roar of the Greasepaint". One of the earliest recorded versions was a jazz treatment by saxophonist John Coltrane, which appeared on his album The John Coltrane Quartet Plays.... Recorded on 18 February 1965, it also features Art Davis, Jimmy Garrison, Elvin Jones and McCoy Tyner.[citation needed] Versions were also released in 1965 by Nina Simone, Jean DuShon, Julie London, Chris Connor, Billy Eckstine, Andy & The Bey Sisters and Sammy Davis Jr. On the March 26, 1966 episode of the variety show Hollywood Palace, Tammy Grimes performed a show-stopping performance of the song. Ed Ames recorded a version in 1966 on his album "It's a Man's World".

Traffic has a live version titled "Feelin' Good" on side two of their 1969 album Last Exit. Recorded at the Fillmore in San Francisco on 14 March 1968, it is almost 11 minutes long.[citation needed]

Nina Simone's version, arranged and produced by Hal Mooney, was recorded in New York in January 1965 and appeared on her album I Put a Spell on You. It was not released as a single at the time. In 1994, Simone's recording was used in a British TV commercial for Volkswagen, and became popular. Released as a single, it reached No. 40 on the UK Singles Chart in July 1994.

Simone's version was remixed by Joe Claussell in 2002 for the first volume of the Verve Remixed series.

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