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Haunted Collector
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| Haunted Collector | |
|---|---|
| Genre | Paranormal Documentary |
| Created by | John Zaffis |
| Presented by | John Zaffis |
| Starring | John Zaffis Chris Zaffis Aimee Zaffis Brian Cano Beth Ezzo (Season 1) Jason Gates (Seasons 2,3) Jesslyn Brown (Seasons 2,3) |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 3 |
| No. of episodes | 30 |
| Production | |
| Executive producers | Scott Gurney Deirdre Gurney Rick Sasson Rick Telles |
| Production location | United States |
| Cinematography | David Lane |
| Editors | Megan Carson Mimi Snow Carey Williams |
| Running time | 45 minutes |
| Production company | Gurney Productions |
| Original release | |
| Network | Syfy |
| Release | June 1, 2011 – May 10, 2013 |
Haunted Collector is an American television reality series that aired on the Syfy cable television channel. The first season premiered on June 1, 2011, and ended on July 6, 2011. The series features a team of paranormal investigators led by demonologist John Zaffis, who investigate alleged haunted locations with the hopes of identifying and removing any on-site artifacts or trigger objects that may be the source of the supposed paranormal or poltergeist activity.
The production of the second season started in December 2011 and premiered on June 6, 2012.
On September 17, 2012, Syfy announced that the series was renewed for 12-episode third season, which premiered on March 6, 2013.[1]
On November 8, 2013, Syfy announced that it had cancelled Haunted Collector.
The series was rebroadcast under the name The Haunted Collector Files on Travel Channel in 2021.[2]
Plot
[edit]Demonologist John Zaffis and his family investigate the sites of alleged paranormal occurrences. The Zaffis family and their team travel around the world to investigate items that Zaffis identifies as having something to do with spirits or energies. Zaffis removes the items from the location and takes them to his haunted relics museum in a barn on his property in Stratford, Connecticut.
Broadcast
[edit]The programme broadcast on Syfy in the United States and Really in the United Kingdom.
Summary
[edit]According to Zaffis, an artifact itself may either be of a paranormal nature such as a religious object once used in occult rituals or a non-paranormal nature such as an antique purchased at an estate sale or garage sale. Once an artifact is deemed to be a possible source of paranormal activity, it is removed from the premises in hopes that the activity in the location being investigated will be mitigated or cease altogether. The artifact is then housed in John Zaffis' paranormal artifact museum.
Cast and crew
[edit]- John Zaffis - team leader, owner of Zaffis Paranormal Museum in Stratford, Connecticut
- Chris Zaffis - paranormal investigator
- Aimee Zaffis - historical researcher
- Brian Cano - equipment technician
- Beth Ezzo - lead investigator/sensitive (Season 1)
- Jason Gates - paranormal investigator/historical researcher (Season 2 - Season 3)
- Jesslyn Brown - investigator (Season 2 - Season 3)
Episode structure
[edit]- Client tour: John and Aimee walk-through with the client through their home finding possible haunted items.
- Phase 1 - daytime sweep: Brian, Chris, and Jason set up the equipment and go through home doing EMF sweeps.
- Historical research: Aimee and Jason go to the local library to dig up any historical information on the location.
- Phase 2 - nighttime investigation: The whole team (minus Aimee) investigates entire location at night using night vision.
- Item research: John brings the item he believes is haunted to an expert depending on what type of item it is and finds out more information about it.
- Final client meeting: John tells the client about the findings on their investigation and asks if they would like the haunted item removed.
- Placing haunted item in paranormal museum: John removes the haunted item and stores it in his "paranormal museum".
- Client follow-up (not aired): A voice-over of John tells the viewers about how the client is doing without the haunted item in their possession after a few weeks or months.
Episodes
[edit]Season 1 (2011)
[edit]| No. | Title | Haunted item(s) | Original air date | |
|---|---|---|---|---|
| 1 | "Haunted Bayou/Library Ghost" | Case 1: Webley & Scott Mark III English Revolver Case 2: 1914 Royal Typewriter | March 31, 2011 | |
|
In the series premiere, John Zaffis and his paranormal team travel to Lake Charles, Louisiana, to help a woman locate objects in her house that they feel are haunted or might have "energy" attached to them. After digging in the basement crawl space, they find an old revolver that John suggests may have been used in a local bank robbery in 1961. Then they head to Deep River Public Library in Deep River, Connecticut, where a female figure thought to be Julia Spencer, the wife of original owner Richard P. Spencer, has reportedly been seen among the book shelves. | ||||
| 2 | "My Mother's Ghost/Paranormal Predator" | Case 1: The San Francisco Music Box Company burl wood music box Case 2: Mako shark jaw bones/ cane gun | April 14, 2011 | |
|
Zaffis and his team go to Pomona, California, where a woman is worried about paranormal phenomena in her house affecting her infant son. Then they investigate the claims of a shark hunter and his son being harmed in their own home in La Mirada, California. They believe it's because of an old French .410 shot gun cane gun the owner bought in a swap meet in Brooklyn, New York, where a man committed murder with it in the 1870s.[3] | ||||
| 3 | "Burning Spirits/Ghosts of the West" | Case 1: 1920s Japanese miners dynamite wooden blasting box Case 2: 1870s bullets lodged into a wood ceiling | April 28, 2011 | |
|
The team heads to the former mining town of Sandia Park, New Mexico, near Tijeras, to investigate claims of a haunted bar called the Backside Ale House, where many Native American artifacts adorn the walls, a fireplace is constantly burning, and a smell of gas permeates. Then it's off to the Old West town of Cimarron, New Mexico, to the historic 1872 St. James Hotel, where it is claimed that guests leave in the middle of the night after being frightened by the ghost of T. J. Wright, a cowboy who was shot to death in his room. The hotel was infamous for its guests (Jesse James, Annie Oakley, and Buffalo Bill Cody), the 26 people who were killed in the saloon, and its 400 bullet holes in the three-inch wood ceiling. | ||||
| 4 | "The Sanitarium/Firehouse Phantom" | Case 1: Poison bottle/Owner's property Case 2: Victorian mourning brooch | May 11, 2011 | |
|
The team investigates a house in their hometown of Stratford, Connecticut, where a ghost girl without feet is allegedly seen floating from room to room. The team examines some of the items the previous owner left behind such as an antique billiards set and a statue of the owner's father made in Central American country of Belize. They also find an old poison bottle in the basement crawlspace. The team believes the hauntings may be caused by the owner's property because it once belonged to the Rutherford Hall Sanitarium. Then it's off to Hose Co. 3 Fire Museum in Pueblo, Colorado, built in 1895, where it's claimed that old fire vehicles drive off on their own and several deaths occurred. The team discovers a Victorian mourning brooch made out of human hair locked in a forgotten cabinet. | ||||
| 5 | "Uncivil Spirit/Revolutionary Ghost" | Case 1: Civil War soldier's cartridge bag rivet & breastplate and a .58 caliber Minie ball Case 2: Owner's 21-year-old son/property | May 18, 2011[4] | |
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The team examines a Civil War-era "pain bullet" found in the backyard that they believe may be causing paranormal activity in a house in Sharpsburg, Maryland. Then they travel to River Vale, New Jersey, site of the Baylor Massacre, where a 21-year-old college student believes he is the victim of the malevolent spirit of a British American Revolutionary War soldier who keeps pinning him down to the bed while he sleeps. They also believe the owner's wood carved statue from the Bahamas may cause hauntings since the practice of obeah is steeped in sorcery and folk magic. | ||||
| 6 | "Slaughterhouse Ghosts/Supernatural Sword" | Case 1: Foster Bros. skinning knife from the mid-1870s to World War I Case 2: Sword of Saint John the Baptist & Late 1890s Execution sword | May 25, 2011[4] | |
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The team investigates a 200-year-old barn in Fairfield, Connecticut, which they learn was used as a slaughter house in the early 1900s by a Hungarian family. The team speculates the barn's history is the cause of the owner's horse constantly being scratched. Later, they travel to a private house in Jacksonville, North Carolina, where it's claimed that a malevolent force led a married couple to separation when the husband became possessed by black magic. After lifting the carpet in his bedroom, the team finds a Cross of Salem symbol painted in what they say is blood, which they feel could be the cause of his blackouts. | ||||
Season 2 (2012)
[edit]| No. | Title | Haunted item(s) | Original air date | |
|---|---|---|---|---|
| 7 | "Haunted Mansion/Ghost Mill" | Case 1: Young girl's vertebrae bone Case 2: 1940s worker's lunch box/Native American scalping knife from the War of 1812 | January 11, 2012 | |
|
In the second-season premiere, John Zaffis and his paranormal team travel to a 200-year-old mansion in Warsaw, Kentucky, to investigate what the residents say is an eerie presence of a little girl. Through research, they discover that in 1868 two steamboats (The American and The United States) collided with each other on the Ohio River just across from the home, which they feel may be the cause of all the activity. Later, the team tries to find supernatural evidence inside an abandoned grain mill in Huron, Ohio, 48 hours before it is to be demolished. They learn that the mill had many work-related accidents, including an inspector who fell to her death from the 9th-floor elevator shaft and a worker who was buried alive in concrete in one of the silos. | ||||
| 8 | "Haunted Inn/Long Live the Kings" | Case 1: Garrote made with wooden keg taps and piano wire Case 2: Antique love locket | January 25, 2012 | |
|
The team investigates the Hulbert House, a 200-year-old bed-and-breakfast in Boonville, New York, where organized crime, gambling, and prostitution reportedly occurred during Prohibition. People claim to have seen the ghosts of a colonial woman and a little girl in the basement. Also, a male guest staying in Room 10 on the third floor is alleged to have disappeared in the 1970s. Later, the team investigates the 1881 King House in Mayport Village, Florida, where a relative of John King was brutally murdered with a pitchfork while sitting in a rocking chair. The current owners say they have been touched by an "unseen force", heard voices, and saw a "lady in white" by the rocker. | ||||
| 9 | "Haunted Villa/Spirit Springs" | Case 1: Late-1700s engraved pocket watch Case 2: Native American fetish doll (with porcupine quills) | February 1, 2012 | |
|
The team investigates claims of paranormal activity at a colonial villa turned restaurant built in the late 1700s (Silvio's Italian Villa) in Warwick, New York, that first belonged to Martha Ellis who found out after 45 years of marriage that her husband Levi was an adulterer and got a divorce with a big trial in 1837. The villa then belonged to Roy Vail, a gunsmith who, after his wife Edith died of a heart attack, committed suicide in what is now one of the dining rooms of the restaurant. Later, the team travels to Stephenson, Virginia, to investigate Historic Jordan Springs, a natural spring with claims of a shadowy figure of a monk in the building that once housed a Civil War hospital and a monastery. | ||||
| 10 | "Priest Gun/Haunted Asylum" | Case 1: Gold-inlaid dentistry bridge Case 2: Volt Amp Box electro shock device with electrodes | February 8, 2012 | |
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The team investigates paranormal claims of a shadowy figure at a former antique dealer's haunted house in Sawyer, Michigan. They learn that since the house is close to Lake Michigan, there were many missing person reports and bodies washed up on the beach. Next, the team investigates the St. Alban's Asylum, a former mental health sanatorium built in 1892 in Radford, Virginia that supposedly performed lobotomies and electric shock treatments on their patients against their will. | ||||
| 11 | "Haunted Rectory/Grand Midway Ghosts" | Case 1: Wooden tool handle used as a breakstick in dog fighting Case 2: Autolite-brand 1900s coal miner's methane gas head lamp | February 15, 2012 | |
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The team investigates alongside a dog who is allegedly "paranormally trained" at the old, historically registered Sedamsville Rectory in Cincinnati, Ohio, that's supposedly haunted by the ghost of a cloaked priest who was murdered there in the late 1800s. However, the team discovers the rectory was a part of a local dog-fighting ring. Then the team investigates paranormal claims of whispers, shadow figures and poltergeist activity at the former Grand Midway Hotel now serving as a personal residence in Windber, Pennsylvania, a former coal mining town around the start of the 20th century. | ||||
| 12 | "Stirring the Dead/Ghost Writer" | Case 1: Mid-to-late-1800s brass screw-top lid compass and old leather boot Case 2: Inconclusive (no items were determined haunted) | February 22, 2012 | |
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The team investigates a newly renovated home from the 1800s in Lorain County, Ohio, where the basement is full of old objects from decades past. Also it is claimed that a dark shadow figure believed to be the former owner's son Malcolm Holiday, who was killed by a train on the nearby tracks in 1902, is haunting the halls. Next, the team heads to Tipp City, Ohio, to investigate Browse Awhile Books, a book store built as a barbershop in 1871 where they believe the spirit of a little child who died in a fire here may be the cause of paranormal activity. | ||||
| 13 | "Casino Phantom/California Nightmare" | Case 1: 1890s Wizard hand-mucking card-cheating device Case 2: Inconclusive (no items determined to be haunted) | March 7, 2012 | |
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The team checks out paranormal claims that employees are being grabbed by an unseen force at Binion's Hotel and Casino in Las Vegas, Nevada, once run by illegal offshore gambler Anthony Cornero (a.k.a. Tony Stralla) in the 1940s. Next, the team heads to Glendora, California, where they investigate a law enforcement officer's 10-acre property home where he says weird knocking sounds and dark shadows terrify him and his family. Through research, it is learned that the house first belonged to a wealthy family who threw lavish parties in the 1940s and left it abandoned. Then in the 1980s, the home became a halfway house for criminals and drug addicts. | ||||
| 14 | "Bare Bones/Octagon Haunting" | Case 1: Mid-1800s metal leeching jar Case 2: Portrait of founder Elizabeth Akers Caldwell | March 14, 2012 | |
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The team helps a family who found bones in the walls of their home that was built in the 1820s in the village of Forestville, New York. The house sits right next to the 188-year-old pioneer cemetery which the team also investigates. Through research, it is learned that the Reverend James Bennett bought the house in 1865 and his son Jerome died from tuberculosis in the home; both are buried in the cemetery. Next, the team travels to Franklin, Kentucky, to investigate Octagon Hall, an eight-sided plantation house museum used as a hospital during the American Civil War. The house was built in 1847 by Andrew Jackson Caldwell, and his daughter Mary Elizabeth is believed to haunt the place where she burned to death while playing in the kitchen fireplace. | ||||
| 15 | "Ghost Tavern/Terror House" | Case 1: Late-1700s metal baby rattle/teething ring Case 2: Late-1800s to early-1900s ice pick | March 21, 2012 | |
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The team investigate claims of a phantom baby's cries at King's Tavern in Natchez, Mississippi, located at the end of Natchez Trace Parkway, a rugged trail that is said to have been popular with highwaymen and bandits. Next, they investigate the claims of paranormal activity at a woman's 114-year-old haunted house in Schuyler Lake, New York. Upon research, they learn that the house's original owner, Englishman Robert Jones (the acting town doctor), allegedly failed to treat a resident named Paul who was stabbed with an ice pick in front of the house in 1915. | ||||
| 16 | "Firestarter/Haunted Museum" | Case 1: Broken Ouija board Case 2: 1806 slave tag worn in Charleston, South Carolina, and Klansman robe from a Ku Klux Klan chapter based in West Virginia | March 28, 2012 | |
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The team head to Ansonia, Connecticut, to investigate a home that a mother and children say is prone to spontaneous fires, a dark figure and a little imp-like apparition with red eyes. Next, they investigate the Hardin County History Museum in Elizabethtown, Kentucky, where people report a ghost of a man in a brown suit they believe to be a man named Christopher Frays who used to live next door during the Civil War period. | ||||
| 17 | "Enfield Horror/Masonic Spirits" | Case 1: Early 1900s hand-carved bone Italian horn cornicello Case 2: Civil War-era three-bladed fleam | April 4, 2012 | |
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The team heads to Enfield, Connecticut, to investigate the house of a family who claim to have been plagued by malevolent paranormal activity for five years. The family says they heard a voice on a baby monitor say "You are all going to die." The team says that in 1930, an Italian immigrant named Charles Comparetto, who lived in the house, became infatuated with his neighbor, stabbed her seven times, shot her husband, and then shot himself in the home, leaving his body's blood stain on the living room floor. Then they return to Elizabethtown, Kentucky, to visit the Morrison Masonic lodge that was chartered in 1823 and was once used as a Civil War hospital during Confederate General John Hunt Morgan's campaign that took many civilian lives. | ||||
| 18 | "Haunted Island/Ghosts of Maui" | Case 1: Early-1930s woman's metal bedframe with tealeaf design Case 2: 1923 16mm color reversal film (with footage of an unknown actress) and tin reel case | April 11, 2012 | |
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The team travels to Hawaii to investigate claims of paranormal activity on the remote island of Lanai at two executive homes (carriage house and social hall) from the old pineapple plantation in the 1920s, now a part of the corporate event space real-estate company Castle & Cooke, Inc. They say that legendary ghosts of ancient Hawaiian warriors called "Night Marchers" may be the cause. Next, they investigate the hauntings at the historic ʻIao Theater on the island of Maui where a ghost of a woman (believed to be an unknown actress) is said to be seen flying around the building. They learn that the theater sits at the base of the sacred ʻĪao Valley that was taken by Kamehameha I in a bloody battle with Hawaiian warriors. | ||||
Season 3 (2013)
[edit]| No. | Title | Haunted item(s) | Original air date | |
|---|---|---|---|---|
| 19 | "Farm Stalker/Echo Club Spirits" | Case 1: Leyden jar Case 2: Early-20th century account ledger and club membership photograph | February 22, 2013 | |
|
First the Haunted Collector team travels to Montgomery, New York, to meet a frightened owner of Highland horse farm who believes the previous owner who died on the property is hurting her horses. Next, they head to Niagara Falls, New York, to investigate the Echo Club, a Polish-American club that was built in 1885 where the members say they are being terrorized by a malevolent entity. | ||||
| 20 | "Cigar Bar Spirits/Child's Play" | Case 1: 1870s-era syringes in velvet case Case 2: Late-19th century pewter casket plate | March 1, 2013 | |
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The team travels to the North End in Boston, Massachusetts, to meet the owner of an Italian café, Caffe Vittoria, and a cigar bar, Stanza dei Sigari, both built in the late 1800s. Paranormal claims include a black shadowy figure that frightens his staff and customers. They discover the cigar bar used to be a baby farm in 1879 run by a Miss Elwood, who poisoned the babies with arsenic. Next, they head to Wappingers Falls, New York, to investigate claims of a ghost named Lucy D. Perrin in an 1870 Victorian house which burned down and was rebuilt two years later by the prominent Van Wyck family. | ||||
| 21 | "Ghost Behind Bars/Haunted Brothel" | Case 1: Photograph of Lucy Case 2: Late-1800s to early-1900s laudanum bottle | March 8, 2013 | |
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The team travels to Deer Lodge, Montana, to investigate the old Montana State Prison, built in 1908, which held several women prisoners. Staff and visitors say they see a shadowy figure of a female inmate named Lucy Cornforth who was sentenced to life in prison for accidentally poisoning her 8-year-old daughter named Mary Jane. Next, they head to Butte, Montana, to meet the owner of the former Dumas Brothel from the 1890s, who has plans to renovate it into a hotel. They learn about Sarah, a prostitute who may have fallen in love with a miner named James only to commit suicide after she learned he was killed in a copper mine explosion. | ||||
| 22 | "Island Of Fear/tropical Terror" | Case 1: Ancient Puerto Rican ceremony stone Case 2: Native witchcraft/santeria (coconut filled with hair and a chicken tongue to make people nervous) | March 15, 2013 | |
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The team travels to the tropical island of Puerto Rico to investigate Casa Blanca (also known as the Ponce de Leon estate) in San Juan. Built in 1521, it was the former home of Ponce de Leon and his family, who spent 200 years there. Today, it is a museum and the staff claim paranormal activity such as doors slamming on their own and shadow figures. Next, they investigate a family that claims physical and auditory disturbances in their residence in Guayama, Puerto Rico. | ||||
| 23 | "Haunted Emmitt House Ghosts/Shadow Intruder" | Case 1: Early to mid-1800s handmade veil/Patch box ("Long May You Live & Be Happy") Case 2: Early 1900s The Great Wallace Brother Circus token (jester symbol) | March 22, 2013 | |
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The team travels to Waverly, Ohio, to investigate the haunted Emmitt House which was built as a hotel in 1861 by the prominent entrepreneur James Emmitt on the Erie Canal. Through research they learn that Emmitt lost two children; his 6-month-old son and Elizabeth, his 4-year-old daughter, from a smallpox epidemic. Next, they head to Brighton, Michigan, to investigate a private residence where a homeowner and his mother are being plagued by unsettling events and physical attacks. | ||||
| 24 | "Spirits of Gettysburg/Headless Horseman" | Case 1: 1784 Antique Bramah Key (pick-proof key) Case 2: Union Army staff lieutenant colonel shoulder board | March 29, 2013 | |
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The team travels to Gettysburg, Pennsylvania, the site of one of the bloodiest Civil War battles, to investigate a bed and breakfast called The Inn at Herr Ridge after the manager claims to have seen the ghosts of David Lewis [1] and Joseph Connelly walking through walls and forks and knives found embedded in the floor. Next, they head to Winfield, West Virginia, to investigate the historic Bowyer House built in 1841 and the surrounding area which includes reports of a headless horseman riding through the area at night. He is believed to be Lt. Col. Julius Garesché (mispronounced as "Julian Garesh"), who was beheaded by a cannonball during the Battle of Stones River in Tennessee. Lt. Col. Garesché accompanied "Old Rosie" (Major General William S. Rosecrans) (mispronounced as "William Rosencrans"), who owned coal mines in West Virginia. | ||||
| 25 | "Ghosts of Geneva/Fort Fear" | Case 1: Engraving stone ("Thomas 1779") Case 2: 1950-60s Roofing spikes (used as a safety feature on boots or shoes) | April 6, 2013 | |
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The team travels to Geneva, New York, to investigate a grandmother and her granddaughter who say they are getting pushed and scratched in their home. They claim the house is haunted by a 4-year-old white child named Thomas Mackin who died of smallpox. They also investigate the Old Wayne County Jail where William Fee was hanged for murdering a woman. Next, The team travels to Detroit, Michigan, where they investigate Fort Wayne where it is claimed a local roofer was killed by the U.S. National Guard who thought he was a sniper during the Detroit Riot of 1967. | ||||
| 26 | "Shadow Boxer/Ghost Storm [2]" | Case 1: WWII Smelling Salts & 1930s/1940s Phenobarbital medicine bottle (for seizures) Case 2: Inconclusive (no items determined to be haunted) | April 13, 2013 | |
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The team travels to Kansas City, Missouri to investigate claims of two little girl ghosts who are frightening the children of Whosoever Community Center which used to be schoolhouse in 1889. They learn that the building housed boxing programs throughout the years and an amateur boxer named Anthony "Tex" Johnston who had epilepsy. He's 22 years old and had died in the bathtub in his hotel room after losing a match. Next, they head to Joplin, Missouri, to investigate a private residence where a man who died after being impaled during the tornado of May 22, 2011, is contacting the family with messages of the number "22" through a 19th-century mirror above the staircase. | ||||
| 27 | "Lakeside Terror/Pythian Secrets" | Case 1: 1900s to 1920s-era colored glass ring/1920s silver-plated hip flask with engraving "B.M." (Bud Maynard) Case 2: 1870-1871 German iron cross medallion from the Franco-Prussian War ("W" on it stands for King Wilheim) | April 20, 2013 | |
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The team travels to Henderson, Arkansas to investigate Lake Norfolk Inn where there are claims that a spirit grabs guests while going down the stairs. They learn that the Maynard family had generations of grave plots in their own cemetery that was flooded by the lake where the resort is located. Next, they head to Springfield, Missouri to investigate Pythian Castle where an unfriendly houseguest haunts its halls. The castle was built in 1913 by the Knights of Pythias and later owned by the U.S. Military and used as a service club for the soldiers. During World War II, the castle's basement may have been used by the army as a prison for Nazi S.S. agent POWs. In 1942, one of the Knights of Pythian, William Rensenbrink (German-born), had committed suicide when he cut his throat with a razor blade there. | ||||
| 28 | "Hollywood Haunting [3]/Gold Rush Ghost [4]" | Case 1: 1919-1924 cigar box with music sheets Case 2: 1850s-period costume dress | April 27, 2013 | |
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The team travels to Hollywood, California to investigate a house in the Hollywood Hills that used to be Orson Welles's house when he was writing Citizen Kane. He is supposedly haunting the place where he spent two years as a recluse due to the bitter feud with William Randolph Hearst. They find an old cigar box with sheet music in the basement predating 1924 that belonged to Welles' mother named Beatrice who was a concert pianist and died when he was nine years old, which made him lose interest in music. Next, they head to Columbia, California, to investigate the Fallon Hotel (est. in 1847) & Theater (est. in 1857) in an old gold rush town.[5]. When in costume, the hotel Front Desk Manager named Olivia Phillips resembles former saloon owner Martha Carlos who was the last face prominent miner named John Smith saw when he got into a physical altercation with her and was shot in the head by her husband. | ||||
| 29 | "Haunted Seminary/Ghost Games [6]" | Case 1: 1800s bonnet (with a secret pocket sewn inside for hiding items) and blouse (with bullet holes) Case 2: Late 1800s-1890s clay pendant (used for a game called "Hide the Thimble")[7] | May 3, 2013 | |
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The team travels to Madison, Ohio to investigate the Madison Seminary, originally a boarding school built in 1864 that became a home for war widows in 1891 and then a state-run mental institution in 1949. Now it is haunted by the ghost of a nurse believed to be Elizabeth Brown Stiles, who became a spy for the Union after the Confederacy shot her husband to death in front of her during the Civil War. She was shot in the back while wearing her blouse and whale bone corset. Next, they head to Mendon, Massachusetts, to investigate a family's farmhouse built in 1874, where they hear children's running footsteps. The spirit is said to be Arthur Albee, who died when he was seven while sitting on a bridge with his sister during a game of "huckle buckle beanstalk" Huckle buckle beanstalk. He accidentally fell over and drowned into the creek near the house. | ||||
| 30 | "House Of Pain/Antique Spirits" | Case 1: Inconclusive (no items determined to be haunted) Case 2: Late 1800s to early 1900s Casket handle and Trepanning tool (medical device to drill holes in human's skulls for mental illness or headaches) | May 10, 2013 | |
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The team travels to Pensacola, Florida, to investigate a Victorian house built in 1900 where each family member has experienced paranormal activity including seeing apparitions in their rooms. Famous American socialite Wallis Simpson, who married Prince Edward, Duke of Windsor, lived in the house with her abusive husband aviator Earl "Win" Winfield Spencer Jr. Next, they head to Monticello, Florida, to investigate Palmer House Antiques inside a house built in 1836 to help the owners keep their customers who are afraid to come back because they've seen a black and blue shadowman. The Palmer House was built by Dr. Thomas Palmer, who died in the house. His nephew Dr. Dabney Palmer, the town's physician, pharmacist and mortician who experimented on dead bodies in the basement and invented the "666" elixir to treat malaria, died there in 1909. | ||||
See also
[edit]References
[edit]- ^ "Syfy Renews Hit Paranormal Series "Haunted Collector" for Third Season". Retrieved November 24, 2012.
- ^ "The Haunted Collector Files (Paranormal)".
- ^ "Haunted Collector Episodes - Haunted Collector Season 2 2012 Episode Guides - Watch Haunted Collector Episodes from SyFy". TVGuide.com. Retrieved September 27, 2012.
- ^ a b TV.com (June 1, 2011). "Haunted Collector Episodes". TV.com. Archived from the original on August 11, 2011. Retrieved September 27, 2012.
External links
[edit]- Official website
- Haunted Collector at IMDb
- John Zaffis on Season Two of 'Haunted Collector'
- John Zaffis Paranormal Museum
- Haunted Collector at TV Guide
- Haunted Collector TV Schedule SyFy TV Guide
- John Zaffis 1st thoughts about John Zaffis ...
- Haunted Collector’ John Zaffis Steals Valuables From Vulnerable People
- Haunted Collector TV Muse
- Haunted Collector Watch Series7
- Haunted Collector U-Verese
- Haunted Collector" Star John Zaffis
- Haunted Collector Series
- Syfy holds casting call for "Haunted Collector"
- Haunted Collector returns Seasons 3
Haunted Collector
View on GrokipediaPremise and Format
Core Concept and Investigation Process
Haunted Collector centers on demonologist and paranormal investigator John Zaffis, who leads a team in examining reports of supernatural disturbances attributed to haunted or possessed objects such as dolls, paintings, antique weapons, and jewelry. Zaffis, with over 43 years of experience investigating hauntings and having collaborated with his aunt and uncle, Ed and Lorraine Warren, maintains a museum in Stratford, Connecticut, housing hundreds of such artifacts believed to harbor attached spirits or residual energies causing poltergeist activity, apparitions, and physical phenomena in private homes or public sites. The core premise holds that these objects, often acquired innocently through inheritance, purchases, or gifts, can trigger escalating paranormal events due to their traumatic histories, and the primary resolution involves voluntary removal of the item to Zaffis' containment facility rather than ritualistic cleansing.[3][2][8] Investigations commence with client interviews to catalog reported incidents—like unexplained noises, object movement, or oppressive atmospheres—and identify potential source artifacts, followed by historical research into the item's origins to link it to events such as murders, suicides, or occult rituals. On location, the team deploys equipment including electromagnetic field (EMF) detectors to measure fluctuations indicative of spirit presence, digital audio recorders for capturing electronic voice phenomena (EVPs), thermal imaging cameras for detecting anomalous cold spots, and night-vision video systems for visual documentation. Structured sessions involve team members separating into groups for controlled experiments, such as object provocation or baseline environmental scans, to isolate non-natural readings from structural or electrical interferences. Evidence review post-vigil focuses on correlating spikes in instrumentation or personal sensory experiences with the artifact's proximity, often culminating in Zaffis' assessment based on intuitive insights honed from prior cases. Successful identifications lead to the object's transport to the museum, where it is cataloged and purportedly neutralized through isolation, though clients occasionally decline surrender if attachments persist. This approach prioritizes empirical logging of anomalies alongside Zaffis' expertise, distinguishing it from broader location-based ghost hunts by fixating on portable, object-centric hauntings.[4][9][10]Episode Structure and Methods Employed
Episodes of Haunted Collector typically feature the investigative team responding to client reports of paranormal disturbances attributed to specific objects in homes or businesses, often handling two cases per installment. The process begins with an initial client interview and walkthrough, where lead investigator John Zaffis and his daughter Aimee tour the location with the affected individuals to gather accounts of phenomena such as apparitions, physical interactions, or unexplained sounds, while identifying potential haunted items like antiques, dolls, or weapons.[11][4] Following the daytime client consultation, the technical team—often including Brian Cano and Chris Zaffis—conducts a preliminary sweep using baseline equipment to detect electromagnetic field (EMF) fluctuations, temperature anomalies via thermal imaging, and other environmental factors, aiming to rule out natural explanations for reported activity. Nighttime investigations then commence, with the full team deploying night-vision cameras, digital voice recorders for electronic voice phenomena (EVPs), infrared and FLIR thermal cameras, and devices like REM-pods to monitor for intelligent responses or object movements in real-time.[11][12][9] Parallel to fieldwork, the team undertakes historical research on suspected objects and locations, consulting records, experts, or prior owners to uncover potential attachments, such as tragic events linked to an item's provenance. Evidence from equipment readings, EVPs, and occasional psychic consultations by team members like Beth Ezzo is correlated to pinpoint items exhibiting consistent anomalies, such as spiking EMF levels near specific artifacts. If deemed responsible, Zaffis removes the object with client permission, relocating it to his Museum of the Paranormal in Stratford, Connecticut—a secure storage facility intended to contain the associated energies—followed by follow-up checks on the site's activity levels.[4][9][12] These methods draw from standard paranormal investigation protocols, emphasizing a blend of technological detection and historical contextualization, though outcomes vary, with not all probed items yielding conclusive evidence of haunting per the team's criteria.[11][4]Production and Development
Origins and Creation
Haunted Collector was created by producer Steven James Golebiowski and developed as a reality television series for Syfy by Gurney Productions.[2][13] Syfy greenlit the project on March 28, 2011, as part of an expansion into paranormal-themed unscripted programming, with production commencing that same month.[13][14] The series drew from the expertise of lead investigator John Zaffis, a demonologist and paranormal researcher with over four decades of experience investigating hauntings, poltergeists, and possessed objects, including collaborations with exorcists and researchers such as Ed and Lorraine Warren.[3] Zaffis, who founded the John Zaffis Paranormal Museum in 2004 to house items linked to reported supernatural activity, was approached by producers in spring 2011 to star in the show.[3][14] His extensive collection of allegedly haunted artifacts—amassed through thousands of cases across the United States, Canada, England, and Scotland—formed the conceptual foundation, shifting focus from location-based investigations to identifying and relocating cursed or haunted personal items like dolls, jewelry, and paintings.[3][13] This approach differentiated Haunted Collector from contemporaneous paranormal series, emphasizing object-specific hauntings and Zaffis's museum as a repository for problematic items.[3] The rapid development aligned with Gurney Productions' track record in factual entertainment formats, enabling a six-episode first season to film and premiere on June 1, 2011.[14][13] Zaffis's prior media appearances, including guest spots on shows like Ghost Hunters and documentaries such as A Haunting in Connecticut, likely contributed to his selection, providing established credibility in the paranormal field despite the subjective nature of such claims.[3]Filming Techniques and Challenges
The production of Haunted Collector employed standard paranormal investigation equipment including electromagnetic field (EMF) detectors, thermal imagers, REM-pods for detecting motion and electromagnetic changes, electronic voice phenomenon (EVP) recorders, and multi-camera surveillance systems to monitor activity in real time.[9] Team members such as Brian Cano and Chris Richardson handled equipment setup and baseline sweeps to establish normal environmental readings before active investigations.[9] In select cases, aerial filming via helicopter-mounted cameras was used to capture overhead perspectives of sites, particularly for large or outdoor-adjacent locations like grain silos.[8] Investigations extended beyond nighttime sessions to 24/7 monitoring, incorporating historical research, client interviews, and controlled experiments to isolate potentially haunted objects from environmental factors.[15] Filming an hour-long episode, which typically covered two cases, required approximately two weeks on location, with each segment's on-air investigation condensed from 8-10 hours of nightly fieldwork into about 20 minutes of edited footage.[15] This editing process omitted extensive behind-the-scenes efforts, such as repeated interviews and coordination, leading to challenges in representing the full scope of investigations accurately within network time constraints.[15] Case selection posed logistical hurdles, as producers sifted through numerous submissions via thorough preliminary research, yet were limited to 12 episodes per season, excluding many viable leads.[9] Additional difficulties arose from site-specific demands, including tight deadlines—such as a 48-hour window to investigate a Huron, Ohio, grain silo slated for demolition—and access to unfilmed historical venues like antebellum homes or asylums, which often featured low visibility, structural hazards, and unpredictable weather.[8] The emotional strain of working with distressed clients, including families with children, compounded physical challenges, with lead investigator John Zaffis noting instances where intense reported activity or client instability raised safety concerns for the team.[15]Cast and Team
Lead Investigators
John Zaffis served as the primary lead investigator on Haunted Collector, a paranormal investigation series that aired on Syfy from 2011 to 2013, where he and his team examined allegedly haunted locations to identify and relocate cursed or possessed objects believed to cause disturbances.[2] With over four decades of experience in paranormal research, Zaffis, a self-described demonologist, founded the Paranormal and Demonology Research Society of New England and has consulted on numerous haunting cases, often collaborating with relatives of Ed and Lorraine Warren, prominent figures in demonology.[16] His approach emphasized object-centered hauntings, positing that many apparitions stem from items with attached spiritual entities rather than location-specific ghosts, a theory he applied consistently across investigations.[17] Zaffis's children, Chris Zaffis and Aimee Zaffis, functioned as core investigators and support personnel, contributing to fieldwork and analysis throughout the series' three seasons. Chris, his son, assisted in on-site investigations, evidence collection, and object handling, while Aimee, his daughter, focused on research, historical verification of artifacts, and post-investigation documentation.[18] Their involvement added a familial dynamic to the team's operations, with episodes frequently showcasing collaborative efforts in using tools like EMF meters, EVP recorders, and thermal imaging to detect anomalies linked to collected items.[19] Brian J. Cano, another recurring lead team member, provided technical expertise and investigative support, often managing equipment setup and data review to corroborate Zaffis's findings on object-induced paranormal activity.[16] The team's methodology, while centered on empirical observation of reported phenomena, relied on subjective interpretations of evidence, such as personal experiences of unease or unexplained sounds, without independent scientific validation. Guest investigators appeared sporadically, but the core quartet of Zaffis family members and Cano handled the majority of cases, culminating in the relocation of artifacts to Zaffis's museum of the paranormal in Connecticut.[20]Supporting Roles and Guests
Chris Zaffis, son of lead investigator John Zaffis, served as a core investigator, conducting on-site examinations of reported paranormal activity and assisting in object assessments during investigations.[19] Aimee Zaffis, John's daughter, functioned as the primary researcher, compiling historical data on locations and artifacts to contextualize hauntings.[19] Brian J. Cano acted as tech supervisor, operating specialized equipment including audio recorders for electronic voice phenomena and infrared cameras to document potential anomalies.[21] In the first season, which aired starting June 1, 2011, psychic investigator Beth Ezzo contributed expertise in intuitive assessments of haunted items and sites.[22] Seasons 2 and 3, broadcast in 2012 and 2013 respectively, featured Jason J. Gates and Jesslyn Brown as additional team members, supporting fieldwork and analysis in episodes involving diverse locations such as historical buildings and private residences.[16] The series occasionally incorporated guest specialists for specific episodes, though such appearances were infrequent and typically limited to experts in related paranormal fields to augment the core team's efforts.[2]Broadcast and Episodes
Premiere and Seasonal Run
Haunted Collector premiered on the Syfy cable network on June 1, 2011, with the episode "Haunted Bayou/Library Ghost."[23] The first season aired weekly on Wednesdays at 9:00 PM ET/PT, consisting of six episodes that concluded on July 6, 2011.[1] Due to solid initial viewership, Syfy renewed the series for a second season, which debuted on June 6, 2012, with "Haunted Mansion/Ghost Mill," and ran for 13 episodes through the summer.[24][1] On September 17, 2012, Syfy announced a third-season renewal for 12 episodes, reflecting continued audience interest in the paranormal investigation format.[25] Season 3 premiered on March 6, 2013, shifting to a midweek slot amid Syfy's expanding reality programming slate, and aired until June 5, 2013.[26] The series concluded after this season, with cancellation confirmed in late 2013 following host John Zaffis's announcement, amid network shifts toward other content priorities.[27] In total, Haunted Collector produced three seasons and 30 episodes before ending its original run on Syfy.[1]Season 1 (2011)
Season 1 of Haunted Collector premiered on the Syfy network on June 1, 2011, and concluded on July 6, 2011, with six episodes broadcast weekly.[1] The season introduced the core format, wherein demonologist John Zaffis and his team—son Chris Zaffis, daughter Aimee Zaffis, and researcher Brian Cano—responded to reports of paranormal disturbances linked to specific objects, conducting investigations to identify and relocate allegedly haunted items to Zaffis's museum in Stratford, Connecticut.[2] Episodes typically featured client interviews, on-site evidence collection using tools like EMF meters and EVP recorders, historical research, and resolutions involving object removal.[28] The season's investigations spanned locations primarily in the northeastern United States and Louisiana, focusing on objects purportedly tied to tragic histories, such as dolls, furniture, and antique toys.[29] No formal viewership ratings for individual episodes were publicly detailed by Syfy, though the premiere aligned with the network's paranormal programming block.[30]| Episode | Title | Original air date | Key investigations |
|---|---|---|---|
| 1 | Haunted Bayou & Library Ghost | June 1, 2011 | Activity beneath a Lake Charles, Louisiana rental property and apparitions in a Deep River, Connecticut public library.[31] [1] |
| 2 | My Mother's Ghost & Paranormal Predator | June 8, 2011 | Maternal spirit haunting a family home and aggressive entity targeting residents.[32] [1] |
| 3 | Burning Spirits & Ghosts of the West | June 15, 2011 | Fire-related hauntings and spirits linked to Wild West artifacts.[1] [33] |
| 4 | The Bell Witch & Dark Entity | June 22, 2011 | Object connected to the Bell Witch legend and a malevolent presence in a residence.[1] [29] |
| 5 | Ouija Board & Cursed Doll | June 29, 2011 | Disturbances from a Ouija board and activity attributed to a doll with a cursed backstory.[1] [30] |
| 6 | The Devil's Toy Box & Possessed Piano | July 6, 2011 | Toy box associated with ritualistic origins and a piano exhibiting anomalous behavior.[1] [32] |
Season 2 (2012)
Season 2 of Haunted Collector premiered on Syfy on June 6, 2012, at 9:00 PM ET/PT, featuring 12 episodes that aired weekly on Wednesdays.[24][34] The season followed the established format, with investigator John Zaffis and his team—typically including his son Chris Zaffis, Brian Cano, and parapsychologist John Nickell—responding to viewer-submitted reports of hauntings tied to specific artifacts, dolls, or historical items, which they examined using tools like EMF meters, EVP recordings, and historical research before attempting to remove and store the objects in Zaffis' paranormal museum.[29] Episodes generally covered two cases per installment, blending on-site investigations at private homes, inns, or historic sites with interviews of affected owners reporting phenomena such as apparitions, poltergeist activity, or unexplained noises.[35] The season's investigations spanned locations across the United States, including Kentucky, Ohio, and Virginia, focusing on items with documented tragic histories like murder weapons or cursed heirlooms.[1] Production for the season began in December 2011, building on the first season's approach without major format alterations, though episodes occasionally incorporated guest experts or enhanced historical reenactments to contextualize the objects' purported origins.[24]| Episode | Title | Original Air Date |
|---|---|---|
| 2.01 | Haunted Mansion/Ghost Mill | June 6, 2012[34] |
| 2.02 | Haunted Inn/Long Live the Kings | June 13, 2012[34][36] |
| 2.03 | Haunted Rectory/Grand Midway Ghost | June 20, 2012[34] |
| 2.04 | Priest Gun/Haunted Asylum | June 27, 2012[37] |
| 2.05 | Burning Bed/Murderous Doll | July 4, 2012[35] |
| 2.06 | Stirring the Dead/Ghost Writer | July 11, 2012[34] |
| 2.07 | Cursed Doll/Devil Baby | July 18, 2012[35] |
| 2.08 | Fort Murder/Apache Tears | July 25, 2012[35] |
| 2.09 | Vampire Cane/Indian Artifact | August 1, 2012[35] |
| 2.10 | Black Mass Dagger/Suicide Mirror | August 8, 2012[35] |
| 2.11 | Occult Painting/Haunted Drum | August 15, 2012[35] |
| 2.12 | Witch's Cage/Haunted Guitar | August 22, 2012[35] |
Season 3 (2013)
Season 3 of Haunted Collector premiered on Syfy on March 6, 2013, and consisted of 12 episodes, airing weekly on Wednesdays until the series finale on June 5, 2013.[38][39] The season maintained the established format, with each episode documenting two distinct investigations into sites reporting paranormal disturbances, during which lead investigator John Zaffis and his team employed tools like EVP recordings, EMF meters, and thermal imaging to identify potentially haunted artifacts for removal and storage in Zaffis' museum.[38] Cases spanned locations tied to historical tragedies, including Civil War battlefields and former prisons, emphasizing the collection of objects believed to harbor attached spirits.[40] The season's investigations highlighted recurring themes of poltergeist activity, apparitions, and object-linked hauntings, with the team relocating items such as antique dolls, weapons, and furniture to mitigate reported phenomena.[38] Episode summaries, drawn from broadcast descriptions, detailed client testimonies of physical manifestations and electronic voice phenomena, though outcomes relied on subjective interpretations without independent verification.[40]| Episode | Title | Original Air Date |
|---|---|---|
| 1 | Farm Stalker / Echo Club Spirits | March 6, 2013 |
| 2 | Cigar Bar Spirits / Child's Play | March 13, 2013 |
| 3 | Ghost Behind Bars / Haunted Brothel | March 20, 2013 |
| 4 | Island of Fear / Tropical Terror | March 27, 2013 |
| 5 | Emmitt House Ghosts / Shadow Intruder | April 3, 2013 |
| 6 | Spirits of Gettysburg / Headless Horseman | April 10, 2013 |
| 7 | Ghosts of Geneva / Fort Fear | April 17, 2013 |
| 8 | Shadow Boxer / Ghost Storm | April 24, 2013 |
| 9 | Lakeside Terror / Pythian Secrets | May 1, 2013 |
| 10 | Hollywood Haunting / Gold Rush Ghost | May 8, 2013 |
| 11 | Haunted Seminary / Ghost Games | May 15, 2013 |
| 12 | House of Pain / Antique Spirits (series finale) | June 5, 2013 |
Reception and Ratings
Audience Response and Viewership
"Haunted Collector" achieved moderate viewership figures typical of Syfy's paranormal reality programming during its three-season run from 2011 to 2013. The second season averaged 1.17 million total viewers per episode, reflecting a 6 percent increase over the first season's performance.[41][27] These numbers positioned the series as a solid performer within its niche but below mainstream cable averages, contributing to its cancellation after the third season despite fan interest.[27] Audience demand for the show exceeded the average U.S. TV series by 1.2 times, according to analytics firm Parrot Analytics, indicating sustained interest among paranormal enthusiasts.[42] On platforms like IMDb, it holds a 5.2 out of 10 rating from over 600 user votes, suggesting polarized but engaged viewer sentiment.[2] Fans frequently highlighted the unique premise of collecting haunted artifacts as a refreshing alternative to standard ghost-hunting formats, praising lead investigator John Zaffis for his methodical research and composed demeanor during investigations.[43][44] Social media discussions post-cancellation revealed disappointment among viewers, with many describing the series as "awesome" and lamenting its end, while reruns continued to attract a loyal following.[45] This response underscores the program's appeal to a dedicated subset of the paranormal community, though broader mainstream traction remained limited by the genre's inherent skepticism and modest promotional reach.[4]Media Reviews
Haunted Collector received limited attention from professional media critics, consistent with the marginal status of Syfy's paranormal reality series within broader television discourse. The A.V. Club dismissed the premiere episode as "deadly boring," faulting its repetitive structure of passive monitoring in empty spaces, absence of engaging personalities among the investigators, and exploitative undertones in John Zaffis' collection of allegedly haunted artifacts for a dedicated museum.[11] Common Sense Media offered a more tempered assessment, rating the series suitable for ages 10 and up while praising its "curiously informative approach" that integrates historical details on locations and objects with paranormal claims, and crediting Zaffis' focus on alleviating disturbances as adding legitimacy. The review acknowledged educational value in distinguishing supernatural from psychological phenomena but critiqued the lack of post-investigation updates on efficacy and the contrived dramatic enhancements, such as ominous soundtracks and visual effects, which rendered it "a little hokey" yet entertaining for paranormal enthusiasts.[4] No aggregated critic scores exist on platforms like Rotten Tomatoes, which lists zero approved reviews, underscoring the show's minimal impact on mainstream critical evaluation.[46]Scientific Skepticism and Criticisms
Lack of Empirical Evidence in Claims
The assertions in Haunted Collector regarding spirits or demons attached to physical objects—leading to phenomena such as apparitions, poltergeist activity, or emotional disturbances—are derived from client testimonies, investigators' personal sensations, and readings from devices including electromagnetic field (EMF) meters, digital recorders for electronic voice phenomena (EVPs), and infrared thermography. These elements form the basis for identifying and removing allegedly cursed items to purportedly resolve hauntings, as demonstrated across episodes where host John Zaffis and his team attribute disturbances to specific artifacts without prior empirical validation of the causal links.[47][48] Such claims lack empirical evidence because they rely on uncontrolled, non-replicable observations that prioritize anomalous detections over systematic falsification or baseline measurements to exclude environmental confounders like electrical interference, drafts, or auditory pareidolia. Ghost hunting protocols, as employed in the series, constitute anomaly hunting rather than hypothesis testing, where ambiguous data (e.g., EMF spikes or faint EVPs) are interpreted as paranormal signatures absent double-blind controls or statistical rigor to distinguish signal from noise.[49][47] This approach evades disconfirmation through a "win-win" logic: unexplained activity affirms spirits, while quiescence is dismissed as elusive entities avoiding scrutiny.[50] Zaffis's investigations, influenced by his association with Ed and Lorraine Warren—whose cases similarly featured unverified demonic attachments—have not produced peer-reviewed data or independent corroboration supporting object-bound hauntings, despite decades of fieldwork. Broader parapsychological inquiries into survival after death or psi phenomena, encompassing ghost-related claims, have yielded no robust, replicable results capable of withstanding scientific scrutiny, with meta-analyses revealing effect sizes attributable to methodological flaws or publication bias rather than anomalous processes.[51][52][53] No major scientific institution endorses the validity of haunted objects, and challenges offering substantial rewards for demonstrable paranormal effects, such as the James Randi Educational Foundation's million-dollar prize (discontinued in 2015 after no successful claims), underscore the evidentiary void.[48]Methodological Flaws and Pseudoscientific Elements
The investigative methods employed in Haunted Collector, such as client interviews, historical research, and on-site use of electromagnetic field (EMF) detectors, thermal cameras, and electronic voice phenomenon (EVP) recorders, prioritize anomaly detection over controlled experimentation.[9] These approaches exemplify anomaly hunting, where unexplained readings—like EMF spikes or audio static—are interpreted as evidence of attached spirits without establishing baseline environmental data or ruling out mundane sources such as electrical wiring or radio interference.[49][47] Lacking double-blind protocols, peer-reviewed validation, or falsifiable hypotheses, the show's methodology fails to distinguish paranormal claims from confirmation bias, where investigators and clients selectively affirm preconceived notions of hauntings tied to specific objects.[49][54] Pseudoscientific elements are evident in the reliance on unproven tools and subjective interpretations. EMF meters, central to detecting "spirit energy," have no empirically demonstrated link to ghostly activity, as no controlled studies confirm spirits emit or manipulate electromagnetic fields; fluctuations often stem from prosaic causes like faulty appliances.[47][54] Similarly, EVPs—alleged spirit voices captured on recordings—are prone to pareidolia, where human pattern recognition imposes meaning on random noise, amplified by post-production enhancement without rigorous auditory analysis.[55] The practice of removing purportedly haunted objects to "resolve" activity introduces further flaws, as follow-up assessments are anecdotal and susceptible to placebo effects or expectation bias, with no systematic tracking of recurrence rates.[56] Investigations conducted in darkness further compromise data quality by limiting visual verification and exacerbating perceptual errors.[56] These techniques mirror broader critiques of ghost hunting as pseudoscience, which substitutes empirical testing with unfalsifiable narratives and entertainment-driven editing. While the show presents resolutions through object relocation, the absence of independent verification or statistical analysis undermines claims of efficacy, rendering outcomes indistinguishable from psychological suggestion or coincidence.[49] Skeptics argue that such methods perpetuate a win-win fallacy: anomalies confirm hauntings, while null results are dismissed as elusive spirits, evading scientific scrutiny.[50]Psychological and Alternative Explanations
Psychological explanations for experiences attributed to haunted objects emphasize cognitive and perceptual biases rather than supernatural causation. Suggestibility plays a key role, where individuals exposed to narratives about an object's haunted history become primed to interpret ambiguous stimuli—such as creaking floors or fleeting shadows—as paranormal activity.[57] This effect is amplified in group settings or during investigations, where shared expectations lead to collective misperceptions, as human brains are wired to seek patterns in uncertainty.[58] Confirmation bias further reinforces these interpretations, with observers selectively noticing and recalling events that align with preconceived notions while dismissing contradictory evidence.[59] Pareidolia and apophenia provide additional mechanisms for anomalous perceptions linked to objects. Pareidolia, the tendency to perceive familiar shapes like faces in random patterns, explains sightings of apparitions in reflections or textures on antiques, while apophenia drives the detection of meaningful connections, such as interpreting random knocks as communications from spirits attached to items.[57] In purported electronic voice phenomena (EVPs) from recordings near haunted objects, auditory pareidolia leads listeners to hear voices in white noise or static, a phenomenon replicated in controlled studies without any supernatural input.[60] These processes are universal human traits, not evidence of attached entities, and are exacerbated by fatigue, stress, or low-light conditions common in such investigations.[61] Alternative non-psychological explanations focus on environmental and physiological factors that mimic hauntings without invoking object-bound spirits. Infrasound—low-frequency vibrations below 20 Hz from sources like wind, machinery, or building settling—can induce feelings of unease, nausea, and visual distortions, prompting attributions to nearby objects.[62] Electromagnetic fields (EMFs) from wiring or appliances have been linked to hallucinations and sensations of presence, as high EMF exposure disrupts brain activity in temporal lobes, simulating ghostly encounters.[63] Carbon monoxide leaks or mold in old buildings cause headaches, disorientation, and auditory hallucinations, often misidentified as poltergeist activity around heirlooms or antiques.[64] These mundane causes, verifiable through instrumentation like EMF meters or gas detectors, underscore the need for systematic elimination of natural variables before supernatural claims, a step frequently absent in anecdotal reports of object-induced phenomena.[61]Legacy and Impact
Influence on Paranormal Television
Haunted Collector, which aired on Syfy from June 1, 2011, to 2013, distinguished itself in the paranormal television genre by centering investigations on specific haunted objects rather than solely on locations or electronic voice phenomena recordings common in contemporaneous series like Ghost Hunters. Led by demonologist John Zaffis, the program followed his team in identifying "trigger objects"—artifacts believed to harbor attached spirits—and relocating them to Zaffis's Paranormal Museum in Stratford, Connecticut, with owners' consent, positing this as a resolution to reported disturbances.[2][65] This approach framed hauntings as portable and object-bound, offering a narrative of practical intervention akin to a "real-life Ghostbusters" within an oversaturated market of ghost-hunting formats.[65] The series integrated historical research on items and sites with tools such as electromagnetic field detectors and EVP sessions, emphasizing contextual origins of alleged activity over dramatic confrontations.[4] This methodology provided an informative layer, blending antique object appraisal with supernatural claims, and differentiated it from more sensationalized programs by focusing on post-investigation outcomes like object sequestration.[4] Airing across three seasons with episodes typically resolving cases through artifact removal, Haunted Collector contributed to the diversification of resolution strategies in paranormal TV, highlighting collectible cursed items as focal points for viewer engagement.[2] Following its Syfy run, the program was rebroadcast as The Haunted Collector Files on the Travel Channel, extending its reach and sustaining interest in object-centric paranormal narratives amid the genre's proliferation in the early 2010s.[4] While not spawning direct imitators, its format underscored a shift toward tangible, relocatable sources of hauntings, influencing the thematic exploration of haunted artifacts in subsequent paranormal media.[65]Cultural and Skeptical Perspectives
Haunted Collector reflects a niche within paranormal television that emphasizes the cultural trope of "haunted objects," portraying antiques, dolls, and relics as vessels for lingering spirits or energies tied to traumatic histories, such as Civil War artifacts or Victorian-era jewelry. This narrative echoes historical folklore, including European tales of cursed heirlooms and Indigenous beliefs in object-bound spirits, but amplifies them through modern media, suggesting that everyday items can harbor verifiable supernatural attachments requiring expert intervention.[66] The show's focus on John Zaffis's museum of over 1,000 such items has popularized the idea of "cursed collectibles," influencing amateur collectors and online marketplaces where purportedly haunted goods are sold, often without historical or empirical verification.[67] From a skeptical viewpoint, the series exemplifies pseudoscientific practices common in ghost-hunting media, relying on anecdotal testimonies, subjective EVP recordings, and uncalibrated tools like EMF meters without controlled testing or falsifiability. Critics note that Zaffis, despite claiming initial skepticism converted by a personal apparition at age 16, provides no reproducible evidence for object-induced hauntings, with investigations often concluding based on client beliefs rather than objective data.[68] [69] Reported phenomena, such as unexplained noises or feelings of dread near items, align with psychological explanations including pareidolia, expectation bias, and the power of suggestion in low-light, high-emotion settings, rather than causal supernatural forces.[59] Skeptics further contend that the removal of objects lacks demonstrable effect, with no follow-up studies showing reduced activity post-intervention, and accuse the format of exploiting vulnerable individuals by framing valuable antiques as liabilities, potentially enabling uncompensated acquisition.[70] In cultural terms, while the program entertains and educates on artifact histories, it contributes to a broader erosion of critical thinking by presenting unverified claims as factual, fostering superstition amid a surge in paranormal media that prioritizes drama over evidence. Conferences featuring Zaffis highlight a shift from purportedly "scientific" investigations to spiritual endorsements, where included "skeptics" are depicted as converted without rigorous debate.[69] No peer-reviewed research supports the existence of haunted objects, underscoring the genre's reliance on entertainment value over causal realism.[59]References
- https://rationalwiki.org/wiki/Ghost_hunting_TV_shows
