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Jean Grey
View on Wikipedia| Jean Grey | |
|---|---|
Various incarnations of Jean Grey from textless cover of X-Men #1 (October 2019). Art by Russell Dauterman. | |
| Publication information | |
| Publisher | Marvel Comics |
| First appearance | The X-Men #1 (September 1963) |
| Created by | Stan Lee (writer) Jack Kirby (artist/co-plotter) |
| In-story information | |
| Full name | Jean Elaine Grey-Summers |
| Species | Human mutant |
| Team affiliations | X-Men Quiet Council of Krakoa Brides of Set Muir Island X-Men Clan Rebellion X-Terminators Hellfire Club The Twelve X-Factor X-Force |
| Notable aliases | Jean Grey-Summers Marvel Girl Phoenix Dark Phoenix White Phoenix of the Crown Redd Dayspring |
| Abilities |
As Phoenix Force:
|
Jean Elaine Grey-Summers is a character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist/co-plotter Jack Kirby, the character first appeared in The X-Men #1 (September 1963).[1][2] Jean Grey is a member of a subspecies of humans known as mutants—individuals born with superhuman abilities—with Jean possessing psionic powers. Initially capable of using only telekinesis, she later developed the power of telepathy. During her early stint with the X-Men, she used the codename Marvel Girl.
Jean is a caring, nurturing figure, but she also has to deal with being an Omega-level mutant and the physical manifestation of the cosmic Phoenix Force. Jean first experienced a transformation into Phoenix in the X-Men storyline "The Dark Phoenix Saga". Due to Mastermind's manipulations, Jean's psyche was twisted and she became Dark Phoenix during "The Dark Phoenix Saga", before sacrificing herself to prevent any further chaos. After her presumed death, Jean would return and resume her relationship with Cyclops, whom she married. Following her return, Jean fostered relationships with Rachel Summers, her daughter from an alternate future, and Cable, the son of Cyclops and Jean's clone Madelyne Pryor.
After Jean died a second time, Beast brought a younger time-displaced version of Jean into the present, alongside the rest of her original teammates. Eventually, Jean would be resurrected by the Phoenix Force once more, choosing to part ways with it and live her own life separately from it. Following her return, Jean briefly assumed leadership of the X-Men's Red Team, until the "Krakoan Age". Resuming her relationship with Cyclops following his resurrection, Jean would reconnect with the Phoenix Force, and choose to leave the X-Men to travel in space.
Jean's exact relationship to the Phoenix Force has often been changed throughout the character's history, as has her involvement in the events of "The Dark Phoenix Saga". Usually depicted as the Phoenix Force's favorite and most compatible host, storylines in 2024 revealed that Jean is actually the human manifestation of the Phoenix Force and its mother. Her connection to the Phoenix Force has often resulted in clashes with the Shi'ar Empire, responsible for the massacre of most of her family members.
Often listed as one of the most notable and powerful female characters in Marvel Comics, the character has been featured in various Marvel-licensed products, including video games, animated television series, and merchandise. Famke Janssen portrayed the character as an adult in the 20th Century Fox X-Men films, while Sophie Turner portrayed her as a teenager and young adult.
Publication history
[edit]Jean Grey debuted under the codename Marvel Girl in The X-Men #1 (September 1963), created by writer Stan Lee and artist/co-writer Jack Kirby. The original team's sole female member, Marvel Girl was a regular part of the team through the series' publication. Initially possessing the ability of telekinesis, the character was later granted the power of telepathy,[3] which would be retconned years later as a suppressed mutant ability.[4]
Under the authorship of Chris Claremont and the artwork of first Dave Cockrum and then John Byrne in the late 1970s, Jean Grey underwent a significant transformation from the X-Men's weakest member,[5] to its most powerful.
The first comic Claremont saw at Marvel after coming there in 1969 was the first X-Men issue penciled by Neal Adams (issue 56), after which he became enamored of Jean Grey. But when he started to write X-Men in issue 94, the first issue after the creation of the new team in Giant-Size X-Men 1, Len Wein had already established that she was leaving the team. The artwork was already done, and it was too late to change. But he promised himself he would bring her back as soon as possible, which he did in issue 97 when he became the sole writer of the title. Claremont also decided to upgrade her powers significantly.[6]

The storyline in which Jean Grey died as Marvel Girl and was reborn as Phoenix (The Uncanny X-Men #101–108, 1976–1977) has been retroactively dubbed by fans "The Phoenix Saga", and the storyline of her eventual corruption and death as Dark Phoenix (The Uncanny X-Men #129–138, 1980) has been termed "The Dark Phoenix Saga". This storyline is one of the most well-known and heavily referenced in mainstream American superhero comics, and is widely considered a classic, including Jean Grey's suicidal sacrifice.[7][8][9]
When the first trade paperback of "The Dark Phoenix Saga" was published in 1984, Marvel also published a 48-page special issue titled Phoenix: The Untold Story. It contained the original version of The Uncanny X-Men #137, the original splash page for The Uncanny X-Men #138 and transcripts of a roundtable discussion between Shooter, Claremont, Byrne, editors Jim Salicrup and Louise Jones, and inker Terry Austin. The discussion was about the creation of the new Phoenix persona, the development of the story, and what led to its eventual change, and Claremont and Byrne's plans for Jean Grey, had she survived.[10]
Chris Claremont, the longest-running writer of the X-Men comics, revealed that his and Cockrum's motivation for Jean Grey's transformation into Phoenix was to create "the first female cosmic hero".[11] The two hoped that, like Thor had been integrated into The Avengers lineup, Phoenix would also become an effective and immensely powerful member of the X-Men. However, both Salicrup and Byrne had strong feelings against how powerful Phoenix had become, feeling that she drew too much focus in the book.[11] Byrne worked with Claremont to effectively remove Phoenix from the storyline, initially by removing her powers. However, Byrne's decision to have Dark Phoenix destroy an inhabited planetary system in The Uncanny X-Men #135, coupled with the planned ending to the story arc, worried then-Editor-in-Chief Jim Shooter, who felt that allowing Jean to live at the conclusion of the story was both morally unacceptable (given that she was now a "mass murderer") and also an unsatisfying ending from a storytelling point of view.[10] Shooter publicly laid out his reasoning in the 1984 roundtable:
I personally think, and I've said this many times, that having a character destroy an inhabited world with billions of people, wipe out a starship and then—well, you know, having the powers removed and being let go on Earth. It seems to me that that's the same as capturing Hitler alive and letting him go live on Long Island. Now, I don't think the story would end there. I think a lot of people would come to his door with machine guns...[11]
One of the creative team's questions that affected the story's conclusion was whether the Phoenix's personality and later descent into madness and evil were inherent to Jean Grey or if the Phoenix was itself an entity merely possessing her.[11] The relationship between Jean Grey and the Phoenix would continue to be subject to different interpretations and explanations by writers and editors at Marvel Comics following the story's retcon in 1986. At the time of the Dark Phoenix's creation, Byrne felt that, "If someone could be seen to corrupt Jean, rather than her just turning bad, this could make for an interesting story."[12] Salicrup and Byrne stated later that they viewed Phoenix as an entity that entirely possessed Jean Grey, therefore absolving her of its crimes once it was driven out.[11] However, the creative and editorial team ultimately agreed that Phoenix had been depicted as an inherent and inseparable aspect of Jean Grey, meaning that the character was fully responsible for her actions as Phoenix. As a result, Shooter ordered that Claremont and Byrne rewrite issue #137 to explicitly place in the story both a consequence and an ending commensurate with the enormity of Phoenix's actions.[11] In a 2012 public signing, Claremont spoke about the context of the late 1970s and the end of the Vietnam War during the story's writing, stating that the history of these events also made Jean Grey's genocidal actions difficult to redeem.[9]
In the original ending, Jean does not revert to Dark Phoenix, and the Shi'ar subject her to a "psychic lobotomy", permanently removing all her telepathic or telekinetic powers.[11] Claremont and Byrne planned to later have Magneto offer Jean the chance to restore her abilities, but Jean choosing to remain depowered and eliminate the threat of Dark Phoenix returning to power.[11]

After several years, Marvel decided to revive the character, but only after an editorial decree that the character be absolved of her actions during The Dark Phoenix Saga.[13] Writer Kurt Busiek is credited with devising the plot to revive Jean Grey.[13] Busiek, a fan of the original five X-Men, was displeased with the character's death and formulated various storylines that would have met Shooter's rule and allowed the character to return to the X-Men franchise.[13] He eventually shared his storyline idea with fellow writer Roger Stern who mentioned it to Byrne, who was both writing and illustrating the Fantastic Four at the time.[13] Both series writer Bob Layton and artist Jackson Guice, who were developing the series X-Factor—a team of former X-Men—had yet to settle on their fifth team member, initially considering Dazzler.[14] Layton opted to fill the open spot with Jean instead, and both he and Byrne submitted the idea to Shooter, who approved it.[13] Jean Grey's revival became a crossover plotline between the Avengers under Stern, Fantastic Four under Byrne, and X-Factor under Layton.[13]
Busiek later found out that his idea had been used thanks to Layton, and he was credited in Fantastic Four #286 and paid for his contributions.[13] The decision to revive Jean Grey was controversial among fans, with some appreciating the return of the character and others feeling it weakened the impact of the Dark Phoenix Saga's ending.[13] Busiek maintained that the idea that led to Jean Grey's official return to Marvel Comics was merely a case of sharing his ideas with friends as a fan, and that he neither formally pitched the idea to anyone nor gave it the final go ahead.[13] Claremont expressed dissatisfaction with the retcon, stating in 2012: "We'd just gone to all the effort of saying, 'Jean is dead, get over it,' and they said, 'Haha, we fibbed.' So why should anyone trust us again? But that's the difference between being the writer and being the boss."[9] In a 2008 interview Byrne said he still felt Busiek's method of reviving Jean Grey was "brilliant", but agreed that in retrospect the character should have remained dead.[15]
In the comics, having been fully established as separate from the "Jean Grey" copy created and taken over by the Phoenix Force, Jean is "absolved" of involvement in the atrocities of "The Dark Phoenix" storyline, and she returned in the first issue of X-Factor (1st Series).[16]
Claremont later commented on how Jean's revival affected his original plans for Madelyne Pryor, stating that the relationship between the two women was intended to be entirely coincidental.[17] He intended Madelyne only to look like Jean by complete coincidence and exist as a means for Cyclops to move on with his life and be written out of the X-Men franchise, part of what he believed to be a natural progression for any member of the team.[17] Claremont expressed dismay that Jean's resurrection ultimately resulted in Cyclops abandoning his wife and child, tarnishing his written persona as a hero and "decent human being", and the "untenable situation" with Madelyne was dealt with by transforming her into a prolicidal demonic villain and killing her off.[17]
Soon after the beginning publication of X-Factor, Marvel also reprinted and released the original X-Men series under the title Classic X-Men. These reissues paired the original stories with new vignettes, elaborating on plot points. One such issue, Classic X-Men #8 (April 1987), paired the original The X-Men #100 (Aug. 1976) story of Jean Grey's disastrous return flight from space immediately preceding her transformation into Phoenix ("Greater Love Hath No X-Man...") with the new story "Phoenix". The story further supported the retcon establishing Jean Grey and the Phoenix Force as two separate entities.[18]
Following the conclusion of Inferno, Jean continued to be a mainstay character throughout the rest of X-Factor[19][20] X-Factor (1st Series) ended its run featuring the original X-Men with X-Factor #70 (Sept. 1991), with the characters transitioning over to The Uncanny X-Men, explained in continuity as the two teams deciding to merge. The fourteen X-Men divide into two teams—"Blue" and "Gold"—led by Cyclops and Storm, respectively. Jean was added to the Gold Team beginning in The Uncanny X-Men #281 (Oct. 1991).[21] Following Cyclops's possession by the mutant villain Apocalypse and disappearance in the conclusion of the crossover storyline "Apocalypse: The Twelve",[22][23] Jean lost her telekinetic abilities and was left with increased psychic powers, the result of the "six-month gap" in plot across the X-Men franchise created by the Revolution revamp. During the Revolution event, all X-Men titles began six months after the events of Apocalypse: The Twelve, allowing writers to create fresh situations and stories and gradually fill in the missing events of the previous six months of continuity. Due to editing decisions following the success of the 2000 X-Men film, which depicted the character of Jean Grey with both telepathy and telekinesis, an explanation for Jean's altered powers in the comics was never explicitly made, though writer Chris Claremont revealed in interviews that it was intended to be an accidental power switch between fellow X-Man Psylocke, explaining Psylocke's new telekinetic powers as well.
Jean was next featured in the six-issue miniseries X-Men Forever written by Fabian Nicieza, which was designed to tie up the remaining plot lines. During the series, Jean revisited many of the events involving the Phoenix Force and the series introduced the concept of "Omega level mutants", a category for mutants with unlimited potential, which included Jean herself.[24] In June 2001, X-Men was retitled as New X-Men under writer Grant Morrison. The title consisted of a smaller team featuring Jean, Cyclops, Beast, Wolverine, Emma Frost, and Charles Xavier. The overarching plot focused on the team assuming the roles of teachers to a new generation of mutants at the Xavier Institute while navigating their personal relationships and dealing with newly emerging pro- and anti-mutant political sentiments.[25] Jean also made minor appearances in other titles during the New X-Men run, such as Chris Claremont's X-Treme X-Men, occasionally lending support to the characters.[26]
Jean and her connection with the Phoenix Force was examined again one year after the conclusion of Morrison's run on New X-Men in X-Men: Phoenix – Endsong written by Greg Pak in 2005.[27] At the 2010 San Diego Comic-Con X-Men panel, when asked whether or not Jean would return, editor Nick Lowe responded by saying, "She's dead."[28]
Regarding Jean's actual return to the X-Men franchise, Marvel indicated that Jean's eventual return is being discussed but stated that the return of Jean Grey was "a story Marvel does not want to rush".[29] Marvel loosely tied questions regarding Jean Grey's eventual return to the events in 2007's X-Men: Messiah Complex in which a mutant girl named Hope—who has red hair, green eyes, and immense mutant powers—is born,[30] and 2010's X-Men: Second Coming which sees both Hope's return as a teenager and the return of the Phoenix Force.[31][32] Following the conclusion of Avengers vs. X-Men as part of the Marvel NOW! event, a teenage Jean Grey and the four other founding members of X-Men are transported across time to the present day by Beast in the series All-New X-Men by Brian Michael Bendis.[33][34]
The original adult Jean Grey returned to the Marvel Universe in a new series titled Phoenix Resurrection: The Return of Jean Grey, released on December 27, 2017. The series was written by Matthew Rosenberg with art by Leinil Francis Yu.[35]
Following the events of Extermination story, the time-displaced Jean Grey and the other original X-Men were returned to their original time, as part of Jonathan Hickman's plan to reboot the entire X-Men franchise.[36]
Fictional character biography
[edit]Youth
[edit]Jean Elaine Grey was born the second daughter of John and Elaine Grey. She had an older sister, Sara Grey-Bailey. John Grey was a professor at Bard College in upstate New York. Depictions of Jean's childhood and her relations with her family have shown a stable, loving family life growing up.
Emergence of powers and joining the X-Men
[edit]Jean's mutant powers of telepathy and telekinesis first manifested when her best friend was hit by a car and killed. Jean mentally linked with her friend and nearly died as well.[4] The event left her comatose, and she was brought back to consciousness when her parents sought the help of powerful mutant telepath, Charles Xavier.[37] Xavier blocked her telepathy until she was old enough to be able to control it, leaving her with access only to her telekinetic powers.[4][38] Xavier later recruited her as a teenager to be part of his X-Men team as "Marvel Girl", the team's sole female member.[39] After several missions with the X-Men, Xavier removed Jean's mental blocks and she was able to use and control her telepathic powers.[4] She began a relationship with teammate Cyclops, which persisted as her main romantic relationship.[40]
Phoenix Force and first death
[edit]During an emergency mission in space, the X-Men find their shuttle damaged. Jean pilots the shuttle back to Earth, but is exposed to fatal levels of radiation.[11] Dying, but determined to save Cyclops and her friends, Jean calls out for help and is answered by the cosmic entity the Phoenix Force.[41] The Phoenix Force, the sum of all life in the universe,[42] is moved by Jean's wish to save herself and her friends. It takes the form of a duplicate body to house Jean's psyche. The duplication is so exact that the Phoenix Force believes itself to be Jean Grey,[41] and places Jean's dying body in a healing cocoon.[18] This cocoon is later described as a Phoenix Egg.[volume & issue needed] The ship crashes in Jamaica Bay, with the other X-Men unharmed.[43]
The Phoenix Force, assuming Jean's identity, emerges wearing a new costume and adopts the codename "Phoenix";[44] meanwhile, the cocoon containing the real Jean Grey sinks to the bottom of the bay, unnoticed. Phoenix continues her life as Jean Grey with the other X-Men, joining them on missions and even helping to save the universe. During "The Dark Phoenix Saga", Phoenix becomes overwhelmed and corrupted by her first taste of evil and transforms into a force of total destruction called "Dark Phoenix", inadvertently killing the inhabitants of a planetary system after consuming its star, and jeopardizing the entire universe.[45] However, Jean's personality manages to take control and Phoenix dies by suicide to ensure the safety of the universe.[41][45]
Revival
[edit]Upon its suicide by way of a disintegration ray, the Phoenix Force disperses into its original form and a fragment locates the still-healing Jean at the bottom of Jamaica Bay. In trying to bond with her, Jean senses its memories of death and destruction as Dark Phoenix and rejects it, causing it to bond with and animate a lifeless clone of Jean Grey created by the villain Mister Sinister.[46] Sinister created the clone to mate with Cyclops to create genetically superior mutants. Named "Madelyne Pryor", the unaware clone meets Cyclops in a situation engineered by Sinister and the two fall in love, marry, and have a child, Nathan Christopher Summers. Meanwhile, the cocoon is discovered and retrieved by the Avengers and the Fantastic Four. Jean emerges with no memory of the actions of the Phoenix/Dark Phoenix. The Avengers and Fantastic Four tell her of what happened and that she was believed dead until now.[41] She is reunited with the original X-Men and convinces them to form the new superhero team X-Factor, reusing her "Marvel Girl" codename. Madelyne is angered over Cyclops's decision to lead X-Factor and neglect his family.[16] Though Jean encourages Cyclops to return to Madelyne, he finds their house abandoned and assumes that Madelyne has left him and taken their infant son.[47] Cyclops returns to X-Factor and he and Jean continue their relationship,[48] but the Phoenix Force's impersonation, and his marrying Madelyne, damaged their mutual trust.[49][50] The team's adventures continue throughout the series, culminating in the line-wide "Inferno" crossover. Madelyne reappears, now nearly insane and with powers awakened by a demonic pact, calling herself the Goblyn Queen.[51]
Learning of her true identity and purpose as a clone created by Mister Sinister drove her completely insane and she plans to sacrifice Nathan Christopher to achieve greater power and unleash literal Hell on Earth.[46] While attempting to stop her, Jean is reunited with the other X-Men, who are happy to learn that she is alive. Jean and Madelyne confront each other, and Madelyne attempts to kill them both. Jean manages to survive only by absorbing the remnant of the Phoenix Force housed within Madelyne, giving her both Madelyne's memories and the Phoenix's memories from "The Dark Phoenix Saga".[52]
Return to the X-Men and marriage to Cyclops
[edit]Unsure of herself since returning to life,[53] Jean finds possessing the Phoenix Force and Madelyne's memories to be difficult.[19] Cyclops proposes to her and she meets her alternate future daughter Rachel Summers (who goes by the codename "Phoenix" as well and is also able to tap into the Phoenix Force), but Jean rejects them both out of the feeling that they indicate that her life is predetermined.[19][20][54] Jean had learned during the Inferno event that her rejecting the Phoenix Force caused Madelyne to wake;[52] Cyclops admits to Susan Storm Richards that Jean sometimes wishes that the Fantastic Four had not found her, and that he does not know how to communicate with her.[54] When X-Factor unites with the X-Men, Jean joins the Gold Team, led by Storm.[21] She deliberately chooses not to use a codename, so the team simply uses her civilian name. After some time, she makes up with Rachel, welcoming her into her life, and proposes to Cyclops and the two marry.[37][55] On their honeymoon, the couple is immediately psychically transported 2000 years into the future to raise Cyclops's son Nathan, who had been transported to the future as an infant in hopes of curing him of a deadly virus. Jean adopts the identity of "Redd" along with Cyclops ("Slym") and they raise Nathan Christopher for twelve years before they are sent back into their bodies on their wedding honeymoon. Jean learns that a time-displaced Rachel had used her powers to transport them to the future to protect Nathan; per Rachel's request, Jean adopts the codename "Phoenix" once again to establish it as a symbol of good after all the bad it had caused.[56] As her powers increase, Jean also decides to wear the original Phoenix's gold-and-green costume.[57] Jean also met another alternate future child of hers and Scott's: the immensely powerful Nathan Grey, who accidentally revived the psionic ghost of Madelyne Pryor, leading to another confrontation between the two women.[58]
Onslaught
[edit]In Bishop's original timeline before he ends up in the present he finds the X-Men's war room and finds a garbled distress signal from Jean about a traitor destroying the X-Men from within.[59] Meanwhile, in the present, the X-Men begin to hear increasing news about a malevolent entity called Onslaught. Jean first sees Onslaught as a psionic image with the rest of the X-Men after Onslaught coerces Gateway to kidnap Cyclops, Wolverine, Storm, and Iceman.[60] He later appears to her again in a similar way after rescuing her and Gambit from Bastion and offers her a chance to join him.[61] Onslaught makes his first full appearance to Jean on the astral plane and shows her how humanity is closing in on mutants as well as revealing that Xavier was in love with her while she was a student to convince her to join him. He then telepathically brands his name to her mind when she refuses and asks him his name.[62] When Juggernaut comes to the mansion with information about Onslaught's true identity but has a mental block preventing him from divulging it, Jean enters his mind and helps him to remember who Onslaught really is and to her horror she discovers that Onslaught is really Professor X, having gone insane ever since wiping Magneto's mind.[59][63]
Professor Xavier calls the X-Men together for a meeting and Jean tries unsuccessfully to rally the X-Men against him before he manifests Onslaught. While Onslaught easily overtakes the rest of the X-Men, Jean escapes to the war room and sends out the distress signal that Bishop found in the future. After a massive battle against Jean and the rest of the X-Men, Onslaught escapes to carry out his plans. After Onslaught nearly kills the X-Men they team up with the Avengers to make a plan to stop him, knowing full well that it may come down to them killing Xavier if the world is to survive. Jean accompanies Cyclops, Archangel, and Psylocke to Muir Island where they and Moira McTaggert discover the Xavier Protocols, secret plans that Xavier made to kill any of the individual X-Men should anyone become a threat against the world. Meanwhile, Jean's earlier distress signal makes it to X-Factor, Excalibur, and X-Force.[64] After returning to New York, Jean works closely with Reed Richards to help build up defenses against Onslaught as well as to help create the psionic armor that could block Xavier's telepathic powers as seen in the Xavier Protocols.[65] When Jean senses that Xavier has been freed from Onslaught and is going to confront him on his own, she and Cyclops bring together the rest of the X-Men to back him up. The rest of the Avengers and Fantastic Four join them in a final stand against Onslaught before he completely destroys the world. In a final act of desperation Jean finds Hulk and locks away Bruce Banner's mind, leaving only the Hulk in control so he can fight Onslaught unencumbered. With the vast majority of earth's heroes missing and assumed dead after Onslaught is finally defeated, Jean and Cyclops open their home to Quicksilver and his daughter and try to help the X-Men to get their lives back together.[66]
New X-Men
[edit]Following Cyclops's possession by the mutant villain Apocalypse and apparent death,[22][23] Jean continues with the X-Men, but is distraught by the loss of her husband. She later learns that she is an "Omega-level" mutant with unlimited potential.[24] Jean begins to suspect that Cyclops may still be alive and with the help of Nathan Summers (now the aged superhero "Cable"), is able to locate and free Cyclops of his possession by Apocalypse.[67] The couple return to the X-Men as part of the Xavier Institute's teaching staff to a new generation of mutants.[25] While Jean finds she is slowly able to tap into the powers of the Phoenix Force once again, her marriage to Scott begins to fail.[25] Jean and Wolverine meet in the woods where Jean confides her feelings of distance towards Scott while Wolverine also shuts down any interest in a relationship he himself had with Jean by telling her that he knew a relationship between the two would never work and walks away from her; Cyclops grows further alienated from Jean due to her growing powers and institute responsibilities and seeks consolation from the telepathic Emma Frost to address his disillusionment and his experiences while possessed by Apocalypse.[25] Emma psychically manipulates Scott and tries to psychically seduce him, which Jean interrupts and discovers, though she would later learn Emma was in love with Scott. Jean also realizes that Scott and Emma never had a physical affair and that Emma had, to an extent, taken advantage of Scott to telepathically seduce him.[25]
Second death
[edit]In a final confrontation with a traitor at the institute (the X-Men's teammate Xorn, posing as Magneto) Jean fully realizes and assumes complete control of the powers of the Phoenix Force, but is killed in a last-ditch lethal attack by Xorn.[25] Jean dies, telling Scott "to live". However, after her funeral, Scott rejects Emma and her offer to run the school together. This creates a dystopian future where all life and natural evolution is under assault by the infectious, villainous, sentient bacteria "Sublime". Jean is resurrected in this future timeline and becomes the fully realized White Phoenix of the Crown, using the abilities of the Phoenix Force to defeat Sublime and eliminate the dystopic future by reaching back in time and telling Cyclops to move on. This leads him to accept Emma's love and her offer to run the school together.[68] Jean then reconciles with Cyclops and fully bonds with the Phoenix Force and ascends to a higher plane of existence called the "White Hot Room".[27]
Endsong
[edit]A weakened Phoenix Force returns to reanimate Jean. Jean tries to convince the Phoenix Force to let her go so they can return to the White Hot Room together, but once again the Phoenix Force takes over. Jean lets Wolverine find her and tries to convince him to kill her again before the Phoenix does more damage.[69] The Shi'ar track the Phoenix Force and make an alliance with Storm to find her and defeat her. Jean takes Wolverine to the North Pole before the Shi'ar can kill her and convinces him to kill her. He stabs her numerous times but Phoenix keeps reanimating her, prompting Jean to dive deep into the ice and freeze herself.[70] The Phoenix Force leaves her body and once again assumes Jean's form to tempt Cyclops to attack her so she can absorb his optic blasts and become strong again. When the Phoenix Force merges with and overwhelms Emma Frost, Cyclops frees Jean from the ice. Once freed Jean ejects the Phoenix from Emma and accepts that she is one with the Phoenix Force. After feeling the love from the X-Men, the Phoenix relents and returns with Jean back to the White Hot Room. Before she departs, Jean and Cyclops share a telepathic emotional farewell.[71]
Postmortem manifestations
[edit]Though she had yet to fully return, the Phoenix Force and Jean continued to manifest themselves, particularly the Phoenix through the red-haired, green-eyed "mutant messiah" who slightly resembles Jean named Hope Summers,[72] and Jean briefly appears in a vision to Emma Frost from the White Hot Room, warning the X-Men to "prepare".[73] She again appears in a vision to Cyclops when he is overwhelmed by the power of Dark Phoenix, helping him abandon the power so that it can pass on to its true host.[74] After Nightcrawler is fatally wounded by the Crimson Pirates, Jean appears to him along with Amanda Sefton and the recently deceased Wolverine to help coax him back to life.[75] Jean's spirit begins to manifest in a more straightforward and aggressive manner to the time-displaced Jean from an alternate timeline, seemingly training her for the arrival of the Phoenix. However, after the younger Jean begins to ignore her, she possesses the time displaced Jean and uses her as a means to ambush Emma Frost.[76]
Return
[edit]Strange psych occurrences around the world, which include a large bird flaring out from the sun and an explosion on the moon, raise red flags for the X-Men, who quickly launch an investigation of these events.[77] After a string of bizarre encounters with familiar enemies, many of them considered deceased, the X-Men come to one conclusion: the Phoenix Force is back on Earth.[78] The X-Men also discover that psychs are going missing or falling ill, which prompts the team to investigate the grave of Jean Grey. As they find the coffin of their long-dead teammate empty, they race to locate the Phoenix before it can find a suitable host. As it turns out, with the time-displaced teen Jean Grey out of the Phoenix Force's way, the cosmic entity has already resurrected the present adult Jean Grey. However, she does not recall her life as a mutant and an X-Man, and terrible visions from her previous life have left Jean unsure of the difference between reality and fiction.[79] As she lies inside of what appears to be a Phoenix Egg, the X-Men theorize that the strange psych occurrences are subconscious cries for help made by Jean Grey and that they must try to stop the Phoenix from merging with their old friend.[80] Old Man Logan is able to make Jean Grey remember her true life and she learns about the fate of her family and several of her friends, among them Cyclops. As Jean faces the Phoenix Force, she is finally able to convince the cosmic entity to stop bringing her back and let her go. Alive once again, Jean is reunited with her friends as the Phoenix Force journeys back to space.[81]
Restored to life, Jean gathers some of the greatest minds on Earth together so that she can read their minds to plan her next move. Recognizing that there has been a sudden surge in anti-mutant sentiment, to the point where there are plans to abort pregnancies if the mutant gene is detected, Jean announces her plans to establish a more official mutant nation, making it clear that she will not establish a geographic location for said nation as past examples make it clear that doing so just makes mutants a target. To support her in this goal, she assembles a team including Nightcrawler, X-23 and Namor, but is unaware that her actions are being observed by Cassandra Nova.[82]
House of X / Dawn of X
[edit]The adult Jean returns to using her original Marvel Girl codename and wears her second green-and-yellow Marvel Girl costume. She is sent as part of a strike team to outer space to stop a satellite near the sun from being used as a Sentinel factory. Sentinels crush Jean's escape pod and she dies, but is resurrected into a cloned body.[83] She is also a member of the Quiet Council, Krakoa's provisional government.[84] Following the events of House of X, Jean briefly joins the Krakoan incarnation of X-Force,[85] before resigning in protest of Beast's actions in Terra Verde.[86]
When the Phoenix Force selects Maya Lopez, also known as Echo, to be its new host, Jean cautions her to maintain connections with other people to prevent it from overwhelming her.[87]
Powers and abilities
[edit]Jean Grey is an Omega-level mutant, and at her highest and strongest potential was fully merged with the Phoenix Force and with it was able to defeat even Galactus.[88]
Empathy
[edit]Jean is a powerful empath, as she can feel and manipulate emotions of other people, as shown when her power first emerged and she felt her friend Annie Richardson slowly dying.[volume & issue needed] Jean can also connect people's minds to the feelings of others and make them feel the pain they inflicted.[89]
Telepathy
[edit]When her powers first manifested, Jean was unable to cope with her telepathic abilities, forcing Professor Charles Xavier to suppress her access to them altogether. Instead, he chose to train her in the use of her psychokinetic abilities while allowing her telepathy to grow at its natural rate before reintroducing it.[90] When the Professor hid to prepare for the Z'Nox, he reopened Jean's telepathic abilities, which was initially explained by writers as Xavier 'sharing' some of his telepathy with her.[91]
The Women of Marvel: Celebrating Seven Decades Handbook detailed Jean's telepathic abilities:
- As [an alpha-level telepath],[92] Jean Grey can detect and read the thoughts of others, project her own thoughts into other's minds, form psychic links with other beings, control others' minds so as to manipulate their physical functions, mentally stun opponents with bolts of pure psionic force, cast near-flawless mental illusions, and project her mind and the minds of others onto the astral plane. At close range, she can manipulate almost any number of minds; however, she can only take full possession of another's mind one at a time and can only do so if she is within that being's physical presence.[93]
Jean is also one of the few telepaths skilled enough to communicate with animals (animals with high intelligence, such as dolphins,[94] dogs,[95] and ravens[96]). As a side effect of her telepathy, she has an eidetic memory.[97] Jean was able, through telepathic therapy with the comatose Jessica Jones, to grant Jessica immunity to the Purple Man's mind control abilities, despite his powers being chemical in nature rather than psychic.[98] When Jean absorbed Psylocke's specialized telepathic powers, her own telepathy was increased to the point that she could physically manifest her telepathy as a psionic firebird whose claws could inflict both physical and mental damage. She briefly developed a psychic shadow form like Psylocke's, with a gold Phoenix emblem over her eye instead of the Crimson Dawn mark possessed by Psylocke.[volume & issue needed] Jean briefly lost her telekinesis to Psylocke during this exchange, but her telekinetic abilities later came back in full and at a far stronger level than before.[volume & issue needed] It was later stated that Jean has been an omega-level telepath.[99]
Telekinesis
[edit]Jean possesses a high level of telekinetic ability that enables her to psionically levitate and rapidly move about all manner of animate and inanimate matter. She can use her telekinetic abilities on herself or others to simulate the power of flight or levitation, stimulate molecules to increase friction, create protective force fields out of psychokinetic energy, or project her telekinetic energy as purely concussive force. The outer limits of her telekinetic power have never been clearly established, though she was capable of lifting approximately fifty tons of rubble with some strain.[100] Jean was later stated to have become an Omega Level Telekinetic.[101][102]
Psychic Energy Synthesis
[edit]Jean's younger self, who had been brought from the past into the present by an older Hank McCoy, eventually found an entirely new way to use her powers separate from the Phoenix Force. The teenage Marvel Girl learned she has the ability to harness ambient psychic energy and channel it into powerful blasts of force, which are a combination of both her telepathy and telekinesis.[103] Its potency is such that she can match and overpower the likes of Gladiator, magistrate of the Shi'ar, with relative ease. When using this ability, Jean's whole body glows with pink psychic energy, obscuring her human form.[104]
Telekinetic weapons
[edit]Under the tutelage of Psylocke, teenage Marvel Girl learned the ability to create psionic weapons that damage a target either physically or mentally. She showed skill in constructing multiple types of psionic weapons that differ in size, length and power which she uses in combat.[102]
Phoenix Force
[edit]The relationship between Jean Grey and the Phoenix Force (and the nature of the powers she has) is portrayed in a variety of ways throughout the character's history. In the initial plotline of the Phoenix being a manifestation of Jean's true potential, these powers are considered her own,[42] as part of Claremont and Byrne's desire to create "the first cosmic superheroine".[11] However, since the retcon of the Phoenix as a separate entity from Jean Grey, depictions of these powers vary; these include Jean being one of many hosts to the Phoenix and "borrowing" its "Phoenix powers" during this time,[25][105] being a unique host to the Phoenix,[25] and being one with the Phoenix.[42][27] She is later described as the only one currently able to hold the title of "White Phoenix of the Crown" among the many past, present, and future hosts of the Phoenix.[68] Jean — both young and adult versions — is also the only character ever to force the Phoenix against its own cosmic will to do anything while not presently a host. In one instance Jean forcibly ripped the Phoenix out of Emma Frost and imposed its status upon herself.[106] Young Jean was able to keep her psyche anchored in the Phoenix's mind postmortem despite the Phoenix's own efforts to forcibly remove her after it murdered her. Jean then subsequently forced the Phoenix to resurrect her after manipulating the Phoenix's mental landscape against it.[107]
Over the years, Jean's abilities while bonded to the Phoenix Force have fluctuated, but the Women of Marvel: Celebrating Seven Decades Handbook has detailed what Jean is capable of as Phoenix:
While empowered by the Phoenix Force, Grey has total telekinetic control of matter at the molecular level, allowing her to manipulate atomic structures on a universal scale. She can generate any form of energy in seemingly unlimited amounts, as well as absorb energy from sources as great as a supernova or even convert her physical form to pure energy and back again. She can also exist in virtually any environment without harm and create space/time warps to travel through hyperspace or traverse the timestream, and her telepathic abilities are also vastly enhanced. When using her power, the Phoenix Force will manifest itself around Grey in the form of a bird of cosmic flames, the size of the bird varying with the amount of energy she is using. These flames can even manifest in seemingly impossible situations, such as the vacuum of space or underwater. This fire apparently does not require oxygen to burn, and burns so intensely that matter is consumed without by-products such as ash. The cosmic fire is a literal punctuation to the Phoenix's purpose to "burn away what doesn't work", as well as being described as "burning through lies and deception". The Phoenix Force can also resurrect the dead under some conditions, and absorb the life force from other sentient beings to bolster its own.[93]
The Phoenix Force also seems to render its host unaging and, at least in some adaptations, enhances the physical strength of its avatar to superhuman levels; in certain incarnations, Jean, namely while acting as Dark Phoenix, seemed to possess some level of superhuman strength.
Resurrection
[edit]For one reason or another, Jean Grey (both young and old) has, on more than one occasion, been repeatedly resurrected by either the Phoenix[42][108] or apparently her sheer force of will.[109][110] In some depictions, these resurrections are immediately after she or whoever she is reviving is killed, while other depictions indicate that a resurrection must occur at a "correct" time, sometimes taking a century. During the height of the Psych Wars, Young Jean was able to forcibly make the Phoenix Force restore her to life,[107] despite the Phoenix's adamant resolve not to do so, completely recreating her body after it had been vaporized. After her body was taken over and completely devoured by a Poison, a small part of Jean's mind survived and, despite itself, was able to infect the whole Poison Hive and destroy it from the inside out, subsequently using nothing but her mind to reconstruct her body. This leaves Jean believing that she may not even be human anymore.[111] This is not the first time Jean was resurrected without the Phoenix; in one instance, she was even able to fully resurrect herself after being clinically dead completely independent of the Phoenix Force.[109]
In their most recent meeting, Jean tells the Phoenix Force that she should have died on the shuttle, and asks it to not resurrect her again.[81]
Miscellaneous abilities
[edit]Jean Grey is a trained pilot and proficient unarmed combatant. She also has some degree of teaching ability, experience as a fashion model, and training in psychology.[112]
Cultural impact and legacy
[edit]Critical response
[edit]Maite Molina of ComicsVerse called Jean Grey one of the most "powerful, recognizable, and admirable heroes in Marvel Comics history," writing, "Jean Grey is undoubtedly one of the most iconic characters in comic book history. Her telekinetic abilities prove her to be an incredibly formidable superhero. She has battled some of the most notorious villains in Marvel Comics while fearlessly leading her own team of heroes. With this, she has also explored her own dark side. Epic sagas such as the notable Dark Phoenix Saga depict Jean as an exemplification of evil itself. However, during this trying period, Jean still overcame the corruption within. She showed readers that even heroes can fall into the clutches of darkness and rise above. Most importantly though, Jean Grey is and always has been an incredibly multi-faceted character. She has been a student and a teacher as well as the tether between good and evil."[113] Nigel Mitchell of Comic Book Resources said, "Jean Grey was always a really popular character for readers. Partly, it was because she was one of the most sensitive and intelligent members of the X-Men, the heart of the team. The fact that she was the team's first woman also made her unique, and her beauty was a major source of crushes for the fans. She was also involved in a love triangle between herself, Cyclops, and Wolverine, which drove a lot of emotional storylines. When she became Phoenix, she became the most high-profile female superhero in comics, but the other X-Men creative team Jim Salicrup and John Byrne felt her powers overshadowed the other members and stories. That's why Marvel decided to do something that hadn't really been done before: take one of its greatest superheroes and turn her into one of its greatest supervillains. It was a journey unlike any we'd seen before "The Phoenix Saga" and is compelling to watch."[114] David Caballero of Screen Rant stated, "Jean Grey served no important purpose in the team before The Dark Phoenix Saga, especially during the X-Men's early days. The character existed as a love interest for the group-- every member of the X-Men's original roster had feelings for her at one point-- and a mother figure to provide support and encouragement. As more and more female characters arrived--Storm, Scarlet Witch, and Mystique all debuted throughout the 60s and 70s--it became increasingly complicated to use Jean in any meaningful way. The Dark Phoenix Saga was not only a showcase but, as it turns out, a victory lap for the X-Men's first lady. The storyline took a nearly irrelevant character and elevated it to the apex of importance, turning her into one of Marvel's most overpowered figures in the process."[115]
Elle Collins of ComicsAlliance referred to Jean Grey as one of the "first ladies of Marvel Comics as well as one of the most powerful," saying, "In both the movies and the comics, we have a young Jean who's still learning her full potential as a mutant and a hero, and who's written as a real person with a real personality. That's not to say Jean hasn't accumulated fans over the preceding years; she absolutely has. Whether your first Jean was the Marvel Girl in her green Go Go dress, the Phoenix (who we were later told wasn't Jean, but let's be real it was basically Jean), the hyper competent blue-headsock-wearing Jean of the '90s comic and cartoon, or the cool black leather Jean of the turn of the Century (whether drawn by Frank Quitely or played by Famke Janssen) --- it's hard not to be excited about this next era of the character."[116] Tamara Jude of Sideshow asserted, "As the only female superhero of the X-Men, Jean Grey (initially introduced as Marvel Girl) lacked an impactful role in the comic series. Her biggest storyline involved her love triangle with Cyclops and Wolverine. Claremont wanted to expand her powers with the Phoenix Force and re-brand her as an influential teammate with cosmic abilities. Much like Thor’s significant addition to the Avengers, Claremont wanted Jean to hold a similar importance with the X-Men. However, as they wrote the Phoenix Saga, her powers proved too dominant, and the character’s presence took over the focus of the comic. Their cosmic hero proved too much for everyone involved."[117] Sara Century of Syfy stated, "When Jean Grey is introduced in X-Men #1 all the way back in late 1963, she asks herself what kind of person she is going to be. The answer to that question doesn't come to her immediately, yet it is true that from her relatively one-dimensional origins eventually sprang a complex personality full of nuance and empathy that has only grown more interesting as time has gone on. From the Phoenix Saga to X-Factor to Inferno to the X-Cutioner’s to Onslaught to New X-Men to Phoenix: Resurrection and countless alternate realities in between, Jean Grey has truly been beyond and back. Still, many writers have struggled to define her. The complicated, fiercely compassionate Jean Grey has not always translated well to other mediums, and even in comics Jean has been known to experience long dormant periods in which her persona is secondary to other characters. Yet her fanship has remained ever vigilant, because while she is not often cited as people’s favorite X-Man, a whole lot of folks relate to her in very specific and incredibly personal ways. Also, it turns out that there’s a pretty solid queer allegory in Jean’s story. Though a parable about a straight character is not to be mistaken for actual queer representation, it is still worth noting that a lot of Jean Grey’s most avid advocates are LGBTQIA people."[118]
Deirdre Kaye of Scary Mommy called Jean Grey a "role model" and a "truly heroic" female character.[119] Chris Arrant of Newsarama ranked Jean Grey's Dark Phoenix persona 1st in their "Marvel's Best Phoenix Force Hosts" list, calling her one of the "X-Men's core characters,"[120] while George Marston ranked her 5th in their "Best X-Men Members Of All Time" list.[121] IGN ranked Jean Grey 6th in their "Top 25 X-Men" list,[122] her Dark Phoenix persona 9th in their "Top 100 Comic Book Villains of All Time" list,[123] and 13th in their "Top 100 Comic Book Heroes" list,[124] while Hilary Goldstein and Richard George of IGN said, "Jean Grey is host to the most powerful entity in the universe. One of the original X-Men, Jean has become the symbol (and cruel joke) of death and rebirth among the mutant population. Partnered with the Phoenix Force, Jean has returned to the X-Men on several occasions. However, it's her first death that remains both memorable and significant to X-Men lore. Jean sacrificed herself, choosing to die as a human than live as a God. In a universe where self-worth is almost exclusive judged on power level, Jean held her humanity so dear she was willing to give up everything she loved. The strong-willed redhead is an integral part of the X-Men's legacy."[125]
Gavia Baker-Whitelaw of The Daily Dot ranked Jean Grey 7th in their "Top 33 Female Superheroes Of All Time" list.[126] Jordan St James of Collider ranked Jean Grey 8th in their "10 Most Powerful Marvel Mutants" list, saying, "Jean Grey has gone from sweet-natured powerhouse to planet-destroying villainess to perpetual Lazarus figure."[127] Lance Cartelli of GameSpot ranked Jean Grey 10th in their "50 Most Important Superheroes" list, writing, "She is super important to the X-Men and to all of us."[128] Matthew Aguilar of ComicBook.com wrote, "While Charles Xavier put the X-Men together, there is one of his students who simply dwarfs all others when it comes to power and their effect on mutant history. That honor falls to one of his first students, Jean Grey, a powerful telepath in her own right who became part of the original five X-Men. She would later grow even more powerful though, setting up some of the X-Men's most epic moments into motion. Over the years she's undergone transformations not only in her skills and abilities but also regarding her costumes. She started out in the early days like everyone else, eventually adopting the Marvel Girl suit and persona. It fit her quieter nature at the time, but she would then adopt several looks over the years that changed according to her ever-evolving personality,"[129] while Lance Cartelli ranked her 16th in their "50 Most Important Superheroes Ever" list.[130] Darren Franich of Entertainment Weekly ranked Jean Grey 30th in their "Let's Rank Every X-Man Ever" list.[131] The A.V. Club ranked Jean Grey 60th in their "100 Best Marvel Characters" list.[132]
Joe Garza of Slashfilm ranked Jean Grey 1st in their "Most Powerful X-Men Characters" list.[133] Rachel Ulatowski of The Mary Sue ranked Jean Grey 1st in their "10 Most Powerful X-Men of All Time" list.[134] Comics Buyer's Guide ranked Jean Grey 3rd in their "100 Sexiest Women in Comics" list.[135] Joshua Corvington of Sportskeeda ranked Jean Grey 6th in their "10 Most Overpowered Superheroes In The Marvel Universe" list.[136]
Screen Rant included Jean Grey in their "10 Female Marvel Heroes That Should Come To The MCU" list,[137] and ranked her 1st in their "X-Men: The 10 Most Powerful Members Of The Summers Family" list,[138] 5th in their "25 Most Powerful Mutants" list.[139] Comic Book Resources ranked Jean Grey 1st in their "X-Men: The Strongest Members Of The Summers Family" list,[140] 1st in their "X-Men: All Of Marvel's Omega-Level Mutants, Ranked By Power" list,[141] 2nd in their "10 Best Female X-Men Characters" list,[142] 2nd in their "10 Most Attractive Marvel Heroes" list,[143] 3rd in their "10 Strongest Female Villains" list,[144] and 5th in their "10 Bravest Mutants in Marvel Comics" list.[145]
Impact
[edit]Literary reception
[edit]Volumes
[edit]X-Men: The Dark Phoenix Saga (1980)
[edit]David Caballero of Screen Rant stated, "During the Silver and Bronze Ages of comic books, many Marvel teams had their obligatory female figure. The X-Men had Jean as Marvel Girl, the Fantastic Four had the Invisible Girl, and the Avengers had the Wasp. They provided considerable support to their men-dominated teams but never excelled in the same way their teammates did. By the 70s, more female characters were a part of the conversation, but they never took control of it. The Dark Phoenix Saga changed the discourse by having a woman take the microphone, then blowing the roof and making the entire world her stage. The mightiest being in Marvel comics was a woman, a normally obedient female character who was finally letting loose. The Dark Phoenix Saga did more for female heroes and villains with just a few numbers than an entire decade of comic book continuity."[115] Tyler Huckabee of IGN included X-Men: The Dark Phoenix Saga in their "7 Best Jean Grey Comics" list, stating, "We begin at the end — one of the many that Jean Grey has endured during her time as an X-Man. It’s The Dark Phoenix Sagae how influential John Byrne and Chris Claremont’s 1980 epic is. It was, perhaps, the first superhero stoDark Phoenix Sagatalize on just how sweeping the medium could be, while never losing sight of the tender heart that beat at the center of all Claremont’s finest work. Every superhero story that came after The Dark Phoenix Saga is indebted to it in some way. Like any X-Man worth her salt, Jean’s story is a bit convoluted, and the Dark Phoenix Saga is a trippier ride than most, but Claremont keeps things clipping at an even pace that helps even the wildest plot twist go down easily. And more importantly, he centers the all-important romance between Cyclops and Jean Grey, leading to some profoundly moving moments. These moments are all captured exquisitely by legendary superhero artist John Byrne, who was as deft as crafting crackling fight scenes as he was with intimate confessions of love. Nearly forty years after its publication, it’s hardly a spoiler to say the Dark Phoenix ended with Jeans’ (first) (temporary) death, but what rose from the ashes was a whole new era for how grand comic books could be."[146]
X-Men Origins: Jean Grey (2008)
[edit]According to Diamond Comic Distributors, X-Men Origins: Jean Grey #1 was the 85th best selling comic book in August 2008.[147][148][149]
Michael Austin of Comic Book Resources asserted, "This 2008 one-shot written by Sean McKeever was a true standout for the character. While the photorealism of the outwork is truly outstanding, it is the story that makes this comic great. As Jean's childhood best friend, Annie, is hit by a car, her telepathic abilities manifest for the first time. Jean is forced to experience the final thoughts of her dying friend and is traumatized as a result. With Professor Xavier's help, she works past her trauma and goes on to become a hero. The tragic, lifelike beauty of this story and illustration makes X-Men Origins: Jean Grey a stand-out among her many stories. It is a must-read for the character, as it helps inform both how she became such a powerful entity and what monsters she has lurking in the back of her mind."[150] Jesse Schedeen of IGN gave X-Men Origins: Jean Grey #1 a grade of 7.5 out of 10, writing, "Mostly, this issue is meant to appeal to fans of Mayhew's art (of which I'm sure there are plenty) and those who really want Jean back in the X-books (no clue on that one). Those two groups will be satisfied, so I suppose that means mission accomplished."[151]
Jean Grey (2017)
[edit]According to Diamond Comic Distributors, Jean Grey #1 was the 13th best selling comic book in May 2017.[152][153] Jean Grey #2 was the 84th best selling comic book in May 2017.[152][153]
Mya Nunnally of ComicsVerse gave Jean Grey #1 a score of 95%, stating, "In a world where teenage girls get insulted endlessly for their music choice, their taste in movies, and their hobbies, we need Jean Grey. Specifically, we need Jean Grey #1, her new solo run written by Dennis Hopeless. In this comic, Jean is an unapologetic teenage girl. A silly, pretty, emotional, selfie-taking teenage girl. And that’s what makes her wonderful. Too often we see female superheroes stripping themselves of their identity to fit the mold of what a superhero should be. Maybe they wear completely ineffective armor. Or perhaps they’re essentially a male character with boobs. Maybe they try to be cold and distant and masculine so that they’re really just another testosterone bump to the already male team. [...] Jean Grey #1 ends in a crazy cliff-hanger, which I believe is how all first episodes should end. However, it’ll definitely be divisive. Some might see it as weak storytelling relying on previous Jean-related drama. But I thought it was a natural way to go and a good way to make sure readers want to continue reading. I’ll definitely keep up with this, even if it’s just to keep a character I love close to my heart. Jean Grey deserved better, and now here she is, getting it."[154] Jesse Schedeen of IGN gave Jean Grey#1 a grade of 7 out of 10, asserting, "Jean Grey seems like it'll develop into a worthwhile addition to the growing ResurrXion lineup. The art is strong, and Dennis Hopeless shows a decent handle on the title character. Unfortunately, the series gets off to a needlessly slow start in this first issue, dwelling on an overlong battle with the Wrecking Crew rather than diving into the heart of Jean's struggle."[155]
Phoenix Resurrection: The Return of Jean Grey (2017)
[edit]According to Diamond Comic Distributors, Phoenix Resurrection: The Return of Jean Grey #1 was the 3rd best selling comic book in December 2017.[156][157][158]
Joe Glass of Bleeding Cool wrote, "Nothing with the Phoenix is ever easy and straightforward, but it is dramatic and fun, and Rosenberg has managed that tight rope expertly in this first issue. Yu's artwork is great for the issue, too. There are some really creepy moments, which Yu draws well and manages to make it creepy to look at. We get to see a fairly big number of X-Men, and he gives each their own identity clearly and the story flows well. Phoenix Resurrection: The Return of Jean Grey #1 is a really great, intriguing and bizarre start for this series, and it certainly has me hooked to see how this series will evolve."[159] Jesse Schedeen of IGN gave Phoenix Resurrection: The Return of Jean Grey #1 a grade of 6.3 out of 10, writing, "The prospect of having Jean Grey back as an active player in the X-Men franchise is plenty appealing, but Phoenix Resurrection only partly realizes that potential. When this issue focuses on the enigmatic status quo of this all-powerful mutant heroine, it makes for fascinating reading. But when the rest of the X-Men enter the picture, the book begins to drag. It doesn't help that artist Leinil Yu struggles to make the most of the material. Hopefully this series can find its groove as it gets deeper into Jean's latest return to life."[160]
Giant-Size X-Men: Jean Grey and Emma Frost (2020)
[edit]According to Diamond Comic Distributors, Giant Size X-Men: Jean Grey and Emma Frost #1 was the 5th best selling comic book in February 2020.[161][162] Giant Size X-Men: Jean Grey and Emma Frost #1 was the 26th best selling comic book in 2020.[163]
Matthew Aguilar of ComicBook.com stated, "This story is a joy from beginning to end, but it also subtly hints at larger ramifications for not only Storm but every other mutant on the planet. Macro-level ideas regarding the soul, mutant resurrection, and the state of the mind are all explored in one way or another—anchored by the imminent danger to one of the X-Men's most iconic faces, and it makes for one very compelling mix. Whether you're looking for an entertaining adventure between two of your X-Men favorites, a thoughtful and action-packed journey through the mind, or another step forward in the evolution fo [sic] the X-Men, you'll find all of it in Giant Size X-Men: Jean Grey and Emma Frost #1. It is one of the most stunning one-shots on the market today. In short, don't miss out on this issue; you'll regret it."[164] Mike Fugere of Comic Book Resources wrote, "Giant-Size X-Men: Jean Grey and Emma Frost #1 is an obvious tribute to an issue of Grant Morrison and Frank Quitely's iconic run on New X-Men, but its tone is far less psychedelic and far more ethereal. There is a sense of peace throughout Storm's mind, despite the horrific revelation that's discovered by the end of the issue. How the various emotional avatars within our Omega-Level mutant's mind interact with Jean and Emma are probably the most compelling part of this issue from a storytelling standpoint. It does a wonderful job at expressing emotions that are not always openly expressed between characters with conflicting ideologies with humor and a wonderful sense of whimsy."[165]
Other versions
[edit]Time-displaced incarnation
[edit]All-New X-Men
[edit]In All-New X-Men, present-day Beast goes to the past and brings a younger version of Jean to the present day along with the other original X-Men in hopes of helping the present-day Cyclops to see how far he's fallen.[166] This version has experienced a surge in her abilities due to the trauma of being brought to the future. The time travel also caused her suppressed telepathic powers to awaken much earlier in her life than they were supposed to.[167] She also has a habit of reading people's minds without their permission, to the great frustration of her team.[volume & issue needed] During the Battle of the Atom crossover, a future version of this Jean Grey, who had never returned to the past and whose powers had grown beyond her control, would return to the present as Xorn, a member of the future Brotherhood of Mutants.[168] Xorn perished during the battle, but in the process the X-Men also found out that there is something preventing the All-New X-Men from returning to the past.[169] During this timeline, she reads the mind of current Beast, who regrets never admitting his feelings for her, so confronts younger Beast and gives him a kiss, which creates problems with the younger Cyclops.[170] She and her team also leave the Jean Grey School for mutants and go to Cyclops's school, where she forms a reluctant friendship with Emma Frost as she trains her psychic abilities.[171]
Jean is later kidnapped by the Shi'ar and placed on trial for the destruction done by the Phoenix Force years earlier in a 2014 crossover storyline The Trial of Jean Grey. The All-New X-Men team up with the Guardians of the Galaxy to rescue Jean from the Shi'ar homeworld, but Jean awakens a new power that she never had, in which she is able to absorb massive amounts of psionic energy from others and combine her telepathy and telekinesis, which she used to defeat the powerful Gladiator, leader of the Shi'ar.[104]
While searching for new mutants, Jean and the All-New X-Men get teleported into the Ultimate Marvel universe.[volume & issue needed] She teams up with Spider-Man (Miles Morales) to rescue Beast, who has been trapped by the local Doctor Doom.[volume & issue needed] Before she is teleported back she gives Miles Morales a kiss. Upon their return to Earth 616, she and the All-New X-Men team up with the Guardians of the Galaxy a second time in search of The Black Vortex.[volume & issue needed]
Following the reconstruction of reality after the Battleworld crisis, Jean has parted ways from the rest of the time-displaced X-Men as she attempts to find her own life in the present by living a normal civilian life in College until Storm recruits her to join her new team of X-Men to help protect mutants from Terrigen.[172] She mentions having broken up with Hank McCoy, considering him to be more of a brother.[173] After the X-Men go to war against the Inhumans to destroy the Terrigen, Jean leaves Storm's team and attempts to return to her original timeline along with the rest of the time-displaced X-Men but realizes that they're not from the 616 timeline, leaving them stranded on Earth 616 with no idea which timeline they're from.[174] With this new knowledge that they are from an unknown alternate timeline, Jean becomes the time-displaced X-Men's new leader and they quit the X-Men in hopes of finding their place in the current world.[175]
Jean ends up approached by Magneto, who offers her and her team to join him in preserving Xavier's dream by defeating those who oppose it.[176] Jean accepts and her team joins him, but in secret they train themselves in case Magneto ever reverts to his villainous roots to kill them.[177]
As part of the Marvel's RessurXion event, Jean Grey received her first-ever solo series. While on a solo mission against the Wrecking Crew, Jean receives a vision that the Phoenix Force is coming back to Earth.[178] She goes to the rest of the X-Men to warn them about her vision but as there haven't been any Phoenix sightings since the X-Men went to war against the Avengers to decide the fate of the Phoenix, she has a hard time getting Beast, Captain Marvel, and Kitty Pryde to accept that her vision was real even though they assure her that if the Phoenix ever does return then the X-Men and Avengers will come together and do all they can to stop it. Jean feels even less taken seriously when Beast begins examining her for signs of delusional hallucinations. Jean then meets with other former Phoenix hosts Colossus, Magik, Rachel Summers, Hope Summers and Quentin Quire, where the latter uses his powers to show her how the aftereffects of bonding with the Phoenix Force has individually affected each of them.[179] A meeting with Namor helps Jean come to the conclusion that she can refuse the Phoenix and even possibly defeat it.[180] After meeting with Thor and training with Psylocke, Jean learns how to create telekinetic weapons to help with her impending battle against the Phoenix.[181]
Jean ends up sent back in time for unknown reasons and ends up meeting that timeline's Jean Grey shortly after she first becomes Phoenix. Time-displaced Jean attempts to ask Phoenix questions about the Phoenix Force but she dodges Jean's questions. Instead Phoenix takes Jean for a night out and shows off her powers. After witnessing Phoenix use her cosmic powers to prevent Galactus from consuming a defenseless planet, Jean contemplates warning Phoenix of her fate until an encounter with Uatu stops her from doing so. The Watcher commends Jean and tells her that choosing to not change her future means that her ultimate fate is in her own hands whether or not she ends up hosting the Phoenix Force back in her present. As Jean returns to her present, Phoenix cryptically states that they will meet again.[182]
Backed by a host of former Phoenix Force wielders, Emma Frost, Quentin Quire, Hope Summers, the Stepford Cuckoos and even the spirit of the adult Jean Grey, the teen Jean tries to defy destiny and stop the Phoenix before it can take her over and bend her to its will. With the Phoenix Force now on Earth, the team realizes it's going to take a lot more than they have to stop it. And while the young Jean is able to wound the Phoenix with the aid of Cable's Psi-mitar, the Phoenix seems just too strong for anyone to overcome. Teen Jean eventually managed to push the cosmic force far away from her friends and allies, where a final battle can take place. However, both Jean Greys learned how wrong they were, as the Phoenix was never coming for teen Jean, at least not like they believed. Actually, the Phoenix wants the adult Jean, but to do that it needs the young Jean out of the way. Thus, the force floods her body with flaming psychic energy, incinerating her from the inside out, leaving only a skeleton.[183] This was done to resurrect the adult Jean Grey, which the Phoenix considers its one true host. However, after dying, the younger Jean found herself somehow in the White Hot Room despite not being a Phoenix host. Angry, the Phoenix attempted to destroy her using mental manifestations of its past hosts, created from pieces of their life forces left in the Room. Jean realized that she could control the White Hot Room against the Phoenix wishes and commanded the cosmic entity to resurrect her, which it did so in order to get rid of her. After returning to Madripoor, she was approached by her resurrected older Earth-616 counterpart, much to her surprise.[107]
Age of Apocalypse
[edit]In the Age of Apocalypse storyline, Jean is a student of Magneto.[184] She is forced to suppress her telepathic powers in order to escape from the Shadow King's attacks. She eventually falls in love with fellow student, Weapon X. Jean is later kidnapped by Mr. Sinister, who offers her a place among his team. She refuses, and is sent to Sinister's breeding pens. Weapon X rescues her, but not before Sinister extracted her DNA and combined it with that of Cyclops to engineer the perfect mutant, X-Man. Weapon X, and Jean leave the X-Men and join forces with the Human High Council. She learns of a plan to drop nuclear bombs on the United States to kill Apocalypse. She confronts Weapon X, then leaves him to try to stop the attack with the aid of Cyclops. She's apparently killed at the hands of Cyclops' brother, Prelate Havok, before she can hold back the nuclear bombs with her telekinesis.[185]
In the tenth-anniversary limited series, it is revealed that Jean was the one that stopped the nuclear attack from the Human High Council with the last of her powers. She was also "resurrected" by Sinister and began displaying Phoenix Force powers, known in this reality as "Mutant Alpha" abilities. Jean does not remember her old life at first, so Sinister manipulated her to create a new team to fight the X-Men, the Sinister Six. During the fight between the two teams, Logan is able to connect emotionally with Jean. She turns on Sinister and incinerates him. Jean and Logan reunite, and she becomes leader of the X-Men at Magneto's behest.[186]
Ultimate Marvel
[edit]This section may need to be rewritten to comply with Wikipedia's quality standards. (March 2015) |
In the Ultimate Marvel continuity, Jean Grey is a responsible, but extroverted young woman; scathingly sarcastic and a bit of a tease, and she secretly reads other people's minds, particularly the other members of the X-Men. Early in the series, she has very short, cropped hair and dresses in punkish clothes.[187] As she matures through both her studies and her role as an X-Man, she gradually shifts to more conservative outfits and grows out her hair to match the character's classic style.[188] She has a brief affair with Wolverine,[189] but when Wolverine reveals he was sent to kill Professor X, Jean is angry and ends the relationship.[190] She later begins to date Cyclops although she is occasionally frustrated by his shyness.[191] Xavier found Jean Grey while she was in a mental hospital, having problems controlling her telepathy and having troublesome visions of a "Phoenix raptor".[192] It is established at the start of the series that her age is 19 and was Xavier's second student after Cyclops.[187]
The exact nature of the Phoenix in the Ultimate Universe has not been revealed, but very often Jean is haunted by visions and hallucinations of the Phoenix early in the Ultimate timeline. The powers seem to reveal themselves when Jean gets angry. It appears, due to tests conducted in Ultimate X-Men #71, that the Phoenix is an actual entity and not an uncovered aspect of Jean's own mind. According to the Fire and Brimstone story arc, Jean's Phoenix powers come from the Phoenix God, although Xavier does not believe this.[193]
Jean kills many members of the Hellfire Club in a fit of Phoenix powered rage before Xavier calms her down. Much later in the story, Jean uses her Phoenix powers often. She starts with her powers out of her control due to her anger, accidentally killing two mercenaries who were attacking the X-Men. She feels guilty over the incident for weeks, but after a while, she manifests signs of the Phoenix, beginning to draw upon more and more of the residual Phoenix energies buried within her mind to help the X-Men on several occasions, combating Magneto and the deceptive and manipulative Magician. It has been revealed that Jean envisions imaginary tiny, green goblins carrying out her telekinetic activities.[volume & issue needed]
When the man from the future, "Cable", attacks the X-Men, he kidnaps Jean Grey, but she is later rescued by the X-Men and Bishop. After Professor X's apparent death, Jean has become the headmistress of the school, along with Cyclops. She did not join Bishop's new team of X-Men, but has assisted the team when needed, often butting heads with Cyclops over when to help and when not to help.[volume & issue needed]
Further down the line, The X-Men hunt Sinister down, finding him in the Morlock tunnels slaughtering several Morlocks in order to reach his goal; to be reborn as Apocalypse. He has the power to control mutants and brings former X-Men Cyclops, Jean, Iceman, Rogue, and Toad to NYC for a giant survival battle royal. The Fantastic Four intercept Cyclops' team, where Sue Storm traps Jean in a force field, rendering her a mere spectator. Jean is broken free of the bubble when Professor X, able to walk, uses his telepathy to free her and the other reserve X-Men, leaving her to subdue the other team of X-Men and the Morlocks. She hesitantly calls for help when Apocalypse puts Xavier on the brink of death and the Phoenix Force responds, physically manifesting herself and merging with Jean to fight Apocalypse.[194] Using her unimaginable powers, she brings Apocalypse to his knees and melts his armor. Having fully merged with the Phoenix, Jean reverts recent history, allowing the X-Men to remember. She then travels across the universe, causing war and suicide among different races. When she reaches her destination, the Silver Surfer arrives to warn her but she pushes on to find Heaven.[volume & issue needed]
Jean later inexplicably turns up at the Mansion and resettles with the X-Men. When Alpha Flight kidnaps Northstar, Jean strives to push the X-Men to fight harder, especially when Cyclops leaves to protect Colossus, Rogue, Dazzler, and Angel, who were using Banshee to rescue Northstar. Unfortunately, they believe they've failed and become Banshee addicts. Jean leads her X-Men to deal with Colossus but falls into a trance, having visions of her father, who tells her not to push her friends to failure. She recovers Northstar, crippled from the waist down, and less aggressive. Everyone but Scott returns home, so Jean tracks him into space, where he is staring down at Earth, feeling omnipotent. Jean reminds him he's in need, provoking him into attacking her. During the ensuing fight Banshee were wears off and Scott almost succumbs to vacuum. Jean encompassed him in her fire.[volume & issue needed]
During the events of the Ultimate Marvel crossover event Ultimatum, Magneto's Manhattan tidal wave kills Nightcrawler and Dazzler. Scott, Jean, and Logan go as the "original X-Men" to stop Magneto once and for all. The remaining X-Men along with the Fantastic Four, Ultimates, and SHIELD assault Magneto's base, during which they lose several more members including Wolverine, who has his Adamantium ripped from his bones by Magneto. In the end Magneto is defeated when Jean downloads Nick Fury's memories into Magneto, which reveals that mutants are not the next stage of human evolution, but rather a super-soldier experiment gone wrong. Horrified by the truth, Magneto surrenders, and Cyclops executes him with his optic blast.[195]
Soon after, Jean is in Washington with the remaining X-Men, where Cyclops makes a speech, attempting to bring peace to the anti-mutant hostilities and to ask that all mutants surrender to the government. He is then assassinated by Quicksilver, who lodges a bullet into his skull, and declares his intention to reform the Brotherhood. Scott dies in the arms of Storm and Colossus, while Rogue rushes a distraught Jean to safety. Jean is later seen in Ultimate X-Men Requiem alongside Rogue and Iceman as they tear down the Xavier Institute and raze their mentor's estate. They bury the bodies of the various deceased X-Men in unmarked graves on the estate grounds.[196]
Jean then moves to Baltimore, changing her hair color to black and assuming the identity of "Karen Grant". She takes a nondescript job managing a store at the Cherry Square Shopping Center, where her security guard boyfriend Dave works. Despite having only worked at the mall for four months, Jean uses her telepathy to alter the memories of her coworkers so that they believe she has worked there for three years.[197]
Jean discovers that Dave has put her photo on Facebook without permission, making her angry and culminating in their separation. Mystique and Sabretooth then ambush Dave and kill him while torching Jean's store. Meanwhile, while packing up to disappear, Jean meets the son of Wolverine, Jimmy, for the first time.[198] Jean is later seen travelling with Jimmy to Chicago to recruit a mutant known as Derek Morgan, then to southern California to locate Liz Allan.[199]
One night, Jimmy is attacked by Sabretooth. Jean had sought Bruce Banner for help and a fight ensues. Quicksilver then arrives with his newly formed Brotherhood of Mutant Supremacy but is defeated by Jean and her recruits. Nick Fury reveals that the team Jean made was part of the Xavier Protocols, and that he has been clandestinely helping mutants on the run from the government. To protect Jean's followers, Fury enlists them in S.H.I.E.L.D. as a support group known as the Ultimate X.[200]
Jean and her team are seen en route to the SEAR to aid Hawkeye. After witnessing the heaven created by the Xorn/Zorn brothers in Tian, the Ultimate X group deserts, deciding to remain there. Nick Fury reveals that Jean is using her telekinetic powers to make the brothers believe she is in Tian in order to have an "inside man" when she is really in America. However, a recent meeting between Karen and Zorn implies that she may be double crossing Fury, as she is physically in Tian as well as revealing her real identity as Jean Grey.[volume & issue needed]
She sends a spy to keep tabs on what Kitty is up to with Reservation X, forming a wide Resistance in the pages of Ultimate Comics: X-Men consisting of past members like Iceman, Strom and Colossus.[201]
What If?
[edit]In What If vol. 2 #27, Jean Grey was not the last X-Man standing during the fight with the Imperial Guard and was successfully 'lobotomised', remaining with the X-Men as mansion staff, eventually re-manifesting her powers when a mission to aid the Shi'ar forced the X-Men to fight Galactus so that Jean could drive him away. Although she appeared redeemed from her past, her Phoenix persona secretly manifested itself at night to feed on dead worlds and uninhabited stars until Jean was confronted about her actions, her resulting anger when discovered causing her to lash out and accidentally kill the X-Men, especially Cyclops, her guilt and grief result in her consuming the entire universe as the entire Phoenix was unleashed.[volume & issue needed]
Another version of Phoenix remains powerless and happily married to Cyclops until an attack by Mastermind causes her to remember her true origin; she accidentally kills the original Jean Grey. Although Phoenix tries to help the X-Men in secret, she leaves Earth and her husband and child when Destiny tells her that only death and destruction would result if she remains on Earth.[202]
In another story, Vulcan destroys seven galaxies, the entire Annihilation Wave, the Shi'ar and Kree Empires before travelling to Earth. Using the Phoenix Force, he restores Krakoa before engaging in battle with Cyclops, Havok, Rachel and Cable. Vulcan appears to be winning until a strange outside force causes Vulcan to lose control of the Phoenix Force. After a brief mental battle between Vulcan and his family, Vulcan accepts his defeat by letting go of the rage and hate inside him as he dies. He is comforted by the strange force who reveals to Gabriel that wielding the ultimate power would not give him what he truly wanted.[volume & issue needed]
X-Men Forever
[edit]In Chris Claremont's X-Men Forever, Jean is in nearly all respects the same character as the mainline Marvel Universe character.[203] Her flirtations with Logan are explored more in-depth in the first few issues of the title, and she confesses shortly after Logan's death that she loved him.[204] She and Scott both recognize their romantic relationship is over, due to the revelations.[205] Claremont has also shown that Jean still possesses the Phoenix Force, and has manifested it twice, once in the first issue to subdue Fabian Cortez after he has apparently killed Logan and Kitty Pryde,[206] and again to attack Storm in retaliation for her killing of Logan.[204] She has, recently, been acknowledged as the field leader of the team during Cyclops' leave of absence.[207] Jean continues to demonstrate signs of the Phoenix Force and wears a new blue and gold X-Men uniform which is cut in a similar style to her old Phoenix costume. After dealing with Logan's loss Jean began a relationship with the Beast but it ended after he sacrificed himself. With Cyclops's return, Jean began to share leadership of the X-Men with him and eventually she would be reunited with the true Storm. In the finale of the series, it is hinted that she and Scott resume their relationship.[volume & issue needed]
In other media
[edit]Collected editions
[edit]Phoenix
[edit]| Title | Material Collected | Publication Date | ISBN |
|---|---|---|---|
| X-Men Epic Collection: The Fate Of The Phoenix | Phoenix: The Untold Story and X-Men (vol. 1) #129-143, Annual #4, Marvel Treasury Edition #26-27, material from Marvel Team-Up #100 | March 2021 | 978-1302922535 |
| X-Men: The Adventures of Cyclops and Phoenix | The Adventures of Cyclops & Phoenix #1-4, The Further Adventures of Cyclops & Phoenix #1-4, material from Marvel Valentine Special #1 | October 2018 | 978-1302913793 |
| X-Men: Phoenix – Endsong | X-Men: Phoenix – Endsong #1–5 | May 2006 | 978-0785119241 |
| X-Men: Phoenix – Warsong | X-Men: Phoenix – Warsong #1–5 | January 2008 | 978-0785119319 |
| Phoenix Resurrection: The Return of Jean Grey | Phoenix Resurrection #1–5 | May 2018 | 978-1302911638 |
Jean Grey
[edit]| Title | Material Collected | Publication Date | ISBN |
|---|---|---|---|
| X-Men Origins: The Complete Collection | X-Men Origins: Jean Grey and Colossus, Beast, Wolverine, Sabretooth, Gambit, Cyclops, Nightcrawler, Iceman, Emma Frost, Deadpool | August 2018 | 978-1302912208 |
| X-Men: First Class - Class Portraits | Marvel Girl #1 and Ice Man and Angel #1, Cyclops #1, Magneto #1, material from Spider-Man Family #8-9 and Marvel Comics Presents (vol. 2) #3 | April 2011 | 978-0785155591 |
| Jean Grey Vol. 1: Nightmare Fuel | Jean Grey #1–6 | October 2017 | 978-1302908775 |
| Jean Grey Vol. 2: Final Fight | Jean Grey #7–11 | April 2018 | 978-1302908782 |
| Giant-Size X-Men by Jonathan Hickman | Giant-Size X-Men: Jean Grey and Emma Frost and Nightcrawler, Magneto, Fantomex, Storm | January 2021 | 978-1302925833 |
See also
[edit]- "End of Greys", a story arc featured in the Uncanny X-Men comic book series.
- Rachel Summers, (also known as Rachel Grey) the daughter of the alternate future counterparts to Cyclops (Scott Summers) and Jean Grey. She inherited her mother's telepathic and telekinetic powers and the code name Phoenix.
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- ^ Century, Sara (April 18, 2019). "The queer fanbase of Jean Grey". Syfy. Retrieved 2022-09-02.
- ^ Kaye, Deirdre (November 16, 2020). "Looking For A Role Model? These 195+ Marvel Female Characters Are Truly Heroic". Scary Mommy. Retrieved October 16, 2022.
- ^ Arrant, Chris (September 3, 2020). "Marvel's best Phoenix Force hosts: Who wore it best?". gamesradar. Retrieved 2022-09-02.
- ^ Marston, George (July 18, 2022). "Best X-Men Members Of All Time". Newsarama. Retrieved 2022-09-02.
- ^ Hilary Goldstein; Richard George (15 May 2006). "The Top 25 X-Men". IGN. Archived from the original on 2012-10-19. Retrieved 2009-05-29.
- ^ "Top 100 Villains". IGN. Archived from the original on 2013-07-13. Retrieved 2013-08-19.
- ^ "Jean Grey". IGN. Archived from the original on January 20, 2012. Retrieved May 29, 2015.
- ^ Goldstein, Hilary; George, Richard (2006-05-15). "The Top 25 X-Men". IGN. Retrieved 2022-09-02.
- ^ Baker-Whitelaw, Gavia (2017-09-21). "Top 33 Female Superheroes Of All Time". The Daily Dot. Retrieved 2022-08-27.
- ^ James, Jordan St (May 2, 2022). "10 Most Powerful Marvel Mutants". Collider. Retrieved 2022-11-01.
- ^ Cartelli, Lance (February 15, 2018). "The 50 Most Important Superheroes, Ranked". GameSpot. Retrieved 2022-11-21.
- ^ Aguilar, Matthew (April 13, 2017). "Ranking The Jean Grey Costumes". ComicBook.com. Retrieved 2022-09-03.
- ^ Cartelli, Lance (February 25, 2019). "Ranking The 50 Most Important Superheroes Ever". ComicBook.com. Retrieved 2022-11-01.
- ^ Franich, Darren (June 9, 2022). "Let's Rank Every X-Man Ever". Entertainment Weekly. Retrieved 2022-08-27.
- ^ "The 100 Best Marvel Characters Ranked: 60-41". The A.V. Club. July 6, 2022. Retrieved 2022-08-08.
- ^ Garza, Joe (2022-07-17). "The Most Powerful X-Men Characters Ranked". /Film. Retrieved 2022-08-08.
- ^ Ulatowski, Rachel (July 21, 2022). "10 Most Powerful X-Men of All Time, Ranked". The Mary Sue. Archived from the original on 2022-08-08. Retrieved 2022-08-08.
- ^ Frankenhoff, Brent (2011). Comics Buyer's Guide Presents: 100 Sexiest Women in Comics. Krause Publications. pp. 8–9. ISBN 978-1-4402-2988-6.
- ^ Corvington, Joshua (May 20, 2022). "10 Most Overpowered Superheroes In The Marvel Universe, ranked". Sportskeeda. Retrieved 2022-08-08.
- ^ Rook, Stacie (2022-01-30). "10 Female Marvel Heroes That Should Come To The MCU". Screen Rant. Retrieved 2022-11-14.
- ^ Natividad, Sid (2019-06-09). "X-Men: The 10 Most Powerful Members Of The Summers Family, Ranked". Screen Rant. Retrieved 2022-11-01.
- ^ "Marvel: 25 Most Powerful Mutants, Ranked From Weakest To Strongest". Screen Rant. 2018-01-09. Retrieved 2022-08-08.
- ^ Thompson, Jonathan (2018-07-23). "X-Men: The Strongest Members Of The Summers Family, Ranked". Comic Book Resources. Retrieved 2022-11-01.
- ^ Murray, Kirsten (2019-07-28). "X-Men: All Of Marvel's Omega-Level Mutants, Ranked By Power". Comic Book Resources. Retrieved 2022-11-01.
- ^ Shayo, Lukas (July 10, 2023). "10 Best Female X-Men Characters, Ranked". Comic Book Resources. Retrieved 2023-08-06.
- ^ Harth, David (2022-10-17). "10 Most Attractive Marvel Heroes". Comic Book Resources. Retrieved 2022-11-10.
- ^ Garcia, Mayra (2022-03-07). "Marvel: The 10 Strongest Female Villains". Comic Book Resources. Retrieved 2022-08-08.
- ^ Harth, David (2021-12-05). "The 10 Bravest Mutants in Marvel Comics, Ranked". Comic Book Resources. Retrieved 2022-11-01.
- ^ Huckabee, Tyler (2017-12-05). "7 Best Jean Grey Comics". IGN. Retrieved 2022-09-03.
- ^ "Top 100 Comics for August 2008". Diamond Comic Distributors. Retrieved 2023-08-04.
- ^ Mayo, John (2008-10-01). "Sales Estimates for August, 2008". Comic Book Resources. Retrieved 2022-09-07.
- ^ "Comichron: August 2008 Comic Book Sales to Comics Shops". Comichron. Retrieved 2022-09-07.
- ^ Austin, Michael (2019-06-10). "X-Men: The 10 Most Important Jean Grey Stories". Comic Book Resources. Retrieved 2022-09-02.
- ^ Schedeen, Jesse (2008-08-13). "X-Men Origins: Jean Grey Review". IGN. Retrieved 2022-09-02.
- ^ a b "Top 100 Comics: May 2017". Diamond Comic Distributors. Retrieved 2022-09-07.
- ^ a b "Comichron: May 2017 Comic Book Sales to Comics Shops". Comichron. Retrieved 2022-09-07.
- ^ Nunnally, Mya (May 3, 2017). "JEAN GREY #1 Review: Guess Who's Back and Better Than Ever". ComicsVerse.
- ^ Schedeen, Jesse (2017-05-04). "Jean Grey #1 Review". IGN. Retrieved 2022-09-02.
- ^ "Top 100 Comics: December 2017". Diamond Comic Distributors. Retrieved 2022-09-07.
- ^ "Comichron: December 2017 Comic Book Sales to Comics Shops". Comichron. Retrieved 2022-09-07.
- ^ Mayo, John (January 15, 2018). "Doomsday Clock, Dark Nights: Metal & Phoenix Resurrection Top a Slow December". Comic Book Resources. Retrieved 2022-09-07.
- ^ Glass, Joe (2017-11-07). "Phoenix Resurrection #1 Review: A Powerful, Quirky Start". Bleeding Cool. Retrieved 2022-09-02.
- ^ Schedeen, Jesse (2017-12-27). "Phoenix Resurrection: The Return of Jean Grey #1 Review". IGN. Retrieved 2022-09-02.
- ^ "Top 100 Comics: February 2020". Diamond Comic Distributors. Retrieved 2022-09-07.
- ^ "Top 500 Comics--February 2020". ICv2. March 16, 2020. Retrieved 2022-09-07.
- ^ "Comichron: 2020 Comic Book Sales to Comics Shops". Comichron. Retrieved 2022-09-13.
- ^ Aguilar, Matthew (February 26, 2020). "Giant-Size X-Men: Jean Grey and Emma Frost #1 Review: A Simply Stunning Journey". ComicBook.com. Retrieved 2022-08-26.
- ^ Fugere, Mike (2020-03-01). "REVIEW: Giant-Size X-Men: Jean Grey and Emma Frost Is Gorgeous and Ethereal". Comic Book Resources. Retrieved 2022-08-26.
- ^ All New X-Men #2
- ^ All-New X-Men #3
- ^ All-New X-Men #16
- ^ Wolverine and the X-Men #37
- ^ All-New X-Men #15
- ^ All-New X-Men #30
- ^ Extraordinary X-Men #1
- ^ Extraordinary X-Men #2
- ^ All-New X-Men vol. 2 #19
- ^ X-Men: Prime #1
- ^ X-Men: Blue #1
- ^ X-Men: Blue #2
- ^ Jean Grey #1
- ^ Jean Grey #2
- ^ Jean Grey #3
- ^ Jean Grey #4-5
- ^ Generations: Phoenix and Jean Grey #1
- ^ Jean Grey #10
- ^ X-Men Chronicles #1 (1995);
- ^ X-Men: Omega (1995)
- ^ X-Men: Age of Apocalypse #6
- ^ a b Ultimate X-Men #2
- ^ Ultimate X-Men #20
- ^ Ultimate X-Men #9
- ^ Ultimate X-Men #3
- ^ Ultimate X-Men #4
- ^ Ultimate X-Men #23
- ^ Ultimate X-Men #69
- ^ Ultimate X-Men #92
- ^ Ultimatum #5
- ^ Ultimate X-Men Requiem #4
- ^ Ultimate Comics X #1-2
- ^ Ultimate Comics X #2
- ^ Ultimate Comics X #3
- ^ Ultimate Comics X #5
- ^ Ultimate Comics X-Men #19
- ^ What If? vol. 2 #32–33
- ^ Interview with Chris Claremont at ComixMix News "No, it's the Marvel Universe, there's no real change to it, other than the fact that in a very practical sense that the subsequent sixteen, seventeen years of material following my departure doesn't exist."
- ^ a b X-Men Forever #3
- ^ X-Men Forever #5
- ^ X-Men Forever #1
- ^ in X-Men Forever #11, Beast explicitly refers to her as such.
External links
[edit]Jean Grey
View on GrokipediaPublication history
Creation and debut
Jean Grey was created by writer Stan Lee and artist Jack Kirby as one of the founding members of the X-Men in 1963.[8] She debuted as a teenage mutant in The X-Men #1 (September 1963), where she was introduced as Jean Grey, the newest student at Professor Charles Xavier's School for Gifted Youngsters.[9] In this Silver Age comic, Grey was characterized as a poised and intelligent young woman whose mutant abilities set her apart, reflecting the era's emerging themes of prejudice and otherness through the mutant metaphor for civil rights struggles. Adopting the codename Marvel Girl, Grey served as the sole female member of the original X-Men team, alongside Cyclops (Scott Summers), Iceman (Bobby Drake), Angel (Warren Worthington III), and Beast (Hank McCoy).[8] Her initial powers were depicted as telekinesis, allowing her to move objects with her mind, which she demonstrated during team training and their first mission against the villain Magneto.[10] This ability positioned her as a versatile support member in the group's early adventures, emphasizing teamwork and control over raw power in the context of 1960s superhero dynamics.[11] The creation of Marvel Girl occurred amid Marvel's push to diversify its superhero roster following the success of The Fantastic Four, with Lee and Kirby drawing on contemporary social issues to craft mutants as stand-ins for marginalized groups facing discrimination. Stan Lee has noted in interviews that the X-Men's premise was inspired by real-world civil rights movements, using Grey's integration into the team to explore themes of acceptance and hidden potential.[12] Over time, her character would evolve dramatically, particularly with the introduction of the Phoenix Force in later decades.Development through the 1970s and 1980s
In the mid-1970s, Jean Grey's character underwent significant evolution as part of the X-Men's revival. Following the cancellation of the original X-Men series in 1970, writer Len Wein and artist Dave Cockrum relaunched the title with Giant-Size X-Men #1 in May 1975, where Grey, still operating as Marvel Girl, was rescued alongside the remaining original team members from the sentient island Krakoa by a new international roster including Wolverine, Storm, and Nightcrawler. This event marked Grey's transition from a youthful, somewhat sidelined member to a more mature and integral hero within a revitalized, diverse ensemble.[1] The relaunch continued in the ongoing Uncanny X-Men series with issue #94 (August 1975), further expanding Grey's abilities. In the relaunch, her telepathic abilities were more prominently featured alongside her established telekinesis, as the blocks on her telepathy were gradually lifted, allowing her to manipulate objects with her mind and establishing her as one of the team's most versatile operatives. Under the guidance of Professor Charles Xavier, this enhancement deepened her role in combat and rescue scenarios, reflecting the series' shift toward more complex mutant dynamics during the Bronze Age of comics.[13] A pivotal turning point occurred in Uncanny X-Men #101 (October 1976), written by Chris Claremont and illustrated by Dave Cockrum, when Grey bonded with the cosmic entity known as the Phoenix Force. During a perilous space shuttle re-entry, the Phoenix Force saved Grey's life by absorbing her essence and impersonating her on Earth to shield the real Jean from its overwhelming power, thereby amplifying her psionic abilities to god-like levels while setting the stage for internal conflict. Claremont's scripting emphasized Grey's emotional vulnerability, portraying the Phoenix as both a protective force and a burgeoning threat to her humanity.[1] This bond culminated in the iconic Dark Phoenix Saga, spanning Uncanny X-Men #129–138 (January–November 1980), co-plotted by Claremont and artist John Byrne. Manipulated by the Hellfire Club's Mastermind, Grey's psyche fractured, leading to her transformation into the destructive Dark Phoenix; she consumed the energy of an entire star, resulting in the annihilation of the D'Bari solar system's fifth planet and billions of lives. The saga escalated with Grey battling her former teammates, including a psychic showdown with Professor Xavier, before her corruption forced a climactic confrontation on the moon, where she sacrificed herself to suppress the Phoenix's rampage and protect Earth.[1][14] Grey's death in Uncanny X-Men #137 profoundly impacted the X-Men, shattering team morale and leaving Cyclops in particular devastated, as their budding romance was cut short; the event underscored themes of sacrifice and the perils of unchecked power in mutant society. Claremont's long-term stewardship of the series, beginning in 1975, was instrumental in deepening Grey's psychic and emotional layers, evolving her from a damsel-like figure into a tragic archetype of feminine strength and vulnerability, influenced by real-world inspirations and feminist undertones that explored the burdens of immense responsibility.[1][15][14] Grey was resurrected in later 1980s stories, allowing her to rejoin the X-Men amid ongoing cosmic threats.[1]Revivals and modern eras (1990s–2010s)
The cloning of Jean Grey as Madelyne Pryor, revealed in Uncanny X-Men #168–181 (1983), cast a long shadow into the 1990s, as Pryor's existence as a creation of the villain Mister Sinister influenced major X-Men narratives, including her corruption into the Goblin Queen during the Inferno crossover and her legacy through her son, Nathan Summers (Cable), who became a key figure in battles against Apocalypse and other threats.[16] This clone subplot complicated Jean's identity and relationships, particularly with Cyclops, and underscored Sinister's genetic manipulations that reverberated in 1990s events like the Phalanx Covenant and Age of Apocalypse alternate reality stories.[17] The authentic Jean Grey resurfaced in Fantastic Four #286 (1985), where she was discovered alive at the bottom of Jamaica Bay, having been saved from the Phoenix Force's destructive path years earlier by the Avengers and Fantastic Four, who had placed her in a protective cocoon.[18] This revelation led directly to her involvement in X-Factor #1 (1986), where she reunited with the original X-Men roster—Cyclops, Beast, Angel, and Iceman—to form a new mutant rescue team operating out of New York City, initially posing as mutant hunters to gain public trust.[19] By the early 1990s, Jean had fully reintegrated into the X-Men, contributing her telepathic and telekinetic powers to defenses against escalating threats like the Sentinels and Magneto's Acolytes. A pivotal personal milestone occurred in X-Men #30 (1994), when Jean Grey married Scott Summers (Cyclops) in a lavish ceremony at the X-Mansion, symbolizing the stabilization of their long-standing romance amid the team's post-Mutant Massacre recovery and the rise of Generation X.[20] This union strengthened team leadership dynamics but was soon tested by larger crises, such as the 1996 Onslaught saga, where Jean's telepathy proved crucial in uncovering Professor X's subconscious creation of the entity Onslaught and aiding in its containment through a combined Avengers-X-Men assault on the psychic being's astral fortress.[21] Under Grant Morrison's transformative run on New X-Men (2001–2004), Jean Grey emerged as a co-leader alongside Cyclops, navigating the integration of younger mutants like the Stepford Cuckoos and confronting internal fractures exacerbated by the Weapon Plus program and anti-mutant riots following Cassandra Nova's attacks.[22] Her arc culminated tragically in New X-Men #150 (2004), during the "Planet X" storyline, where a disguised Magneto (posing as Xorn) induced a fatal stroke in Jean amid the destruction of New York, leading to her second death as Wolverine attempted a mercy kill that instead awakened latent Phoenix energies.[23] The Endsong storyline, spanning Uncanny X-Men #468–469 (2006) and the Phoenix - Endsong miniseries, delved into Jean Grey's enduring psychic imprint, as the Phoenix Force—briefly referenced as the cosmic entity tied to her resurrections—sought to revive her amid the Decimation event's mutant depopulation crisis, only for Jean to manifest astrally and guide her family toward peace before fading away. This exploration highlighted her lingering influence on survivors like Rachel Summers and Cyclops, who grappled with grief while leading fractured X-Men cells.[24] Post-Endsong manifestations of Jean Grey appeared in Uncanny X-Men #494–500 (2008), during the Manifest Destiny arc, where psychic echoes and Phoenix-related visions amid the X-Men's relocation to San Francisco signaled her third return, intertwining with efforts to protect young mutants from Purifiers and foreshadowing further resurrections tied to the cosmic force.[25] These events reinforced Jean's role as a symbolic anchor for X-Men unity in the late 2000s, bridging personal loss with broader mutant survival themes.Recent series and storylines (2020s)
The 2020s marked a transformative period for Jean Grey's character in Marvel Comics, building on the foundational shifts introduced in the 2019 miniseries House of X and Powers of X, which established the mutant nation of Krakoa and its resurrection protocols. In these stories, Jean is among the original five X-Men—alongside Cyclops, Wolverine, Beast, and Angel—resurrected through cloning and the island's unique biology, allowing her to rejoin the core team as a key leader in the new era.[26] This resurrection emphasized her enduring role in mutant society, positioning her as a pillar of the Dawn of X initiative, a 2019–2021 publishing wave that launched multiple Krakoa-based titles featuring Jean in prominent team dynamics.[27] Early in the decade, Giant-Size X-Men: Jean Grey and Emma Frost #1 (2020), written by Jonathan Hickman with art by Russell Dauterman, spotlighted Jean's leadership and telepathic prowess in a standalone tale co-starring Emma Frost. The issue explored their complex rivalry-turned-alliance, using psychic visions to delve into Jean's strategic mindset amid Krakoa's fragile alliances, highlighting her evolution as a co-leader of the X-Men. The Fall of X event in 2023 disrupted Krakoa's utopia, with Jean suffering an apparent death during the Hellfire Gala massacre orchestrated by the anti-mutant Orchis organization. Her story continued in the limited series Jean Grey (2023), written by Louise Simonson with art by David Baldeón, where her consciousness persists on the astral plane, undertaking a introspective journey to confront past traumas and plot her return.[28] This arc underscored Jean's resilience, blending psychic exploration with hints of her Phoenix heritage amid the collapse of mutant sovereignty.[29] Transitioning to the From the Ashes era post-Krakoa (2024 onward), Jean's narrative shifted to cosmic scales in the ongoing Phoenix series, launched in July 2024 and written by Stephanie Phillips with art by Alessandro Miracolo. Here, Jean fully embodies the Phoenix Force, depicted as its core human manifestation—a revelation solidified in Rise of the Powers of X #5 (May 2024), where she is reborn in the White Hot Room as the entity's eternal avatar, blending her mortal empathy with immortal power.[7] The series follows her space-faring adventures, protecting the galaxy from threats like Thanos and the Black Order while grappling with the Force's dual nature of creation and destruction.[30] Key developments in 2025 further deepened this cosmic identity. In Phoenix #8 (February 2025), Jean battles for the fate of the Phoenix Force itself, facing escalated dangers after a pivotal trust decision against interstellar foes, testing the limits of her psionic control.[31] Later, Phoenix #11 (May 2025) delivers a shocking reunion with her long-lost sister Sara Grey, whose resurrection introduces personal stakes to Jean's galactic duties, revealing untold family secrets tied to her Phoenix bond.[32] The series concluded in Phoenix #15 (September 2025), where Jean confronts the ultimate decision regarding Sara's resurrection and her own eternal bond with the Phoenix Force, resolving the family and cosmic conflicts in a finale that marks the end of this volume.[33] These arcs continue to explore Jean's role as both guardian and human anchor for the Phoenix, propelling her story into uncharted cosmic territories.Fictional character biography
Early life and awakening of powers
Jean Elaine Grey was born in Annandale-on-Hudson, New York, as the second daughter of university professor John Grey and his wife, Elaine Grey.[1] She grew up alongside her older sister, Sara, in a close-knit family environment near Bard College, where her father taught history, fostering an early interest in academics and a relatively normal childhood until her mutant abilities emerged.[1] At the age of 10, Jean's telepathic powers awakened traumatically during a playdate with her best friend, Annie Richardson. While crossing the street, Annie was struck and killed by a car, and in that moment, Jean instinctively formed a telepathic link with her, experiencing Annie's fear, pain, and dying thoughts firsthand.[34] This overload caused severe psychic distress, leaving Jean overwhelmed by the emotions of those around her and unable to filter out external thoughts, which led to her withdrawal and eventual institutionalization as her parents sought medical help for what they perceived as a mental breakdown.[34] Around age 11, Charles Xavier, a family acquaintance and powerful telepath, intervened to aid Jean. Recognizing her as a mutant with immense potential, he constructed psychic blocks in her mind to suppress the uncontrolled telepathy, allowing her to regain stability.[1] Under Xavier's guidance at his School for Gifted Youngsters, Jean underwent intensive training to master her emerging telepathic and telekinetic abilities, eventually establishing her as a Class Five mutant—the highest level Xavier had encountered at the time.[35] This period marked a turning point in her family dynamics, as her parents grappled with her condition, though later revelations about her sister Sara's connections to covert operations added layers to the Grey family history. Following her training, Jean joined the X-Men as one of its founding members.[1]Joining the X-Men as Marvel Girl
Following the manifestation of her telepathic powers in childhood, Jean Grey was recruited by Professor Charles Xavier at around age 14 or 15 to attend his School for Gifted Youngsters and become a founding member of the X-Men, a team of young mutants trained to protect humanity from threats posed by rogue mutants.[1] As the only female among the original lineup—which included Cyclops (Scott Summers), Iceman (Bobby Drake), Angel (Warren Worthington III), and Beast (Hank McCoy)—Grey adopted the codename Marvel Girl, reflecting her emerging telekinetic abilities alongside her telepathy.[1] Her initial costume, designed by Xavier, featured a green leotard with yellow accents, a short skirt, and a sash, drawing inspiration from the mod fashion trends of the 1960s, including bold colors and form-fitting silhouettes that emphasized a youthful, feminine aesthetic.[36] In her debut appearance in Uncanny X-Men #1 (September 1963), Marvel Girl joined the team on their first mission to thwart Magneto's attempt to seize control of a U.S. missile base at Cape Citadel, where she used her telekinesis to levitate a massive iron gate and aid in the confrontation.[1] The subsequent issues saw the team, including Grey, battling the thief known as the Vanisher in Uncanny X-Men #2 (November 1963), whom she helped track using her telepathy, and the immovable mutant Blob in Uncanny X-Men #3 (January 1964), where her powers played a key role in subduing the villain during an assault on the Xavier Institute.[1] These early adventures established the X-Men as a cohesive unit combating anti-mutant threats, with Grey often providing psychic support and reconnaissance. From the outset, romantic tension simmered between Marvel Girl and Cyclops, the team's stoic leader, as their shared missions fostered a mutual attraction amid the dangers they faced, though Grey's role sometimes positioned her as more reserved and supportive.[1] As the sole woman on the team, her portrayal underscored 1960s gender norms in superhero comics, where she frequently embodied nurturing and emotional qualities, balancing the more aggressive dynamics of her male teammates while occasionally facing scenarios that highlighted her vulnerability or relational conflicts.[37] This dynamic contributed to the team's familial structure, with Grey serving as a stabilizing influence in the high-stakes environment of mutant-human tensions.The Phoenix Force bonding and Dark Phoenix Saga
During a space mission in Uncanny X-Men #101 (1976), the X-Men shuttle is caught in a solar radiation storm, forcing Jean Grey to pilot it to safety. Overwhelmed by the lethal radiation, Grey sacrifices herself to protect her teammates, only to be enveloped by the Phoenix Force, a cosmic entity that bonds with her and impersonates her form to shield the team from the disaster.[5][38] As Phoenix, Grey returns to Earth with vastly amplified powers, initially using them to aid the X-Men against threats like Magneto. However, her psyche becomes vulnerable to manipulation by the Hellfire Club, particularly its member Mastermind, who employs psychic illusions in Uncanny X-Men #125–128 to seduce and corrupt her mind, amplifying her latent desires and drawing her into the Club's ranks as the Black Queen. This psychological assault erodes her control, setting the stage for her full transformation.[39][38] The corruption culminates in Uncanny X-Men #135 (1980), where Grey succumbs entirely to the dark impulses awakened by Mastermind, becoming the Dark Phoenix. In a moment of unchecked hunger, she travels to the D'Bari star system and consumes the energy of its sun, triggering a supernova that obliterates the star and wipes out billions of inhabitants on the surrounding planets, marking one of the most devastating acts in X-Men history.[38][39] The Shi'ar Empire, whose ally Lilandra rules as Majestrix, declares Dark Phoenix a universal threat and demands her execution to prevent further cosmic destruction. In Uncanny X-Men #137 (1980), the X-Men defend Grey during a trial on the moon, battling the Shi'ar Imperial Guard in a fierce confrontation that tests their loyalties. Regaining momentary control amid the chaos, Grey chooses self-sacrifice, using a psychic construct to contain the Phoenix Force and end her life, thereby halting its rampage and averting greater catastrophe.[40][38][39]First death and resurrection
Following Jean Grey's sacrifice on the Moon to prevent the Dark Phoenix from consuming more life, the X-Men deeply mourned her loss, grappling with the devastation wrought by the Phoenix Force's corruption.[41] The team's grief lingered into subsequent adventures, manifesting subconsciously in their encounters.[16] In Uncanny X-Men #168 (1983), while transporting Professor Xavier to a hospital, the X-Men met Madelyne Pryor, a civilian pilot whose striking physical resemblance to the deceased Jean unsettled them profoundly.[16][42] Unknown to the team at the time, Madelyne was a clone of Jean created by the geneticist Mr. Sinister as part of his long-term experiments on mutant bloodlines, intended as a potential vessel for the Phoenix Force.[16] Cyclops (Scott Summers), still reeling from Jean's death, found solace in Madelyne's presence and began a romantic relationship with her, leading to their marriage and relocation to a farm in Alaska.[16] The couple welcomed a son, Nathan, in Uncanny X-Men #201 (1986), during which Madelyne expressed growing insecurities about her place in Cyclops's life amid his lingering attachments to the X-Men.[16][43] Although Madelyne herself did not join X-Factor—the reformed team of the original X-Men launched in 1986 to combat emerging threats—Cyclops briefly retired from heroism to focus on his family before the group's formation.[16] Jean's true resurrection occurred in Fantastic Four #286 (1985), when the Avengers discovered a psionic cocoon containing her astral form off the Jamaican coast, preserved by the Phoenix Force after it separated her consciousness from the Dark Phoenix entity during the saga's climax.[41][44] The Fantastic Four assisted in awakening her from this protective state in the White Hot Room, allowing Jean to emerge fully restored, though initially amnesiac about recent events; she later reintegrated the Phoenix's memories as her own.[41] This revival clarified that the Phoenix had created a duplicate of Jean years earlier to shield her from harm, ensuring her survival beyond the apparent death.[41][45] Upon her return, Jean rejoined X-Factor alongside Cyclops, who abandoned Madelyne and Nathan to reform the team, straining his marriage and leaving Madelyne isolated in Alaska.[16] Years later, during the "Inferno" crossover in 1989, Madelyne's origins unraveled: in Uncanny X-Men #241, Mr. Sinister captured her and disclosed her status as Jean's clone, activating latent Phoenix energies within her and fueling her descent into rage as the Goblin Queen.[16] Overwhelmed by betrayal and demonic influences, Madelyne clashed with Jean and the X-Men, ultimately self-immolating in Uncanny X-Men #243 to destroy the last remnants of her form, effectively ending the clone's existence.[16] Jean, now fully reintegrated, confronted lingering Phoenix Force echoes during these events but emerged with her identity affirmed, solidifying her place back among the X-Men.[41]Return, marriage to Cyclops, and team dynamics
Following her resurrection, Jean Grey reunited with the original X-Men members—Cyclops, Iceman, Beast, and Angel—to form X-Factor, a team that publicly posed as mutant hunters while secretly protecting and training young mutants.[46] This incarnation of X-Factor debuted in X-Factor #1 (1986), marking Grey's reintegration into active superhero duties after years in cryogenic stasis at the bottom of Jamaica Bay.[47] Her unexpected return immediately strained Cyclops's marriage to Madelyne Pryor, as he abandoned his family to rejoin Grey, leading to Pryor's emotional unraveling and eventual transformation into the Goblin Queen during the Inferno crossover.[46] Pryor's legacy as a clone of Grey, revealed in prior events, continued to cast a shadow over Grey and Cyclops's relationship, complicating their reconciliation with themes of identity, betrayal, and shared trauma.[48] As X-Factor's adventures concluded, Grey transitioned back to the core X-Men roster, participating in the Muir Island Saga (1991), a pivotal crossover spanning Uncanny X-Men #275–280 and X-Factor #69–70.[49] In this storyline, Grey joined forces with X-Factor and the Uncanny X-Men on Muir Island to combat the Shadow King, a powerful psychic entity possessing various mutants and threatening Professor X's mind.[50] Grey's telepathic abilities proved crucial in the astral plane confrontation, where she helped sever the Shadow King's influence and heal Xavier's psychic wounds, effectively resolving lingering threats tied to psychic manipulation and clone-related deceptions from Pryor's arc.[49] The saga's climax united the teams, leading to the X-Men's reorganization into Blue and Gold strike teams to better manage global mutant crises amid escalating anti-mutant sentiment.[50] Grey was assigned to the Gold Team, led by Storm, alongside Colossus, Iceman, Archangel, and occasionally Forge, beginning in Uncanny X-Men #281 (October 1991).[50] In this structure, she took on significant leadership responsibilities during missions, coordinating telepathic defenses and strategic assaults against threats like the Phalanx technorganic virus and time-traveler Trevor Fitzroy.[51] The split enhanced team dynamics by allowing specialized operations—Blue under Cyclops focused on high-stakes leadership, while Gold emphasized resilience and adaptability—but it also highlighted tensions from Cyclops's duties, as his role often pulled him away from Grey, exacerbating strains from Pryor's abandonment and their son Nathan's (Cable) upbringing.[50] These dynamics culminated in Grey and Cyclops's marriage in X-Men #30 (March 1994), a lavish ceremony at the X-Mansion officiated by Professor X and attended by a vast array of Marvel heroes, including the Avengers (Captain America, Iron Man), Fantastic Four, and Alpha Flight.[52] The event symbolized their enduring bond amid chaos, with Grey walking down the aisle in a classic white gown and the festivities featuring heartfelt toasts and battles against minor interruptions like a Sabretooth sighting.[52] Post-wedding, Grey briefly left the Gold Team to align more closely with Cyclops on the Blue Team, fostering deeper integration but underscoring ongoing challenges in balancing personal commitment with the X-Men's divided operations.[50]Major conflicts: Onslaught and New X-Men era
In the 1996 Onslaught crossover event, spanning X-Men vol. 2 #53 to Onslaught: Marvel Universe #1, Jean Grey was drawn into a psychic confrontation with the entity Onslaught, a psionic amalgamation born from the darkest aspects of Professor Charles Xavier and Magneto.[53] Onslaught targeted Grey specifically, pulling her into a psychic realm and revealing Xavier's suppressed traumatic memories in an attempt to exploit her prior connection to the Phoenix Force for greater power.[53] Rejecting the entity's manipulations, Grey discovered Onslaught's true origins and assisted in weakening it by psychically removing the mental blocks suppressing the Hulk's rage, allowing the Hulk to tear through Onslaught's psionic armor.[53] Alongside Xavier, Grey contributed to containing Onslaught's psychic influence long enough for the combined heroes—including the Avengers and Fantastic Four—to ultimately subdue and exile the threat, though at great cost to Xavier, who appeared to sacrifice himself.[53] This event highlighted Grey's growing mastery over her telepathic abilities in large-scale psychic battles.[1] Transitioning into the early 2000s, Grey's role evolved significantly during Grant Morrison's run on New X-Men #114–154 (2001–2004), where she served as co-headmistress of the expanded Xavier Institute alongside her husband, Cyclops, mentoring a new generation of over 200 young mutants amid escalating threats to mutantkind.[1] In this era, Grey focused on fostering team dynamics and personal growth for students like the Stepford Cuckoos and Beast, emphasizing resilience in the face of anti-mutant prejudice and internal conflicts.[54] Her mentorship extended to confronting the shadowy Weapon Plus program, a clandestine initiative behind mutant experimentation; during the "Assault on Weapon Plus" storyline in New X-Men #142–145, Grey joined the X-Men in infiltrating The Vault, a high-tech facility run by the program, where they uncovered its history of creating super-soldiers like Wolverine and faced lethal defenses, deepening Grey's understanding of the systemic threats to mutants.[1] Strains in Grey's marriage to Cyclops began to surface during this period, exacerbated by his lingering psychological effects from prior possessions and a controversial psychic affair with Emma Frost, which Grey discovered telepathically, planting seeds of doubt and emotional distance between the couple.[1] These tensions culminated in Grey's second death in New X-Men #150 (2004), where, amid the "Planet X" arc involving the imposter Xorn—revealed as Magneto—she sacrificed herself by attempting to harness the Phoenix Force against his forces, only to be felled by a devastating electromagnetic pulse from Xorn that overwhelmed her defenses during the assault on Asteroid M.[41] Although tied to the broader conflicts initiated by antagonists like Cassandra Nova, whose Sentinels had earlier devastated Genosha and tested the team's resolve, Grey's final moments underscored her willingness to protect her students and team at ultimate personal cost.[41] The emotional fallout from Grey's death profoundly impacted Cyclops, who held her as she died, leading to a period of grief that reshaped his leadership and prompted him to reevaluate his priorities, ultimately drawing him closer to Emma Frost.[1] For the X-Men, the loss triggered a reformation of the team, with the Xavier Institute evolving into a more militarized operation under new dynamics, while honoring Grey's legacy as a mentor and symbol of hope amid mutant society's turmoil.[54]Second death and Endsong
In New X-Men #150 (2004), Jean Grey met her second death during the climactic battle against Magneto, who had been masquerading as Xorn and was infected by the mutant-exterminating Sublime organism. As the X-Men confronted Magneto atop his asteroid base descending toward Earth, he unleashed an electromagnetic assault on Jean, manipulating the magnetic fields within her brain to induce a massive stroke that killed her instantly in Cyclops' arms, despite her partial reawakening of the Phoenix Force. This event marked a pivotal moment in Grant Morrison's New X-Men run, emphasizing Jean's vulnerability even as a powerful telepath and underscoring the escalating threats to mutantkind.[55] Following her death, Jean's psychic essence lingered as a profound influence on her teammates, manifesting through telepathic echoes and visions that haunted survivors like Wolverine. Wolverine, in particular, grappled with intrusive psychic remnants of Jean, including shared memories and emotional imprints that strained his healing factor and feral instincts, symbolizing the unbreakable bond they shared despite unrequited romantic tensions. These manifestations extended to other X-Men, creating a spectral presence that disrupted team dynamics and fueled ongoing grief, as detailed in subsequent issues exploring the psychological toll of her loss.[41] The Endsong arc, culminating in X-Men: Phoenix – Endsong #1–5 (2005), provided thematic closure through a final confrontation with Jean's enduring essence amid the "Grey's End" storyline. As Rachel Grey confronted the astral spirits of their deceased family, Jean's Phoenix-aura-clad form appeared faintly in a white light, offering a poignant farewell that reconciled lingering family traumas and granted the team subtle psychic boluses of strength and resolve to honor her sacrifices. This ethereal encounter highlighted Jean's sacrificial nature, portraying her as a selfless guardian whose influence persisted beyond death to guide and protect the X-Men.[56] Jean's passing profoundly impacted Cyclops, whose overwhelming grief led him to seek solace in a telepathic connection with Emma Frost, evolving into a romantic relationship that reshaped X-Men leadership and dynamics in the post-New X-Men era. This shift, born from Scott's inability to move past Jean's absence, underscored themes of loss and adaptation within the team.[57]Post-death manifestations and third return
Following her second death in X-Men: Phoenix – Endsong (2005), Jean Grey's psychic essence persisted as echoes within the minds of her loved ones, particularly haunting Cyclops and occasionally providing subtle guidance during X-Men crises, such as aiding against threats during the Messiah Complex storyline in Uncanny X-Men #494–500 (2008).[58] These manifestations were faint psychic imprints rather than full apparitions, reflecting her enduring bond with the team even in death.[59] The Phoenix Force, seeking to reassemble itself, began targeting potential new hosts across the Marvel Universe in late 2017, manifesting through fragmented visions and possessions that drew the attention of the X-Men.[60] However, the entity ultimately exhumed Grey's body from her grave and placed it within a cosmic egg for rebirth, allowing her to emerge alive and free of the Phoenix's direct influence in Phoenix Resurrection: The Return of Jean Grey #1–5 (2017–2018).[61] This marked Grey's third full resurrection, restoring the original adult version of the character without the cosmic entity's possession.[62] At the time, a younger, time-displaced version of Grey—pulled from the past by the original five X-Men in All-New X-Men #1 (2012) and active through issues like #19 (2014)—had been operating in the present day, grappling with foreknowledge of her future self's tragic fate. The adult Grey's return introduced immediate tensions, as her ghostly psychic projection appeared to the young variant during the resurrection events, urging her to embrace her potential but also sparking identity conflicts over who embodied the "true" Jean Grey.[63] These clashes manifested in psychic confrontations and emotional strain, with the young Grey viewing the adult as a haunting reminder of doom, while the elder sought to mentor and integrate their timelines.[64] Post-resurrection, the adult Grey reconciled somewhat with her younger counterpart, but integration challenges persisted, including debates over leadership and the Phoenix's lingering shadow.[65] She assumed a prominent role in forming and leading the X-Men Red team in X-Men Red #1 (2018), focusing on mutant advocacy and defense against anti-mutant threats, thereby reestablishing her place in the pre-Krakoa era dynamics alongside Cyclops and other core members. This setup positioned Grey as a stabilizing force for the fractured X-Men family, bridging past traumas with renewed purpose.[66]Krakoa era: House of X and Dawn of X
In the House of X miniseries, Jean Grey was among the first mutants resurrected through Krakoa's innovative protocols, utilizing the combined powers of "the Five"—a group comprising Goldballs, Elixir, Hope Summers, Proteus, and Tempus—to regenerate bodies from genetic backups stored in a global Cerebro network. This process confirmed Grey's history of five prior deaths, spanning events from the Dark Phoenix Saga in 1980 to her sacrifice during House of X #4 in 2019, allowing her full reintegration into mutant society as an Omega-level telepath and telekinetic.[58] The resurrection emphasized Krakoa's commitment to reclaiming lost mutants, positioning Grey as a foundational figure in the island nation's emergence as a sovereign entity.[26] During the Dawn of X era from 2019 to 2021, Grey assumed a leadership role in the reformed original X-Men team, co-led by Cyclops and including Wolverine, alongside newer members like Synch and Sunfire, operating from Krakoa to defend mutant interests against emerging threats. This team confronted Orchis, a clandestine anti-mutant consortium formed by remnants of organizations like AIM and Hydra, which sought to eradicate Krakoa through advanced Sentinel technology and preemptive strikes on mutantkind's resurgence.[67] Grey's telepathic prowess proved instrumental in coordinating defenses and infiltrating Orchis operations, underscoring her evolution from a field operative to a strategic pillar of the Quiet Council, Krakoa's governing body. Grey's return also reignited complex dynamics with Emma Frost, another Quiet Council member and Cyclops' former partner, who had borne his children—Hope Summers and the younger clones—creating underlying tensions rooted in past psychic infidelity and family loyalties.[68] Despite initial wariness, Grey and Frost collaborated on telepathic missions, such as in Giant-Size X-Men: Jean Grey and Emma Frost (2020), where their combined abilities thwarted extradimensional incursions, hinting at a fragile alliance amid personal strains over Cyclops' divided paternal responsibilities.[69] These interactions highlighted broader themes of reconciliation in Krakoa's push for unified mutant sovereignty. Grey actively participated in the inaugural Hellfire Galas starting in 2021, lavish diplomatic events hosted on Krakoa to affirm its status as an independent nation and foster alliances with global powers through drug trades and resurrection incentives.[70] As a council member and X-Men leader, she helped orchestrate these gatherings, which doubled as platforms for electing X-Men rosters and showcasing mutant culture, reinforcing Krakoa's diplomatic leverage against human prejudices.[71] Throughout this period, Krakoa's archives and psychic explorations delved into Grey's storied connection to the Phoenix Force, revealing her as its primary human vessel across timelines without immediate re-bonding, to avoid destabilizing the nascent nation.[72] This introspection, detailed in X-Men (2019) issues, contextualized her past hosts—like the original Phoenix duplicate—and the White Hot Room's role as the entity's astral nexus, informing Krakoa's policies on cosmic entities and mutant immortality.[73]Fall of X and From the Ashes
The Fall of X storyline, commencing in July 2023, depicted the anti-mutant organization Orchis launching a devastating assault on the mutant nation of Krakoa during the third annual Hellfire Gala, resulting in the island's destruction and the scattering of its inhabitants.[74] In the midst of this chaos, Jean Grey was killed by Moira X using Otherworld poison, as shown in X-Men: The Hellfire Gala 2023 #1, marking her apparent death and contributing to the broader collapse of Krakoa's sovereignty.[75] Following her death, Grey's consciousness persisted through astral projection, allowing her to navigate alternate dimensions and reflect on pivotal moments in her life within the 2023 Jean Grey miniseries by Louise Simonson and Bernard Chang.[28] In this four-issue arc, she explored "what if" scenarios, such as Wolverine hosting the Phoenix Force instead of her, and reflected on her confrontation with Madelyne Pryor, ultimately concluding that her unique bond with it—rooted in her empathy and familial ties—provided the necessary balance against its destructive potential.[76] These reflections culminated in the White Hot Room, where Grey confronted the Phoenix Force, reinforcing her role as its ideal vessel and setting the stage for her return.[76] Grey's resurrection occurred in Immortal X-Men #17 (November 2023), where Hope Summers and Exodus discovered her in the White Hot Room; the Phoenix Force then refashioned a duplicate body for her, restoring her to life and affirming her enduring connection to the cosmic entity.[77][78] This event bridged into the From the Ashes era, launched in July 2024 as a relaunch of the X-Men line following Krakoa's fall, with mutant teams dispersing across the globe to rebuild amid heightened human-mutant tensions.[79] In this post-Krakoa landscape, Grey's revival via the Phoenix Force implied her central role in the mutants' survival, as teams like the Uncanny X-Men reformed to combat ongoing threats from Orchis remnants and human supremacists.[79] Her cosmic significance was further established in 2024, with revelations positioning her as the human manifestation of the Phoenix Force itself, elevating her beyond a mere host to an integral embodiment of its life-giving and destructive essence.[80]Phoenix solo adventures (2024–present)
In the ongoing Phoenix series launched in July 2024, Jean Grey fully embraces her role as the cosmic entity Phoenix, venturing alone into the depths of space to safeguard the universe from existential threats while grappling with her personal redemption.[7] Following the events of the "From the Ashes" era, Jean responds to a desperate distress signal from Nova at the edge of a black hole, marking the beginning of her solitary odyssey where she confronts interstellar dangers that no other hero can address.[81] This narrative arc emphasizes Jean's yearning to harness the Phoenix Force's immense power responsibly, positioning her as a wandering guardian who intervenes in galactic crises to prevent widespread destruction.[82] Early issues of the series pit Jean against the Black Order, the ruthless lieutenants of Thanos, who emerge as immediate antagonists seeking to exploit cosmic vulnerabilities even without their master's direct command.[83] In Phoenix #2, Jean engages in intense battles with these foes, demonstrating her evolved command over the Phoenix Force to counter their assaults across alien worlds.[83] The conflict escalates in Phoenix #6, where Thanos himself intervenes as a brutal new threat, crashing into Jean's path and forcing her to assemble an ad-hoc team of cosmic allies—reminiscent of the Guardians of the Galaxy—to repel his incursion and protect vulnerable sectors of the galaxy.[84] These encounters highlight Jean's strategic prowess and the Phoenix Force's raw potential, as she orchestrates defenses against Thanos and his forces, ultimately prevailing in a showdown that underscores her status as the universe's preeminent defender.[85] By Phoenix #8, released in February 2025, Jean faces a dire alliance formed by Perrikus and other Dark Gods, who target the Phoenix Force itself in a bid to seize its power, testing her trust in potential allies and forcing her to confront internal doubts about her control over the entity's volatile energy.[86] This installment delves into the mounting pressures of her isolation, as Jean navigates betrayals and manipulations from these ancient cosmic adversaries, reinforcing the series' exploration of her unyielding bond with the Phoenix as its primary host.[86] A pivotal personal turning point arrives in Phoenix #11, published in May 2025, when Jean reunites with her long-lost sister, Sara Grey, who miraculously returns from the dead on the distant planet Greyhaven, transforming Jean's cosmic duties into a deeply intimate family reckoning.[32] This emotional revelation disrupts Jean's solitary vigil, as Sara's resurrection—stemming from her murder by the Phalanx technorganic collective—unearths buried family secrets and challenges Jean to balance her universal responsibilities with newfound personal ties.[87] The subsequent Phoenix #12, released in June 2025, unveils Sara's secret origin and the full circumstances of her survival, further intertwining Jean's identity crisis with themes of legacy and the enduring pull of her human roots amid her divine evolution as Phoenix.[87] In #13 (July 2025), Cable arrives from the future attempting to kill Sara to avert a timeline catastrophe; #14 (August 2025) sees Jean wage war across the cosmos to protect her sister; and #15 (September 2025) concludes the series with Jean resolving the family conflict and cosmic threats, affirming her eternal role as Phoenix. Following the Phoenix series' conclusion, Jean continues as a key X-Men leader in Uncanny X-Men (2024–present), balancing her cosmic duties with mutant defense against post-Fall of X adversaries.[88] Throughout these adventures up to November 2025, the series consistently probes Jean's core identity as the Phoenix Force's chosen vessel, blending high-stakes interstellar conflicts with introspective growth on power, loss, and self-determination.[89]Powers and abilities
Telepathy
Jean Grey possesses omega-level telepathic abilities, making her one of the most powerful mutants in terms of mental prowess.[90] Her telepathy allows her to detect and read thoughts across vast distances, project her own consciousness into others' minds, establish psychic links for communication, exert mind control, stun adversaries with psionic blasts, generate realistic illusions, and facilitate astral projection.[1] These capabilities enable her to connect with millions of minds simultaneously, as demonstrated during the Hellfire Gala when she linked nearly every mutant on Earth to participate in a global telepathic election for the new X-Men team.[91] Grey's telepathic powers first manifested traumatically at age 10, triggered by the death of her best friend Annie, which caused an overwhelming flood of emotions and thoughts that left her catatonic.[2] Charles Xavier intervened by erecting psychic blocks in her mind to suppress the ability until she could handle it, then trained her at his school to develop control and refine her skills.[92] Over time, under Xavier's guidance, she progressed from basic mind reading to advanced techniques, eventually removing the blocks to access her full potential, often amplified by devices like Cerebro for global mutant detection.[1] In practice, Grey employs telepathy for both subtle and overt applications, such as forging mental links with X-Men teammates during combat to coordinate strategies seamlessly or projecting illusions to deceive foes like Mystique and Lady Mastermind.[1] She has used it to manipulate memories, such as erasing knowledge of future events from her friends' minds, and to confront rivals like Emma Frost in psychic duels.[1] Though capable of mind control—exerting influence over an individual's decisions, as she once did with Angel—Grey rarely resorts to it due to ethical concerns, preferring non-invasive methods like psychic communication or stunning blasts to incapacitate threats.[1] Astral projection allows her to explore the astral plane or guide others' consciousnesses, enhancing team reconnaissance.[1] Despite her mastery, Grey's telepathy has vulnerabilities, including susceptibility to psychic feedback that can cause mental strain or overload during intense confrontations.[1] It can be disrupted by power-nullifying mutants like Leech or countered by equally potent telepaths, such as Emma Frost or Psylocke, whose backlash has previously overwhelmed her.[1] Additionally, direct mind possession is limited to one target at a time and requires relative proximity, preventing unlimited remote dominance.[1]Telekinesis
Jean's telekinesis, one of her primary mutant abilities, enables her to exert mental control over physical matter and energy on a vast scale. She can generate protective force fields capable of shielding herself and others from intense physical and energy-based attacks, levitate objects or individuals for transportation, and achieve flight by manipulating gravitational forces around her body. This power first manifested in her childhood following a traumatic event, but it was refined through rigorous training under Professor Charles Xavier starting in her teenage years.[1] The scope of her telekinesis extends to both gross and fine manipulation, allowing her to hurl massive objects with concussive force or disrupt molecular structures to create explosive effects via accelerated kinetic energy. In combat, she has deflected high-velocity projectiles like bullets and assembled complex structures from disparate materials, simulating superhuman strength to overpower adversaries or support allies. Her abilities grew significantly during the mid-1970s, evolving from initial limitations—such as fatigue from lifting her own weight—to a potency that rivals the scale of Magneto's magnetic manipulation in direct confrontations.[1][10] At peak efficiency, Jean can lift and maneuver hundreds of tons of material, as demonstrated in feats like stabilizing collapsing structures or redirecting massive debris during battles. Her fine control reaches microscopic levels, enabling precise applications such as repairing delicate mechanisms akin to lock-picking or aiding in biological repairs when briefly combined with her telepathy for targeted psychic surgery. These capabilities underscore her versatility, making telekinesis a cornerstone of her role in X-Men operations beyond mere physical dominance.[1]Empathy and psychic defenses
Jean Grey possesses advanced empathic abilities that allow her to sense and project emotions, forming deep interpersonal connections that go beyond standard telepathic communication. This empathic projection enables her to detect subtle emotional states in others, such as fear or anger, and influence them to foster calm or resolve conflicts. For instance, during early X-Men missions, she used this skill to soothe agitated teammates like Angel amid battles, preventing emotional escalation that could compromise team cohesion.[1] These capabilities stem from her mutant physiology, which was first awakened traumatically at age 10 when she formed an empathetic link with her dying friend Annie Richardson, allowing her to experience the "land of the dead" and imprinting a profound sensitivity to emotional auras.[34] In addition to sensing emotions, Grey's empathy extends to healing psychic trauma by mending mental wounds inflicted by external forces or internal turmoil. She has demonstrated this by reactivating her own suppressed telepathy after reliving traumatic memories and assisting others in recovering from psychological damage caused by psychic assaults. This healing aspect integrates briefly with her telepathy, allowing her to channel empathetic energy to stabilize disrupted minds. However, her empathic rapport creates natural psychic defenses, including the ability to erect mental barriers that shield her consciousness from unwanted intrusions while maintaining a intuitive bond with allies. Professor Charles Xavier initially constructed these shields to protect her from overwhelming emotional influxes during her youth, a technique she later mastered independently to project illusions or astral forms as additional layers of defense.[1][34] Grey's empathic powers also serve practical uses, such as detecting deception through emotional reads—exemplified when she uncovered Mystique's disguises by sensing underlying deceit—and calming enraged individuals to de-escalate volatile situations. Post-exposure to the Phoenix Force, her abilities evolved significantly, expanding to broader aura sensing that encompasses collective emotional fields across large groups or even planetary scales, enhancing her defensive rapport without fully merging with the entity's more destructive traits. Despite these strengths, vulnerabilities persist; overwhelming exposure to negative emotions, like widespread rage or grief, can destabilize her, leading to temporary instability or amplified psychic feedback that risks emotional overload.[1][34][90]Phoenix Force enhancements
The Phoenix Force, an immortal and indestructible entity embodying the life force of the universe, bonds with hosts like Jean Grey to amplify their innate abilities to godlike proportions, enabling feats far beyond standard mutant capabilities. This symbiosis grants Jean unparalleled control over life energy, allowing her to manipulate matter and energy on a fundamental level, such as converting raw cosmic energy into tangible forms or vice versa. Additionally, the Force empowers her with the ability to resurrect herself or others by channeling psionic life force, restoring vitality even from states of complete annihilation, often facilitated through the extradimensional White Hot Room where the Phoenix regenerates.[93] When fully attuned, the Phoenix Force bestows cosmic awareness upon Jean, expanding her telepathy and telekinesis to universal scales; she can perceive and influence events across galaxies, manipulating stellar phenomena or repairing multiversal rifts with psionic precision. This awareness positions her as a guardian of cosmic balance, with telepathic reach extending to entire star systems and telekinetic prowess capable of reshaping planetary structures or redirecting interstellar forces.[93] However, the bond carries inherent risks, as the Dark Phoenix persona represents a corrupted manifestation where the Force's hunger overrides the host's control, exponentially amplifying destructive potential to consume stars for energy sustenance or eradicate entire worlds in fits of unchecked rage. This corruption transforms Jean's powers into a force of apocalyptic devastation, capable of triggering supernovae or unraveling reality itself if not restrained.[93] Jean's unique compatibility as the Phoenix Force's ideal host stems from her omega-level mutant genetics and empathetic psyche, making her a perfect vessel that allows the entity to achieve full integration and cyclical rebirths without fully consuming her identity. This synergy enables repeated resurrections and power escalations, with the Force viewing her as its "missing piece" for optimal expression.[93] In 2024-2025 developments from the Phoenix series, Jean fully integrates with the Phoenix Force as its true host, transcending previous host limitations and embracing a permanent oneness that evolves her into a cosmic entity of creation and rebirth, wielding infinite potential as a solo protector across the stars while retaining her moral compass.[7][80]Limitations and vulnerabilities
Jean's telepathic and empathic abilities are prone to psychic overload, particularly stemming from her childhood trauma when her powers first manifested at age 10 upon linking to her dying friend's mind, resulting in blackouts and severe emotional withdrawal that required psychic blocks from Professor X to stabilize her.[1] These overloads persist in high-stress combat scenarios, where overwhelming sensory input from multiple minds can cause temporary loss of control and mental exhaustion.[1] Emotional instability represents a core vulnerability, as her heightened empathy intensifies personal doubts and relational conflicts, amplifying negative emotions into potentially catastrophic episodes akin to the Dark Phoenix transformation, where the Phoenix Force feeds on and exacerbates her rage and inner turmoil.[1] This susceptibility is evident in instances where emotional triggers, such as betrayal in personal relationships, lead to uncontrolled psychic outbursts that threaten both herself and others.[94] The physical demands of her telekinesis impose a notable toll, depleting her stamina during prolonged or high-intensity applications and necessitating periods of recovery to avoid fatigue-induced weakness.[1] Additionally, her bond with the Phoenix Force introduces the risk of possession, as the entity's vast cosmic energy can overwhelm and dominate her consciousness if her willpower falters under duress.[1] External threats further exploit her vulnerabilities through anti-mutant technologies, such as neural inhibitors that block telepathic signals and power-dampening devices deployed by groups like Sentinels and Orchis, which have proven effective in neutralizing her abilities during confrontations.[1] Alien adversaries, including the Shi'ar Empire, have developed specialized nullifiers aimed at suppressing Phoenix-related powers, rendering her temporarily powerless in interstellar conflicts.[1] Following her 2024 resurrection and deeper integration with the Phoenix Force as depicted in the Phoenix series (2024–present), Jean's limitations have evolved, with her status as one with the entity diminishing vulnerabilities tied to human physiology—such as the need for oxygen or sustenance—allowing sustained operation in hostile cosmic environments as of November 2025.[95] This advancement, however, heightens her sense of cosmic isolation, as her godlike role often requires solitary journeys into deep space, distancing her from earthly connections and amplifying the psychological strain of her elevated existence.[95]Cultural impact and legacy
Critical reception
The Dark Phoenix Saga (1980) has been widely praised as a landmark in superhero comics for its exploration of tragedy and female agency, portraying Jean Grey's transformation as a profound narrative of power's corrupting influence and personal sacrifice. Critics have highlighted how the story elevates Grey from a supporting character to a central figure whose internal struggle drives the epic scope, marking it as a touchstone that raised the bar for character-driven storytelling in the genre.[96][97] Early depictions of Jean Grey in the X-Men series drew critiques for reinforcing damsel-in-distress tropes, where her telepathic abilities were often sidelined in favor of scenarios requiring rescue by male teammates, limiting her to passive roles that underscored 1960s gender dynamics. Over time, however, her character evolved into an empowered icon, particularly through narratives that emphasized her psychological resilience and active decision-making, as seen in her efforts to contain the Phoenix Force during the Dark Phoenix Saga. Feminist readings interpret Grey's arc as a symbol of suppressed power and cyclical rebirth, with psychic barriers imposed by Professor Xavier representing patriarchal control over female potential, while her resurrections embody mythic renewal through destruction and regeneration.[98][99] The repeated resurrections of Jean Grey have sparked debates among critics, with some viewing them as contributing to narrative fatigue by diminishing the stakes of her deaths in an era of superhero revivals, while others celebrate them as reinforcing the mythic Phoenix motif of eternal renewal and human transcendence. In the 2020s, Louise Simonson's Jean Grey miniseries (2023) received acclaim for its introspective depth, delving into Grey's psyche across timelines to explore themes of identity and legacy, with reviewers noting the writer's nuanced grasp of her vulnerability and strength. Similarly, Stephanie Phillips' Phoenix series (2024–2025) has been lauded for providing innovative emotional layers to Grey's cosmic duality, balancing divine power with personal introspection; its conclusion in issue #15 (September 2025) was praised as a subtle and soulful resolution of her bond with the Phoenix Force, revitalizing her as a multifaceted protagonist.[100][101][102][103][104][105]Influence on feminist themes and character archetypes
Jean Grey's portrayal embodies the archetype of the tragic heroine, characterized by cycles of sacrifice, death, and resurrection that echo ancient mythic figures such as Persephone, whose descent into the underworld and seasonal return symbolize themes of loss, renewal, and the burdens of divine power. In her narratives, Grey repeatedly sacrifices herself to contain overwhelming cosmic forces, only to be reborn, highlighting the emotional toll of such heroism on female characters who must navigate personal agency amid existential threats. This archetype underscores the feminist tension between empowerment and self-destruction, where women's strength is both celebrated and punished.[99] Grey's character evolution reflects broader feminist shifts in comics, transitioning from a subservient figure in the 1960s—often depicted as Cyclops' supportive partner with restrained powers due to patriarchal psychic blocks imposed by Professor X—to an autonomous powerhouse by the 1980s, fully embracing her telepathic and telekinetic abilities without male oversight. This progression mirrors second-wave feminism's push for women's independence and has influenced subsequent characters like Scarlet Witch, whose own arcs of unchecked power and reality-warping echo Grey's struggles with control and identity. By the 1980s, Grey's Dark Phoenix persona served as an allegory for women's suppressed rage and the societal constraints that demonize female autonomy, portraying her destructive outburst as a metaphor for the explosive release of long-subdued emotions under oppressive norms.[106][107][99] Within the X-Men franchise, Grey acts as a catalyst for exploring gender dynamics in mutant society, challenging the male-dominated team structure by centering female-led cosmic conflicts that interrogate power imbalances and the fear of women's potential dominance. Her storylines prompt examinations of how mutant women, like Grey, must balance relational roles with godlike responsibilities, influencing franchise-wide themes of equality and intersectional oppression. Critics have praised this as a foundational element in advancing female representation in superhero narratives.[107][108] In her modern legacy, the 2024 Phoenix series reinforces Grey's agency amid cosmic isolation, depicting her as a solitary guardian traversing galaxies, making independent choices to protect vulnerable worlds while grappling with her humanity's isolation from loved ones. This portrayal emphasizes a feminist reclamation of cosmic femininity, where Grey's vulnerability enhances rather than diminishes her heroic stature, solidifying her as a template for empowered, multifaceted female archetypes in contemporary comics.[109]Fandom and merchandising
Jean Grey has cultivated a dedicated fanbase within the Marvel Comics community, particularly evident in the popularity of cosplay at major conventions like San Diego Comic-Con, where attendees frequently portray her iconic Phoenix form alongside characters such as Cyclops and Cable.[110] This enthusiasm extends to fan debates over the most compelling iterations of the Phoenix, with discussions often centering on her evolution from Marvel Girl to cosmic entity in various comic arcs.[111] Merchandising featuring Jean Grey has been prolific since the 1990s, with Hasbro's Marvel Legends series producing numerous 6-inch action figures, including a 2021 Jean Grey figure with premium accessories, a 2024 X-Men '97 version, and a deluxe Phoenix Force edition that captures her fiery transformation.[112] Apparel and collectibles, such as Phoenix-themed statues and clothing lines, further capitalize on her enduring appeal, available through retailers like Entertainment Earth and Target.[113][114] Online, fan engagement thrives in X-Men-focused forums and communities, where enthusiasts analyze Jean Grey's multiple resurrections and share fan art depicting her relationship with Cyclops, fostering ongoing discussions about her narrative arcs.[115] At conventions, panels dedicated to Jean Grey's legacy draw crowds, often featuring voice actors like Catherine Disher, who portrayed her in X-Men: The Animated Series, as seen at events such as the 2025 Uncanny Experience and the 2024 Nickel City Comic Con's X-Men '97 cast panel.[116][117] The launch of the Phoenix series in 2024 has spurred a surge in fan interest during the 2020s, with strong initial sales contributing to increased demand for related merchandising like variant covers and exclusive figures. Its conclusion in 2025 further fueled discussions on Grey's character development.[115]Literary reception
Analysis of key volumes
Jean Grey's portrayals in key comic volumes recurrently explore motifs of identity fragmentation, often manifested through clones, resurrections, and alternate personas that challenge her sense of self. These elements underscore the tension between her human vulnerability and the overwhelming cosmic entity she hosts, as the Phoenix Force repeatedly disrupts and reconstructs her psyche, leading to existential crises where she questions her authenticity.[99] Psychic duality further permeates these narratives, depicting Jean as a battleground between rational control and primal, destructive impulses, where her telepathic abilities amplify internal conflicts into external chaos, symbolizing the divided nature of female power in superhero lore.[118] The narrative structure of Jean Grey's stories employs a cyclical pattern of deaths and returns, framing her arc as an epic cycle of destruction and rebirth that mirrors mythological resurrection tales. This repetition not only sustains her centrality in X-Men continuity but also serves as a structural device to revisit themes of sacrifice and renewal, with each iteration building on prior events to heighten dramatic stakes.[107] Her character arc evolves from a position of victimhood—initially overwhelmed by her powers and external manipulations—to that of a cosmic guardian, where she actively harnesses the Phoenix Force to protect existence, reflecting a progression toward agency and self-mastery.[99] Comparisons across eras reveal shifts in thematic emphasis: the 1980s volumes, such as The Dark Phoenix Saga, emphasize tragedy, portraying Jean's empowerment as a perilous descent into madness driven by patriarchal influences and uncontrollable forces.[119] In contrast, late 2010s and 2020s stories, including Phoenix Resurrection: The Return of Jean Grey (2017) and Phoenix (2024–2025), pivot toward empowerment, depicting her as a deliberate wielder of cosmic authority who navigates resurrections with greater autonomy and resolves dualities through personal growth rather than fatal sacrifice.[101] Jean's role profoundly influences X-Men lore, establishing her as the linchpin of Phoenix mythology, where her bond with the Force becomes a foundational element that intertwines personal identity with universal themes of creation and annihilation, inspiring subsequent narratives on mutant destiny and ethical power use.[107]X-Men: The Dark Phoenix Saga (1980)
"X-Men: The Dark Phoenix Saga," published in Uncanny X-Men #129–138 from January to October 1980 and written by Chris Claremont with art by John Byrne, chronicles the corruption and tragic fall of Jean Grey after she bonds with the Phoenix Force. The storyline begins with the X-Men infiltrating the Hellfire Club, where mastermind Sebastian Shaw and telepath Emma Frost manipulate Jean's growing powers, seducing her into joining their ranks as the Black Queen while fracturing her relationships with her teammates. As the Phoenix Force's influence overwhelms her, Jean transforms into Dark Phoenix, embarking on a rampage that culminates in her devouring the energy of the D'Bari star system, resulting in the deaths of five billion inhabitants on the planet Ch Andr'a. The saga reaches its climax with an interstellar trial by the Shi'ar Empire, who demand Jean's execution to prevent further cosmic threats; in a desperate bid to atone, Jean chooses self-sacrifice on the moon, urging the X-Men to end her life if necessary to contain the Phoenix's destructive potential.[120] The narrative explores profound themes, particularly the corrupting influence of unchecked power and the redemptive act of sacrifice for the greater good. Jean's arc illustrates how the intoxicating allure of godlike abilities erodes personal identity and moral boundaries, turning a hero into a force of annihilation, while her ultimate selflessness underscores the X-Men's ethos of family and redemption amid loss. These elements are amplified by feminist undertones in Jean's struggle for autonomy against manipulative forces like the Hellfire Club, though her martyr-like ending reinforces sacrificial tropes common in superhero tales.[120][121] John Byrne's artwork significantly enhances the saga's cosmic scale and emotional depth, featuring dynamic panel layouts, expressive character designs with realistic proportions, and innovative depictions of the Phoenix Force as a radiant, bird-shaped energy aura that symbolizes both beauty and terror. His sparse yet impactful backgrounds and use of motion lines during action sequences heighten the tension, making intimate psychic battles and interstellar conflicts visually compelling.[120] Upon release, the storyline received widespread critical acclaim for its bold storytelling and character development, propelling Uncanny X-Men to become Marvel's top-selling title by the mid-1980s and revitalizing the series' popularity after years of decline. It garnered multiple Eagle Awards, including for favorite continued comic book story, recognizing its narrative excellence and Byrne's contributions.[122] The saga's legacy endures as a cornerstone of X-Men mythology, establishing the Phoenix trope of resurrection and inner conflict that recurs in subsequent comics, while serving as the foundation for major adaptations, including the 2006 film X-Men: The Last Stand and the 2019 movie Dark Phoenix. Its exploration of power's perils has influenced broader superhero narratives, cementing Jean Grey's transformation as an iconic moment in comic book history.[121][123]Jean Grey (2017–2018)
The Jean Grey solo series, published by Marvel Comics from May 2017 to January 2018, centers on the time-displaced teenage version of Jean Grey from the All-New X-Men storyline, who grapples with visions of her impending possession by the Phoenix Force.[124] Haunted by the spectral presence of her adult counterpart—the original Jean Grey who perished due to the Phoenix's influence—the young Jean embarks on a solo journey to master her telepathic and telekinetic abilities, seeking guidance from various mutant mentors including Emma Frost, Psylocke, and the Stepford Cuckoos.[125] As the narrative progresses, Jean confronts escalating psychic threats, including a descent into a nightmarish astral plane and imprisonment alongside former Phoenix hosts like Rachel Summers and the Stepford Cuckoos, forcing her to break free while unraveling the ghost's true purpose in preparing her for cosmic confrontation.[126] The series culminates in Jean's direct face-off with the Phoenix Force itself, which subjects her to a personal trial of worthiness, testing her resolve against the entity's destructive legacy.[127] Key themes revolve around the burden of legacy and the multiversal ramifications of one's potential actions, as the young Jean navigates the shadow cast by her future self's catastrophic history with the Phoenix, including the destruction of billions in the D'Bari star system.[124] The story explores mentorship and self-discovery, with the adult Jean's ghost serving as a reluctant guide who pushes the teenager to harness her powers independently, highlighting the tension between predestination and free will in a multiverse where alternate timelines bleed into one another.[128] This introspective focus underscores Jean's internal conflict over avoiding her fated path, emphasizing emotional growth over large-scale battles. Written by Dennis Hopeless, known for his character-driven work on titles like Spider-Woman and All-New X-Men, the series features rotating artists including Victor Ibáñez for the opening arc, which establishes Jean's isolation and psychic turmoil, and later contributions from Gurihiru and Iban Coello for more ethereal, horror-infused sequences.[124] Hopeless's script prioritizes Jean's mentorship dynamics, portraying her as a relatable teenager burdened by cosmic expectations, while the artwork amplifies the psychological horror of her hauntings and astral adventures. Reception was mixed, with critics praising the series' deep character introspection and exploration of Jean's psyche but critiquing its uneven pacing and occasional reliance on familiar X-Men tropes.[129] On ComicBookRoundup, the debut issue earned a 7.8/10 average from 17 reviews, lauded for separating the teen Jean from her iconic predecessors, though some noted the slow build-up to action.[129] AIPT Comics awarded Jean Grey Vol. 1: Nightmare Fuel an 8.5/10, highlighting Hopeless's witty dialogue and the volume's dreamlike horror elements as strengths that make it a compelling character study.[130] Goodreads users rated the collection 3.63/5 based on 769 reviews, appreciating the thematic depth on legacy but finding the plot occasionally dreary and meandering.[131] The series ties into the broader Phoenix Resurrection: The Return of Jean Grey event later in 2017, where Jean's preparations and confrontation with the Phoenix Force intersect with multiversal threats involving her resurrection and the entity's hosts across timelines, building on the cosmic judgment motif from her earlier experiences like the 2014 Shi'ar trial in All-New X-Men.[132]Phoenix Resurrection: The Return of Jean Grey (2017)
Phoenix Resurrection: The Return of Jean Grey is a five-issue miniseries published by Marvel Comics from December 2017 to January 2018, written by Matthew Rosenberg with art by Leinil Francis Yu, Jorge Molina, and Ramon Bachs across the issues. The story serves as a crossover event tied to the X-Men titles, including tie-in issues in X-Men Gold #25-26 and Uncanny X-Men #23, integrating into the post-Secret Wars X-Men narrative.[133] In the plot, the Phoenix Force returns to Earth seeking a worthy host, first resurrecting several deceased mutants—including a teenage version of Cyclops and the telepath Quentin Quire—as temporary vessels, but none prove stable.[134] The entity then exhumes and revives the original adult Jean Grey by encasing her in a cosmic "egg," where she experiences an illusory peaceful life as a waitress in a fabricated small town populated by apparitions of her late loved ones, such as her parents John and Elaine Grey, Banshee, and even the cloned child Annie from alternate timelines.[135] As global anomalies manifest—nightmares bleeding into reality and resurrections causing chaos—the X-Men, led by figures like Old Man Logan and Kitty Pryde, investigate Jean's empty grave and track the disturbances to the New Mexico desert, confronting the Phoenix's protective illusion.[136] In the climax, Jean emerges from the egg, rejects a full merger with the Phoenix Force to preserve her autonomy, and rejoins the X-Men, affirming her identity separate from the entity's influence.[137] The miniseries explores themes of inevitable rebirth and personal identity transcending death, mirroring the Phoenix Force's eternal cycle of destruction and renewal as a metaphor for Jean's tumultuous history with the entity.[138] It delves into how death does not erase one's essence, with Jean's idyllic false life symbolizing a respite from trauma, yet ultimately underscoring her unbreakable bond to her mutant family and the burdens of power. These motifs highlight the inescapability of her role within the X-Men, even as she seeks self-definition beyond resurrection tropes.[139] Reception to the event was mixed, with fans expressing excitement over the long-awaited return of the original Jean Grey after her 2004 death, viewing it as a fresh start for the character amid the teen Jean's ongoing stories.[62] Critics, however, noted the resurrection as an overused comic book device, praising the emotional buildup and artwork but critiquing the pacing and reliance on familiar Phoenix lore without sufficient innovation.[134] IGN's reviews averaged around 6/10 across issues, commending the finale's focus on Jean's agency while faulting earlier installments for slow progression.[137] The storyline significantly impacted the X-Men franchise by reestablishing the adult Jean Grey in the main continuity post-Secret Wars (2015), distinguishing her from the time-displaced teenage version and paving the way for subsequent solo explorations of her character dynamics.[60] This revival reinforced the Phoenix Force's ongoing narrative role while stabilizing the team's roster for future arcs.[140]Jean Grey (2023)
Jean Grey (2023) is a four-issue miniseries published by Marvel Comics, written by Louise Simonson with art by Bernard Chang and colors by Marcelo Maiolo.[141][101] The story follows Jean Grey in the aftermath of her death during the Fall of X crossover event, where she embarks on an astral journey through alternate versions of her past, confronting various facets of her life and identity.[142][101] In the plot, a deceased Jean navigates space and time in a liminal state, revisiting pivotal "what if" scenarios from her history to understand the roots of her repeated resurrections and the burdens of her connection to the Phoenix Force. Issue #1 explores a timeline where the original X-Men retain memories from their future travels, altering their paths dramatically.[101] Subsequent issues delve into divergences such as Wolverine hosting the Phoenix Force instead of Jean in issue #2, and her complex relationship with Madelyne Pryor during the Inferno event in issue #3.[101] The finale in issue #4 brings Jean face-to-face with manifestations of her past selves—including Marvel Girl, the time-displaced teen, pre-shuttle Jean, and Dark Phoenix—culminating in a reconciliation that challenges her to redefine her bond with the Phoenix and break free from endless cycles of death and rebirth.[101][143] The series emphasizes themes of self-reflection, as Jean interrogates her choices and the consequences of her immense power, questioning whether her Phoenix connection has doomed her to perpetual tragedy.[101] It also grapples with breaking the resurrection cycles that have defined her character, portraying her journey as a quest for agency over her destiny rather than passive revival.[101] Simonson's writing draws direct ties to her 1980s X-Men work, particularly Uncanny X-Men and X-Factor, where she contributed to Jean's original resurrection arcs and explorations of the Phoenix mythos.[101][144] Reception highlighted the miniseries' emotional depth, with critics praising Simonson's intimate portrayal of Jean's psyche and Chang's dynamic artwork that captures the cosmic scale of her introspection.[101][145] Averaging an 8.3 out of 10 across reviews, it was lauded for revisiting fan-favorite moments while providing fresh insights into Jean's enduring struggles.[145] The series saw a sales boost amid the Fall of X event, with its final issue ranking in the top 10 and earlier issues performing strongly in the top 100, reflecting heightened interest in X-Men narratives during the storyline.[146] This miniseries serves as a narrative bridge, resolving Jean's post-death odyssey and setting the stage for her full return in subsequent Phoenix-related stories.[30]Phoenix (2024–2025)
The Phoenix series, launched in July 2024 as part of Marvel's "From the Ashes" relaunch of the X-Men line, follows Jean Grey fully embracing her role as the host of the Phoenix Force in a solo cosmic adventure.[7] Written by Stephanie Phillips, with art by Alessandro Miracolo for the initial arc and Marco Renna contributing on select issues, the series shifted to artist Roi Mercado starting with issue #11 in May 2025.[147] Phillips' narrative centers Jean's isolation in the vastness of space, where she confronts existential threats while grappling with her dual identity as both a woman and a cosmic entity.[7] The plot begins with Jean responding to a desperate S.O.S. from Nova at the edge of a black hole, where she saves hundreds of lives but inadvertently causes destruction on a distant planet, setting the tone for her redemptive journey.[81] As Phoenix, Jean traverses the galaxy, battling formidable foes such as Gorr the God Butcher in issue #4, who impales her before she resurrects, underscoring the Force's regenerative power.[148] Her conflicts escalate with the Shi'ar Empire; issue #4 reveals that Gladiator, the Shi'ar's imperial guard, ordered the massacre of Jean's family years earlier, tying her personal losses to interstellar politics.[149] By early 2025, Jean faces the Dark Gods, ancient entities threatening cosmic balance, in battles that test the Phoenix Force's limits and force her to question its destructive potential.[150] In mid-2025 issues, the narrative shifts toward emotional depth with a long-awaited family reunion on the mysterious planet Greyhaven. Jean reunites with her presumed-dead sister Sara Grey, whose resurrection—tied to mutant activations and a secret origin involving the Phoenix's influence—is revealed in issues #11 and #12.[32] This arc intensifies with Cable's arrival in issue #13, crashing the reunion and sparking battles over the Phoenix Force's fate, as external forces seek to manipulate or sever Jean's bond with it.[151] In the concluding issues #14–15, Jean, alongside manifestations of previous Phoenix hosts and Sara, confronts the cosmic hierarchy—including the entity Oblivion—in a climactic battle to determine Sara's fate and affirm her own identity as the Phoenix's eternal guardian, resolving themes of familial redemption and cosmic duty while emphasizing Jean's agency in balancing destruction and creation.[105] These confrontations highlight Jean's role as a reluctant cosmic protector, defending not just the universe but her fractured personal connections. The series explores themes of isolation, as Jean wanders alone amid stars, yearning for human ties despite her godlike power, and destiny, portraying her as the Phoenix's true avatar fated to safeguard life across galaxies.[152] Critics have acclaimed the fresh take on Jean's character, praising Phillips for blending high-stakes action with introspective character work, evidenced by average review scores of 8.3/10 across the full 15-issue run on ComicBook Roundup as of September 2025.[153] Sales were robust in the "From the Ashes" era, with issue #1 ranking among the top-selling relaunches, though subsequent numbers dipped slightly due to controversy over artistic tracing allegations against early artist Alessandro Miracolo.[154] Overall, the series has redefined Jean Grey's role, establishing her as an independent cosmic force beyond her X-Men affiliations, emphasizing her evolution into a solitary guardian of universal equilibrium.[82]Other versions
Ultimate Marvel
In the Ultimate Marvel universe (Earth-1610), Jean Grey debuts as one of the founding members of the X-Men in Ultimate X-Men #1 (February 2001), recruited by Professor Charles Xavier for her potent telepathic abilities, which initially manifest as terrifying hallucinations of a fiery bird. As a core team member alongside Cyclops, Beast, Iceman, and Colossus, she helps establish the group's mission to protect mutants from human prejudice and threats like the Brotherhood of Mutants. Jean shares a romantic relationship with Cyclops (Scott Summers), providing emotional support and telepathic coordination during missions, though tensions arise from Wolverine's flirtations and the team's internal conflicts. However, she is killed early in the series by anti-mutant extremist William Stryker during a raid on the X-Mansion in Ultimate X-Men #4 (May 2001), marking a stark, lethal tone for the Ultimate imprint where heroes face permanent consequences more frequently than in other realities.[155] Jean experiences multiple resurrections orchestrated through Magneto's grand schemes to manipulate mutant evolution and the Weapon X program's clandestine experiments on captured mutants, restoring her to the team but amplifying her psychic instability and vulnerability to external control. These events, spanning arcs like "Return to Weapon X" and Magneto's orbital manipulations, contrast with her mainstream portrayals by emphasizing gritty revival mechanics over cosmic rebirths. The character's defining arc unfolds in Ultimate X-Men #78–94 (January 2007–June 2008), where Jean fully bonds with the Phoenix Force, becoming Dark Phoenix and consuming a star in a fit of insatiable hunger, obliterating billions of lives across an inhabited system and drawing the ire of interstellar empires like the Shi'ar. This rampage culminates in a team intervention that severs her from the entity, leaving her more fragile than her Earth-616 counterpart, with fewer resurrections overall and a portrayal focused on psychological trauma rather than repeated immortal cycles.Age of Apocalypse
In the Age of Apocalypse timeline (Earth-295), Jean Grey's counterpart is reimagined as a powerful telepath who emerges as a central figure in the mutant resistance against Apocalypse's tyrannical rule. Due to the altered reality where Professor Charles Xavier was killed before forming the X-Men, Jean's parents, recognizing her burgeoning psionic abilities, contact Magneto for assistance, leading to her recruitment as the team's inaugural telepath alongside his children. This version of Jean is conceptually merged with her clone, Madelyne Pryor, manifesting as the character "Marvel" to streamline narrative elements in the storyline's debut.[156][157] As a telepathic leader in Xavier's underground network—hidden beneath the ruins of the Xavier Institute—Jean coordinates covert operations, leveraging her mental prowess to shield allies from detection and disrupt Apocalypse's forces. Her strategic importance is underscored by her capture early in the conflict by Prelate Scott Summers, a high-ranking enforcer for Apocalypse; while imprisoned, Mr. Sinister extracts her genetic material, combining it with Summers' to engineer the supremely powerful telepath Nate Grey, intended as a weapon against his master. Freed by Wolverine (known as Weapon X in this era), Jean joins him in guerrilla warfare across Europe, forging a deep romantic bond that diverges sharply from her main timeline attachment to Cyclops, emphasizing themes of resilience and alternative alliances in a dystopian world.[156][157] Jean's arc culminates in a heroic sacrifice during the final assault on Apocalypse's citadel, as depicted in X-Men: Omega (1995). Forewarned of an impending nuclear barrage on surviving human enclaves in America, she intercepts the warheads mid-flight, using her telekinesis to contain the blasts while her telepathy broadcasts a desperate plea for unity. Captured momentarily by Havok (Alex Summers), she is mortally wounded by his plasma energy but holds the line long enough to avert catastrophe, dying without the Phoenix Force's intervention to save her. Later revived through Sinister's twisted experiments, her memories are wiped, leaving her a blank slate in the timeline's collapse. This version briefly references clone dynamics akin to Madelyne Pryor from the primary continuity. Echoes of her sacrifice and legacy persist in the main Marvel Universe, influencing Nate Grey's integration and psychic resonances upon his arrival from Earth-295.[158][156][159]House of M and Decimation variants
In the primary Earth-616 continuity, Jean Grey was deceased prior to the House of M crossover event of 2005, having been killed by an electromagnetic pulse from Magneto (disguised as Xorn) during the events of New X-Men #150 (2004). Her death contributed to the escalating tensions and losses within the X-Men, exacerbating the emotional instability of Wanda Maximoff (the Scarlet Witch), whose reality-warping outburst reshaped the world into a mutant-dominated society on Earth-58163. Without Jean's stabilizing telepathic presence, the X-Men faced the crisis without one of their most powerful members, amplifying the event's themes of grief and division among heroes.[160] Within the altered House of M reality (Earth-58163), a variant of Jean Grey appeared as part of the X-Men opposing Magneto before the establishment of his monarchy. This version retained her classic telepathic and telekinetic abilities, serving as a symbol of defiance in a world where mutants held supremacy. Her presence in this timeline underscored the event's exploration of alternate mutant-human dynamics, though she played no direct role in the reality's collapse or Wanda's final decree.[161] The ensuing Decimation storyline (2005–2006), triggered by Wanda's "No more mutants" spell in House of M #8 (2005), depowered approximately 99% of the world's mutant population, marking a near-genocidal blow to mutantkind. As Jean was deceased at the time of the spell's casting, her mutant abilities were not stripped away, but the event profoundly disrupted her ongoing resurrection cycles tied to the Phoenix Force. Just prior to Decimation, the Phoenix Force had resurrected her in X-Men: Phoenix - Endsong #1–5 (2005), bonding with her anew; however, Jean sacrificed herself once more to contain the entity's instability, preventing a full return amid the unfolding catastrophe. This interruption left the depowered X-Men without her Omega-level support during the immediate aftermath, heightening their vulnerability. Thematically, Jean Grey symbolized lost potential throughout the House of M and Decimation arcs, representing an irreplaceable Omega-level asset amid the mutant "genocide." Her repeated deaths and thwarted resurrections mirrored the broader erasure of mutant futures, influencing X-Men narratives on resilience and extinction.[58]What If? and hypothetical scenarios
In the 1991 issue What If? (vol. 2) #32, titled "What If Phoenix Had Not Died?", the story diverges from the Dark Phoenix Saga by having the Shi'ar Empire opt for a psychic lobotomy on Jean Grey/Phoenix instead of execution, stripping her of her cosmic powers and allowing her to live as a depowered human.[162] She marries Cyclops, and they raise a daughter named Rachel Summers, but when her mutant abilities and connection to the Phoenix Force resurface years later, Phoenix realizes she is an alien entity who displaced the real Jean Grey's psyche into a cocoon at Jamaica Bay. Driven by this revelation, she destroys the cocoon, fully embracing her identity, which unleashes a destructive rampage; she slays Mastermind under the Shadow King's influence and retrieves a time-displaced adult Rachel from a dystopian future, but the narrative culminates in a nightmarish timeline where Phoenix's unchecked power threatens global catastrophe rather than fostering any utopian stability for the X-Men.[163] Other hypothetical scenarios explore alternate hosts for the Phoenix Force and resurrection paths for Jean Grey. Common themes across these tales include the Phoenix Force's preference for psychic hosts like Jean and the ethical dilemmas of resurrection, often portraying Jean's return through cloning, time travel, or force re-bonding as catalysts for multiversal instability. The 2013 crossover Battle of the Atom features future variants of Jean Grey, including a disguised iteration as the masked Xorn from a Sentinel-dominated 2060s timeline, who travels to the present to eliminate the time-displaced original five X-Men and avert a fractured mutant future exacerbated by the Schism event.[164] This Jean variant, empowered by advanced telepathy, ultimately sacrifices herself to restore temporal balance, highlighting themes of self-sacrifice and the perils of altering history to protect mutantkind. Similarly, the 2010 miniseries X-Men: No More Humans presents a hypothetical where all baseline humans vanish overnight, leaving only mutants; the Phoenix Force manifests not through Jean but as a separate entity from another reality, forcing Jean and the X-Men to confront existential questions about coexistence while she grapples with her latent connection to the force amid the chaos. Beyond strict What If? stories, non-canon divergences like Prelude to Deadpool Corps (2010) depict a youthful Jean Grey in an alternate academy setting under Emma Frost's tutelage, where she forms early romantic ties with a teenage Cyclops amid multiversal recruitment by Deadpool, exploring a lighter "what if" on her foundational X-Men years without the Phoenix's shadow.[165] In X-Men Forever (2009–2010), writer Chris Claremont diverges from main continuity post-Uncanny X-Men #275, keeping the original X-Men roster intact with a living Jean Grey as a central telepath, averting events like the Phalanx Covenant and delving into prolonged team dynamics, family legacies, and Phoenix-related threats in a sustained alternate path that emphasizes resurrection through unwavering mutant bonds rather than cosmic intervention. These narratives collectively underscore recurring motifs of alternative Phoenix hosts—ranging from family members to unrelated psychics—and resurrection mechanisms that test Jean's humanity against her mythic destiny.Mangaverse and Noir adaptations
In the Marvel Mangaverse series launched in 2002, Jean Grey is reimagined in an anime-inspired aesthetic as Marvel Girl, a formidable telepath and telekinetic member of the X-Men team who combines mutant abilities with magical elements for a darker tone.[166] She possesses the unique capability to summon the Phoenix Force, depicted not as a cosmic entity but as a loyal dragon familiar that aids her in battle against threats like a redesigned Magneto and other villains infused with supernatural twists.[166] This one-shot miniseries emphasizes high-octane, action-oriented narratives drawn in a stylized manga format, diverging from traditional Western comic art to highlight fluid combat and exaggerated expressions.[167] Shifting to the pulp-inspired 1930s setting of X-Men Noir in 2009, Jean Grey appears as a shrewd grifter and detective operating within New York's criminal underbelly, relying on her sharp psychic intuition and manipulative skills rather than explicit superpowers to "control" situations and people.[168] As part of the sociopathic X-Men crew under Charles Xavier, she investigates mutant-led crime syndicates like the Brotherhood, impersonating figures such as Anna-Marie Rankin to infiltrate plots involving figures like Unus and expose corruption tied to experimental enhancements.[168] Her arc unfolds in a gritty, noir miniseries format, marked by betrayal and tragedy, as she confesses key secrets to ally Thomas Halloway before perishing in a climactic showdown with Robert Halloway.[169] These limited-run adaptations—Mangaverse as a 2002 one-shot blending anime flair with mutant mysticism, and Noir as a four-issue 2009 miniseries evoking hard-boiled detective tales—offer contrasting artistic lenses on Jean's core traits of intellect and resilience, prioritizing atmospheric pulp shadows in Noir over Mangaverse's vibrant, kinetic energy without altering her foundational empathy.In other media
Live-action films
Jean Grey was first portrayed in live-action by Famke Janssen in the Fox X-Men film series, debuting in X-Men (2000) as a core member of the X-Men team, a brilliant scientist, and the telepathic and telekinetic love interest to Scott Summers/Cyclops. Janssen reprised the role in X2: X-Men United (2003), where Jean's powers begin to overwhelm her, foreshadowing her internal struggle with a darker alter ego. The portrayal culminates in X-Men: The Last Stand (2006), an adaptation of the "Dark Phoenix" comic storyline, in which Jean resurrects as the Phoenix force, unleashing catastrophic destruction before her sacrifice; critics praised Janssen's subtle build-up of the character's psychological depth across the trilogy.[170][171] A younger iteration of Jean Grey was introduced by Sophie Turner in the prequel timeline, first appearing in X-Men: Apocalypse (2016) as a teenage mutant grappling with her emerging abilities at Xavier's School. Turner returned for Dark Phoenix (2019), which centers on Jean's full transformation into the Phoenix entity, providing a more focused exploration of her saga compared to the earlier films; her performance was noted for its explosive intensity amid the story's chaos.[172][173] Despite the comic inspirations for both portrayals, the 2019 film earned a low 22% critics' score on Rotten Tomatoes, contrasting with The Last Stand's 56% and its box office success of $460 million worldwide, bolstered by the Phoenix arc's dramatic stakes.[173][171][174] As of November 2025, Jean Grey has yet to appear in the Marvel Cinematic Universe (MCU) following Disney's acquisition of Fox's X-Men properties, with original actress Janssen confirming no discussions for a reprise.[175] Casting rumors for an MCU debut circulate, including Sadie Sink as a potential Jean Grey.[176] Recent rumors as of November 2025 also suggest Jean Grey will co-lead the X-Men team in the MCU's upcoming reboot film, potentially releasing on May 5, 2028, alongside Cyclops (Scott Summers).[177]Animated series and films
Jean Grey appears as a core member of the X-Men in the animated series X-Men: The Animated Series (1992–1997), where she is voiced by Catherine Disher.[178] The series portrays her as a telepath and telekinetic with a deepening romantic relationship with Cyclops, often highlighting her emotional struggles and loyalty to the team.[179] A pivotal storyline adapts the "Phoenix Saga" in season 3 (episodes 3–7), introducing the cosmic Phoenix Force bonding with her during a space mission, which amplifies her powers but sows seeds of instability.[180] This escalates in season 4's "Dark Phoenix Saga" (episodes 1–4), where Jean succumbs to the Dark Phoenix entity, leading to destructive outbursts manipulated by the Hellfire Club, culminating in a sacrificial confrontation on the moon to protect Earth.[181] In X-Men: Evolution (2000–2003), Jean is reimagined as a teenage student at Bayville High School, voiced by Venus Terzo, emphasizing her adolescent challenges alongside her mutant abilities.[182] This version explores her telepathic overloads, rivalries with characters like Scott Summers and Duncan Matthews, and growth within the younger X-Men team, blending high school drama with superhero action across 52 episodes.[183] Her powers are depicted as maturing, with key arcs involving psychic training under Professor Xavier and confrontations with threats like the Brotherhood of Mutants. Jean Grey features in the 2011 animated miniseries X-Men (also known as Marvel Anime: X-Men), a 12-episode production co-produced by Madhouse and Marvel, where she is voiced by Jennifer Hale in the English dub.[184] Set after her transformation into Phoenix, the story follows the X-Men investigating techno-organic viruses in Japan, with Jean's Phoenix persona driving intense psychic battles and moral dilemmas, including a climactic unleashing of her full power against alien invaders.[185] Hale's portrayal emphasizes Jean's inner turmoil and god-like potential, marking a more mature, post-Phoenix iteration compared to earlier teen-focused series. Later animated appearances include a minor variant cameo in What If...? season 3, episode 3 (2024), where Jean Grey and Cyclops briefly appear in a multiversal context amid X-Men-inspired scenarios. Additionally, in the revival series X-Men '97 (2024–present), Jennifer Hale voices Jean, continuing directly from the original X-Men: The Animated Series timeline with renewed focus on her Phoenix-related arcs and team dynamics.[186] The series was renewed for a second season, set to premiere in summer 2026, and a third season, as announced at New York Comic Con in October 2025.[187]Video games and voice portrayals
Jean Grey has appeared in numerous video games as a playable character or supporting figure, often showcasing her telepathic and telekinetic abilities, as well as her Phoenix persona. Her debut in gaming came in the action RPG X-Men Legends (2004), where she is a playable character capable of using psychic blasts and mind control in combat.[188] She returned in the sequel, X-Men Legends II: Rise of Apocalypse (2005), this time playable as the Phoenix Force host with enhanced fire-based attacks and flight mechanics integrated into team-based gameplay.[189] In both titles, she was voiced by Leigh Allyn Baker, whose performance emphasized Jean's composed yet powerful demeanor. In Marvel: Ultimate Alliance (2006) and its 2020 remasters, Jean Grey serves in a telepathic support role as a non-playable character (NPC), assisting the team by providing buffs and revealing hidden enemies through her psionic powers during missions involving the Brotherhood of Mutants.[190] She was voiced by Sarah Waits, delivering lines that highlight her strategic insight in ensemble battles.[191] The character expanded to a playable role in Marvel: Ultimate Alliance 2 (2009), where players could select her for fusion attacks combining her abilities with allies like Wolverine, focusing on crowd control via psychic storms. Molly Hagan provided the voice acting, infusing Jean with a sense of internal conflict tied to her Phoenix potential.[192] This portrayal carried over to the series' third entry, Marvel Ultimate Alliance 3: The Black Order (2019), exclusive to Nintendo Switch, where she appears as DLC unlockable Phoenix with ultimate abilities that unleash cosmic energy waves; Jennifer Hale voiced her, drawing from her extensive history with the character in other media.[193] A brief mention of Jean Grey occurs in X-Men Origins: Wolverine (2009), where she is referenced in audio logs as Wolverine's deceased love interest, underscoring his emotional backstory without a visual or voiced appearance.[194] Her most recent major role is in the multiplayer hero shooter Marvel Rivals (2024), as a playable hero embodying Phoenix with abilities like telekinetic lifts, mind blasts, and a ultimate mode that summons fiery rifts for area denial. Crystal Lee voices both Jean Grey and her Phoenix entity, delivering intense, transformative dialogue during power activations.[195]| Game Title | Year | Role | Voice Actor |
|---|---|---|---|
| X-Men Legends | 2004 | Playable | Leigh Allyn Baker |
| X-Men Legends II: Rise of Apocalypse | 2005 | Playable (Phoenix) | Leigh Allyn Baker |
| Marvel: Ultimate Alliance | 2006 (remastered 2020) | NPC (support) | Sarah Waits |
| Marvel: Ultimate Alliance 2 | 2009 | Playable | Molly Hagan |
| X-Men Origins: Wolverine | 2009 | Mentioned (deceased) | N/A |
| Marvel Ultimate Alliance 3: The Black Order | 2019 | Playable (DLC, Phoenix) | Jennifer Hale |
| Marvel Rivals | 2024 | Playable (Phoenix) | Crystal Lee |
