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Wheesung
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Key Information

Choi Whee-sung (Korean최휘성; February 5, 1982 – c. March 10, 2025), known professionally as Wheesung or by the stage name Realslow, was a South Korean R&B singer-songwriter, record producer and musical theatre actor.

Career

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1982-: Early life and education

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Wheesung was born on February 5, 1982 in Seoul.[1] His paternal grandfather was a dentist who fled from North Korea and financially supported his family until he fell ill with a chronic illness for several years. By the time Wheesung's father got married, they were almost penniless and Wheesung suffered financial hardships throughout childhood and school years.[2] He was an avid dancer in high school where he was part of a rock band named Zenesis, and began singing in his senior year.[3] He graduated from Mapo High School and briefly attended classes in Ahyeon Polytechnic School as well, where he was a classmate with notable musicians such as Park Hyo-shin and Hwanhee from R&B duo Fly to the Sky.[4] He was also active in a hip-hop society called SNP, which contributed to the rise of early stage Korean hip-hop. Its members included hip-hop musicians such as Verbal Jint, P-Type and Jung-in.[5]

After graduating from high school, he initially attended the Sun Moon University, under the journalism major but dropped out. Wheesung subsequently attended the Gukje Digital University and Kyung Hee University's Graduate School of Communication.[6]

1997–1999: Dance Team and Group Debut

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He started his career in 1997 as a member of a backup dance team ING.[7][unreliable source?] Wheesung began his career in 1999 with a short lived Korean boy group, A4. He left after the band's first album debut, citing musical differences between himself and the other members of the band. After that, he joined a rock band, MAME, as vocalist for a short while. He also participated in the MBC College Music Festival (MBC 강변가요제) in 2000.[8]

2000–2006: Solo debut and YG Entertainment

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In 2000, he signed onto M Boat, a former sister company to YG Entertainment. He underwent a few years of vocal training under the label and released his first solo album Like A Movie in 2002.[3] The album achieved both public popularity and critical acclaim, receiving praises from many well-known artists including Seo Taiji and Shin Seung Hun. With his debut song, "Can't I(안 되나요)," he won multiple awards, including Golden Disc Awards, as the new artist of the year. In 2003, he released his second album, It's Real. It proved to be as popular as his first, making him the best selling artist of 2003 in Korea. With his second album, he broadened his scope to include various musical elements like pop and hip-hop on top of R&B and ballads.

2006–2009: Orange Shock Agency

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Wheesung left YG Entertainment after his contract expired in March 2006. He signed a new contract that was reportedly worth 1.5 billion won with his new company Orange Shock Agency.[citation needed]

Wheesung collaborated with many artists. In late 2008, Wheesung collaborated once again with Lee Hyori, who featured as his girlfriend in his music video of "별이 지다.." (Fading Star) from the "With All My Heart and Soul" album. In 2009, Wheesung planned to collaborate with producer Lee Hyun-do to produce a new album, with a release date being set for August 2009.[citation needed] In the same year, he also made a big hit with "Insomnia(불면증)" after being requested to cover Insomnia by Craig David in Korean.

2009–2011: POP/UP Entertainment

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Wheesung performs at Beyond the Dream Concert

In April 2009, Wheesung was announced as the MC of a new Mnet TV show called "Pre Star-1 Show". The show gave opportunities for new talented singers to introduce themselves, a platform for them to reach out to more fans. Every month about nine or ten teams will be introduced on Mnet.com and the team which receives most response from the netizens will be chosen onto the show. The chosen team/singer will also be given the chance to perform with popular stars.[9] Wheesung's 'Pre-Show 1 Show' started airing on April 24 on Mnet Cable Channel.

Wheesung had participated in several Kpop concerts in Los Angeles, California, including the Hollywood Bowl, and the Victory Concert. On June 19, 2009, Wheesung and Lena Park held a concert in Los Angeles Disney Concert Hall.[citation needed] After the concert, Wheesung planned to stay in Los Angeles for a month to work on his new album with producer Lee Hyun-do. The new album will go back to the r&b/hiphop style similar to "With Me" and "Incurable Disease". On June 27 and July 4, Wheesung performed at "Insomnia Concert" and club Le Cercle in LA. On July 11, he performed at the HALO nightclub in Hollywood.

In June 2009, Wheesung changed his label again from Orange Shock to POP/UP Entertainment, which houses stars like JK Kim Dong Wook and group M to M.[10]

2011–2016: YMC Entertainment

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In 2011, he transferred to Tae Jin Ah's YMC Entertainment.[11] Soon after joining YMC Entertainment, he recruited female singer Ailee.

2017–2025: Realslow Company, new stage name and final projects

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In 2017, Wheesung parted ways with YMC Entertainment after his contract with the agency came to an end. He set up an independent label called Realslow Company, and announced that he will now be promoting under the stage name Realslow.[12][unreliable source?]

Realslow was a stage name used by Wheesung when he was an underground singer. Wheesung gained attention in the early 2000s as an underground musician before he debuted in 2002. The name references his love and passion for R&B music, which still struggles to have much popularity in Korea. Through this new name and label, Wheesung aims to return to his roots and produce some soulful R&B music.[13][14]

Personal life

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Military service

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On November 7, 2011, he enlisted for mandatory military service. He served 21 months of active service after completing five-week of basic training course at a boot camp in Nonsan, South Chungcheong Province.[15]

On July 11, 2012, Wheesung was granted a 9 nights, 10 days temporary leave from the army to undergo surgery for a herniated disc as well as other medical conditions such as bilateral shoulders dislocation, psoriasis, and alopecia.[16]

In August 9, 2013, Wheesung was discharged from the military.[17][unreliable source?]

Drug use

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In 2013, the singer was accused of using propofol from 2011 to early 2013 in various places including dermatology clinics in Gangnam, Seoul. Wheesung claimed he used it to treat a herniated disk and hair loss. The court later cleared him of the allegations.[18]

On March 31, 2020, Wheesung was found passed out in a bathroom of a shopping mall in Seoul after using Etomidate. A black bag containing four syringes and five white vials were found lying next to him. Not being classified as a narcotic in South Korea, police released him but confiscated the items of the black bag.[19] On the same day, the man who sold drugs to Wheesung without a doctor's prescription was arrested after a CCTV analysis of Wheesung's trail prior to his discovery unconscious in the bathroom.[20]

On April 2, 2020, Wheesung was found again collapsed in a bathroom of a hotel in Gwangjin District, Seoul, with a syringe and a glass bottle containing Etomidate. Although released, a hair and urine test analysis was performed.[19]

In April 2020, ex-TV personality Amy revealed she and a celebrity friend, later confirmed to be Wheesung, partook in recreational propofol use.[21] While investigating a tip, the police had come to suspect Wheesung of purchasing propofol and sent his case to the prosecution with a recommendation of indictment. Later, Wheesung was charged for propofol use several times in December 2019.[21]

At the first trial on January 19, 2021, prosecutors at the Daegu District Court sought a three year prison sentence. Wheesung pleaded guilty and received a sentence of one year in prison, probation for two years, 40 hours of community service, and 40 hours of drug treatment lectures.[22]

Death

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On March 10, 2025, Wheesung was found dead at his home in the Gwangjin District of Seoul, at the age of 43.[23][24][25] Police said that there was no sign of foul play. Initial findings from an autopsy said the cause of death is "unknown."[26] Wheesung was buried on March 16.[27]

Discography

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Studio albums

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  • Like a Movie (2002)
  • It's Real (2003)
  • For the Moment (2004)
  • Love... Love...? Love...! (2005)
  • Eternal Essence of Music (2007)
  • Vocolate (2009)

Mini albums

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Single albums

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  • Realslow Is Back (2010)
  • Heartsore Story (2011)

Lyrics and compositions

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Bibliography

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Filmography

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Musicals

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Variety shows

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  • 2009: Mnet & tvN, Wheesung's Pre Star 1Show, MC
  • 2017–2018: tvN, My English Puberty, (나의영어 사춘기), E1-E8
  • 2018: Channel A, Galaxy, (우주를줄게), E1-10
  • 2018: Mnet & tvN, The Call, E1-5、8
  • 2018: tvN, A Battle of One Voice: 300, (하나의 목소리 전쟁: 300), E3、5
  • 2018: MBC plus, New Music God (창작의신)
  • 2018: TV Chosun, Neighbour Album (동네앨범)

Concerts

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Year Name [29][30][31][32]
2002 Wheesung 1st Concert
Wheesung 2nd Concert
2003 Wheesung It's Real Movement
솔트레인 2003 Concert Gummy SE7EN BIGMAMA
2004 Wheesung It's Real Movement II
Wheesung Theater Concert Like his Diary
솔트레인 2004 Concert Gummy SE7EN BIGMAMA
2004 JTN Live Concert 4th Wheesung & Gummy Gummy
2005 Good Friends Concert Gummy SE7EN BIGMAMA
2005 4Color Story Concert Kim Jang-hoon Fly to the Sky M To M
2006 Wheesung Concert Poison
Love Love Love Wheesung Birthday
BIG4 Concert FT Island M To M SG Wannabe
2007 2007 Whee Show Welcome to Realslow World
26th Happy Whee's day
BIG4 Concert SG Wannabe Vibe SeeYa
2008 2008 Whee Show
Happy Whee's Day Birthday Party
2008 JTN Live Concert 9th Wheesung & MC THE MAX MC THE MAX
2008 The Soul Concert Gummy Park Hyo Shin Jung Yup
2009 2009 Wheesung Concert The Man
2009 The Soul The Vocalist Concert Bobby Kim Kim Bum Soo
2009 Dream Concert
2010 Wheesung Real Slow is Back Concert
2010 The Soul The Vocalist Concert Bobby Kim Gummy[33][unreliable source?]
The Great Moment Season 1 Leessang Jeong In Gummy Lee Young Hyun
2010 JTN Live Concert 7
2011 Wheesung & Kim Tae Woo 2011 Two Men Show Soul Twins & Encore Kim Tae Woo[34][35]
Wheesung & Kim Tae Woo 2011 Two Men Show Soul Twins Encore Kim Tae Woo
2013 Wheesung & Gummy Do It Live Tour Concert Gummy
2014 Wheesung Live Tour Concert 2014 Whee Show [36]
2014 JTN Live Concert 3月
2014 Valentine's Day Kiss Concert Gummy
2014 Someday Concert 3rd Ailee
2014 Someday Concert 4th Shin Yong Jae
The Voice Concert Ailee Kim Bum Soo Shin Yong Jae Yoon Jong Shin
JTBC Hidden Singer Concert
2015 Wheesung Live Tour Concert 2015 Whee Show [37]
2015 Wheesung & Ailee Concert Back to School Ailee[38]
Wheesung & Gummy US Soulmate Concert Gummy
Legend Concert Wheesung
2015 The Plaza Countdown Party
Someday Festival 2015
2016 2016 Wheesung Live Concert On Air
WHEESUNG CONCERT in TOKYO 2016
Seong Nam Concert with Wheesung
Wheesung & K.Will Bromance Show K.Will[39]
Wheesung & Yoon Min-soo Concert Yoon Min-soo
Wheesung & Zion.T Voice II Men Concert Zion.T
Wheesung & Bada Peoplegate The Best Emotion of Concert Bada
Wheesung x Gummy x Kim Kyung-ho Summer Dream Concert Gummy Kim Kyung-ho
Wheesung & ALi Concert Cantare Festa ALi
2016 JTN Live Concert Wheesung & Lucky J Lucky J
젊은외침 통일 콘서트 Bada San.E Verbal.J Sool J
신사들의 품격 Yoon Hyung-Ryul Lee Chang-min Han Ji-sang
2017 2017 Wheesung Live Concert On Air
2017 Wheesung National Tour Concert Get Sexxy
Insomnia with Wheesung Concert
Wheesung & Kim Tae-woo Voice II Men Concert Kim Tae-woo
2018 Wheesung Concert Get Sexxy Encore
Wheesung Concert
Wheesung & Gummy Concert Gummy
Star Pack Concert 5 K.Will Ailee
2018 Dream Concert
Wheesung Real Healing Concert
Wheesung & Lyn Summer Concert Lyn
2018 DMC Festival Super Concert
Wheesung & Jung in Forest Live (TV Chosun) Jung In
Wheesung & Fany Concert Fany
2018 Realslow Wheesung Fan Meeting
Mini K-Pop Concert by WheeSung National Theater, Abu Dhabi
2018 Wheesung Realslow Concert Get Sexxy Season 2
2019 2019 Wheesung Realslow Concert Get Sexxy Season 2
2021 Wheesung Christmas Concert
2022 Wheesung Fan Meeting & 20th Concert [40]
2023 Wheesung Family gathering Concert
2024 Wheesung Christmas Concert 'Winterfall'

Awards and nominations

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Year presented, name of the award ceremony, award category, nominated work and the result of the nomination
Year Award Category Nominated work Result Ref.
2002 Golden Disc Awards Best New Artist "Can't I" (안되나요) Won [41]
MBC Ten Singers Song Festival Best New Artist Won [42]
Mnet Music Video Festival Best New Male Artist "Can't I" (안되나요) Nominated
Best R&B Performance Nominated
SBS Gayo Daejeon R&B Award Won
Seoul Music Awards Best New Artist Won
2003 Golden Disc Awards Main Prize (Bonsang) "With Me" Won [43]
MBC Ten Singers Song Festival Top Ten Singer (Bonsang) Won
Mnet Music Video Festival Best Male Artist "With Me" Won
Best R&B Performance Nominated
SBS Gayo Daejeon Main Prize (Bonsang) Won
Seoul Music Awards Main Prize (Bonsang) Won
2004 Golden Disc Awards Main Prize (Bonsang) "Incurable Disease" (불치병) Won [44]
KBS Music Awards Best Singer (Bonsang) Won
Korean Music Awards Musician of the Year It's Real Won
MBC Ten Singers Song Festival Top Ten Singer (Bonsang) Won [45]
Mnet Km Music Video Festival Best Male Video "Incurable Disease" (불치병) Nominated
Best R&B Video Won
2005 Golden Disc Awards Main Prize (Bonsang) "Goodbye Luv" Won
KBS Music Awards Best Singer (Bonsang) Won
Korean Music Awards Best R&B and Soul Album For the Moment Nominated [46]
Mnet Km Music Video Festival Best Male Artist "Goodbye Luv" Nominated
Best R&B Performance Won
SBS Gayo Daejeon Main Prize (Bonsang) Won
2007 Golden Disc Awards Main Prize (Bonsang) "Delicious Love" (사랑은 맛있다) Won
Mnet Km Music Festival Best R&B Performance Nominated
2009 Korean Music Awards Best R&B and Soul Album With All My Heart and Soul Nominated [47]
Male Musician of the Year Nominated [47]
2010 Mnet Asian Music Awards Best Male Solo Artist "Even Thought of Marriage" (결혼까지 생각했어) Nominated
Best Vocal Performance (Solo) Nominated
2011 Mnet Asian Music Awards Best Male Solo Artist "Heartsore Story" (가슴 시린 이야기) Nominated
2014 Korea Culture and Entertainment Awards K-Pop Top Ten Singer Award Won
Mnet Asian Music Awards Best Vocal Performance (Male) "Night and Day" Nominated [48]
SBS M Best of the Best Best Male Solo Won
Seoul Success Awards Singer Grand Prize Won [49]
2018 Soribada Best K-Music Awards Voice Award Won [50]
2019 Korean Arts and Culture Awards Music Producer Award Won [51]
2024 Korea Social Contribution Awards Social Contributor Award Won [52]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Choi Whee-sung (February 5, 1982 – March 10, 2025), known professionally as Wheesung (휘성) and later by the stage name Realslow, was a South Korean R&B , record producer, and musical theatre actor. Wheesung rose to prominence in the early 2000s as a key figure in bringing R&B influences to the Korean scene, blending soulful ballads and funky pop with his distinctive throaty vocals. He began his career in 1999 as a member of the short-lived A4 before transitioning to a solo artist under , debuting with the 2002 album Like a Movie, whose "Can't You" became a major hit and earned him several rookie awards, including Best Newcomer at the and . Over the next two decades, he released a dozen albums, producing chart-topping tracks such as "With Me," "Insomnia," "Goodbye My Love," and "It's True," while also collaborating on songs like "Peppermint Chocolate" with and . Beyond performing, Wheesung established himself as a prolific songwriter and producer, penning hits for artists including Younha's "Password 486" (2007), Twice's "Dance the Night Away" (2018), Ailee's "Heaven" (2012), and tracks for Super Junior. He also ventured into musical theatre, starring in productions such as Zorro and portraying Elvis Presley, showcasing his versatility as a performer. His accolades included multiple Mnet Asian Music Awards and recognition as Singer of the Year in the male solo category at the inaugural Korean Popular Music Awards. Wheesung was candid about his personal challenges, including diagnoses of chronic depression, , and since 2005, which he addressed through music and public advocacy. These issues intersected with struggles, leading to high-profile legal troubles: in 2019, he was indicted for use, resulting in a 2021 suspended one-year prison sentence, a $41,000 fine, community service, and mandatory drug treatment; he also collapsed in 2020 after using . Despite these setbacks and periods of hiatus, he made a comeback in 2023 with independent releases under his own label. On March 10, 2025, Wheesung was found unresponsive in his apartment in Seoul's Gwangjin District and pronounced dead at age 43; authorities reported as the immediate cause, with an ongoing investigation into potential as of March 2025. His death prompted widespread tributes from fans and the music industry, highlighting his enduring impact on South Korean R&B and .

Early life

Family and childhood

Choi Whee-sung, known professionally as Wheesung, was born on February 5, 1982, in , . He was the eldest of two sons, with a younger brother named Choi Hyukseong, who later became a physician. His father passed away in 2018, while his mother remained alive but in poor health as of 2025. Wheesung grew up in a modest in , where the family faced significant financial hardships during his early years. One of his notable hobbies as a was reading comic books, reflecting a creative and imaginative side amid the challenges. Public details about his parents' professions are limited, though the family's environment fostered an appreciation for the arts that influenced his later path.

Education and early musical interests

Wheesung attended Mapo High School in , graduating before briefly attending Ahyeon Polytechnic School for vocational training, where he navigated financial hardships that shaped his formative years. Despite these challenges, he immersed himself in extracurricular activities, including participation in school performances as an avid dancer and member of a rock band, where he began in his final year; these experiences allowed him to showcase his emerging talents in and dancing and fostered his passion for music. During this period, Wheesung developed his skills largely through self-directed practice, teaching himself singing techniques and basic dance moves by studying performances and practicing diligently on his own. His family offered subtle encouragement for these pursuits, recognizing his dedication despite their modest circumstances. This self-taught approach laid the groundwork for his musical growth, emphasizing perseverance over formal instruction at the time. Wheesung's musical interests were profoundly influenced by American R&B artists, particularly through exposure to icons like and , whose styles inspired his appreciation for soulful vocals and rhythmic expression. These influences sparked his exploration of R&B within local music scenes, where he experimented with covers and original ideas during high school gatherings, honing a distinctive sound that blended pop sensibilities with deeper rhythmic elements. Following high school graduation, Wheesung briefly enrolled at Sun Moon University to study , aiming for a stable career path. However, his passion for music proved overpowering, leading him to drop out after a short stint to focus entirely on artistic development. This decision marked a pivotal shift, prioritizing his self-cultivated skills over academic pursuits and setting the stage for his future in the industry.

Career

Pre-debut years (1997–1999)

In 1997, at the age of 16, Wheesung joined the backup dance team , marking his entry into the Korean entertainment industry as a professional dancer. He performed as a backup dancer for established artists, gaining initial experience in high-energy productions and live that honed his sense of and . Building on his high school musical interests, Wheesung transitioned to singing in 1999 when he debuted as the lead vocalist of the four-member boy group A4 under . The group released their debut album Princess of the Night that year, featuring the lead single "Because of Love," but it received limited commercial attention amid the competitive first-generation landscape. Internal conflicts, particularly musical differences with other members over creative direction, led Wheesung to depart shortly after the album's promotions, contributing to A4's quick disbandment in early 2001. These early setbacks, including the group's lack of breakthrough success, underscored the challenges of and prompted Wheesung to pursue a solo career for greater artistic control. His time in and A4 provided crucial live stage exposure, shaping his confident performance style and vocal delivery that would define his later work.

Solo debut and YG Entertainment (2000–2006)

Following his departure from the short-lived group A4 in 1999, Wheesung signed with M. Boat, a of , in 2000. He spent the next two years honing his vocal skills under the label's guidance, transitioning from group performances to a solo R&B focus that built on his earlier dance experience for enhanced stage presence. Wheesung made his solo debut on April 3, 2002, with the album Like a Movie, released under . The album featured 12 tracks, including the lead single "Can't I..." (안되나요..), a soulful R&B that showcased his emotive vocals and , alongside highlights like "Still" (아직도), "You Are the Only One," and "" (악몽). It quickly climbed to the top 10 on Korean charts, marking a commercial breakthrough with over 200,000 copies sold and establishing Wheesung as a key figure in introducing to the Korean mainstream, where had previously dominated. Critics praised the album for its polished production and Wheesung's versatile phrasing, drawing comparisons to international R&B influences while highlighting his role in diversifying K-pop's sound during YG's early expansion into the genre. Building on this momentum, Wheesung released his second album, It's Real, on August 20, 2003, which solidified his status as YG's premier R&B . The standout single "With Me!!" (나와 함께), a mid-tempo groove blending smooth harmonies and rhythmic beats, became one of his signature hits and propelled the album to number one on charts, with certified sales exceeding 400,000 copies in Korea. His third album, For the Moment, arrived on October 9, 2004, featuring the poignant track "Incurable Disease" (불치병), a heartfelt R&B confession that resonated widely for its raw emotional depth. The album sold over 200,000 units, maintaining his chart dominance. Wheesung capped his YG tenure with Love... Love...? Love...! on September 22, 2005, an introspective collection emphasizing mature themes and vocal experimentation, though it faced slightly softer sales amid shifting market trends toward idol groups. Under YG, Wheesung's growth extended beyond his solo work, as he collaborated with labelmates to elevate the agency's R&B profile. Notable partnerships included duets and live performances with Gummy, such as tracks from YG's live album project featuring emerging talents like Se7en and Big Mama, fostering a cohesive "YG family" sound. He also earned early songwriting credits on his own releases, composing and penning for several tracks across his albums, which honed his skills and contributed to YG's reputation for artist-driven production during this era. In March 2006, Wheesung departed upon the expiration of his contract, citing creative differences over artistic direction and a desire for greater in his music. This move ended a pivotal six-year run that positioned him as a trailblazer in Korean R&B.

Agency changes and mid-career challenges (2006–2016)

In March 2006, Wheesung's contract with expired, leading him to sign with the newly established Orange Shock Agency for a reported 1.5 billion KRW deal. Under this label, he focused on stylistic experimentation, blending R&B with pop elements in his fifth studio , Eternal Essence of Music, released in 2007. The album featured tracks like "Love Hero" and "My Way," showcasing his and production skills, though it received mixed reviews for its eclectic approach. In 2008, he followed with his first mini-, With All My Heart and Soul, which included the single "," emphasizing introspective ballads and soulful melodies. By June 2009, seeking greater creative control, Wheesung transitioned to POP/UP Entertainment, where he released his sixth studio album, Vocolate, in October of that year. This project marked a shift toward funkier rhythms and collaborations, with "Over U" highlighting his smooth and urban influences. The album's polished production aimed to revitalize his sound amid a competitive R&B landscape, but promotional efforts were limited by the agency's resources. In 2011, shortly before his military enlistment, he moved again to in September, releasing the mini-album They Are Coming in October, featuring the "They Are Coming" with newcomer , which blended rap and R&B to modest chart success. Wheesung enlisted for mandatory on November 7, 2011, interrupting his solo momentum after just one release under YMC. During his service, he received a temporary leave in July 2012 for medical reasons, allowing him to promote his mini-album ReBirth, which included soulful tracks reflecting personal renewal. Post-discharge in August 2013, he attempted a comeback with singles and features, such as the 2011 collaboration "No Better Than Strangers" with Baby Soul, re-promoted as a hit emphasizing emotional depth in relationships. However, agency instability across multiple labels contributed to inconsistent promotion and visibility. A 2013 propofol investigation was cleared, but subsequent legal troubles in the late further impacted his public image and activities (see Drug use and legal issues). Mid-career challenges intensified with frequent agency shifts resulting in fewer solo releases, prompting Wheesung to pivot toward songwriting and production for other artists, including contributions to tracks by peers like and Gummy, sustaining his influence in the industry despite reduced personal output. In May 2014, he released the mini-album The Best Man under YMC, with title track "Best Man" earning praise for its mature R&B vibe, but commercial performance was subdued compared to his early peak.

Realslow era and later projects (2017–2025)

In 2017, Wheesung established his own independent label, Realslow Company, marking a significant shift toward greater creative after years under various agencies. This move allowed him to reinvent his artistic identity, leading to a stage name change to Realslow, which he described as a deliberate choice to reflect a more introspective and mature approach to his music. Under the Realslow moniker, he focused on producing R&B tracks emphasizing emotional depth and self-production, releasing the EP IN SPACE in October 2018, which featured songs exploring themes of love and introspection. This project highlighted his evolution toward more experimental sounds while maintaining his signature soulful vocals. Subsequent releases included the 2019 single "Remember," continuing his emphasis on personal storytelling through mature R&B arrangements. In 2020, he composed the track "Ignore" (손가락질) for younger artist Niel's OST, blending his veteran production style with contemporary influences. Realslow's era also saw increased collaborations with emerging artists, such as the 2018 single "Rainy Day" featuring Chung Ha and NCT's Taeil, which showcased his role as a mentor bridging generational gaps in R&B. These partnerships often involved him providing production and songwriting guidance, helping to infuse fresh energy into his work. Additionally, he briefly ventured into musical theater, taking on the lead role of in the production from 2017 to 2018, where his vocal prowess adapted seamlessly to stage performances. Personal challenges, including health setbacks, occasionally disrupted his output during this period, leading to sporadic releases as he prioritized recovery and reflection. In 2023, he held the "Wheesung Family Gathering" , engaging fans through independent projects. In a July 2024 social media update, Realslow announced plans for a winter comeback, expressing optimism about sharing new that captured his career's culmination. Interviews in early 2025 revealed his contemplative mindset, where he reflected on the of the Realslow phase as a fulfilling close to his artistic journey, emphasizing growth through self-directed projects despite obstacles.

Personal life

Military service

Wheesung enlisted for mandatory military service on November 7, 2011, at the age of 29, beginning with five weeks of basic training at the Training Center in . He served as an active-duty soldier in the , fulfilling the standard requirement for able-bodied males in after receiving medical treatment that made him eligible for full service rather than alternative roles. His enlistment occurred amid ongoing agency transitions following his departure from in 2006, adding to the professional uncertainties in his mid-career phase. During his 21 months of active service, Wheesung faced challenges, including a herniated disc, issues, and problems, which led to a temporary leave of nine nights and ten days in July 2012 for and treatment. In July 2013, he received a three-day sentence in jail for using a personal cell phone while hospitalized, resulting in a corresponding delay to his scheduled discharge date. No indicate musical activities or contributions during this period, as his service aligned with standard duties without exemptions for artistic pursuits. Wheesung was honorably discharged on August 9, 2013, after completing his obligations. Post-discharge, he immediately began preparations for his return to the music industry, focusing on new material amid the career hiatus caused by the service, which had delayed potential album projects and contributed to a temporary lull in his visibility. His first release after discharge, the mini-album The Best Man in May 2014, served as a platform for reflection on his experiences, though the interruption ultimately affected his momentum during a challenging transitional phase in his professional life.

Mental health

Wheesung was open about his struggles, having been diagnosed with chronic depression, , and in 2005. He addressed these challenges through his music, which often explored themes of emotional turmoil, and through public advocacy to raise awareness about in the entertainment industry. These conditions intersected with his issues, exacerbating his personal difficulties during periods of career stress. In interviews, he credited , support from loved ones, and creative outlets for managing his conditions, though he acknowledged ongoing battles and relapses. In 2013, Wheesung faced his first major drug-related scandal when he was investigated for the illegal use of , an anesthetic, from 2011 to early 2013. Authorities accused him of receiving the drug at various clinics in Seoul's without proper medical justification. Wheesung denied abusing the substance, stating that the injections were prescribed for treating a herniated disc and . The court ultimately cleared him of any wrongdoing, finding insufficient evidence of illegal activity. The issue resurfaced following allegations by broadcaster in April 2019, leading to a police investigation into habitual propofol use, including multiple instances from September to December 2019 where he purchased and administered the drug illegally. On March 31, 2020, he was found unconscious in a mall bathroom, with police discovering syringes and vials of etomidate, another controlled anesthetic, nearby; two days later, on April 2, he was discovered in a similar state at a hotel in Gwangjin District with additional drug paraphernalia. These etomidate incidents occurred amid the ongoing propofol probe but did not result in charges, as etomidate is not classified as a under South Korea's Narcotics Control Act. A ruled that police could not Wheesung during the propofol investigation. During his January 2021 trial, Wheesung admitted to the propofol use, expressing remorse for his actions. In March 2021, the District Court sentenced him to one year in prison, suspended for a two-year probationary period, along with a fine equivalent to approximately $41,000, 40 hours of , and 40 hours of mandatory drug rehabilitation lectures. No jail time was served due to the suspension. The scandals significantly impacted Wheesung's reputation and career. Following the incidents, he issued a public apology, acknowledging his struggles and committing to personal reform, which prompted a temporary hiatus from music activities and public appearances. The controversy resulted in a broadcast ban by KBS, limiting his visibility on major South Korean television networks, and led to the loss of several commercial endorsements. These events exacerbated mid-career challenges, including agency transitions, and contributed to a period of reduced output in his . As part of his legal consequences, Wheesung participated in court-ordered counseling and drug rehabilitation programs, which focused on addressing underlying addiction issues. By 2021, following completion of his probation requirements, he resumed limited professional engagements while emphasizing recovery. In subsequent interviews up to 2023, Wheesung reflected on his addiction as a battle stemming from stress and industry pressures, crediting therapy and support systems for his ongoing sobriety efforts, though he candidly discussed relapses and the long-term psychological toll. These reflections highlighted his journey toward accountability and highlighted broader conversations in South Korea about celebrity mental health and drug policy.

Death

Circumstances and discovery

On March 10, 2025, South Korean singer Wheesung, born Choi Whee-sung, was discovered collapsed in his apartment in Gwangjin-gu, , around 6:29 p.m. KST, following a 119 emergency call; paramedics from the Seoul Gwangjin Fire Station pronounced him dead at the scene after finding no signs of life. Initial reports from the Gwangjin and fire authorities indicated that Wheesung, aged 43, had been living alone in the residence, with a substantial amount of time having passed since his death prior to discovery; no was found, and there were no immediate indications of foul play. Wheesung's last public activity occurred just days earlier, on March 6, 2025, when he shared a social media post teasing an upcoming event scheduled for March 15, amid his ongoing recovery from prior health challenges related to substance use.

Investigation and public response

Following the discovery of Wheesung's body on March 10, 2025, Seoul's Gwangjin Police Station initiated an investigation, ruling out foul play or forced entry at the scene. Authorities requested an autopsy from the National Forensic Service, which was conducted on March 12, 2025, but initial results failed to determine the cause of death. Full autopsy results received in late March 2025 confirmed no criminal suspicion, but the cause of death has not been publicly disclosed as of November 2025, though police have examined evidence including a syringe found near the body. Speculation has linked the death to Wheesung's documented history of drug abuse, including convictions related to use in 2021 and an incident involving in 2020, but officials have emphasized that no confirmation exists and the matter is under review. Wheesung's family and agency, Tajoy Entertainment, requested privacy during the probe, urging the public to refrain from unsubstantiated rumors. The news prompted widespread public mourning across and internationally, with fans organizing online tributes and trends under hashtags like #RIPWheesung dominating platforms such as and X in the days following the announcement. Industry peers, including members and Changmin, shared heartfelt statements expressing shock and gratitude for his contributions to R&B, while groups like KCM canceled joint performances in his honor. International media outlets covered the event extensively, highlighting Wheesung's legacy as a pioneer of Korean R&B; The New York Times noted his openness about personal struggles, CNN reported on the investigation's early stages, and Rolling Stone reflected on his influence in blending with soulful balladry.

Artistry

Musical style and influences

Wheesung's music is primarily rooted in R&B, incorporating soulful elements and hip-hop influences to create a smooth, emotive sound that distinguished him in the Korean music scene. His vocal style features a powerful range with distinctive emotional delivery, often blending with for depth and expressiveness in ballads and up-tempo tracks. This approach allowed him to convey heartbreak and passion effectively, as seen in his signature layered harmonies that added richness to his productions. Early in his career, Wheesung's style leaned toward pop-infused R&B, drawing from Western influences while adapting them to traditions for accessibility in the domestic market. He frequently explored themes of love and loss, evolving from upbeat, funky R&B in albums like For the Moment (2004) to more introspective compositions in later works under his Realslow moniker. This maturation reflected personal growth and industry challenges, resulting in mature, reflective tracks that prioritized emotional vulnerability over commercial pop structures. Key influences included Western artists such as , whose soulful R&B shaped Wheesung's foundational sound, and comparisons to Usher highlighted his sexy, rhythmic delivery in sensual tracks. He also drew from Michael Jackson's stylistic versatility and adapted English-language songs, like covers of Craig David's "" and Minnie Riperton's "Loving You," into Korean contexts to bridge global R&B with local sensibilities. These inspirations enabled Wheesung to pioneer R&B's integration into , blending it seamlessly with traditional Korean melodic structures.

Songwriting and compositions

Wheesung established himself as a prolific and throughout his career, penning and producing numerous tracks for both his own discography and other artists in the and R&B scenes. His writing credits encompass over 80 songs across various roles, including , , and arranger, with notable contributions to hits such as Ailee's debut single "Heaven" (2012), which he wrote and produced, Younha's "Password 486" (2007), G.NA's "I'll Get Lost, You Go Your Way" (2010), and T-ara's "You Drive Me Crazy" (2010). He also co-wrote and produced TWICE's "Dance the Night Away" (2018), showcasing his versatility in crafting emotionally resonant R&B-infused pop anthems that propelled emerging artists to prominence. His songwriting process was deeply introspective, often drawing from personal experiences to explore themes of , heartbreak, relationships, and , infusing his with raw authenticity that resonated with listeners. In interviews, Wheesung described channeling life's hardships—ranging from romantic turmoil to his own battles with substance issues—into his work, creating narratives that blended vulnerability with poetic . He favored collaborative approaches, frequently partnering with producers and fellow musicians to refine melodies and , as seen in his joint efforts on tracks for artists like and his own albums, where he balanced solo composition with input from trusted collaborators to enhance emotional depth. As a , Wheesung took a hands-on role in his music starting with his debut album Like a Movie (2002), self-producing several tracks and maintaining creative control over arrangements in subsequent releases. By the time of his sixth studio album Vocolate (2009), he had fully embraced self-production for much of the project, polishing songs to align with his signature style and incorporating layered vocals and rhythmic elements typical of R&B. His production choices often emphasized organic textures, contributing to the polished yet soulful sound that defined his output. Among his notable compositions, "Incurable Disease" from the 2004 album For the Moment stands out as a deeply personal piece, widely interpreted as autobiographical in its depiction of inner turmoil and unresolvable pain, mirroring Wheesung's real-life struggles with and . This track, along with others like "With Me," exemplified his ability to weave confessional storytelling into melodic structures, influencing the lyrical maturity of K-R&B. Wheesung's songwriting and production work played a pivotal role in elevating the genre's emotional sophistication in Korea, bridging soulful balladry with modern pop sensibilities and inspiring a generation of artists to prioritize in their music.

Discography

Studio albums

Wheesung's studio albums showcase his evolution as an R&B artist, blending soulful vocals with Korean pop elements. His debut established him as a promising talent in the early scene, while subsequent releases explored themes of love, heartbreak, and personal growth, often with self-written contributions. The following details the key full-length releases, highlighting their commercial performance and artistic direction.

Like a Movie (2002)

Released on April 3, 2002, by , Wheesung's debut studio album Like a Movie marked his transition from group member in A4 to solo artist. The album features 12 tracks, with the "안되나요 (Can't You)" capturing a cinematic approach to romance and youthful emotions. Thematically, it draws on movie-inspired narratives to explore and longing, establishing Wheesung's signature smooth R&B style. It received positive initial reception for its fresh sound and vocal delivery, contributing to his early popularity in the Korean market. The album sold 203,566 copies and peaked at #8 on the RIAK chart.

It's Real (2003)

Wheesung's second studio album, It's Real, was released on August 21, 2003, under . The lead single "With Me" became a major hit, emphasizing emotional depth in relationships. The album's thematic focus on real-life romance and vulnerability resonated with listeners, incorporating hip-hop rhythms alongside R&B ballads. It achieved significant commercial success, selling 406,959 copies and peaking at #1 on the chart. Critics praised its vocal performances and production, solidifying Wheesung's status as a top R&B artist.

For the Moment (2004)

Released on October 15, 2004, by , For the Moment served as Wheesung's third studio album, with the lead single "Incurable Disease" (featuring ) addressing themes of inescapable love and emotional pain. The record delves into introspective songwriting, reflecting momentary joys and heartbreaks in relationships. It peaked at number 2 on the albums chart, selling 209,707 copies. Reception highlighted its mature sound and Wheesung's improved songwriting, though some noted it as slightly less commercial than predecessors.

Love... Love...? Love...! (2005)

Wheesung's fourth studio album, Love... Love...? Love...!, was released on September 21, 2005, by . The album explores various facets of love through R&B and pop tracks, with "Password 486" becoming a notable hit. It peaked at #2 on the chart and sold 159,062 copies, receiving praise for its emotional depth and Wheesung's vocal versatility.

Eternal Essence of Music (2007)

Wheesung's fifth studio album, Eternal Essence of Music (also known as Vol. 5), was released on September 4, 2007, by Orange Shock Entertainment. The "Love Hero" (featuring J) focuses on heroic acts in love, with the album exploring soulful, timeless melodies and diverse influences from R&B to pop. Thematically, it emphasizes eternal musical essence and personal expression, including tracks selected from over 500 songs. It received mixed critical reception for its ambitious scope but ambitious production, achieving moderate commercial success in a shifting landscape.

Vocolate (2009)

Released on October 8, 2009, under POP/UP Entertainment, Vocolate represents Wheesung's sixth studio album, blending R&B with chocolate-themed metaphors for sweet yet bitter love experiences. The "Password" highlights emotional intimacy, with the album's thematic focus on sensual and reflective compositions. It marked a return after label changes and received favorable reviews for its polished sound and vocal range, though specific chart peaks and sales figures are less documented in official records due to the shift to digital. The release underscored Wheesung's versatility in songwriting and production.

Extended plays and mini-albums

Wheesung's extended plays and mini-albums represented key transitional phases in his career, often bridging gaps between full-length studio releases and allowing him to explore evolving R&B styles, collaborations, and personal songwriting. These concise projects, typically containing five to eight tracks, emphasized emotional depth and sonic experimentation, reflecting his maturation as a amid career interruptions like from 2012 to 2014. His debut mini-album, With All My Heart and Soul, released on , 2008, by OrangeShock Entertainment, featured eight tracks blending R&B ballads and upbeat numbers. Notable inclusions were the self-penned opener "Realslow Gotta Go Again" and "Perfect Man," alongside features like "Choco Luv" and "Prayer 4 the Soul" with Lovelyn, showcasing Wheesung's efforts to reconcile fan expectations with his artistic vision through three original compositions. This release served as an experimental pivot post his 2007 album Eternal Essence of Music, testing acoustic introspection and vocal versatility in a more compact format. Following a period of singles and OST contributions, Wheesung issued his second mini-album, They Are Coming (놈들이 온다), on October 10, 2011, under . The five-track project delved into urban R&B with gritty themes, highlighted by the title track "They Are Coming" (featuring ) and closing "Oh Lonely," alongside "UUU" and "OJ" featuring Airy. It peaked at #9 on the Gaon Album Chart. As a pre-military endeavor, it experimented with bolder, narrative-driven sounds, marking a shift toward collaborative production and helping maintain momentum before his enlistment. After discharge, The Best Man, his third mini-album, arrived on May 12, 2014, via . Spanning seven tracks, it revisited classic hits in remastered form while introducing fresh material like the upbeat "Night and Day" and feature-laden "Best Man" with , emphasizing themes of maturity and romance through polished R&B and pop fusion. It peaked at #4 on the Gaon Album Chart. This comeback project bridged his pre-service era with renewed creativity, testing remixes and contemporary beats to reassert his vocal prowess in a post-military landscape. The Transformation, released June 14, 2016, by , showcased significant stylistic evolution two years after The Best Man. The seven-track set focused on duets and genre blends, with standouts including "Marry Me" featuring Sangchu of , "Get Out of the Way" (제껴) with LE of , and "How Much Love" duetted with , highlighting Wheesung's adaptability through hip-hop-infused R&B and collaborative energy. It peaked at #9 on the Gaon Album Chart. As a transitional work, it experimented with edgier production and features from rising artists, signaling a departure from traditional ballads toward dynamic, modern soundscapes. Wheesung's fifth mini-album, (우주속에서), dropped on October 11, 2018, under Realslow Company and Dreamcatcher HQ. Comprising five introspective tracks, it explored cosmic and emotional isolation, led by the ethereal title track "In Space" and featuring "Rainy Day" with Chung Ha and Taeil of NCT, alongside "Breaking Down" and "I Hope a Miracle Happens." This release tested ambient R&B elements and high-profile collaborations, acting as a reflective bridge in his later career, emphasizing and innovative arrangements amid sporadic activity.

Single albums and singles

Wheesung's single albums marked pivotal moments in his career, particularly during the transition to in the Korean post-2010, allowing for quicker releases and collaborations focused on viral potential rather than full-length projects. These releases often featured R&B ballads with emotional depth, reflecting his signature style, and frequently included guest features from prominent artists to broaden appeal. Standalone singles, including digital ones, emphasized his versatility in duets and OST contributions, shifting from physical sales to streaming dominance. His debut major single, "With Me," released in 2003 as the lead from his second studio album It's Real, became a breakthrough hit, reaching number one on Korean charts and earning him the Main Prize at the 2003 for its smooth R&B and heartfelt about longing. The track's success, with over 1 million digital streams in retrospective counts, solidified Wheesung's position as a leading R&B artist in . In the digital era, Wheesung released numerous standalone singles, many as collaborations that highlighted his vocal synergy with other artists. Early examples include "She's Mine" with SE7EN in 2004, a playful R&B track that peaked at number 5 on music programs, and "Against All Odds" in 2006, an emotional ballad adapted from Phil Collins that garnered attention for its orchestral arrangement. Post-2010, releases like "Insomnia" (2009, re-released digitally) topped real-time charts on platforms like Melon, amassing millions of streams for its introspective theme of sleepless nights. Collaborations intensified, such as "Wheesung with D.O" in 2008, a soulful duet that charted in the top 10, and "Special Love" with Gummy in 2013, which blended their voices in a romantic mid-tempo track receiving positive reviews for its chemistry. By 2015, the "WS Duet Project No.4 Kiss" with Ailee exemplified this trend, peaking at number 12 on the Gaon Digital Chart and featuring a music video that emphasized dramatic staging.
Single AlbumRelease DateLabelPeak Chart Position (Gaon Digital)Notes
Realslow Is BackAugust 29, 2010POP/UP Entertainment1 ("I Thought of Marriage")3-track release; title track features upbeat R&B with new version of prior hit; focused on romantic narrative.
Heartsore StoryMarch 15, 20113 ("Heartsore Story" feat. )4-track EP-like single album; lead single amassed 2.4 million downloads; collaboration with BEAST's added hip-hop elements.
Later digital singles continued this pattern, with "Better Than Me" in serving as a reflective on self-doubt in , charting modestly but praised for its raw in fan communities. In 2020, "Where Are You" emerged as a poignant OST contribution, questioning lost connections amid personal struggles, and marked one of his final releases before reduced activity. These works underscored Wheesung's adaptation to streaming, where collaborations and concise formats drove engagement, contrasting his earlier album-oriented approach.

Other works

Filmography

Wheesung ventured into primarily through musical theater, where his vocal prowess allowed him to take on lead roles that showcased his R&B style integrated with dramatic performance. Although he had no major film roles, his stage work highlighted his versatility beyond music. In 2014, Wheesung starred as the titular character in the Korean production of the musical , portraying the masked vigilante in a role that demanded both singing and physical action; he continued performances despite sustaining a shoulder injury during a show in October. He later took on the role of in All Shook Up during its 2016 run and reprise from 2017 to 2018, delivering high-energy renditions of Elvis hits like "Jailhouse Rock" that emphasized his soulful timbre and stage charisma. Wheesung frequently appeared on variety shows, particularly music-based programs that aligned with his singing career. He made his first television appearance post-military discharge on Immortal Songs: Singing the Legend in October 2013, marking the start of ongoing guest spots through 2018, where he reinterpreted classic Korean songs and secured first place in a December 2013 episode with an adaptation of a beloved track. In 2015, he competed as a masked contestant on King of Mask Singer in episodes aired in June, performing under the "Cheetah" persona with a groovy rendition that highlighted his distinctive vocal range, though he did not advance to the final round. Beyond musicals and variety, Wheesung made minor television appearances, including a cameo as himself in episode 6 of the sitcom (also known as Laughter in Waikiki) in 2018, where he portrayed a wedding singer volunteering for a chaotic event. He also featured in cameos for music videos, such as contributing vocals to collaborative tracks, but avoided extensive film commitments to focus on his music and stage endeavors.

Bibliography and publications

In 2009, Wheesung released his autobiographical essay collection titled 그래도 나는 ing: 날고 싶은 영혼들을 위한 휘성의 리얼 스토리 (translated as Even So, I Am ing: Wheesung's Real Story for Souls That Want to Fly), published by Leadersbook, an imprint of Woongjin Think Big. The 260-page book, released on October 28, chronicles his early life marked by poverty, depression, feelings of inadequacy in talent, and isolation, as well as his rise to fame as a singer and the ensuing personal turmoil, including suicidal thoughts amid career setbacks. Wheesung framed the work not as a traditional autobiography but as motivational guidance for youth facing environmental barriers and "second growing pains," emphasizing perseverance and self-happiness despite failures. The book received positive reception for its candid insights into the music industry's pressures and Wheesung's unfiltered reflections on peak emotions, post-success pain, and small joys that sustained him, though it has since gone and become a rare item. No other major written works or regular contributions to magazines by Wheesung have been documented, aligning with his primary focus as a .

Live performances

Concerts and tours

Wheesung's live performances evolved from intimate club settings in his debut years to expansive arena spectacles, reflecting his rising prominence in the R&B scene and ability to draw large crowds. Early shows emphasized his vocal prowess in smaller venues, but by the mid-2000s, he transitioned to major halls, incorporating elaborate staging and fan interactions to enhance the emotional depth of his music. In 2007, Wheesung undertook a nationwide tour titled "WHEE SHOW" to promote his fifth studio , commencing on November 24 in and spanning five cities including and , with a total of 10 performances across the schedule. The tour highlighted tracks from the new , such as the lead single "Love Is Delicious," alongside fan favorites like "With Me," delivered through dynamic setlists that showcased his signature and soulful arrangements. Venues like in hosted preliminary shows earlier that year. Following a period of personal and professional challenges, including a 2013 propofol that temporarily halted activities, Wheesung staged a collaborative tour with fellow vocalist Gummy in late 2013, marking his return with the "Do It" concert series. The featured multiple dates, including December 14 at KBS Hall in , December 29 with double shows at a venue in , and a climactic New Year's Eve performance on December 31 at COEX Hall D in . Setlists blended their individual hits with their newly released duet "Special Love," emphasizing harmonious vocal chemistry and festive arrangements; the Seoul finale drew significant attendance, underscoring renewed fan support. No special guests were noted, but the partnership highlighted Wheesung's enduring collaborations in live settings. Wheesung expanded internationally in the late , embarking on Asia-focused tours amid growing regional interest in K-R&B. His 2018–2019 outings included the "Get Sexxy" season series in Seoul's Jamsil Indoor Gymnasium, which incorporated Asian fan elements through multilingual interactions, though exact setlists varied by date. A pivotal moment came in 2018 with his Middle East debut at Abu Dhabi's National Theatre during the Korea Festival, dressed in signature all-white attire for a visually striking show. The curtailed these efforts starting in 2020, leading to widespread cancellations and scaled-back events across the live music sector, which delayed Wheesung's planned expansions and shifted focus to virtual engagements amid global restrictions.

Notable stage appearances

Wheesung made his debut stage appearance in 2002 on major South Korean music programs, performing the lead single "안되나요" (Can't We?) from his album Like a Movie, marking his entry into the R&B scene as a solo artist. Throughout his career, Wheesung delivered several memorable comeback performances on prominent music shows. In 2009, he showcased "Trickling" on MBC's Music Core, surrounded by dynamic lighting effects that transitioned from blue to white, highlighting his vocal prowess in a visually striking setup. In 2011, he returned with "With Me!" on KBS's Music Bank, delivering a smooth R&B rendition that emphasized his signature emotional delivery. His 2014 comeback stage for "Night and Day" on Music Core further demonstrated his enduring vocal strength, as part of promotions for his album The Best Man. Wheesung's festival appearances included standout slots at major events. At the 2003 Music Video Festival, he performed alongside artists like and , contributing to the ceremony's lineup of R&B and pop acts. In 2010, he took the stage at the Asian Music Awards for the Best Vocal Performance category, joining performers such as and Gummy in a showcase of solo vocal talents. He also performed at the 14th Korea Times Music Festival in 2016 at the , sharing the bill with acts like AOA and FTISLAND in a celebration of Korean music for international audiences. Special events featured Wheesung in intimate and thematic settings. His 2009 rendition of "" on KBS's Open Concert served as an unplugged-style performance, stripping down the track to acoustic elements that accentuated its melancholic R&B essence. In 2018, he made his debut at the Korea Festival in , performing at the National Theatre in a culturally significant event promoting Korean arts. That same year, Wheesung appeared at the Dream Concert, a longstanding charity event organized by the Korea Entertainment Producers Association, where he delivered hits like "Heartsore Story" to support philanthropic causes.

Awards and nominations

Major awards won

Wheesung's early career was marked by several prestigious wins that established him as a leading R&B artist in . In 2002, shortly after his debut album Like a Movie, he received the Best New Artist award at the 17th , recognizing his breakthrough in the music industry. He also won Best Newcomer at the that year. Building on this momentum, Wheesung won the Best Male Artist award at the 2003 Asian Music Awards (MAMA) for his single "With Me" from the album It's Real, highlighting his vocal prowess and contribution to R&B. He received the Main Prize (Bonsang) at the 2003 for "With Me." The following year, 2004, he earned the Best Singer (Bonsang) at the KBS Music Awards, further solidifying his status amid rising popularity, and the Musician of the Year at the inaugural for It's Real. In 2005, Wheesung continued his success with the Main Prize (Bonsang) at the 20th for the single "Goodbye Luv" from the album Love... Love..? Love!, alongside another Best Singer (Bonsang) win at the KBS Music Awards and the R&B Award at the MAMA for the same album. He also won Best R&B Performance at the KM Music Video Festival for "Incurable Illness" in 2004. These accolades, concentrated in his debut phase, significantly boosted his visibility and influenced the integration of R&B elements into mainstream . His final major music award came in 2007 with the Main Prize (Bonsang) at the 22nd for "Delicious Love" from the album Eternal Essence of Music, capping a prolific early period before a hiatus. Despite comebacks between 2012 and 2018, including releases like Deep Down (2012) and Stay with Me (2018), Wheesung did not secure additional major music awards during this time, though these efforts helped maintain his relevance in the industry. The early wins proved instrumental in his career trajectory, providing a foundation that endured through later challenges, including personal scandals.

Notable nominations

Wheesung garnered several notable nominations across major , particularly emphasizing his contributions to R&B and solo artistry, which highlighted his consistent industry acknowledgment despite career fluctuations. In the Asian Music Awards (MAMA), he received multiple nods for Best Male Artist, including in 2010 alongside competitors like 2AM and , and again in 2011 against veterans such as Kim Bum-soo and . These nominations extended to vocal categories as well, with a 2010 Best Ballad/R&B Performance nomination for his track "I Thought of Marriage," showcasing his emotive style. By 2014, following a period of personal and professional challenges including a 2013 controversy, Wheesung earned another Best Male Artist nomination at the MAMA for "Night and Day," competing with artists like and , which underscored his resilience and sustained relevance in the male solo genre. His nominations often reflected a pattern of strong contention in R&B-specific honors. Overall, these accolades helped maintain his visibility during lower-profile phases, reinforcing his legacy as a pivotal R&B figure in Korean music.

References

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