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Grease (musical)
Grease (musical)
from Wikipedia

Grease
Original Broadway cast recording
Music
Lyrics
  • Jim Jacobs
  • Warren Casey
Book
  • Jim Jacobs
  • Warren Casey
Productions1971 Chicago
1972 Broadway
1973 West End
1979 West End revival
1993 West End revival
1994 Broadway revival
1994 US tour
2001 West End revival
2002 West End revival
2007 West End revival
2007 Broadway revival
2008 US tour
2017 UK tour
2022 West End revival
2023 West End revival

Grease is a 1971 musical with music, lyrics, and a book by Jim Jacobs and Warren Casey. Named after the 1950s United States working-class youth subculture known as greasers and set in 1959 at the fictional Rydell High School in Northwest Chicago[1] (based on Taft High School in Chicago, Illinois,[2] and named after rock singer Bobby Rydell[3]), the musical follows ten working-class teenagers as they navigate the complexities of peer pressure, politics, personal core values, and love.[3]

The score borrows heavily from the sounds of early rock and roll. In its original production in Chicago, Grease was a raunchy, raw, aggressive, vulgar show. Subsequent productions toned down the more risqué content.[4] The show mentions social issues such as teenage pregnancy, peer pressure, and gang violence; its themes include love, friendship, teenage rebellion, sexual exploration during adolescence. Jacobs described the show's basic plot as a subversion of common tropes of 1950s cinema, since the female lead, who in many 1950s films transformed the alpha male into a more sensitive and sympathetic character, is instead drawn into the man's influence and transforms into his wild, roguish fantasy.[5]

Since it was first performed on February 5, 1971, at Kingston Mines nightclub in Chicago,[6] Grease has been successful on both stage and screen, but the content has been diluted and its teenage characters have become less Chicago habitués (the characters' Polish-American backgrounds in particular are ignored with last names often changed, although two Italian-American characters are left identifiably ethnic) and more generic. The first Broadway production opened on June 7, 1972; when it closed in 1980, Grease's 3,388-performance run was the longest yet in Broadway history, although it was surpassed by A Chorus Line on September 29, 1983. It went on to become a West End hit, a successful feature film, two popular Broadway revivals in 1994 and 2007, and a staple of regional theatre, summer stock, community theatre, and high school and middle school drama groups.[7] It remains Broadway's 18th longest-running show.[8]

Grease was adapted in 1978 as a feature film, which starred John Travolta (who himself had been in stage productions in a different role) and British-Australian singer and actress Olivia Newton-John, removed the musical's Chicago urban setting, and changed some plot elements, characters, and songs while adding new songs and elaborating on some plot elements only alluded to in the musical. Some of these revisions have been incorporated into revivals of the musical. A 2016 live TV musical used elements from both the original stage version and the film.[9] A 1982 film sequel, Grease 2, included only a few supporting characters from the film and musical and had no involvement from Jacobs or Casey; Jacobs has gone on record to voice his disapproval of Grease 2.

Production history

[edit]

Original productions and Broadway

[edit]

The show's original production was directed by Guy Barile, choreographed by Ronna Kaye and produced by the Kingston Mines Theatre Company founded by June Pyskacek on Chicago's Lincoln Avenue. The script was based on Jim Jacobs' experience at William Taft High School, Chicago.[3] Warren Casey collaborated with Jim and together they wrote the music and lyrics. It ran for eight months.[10] The cast: Doug Stevenson (Danny), Leslie Goto (Sandy), Sue Williams (Rizzo), Polly Pen (Patty), Gary Houston (Roger), Marilu Henner (Marty), James Canning (Doody), Hedda Lubin (Frenchy), Bruce Hickey (Kenickie), Sheila Ray Ceaser (Jan), Bill Cervetti (Miller), Jerry Bolnick (Sonny), Judy Brubaker (Miss Lynch), Mike O'Connor (Vince Fontaine), Steve Munro (Eugene), Barbara Munro (Cha Cha), Mac Hamilton (Teen Angel) and George Lopez (Bum). In addition to the "R-rated" profanity and deliberate use of shock value, the Chicago version of Grease included a substantially different songbook, which was shorter and included multiple references to real Chicago landmarks.[11]

Producers Ken Waissman and Maxine Fox saw the show and made a deal to produce it Off-Broadway. The team headed to New York City to collaborate on the New York production of Grease. It was after test runs of the original Chicago production had drawn extremely poor reviews that the production team transformed Grease into its familiar form.[12] The new production, directed by Tom Moore and choreographed by Patricia Birch (who later choreographed the film adaptation, and directed the ill-fated sequel), opened Off-Broadway at the Eden Theatre in lower Manhattan on February 14, 1972. Though Grease opened geographically off-Broadway, it did so under first-class Broadway contracts.[13] The show was deemed eligible for the 1972 Tony Awards, receiving seven Tony Award nominations.

On June 7, 1972, the production moved to the Broadhurst Theatre on Broadway, and on November 21, it moved to the Royale Theatre there, where it ran until January 27, 1980. For the five final weeks of the run, the show moved to the larger Majestic Theatre. By the time it closed on April 13, 1980, it had run 3,388 performances.

The original Broadway cast included Barry Bostwick as Danny, Carole Demas as Sandy, Adrienne Barbeau as Rizzo, and Timothy Meyers as Kenickie, with Alan Paul, Walter Bobbie and Marya Small in supporting roles. Replacements later in the run included Jeff Conaway as Danny, Candice Earley as Sandy, John Lansing as Danny, Peter Gallagher as Danny, Richard Gere as Sonny, Ilene Graff as Sandy, Randee Heller as Rizzo, Marilu Henner as Marty, Judy Kaye as Rizzo, Marcia Mitzman Gaven as Rizzo, Patrick Swayze as Danny, John Travolta as Doody, Treat Williams as Danny, Laurie Graff as Frenchy, and Jerry Zaks as Kenickie.

1973 London run and 1979 return engagement

[edit]

After an out-of-town tryout in Coventry,[14] Grease made its London debut at the New London Theatre on June 26, 1973, with a cast that included Richard Gere as Danny, Stacey Gregg as Sandy, and Jacquie-Ann Carr as Rizzo.[15][16] Later Paul Nicholas and Elaine Paige took over the leads. The production closed on February 14, 1974.[17]

The show was revived at the Astoria Theatre from June 7 to September 22, 1979, with Michael Howe as Danny, Jacqueline Reddin as Sandy, and Hilary Labow as Rizzo. The company also included Tracey Ullman as Frenchy and Su Pollard as Cha-Cha.[18][19]

1993 London revival

[edit]

The revival opened at the Dominion Theatre before transferring to the Cambridge Theatre in October 1996, where it ran until September 11, 1999. Directed by David Gilmore and produced by Robert Stigwood (who had also produced the film), the opening cast included Craig McLachlan (Danny); Debbie Gibson (Sandy — Sonia, then Samantha Janus later replaced Gibson as Sandy); Mike Doyle (Vince Fontaine); Tamzin Outhwaite (Patty); Shane Richie (Kenickie) and Sally Ann Triplett (Rizzo). (Variety, Review Abroad Grease, August 2–August 8, 1993) McLachlan was succeeded by Shane Richie, Luke Goss, Ian Kelsey and Darren Day. The production's success led to the first British national tour which featured Shane Richie as Danny, Helen Way as Sandy, Toby Hinson as Vince Fontaine/Teen Angel, Ben Richards/Alex Bourne as Kenickie and Michele Hooper as Rizzo. The score included four songs written for the film adaptation: "Hopelessly Devoted to You", "Sandy", "You're the One That I Want", and the title number. As in the film, the Burger Palace Boys' were renamed the T-Birds for this revival.

1994 Broadway revival and U.S. tour

[edit]

After 20 previews, a Broadway revival directed and choreographed by Jeff Calhoun premiered on May 11, 1994, at the Eugene O'Neill Theatre, where it ran for 1,505 performances. The opening cast included Ricky Paull Goldin (Danny), Susan Wood (Sandy), Rosie O'Donnell (Rizzo), Sam Harris (Doody), Hunter Foster (Roger), Megan Mullally (Marty), and Billy Porter (Teen Angel). The production set a new standard for star replacements, casting celebrities from different entertainment sectors for limited engagements. Some of these notable performers were Linda Blair, Debby Boone, Chubby Checker, Dominique Dawes, Micky Dolenz, Sheena Easton, Debbie Gibson, Jasmine Guy, Al Jarreau, Lucy Lawless, Darlene Love, Maureen McCormick, Joe Piscopo, Mackenzie Phillips, Jon Secada, and Brooke Shields.[20] Shields proved so popular in the role of Rizzo that the cast album was re-released with her voice substituting for O'Donnell's.[21]

A U.S. national tour of the 1994 production started in September 1994 in New Haven, Connecticut, and ran for several years. The opening tour cast included Sally Struthers (Miss Lynch), who stayed with the tour for several years, Angela Pupello (Rizzo), Rex Smith (Danny), Trisha M. Gorman (Sandy), and Davy Jones (Vince Fontaine). Brooke Shields (Rizzo) started on the tour in November 1994 before joining the Broadway cast.

1996 U.S. tour

[edit]

This tour, produced by the Troika Organization, was a non-union bus & truck playing mostly one-nighters and split week engagements primarily in smaller markets. The production, which ran for two years, was directed by Ray DeMatteis with choreography by Tony Parise and music direction by Helen Gregory. The original cast featured Randy Bobish (Danny Zuko), Nicole Greenwood (Sandy Dumbrowski), Gary Martin (Kenickie), Christine Hudman (Betty Rizzo), Timothy Quinlan (Roger), Kimberly Wharton (Jan), Bruce Smith (Doody), Kathleen Connolly (Frenchy), Jeffrey Shubart (Sonny LaTierri), Laura Hornberger (Marty), Debbie Damp (Patty Simcox), Michael Giambrone (Eugene Florczyk), Juan Betancourt (Johnny Casino), Jamie Patterson (Teen Angel), Holly Ann Kling (Cha-Cha DiGregorio) and Steven Sackman (Vince Fontaine). Frankie Avalon starred as the Teen Angel for a one-week engagement at the Jackie Gleason Theater in Miami Beach (December 10–15, 1996).[22]

2003 U.S. tour

[edit]

This tour was directed by Ray DeMattis and featured choreography by Christopher Gattelli. The cast starred Frankie Avalon as the Angel, with Jamey Isenor (Danny Zuko) and Hanna-Liina Võsa (Sandy Dumbrowski), Jason Harper (Roger), Danny Smith (Sonny LaTierri), John Ashley (Kenickie), Sarah Hubbard (Frenchy), Craig McEldowney (Doody), Kirsten Allyn Michaels (Marty), Jaqueline Colmer (Betty Rizzo), Cortney Harper (Jan) and Arthur J. Callahan (Vince Fontaine).[23]

2007 Broadway and London revivals and UK tours

[edit]

A second Broadway revival, directed and choreographed by Kathleen Marshall, began previews at the Brooks Atkinson Theatre on July 24, 2007, and opened on August 19, 2007. Max Crumm and Laura Osnes were selected to portray Danny and Sandy via viewer votes cast during the run of the NBC reality series Grease: You're the One that I Want!. The original score includes four songs written for the film adaptation: "Hopelessly Devoted to You", "Sandy", "You're the One That I Want", and the title number. The Burger Palace Boys' name is the T-Birds in this revival. The production ended on January 4, 2009, after 31 previews and 554 performances. At the announcement of its closure, the producers revealed that the production recouped its entire investment during its 52nd playing week.[24]

A West End revival opened at the Piccadilly Theatre, London on August 8, 2007, and ran for nearly four years (the longest running show in the Piccadilly Theatre's history). The leads were similarly cast via ITV's Grease Is the Word, with Danny Bayne and Susan McFadden playing Danny and Sandy.[25][26] The production closed on April 30, 2011, after over 1,300 performances with a U.K. tour to begin on May 6, 2011, in Edinburgh.[27]

The UK tour features Danny Bayne as Danny, Carina Gillespie as Sandy, Ricky Rojas as Kenickie, Kate Somerset How as Rizzo, Derek Andrews as Roger, Laura Wilson as Jan, Richard Vincent as Doody, Lauren Stroud as Frenchy, Josh Dever as Sonny, Lois Urwin as Marty, Darren John as Eugene, Sammy Kelly as Patty, Jason Capewell as Teen Angel/Vince Fontaine, Nancy Hill as Miss Lynch, and Sophie Zucchini as Cha Cha.

In 2017, Grease started touring the UK again, this time starring the Wanted's Tom Parker as Danny Zuko, BBC Over the Rainbow winner Danielle Hope as Sandy and Strictly Come Dancing's Louisa Lytton.

A further UK and Ireland tour of Grease was scheduled to commence from Curve, Leicester, on 30 July 2021. This production will star Peter Andre as Teen Angel and Vince Fontaine. The production will be directed by Nikolai Foster and choreographed by Arlene Phillips.[28] It is unknown if this tour went to production or not, as it was repeatedly rescheduled from earlier 2021 dates as well as its originally scheduled tour in 2020, owing to the COVID-19 pandemic.

2008 U.S. tour

[edit]

A U.S. national tour began on December 2, 2008, in Providence, Rhode Island, and closed on May 23, 2010, at the Palace Theatre in Cleveland, Ohio.[29] Taylor Hicks reprised his role as the Teen Angel after playing the part on Broadway, with Eric Schneider as Danny and Emily Padgett as Sandy.[30] Lauren Ashley Zakrin replaced Emily Padgett as Sandy in October and Ace Young joined the tour as Danny on December 1, 2009.[31]

2011 Chicago revival - The Original Grease

[edit]

In 2011, a revival of the original Kingston Mines production was run in Chicago. It was titled The Original Grease and carried the tagline "Restored. Revised. R-Rated. Returned to Chicago". It featured songs and scenes from drafts of both the original Chicago and Broadway productions. Unlike the school version, this version reinstated the raunchiness of the original show and references to Chicago locations. The sixth Burger Palace Boy was restored and named Miller.[32] The Chicago production of The Original Grease opened on May 2 and closed on August 21.[33] This version was presented once more in Australia in 2016 from April 6 to May 7.[34] In Chicago, Adrian Aguilar played Danny and Kelly Davis Wilson played Sandy.[35]

2019 UK and Ireland tour and 2022/2023 London runs

[edit]

A new production of Grease ran from 17 May to 29 October 2022 at the Dominion Theatre in London's West End, following a UK and Ireland tour in 2019–2021.[36] This revival was directed by Nikolai Foster (artistic director of the Curve) and choreographed by Arlene Phillips, with scenic and costume design by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting by Ben Cracknell, projections Douglas O'Connell, sound design by Tom Marshall and Richard Brooker, and casting by David Grindrod. The production played a return engagement at the Dominion Theatre from 2 June to 28 October 2023.[37]

International productions

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There have been professional productions of Grease in Argentina (with Florencia Peña and Gustavo Monje), Austria (with Pia Douwes) and Canada (a 1998 French spoken/English sung version incorporating songs from the movie starring Marina Orsini as Rizzo and Serge Postigo as Danny).

In 1984, the Mexican [then pre-teen] pop band Timbiriche starred in the musical, with Sasha Sokol and Benny Ibarra in the leading roles, which was an overwhelming success. The band also released an album (Vaselina) featuring themes from the musical. The cast included other members of Timbiriche (Diego Schoening, Mariana Garza, Alix Bauer, Paulina Rubio and Erik Rubin), along with other child singers and actors such as Eduardo Capetillo, Stephanie Salas, Thalía, Edith Márquez, Lolita Cortés, Hector Suarez Gomis, Usi Velasco and Angélica Ruvalcaba. The musical was produced by the Mexican actress and producer Julissa.

In 1994, the musical was revived at the Hidalgo Theater in Mexico City, by producers Alejandro Ibarra and Julissa. The revival cast included Alejandro Ibarra, Juan Carlos Casasola, and Arturo G. Alvarez.[38][39]

A Spanish revival ran successfully at Teatre Victòria, Barcelona, from October 3, 2006, to January 6, 2008. After a short national tour, the production was transferred to Teatro Nuevo Alcalá, Madrid, where it ran from October 14, 2008, to January 31, 2010, and then continued touring Spain until it finally closed on August 1, 2010, becoming one of Spain's all-time longest running musical productions, with 1,090 performances. Directed by Ricard Reguant, the original cast included Carlos Solano (later alternating the role with Tony Bernetti) as Danny Zuko, María Adamuz as Sandy (later Replaced by Edurne and Gisela), and Elena Gadel as Betty Rizzo,

A New Zealand Production, ran at the Civic Theatre in Auckland during August 2010. The production featured the South African cast, with Jonathan Roxmouth as Danny, Bethany Dickson as Sandy and Genna Galloway as Rizzo.[40][41]

A second Spanish revival directed and choreographed by Coco Comín ran at Cúpula Las Arenas, Barcelona, from November 15, 2011, to January 22, 2012, and then was transferred to Teatro Coliseum, Madrid from March 6, 2012, to May 6, 2012, before starting a national tour. Edurne reprised the role of Sandy, During the Madrid run, the singer Julio Iglesias Jr. guest starred as Teen Angel in some performances.

In France, the first production of Grease opened in November 1999 at Palais des Sports in Paris. The production moved to the Dôme Disney Village in Chessy in 2005.[42] The show was revived in 2008 at the Comédia in Paris with Cécilia Cara as Sandy. This new production win a Globe de Cristal Awards in 2009 and moved to Palais des congrès in 2009 and to Le Palace in 2012, after a break in 2011.[43] A third revival opened on September 28, 2017 at Théâtre Mogador in Paris. It is the first production completely in French, the previous ones were in French with English songs. Despite originally being billed as a limited engagement, it was extended to July 8, 2018 following its success.[44]

An Australian revival opened at Brisbane's Lyric Theatre on August 27, 2013, before heading on an Australian tour.[45] The cast included Rob Mills as Danny, Gretel Scarlett as Sandy, Anthony Callea as Johnny Casino, Stephen Mahy as Kenickie, Lucy Maunder as Rizzo, Todd McKenney as Teen Angel, and Bert Newton as Vince Fontaine.[46]

In 2016 a 90-minute version of the show premiered on Royal Caribbeans Harmony of the Seas in May and Independence of the Seas in July.[47][48]

A June 2022 Australian production, directed by Drew Anthony and choreographed by Jamie and Susie Rolton, was staged at Perth's Royale Theatre, with John Berry as Danny, Elaina O'Connor as Sandy, Peter Cumins as Teen Angel, Blake Williams as Vince Fontaine and Lucy Williamson as Miss Lynch.[citation needed]

A 2023-24 Australian tour production, directed by Luke Joslin and choreographed by Eric Giancola was announced in May 2023.[49][50] The principal cast was later revealed in June 2023 with Patti Newton as Miss Lynch, Marcia Hines as Teen Angel, Jay Laga’aia as Vince Fontaine, Annelise Hall as Sandy and Joseph Spanti as Danny Zuko.[51]

Adaptations

[edit]

Film

[edit]

The Robert Stigwood Organization adapted Grease into a 1978 feature film, directed by Randal Kleiser. John Travolta, who had played Doody on Broadway and the national tour, performed as lead Danny Zuko, while Olivia Newton-John, an English Australian country-pop singer, was cast as Sandy; to accommodate the casting move, the character was rewritten as Australian immigrant Sandy Olsson (named after the maiden name of Ann-Margret, who was briefly considered for the role in the film), and parts of the score were replaced. Substantial portions of the script — which included replaced or reduced supporting character roles and added on-screen roles for characters unseen in the stage version — were written in by Bronte Woodard.

Grease was a major success both for Stigwood and for Paramount Pictures, the latter of which re-released the film several times; the film soundtrack made international hits out of several of the songs. Paramount also produced a sequel Grease 2 in 1982, which featured a younger class of students at Rydell High School led by Maxwell Caulfield and Michelle Pfeiffer. Grease 2 was both a financial disappointment and a critical failure that Jim Jacobs disowned after its release.[52][11] In the 2010s, work began on expanding the Grease brand into a full-fledged media franchise, with two prequels in production, Summer Lovin' (a film focusing on Danny and Sandy's summer before the events of the original Grease) and Rise of the Pink Ladies (a television series documenting the ascent of the Pink Ladies clique).

Television production

[edit]

On January 31, 2016, in the wake of similar productions that NBC had performed for other musicals, Fox broadcast a live production of Grease, known as Grease: Live, as a television special starring Julianne Hough, Aaron Tveit, Vanessa Hudgens and Jordan Fisher.[53][54]

Synopsis

[edit]

Because of changes to the musical that have been made since the 1978 film adaptation, several variants exist. In the event two songs are listed at any given point, the first is from the 1972 Off-Broadway version, and the second is from revivals that use the film music, such as the 2007 version.[citation needed]

Act I

[edit]

At revivals that use the 1978 song "Grease", it is typically inserted at or near the beginning of the show.

At the Rydell High Class of 1959 reunion ("Alma Mater"), old maid English teacher Miss Lynch introduces former cheerleader/yearbook-editor Patty Simcox Honeywell and class valedictorian Eugene Florczyk. Eugene gives a rousing speech, mentioning that the alumni who are missing from the reunion are surely present in spirit. The scene segues to bring in the greaser gang known as the Burger Palace Boys (known in later versions as the "T-Birds") and their auxiliary, the "Pink Ladies", as they sing a cruder version of the Rydell alma mater ("Alma Mater (Parody)").

Flashing back to the first day of high school in fall 1958, the Pink Ladies sit in the lunchroom, and the Burger Palace Boys sit at the entrance to the school. One of the Pink Ladies, Frenchy, introduces her new neighbor Sandy Dumbrowski, who had been unjustly rejected from a Catholic school, to the others (Marty, Jan and Rizzo), as well as Patty. Sandy tells of how she had a brief love affair the summer before, which ended with unresolved love. Meanwhile, womanizing greaser Danny Zuko is telling the Burger Palace Boys (Kenickie, Roger, Doody and Sonny) the story of his own summer fling ("Summer Nights"). The Pink Ladies soon after realize that Sandy's summer fling was the same Danny Zuko that attends Rydell High and arrange for the two to bump into each other at school; the resulting meeting is tense and awkward, as Danny had previously told Sandy that he attended Lake Forest Academy and does not want to admit to the Burger Palace Boys that she was the woman he was talking about. As the Burger Palace Boys leave, Sandy is hurt and angry, but the Pink Ladies cheer her up, by inviting her over to Marty's pajama party.

Shortly afterwards, the teenagers gather in the hall as Doody shows off his new guitar and performs a song ("Those Magic Changes").

At Marty's pajama party, the girls experiment with wine, cigarettes, pierce their ears and talk about boys. The sheltered Sandy goes into shock and falls ill from seeing blood when the Pink Ladies try to pierce her ears, leading them to mock her when she's not in the room (in some revivals, the song "Look at Me, I'm Sandra Dee" is placed here, mirroring the film). Marty tells about her long-distance courtship with a Marine named Freddy and it is implied that she maintains it only because of the lavish gifts he sends her from Japan ("Freddy, My Love").

That same night, the Burger Palace Boys are busy stealing hubcaps, unaware that the hubcaps are on Kenickie's car, Greased Lightnin'. Unfazed by the others' skepticism, Kenickie sings of the upgrades needed to make the car a racing-worthy chick magnet ("Greased Lightnin'").

Danny sees Sandy again at her cheerleader practice, and tries to apologize for his behavior. Patty interrupts and flirts with Danny. Patty informs Danny that track try-outs are nearing, and Danny tells Sandy that he will join the track team to prove himself; he leaves as Patty and Sandy practice cheering ("Rydell Fight Song").

As the Burger Palace Boys and Pink Ladies gather at the park, Danny reveals to the rest of the greasers that he has joined the track team, much to their dismay and skepticism. After Roger and Jan bicker about food, drink, and religion, Jan asks him how he earned the nickname Rump; he explains that, as "King of the Mooners", he has a hobby of baring his backside to unsuspecting victims, and in the process, both reveal their affections for each other ("Mooning"). Rizzo teases Danny for falling for a girl who resembles the excessively proper teenage ingénue, Sandra Dee, and the other greasers join in as she makes fun of Sandy, who has not arrived at the picnic yet ("Look at Me, I'm Sandra Dee").

Sandy, working on a biology assignment with Eugene, comes in just as the greasers finish making fun of her. She attacks Rizzo in a fit of rage and erroneously assumes Danny is the one behind the mockery. Furious, she tells Danny that she wishes she never met him and storms out of the picnic. Danny shrugs off Sandy's negative response, and the greasers pair off for the upcoming sock hop. Danny teases Marty for not having a date (recommending Eugene), and the greasers all laugh ("We Go Together").

For revivals that use "Hopelessly Devoted to You", the exact placement varies. It sometimes replaces the first rendition of "We Go Together" and in other examples, such as the 2007 revival, it is placed early in Act II.

Act II

[edit]

The night of the sock hop arrives ("Shakin' At the High School Hop"). Sandy is at home by herself, listening to the radio and crying over how much she misses Danny ("It's Raining on Prom Night").

Meanwhile, Kenickie comes into the dance with his date, Cha-Cha DiGregorio, a girl from Saint Bernadette's Academy. Patty tries to pair up with Danny, trash-talking Sandy's cheerleading skills in the process, but is unable to get out of her promise to dance with Eugene despite Rizzo trying to seduce Eugene as a distraction. Kenickie ends up paired off with Rizzo, and Danny with Cha-Cha. The MC Vince Fontaine, a radio disc jockey, begins the hand jive dance contest, and everyone eagerly participates as he tags the contestants out ("Born to Hand Jive"). In the end, Danny and Cha-Cha are the winners. Amongst the awards given to the couple, Danny receives two free drive-in movie tickets.

Sometime later outside of the Burger Palace hangout, Kenickie, Doody, and Sonny run into Frenchy. The boys are armed with an "arsenal" of household items and reveal that, to their surprise, Cha-Cha was the girlfriend of someone in the boys' rival gang, the Flaming Dukes; the Dukes, hearing of Cha-Cha's dancing with the Burger Palace Boys, challenged the boys to a rumble. Danny sprints into the scene wearing his track suit, to the disbelief of the other boys. Danny tells the boys he cannot partake in the rumble because of a track meet and sprints off.

The three remaining boys go into the Burger Palace for a snack before the fight, and Frenchy laments at what to do with her life, having dropped out of beauty school in frustration at failing all of her classes. The heavenly Teen Angel appears with a chorus of back-up singing angels and tells her to return to high school ("Beauty School Dropout").

The three boys exit the Burger Palace, bemoaning Danny's betrayal while only halfheartedly noticing Roger is unaccounted for. They wait for the Flaming Dukes, but the rival gang never turns up. Roger finally turns up with only a broken antenna as a weapon; in response, the other three proceed to strip Roger of his pants and shoes.

At the drive-in, Danny tries to make up for his behavior and offers Sandy his class ring. She initially is thrilled, but pulls back and exits the car when he tries to move beyond a kiss. Danny laments his loneliness ("Alone at a Drive-In Movie" or "Sandy").

Several days later, Sandy and the greasers — without Danny — are gathered in Jan's basement ("Rock 'N' Roll Party Queen"). Rizzo, who missed her period, fears she is pregnant and tells Marty (who herself laments that Vince tried to spike her drink at the dance) that the father is a stranger who had sex with her with a cheap, broken condom; word gets back to everyone else. The boys offer support as they leave; Rizzo rejects it, leading Sandy to ask her why and presume that Kenickie is the father. Rizzo responds by saying that she is a better person than others make her out to be and that showing weakness is the worst thing she knows ("There Are Worse Things I Could Do"). Rizzo leaves, and Sandy decides what she needs to do to fit in with the greasers ("Look at Me, I'm Sandra Dee" (Reprise)).

The next day, the boys are hanging out at the Burger Palace. A dejected Patty reveals Danny, who follows her in, has reverted to his old ways and quit the track team. Sandy comes in alongside the Pink Ladies, having transformed herself from an innocent schoolgirl into a greaser's fantasy, punching out a dismayed Patty. Danny is delighted at this change and the couple express their mutual feelings for each other ("All Choked Up" or "You're the One That I Want").

Afterwards, the greasers prepare to head to Roger's to watch The Mickey Mouse Club, inviting Patty along. Frenchy takes a job as a makeup saleswoman at Woolworth's, Rizzo reveals that she is not pregnant, and she and Kenickie reunite. All ends happily, and the Burger Palace Boys, the Pink Ladies, Sandy, and Patty sing about how they will always be friends to the end ("We Go Together" (Reprise)).

Revival changes

[edit]

Because of the popularity of the 1978 film adaptation, which made several changes to the musical's songs and themes (many to accommodate its casting choice of the singer Olivia Newton-John as Sandy), the subsequent revivals adopted several of the changes made in the film, particularly the replacement of several songs, Sandy's portrayal with blonde hair instead of the original brunette, and the renaming of the Burger Palace Boys to their film name, the T-Birds. However, in the revival, the role of Sandy Dumbrowski is not changed from the original Broadway production.

School version

[edit]

In order to make the original musical suitable for young performers and audiences, Jim Jacobs decided to write a "school version" of the musical. This edition eliminates all of the references to cigarettes and alcohol, and also any swearing or bad language. Most of the songs have also undergone changes as well; the numbers are all shortened greatly and edited for content/language. Some plot lines are missing from the school version, such as Rizzo's pregnancy and her song "There Are Worse Things I Could Do." This section is entirely cut from the script and score. The beginning of the pajama party in Marty's bedroom is also cut. (In this version, the Pink Ladies do not offer Sandy cigarettes or wine. Instead it begins directly with piercing her ears.) Overall, this version is considered to be G-rated.[55]

In addition to the removal of "There Are Worse Things I Could Do", the following songs of the School Version have undergone lyric changes:[56]

  • "Alma Mater Parody"
  • "Summer Nights"
  • "Freddy, My Love"
  • "Greased Lightnin'"
  • "Look at Me, I'm Sandra Dee"
  • "Beauty School Dropout"

The remainder of the songs have been greatly edited for time, deleting several verses from the original songs.[56]

A version of the play is available that keeps some of the adult references and innuendo but excises some of the more explicit lyrics.

Cast and characters

[edit]
  • Danny Zuko: A smooth greaser from Chicago and successful womanizer, the de facto leader of the Burger Palace Boys has his life upended when he falls for a strait-laced square during his summer vacation leading into senior year. Danny was based upon Tom Meyer, Jacobs's cousin.[12]
  • Sandra "Sandy" Dombrowski: An ingénue when she moves into the neighborhood, she experiences severe culture shock as she learns her summer boyfriend's true nature but eventually transforms into Danny's fantasy dame after she is unable to resist her continued attraction to him. Renamed with surname Olsson for the film and Young for the 2016 TV production. Sandy was based upon Meyer's high school girlfriend, Jeanie Kozemczak. Jacobs noted that Meyer and Kozemczak broke up after high school and that Meyer never fully got over her, while Kozemczak eventually married another man.[12]
  • Betty Rizzo: Described by Jim Jacobs as a "tough little Italian", Rizzo is the cynical leader of the Pink Ladies and a strong alpha female who embraces the low culture and refuses to show her feelings. While she is condescending toward almost everyone, she and Danny have a particularly longstanding hostility toward each other, and she openly mocks Sandy in song.
  • Kenickie: A hard-nosed tough guy, Kenickie has great pride in his investment, a used car he has named Greased Lightning. He has a tempestuous on-again, off-again relationship with Rizzo and is often at odds with Roger. Kenickie is given a larger role in the film as Danny's best friend. He was named Miller in the original Chicago production.
  • Doody: A member of the Burger Palace Boys, Doody has some childlike mannerisms and is shown to have great difficulty when approaching his crush, Frenchy, or handling tense situations. He fantasizes about being a great rock-and-roll guitarist. Doody was one of two characters based upon Jacobs himself, representing his more innocent side.[12]
  • Roger "Rump": A sardonic yet very self-confident Burger Palace Boy who is easily able to win over Jan and willing to go into a rumble with only a whip antenna as a weapon. He is frequently seen eating fast food and earned his nickname because he was a proficient mooner. He is stated to be a Roman Catholic. Roger is the other character Jacobs based upon himself, representing his more confident side.[12] Rump does not appear in the film or television versions. Putzie, a non-singing character, appears in Rump's stead (though ostensibly sharing the legal first name Roger), and his songs are included on the film's soundtrack, performed by Louis St. Louis.
  • Dominic "Sonny" LaTierri: The only member of the Burger Palace Boys without a musical number, Sonny is a character who imagines himself a Casanova, but most high-school girls find him repulsive. He is also quite cowardly, wilting in the face of any criticism.
  • Miller: The sixth member of the Burger Palace Boys, he appeared in the original 1971 production but was cut before the show opened on Broadway. He was named Kenickie in the original Chicago production. Though he did not appear in any subsequent productions, he appeared in The Original Grease.
  • Frenchy: A member of the Pink Ladies, Frenchy is the first person (other than Danny) to meet Sandy, and the two quickly become friends. She claims to have earned her nickname from being able to "French inhale" a cigarette. She is a very poor student with aspirations of becoming a beautician, but she is equally inept when she drops out to attend beauty school.
  • Marty: Given the surname "Maraschino" in the film, Marty is a seasoned member of the Pink Ladies, with much experience in wine, men and cigarettes, and is bigoted against the Japanese and Polish. In Act One, she is said to be engaged to an overseas Marine, mainly because of the expensive gifts she receives by maintaining the relationship. In Act Two, she has a brief fling with DJ Vince Fontaine, and by the end she succumbs to Sonny's advances.
  • Jan: A member of the Pink Ladies, Jan is a quirky Lutheran who has a voracious appetite and has moments of extreme bluntness. Jamie Donnelly, who played Jan in the film, described her as not being as cool as the other Pink Ladies.[57] She and Roger develop a relationship over the course of the musical, but the two frequently bicker.
  • Miss Lynch: A spinster English teacher and stereotypical disciplinarian. Her character role would be rewritten as Principal McGee for screen adaptions.
  • Eugene Florczyk: The class valedictorian is usually portrayed as an awkward nerd. He goes on to become a marketing executive after high school. Renamed Felsnick for the film.
  • Patricia "Patty" Simcox: A high-achieving cheerleader who befriends Sandy early in the show. Patty holds her own attractions to Danny and is especially drawn to him when he tries to change to please Sandy. Other than Rizzo (who at first treats her with contempt), the greasers are amicable with her, while acknowledging their different social cliques. At the beginning of the play, it is noted that she has since gone on to marry a Mr. Honeywell and have a successful career.
  • Charlene "Cha-Cha" DiGregorio: a beastly girl who appears at the school dance as Kenickie's date, later ends up dancing with Danny, and is ultimately revealed as the girlfriend of a rival greaser gang member.
  • Vince Fontaine: the smooth-talking 19-year-old disc jockey and Rydell High alumnus whose voice-overs serve as continuity for the musical. He appears on-stage during the school dance and serves as an on-air host at WAXX, the local top-40 radio station.
  • Johnny Casino and the Gamblers: a low-rent rock and roll band that plays at the school dance.
  • Teen Angel: Frenchy's guardian angel who has blunt advice for his subject.

A number of characters in the musical are not seen: Freddy Strulka, Marty's boyfriend and a member of the United States Marine Corps who showers Marty with lavish gifts from Japan; the coach of the track team; the Flaming Dukes, an adversary of the Burger Palace Boys who never show up to a threatened rumble; and Mr. Drucker, a perverted economics teacher who has made passes at the Pink Ladies. In the film, the Flaming Dukes are renamed the Scorpions and have an on-screen role, as does the track coach (who is surnamed Calhoun and is portrayed by Sid Caesar).

Notable cast members

[edit]
Role Chicago Broadway West End West End Revival Broadway Revival West End Revival
1971 1972 1973 1993 1994 2007 2007 2022 2023
Danny Doug Stevenson Barry Bostwick Richard Gere Craig McLachlan Ricky Paull Goldin Max Crumm Danny Bayne Dan Partridge
Sandy Leslie Goto Carole Demas Stacey Gregg Debbie Gibson Susan Wood Laura Osnes Susan McFadden Olivia Moore
Rizzo Susan Williams Adrienne Barbeau Jacquie-Ann Carr Sally Ann Triplett Rosie O'Donnell Jenny Powers Jayde Westaby Jocasta Almgill
Kenickie Bruce Hickey Timothy Meyers Peter Armitage Shane Richie Jason Opsahl Matthew Saldivar Sean Mulligan Paul French Solomon Davy
Doody James Canning Derek James John Combe Sam Harris Ryan Patrick Binder Lee Martin Jake Reynolds
Roger Gary Houston Walter Bobbie Stephen Bent Drew Jaymson Hunter Foster Daniel Everidge Richard Hardwick Noah Harrison Callum Henderson
Sonny Gerald Bolnick Jim Borrelli Doug Fisher Richard Calkin Carlos Lopez José Restrepo Bennett Andrews Damon Gould George Michaelides
Frenchy Hedda Lubin Marya Small Felicity Harrison Jo Bingham Jessica Stone Kirsten Wyatt Alana Phillips Eloise Davies Olivia Foster-Browne
Marty Marilu Henner Katie Hanley Hilary Labow Charlotte Avery Megan Mullally Robyn Hurder Charlie Cameron Lizzy-Rose Esin-Kelly Ellie Kingdon
Jan Sheila Ray Ceaser Garn Stephens Colette Kelly Liz Ewing Heather Stokes Lindsay Mendez Laurie Scarth Mary Moore Katie Brace
Miss Lynch Judy Brubaker Dorothy Leon Ann Way Myra Sands Marcia Lewis Susan Blommaert Marie Daly Corinna Powlesland Rachel Stanley
Eugene Steve Munro Tom Harris Stephen Marsh Aidan Treays Paul Castree Jamison Scott Tim Newman Darnell Mathew-James Jayd’n Tyrone
Patty Polly Pen Ilene Kristen Claire Faulcon Bridge Tamzin Outhwaite Michelle Blakely Allison Fischer Siobhan Dillon Jessica Croll Chloe Saunders
Cha-Cha Barbara Munro Kathi Moss Olwen Hughes Heather Robbins Sandra Purpuro Natalie Hill Olivia Kate Ward Katie Lee Katie Ella Dunsden
Vince Fontaine Mike O'Connor Don Billett Roy Desmond Gary Martin Brian Bradley Jeb Brown Jason Capewell Peter Andre Peter Andre
Darren Bennett
Johnny Casino Bob Santelli Alan Paul Steve Alder Glenn Carter n/a n/a n/a Ronan James Burns Liam McHugh
Teen Angel Mac Hamilton Andrew Kennedy Billy Porter Stephen R. Buntrock Jason Capewell Peter Andre
Jason Donovan
Peter Andre
Jason Donovan
Louise Redknapp

Notable cast replacements

[edit]

Source:[58]

Broadway (1972–1980)

[edit]

West End (1973–1974)

[edit]

West End Revival (1993–1994)

[edit]

Broadway Revival (1994–1998)

[edit]

West End Revival (2007–2011)

[edit]

Broadway Revival (2007–2009)

[edit]

Musical numbers

[edit]

Original Chicago production

[edit]

Original Broadway production

[edit]

* The 1972 version is the standard version licensed to professionals and amateurs through Samuel French, Inc. in the US and Theatrical Rights Worldwide Ltd in the UK/IE/Europe

1993 West End revival

[edit]

1994 Broadway revival

[edit]

2007 Broadway revival

[edit]
* The 2007 revival incorporates some changes from the popular film version. Some numbers were eliminated, and others were added to the score: "Grease" was written by Barry Gibb, "Hopelessly Devoted to You" and "You're the One That I Want" are written by John Farrar, and "Sandy" is by Louis St. Louis and Scott Simon. These additional songs require a separate license from the Robert Stigwood Organisation.[59]

2022 West End Revival

[edit]
* "Grease", written by Barry Gibb. Not to be confused with the song by Jim Jacobs and Warren Casey, also featured in this production.
** "Grease", written by Jim Jacobs and Warren Casey. Not to be confused with the song of the same name, also featured in the production.

Orchestration and chorus

[edit]

Original

[edit]

The original score calls for a piano, 2 saxophones, 2 guitars, bass guitar, and drums, while the original backup chorus calls for 8 singers: 4 males and 4 females.[60][61] This is the version licensed for performance by amateur groups. The piano and the first keyboard is usually played by the band's conductor. The two guitarists double on acoustic and electric.

1994 revival

[edit]

The 1994 revival is scored for 2 keyboards, 2 guitars, bass guitar, drums, percussion, 2 violins, viola, cello, 2 trumpets, trombone, and 2 saxophones.[62] The 1994 revival chorus calls for 5 males and 5 females.

2007 revival

[edit]

The 2007 revival is scored for 2 keyboards, 2 violins, viola, cello, 2 trumpets, trombone, 2 saxophones, 2 guitars, bass guitar, and drums and percussion.[63] The first keyboard is played by the conductor. The two guitarists double on acoustic and electric. One guitarist plays lead while the other plays rhythm. The first woodwind doubles on tenor and alto saxophone and flute while the second one doubles on tenor, alto and baritone saxophone, flute and soprano saxophone. The 12-piece backup chorus calls for 6 males and 6 females.

Awards and honors

[edit]

Original Broadway production

[edit]
Year Award Ceremony Category Nominee Result
1972 Drama Desk Award Outstanding Choreography Patricia Birch Won
Outstanding Costume Design Carrie Robbins Won
Theatre World Award Adrienne Barbeau Won
Tony Award Best Musical Nominated
Best Book of a Musical Jim Jacobs and Warren Casey Nominated
Best Performance by a Leading Actor in a Musical Barry Bostwick Nominated
Best Performance by a Featured Actor in a Musical Timothy Meyers Nominated
Best Performance by a Featured Actress in a Musical Adrienne Barbeau Nominated
Best Choreography Patricia Birch Nominated
Best Costume Design Carrie Robbins Nominated

1993 West End revival

[edit]
Year Award Ceremony Category Nominee Result
1993 Olivier Award Best Musical Revival Nominated
Best Theater Choreography Arlene Philips Nominated

1994 Broadway revival

[edit]
Year Award Ceremony Category Nominee Result
1994 Drama Desk Award Outstanding Featured Actor in a Musical Sam Harris Nominated
Outstanding Choreography Jeff Calhoun Nominated
Theatre World Award Brooke Shields Won
Tony Award Best Revival of a Musical Nominated
Best Performance by a Featured Actress in a Musical Marcia Lewis Nominated
Best Choreography Jeff Calhoun Nominated

2007 Broadway revival

[edit]
Year Award Ceremony Category Nominee Result
2007 Tony Award[64] Best Revival of a Musical Nominated

See also

[edit]

Footnotes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Grease is an American musical with book, music, and lyrics by and , first performed in 1971 as a rock musical in before its Broadway premiere on February 14, 1972, at the Eden Theatre in . Set at the fictional Rydell High School during the 1959–1960 school year, the story centers on the romance between greaser Danny Zuko and prim transfer student Sandy Dumbrowski, who had a secret summer fling but must navigate , social cliques like the Burger Palace Boys and Pink Ladies, and their own identities upon reuniting at school. The production evokes 1950s rock 'n' roll culture through nostalgic songs such as "Summer Nights," "Greased Lightnin'," blending humor, dance, and themes of , love, and . The original Broadway run of Grease was a massive success, transferring to the Broadhurst, Royale, and Majestic Theatres and closing on April 13, 1980, after 3,388 performances, making it the longest-running Broadway musical at the time until surpassed by A Chorus Line. It received seven Tony Award nominations in 1972, including Best Musical and Best Book of a Musical, and won Drama Desk Awards for Outstanding Choreography and Most Promising Costume Design. The show's gritty, irreverent take on 1950s high school life, inspired by the creators' own experiences, contrasted with the sanitized versions in later adaptations, capturing the era's emerging sexual freedom and social dynamics. Grease has seen numerous revivals, including a 1994 Broadway production nominated for Best Revival Tony, a revival with and , and international tours, while a edition adapts it for educational settings. Its 1978 , directed by and starring as Danny and as Sandy, became the highest-grossing musical film to date, grossing over $396 million worldwide and embedding the show's songs and style into global pop culture. The musical's enduring legacy lies in its celebration of youthful exuberance, iconic choreography by , and influence on subsequent jukebox-style and period musicals.

Background and development

Creation and writing

Jim Jacobs and Warren Casey began collaborating on Grease in 1970, drawing inspiration from their personal high school experiences and the vibrant 1950s rock 'n' roll culture in Chicago. Jacobs, who attended William Howard Taft High School, infused the story with authentic details of teen life, including slang, social cliques, and the greaser subculture of working-class youth. Their partnership built on a prior friendship formed in the early 1960s through community theater, where they had worked as actors before turning to writing. The musical's initial concept centered on a gritty, nostalgic portrayal of adolescence, set at the fictional Rydell High in 1959. Key influences included harmonies, early rock 'n' roll artists like and , and the sensationalism of teen exploitation films, which shaped the show's irreverent tone and satirical edge. Jacobs primarily developed the book, focusing on character-driven narratives of romance, , and , while Casey contributed significantly to the music and lyrics, crafting infectious rock-infused numbers that evoked the era's sound. Together, they co-wrote the bulk of the material, aiming for a raw, countercultural commentary on amid the social upheavals of the late and early . Development involved iterative workshops and revisions in Chicago's off-Loop theater scene, starting with informal at venues like Kingston Mines to test the material. Early drafts featured edgier content, including songs like "Foster Beach," a Chicago-specific number highlighting the central romance. These elements captured the unpolished energy of the creators' experiences before the Chicago premiere. The honed version paved the way for its transfer to Broadway in 1972.

Original Chicago production

The original Chicago production of Grease premiered on February 5, 1971, at the Kingston Mines Theatre Company, a converted trolley barn located at 2356 N. Lincoln Avenue in . This small-scale venue, fire-coded for only 300 patrons, frequently accommodated overflow crowds exceeding 500 during performances. The production was mounted on a shoestring budget of less than $200, including $70 for a 1951 used as the prop for "Greased Lightnin'," reflecting the show's raw, improvised aesthetic inspired by teen culture. Directed by Guy Barile with choreography by Ronna Kaye, it featured a young ensemble including as Marty, Hedda Lubin as Frenchy, Jim Canning as Doody, Bruce Hickey as , and Gary Houston as Roger, among others. Staged three nights a week in an intimate, cabaret-style setting, the show ran approximately 90 minutes and incorporated spontaneous, gritty elements such as adolescent sound effects in songs—like "Yeeuch!" interjections from the male ensemble—and audience-interactive vulgarity, including spitting variations that captured the unpolished energy of working-class . Set specifically in with local references to places like Foster Avenue Beach, it emphasized the creators' personal experiences, delivering a raunchy, R-rated portrayal far edgier than later versions. The production received enthusiastic critical acclaim in Chicago, with the Chicago Tribune describing it as "screamingly funny" for its authentic humor and vitality. Box office demand quickly outpaced supply, leading to standing-room-only crowds and multiple extensions; initially planned as a short run, it continued for about 10 months, closing in December 1971, far exceeding expectations for an off-off-Broadway-style mounting. This success drew attention from New York producers, including Kenneth Waissman and Maxine Fox, who attended performances and recognized its commercial potential, securing rights to revise and transfer it. Post-premiere revisions began under Waissman's guidance to broaden appeal for an East Coast audience, including the addition of songs like "Summer Nights" (replacing the Chicago-specific "Foster Beach") and "We Go Together," alongside toning down , removing Chicago-specific locales, and eliminating improvised vulgarities to create a more structured, narrative. These changes transformed the show's path from a local phenomenon to a national hit, while preserving its core spirit of nostalgic rebellion.

Synopsis

The following synopsis describes the 1972 Broadway production; the original 1971 Chicago production was grittier with different structure and songs.

Act I

The first act of Grease opens at a reunion of the Rydell High School class of 1959, hosted by the stern English teacher Miss Lynch, where alumni reflect on their high school days before flashing back to their senior year in the 1958–1959 school year. This sets the stage at Rydell High, introducing the central characters and the social divides of the era. Sandy Dumbrowski, a wholesome new transfer student from , arrives nervously, seeking to fit in among her peers. Meanwhile, Danny Zuko, the charismatic leader of the greaser gang known as the T-Birds, struts confidently with his friends, establishing his tough exterior honed over a carefree summer. As the school day begins, the cliques solidify: the T-Birds—consisting of Danny's loyal crew Kenickie (the hot-tempered second-in-command), Sonny (the schemer), Doody (the shy musician), and Roger (the dim-witted follower)—lounge outside, boasting about their hot rods and disdain for authority. Across the way, the Pink Ladies, led by the street-smart Betty Rizzo, gather in the cafeteria with Frenchy (the aspiring beautician), Marty (the flirtatious social climber), and Jan (the bubbly but insecure one). Sandy, befriended by Frenchy, shares her innocent excitement about school, but the group's edgier vibe—marked by gossip, smoking, and casual rebellion—highlights her outsider status. Danny and Sandy spot each other unexpectedly, reigniting their brief summer romance from the beach, but Danny brushes her off publicly to maintain his cool image in front of the guys, creating immediate tension in their budding relationship. Subplots emerge as the characters navigate daily high school life. In the corridors, the T-Birds and other students revel in the rock 'n' roll energy, only to be scolded by Miss Lynch, who sends to detention for his antics. Later, at a sleepover party hosted by the Pink Ladies at Marty's house, the girls experiment with teenage rituals like sharing secrets over snacks and attempting to pierce ears. Frenchy enthusiastically tries to pierce Sandy's ears to help her fit in, but the botched attempt leaves Sandy fainting from the pain and sight of blood, underscoring her amid the group's bolder pursuits. Meanwhile, the T-Birds hang out in a garage, where proudly shows off his souped-up car, dreaming of racing glory, though Rizzo teases him mercilessly when she drops by, revealing the underlying sparks in their on-again, off-again dynamic. A sudden police siren scatters the boys as they fiddle with stolen hubcaps, emphasizing their delinquent streak. Tensions escalate during extracurricular moments outside school. Sandy practices awkwardly on the pep squad bleachers, trying to impress , who approaches her with a mix of and hesitation, inviting her to Frenchy's upcoming despite his earlier snub. Their private moment is interrupted by the prim president Simcox, who flirts with and mocks the greasers, prompting to impulsively agree to join the track team just to win Sandy's approval. Back at school, jealousy brews when spots Sandy chatting with the nerdy Eugene Felsnic, fueling his insecurity about their mismatched worlds. Rizzo and bicker heatedly over his car troubles, while Vince Fontaine announces the big school dance at the National , with pairs forming including with Rizzo, Doody with Frenchy, and with Jan; plans to attend with Sandy but tensions persist. The act builds to a as Sandy confronts about ignoring her, her hurt evident in a tearful outburst before storming away. 's divided loyalties—torn between his greaser identity and genuine feelings for Sandy—leave their romance hanging in uncertainty, setting up the social pressures and personal conflicts that will intensify. This rising action highlights the themes of peer influence and identity struggles among the Rydell teens.

Act II

Act II commences at the Rydell High School gymnasium during the National Dance Championship, a major social event that reunites the students in a lively atmosphere of competition and teenage exuberance. Disc jockey Vince Fontaine hosts the event, announcing the contestants amid the energetic performance of "Born to Hand Jive" by Johnny Casino and the Gamblers, which gets the crowd dancing with its infectious rhythm. Marty Maraschino laments her disastrous prom date in the ballad "It's Raining on Prom Night," highlighting the emotional highs and lows of high school romance. Danny Zuko, seeking to maintain his cool image in front of his friends, pairs with Cha-Cha DiGregorio for the dance-off instead of Sandy, leading to her heartbroken departure from the gym and straining their relationship further. Outside the school, Sandy expresses her unwavering affection for Danny despite the betrayal in the poignant solo "," underscoring her internal conflict between her innocent nature and the desire to fit into the group's world. attempts reconciliation by offering her movie tickets, but their conversation reveals deepening insecurities about their differing social circles. Meanwhile, Frenchy Faciano, having dropped out of beauty school, receives otherworldly advice from the ethereal Teen Angel in the humorous "," who urges her to return to Rydell High for a more stable future; this subplot resolves as Frenchy heeds the counsel and reunites romantically with Doody, symbolizing a return to simpler aspirations. To bridge the gap with Sandy, joins the track team, though his awkward attempts at athleticism expose his vulnerability beyond the greaser facade. Tensions escalate at the Starlight Drive-In, where Danny presents Sandy with his class ring as a token of commitment, only for their date to sour over discussions of physical intimacy; Danny later reflects on his longing in the doo-wop style "Sandy." Rizzo's subplot reaches a crisis in the garage, where she confesses a false pregnancy scare stemming from her fling with Kenickie, delivering a defiant "There Are Worse Things I Could Do" that affirms her resilience and independence, ultimately clearing the way for her reconciliation with Kenickie. Inspired by the group's dynamics and her own frustrations, Sandy undergoes a profound transformation, rejecting her prim persona in the reprise of "Look at Me, I'm Sandra Dee," adopting a leather jacket, tight pants, and a newfound boldness to align with Danny's world. The act builds to its climax at the dance, where the transformed Sandy arrives, catching Danny off guard and reigniting their spark; they perform together in the exuberant "You're the One That I Want," marking their mutual acceptance and the blending of their identities. The ensemble gathers for the rousing reprise of "We Go Together," celebrating the resolution of conflicts, the enduring bonds of friendship, and themes of personal growth amid the nostalgia of 1950s youth culture. As the threatened rumble with rival Flaming Dukes fizzles due to Kenickie's earlier car accident injury—averting violence and emphasizing maturity—the students unite in "Rock 'n' Roll Is Here to Stay," affirming change while honoring their shared past.

Variations in revivals

Revivals of Grease have introduced variations to the plot and songs, often incorporating elements from the 1978 film such as "" and "Sandy," which were not in the original Broadway production. The 1994 revival restored some original grit but streamlined scenes. Later productions, like the 2007 Broadway revival, emphasized contemporary staging while keeping core plot intact. International versions may adapt cultural references.

Music and songs

Musical numbers in original Broadway production

The original Broadway production of Grease, which premiered on February 14, 1972, at the Eden Theatre, featured a score by and consisting of 1950s-inspired rock 'n' roll, , and numbers designed to capture the rebellious spirit of high school youth culture. Several songs were inserted or revised from the earlier Chicago production to heighten comedic and romantic elements, such as the addition of "Greased Lightnin'," a high-energy anthem for the T-Birds that replaced earlier material and became a highlight of Danny's bravado. The musical numbers totaled around 17 principal songs on the original , integrated with choreography by that emphasized sock-hop dances and group formations, though the full stage show included additional transitional vocal and instrumental sequences like school chants and fight cheers. The songs advanced the plot by contrasting the protagonists' summer romance with high school realities, developing character relationships among the Burger Palace Boys and Pink Ladies, and culminating in themes of conformity versus individuality. Original performers, including as Danny Zuko, as Sandy Dumbrowski, as Betty Rizzo, and Timothy Meyers as , delivered the numbers with raw, period-authentic energy that contributed to the show's gritty appeal. Below is the list of principal musical numbers from the production, organized by act, with key performers and thematic roles.

Act I

  • Alma Mater – Sung by Miss Lynch (Dorothy Leon), Patty Simcox (), Eugene (), and company. A choral parodying institutional pride, establishing the Rydell High setting and introducing nerdy characters like Eugene; style: march-like harmony with satirical undertones.
  • Summer Nights – Performed by Danny (), Sandy (), Burger Palace Boys, and Pink Ladies. A contrasting the boys' and girls' idealized memories of a summer fling, highlighting initial romantic tension; original performers' harmonies underscored the gender divide.
  • Those Magic Changes – Sung by Danny (), Sonny (Jim Borrelli), Doody (James Canning), and Roger (). A ballad about heartbreak and moving on, revealing Danny's vulnerability post-reunion with Sandy; style: slow with backups.
  • Freddy, My Love – Performed by Marty (Katie Hanley), Rizzo (), Jan (Lyn Worth), Frenchy (Marya Small), and Sandy (). A girl-group number fantasizing about absent boyfriends, showcasing the Pink Ladies' camaraderie and Sandy's innocence; Barbeau's Rizzo led with sassy delivery.
  • Greased Lightnin' – Sung by (Timothy Meyers), Danny (), Doody (James Canning), Roger (), and Sonny (Jim Borrelli). An uptempo 'n' roll showcase for the car, symbolizing male status and dreams; inserted for Broadway to energize the T-Birds' sequence, with Meyers' gritty vocals driving the rhythm.
  • Mooning – Performed by Roger () and Jan (Lyn Worth). A comic about young love and Elvis-inspired mischief, providing light relief and character bonding; style: playful harmonies evoking innocence.
  • Look at Me, I'm Sandra Dee – Sung by Rizzo (). A mocking ridiculing Sandy's wholesome image, advancing Rizzo's rivalry; Barbeau's sultry, taunting performance highlighted the character's cynicism in a pop style.
  • We Go Together – Performed by company. An energetic ensemble number celebrating group unity at the , bridging act one with infectious ; served as a thematic anchor for .

Act II

  • It's Raining on Prom Night – Sung by Sandy () and ensemble (including Cha-Cha as backup). A melancholic expressing Sandy's exclusion and longing, deepening her emotional arc; Demas' vulnerable rendition contrasted the show's humor.
  • Born to Hand-Jive – Performed by Johnny Casino (Don Billett) and company. A fast-paced rock hand-jive number at the , integrating participation and showcasing Birch's staging; emphasized the era's and social mixing.
  • Beauty School Dropout – Sung by Teen Angel (Robert Billek) and the Angels. A humorous warning against Frenchy's career choice, delivered as a heavenly vision; style: exaggerated with .
  • Alone at a Drive-In Movie – Performed by (). A solo rock lament about a failed date with Sandy, exploring his frustration; Bostwick's emotional delivery added depth to the greaser .
  • Rock 'n' Roll Party Queen – Sung by Roger (Walter Bobbie) and Doody (James Canning). A upbeat rock tribute to a party girl, providing comic relief and T-Bird antics; style: lively party tune.
  • There Are Worse Things I Could Do – Performed by Rizzo (). A bluesy defending Rizzo's tough exterior and , humanizing her amid vulnerability; Barbeau's raw interpretation was a standout for character complexity.
  • Look at Me, I'm Sandra Dee (Reprise) – Sung by Sandy (). Sandy's defiant transformation song, rejecting her old self with rock attitude; marked her arc toward fitting in, in an empowered style.
  • All Choked Up – Performed by () and Sandy (), with company. A rock duet resolving their romance amid chaos, blending joy and reconciliation; served as the emotional climax before the finale.
  • We Go Together (Reprise) – Sung by company. The closing ensemble number reaffirming unity and nostalgia, with full-cast harmonies and ; encapsulated the show's celebratory tone.

Changes across productions

The musical Grease has seen several alterations to its song list in revivals and tours, often to incorporate popular numbers from the 1978 film adaptation or to adapt the score for modern pacing and audience expectations. These changes typically blend the original stage material with film hits to boost commercial appeal while maintaining the core rock 'n' roll energy of the 1950s setting. The 1993 West End production at the Dominion Theatre marked a significant shift by incorporating hit songs from the film, such as "You're the One That I Want" and "Hopelessly Devoted to You," which were not in the original Broadway score; this approach influenced subsequent revivals and helped the show run for over 2,600 performances. Some productions from this era also trimmed lighter numbers like "Mooning" to streamline the narrative and emphasize the central romance, though the duet remained in many stagings. The 1994 Broadway revival, directed by Jeff Calhoun, further embraced these film integrations by adding "You're the One That I Want," "Sandy," "Hopelessly Devoted to You," and the title song "Grease," alongside original numbers like "Summer Nights" and "Greased Lightnin'." This hybrid score extended the run to 1,505 performances and set a template for future productions seeking broader familiarity. In the 2007 Broadway revival, directed and choreographed by Kathleen Marshall, the song order was rearranged for improved pacing, while retaining the film additions from 1994 to sustain momentum through the ensemble-driven finale. These adjustments contributed to a fresh energy, helping the production garner Tony nominations and run for 554 performances. The 2022 West End revival at the Dominion Theatre, directed by Nikolai Foster, introduced contemporary arrangements to the score, updating orchestration for a grittier tone and modernizing gender dynamics in ensemble pieces to resonate with today's audiences without altering the aesthetic. It also restored original songs absent from the film, like "" in full. The production returned to the West End from to October 2023 and toured the and starting in April 2024, emphasizing inclusivity through its casting and subtle musical tweaks.

Productions

Original Broadway production

The original Broadway production of Grease premiered on February 14, 1972, at the Eden Theatre in , marking its transfer from an earlier mounting. Directed by Tom Moore with musical staging and choreography by , the show starred as Danny Zuko, as Sandy Dumbrowski, and as Betty Rizzo. Produced by Kenneth Waissman and Maxine Fox, it captured the raw energy of working-class youth through rock 'n' roll numbers and nostalgic storytelling. The production's innovative staging emphasized high school authenticity, with scenic designer Douglas W. Schmidt creating a central gymnasium set featuring , a hoop, and an American flag backdrop to evoke the era's casual, communal vibe. This versatile environment facilitated seamless transitions between scenes, underscoring the musical's themes of and romance. The show's immediate appeal led to its move to the on June 7, 1972, followed by the Royale Theatre on November 21, 1972. Grease earned eight Tony Award nominations in 1972, including Best Musical, Best Book of a Musical ( and ), Best Original Score (Jacobs and Casey), Best Direction of a Musical (Tom Moore), Best Choreography (), Best Featured Actor in a Musical (Timothy Myers), Best Featured Actress in a Musical (), and Best Leading Actor in a Musical (). Despite no wins, the production's financial success established it as a Broadway phenomenon. The run continued at the Royale until January 27, 1980, then briefly at the Majestic Theatre, concluding on April 13, 1980, after 3,388 performances—the longest in Broadway history at the time. Closure resulted from escalating royalty disputes, compounded by cast turnover and market saturation following the 1978 film adaptation's blockbuster success.

West End productions

The West End premiere of Grease opened on 26 June 1973 at the New London Theatre, directed by Tom Moore and produced by . The production starred in his breakthrough role as Danny Zuko alongside Stacey Gregg as Sandy Dumbrowski, with supporting cast including Paul Nicholas as Doody and as Marty. Following the success of the original Broadway production, this staging retained the core rock 'n' roll energy and nostalgic setting while adapting to audiences. It ran for 236 performances before closing on 16 February 1974. A revival opened on 6 1979 at the Astoria Theatre, featuring a revised book by and to refresh the narrative for contemporary viewers. This production, directed by , starred Michael Howe as Danny Zuko and included notable performances by as Frenchy. It played for a limited run until 22 September 1979, emphasizing the musical's enduring appeal amid the disco era. The most significant West End revival began on 15 July 1993 at the Dominion Theatre, directed and choreographed by with musical staging by . Opening with as Danny Zuko and as Sandy Dumbrowski—whose casting drew international attention—the production incorporated infusions of British humor, such as localized slang and cultural nods, to resonate with audiences while preserving the original's rebellious spirit. Subsequent casts featured high-profile replacements like and Sonia. This staging achieved one of the longest runs in West End history for Grease, totaling over 2,500 performances across nearly seven years; it transferred to the Cambridge Theatre on 11 April 1996 and closed on 30 January 1999.

Major revivals and tours

A major revival of Grease opened on Broadway at the on May 11, 1994, directed and choreographed by , with in the role of Betty Rizzo. The production, which emphasized the show's rock 'n' roll energy and 1950s nostalgia, ran for 1,503 performances before closing on , 1997, making it one of the longest-running revivals in Broadway history at the time. Notable for its high-energy staging and O'Donnell's star turn, the revival toured the U.S. starting in late 1996 under the Troika Organization, including a limited engagement at New York City's City Center from November 29 to December 1, 1996. Another significant Broadway revival premiered at the (formerly Theatre) on August 19, 2007, directed and choreographed by , featuring a cast selected through the reality series You're the One That I Want. This production, which restored some of the original 1970s edge while incorporating contemporary flair, ran for 554 performances until January 4, 2009. In parallel, a West End revival opened at the on August 8, 2007, directed by and choreographed by , with leads cast via the ITV series . It became the longest-running show in the theatre's history, playing over 1,300 performances across nearly four years until April 30, 2011. U.S. national tours followed these revivals, including a 2003 tour directed by Ray DeMattis and choreographed by , featuring as Teen Angel and emphasizing the musical's high school antics across multiple cities. A subsequent tour launched on December 2, 2008, in , and concluded on May 23, 2010, at the Palace Theatre in , , bringing the show's energetic ensemble numbers to audiences nationwide. In the UK and Ireland, a new production directed by Nikolai Foster and choreographed by Arlene Phillips toured starting in 2019, originating at Curve Theatre in Leicester and visiting major venues through October 2019, with a rescheduled continuation in 2021 due to the COVID-19 pandemic. This staging appeared at London's Dominion Theatre for a limited run with previews beginning May 3, 2022, and closing October 29, 2022. By popular demand, it returned to the Dominion from June 2 to October 28, 2023, highlighting the musical's timeless appeal with updated designs by Colin Richmond. The production then toured the UK and Ireland from April 12, 2024, to November 16, 2024. A distinctive revival, titled The Original Grease, opened in Chicago at the American Theater Company on May 2, 2011, restoring elements from the 1971 world premiere version, including raunchier dialogue and songs omitted in later productions. Directed by Bjorn Dupuis and Kyle Hall, the production ran through August 21, 2011, emphasizing the show's Chicago roots with a focus on working-class and running 2 hours and 45 minutes.

International productions

The first international production of Grease outside the opened in , , at the Metro Theatre on September 9, 1972, marking an early global expansion of the musical just months after its Broadway premiere. Directed by Tom Moore, this staging featured local performers and captured the show's rock 'n' roll energy, contributing to its rapid international appeal. In , a production premiered in 1977, adapting the 1950s American high school setting for audiences with Japanese dialogue and cultural nuances to resonate with local youth subcultures. Similarly, the German premiere occurred in in 1978 at the Operettenhaus, where the show was titled Grease but incorporated German lyrics for select songs, emphasizing the universal themes of and romance while toning down some of the original's edgier racial and social dynamics to align with European sensibilities. These 1970s adaptations highlighted Grease's versatility, often localizing costumes and to reflect post-war youth movements in each country. By the 1990s and 2000s, productions proliferated across and with further cultural tweaks. In , the first professional staging launched in at the Palais des Sports in November 1999, directed by , featuring French translations of the book and songs to evoke nostalgic vibes amid contemporary French theater trends. Spain's inaugural production opened in at the Nuevo Teatro Alcalá on February 23, 2006, under the title Grease: El Musical de tu Vida, running for over 1,000 performances and incorporating Spanish idioms in lyrics to amplify the Latin-infused rock elements. In , the musical debuted in in 2003 at the Arts Center, with subsequent revivals like the 2019 "Newtro Grease" updating character backstories and racial portrayals to better suit Korean social norms, such as emphasizing group harmony over individual conflict, while retaining core songs in Korean. More recent international stagings continue to blend global appeal with local flavors. In , a vibrant production premiered in at the Teatro Claro in June 2022, directed by Mariano Detry, featuring adaptations and samba-inflected choreography to celebrate the show's themes of transformation and community. Mexico's longstanding affinity for the musical dates to its 1973 debut as Vaselina in , the first Spanish-language version worldwide, which altered ethnic dynamics to reflect Mexican high school life; a 2022 revival at the Teatro Telcel incorporated bilingual elements, mixing English hits with Spanish dialogue for cross-cultural accessibility. These adaptations underscore Grease's enduring adaptability, often softening original racial stereotypes in Asian and Latin American contexts to promote inclusivity while preserving the nostalgic rock 'n' roll spirit.

Cast and characters

Principal roles

The principal roles in Grease center on the students of Rydell High School's class of 1959, depicting the social dynamics between the greaser gang known as the Burger Palace Boys (or T-Birds) and their female counterparts, the Pink Ladies, through themes of romance, identity, and rebellion. These characters are typically portrayed by actors in their late teens to early twenties to capture the youthful energy, with all principal roles requiring strong dancing abilities to match the show's rock 'n' roll choreography, including and ensemble numbers. Vocal demands vary by role, emphasizing belting for rock-infused songs, and casting traditionally specifies male actors for the T-Birds and female actors for the Pink Ladies, though some modern productions allow gender flexibility in supporting parts. Danny Zuko serves as the leader of the Burger Palace Boys and the romantic male lead, a confident and charming greaser who must navigate his tough image while pursuing a genuine connection with Sandy; he is a high senior requiring a vocal range (typically D4–B5) and heavy dance involvement in numbers like "Greased Lightnin'." Sandy Dumbrowski, the female romantic lead and an innocent newcomer to Rydell, embodies wholesomeness and naivety before undergoing a dramatic transformation to align with the greaser world; cast as a high senior, she demands a range (A3–F#5) and solid dance skills for her arc-spanning solos such as "." Betty Rizzo leads the Pink Ladies with a tough, sarcastic exterior that masks vulnerability, providing comedic bite and group authority as a high school senior; her range (–C5) suits belted pieces like "Look at Me, I'm (Reprise)," alongside requirements. Among the supporting principals, Kenickie acts as Danny's surly second-in-command and Rizzo's on-again-off-again partner, a tattooed rebel with humorous edges who needs a range (C4–F5) and strong presence in drag-race scenes. Frenchy, a dreamy and appearance-obsessed Pink Lady aspiring to beauty school, offers good-natured comic relief with an range (–D5) and demands in her subplot involving a . Sonny LaTierri, a braggart and self-proclaimed lady-killer in the Burger Palace Boys, brings loud Italian-American humor as a high school senior with a range (G3–A5) for group vocals. Marty, the flirtatious and somewhat sophisticated Pink Lady who appears older than her peers, contributes to dynamics with an range (C4–C5) and proficiency. The production also features ensemble roles for additional T-Birds and Pink Ladies, typically 4–6 males and females per group, all high school-aged with vocal capabilities (/ for males, / for females) to support chorus numbers and , emphasizing period-specific greaser aesthetics like leather jackets and poodle skirts.

Notable performers

In the original 1972 Broadway production of Grease, originated the role of Danny Zuko, earning a Tony Award for in a Musical for his charismatic portrayal of the greaser leader. played Sandy Dumbrowski, bringing a wholesome innocence to the Australian transfer student, while embodied the tough Betty Rizzo, a performance that marked her breakthrough and propelled her to prominent television roles in shows like Maude. Bostwick's stage success in Grease paved the way for his iconic film role as Brad Majors in , solidifying his status as a musical theater star. The 1994 Broadway revival highlighted a mix of established and emerging talents, with as Danny Zuko and Susan Wood as Sandy Dumbrowski in the initial cast. took on Rizzo with her signature comedic energy, contributing to the production's campy appeal, while made his Broadway debut as the flamboyant Teen Angel, a role that foreshadowed his later Tony-winning career in Kinky Boots. Replacements included pop singer alternating as Sandy, whose run helped bridge her music career with theater and drew large audiences during the show's extended engagement. The 2007 Broadway revival introduced fresh faces through the NBC reality competition Grease: You're the One That I Want, crowning as Danny Zuko and as Sandy Dumbrowski. Osnes's poised performance launched her into leading Broadway roles, including Nellie Forbush in the revival of South Pacific and Ella in Cinderella. The production also featured replacements like Ashley Spencer as Sandy, further showcasing the show's ongoing draw for up-and-coming performers. In the West End, starred as Sandy in the 1993 revival at the Dominion Theatre, where her high-energy rendition of "" became a highlight and set box-office records over a nine-month run. Recent productions have emphasized diverse casting to reflect contemporary audiences. The 2023 West End revival at the Dominion Theatre starred Olivia Moore as Sandy Dumbrowski and included performers like as Teen Angel, blending nostalgia with modern sensibilities. Regional stagings, such as West's 2022 production in Long Beach, featured multicultural leads—including a Native Hawaiian and Latina Sandy—along with gender-nonconforming ensemble roles to explore themes of identity more inclusively.

Orchestration and staging

Original orchestration

The original orchestration for the 1972 Broadway production of Grease was handled by Michael Leonard, who adapted the rock 'n' roll score composed by and to suit the theater pit, while served as musical director, conductor, and arranger for vocals and . The instrumentation reflected the show's rock influences, featuring a compact rock combo setup with 2 reeds (primarily saxophones for that era's and rhythm feel), 2 guitars (including electric for gritty tone), drums (standard kit to drive the energetic beats), , and /conductor score to anchor the harmonies. This lean arrangement emphasized raw, aggressive rock elements over traditional Broadway , capturing the vulgar, youthful of greasers without a full or . Vocal arrangements by St. Louis highlighted doo-wop group harmonies, supported by a chorus of 12-14 principals and ensemble members (plus swings) who doubled as the Pink Ladies and Burger Palace Boys, creating layered, street-corner-style backups for songs like "Summer Nights." To achieve the authentic rock sound in the intimate Eden Theatre (later Broadhurst), the production employed amplification for guitars, drums, and vocals, blending live pit energy with enhanced projection typical of early 1970s rock musicals.

Variations in revivals

The 1994 Broadway revival of Grease featured a streamlined with 11 musicians, including two keyboards and a dedicated synthesizer programmer, to create a modern pop-infused sound while reducing costs compared to the original production's larger ensemble. In the 2007 Broadway revival, the featured 9 musicians, incorporating synthesizers programmed by Randy Cohen and electric instruments such as guitars and bass, alongside traditional woodwinds (including saxophones, clarinets, and flutes), to blend rock elements with electronic enhancements for a contemporary feel. The production's choreography, directed by , placed greater emphasis on dynamic dance numbers to heighten the show's energetic staging. The 2022–2023 West End revival at the Dominion Theatre adopted a grittier staging approach with electrifying , though specific details on orchestra size or eco-friendly elements like LED were not publicly detailed in production notes. Revivals and tours of Grease often adapt for larger venues like arenas by amplifying the chorus to serve as an extension of the , ensuring vocal and musical clarity in expansive spaces without increasing the pit band size.

Adaptations

1978 film adaptation

The 1978 film adaptation of Grease was directed by and produced by and for , marking a significant transition from the stage musical to cinema. Released on June 16, 1978, it starred as Danny Zuko and as Sandy Olsson, with supporting roles filled by as Betty Rizzo, as Kenickie, and as Frenchy. The screenplay, adapted by from the original book by and , incorporated tweaks to enhance visual storytelling, including expanded dance sequences and a more streamlined narrative focused on the romance between Danny and Sandy at Rydell High School. Several cast members were alumni from the stage production, such as (Jan) and (Sonny), bringing authenticity to the ensemble dynamics. To broaden its appeal, the film introduced new songs composed specifically for the screen, including "" performed by Newton-John, which became a signature expressing Sandy's longing, and "You're the One That I Want," a that resolves the central romance. The finale featured a high-stakes car race between Danny's souped-up and a rival's vehicle, adding a thrilling action element absent from the stage version's more contained staging. Adult themes from the original musical, such as explicit sexual references and , were toned down to secure a PG rating, making the content more suitable for a wider, family-oriented audience while retaining the nostalgic rock 'n' roll vibe. The film achieved massive commercial success, grossing approximately $396 million worldwide against a $6 million budget, making it the highest-grossing movie of and one of the top musicals in . Its , featuring the new songs alongside stage classics like "Summer Nights" and "Greased Lightnin'," sold over 28 million copies globally, topping charts in multiple countries and earning multiplatinum certifications. This success revitalized interest in the stage musical, influencing subsequent revivals to incorporate film-specific songs such as "" and the title track "Grease," performed by , to align with audience expectations shaped by the movie's popularity.

Television and other adaptations

In 1978, a television recording of the Broadway production of Grease was captured, featuring a cast including as Danny Zuko and Meghan Duffy as Sandy Dumbrowski, preserving the musical's rock 'n' roll energy for broadcast audiences. The NBC reality competition series Grease: You're the One That I Want!, which aired in 2007, sought to cast the lead roles of Danny and Sandy for a Broadway revival through auditions, group performances, and public voting, ultimately selecting and as the winners. Grease: Live! is a production of the musical that aired on on January 31, 2016. Directed by and Alex Rudzitzki, it starred as Danny Zuko and as Sandy Dumbrowski, with as Betty Rizzo and as Marty. The broadcast incorporated elements from both the stage musical and the 1978 , including new staging for television with multiple camera angles and live audience interaction. It received positive reviews for its energy and execution, earning three , including for Outstanding Special Class Program. Internationally, the 2016 production was on networks like CTV in , reaching audiences beyond the U.S. with its live staging of the musical's songs and dances. Grease: School Edition, an abridged adaptation licensed by Theatrical Rights Worldwide, shortens the runtime by about 15 minutes and removes profanity, references to alcohol and cigarettes, and suggestive content to make it suitable for middle and high school performers and audiences, while retaining key songs like "Summer Nights" and "Greased Lightnin'." Jukebox-style adaptations of Grease material have appeared in formats, such as performances of "Summer Nights" in revue-style shows that highlight the musical's 1950s-inspired hits without the full narrative structure. During the 2020 , virtual performances of Grease emerged, including school productions like one at McCracken County High School in that delivered select numbers such as "We Go Together" online. Additionally, aired a version of the 1978 Grease film as a substitute for the postponed broadcast.

Reception and legacy

Awards and nominations

The original Broadway production of Grease, which opened in 1972, earned seven nominations at the 26th , including for Best Musical, Best Book of a Musical ( and ), Best Performance by a Leading Actor in a Musical (), Best Performance by a Featured Actor in a Musical (Timothy Meyers), Best Performance by a Featured Actress in a Musical (), Best Costume Design (Carrie F. Robbins), and Best Choreography (), but received no wins. It also won two Drama Desk Awards: Outstanding Choreography () and Most Promising Costume Designer (Carrie F. Robbins). The 1994 Broadway revival garnered three Tony Award nominations: Best Revival of a Musical (producers Barry and Fran Weissler), Best Performance by a Featured Actress in a Musical (Marcia Lewis), and Best Choreography (Jeff Calhoun), though it did not win any. The production also received Outer Critics Circle Award recognition, including a win for Outstanding Featured Actor in a Musical (). The 1993 West End revival at the Dominion Theatre won the Award for Best Musical Revival in 1994. It was additionally nominated in the same ceremony for Best Theatre Choreographer (). The 2007 Broadway revival was nominated for the Tony Award for Best Revival of a Musical in 2008. The 2023 West End production at the Dominion Theatre won two : Best Musical Revival and Best Supporting Performer in a Musical (Jocasta Almgill as Marty). It was also nominated for Best Choreography () and Best Supporting Performer in a Musical (Paul French as ).
ProductionAwardCategoryResultYearSource
Original Broadway (1972)Best MusicalNominated1972IBDB
Original Broadway (1972)Drama Desk AwardsOutstanding Won (Patricia Birch)1972IBDB
1994 Broadway RevivalBest Revival of a MusicalNominated1994IBDB
1994 Broadway RevivalOutstanding Featured Actor in a MusicalWon ()1994Playbill
1993 West End RevivalOlivier AwardsBest Musical RevivalWon1994BroadwayWorld
2007 Broadway RevivalBest Revival of a MusicalNominated2008IBDB
2023 West EndBest Musical RevivalWon2023WhatsOnStage
2023 West EndBest Supporting Performer in a MusicalWon (Jocasta Almgill)2023WhatsOnStage

Cultural impact

Grease played a pivotal role in reviving 1950s nostalgia during the 1970s, capturing the era's fascination with post-war Americana amid social upheavals like Watergate and the rise of disco. The musical's depiction of Rydell High School life evoked Eisenhower-era innocence through sock hops, drive-ins, and rock 'n' roll, resonating with audiences seeking escapism from contemporary turmoil. This nostalgia extended to music, as Grease helped popularize 1950s rock and roll influences in 1970s pop, with its soundtrack blending doo-wop and early rock elements that inspired later revivals. The production's fashion elements further amplified its cultural footprint, blending authentic subcultures with imaginative flair. Iconic looks like the Pink Ladies' poodle skirts and the T-Birds' leather jackets became enduring symbols, influencing high fashion designers such as and in subsequent runway collections. Sandy's transformation from prim sweaters to a form-fitting black outfit, complete with red lips and heels, epitomized the shift from to , sparking trends in body-conscious apparel that echoed into the 1980s. The 1978 film adaptation significantly boosted the stage musical's popularity, transforming it from a Broadway hit into a global staple performed regionally and internationally. Its massive success, grossing nearly $400 million worldwide, led to over 123,000 stage productions mounted globally since 1972. This resurgence is evident in media parodies, such as the 1999 Family Guy episode "Let's Go to the Hop"'s spoof of "You're the One That I Want," which humorously reimagined the duet's romantic tension, and The Simpsons references in episodes like "Lard of the Dance," where characters mimic the show's greaser antics. At its core, Grease explores themes of identity and , particularly within educational settings, as teens navigate and self-expression at Rydell High. Sandy's arc from repressed "" to empowered individual critiques societal expectations, while the greasers' against adult norms highlights the tension between fitting in and authenticity. These elements remain relevant in modern productions, which incorporate diverse casting to address inclusivity, such as the 2022 West End revival featuring Black Pink Ladies and same-sex dance pairs to reflect contemporary identities. The musical's global legacy endures through its frequent staging in educational contexts, with the Grease: School Version—an abridged edition sans and —tailored for high performers and audiences. This , running 90 minutes and emphasizing vocal and dance skills, fosters like confidence and collaboration among students, ensuring Grease's themes of and rebellion continue to educate and entertain new generations. As of 2025, the musical continues to see active productions worldwide, including regional tours and school editions, maintaining its status as one of the most licensed shows globally.

References

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