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Khanjali
Khanjali
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Khanjali (Abkhaz: Аҩҽы/Кама; Adyghe: къамэ; Avar: Ханжар; Azerbaijani: Qəmə/xəncər; Chechen: шаьлта; Dargin: ханжал, Georgian: ხანჯალი; Ingush: шалта; Lezgin: Гапур; Ossetian: Хъама)[1][2][3][4][5][6][7] also known as a kindjal, is a double-edged dagger used in the Caucasus.[8][9] The shape of the weapon is similar to that of the ancient Roman gladius, the Scottish dirk and the ancient Greek xiphos.[10][11] Inhabitants of Caucasus have used the Kindjal as a secondary weapon since the 18th century.

Key Information

Such daggers and their scabbards are often highly engraved with gold or silver designs, and sometimes include embedded gemstones. The scabbard will generally feature a ballpoint extension on the tip, and the handle is usually made of materials such as wood or ivory.

Name

[edit]

The name of the kindjal dagger came into use from Persia[citation needed];[12] (See also khanjar and qama.)

Azerbaijani khanjar, 20th century
  • In Georgia it is called khanjali and satevari.[13]
  • In Dagestan it is called khanjali.
  • In Azerbaijan it is called khanjar .
  • In Armenia it is called khanchal.
  • In Chechnya/Ingushetia it is shalta.
  • In Circassia and Ossetia it is called kama (qama).[14]

Compare the standard Russian-language word (probably Turkic-sourced[15]) for "dagger": Russian: кинжал (kinzhal).

As the Kabardian linguist Shagirov writes, the name of the dagger came from the Turkic languages (see, for example, Turkish kama "dagger", Karachay-Balkar qama "dagger").[16]

History

[edit]

The Kindjal has its origins in the late 18th century. Although similar straight daggers were used by Caucasians in ancient times, they eventually lost their popularity and gave way to curved daggers, similar to ones found in the Ottoman Empire and Persia. Based on archeological evidence, the Kindjal itself dates from roughly the late 18th century.[17] By the mid-19th century, it had achieved wide popularity and was carried by almost everyone in most parts of the Caucasus.

In the 19th century, the production of Kindjals was at a high level in Transcaucasia. Tbilisi was especially distinguished and well-known, from where such tools were supplied to other mountain peoples of the Caucasus, as well as Iran and other eastern regions countries.[clarification needed]. As Tbilisi was the capital of Caucasus at that time, both the client and the master were able to gather in one place. In Tbilisi, the craft was characterized by a division of labor based on ethnic lines. Most Tbilisi Kindjals were fitted and decorated by ethnic Armenian jewelers, while the blades themselves mostly bear Muslim signatures, likely belonging to Dagestani or Persian bladesmiths.[18] In the first half of the 19th century, the Elizarashvili family was one of the most famous blacksmithing families not only in the Caucasus but also in Iran, Turkey and Russia. Giorgi Elizarashvili inherited the family secrets of blacksmithing from his ancestors and passed on his knowledge and skills to his sons – Efrem and Karaman. The family maintained strictly the secrets of processing steel, but in 1828 Karaman shared the secret by the order of the Russian emperor Nicholas I, and in return received a gold medal (with Anna ribbon) and 1000 Chervonets (high-value gold coins).[19] Other famous masters of Caucasian arms included the Armenians Osip Papov, Gevork Purunsuzov, and Khachatur Beburov, the Dagestani Bazalai, and the Chechen Chilla Murtazaliev.

Besides being a status symbol and weapon, many social traditions were associated with the Kindjal. The usage of Georgian Khanjali/Satevari in pre-marital relationships, termed as "sc'orproba(სწორპრობა)," was a Khevsur custom. During the night, a young couple may lie together with a Khanjali between them. Sexual activity between the two was prohibited. Anyone who disobeyed this rule was put to death.[20] The Kindjal was also popularly used while dancing.

  • Old peasant with khanjali dagger and long smoking pipe, Mestia, Svaneti, Georgia
    Old peasant with khanjali dagger and long smoking pipe, Mestia, Svaneti, Georgia
  • Circassian Kama
    Circassian Kama
  • Dagestani Kindjal
    Dagestani Kindjal
  • Black Sea Kama
    Black Sea Kama
  • Blade of a Tbilisi Kindjal, made by Khachatur Beburov
    Blade of a Tbilisi Kindjal, made by Khachatur Beburov

See also

[edit]

References

[edit]

See also

[edit]
  • Qama - a similar weapon
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Khanjali

View on Grokipedia
from Grokipedia
The khanjali, also known as a kindjal or qama, is a traditional double-edged originating from the region, particularly Georgia, , and surrounding areas, characterized by a straight blade typically measuring 40–50 cm in length with one or two central fullers for balance and strength. Crafted from high-carbon steel, it features a simple, ergonomic handle often made of wood, bone, or silver, and a sheath adorned with intricate inlays or chased silver work depicting geometric or floral motifs. This weapon served as an indispensable sidearm for Caucasian men, functioning not only as a tool for thrusting and slashing but also as a utility item for tasks like cutting or even as a ceremonial accessory in dances and daily attire. Historically, straight daggers similar to the khanjali have been used in the since ancient times, with the modern form developing by the late and becoming widespread in the . By the , it had become a symbol of male identity and honor, commonly worn diagonally across the chest in a or belt, as depicted in period photographs and artifacts from the Russo-Caucasian Wars, where it was carried by warriors like the and . Examples from ca. 1840–1850, such as those in collections, highlight its with a length of around 40–50 cm, total length including sheath of 50–60 cm, and weight of approximately 0.5–0.6 kg, emphasizing portability and versatility. Culturally, the khanjali transcended its utilitarian role to embody regional pride and social status; in Georgian tradition, it was an essential element of (traditional woolen tunic) ensembles. Its adoption by Cossack forces during Russian imperial expansion further spread its design, though it remained a core emblem of Caucasian resistance and heritage, with 20th-century examples incorporating silver hilts weighing up to 0.3 kg for the sheath alone. Today, while largely ceremonial, authentic 18th–19th-century specimens—valued for their damascus-like steel patterns and techniques—continue to be preserved in institutions, underscoring the khanjali's enduring legacy as a pinnacle of Caucasian craftsmanship.

Etymology and Terminology

Origins of the Name

The term khanjali (or kindjal) for the is ultimately derived from Persian khanjar, a word for a , transmitted through into the region. In Russian, it is transliterated as kinzhal, a general term for but specifically applied to Caucasian types. This nomenclature reflects the weapon's cultural centrality, with adoption occurring amid historical interactions with Persian and Ottoman influences. Earliest written references to the kinzhal appear in 19th-century Russian ethnographic accounts by explorers and military observers during the (1817–1864). These documents describe it as an ubiquitous personal arm among highland peoples, essential for daily and martial life. Phonetic variations proliferated in European languages through 19th-century travelogues, adapting to Western . For instance, French accounts rendered it as kindjal, as in Frédéric Dubois de Montpéreux's surveys of Circassian and Georgian customs. English renditions like kindjal appear in Edmund Spencer's descriptions of Circassian society, highlighting the weapon's prominence in regional attire and conflict. The phonetic overlap with the Omani khanjar stems from shared Persian roots, though without design similarities, as the Caucasian variant is straight-bladed.

Regional Variants and Synonyms

The khanjali exhibits terminological variation across ethnic groups, tied to linguistic traditions. In Georgian contexts, it is called khanjali (or the older indigenous term satevari), underscoring its status as a of heroism integrated into the chokha ensemble. Among Chechen and Ingush communities in the , it is known as qama, reflecting its role in warrior traditions. Broader Russian nomenclature uses kindjal generically for Caucasian daggers. In Dagestani variants, particularly Avar and Lezgin craftsmanship, it is referred to as khanjali or qama, with master smiths producing decorated examples emphasizing ethnic artisanal expertise. These naming differences arose from 16th–19th-century interactions with neighboring empires, where Ottoman and Persian terms like influenced border areas, blending with local words while preserving ethnic distinctions.

Physical Description

Blade Design

The khanjali dagger is characterized by a straight, double-edged blade designed primarily for thrusting in close-quarters combat, with lengths typically ranging from 40 to 50 cm. This form echoes the ancient Roman in its compact, pointed profile but is adapted for the rugged terrain and personal defense needs of the region. The cross-section is usually diamond-shaped or lozenge-form, which enhances structural rigidity while allowing for effective penetration. Many blades incorporate single or double fullers—narrow grooves running along the length—to lighten the weapon without compromising strength, improving balance for quick strikes. High-carbon steel forms the core material, prized for its hardness and edge retention, with superior examples forged using pattern-welded techniques to create Damascus-like motifs through twisted iron rods. The tip is sharply reinforced with an acute point optimized for piercing light armor or clothing. Decorative elements, when present, include etched geometric patterns or inscriptions indicating ownership or craftsmanship. The blade's full tang integrates smoothly into the handle for structural integrity, with the overall dagger weighing approximately 0.5-0.7 kg.

Hilt and Scabbard Features

The hilt of the khanjali is typically constructed with a full tang embedded into grips made of wood, , or horn, ensuring structural integrity and balance for one-handed use. These grips often feature an ergonomic curve that conforms to the user's palm, facilitating a secure hold during or daily carry. Decorative elements commonly include silver or inlays, with motifs such as floral patterns, foliage, or geometric designs drawn from Caucasian artistic traditions, enhancing both functionality and aesthetic appeal. The pommel is generally simple and rounded, sometimes shaped like a slightly barbed , to aid in balance without adding unnecessary weight. A minimal or absent guard prevents snagging when drawing from the , prioritizing quick deployment; occasional engravings on the pommel or tang may include personal or familial symbols, though such customizations vary by region and . Rivets securing the grips are often capped with silver or decorated with scrolls, contributing to the hilt's ornate yet practical . The is usually formed from wood wrapped in , often black or textured for durability, with metal fittings such as silver or iron bands at the and chape for reinforcement. It suspends diagonally from the belt via integrated loops or rings, allowing accessible carry as both a and . The interior is frequently lined with or similar fabric to protect the from dulling and scratches, preserving its edge over time. Elaborate examples incorporate or gold engravings on the fittings, featuring motifs like vines or animal figures that echo the hilt's decoration, while rarer variants may include subtle compartments for small items like a companion knife.

Historical Development

Ancient and Medieval Origins

Straight-bladed daggers with roots in the metalworking traditions of the emerged around 1000 BCE as part of broader regional weapon development, laying the groundwork for later forms like the khanjali. Archaeological discoveries from sites in and adjacent areas reveal bronze daggers with simple, double-edged forms that reflect local craftsmanship influenced by nomadic techniques and Colchian bronze production methods. These early weapons, often found in burial contexts, adapted to the needs of semi-nomadic societies in the region, contributing to the ergonomic designs seen in later Caucasian daggers. By the medieval period, from the 5th to 13th centuries, daggers resembling the khanjali had evolved into a widespread secondary among the classes of the Georgian and Alan kingdoms, with archaeological from Georgian sites dating its distinct form to at least the 5th–10th centuries CE. Excavations at burial sites near and other Caucasian locales have uncovered iron examples with offset fullers and robust construction, indicating its integration into feudal military culture. These finds demonstrate the dagger's role in close-quarters combat and daily armament, with hilts sometimes featuring rudimentary bone or wood grips suited to mounted warfare. Key influences on these dagger designs during this era stemmed from interactions with Byzantine and Persian arms, particularly amid the Arab invasions of the 7th to 9th centuries, which facilitated the exchange of straight-bladed technologies across the Caucasus. Local smiths adapted these foreign elements—such as fuller grooves for balance and lightweight construction—to suit nomadic and highland fighting styles, resulting in distinctly Caucasian forms by the high medieval period. This synthesis is evident in artifacts blending Persian-inspired proportions with Byzantine edge geometry, enhancing the weapon's utility in regional skirmishes.

Evolution in the Early Modern Period

During the , the khanjali underwent significant refinements influenced by the Ottoman and Safavid empires, as the region became a contested between these powers. Ottoman artisans introduced decorative techniques such as gold inlays and work on hilts and scabbards, enhancing the weapon's status as both a practical tool and a symbol of prestige among Caucasian warriors. Safavid Persian influences contributed to refined forging methods, resulting in stronger, narrower blades optimized for thrusting, as seen in 19th-century surviving artifacts that displayed intricate silver mounts and patterned steel. In the Russian Imperial era, particularly from the early 1800s, the khanjali was adapted for use in Cossack units, reflecting Moscow's expanding control over the . By the mid-19th century, the Russian military standardized the design for issuance to Cossack regiments, incorporating simpler horn grips and offset fullers for efficient production, as evidenced in examples from the (1853–1856). This shift toward mass-produced versions, often featuring embossed silver scabbards, marked a decline in the traditional handmade quality following the conquests of the (1817–1864), when local craftsmanship was disrupted by Russian administration and industrialization. Nineteenth-century Russian ethnographers documented these evolving regional styles through detailed illustrations, capturing the khanjali's solidification before broader industrialization. Works such as Gustave Theodor Pauly's Description ethnographique des peuples de la Russie (1862) feature colored depictions of Caucasian peoples, including and Dagestanis, armed with khanjali variants showing distinct shapes and inlays from Kubachi and other centers, highlighting variations across the prior to uniform Russian influence. These illustrations underscore the weapon's role in ethnic identity amid geopolitical pressures.

Usage and Combat Role

Traditional Fighting Techniques

The khanjali's primary combat techniques revolve around thrusting stabs targeted at vital areas like the , arms, and , executed with precision in close-range engagements such as duels or skirmishes. These thrusts are often delivered from a low guard position, with the dagger held point-down in the off-hand alongside a shield for defensive parries and offensive follow-ups, such as hooking an opponent's weapon arm to expose vulnerabilities. Slashing draws directly from the enable rapid, sweeping cuts to disrupt an adversary's balance or inflict lateral wounds, leveraging the weapon's straight, double-edged blade for both piercing and slicing efficiency. In Caucasian martial traditions, particularly among the Khevsurs of Georgia, khanjali training is integrated into broader armed systems like parikaoba swordplay and fencing, with drills derived from manuals emphasizing lethal techniques in lashkroba scenarios to simulate real . Practitioners emphasize speed and accuracy, focusing on fluid transitions between parrying with the and counter-thrusting with the khanjali, often in paired exercises that prioritize controlled aggression over prolonged engagements. Circassian variants incorporate similar dagger work into saber handling routines, adapting the khanjali for off-hand support in dynamic footwork patterns, including close-quarters integration with the . The khanjali's ergonomic design supports rapid recovery between strikes, allowing warriors to chain multiple thrusts or slashes without fatigue in prolonged personal combat. This balance enhances maneuverability when drawn or wielded in tandem with a , as detailed in 19th-century ethnographic accounts and military observations of Caucasian arms.

Role in Regional Conflicts

The khanjali served as a vital sidearm for Caucasian fighters during the (1817–1864), a protracted conflict between the and indigenous peoples of the resisting subjugation. In the eastern theater, particularly in , it was a standard weapon among insurgents led by , the third of the , who unified tribes through from the 1830s to the 1850s; Shamil personally owned an ornate gold and walrus ivory kindjal inscribed and dated 1841, emblematic of its role in resistance leadership. Georgian variants of the khanjali were similarly employed by local forces amid the war's broader regional uprisings, reflecting its integration into the martial traditions of multiple ethnic groups opposing Russian advances. Tactically, the khanjali functioned as a reliable weapon in engagements and trench , where it complemented longer blades like the and proved indispensable in close combat during mountain ambushes, especially when black powder firearms jammed in humid or dusty conditions. Its straight, double-edged blade enabled effective thrusting maneuvers, central to its utility in the characteristic of the terrain. Following the war's end in , Russian authorities enforced confiscations—such as the surrender of over 5,600 rifles and 670 pistols from Abkhaz villages implicated in the 1866 Lykhny Rebellion—and imposed public carrying bans on arms across regions like Labinskiĭ by 1868, measures that targeted traditional edged weapons including the khanjali to pacify the population. The khanjali's military legacy persisted into the early , with rare documented use by Caucasian units and local militias within the Russian Imperial Army during , where it supplemented standard-issue arms in regional deployments.

Cultural and Symbolic Importance

In Caucasian Folklore and Identity

In Caucasian , the khanjali serves as a potent symbol of honor, bravery, and martial prowess, often embodying the heroic ideals central to regional narratives. In the 12th-century Georgian epic The Knight in the Panther's Skin by , weapons such as swords and daggers evoke themes of and , with bloodied blades representing the valor of knights in their quests for and justice. This motif reflects broader symbolism of edged weapons as extensions of personal and communal integrity in tales of epic struggle. Among Circassian and Georgian communities, the khanjali features in ceremonial contexts as part of traditional attire like the during special occasions, reinforcing cultural bonds and social duty. Its integration into such events highlights its ceremonial significance, informed by its historical role. The khanjali also embodies ethnic identity and resistance in 19th-century Caucasian nationalist movements, emerging as an icon of cultural defiance against imperial domination. In Georgia, poet Akaki Tsereteli's 1880s poem Khanjali contributed to revivalist sentiments, linking to political awakening.

Collectibility and Modern Reproductions

The khanjali dagger holds significant appeal in the market, particularly for 19th-century specimens prized for their elaborate silverwork and decorations on hilts and scabbards. Valued examples, often originating from Georgian or Circassian workshops, typically fetch between $500 and $5,000 at international auctions, with ornate pieces commanding higher prices due to their craftsmanship and historical . Authentication relies on hallmarks from or workshops, which indicate origins, combined with assays confirming high-grade silver content, such as 84 zolotnik standard. Modern reproductions of the khanjali are hand-forged by Georgian artisans employing traditional techniques, including pattern-welding for blades and for decorative elements, to preserve while adapting to contemporary uses. These replicas, often measuring around 19 inches overall with double-edged blades, are marketed as decorative items, wall hangers, or props for live-action (LARP) and historical reenactments, available through platforms like and specialized forges. However, legal restrictions on edged weapons impact their distribution and possession; in , daggers classified as cold weapons require permits for carrying and are subject to administrative penalties for unauthorized transport, while in the EU, carrying fixed-blade daggers is generally prohibited without a legitimate reason, varying by member state but often treated as category D weapons under harmonized directives. Preservation efforts ensure the khanjali's legacy endures through institutional displays and cultural revivals. The Simon Janashia Museum of Georgia in houses numerous historical khanjali examples within its ethnographical and archaeological collections, showcasing them alongside other Caucasian artifacts to educate on regional martial traditions. In the 21st century, the dagger experiences revivals at Georgian cultural festivals and national dance performances like khan jluri, where it forms an integral part of traditional attire and symbolizes martial skill and heritage. For tourists, variants—durable and non-functional for —have become popular souvenirs, blending authenticity with practicality for display purposes. Collector interest in both antiques and reproductions is partly driven by the khanjali's enduring cultural symbolism in Caucasian and identity.

References

  1. https://www.metmuseum.org/art/collection/search/24991
  2. https://www.jstor.org/stable/community.35663640
  3. https://scalar.usc.edu/works/let-me-get-there/russian-cossacks-1905
  4. https://www.dictionary.com/browse/kindjal
  5. https://www.metmuseum.org/art/collection/search/25001
  6. https://www.clevelandart.org/art/1916.736
  7. https://royalarmouries.org/collection/object/object-22187
  8. http://www.vikingsword.com/patterns.pdf
  9. http://oriental-arms.co.il/item.php?id=4357
  10. https://antiquesbythesea.com/product/georgian-kindjal-dagger-by-afandi/
  11. https://royalarmouries.org/collection/object/object-12241
  12. https://royalarmouries.org/collection/object/object-32072
  13. https://www.metmuseum.org/art/collection/search/32744
  14. https://www.rmg.co.uk/collections/objects/rmgc-object-78901
  15. https://sword-site.com/thread/185/caucasian-kindjal-qama-companion-knife
  16. https://www.cambridge.org/core/books/archaeology-of-the-caucasus/from-fortresses-to-fragmentation-the-southern-caucasus-in-the-late-bronze-age-through-the-iron-age-i-1500800-bc/D15C7B1548F3D0043BF34C331F398B3F
  17. http://kartvelologi.tsu.ge/public/en/arqive/2/6
  18. https://www.academia.edu/42959687/%E1%83%A5%E1%83%90%E1%83%A0%E1%83%97%E1%83%A3%E1%83%9A%E1%83%98_%E1%83%AE%E1%83%90%E1%83%9C%E1%83%AF%E1%83%90%E1%83%9A%E1%83%98_Georgian_Khanjali
  19. https://www.iranicaonline.org/articles/georgia-iii-art-and-archeology/
  20. https://www.runjeetsingh.com/antiques/artworks/kindjal-dagger
  21. https://www.ima-usa.com/products/original-imperial-russian-crimean-war-era-cossack-kindjal-dagger-with-silver-fitted-scabbard
  22. https://www.swordis.com/blog/russian-swords/
  23. https://www.alamy.com/koloshi-1862-sheet-62-from-the-album-quotdescription-ethnographique-des-peuples-de-la-russiequot-volume-1-description-ethnographique-des-peuples-de-la-russie-ethnographic-description-of-the-peoples-of-russia-is-a-two-volume-work-published-in-saint-petersburg-in-1862-to-mark-the-millennium-of-the-founding-of-the-russian-empire-traditionally-traced-to-the-founding-of-the-state-of-kievan-rus-in-862-the-work-is-dedicated-to-tsar-alexander-ii-volume-1-consists-of-62-colored-illustrations-depicting-ethnic-groups-from-across-the-russian-empire-in-their-traditional-dress-this-volume-al-image595008863.html
  24. https://kogenbudo.org/guest-blog-martial-arts-of-the-kevsureti-by-mike-cherba/
  25. http://nwarmizare.com/parikaoba/
  26. https://georgia.travel/georgian-traditions-and-rituals/khridoli
  27. https://www.christies.com/en/lot/lot-6111513
  28. https://escholarship.org/content/qt9pj180bj/qt9pj180bj_noSplash_f4783e17bcf53734bf8904710e222a4c.pdf
  29. https://www.alamy.com/first-world-war-1914-1918-khanjali-kama-dagger-used-in-the-caucasian-units-of-the-russian-army-latvian-war-museum-riga-latvia-image591437395.html
  30. https://dokumen.pub/the-knight-in-the-panthers-skin-9941079269-9789941079269.html
  31. https://everestforge.com/kindjal-sword-hand-forged-caucasian-dagger
  32. https://fashionheritage.eu/efha-focus-georgian-chokha/
  33. https://society.iliauni.edu.ge/factoids/87987-1880-ian-tslebshi-akaki-tseretlis-leqsis-khanjali-tsa
  34. https://minikatana.com/blogs/main/qama-dagger-its-influence-on-modern-knife-making-and-design
  35. https://www.christies.com/en/lot/lot-5551077
  36. https://www.invaluable.com/auction-lot/a-caucasian-khanjali-dagger-kindjal-with-silver-a-209-c-5ae4baabd5
  37. https://925-1000.com/forum/viewtopic.php?t=41764
  38. https://www.etsy.com/listing/4396261056/hand-forged-georgian-khanjali-dagger
  39. https://www.ebay.com/itm/276985437658
  40. https://en.topwar.ru/179858-nozhi-v-rossii-holodnoe-oruzhie-ili-net.html
  41. https://www.all4shooters.com/en/shooting/knives/Legislation-in-Europe-overview/
  42. https://museumstudiesabroad.org/georgian-national-museum-janashia/
  43. https://www.reddit.com/r/Bladesmith/comments/11ynoyg/some_old_khanjalis_at_the_tbilisi_history_museum/
  44. https://www.danceus.org/style/khanjluri-dance-in-georgia/
  45. https://www.youtube.com/watch?v=9XZgqSSTMrY
  46. https://georgia.travel/where-to-purchase-georgian-souvenirs-in-tbilisi
  47. https://www.etsy.com/market/khanjali
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