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Kirigami
Kirigami
Kirigami
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Kirigami

Kirigami (切り紙) is a variation of origami, the Japanese art of folding paper. In kirigami, the paper is cut as well as being folded, resulting in a three-dimensional design that stands away from the page. Kirigami typically does not use glue.

Overview

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In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, 'cut', and kami, 'paper', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.[1]

Typically, kirigami starts with a folded base, which is then unfolded; cuts are then opened and flattened to make the finished design. Simple kirigami are usually symmetrical, such as snowflakes, pentagrams, or orchid blossoms. A difference between kirigami and the art of "full base", or 180-degree opening structures, is that kirigami is made out of a single piece of paper that has then been cut.

Notable kirigami artists

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  • Seiji Fujishiro [ja] (born 1924–), a renowned kirie ('paper picture') artist known for his colourful kirigami, which have also been published as a book.
  • Nahoko Kojima (born 1981–), a professional contemporary Japanese kirigami artist, who pioneered sculptural, three-dimensional kirigami.
  • Giovanni Russo (born 1969–), a professional contemporary Italian kirigami artist, who pioneered monumental, three-dimensional postcards kirigami.

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Kirigami

View on Grokipedia
from Grokipedia
Kirigami (切り紙; lit. 'cut paper') refers to a Japanese-inspired art form and crafting technique that combines cutting and folding of to create intricate two- and three-dimensional designs, decorations, and structures. The term, derived from the Japanese words kiri (to cut) and (), was coined in 1962 by American author Florence Temko in her book Kirigami: The Creative Art of , though the practice has ancient roots in Japanese under traditional names like kirie (切り絵). It differs from —its folding-only counterpart—by incorporating cuts that enable greater complexity, such as pop-up elements and symmetrical patterns. The practice has ancient roots in Japanese paper crafts, emerging with the introduction of papermaking from China around the 7th–8th century and drawing from earlier Chinese papercutting traditions known as jianzhi. Historically, it was used in Buddhist temples for symbolic representations, in ceremonial items, and for creating family crests and decorative sculptures. Over time, it evolved into a versatile medium for items like greeting cards, mobiles, and architectural models, with 20th-century innovations such as "origamic architecture" developed by Japanese architect Masahiro Chatani, which applies cut-and-fold patterns to pop-up books and displays. In modern applications, kirigami principles have extended beyond art into and , inspiring metamaterials with programmable mechanical properties, including nonlinear springs for and deployable structures for . Researchers have used kirigami-inspired cuts to improve solar panels' flexibility and efficiency, create no-slip surfaces, and develop stretchable electronics mimicking biological tissues. These uses underscore kirigami's influence, connecting cultural heritage with innovations in and as of 2025.

History

Origins and Early Influences

The invention of paper is traditionally attributed to , a and director of the Imperial Workshops during China's , who in 105 CE refined earlier rudimentary methods by processing mulberry bark, hemp rags, and fishing nets into a versatile sheet material, as reported to Emperor He. This breakthrough, building on archaeological evidence of proto- from the Western Han (circa 200 BCE), initially served practical needs like writing and wrapping but soon enabled early decorative crafts, including jianzhi—intricate paper cuttings used for ritualistic talismans to invoke prosperity and ward off misfortune in folk and religious contexts. Papermaking spread westward along trade routes but reached in the early CE, around 610, when a Korean Buddhist named Don-cho introduced the technique at the imperial court, adapting it for transcribing sacred sutras on mulberry-based . Due to its rarity and cost—imported was a luxury taxed heavily—early uses were confined to religious spheres, where monks folded simple offerings like noshi (dried wrappers symbolizing good fortune) for Buddhist ceremonies and nascent rites, marking 's integration into Japan's spiritual life. By the (794–1185 CE), Japan's own papermaking innovations, such as the Tosa method using clarified water for finer sheets, made paper more accessible, fostering kirigami-like practices in temples and shrines. Practitioners cut paper into symbolic forms, notably shide—zigzag streamers affixed to wands () or sacred ropes ()—to represent purity, natural forces like wind and waves, or deities during purification rituals () and seasonal festivals, enhancing offerings' visual and metaphysical potency in both and Buddhist settings. This era distinguished kirigami from pure by deliberately incorporating cutting (kiri, "to cut") with folding (ori, "to fold") of paper (), allowing artisans to create layered symbols unattainable through folds alone, thereby deepening the ritual artifacts' representation of impermanence and divine harmony in spiritual contexts.

Evolution in Japanese Culture

During the (1336–1573), kirigami expanded from its ritualistic roots in Buddhist temples into broader decorative applications within Japanese society, incorporating cuts into folded paper to create symbolic motifs for ceremonial purposes. By the subsequent (1603–1868), the art form had proliferated as a popular craft among merchants and artisans, integrating seamlessly into festivals like Hina Matsuri and , formal ceremonies, and everyday household decorations such as noshi—ceremonial paper tags attached to gifts symbolizing good fortune. This widespread adoption was facilitated by the increased availability of affordable paper, enabling communal participation in paper-based folk crafts. The stylistic evolution during the drew significant influence from woodblock prints and regional folk crafts, resulting in highly detailed scenes cut from paper that captured , , and . These works not only adorned homes and public spaces but also served as accessible expressions of amid the period's urban growth and artistic flourishing. In the , kirigami solidified as a distinct practice emphasizing strategic cuts and folds to create intricate layered designs that enhanced visual and educational tools. Such techniques were utilized in illustrations for folktales and lessons, as well as in instructional materials to demonstrate concepts like and , making the art an engaging medium for both and learning across social classes. By this time, kirigami had gained recognition as a refined art form, with Japanese practitioners creating designs symbolizing prosperity and harmony. The (1868–1912) brought challenges to kirigami through rapid Westernization and industrialization, which diminished traditional crafts in favor of mass-produced goods and introduced competing paper-making methods. Despite this decline, the art persisted via deliberate preservation efforts, including its integration into school curricula to foster skills in , spatial reasoning, and cultural appreciation, alongside its adaptation for export as affordable decorative items. These initiatives ensured kirigami's revival as a bridge between heritage and modernity, sustaining its role in Japanese identity amid global influences.

Techniques and Materials

Core Techniques

Kirigami's fundamental process relies on the interplay of folding and cutting to transform a flat sheet of paper into symmetrical, often multidimensional designs. The technique begins with folding the paper to establish symmetry, typically starting with a square sheet folded in half horizontally and then vertically for four-fold symmetry, or further divided into thirds for six-fold patterns common in snowflake motifs. Precise cuts are made along the folded edges or within the layers while the paper remains folded, ensuring the design mirrors across all axes. Upon unfolding, the cuts reveal intricate, repeating patterns that exploit the paper's structure for visual or structural depth. Types of cuts vary to achieve different effects, with straight incisions forming clean geometric outlines and curved cuts enabling fluid, organic shapes such as petals or leaves. Small, numerous cuts produce delicate lace-like textures, while longer, deeper incisions create bolder, more open designs that enhance dimensionality without compromising the paper's integrity. cuts, where edges connect to form hinges, allow sections to pivot or expand, facilitating pop-up mechanisms that add mobility and three-dimensionality to the artwork. Parallel cuts promote expansion for lattice-like structures, and rotational cuts around fold points enable twisting motions, all rooted in traditional methods that balance precision with the paper's natural flexibility. Assembly in traditional kirigami emphasizes simplicity and integrity, often requiring no as designs emerge fully from a single sheet through folding and cutting alone. For more complex three-dimensional structures, minimal may secure layered elements, but purist approaches avoid it to preserve the art's emphasis on seamless transformation. Layered compositions, achieved by stacking multiple cut sheets, add depth and shadow play, enhancing the visual complexity without altering the core no-glue principle. Common motifs draw from nature and geometry, including snowflakes with radial symmetry, cherry blossoms featuring curved petal cuts, and lotus flowers symbolizing purity through interlocking layers. Geometric shapes like stars, sunbursts, and lattices provide abstract foundations, while nature-inspired designs such as animals or architectural elements like staircases incorporate representational cuts for narrative depth. These motifs, often symmetrical to reflect cultural ideals of harmony, have historical roots in Japanese Buddhist temple decorations from the 7th century, where they symbolized perfection and abundance.

Tools and Paper Types

Kirigami practitioners rely on a variety of precise tools to execute cuts and folds effectively, ensuring both accuracy and safety during creation. Basic implements include craft knives or scalpels for intricate fine cuts, scissors for preliminary shaping of paper edges, self-healing cutting mats to safeguard work surfaces from damage, and bone folders for scoring and forming crisp creases without tearing the material. For more complex designs, advanced aids such as metal rulers or pre-printed templates promote and consistent proportions, while lightboxes enable accurate tracing of elaborate patterns by illuminating designs from beneath the . The choice of significantly influences the outcome of kirigami works, with traditional Japanese —made from mulberry fibers—prized for its exceptional strength, subtle texture, and ability to hold intricate cuts without fraying. In modern applications, cardstock offers added rigidity for structural pop-ups, while provides translucency ideal for layered, luminous effects. Key material considerations include paper thickness, where weights of 80-120 grams per square meter () suit beginners by facilitating clean cuts while maintaining sufficient durability for folding. Color selections, from solid single sheets to multi-layered combinations for enhanced contrast and depth, allow artists to emphasize patterns and shadows. Contemporary practices increasingly prioritize , incorporating recycled papers to reduce environmental impact without compromising quality.

Artistic Practice

Traditional Styles

Traditional kirigami frequently features styles that emphasize black-and-white contrasts achieved through single sheets of paper, enabling intricate effects. Thematic categories in historical kirigami draw from cultural symbolism, including seasonal motifs such as autumn leaves representing transience, auspicious symbols like cranes denoting and good fortune, and narrative scenes inspired by that convey moral or mythical tales. Craftsmanship in traditional kirigami is marked by hallmarks of , where simplicity guides precise cuts to avoid excess; effective utilization of to enhance visual balance and depth; and integration with complementary arts such as , allowing paper elements to harmonize with floral arrangements in ceremonial contexts.

Notable Artists and Works

Seiji Fujishiro, born in 1924, is a prominent Japanese kirie artist renowned for his colorful layered paper cutouts that depict ethereal landscapes and whimsical scenes, often utilizing backlighting to create shadow effects. His works, such as those featuring mountainous and natural motifs, exemplify a fusion of traditional silhouette principles with vibrant, multi-layered techniques to evoke depth and fantasy. Among contemporary Japanese artists, Masayo Fukuda stands out for her masterful kirie creations, hand-cutting hyper-detailed animal forms from a single sheet of paper, as seen in her intricate design that captures fluid movement and texture through precise incisions. Similarly, Nahoko Kojima has pioneered large-scale kirigami sculptures since establishing her in 2010, producing monumental pieces like the Kiku Flowers collection, which transforms handmade Japanese paper into suspended, three-dimensional floral installations exploring themes of fragility and nature. Internationally, Siliakus, based in , crafts Escher-inspired paper architectures that evoke impossible structures through origamic techniques, starting from a single sheet to build intricate, layered edifices like her interpretations of forms. Pippa Dyrlaga, from , , contributes to the field with her detailed paper cuts of urban and natural scenes, blending fine-line incisions to produce multi-layered compositions that highlight architectural elements and organic patterns. These artists innovate upon kirigami's roots by scaling works to life-sized proportions, or by contrasting natural motifs with urban complexity to bridge tradition and modernity.

Modern Applications

Engineering and Design Innovations

Kirigami principles have been adapted in engineering to create deployment mechanisms that allow flat sheets to transform into three-dimensional structures through strategic cuts, enabling compact storage and rapid expansion. These mechanisms are particularly valuable for expandable shelters and furniture, where lightweight materials can be deployed without complex assembly. For instance, researchers at the developed kirigami designs using soft materials that interlock via cuts and folds, achieving structures capable of supporting thousands of times their own weight while remaining portable for applications like emergency shelters. Similarly, at MIT, kirigami-inspired plate lattices fabricated from aluminum exhibit compression strengths exceeding 62 kilonewtons and densities lighter than cork, making them suitable for deployable architectural components and furniture with tunable mechanical properties. In material applications, kirigami cuts are applied to metals, , and composites to produce lightweight, flexible structures optimized for demanding environments such as . A notable example is the use of kirigami patterns on sheets coated with solar cells, allowing panels to stretch and conform to curved surfaces for improved sun-tracking efficiency without bulky motors. These foldable solar panels, developed by researchers, demonstrated up to 36% greater energy capture compared to stationary flat panels in simulations, with potential extensions to for compact, deployable energy systems. Such adaptations leverage kirigami's ability to redistribute stresses, enhancing durability in high-strain scenarios like deployment. Prominent design examples include collaborations led by Randall Kamien at the , who pioneered kirigami-inspired metamaterials for adaptive surfaces that respond to external stimuli by tilting or morphing into predefined shapes. These programmable kiri-kirigami structures enable surfaces to adjust orientation on demand, applicable in for responsive facades or ergonomic furniture. In commercial contexts, kirigami influences pop-up packaging solutions, such as the award-winning invention by a team of New York teenagers, which uses geometric cuts in cardboard to create interlocking cushions that replace plastic fillers like , offering sustainable protection for shipping fragile goods. Key advantages of kirigami in stem from its capacity for stress relief via precise cuts, which prevent material failure by distributing loads across the and allowing controlled deformation. This approach also ensures , with patterns transferable from microscale components to macroscale architectures, facilitating fabrication via techniques like or across diverse materials. Overall, these innovations promote efficient, adaptive designs that balance strength, weight, and functionality in industrial and architectural contexts.

Scientific and Technological Uses

Kirigami principles have been applied in to develop stretchable sensors and devices that mimic tissue mechanics, enhancing applications in prosthetics and systems. Researchers at have utilized kirigami-inspired cuts to create structures that enable programmable 3D architectures for biomedical applications, allowing for flexible scaffolds that conform to dynamic biological environments and support without fracturing under strain. These designs achieve high stretchability while maintaining structural integrity, facilitating the development of implantable devices such as stretchable piezoelectric sensors for monitoring physiological signals in prosthetics. In , kirigami-patterned metamaterials enable controlled release mechanisms through morphing cuts that respond to environmental stimuli, improving targeted therapeutics . In , kirigami has advanced the creation of durable, flexible wearables by incorporating AI-driven pattern optimization for enhanced elasticity and conductivity. At , a 2022 study employed on supercomputers to design kirigami cuts in 2D materials like , resulting in structures that withstand exceeding 40% strain for applications in flexible antennas and batteries. These AI-guided kirigami patterns enable reconfigurable antennas that maintain under deformation, supporting wireless communication in wearables. Similarly, kirigami-engineered batteries achieve high with stretchability up to 50%, powering conformable without performance degradation. Other innovations leverage kirigami for and technologies through morphing structures. Kirigami-based polyvinylidene difluoride films serve as stretchable energy harvesters, converting mechanical motion into with efficiencies improved by patterned cuts that enhance piezoelectric responses during deformation. Recent 2025 work has introduced pop-up kirigami thermoelectric generators using PVDF for improved stretchability and in wearables. In wireless applications, 2024 research on 3D-printed kirigami metamaterials derived from ancient cut patterns has produced tunable antennas using MXene inks, enabling adaptive signal propagation for modern communication systems with frequency tunability up to 20%. Key research milestones include the 2015 PNAS paper on kirigami-based stretchable piezoelectric energy harvesters, achieving robust elasticity for technological prototypes. Additionally, 2022 studies from the explored kirigami modifications of acellular dermal matrices for medical modeling, enabling expansile 3D conversion in to improve implant support and natural shaping.

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