LGBTQ stereotypes

LGBTQ stereotypes are stereotypes about lesbian, gay, bisexual, transgender, and queer (LGBTQ) people based on their sexual orientations, gender identities, or gender expressions. Stereotypical perceptions may be acquired through interactions with parents, teachers, peers and mass media, or, more generally, through a lack of firsthand familiarity, resulting in an increased reliance on generalizations.

Negative stereotypes are often associated with homophobia, lesbophobia, gayphobia, biphobia, or transphobia. Positive stereotypes, or counterstereotypes, also exist.

The portrayal of LGBTQ+ people in the media has historically upheld negative stereotypes and societal norms, excluded LGBTQ+ people, and tokenized LGBTQ+ and/or minimized them to their LGBTQ+ identities. Media portrayal of LGBTQ+ communities impacts both how society views LGBTQ+ people, and how LGBTQ+ people view themselves. Positive media representations of LGBTQ+ people portray LGBTQ+ individuals as multi-faceted, complex, and relatable individuals. Further, positive media representations promote visibility, empathy, and identity exploration and challenge social norms and stereotypes. Positive media representations can uplift LGBTQ+ communities and educate and empower allies. In recent years, portrayal has become relatively positive, and LGBT people have had increasingly higher media representation.

LGBT rights activists have fought against fictional representations of LGBT people that depict them as violent and murderous. Columnist Brent Hartinger observed that "big-budget Hollywood movies until, perhaps, Philadelphia in 1993 that featured major gay male characters portrayed them as insane villains and serial killers". Community members organized protests and boycotts against films with murderous LGBT characters, including Cruising (1980), Silence of the Lambs (1991), and Basic Instinct (1992). Theatre scholar Jordan Schildcrout has written about the recurrence of the "homicidal homosexual" in American plays but notes that LGBT playwrights themselves have appropriated this negative stereotype to confront and subvert homophobia. Such plays include The Lisbon Traviata (1985) by Terrence McNally, Porcelain (1992) by Chay Yew, The Secretaries (1993) by the Five Lesbian Brothers, and The Dying Gaul (1998) by Craig Lucas.

Many bisexual people are often characterized as indecisive due to their attraction to both men and women. As the term bisexual can refer to people who do have a sexual preference but are open to sexual interactions with other groups, bisexuals are sometimes seen as unwilling to commit to one sexual identity. This characterization can include stereotypes originating in the LGBT community itself as people who are bisexual do not always choose homosexual partners—they are often seen as being in a transitory or experimental phase between being heterosexual and homosexual.

Another common stereotype is that bisexual people are promiscuous and incapable of having steady or long-term relationships. This includes belief that, according to a bisexuality study, "compared to lesbians or gay targets, bisexual targets in a relationship with lesbian or gay partners were evaluated as more likely to transmit STDs and less likely to sexually satisfy their partners" by the public. Bisexual people are sometimes seen as being incapable of monogamy or sexually manipulative. Bisexual people are also assumed to want to engage in threesomes.

Due to negative characterizations of bisexuality, media personalities are often reluctant to share their identity with the public, leading to reduced visibility. Rock musician David Bowie famously declared himself bisexual in an interview with Melody Maker in January 1972, a move coinciding with the first shots in his campaign for stardom as Ziggy Stardust. Bowie later regretted revealing his sexuality, stating, "I had no problem with people knowing I was bisexual. But I had no inclination to hold any banners or be a representative of any group of people. I knew what I wanted to be, which was a songwriter and a performer ... "

Regarding the portrayal of bisexual people by Hollywood, stigma is present, especially for men. From the end of the McCarthy era to today, "The history of male bisexual characters in film has been one of negative stereotyping." With so many negative stereotypes surrounding bisexual characters, they are often relegated to supporting or one-note characters.