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Movie ranch
Movie ranch
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A movie ranch is a ranch that is at least partially dedicated for use as a set in the creation and production of motion pictures and television shows. These were developed in the United States in southern California, because of the climate.

Movie ranches were developed in the 1920s for location shooting in Southern California to support the making of popular western films. Finding it difficult to recreate the topography of the Old West on sound stages and studio backlots, the Hollywood studios went to the rustic valleys, canyons and foothills of Southern California for filming locations. Other large-scale productions, such as war films, also needed large, undeveloped settings for outdoor scenes, such as battles.

History

[edit]

To achieve greater scope, productions conducted location shooting in distant parts of California, Arizona, and Nevada. Initially production staff were required to cover their own travel expenses, resulting in disputes between workers and the studios. The studios agreed to pay union workers extra if they worked out of town.

To solve this problem, many movie studios purchased large tracts of undeveloped rural land, in many cases existing ranches, that were located closer to Hollywood. The ranches were often located just within the 30-mile (48 km) studio zone, specifically in the Simi Hills in the western San Fernando Valley, the Santa Monica Mountains, and the Santa Clarita area of the Greater Los Angeles Area. The natural California landscape proved to be suitable for western locations and other settings.

As a result of post-war (WWII) era suburban development, property values and taxes on land increased, even as fewer large parcels were available to the studios. Los Angeles development was widespread, resulting in urban sprawl. Most of the historic movie ranches have been sold and subdivided. A few have been preserved as open space in regional parks, and are sometimes still used for filming. To support continued use of the remaining ranches in its jurisdiction, the Santa Clarita Municipal Code was amended in 2011 to establish a "Movie Ranch Overlay Zone" which grants operating ranches added zoning benefits, such as helicopter landing permission and 24-hour indoor and outdoor filming where not adjacent to residences.[1][2]

Below is a partial listing of some of the classic Southern California movie ranches from the first half of the 20th century, including some other and newer locations.

Classic movie ranches

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Apacheland Movie Ranch (Apacheland Studio)

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Apacheland building
Building in the area of the ranch known as the Elvis Chapel, 2010

Located in the town of Apache Junction, Arizona, the Apacheland Movie Ranch and Apacheland Studio[3] was developed from 1959 to 1960 and opened in 1960. Starting in late 1957, movie studios had been contacting Superstition Mountain-area ranchers, including the Quarter Circle U, the Quarter Circle W, and the Barkley Cattle Ranch, for options to use their properties as town sets. One notable production during this time was Gunfight at the O.K. Corral (1957) with Kirk Douglas and Burt Lancaster. Though historically inaccurate, it features the area known as Gold Canyon, with the Superstitions prominent behind the movie's representation of the Clanton ranch. During this time, Victor Panek contacted his neighbors in Apache Junction, Mr. and Mrs. J.K. Hutchens, to suggest the idea of building a dedicated studio in the Superstition area. Hutchens and Panek found a suitable site that was developed into Apacheland, intended to be the "Western Movie Capitol of the World".

Construction on the Apacheland Studio soundstage and adjacent "western town" set began on February 12, 1959, by Superstition Mountain Enterprises and associates.[4] By June 1960, Apacheland was available for use by production companies and its first TV western Have Gun, Will Travel was filmed in November 1960, along with its first full-length movie The Purple Hills. Actors such as Elvis Presley, Jason Robards, Stella Stevens, Ronald Reagan, and Audie Murphy filmed many other western television shows and movies in Apacheland and the surrounding area, such as Gambler II, Death Valley Days, Charro!, and The Ballad of Cable Hogue. The last full-length movie to be filmed was the 1994 HBO movie Blind Justice with Armand Assante, Elisabeth Shue, and Jack Black.

On May 26, 1969, fire destroyed most of the ranch. Only a few buildings survived, but the sets were soon rebuilt to accommodate ongoing productions. A second fire destroyed most of Apacheland on February 14, 2004. The causes of both fires were never determined. On October 16, 2004, Apacheland was permanently closed. The Elvis Chapel and the Apacheland Barn, both of which survived the second fire, were donated to the Superstition Mountain Museum. Each structure was partially disassembled at the ranch, moved by truck, and reassembled on the museum grounds, where both stand today.[5][6]

Columbia Ranch – Warner Bros. Ranch

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Columbia Pictures, 411 North Hollywood Way, Burbank, CA, purchased the original 40-acre (16 ha) lot in 1934 as additional space to its Sunset Gower studio location, when Columbia was in need for more space and a true backlot/movie ranch. Through the years numerous themed sets were constructed across the movie ranch.

Formerly known as the Columbia Ranch and now the "Warner Brothers Ranch", this 32-acre (13 ha) movie ranch in Burbank, California, served as the filming location for both obscure and well-known television series, such as Father Knows Best, Hazel, The Flying Nun, Dennis the Menace, The Hathaways, The Iron Horse, I Dream of Jeannie (which also used the Father Knows Best house exterior), Bewitched, The Monkees, Apple's Way, and The Partridge Family (which also filmed on ranch sound stages).

A short list of the many classic feature films which filmed scenes on the movie ranch would include; Lost Horizon, Blondie, Melody in Spring, You Were Never Lovelier, Kansas City Confidential, High Noon, The Wild One, Autumn Leaves, 3:10 to Yuma, The Last Hurrah, Cat Ballou, and What's the Matter with Helen?.

It is commonly believed, though not the case, that Leave It to Beaver was filmed here, ('Beaver' actually filmed (first season) at CBS Studio Center – née Radford Studios and later at Universal Studios). The Waltons originally filmed on the Warner Bros. main lot where the recognizable house facade was located until it burned down in late 1991. A recreation of the Walton house was built on the Warner Bros. Ranch lot, utilizing the woodland mountain set originally utilized by Apple's Way, and later occasionally used by Fantasy Island TV shows. The facade remains and has been used in numerous productions such as NCIS, The Middle, and Pushing Daisies.

On April 15, 2019, it was announced that Warner Bros. will sell the property to Worthe Real Estate Group and Stockbridge Real Estate Fund as part of a larger real estate deal to be completed in 2023 which will see the studio get ownership of The Burbank Studios in time to mark its 100th anniversary.[7] All historic sets and sound stages were demolished during December, 2023.

Corriganville Movie Ranch

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Actors in a death scene at Corriganville Movie Ranch, California, 1963

Circa 1937, Ray "Crash" Corrigan invested in property on the western Santa Susana Pass in California's Simi Valley and Santa Susana Mountains, developing his 'Ray Corrigan Ranch' into the 'Corriganville Movie Ranch.' Most of the Monogram Range Busters film series, which includes Saddle Mountain Roundup (1941) and Bullets and Saddles (1943), were shot here, as well as features such as Fort Apache (1948), The Inspector General (1949), Mysterious Island (1961), and hundreds more .[8]

Corrigan opened portions of his vast movie ranch to the public in 1949 on weekends to explore such themed sets as a rustic western town, Mexican village, western ranch, outlaw hide-out shacks, cavalry fort, Corsican village, English hunting lodge, country schoolhouse, rodeo arena, mine-shaft, wooded lake, and interesting rock formations. This amusement park concept closed in 1966.[9]

In spite of Corriganville's weekend tourist trade, production of films continued. The action TV series The Adventures of Rin Tin Tin used the Fort Apache set for many shots from 1954 to 1959. Roy Rogers, Lassie, and Emergency! production units also filmed scenes on the ranch. In 1966, Corriganville became 'Hopetown' when it was purchased by Bob Hope for real estate development. A wildfire destroyed the buildings in 1970.[9]

About 200 acres (81 ha) of the original 2,000 acres (810 ha) is part of the Simi Valley Park system, open to the public as the Corriganville Regional Park. Though the original movie and TV sets are long gone, many of the building concrete foundations are still extant.[10]

Parts of the movie Once Upon a Time in Hollywood were filmed at Corriganville Park, as a stand-in for the Spahn Movie Ranch.[11][12]

Iverson Movie Ranch

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In the 1880s, Karl and Augusta Iverson homesteaded a 160-acre (65 ha) family farm in the Simi Hills on Santa Susana Pass in what is now Chatsworth, eventually expanding their land holdings to about 500 acres (200 ha).[13] of which approximately 320 acres (130 ha) made up the movie ranch. The Iversons reportedly allowed a movie to be filmed on the original 160-acre property as early as 1912, with the silent movies Man's Genesis (1912), My Official Wife (1914), and The Squaw Man (1914) being some of the productions often cited as among the earliest films shot on the site. Many of the earliest citations, though, have turned out to be incorrect. For example, The Squaw Man is now known to have filmed a scene elsewhere in Chatsworth, a short distance southwest of the Iverson property, but did not film on the Iverson Ranch.

By the late 1910s, what would become a long and fruitful association developed between Hollywood and the Iverson Movie Ranch, which became the go-to outdoor location for Westerns in particular and also appeared in many adventures, war movies, comedies, science-fiction films, and other productions, standing in for Africa, the Middle East, the South Pacific, and any number of exotic locations.[14]

Buster Keaton's Three Ages (1923), Herman Brix's Hawk of the Wilderness (1938), Laurel and Hardy's The Flying Deuces (1939), and John Wayne's The Fighting Seabees (1944) are just a handful of the productions that were filmed on the ranch. The rocky terrain and narrow, winding roads frequently turned up in Republic serials of the 1940s and were prominently featured in chases and shootouts throughout the golden era of action B-Westerns in the 1930s and 1940s. For the 1945 Western comedy Along Came Jones, producer and star Gary Cooper had a Western town built at the ranch; this set was subsequently used in many other productions until the town was dismantled in 1957.[15]

Hollywood's focus began to shift to the medium of television beginning in the late 1940s, and Iverson became a mainstay of countless early television series, including The Lone Ranger, The Roy Rogers Show, The Gene Autry Show, The Cisco Kid, Buffalo Bill, Jr., Zorro, and Tombstone Territory.[16]

An estimated 3,500 or more productions, about evenly split between movies and television episodes, were filmed at the ranch during its peak years. The long-running TV Western The Virginian filmed on location at Iverson in the ranch's later period, as did Bonanza and Gunsmoke.

By the 1960s, the ownership of the ranch was split between two of Karl and Augusta's sons, with Joe Iverson, an African safari hunter married to Iva Iverson, owning the southern half of the ranch (the Lower Iverson) and Aaron Iverson, a farmer married to Bessie Iverson, owning the northern half (the Upper Iverson). In the mid-1960s the state of California began construction on the Simi Valley Freeway, which ran east and west, roughly following the dividing line between the Upper Iverson and Lower Iverson, cutting the movie ranch in half. That separated the ranch, and also produced noise, making the property less useful for moviemaking. The waning popularity of the Western genre and the decline of the B-movie coincided with the arrival of the freeway, which opened in 1967, and greater development pressure, signaling the end for Iverson as a successful movie ranch. The last few movies that filmed some scenes here included Support Your Local Sheriff (1968) and Roger Corman's Deathsport (1978).

In 1982, Joe Iverson sold what remained of the Lower Iverson to Robert G. Sherman, who almost immediately began subdividing the property. The former Lower Iverson now contains a mobile-home park, the nondenominational Church at Rocky Peak, and a large condominium development. The Upper Iverson is also no longer open to the public, as it is now a gated community consisting of high-end estates along with additional condominiums and an apartment building.

Part of the ranch has been preserved as parkland on both sides of Red Mesa Road, north of Santa Susana Pass Road in Chatsworth.[17] This section includes the famous "Garden of the Gods" on the west side of Red Mesa, in which many rock formations seen in countless old movies and TV shows are accessible to the public.[18] This includes the area on the east side of Red Mesa that includes the popular Lone Ranger Rock, which appeared beside a rearing Silver, the Lone Ranger's horse, in the opening to each episode of The Lone Ranger TV show. This area has been owned by the Santa Monica Mountains Conservancy since 1987.[19][18]

The location of the ranch was in the northwest corner of Chatsworth, along the western side of Topanga Canyon Boulevard where it currently intersects with the Simi Valley Freeway.[20]

Lasky Ranch – San Fernando Valley Providencia Ranch

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First National Studios with the Lasky Ranch in the distance.[21]

The First Lasky Ranch in the San Fernando Valley was located on the Providencia Ranch. In 1912, Universal purchased the property and named it Oak Crest Ranch. This old Universal ranch was built for the production of Universal 101Bison Brand Westerns.

In 1912, Universal; purchased and leased land here to create the first Universal City.

This Universal ranch was first used to film Universal Brand Bison films. In 1914, Universal City moved to its present location in the valley, The new Universal City was officially opened on March 15, 1915. The studio could be reached from Hollywood by using the Pacific Electric railway services, by rail to The Oak Crest Station and then Vehicle by way todays Barham Blvd. ( Mammoth Film Plant : Van Nuys News and the Nuys Call, Nov. 29 1912)

On August 4, 1918, Jesse L. Lasky Feature Play Company began leasing the property. It consisted of 500 acres, with an additional 1,500 acres of adjoining government land which they were allowed to use. The ranch was also known as Providencia Flats and the Lasky Ranch. Around the same time that the lease was expiring, Paramount Famous Lasky purchased the Paramount Ranch location in the Agoura area, and moved all of the ranch sets to the new location. The lease then was turned back to the Hollingsworth interests. In 1929, Warner Bros purchased a portion of the ranch from the W. I. Hollingsworth Realty Company. By 1950, Forest Lawn Cemetery owned the property. It was located across the Los Angeles River from the First National/Warner Bros studios in the area which is now Forest Lawn Cemetery.[22]

Hunkins Stables and Gopher Flats are close to Old Universal/Lasky Ranch in the San Fernando Valley.[23]

Lasky Movie Ranch – Ahmanson 'Lasky Mesa' Ranch

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This area is noted for a filming location history of many important movies, including, The Thundering Herd (Famous Players–Lasky Co. 1925), Gone with the Wind (Selznick 1939) and They Died with Their Boots On, "Santa Fe Trail" (Warner Bros. 1940), and many others.[24]

From The Moving Picture World, October 10, 1914 (page 622 relates to the Lasky ranch and page 1078 to the new Lasky Ranch):

"The Lasky company has acquired a 4,000-acre ranch in the great San Fernando valley on which they have built a large two-story Spanish casa which is to be used in The Rose of the Ranch" which has just been started. The new ground is to be used for big scenes and where a large location is needed. A stock farm is to be maintained on the ranch. It is planned to use 500 people in the story. There will be 150 people transported through Southern California for the mission scenes. The studio will be used for the largest scene ever set up, the whole state and ground space being utilized."[25]

In 1963, the Ahmanson family's Home Savings and Loan purchased the property and adjacent land. Home Savings and Loan was the parent company of Ahmanson Land Company, and so the ranch became known as the Ahmanson Ranch. Washington Mutual Bank (WAMU) took over ownership of Home Savings and proceeded with the development plans for the ranch.[26]

The public advocacy for undeveloped open space pressure was very strong, and development was halted further by new groundwater tests showing migrating contamination of the aquifer with toxic substances from the adjacent Rocketdyne Santa Susana Field Laboratory (SSFL) experimental Nuclear Reactor and Rocket Engine Test Facility. The Santa Monica Mountains Conservancy and the State of California purchased the land for public regional park. The Lasky Movie Ranch is now part of the very large Upper Las Virgenes Canyon Open Space Preserve, with various trails to the Lasky Mesa locale.

The property was sold to a conservancy in 2003 but some filming was done there afterwards, including some scenes for the 2006 film Mission: Impossible III.[27] More recently, it has been a hiking area.[28]

Monogram Ranch/Melody Ranch

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Gene Autry 1950

Originally known as 'Placeritos Ranch', the 110-acre (45 ha) ranch in lower Placerita Canyon was commonly referred to as the 'Monogram Ranch'. Russell Hickson owned the property from 1936 until his death in 1952, and built-reconstructed all original sets on the ranch. A year later in 1937, Monogram Pictures signed a long-term lease with Hickson for 'Placeritos Ranch', with terms that the ranch be renamed 'Monogram Ranch.'[29]

After Gene Autry purchased the property in 1953, he renamed it as 'Melody Ranch.' It is located near Santa Clarita, California, just north of Newhall Pass. In 1962 a brush fire destroyed most of the western town sets on the ranch, and Autry sold 98-acre (40 ha), most of Melody Ranch.

The remaining 22-acre (8.9 ha) property was purchased by the Veluzats in 1990 for the new Melody Ranch Studios movie ranch.[30][31][32]

From 1926, early silent films were often shot in Placerita Canyon, including silent film westerns featuring Tom Mix. In 1931, Monogram Pictures took out a five-year lease on a parcel of land in central Placerita Canyon. The western town constructed there was located just east of what is now the junction of the Route 14 Antelope Valley Freeway and Placerita Canyon Road. Today this is part of Disney's Golden Oak Ranch (see below) near Placerita Canyon State Park.[29]

In 1935, as a result of a Monogram-Republic studio merger, the 'Placerita Canyon Ranch' became owned by the newly formed Republic Pictures. In 1936, when the lease expired, the entire western town was relocated a few miles to the north at Russell Hickson's 'Placeritos Ranch' in lower Placerita Canyon, near the junction of Oak Creek Road and Placerita Canyon Road. The property was leased by the newly independent Monogram Pictures, and renamed as 'Monogram Ranch' in 1937.[29]

Gene Autry, actor, western singer, and producer, purchased the 110-acre (45 ha) 'Monogram Ranch' property from the Hickson heirs in 1953. He renamed the property 'Melody Ranch' after his 1940 film of the same name, and his following Sunday afternoon CBS radio show (1940–1956) and . A brushfire swept through 'Monogram Ranch' in August 1962, destroying most of the original standing western sets. The devastated landscape was useful for productions such as Combat!. A large Spanish hacienda, and a complete adobe village survived on the northeast section of the ranch.[30]

In 1990, after the death of his horse 'Champion,' which Autry had kept in retirement there, the actor put the remaining 12-acre (4.9 ha) ranch up for sale. It was purchased by Renaud and Andre Veluzat to be developed as an active movie ranch for location shooting. The Veluzats have a 22-acre (8.9 ha) complex of sound stages, western sets, prop shop, and the backlots. They call it the 'Melody Ranch Motion Picture Studio' and 'Melody Ranch Studios.' [33]

The ranch has a museum open year-round.[34] One weekend a year the entire ranch is open to the public during the Cowboy Poetry & Music Festival, held at the end of April.[needs update]

The 22-acre (8.9 ha) Melody Ranch Studio was used in 2012 for filming some scenes for Quentin Tarantino's Django Unchained. The owners in 2019 were Renaud and Andre Veluzat.[33][35]

Paramount Movie Ranch

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Sets at Paramount Movie Ranch, February 2003

In 1927, Paramount Studios purchased a 2,700-acre (11 km2) ranch on Medea Creek in the Santa Monica Mountains near Agoura Hills, between Malibu and the Conejo Valley.[36] The studio built numerous large-scale sets on the ranch, including a huge replica of early San Francisco, an Old West town, and a Welsh mining village (built by 20th Century Fox for (1941) How Green Was My Valley, and later redressed (with coal mine tipple removed) as a French village for use in (1943) The Song of Bernadette, and again used for (1949) The Inspector General). Western town sets posed as Tombstone, Arizona, and Dodge City, Kansas, as well as Tom Sawyer's Missouri, 13th-century China, and many other locales and eras around the world.[36][37]

It is now Paramount Ranch Park in the Santa Monica Mountains National Recreation Area.[38] The National Park Service took over a section of the lot in 1980 and restored the sets, working from old black and white photographs. The NPS website lists movie and TV productions filmed there.[36]

The Western Town was constructed during 1954 when Paramount purchased (Academy Award-winning) sets previously used at RKO Pictures Encino Movie Ranch, and was a location for some of the era's popular TV Westerns, including The Cisco Kid and Gunsmoke.[36] This remaining set of buildings continued to be used in filming, notably for the Dr. Quinn, Medicine Woman television series and the HBO series Carnivàle,[37] and more recently Westworld.[36]

Paramount Ranch was most recently used as a filming location for The Mentalist, Weeds, The X-Files, Hulu's Quickdraw, as well as season 1 and 2 of Westworld and season 3 of Escape the Night, a YouTube Premium show by Joey Graceffa.

The Paramount Ranch was also the home of the original Renaissance Pleasure Faire of Southern California from 1966 to 1989, the home of the Topanga Banjo•Fiddle Contest, held each May,[39] and the eponymously titled Paramount Ranch, an alternative art fair founded from 2014 to 2016.[40][41][42]

The Paramount Ranch structures suffered near-total destruction during the November 2018 Woolsey Fire.[43][36] By that time, it was managed by the National Park Service but some filming had been done here for Westworld (TV Series) Seasons 1 and 2. Parts of the 2015 movie Bone Tomahawk were filmed here.[44] A campaign called The Paramount Project was launched as of November 16 to aid in the reconstruction efforts to rebuild Paramount Ranch.

RKO Encino Ranch

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The RKO "Encino Ranch" was an 89-acre (360,000 m2) movie ranch located on the outskirts of the city of Encino, California, in the San Fernando Valley, near the Los Angeles River and west of today's Sepulveda Basin Recreation Area on Burbank Boulevard. RKO Radio Pictures purchased the property, then still a ranch bordered by similarly undeveloped land, as a location to film their epic motion picture Cimarron (1931). The picture was a critical success, going on to win Academy Awards for Best Picture, Best Writing, Best Art Direction, and Best Make-Up. Art Director Max Ree won the art direction award for creative design of the theme sets constructed on the former Jasmine Quinn Ranch, which consisted of both a complete western town and a three block modern main street built to represent the fictional Oklahoma town of Osage.

In addition to Cimarron scenery, RKO continued to create a vast array of diverse sets for their ever-expanding movie ranch, included a New York City avenue, brownstone street, English row houses, slum district, small town square, residential neighborhood, three working train depots, mansion estate, New England farm, western ranch, a mammoth medieval City of Paris, European marketplace, Russian village, Yukon mining camp, ocean tank with sky backdrop, Moorish casbah, Mexican outpost, Sahara Desert fort, plaster mountain range diorama, and a football field sized United States map which Fred Astaire and Ginger Rogers danced across in The Story of Vernon and Irene Castle (1939).[45] Also constructed were scenery docks, carpentry shop, prop storage, greenhouse, and three fully equipped soundstages averaging 11,000 sq ft (1,000 m2) each.

Selected movies that contain scenes shot on the Encino Ranch include: What Price Hollywood? (1932), King Kong (1933), Of Human Bondage (1934), Becky Sharp (1935), Walking on Air (1936), Stage Door (1937), The Hunchback of Notre Dame (1939), Kitty Foyle (1940), Citizen Kane (1941), Cat People (1942), Murder, My Sweet (1944), Dick Tracy film noir series (1945-1947), It's a Wonderful Life (1946) (Bedford Falls),They Live by Night (1948), and many more.

A Dragnet episode, shot in 1953 for an NBC 1954 broadcast, was the last project to film on the ranch. Entitled "The Big Producer",[46] it featured the then crumbling lot as the fictitious "Westside Studio".

The ranch property was sold in 1954 to developers to put up the Encino Park housing tract, which featured modern home designs by architect Martin Stern, Jr. [47][48]

Walt Disney's Golden Oak Ranch

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Golden Oak Ranch entrance gate

A strip of farmland that once was home to early filming locations including the Fat Jones Ranch, the Andy Jauregui Ranch and the Trem Carr Ranch became the Walt Disney Company's Golden Oak Ranch starting in 1959. The ranch is located in central Placerita Canyon near Santa Clarita, California in the northern San Gabriel Mountains foothills. It was named for the Gold discovery by Francisco Lopez in the wild onion roots under the "Oak of the Golden Dream", in present-day Placerita Canyon State Park. The Ranch was still being used for occasional filming when Walt Disney took an interest in the property. In 1959, driven by concern that the ranches of other movie studios were gradually being subdivided, Disney purchased the 315-acre (1.27 km2) ranch. During the next five years, the Walt Disney Studios also bought additional land which increased the size of the property to 691 acres (2.80 km2).

The Walt Disney Company worked closely with the State of California when a portion of the western border of the ranch was purchased for the Antelope Valley Freeway. This construction was carefully planned so that it didn't intrude into the film settings. In 2009, Disney announced the expansion of the studio complex, with master planning and environmental impact studies commencing.[49] The expanded site would be called Disney | ABC Studios at The Ranch.[50]

Disney productions that have done filming at Golden Oak Ranch over the past decades include Old Yeller, Toby Tyler, The Parent Trap, The Shaggy Dog, Follow Me Boys and, more recently, The Santa Clause, Pearl Harbor, Princess Diaries II and Pirates of the Caribbean II & III.[51]

Spahn Movie Ranch

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The Spahn Movie Ranch is a 55-acre (22 ha) property located on Santa Susana Pass in the Simi Hills above Chatsworth, California.[52] The Spahn Movie Ranch, once owned by silent film actor William S. Hart, was used to film many westerns, particularly from the 1940s to the 1960s, including Duel in the Sun, and episodes of television's Bonanza and The Lone Ranger. A western town set was located at the ranch.

Dairy farmer George Spahn purchased the 55 acres (22 ha) in 1953, from former owners Lee and Ruth McReynolds. Spahn added more sets and rental horses, making it a popular location for horseback riding among locals.[53] This continued to be the location for various B movie and TV series film until the late 1960s.[54][55] As the western genre became less popular, however, the ranch became almost deserted. The Spahn Ranch was the primary headquarters of the infamous Manson Family by 1968.[56]

Spahn allowed the Manson group to live there rent-free in exchange for housework and sexual favors from the group's women, according to TIME.[57] The ranch was the base for the group's murder of Sharon Tate and six others over a two-day period in August 1969.[57][58]

The ranch and some residents are depicted in the Quentin Tarantino film Once Upon a Time in Hollywood.[59] The scenes for the movie were actually filmed at Corriganville Park in Simi Valley.[60]

A 1970 mountain wildfire destroyed the film set and the residential structures. The site that was the Spahn Movie Ranch is now part of the Santa Susana Pass State Historic Park.[61] Spahn died in 1974.[60]

20th Century Fox Movie Ranch

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Located in the Santa Monica Mountains, the 20th Century Fox Movie Ranch (aka: Century Movie Ranch & Fox Movie Ranch) was first purchased in 1946 by 20th Century Fox. One of the first sets was a working New England farmhouse built for (1948) Mr. Blandings Builds His Dream House. From 1956 to 1957, 20th Century Fox productions filmed their first television series there: My Friend Flicka for CBS television.

The Fox Ranch was used for most exteriors of the CBS-TV series Perry Mason (1957–66).[62]

The Century Movie Ranch was the main filming location with outdoor sets for the original 1970 MASH film and subsequent M*A*S*H (TV series). It was used as a location in dozens of films, including a number of the Tarzan movies, Robin Hood: Men in Tights, the original Planet of the Apes film and subsequent television series.

The Fox Movie Ranch property was purchased and preserved in the new state park, Malibu Creek State Park, opened to the public in 1976. A few productions continued to be filmed there.[63]

Other original locations

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Bell Moving Picture Ranch

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The Bell Moving Picture Ranch, later renamed the Bell Location Ranch, is off the Santa Susana Pass in the Simi Hills above the Spahn Movie Ranch site and Santa Susana Pass State Historic Park.

Among the many movies to film at Bell Ranch were Gunsight Ridge (1957), starring Joel McCrea; Escort West (1959), starring Victor Mature; Hombre (1967), starring Paul Newman; Gun Fever (1958), starring Mark Stevens; and Love Me Tender (1956), the first movie of Elvis Presley.

The climactic sequence in the Elvis movie Love Me Tender, a Western that also starred Richard Egan and Debra Paget, was filmed on a rugged slope at Bell Ranch known as the "Rocky Hill," with its exact location remaining a mystery for almost 60 years until it was discovered on an expedition by film historians in early 2015. The Victor Mature movie Escort West (1959) filmed at the same location, and shots from the two movies were combined to help find the site.

Many of the television Westerns used the ranch, including Bonanza, Gunsmoke, Zorro, The Monroes, How the West Was Won, Dundee and the Culhane, The Big Valley and Have Gun – Will Travel. Even McCloud used the Western street and surrounding area for an episode with Dennis Weaver.[64] An episode of the original Star Trek series, "A Private Little War" (1968), was partly shot at Bell Ranch's Box Canyon using it to stand in for an alien world.

In 1990, all of the sets were removed but some filming continued.[65]

Big Sky Ranch

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Big Sky Ranch is a cattle ranch located in Simi Valley, California. It has been used for the filming of Western television shows and film productions. Some of the past television episodes and productions filmed there include: Rawhide, Gunsmoke, Bonanza, Little House on the Prairie, Highway to Heaven, Father Murphy, The Thorn Birds, Jericho and Carnivàle.[citation needed]

A fire in 2003 destroyed most of the standing sets, including a replica of the farm house from Little House on the Prairie and sets used in the TV series Gunsmoke and many movies.

As of 2011, the ranch's web site indicated that it was still available as a filming location, "with rolling hills and great vistas and .. with secluded canyons, undulating valleys and a grand mesa. Credits in the past few years include "The Office", "Saving Mr. Banks", "Captain America", "Django Unchained", "Agents of SHIELD", "Hail Caesar", "The Revenant"

Jack Ingram Movie Ranch

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Formerly the estate of Charles Chaplin, the 160-acre (65 ha) ranch, located in Calabasas, was purchased by Jack Ingram in 1944 from James Newill and Dave O'Brien, who had purchased the goat ranch in order to avoid the draft during World War II. When they were declared 4F unfit for military service, they sold the ranch to Ingram.[citation needed] Ingram purchased a bulldozer, and with the help of his friends including actors Pierce Lyden and Kenne Duncan built a western town of two streets on the site. The ranch included a house that Ingram lived in that could occasionally be seen in the background of some scenes shot at the ranch.[66] In 1947 the Ingram ranch became the first movie ranch open to the public[67]

In 1956, he sold the ranch to Four Star Television Productions. As of 1994, the ranch land had been completely re-developed with suburban-style housing.

Pioneertown

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Pioneertown saddlery, 2009

Pioneertown, California, in the Morongo Basin region of Southern California's Mojave Desert in San Bernardino County, California. The town started as a live-in Old West motion picture set on a movie ranch, built in the 1940s. The movie set was designed to also provide a place for the actors to live, while having their homes used as part of the movie set.[citation needed] A number of Westerns and early television shows were filmed in Pioneertown, including The Cisco Kid and Edgar Buchanan's Judge Roy Bean. Roy Rogers, Dick Curtis, and Russell Hayden were among the original developers and investors, and Gene Autry frequently filmed his show at the six-lane Pioneer Bowl bowling alley.[68]

The sets have been retained as a tourist attraction which remained open as of April 2019.[69]

Red Hills Ranch

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Red Hills Ranch is a movie ranch in Sonora, California, which served as a location for Bonanza, The Adventures of Brisco County, Jr., Little House on the Prairie and other productions. The outdoor sets built for Back to the Future Part III (1990) and used in Bad Girls (1994) were destroyed by a lightning strike wildfire in 1996. It is no longer an area for filming.

Will Rogers State Historic Park

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Will Rogers House, Pacific Palisades

Will Rogers State Historic Park includes the former Pacific Palisades estate of American humorist Will Rogers, complete with his historic residence, equestrian ranch, and regulation polo field. Stradling Rustic Canyon, the scenic property was a popular location for film shoots.

Situated in the Santa Monica Mountains in western Los Angeles, the property was given to the state in 1944, and is open to the public. Extensive restoration was undertaken in 2010.[70]

The property was closed indefinitely to filming because of fires in the area in November 2018.[71]

Newer movie ranches

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Mortenson's Eaves Movie Ranch

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Located in Santa Fe, New Mexico, the Mortenson's Eaves Movie Ranch,[72] formally known as J.W Eaves Ranch was opened in the early 1960s with their first production being the CBS television series Empire in 1962. Clint Mortenson acquired the ranch in 2024.[73] Over 250 other productions have filmed here over the years including The Cheyenne Social Club, Chisum, Easy Rider and Young Guns II. In 1998, a tornado touched down one mile from the film crew of Wishbone's Dog Days of the West as they were shooting the western scenes. It dissipated as it headed toward the set.[citation needed]

The Eaves Ranch is open to the public and has been home to the Thirsty Ear roots music festival. Other festivals have also been held here, but some movie-making continues. For example, some scenes for the 2018 Cohen Brothers anthology film, The Ballad of Buster Scruggs, were filmed here.[citation needed]

Skywalker Ranch

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Skywalker Ranch Main House, 2009

The Skywalker Ranch is not a movie ranch in the conventional sense, but rather is the location of the production facilities for film and television producer George Lucas in Marin County, California. Based in secluded but open land near Nicasio in Northern California, the property encompasses over 4,700 acres (19 km2), of which all but 15 acres (61,000 m2) remain undeveloped.

In 2019, the Skywalker Ranch web site stated that it "occupied the 153,000-square-foot (14,200 m2) Technical Building, which features a world-class scoring stage, six feature mix stages, 15 sound design suites, 50 editing suites, an ADR stage, two Foley stages, and the 300-seat Stag Theater. The property also includes the iconic Main House and the beautiful Lake Ewok".[74]

Southfork Ranch

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Main house at Southfork Ranch

Southfork Ranch is a working ranch in Parker, Texas, a northern suburb of Dallas, that is used for some location filming. It was the backdrop for the 1980s prime time soap opera Dallas and its 2010s continuation.

As of 2019, it was a tourist attraction.[75]

Circle M City

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Circle M City, in Sanford, North Carolina, is the set for the Christian movie Cowboy Trail. Backing up to 50 acres (200,000 m2) of land, this town features a church that seats 50 people, a mercantile, bank, saloon, livery, jail, costumes, and horses.

In 2019, it was a venue for various events and weddings.[76]

Other Santa Clarita ranches

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In addition to the original Monogram Ranch/Melody Ranch and Republic Pictures Ranch/Disney Golden Oak Ranch, a number of other movie ranches have been established in the Santa Clarita Valley. According to the L.A. Times in 2012 there were about 10 movie ranches there,[35] including Blue Cloud Movie Ranch, Rancho Deluxe, and Sable Ranch.

Productions that have done some filming at the Rancho Deluxe studio include "SWAT", "Timeless", "LA to Vegas", "MasterChef", and seasons one and two of HBO's "Westworld". A 2016 fire destroyed trees and brush but not the structures.[77]

Sable Ranch is a 400-acre property in Santa Clarita that featured lakes, a western town, a hacienda, barn, fields, and a train. The large field enabled the construction of large sets and has been used by numerous film and television series including The A-Team and in subsequent years 24 and Wipeout.[78] The original Old West town and other structures were destroyed in the Sand Fire wildfire on July 24, 2016.[79][80] B

See also

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
A movie ranch is a property, typically in Southern California, that is at least partially dedicated to serving as a filming location for motion pictures and television productions, providing constructed sets, natural scenery such as rugged landscapes and oak groves, and supporting infrastructure like water and electricity to facilitate outdoor shoots. These ranches emerged as essential backlots for the burgeoning Hollywood film industry in the early 20th century, with the earliest developments dating to 1912 when studios began acquiring land to control production costs and ensure consistent access to diverse terrains ideal for Westerns, historical dramas, and adventure films. By the late 1920s, major studios like Paramount Pictures expanded this model, purchasing vast tracts—such as the 2,700-acre Paramount Ranch in the Santa Monica Mountains in 1927—to build proprietary facilities that hosted hundreds of productions over the following decades. The heyday of movie ranches spanned the 1930s through the 1950s, a period coinciding with Hollywood's Golden Age, when approximately 40 such properties operated across Southern California to meet surging demand for escapist entertainment during the Great Depression and World War II, peaking in 1946. Notable examples include the Iverson Movie Ranch in Chatsworth, active since the early 1900s and used for countless B-Westerns, and Corriganville in Simi Valley, which uniquely opened to the public in 1949 while supporting over 3,500 film and TV projects. Their decline began in the post-1950s era due to the breakup of studio monopolies, the rise of location shooting abroad, and the shift toward television production, though some ranches adapted by leasing to independent filmmakers or transitioning to public recreation sites, as seen with Paramount Ranch's acquisition by the National Park Service in 1980. Today, surviving or restored movie ranches continue to symbolize Hollywood's innovative adaptation of rural landscapes to the demands of cinematic storytelling; however, sites like Paramount Ranch suffered significant damage from the 2018 Woolsey Fire, with the National Park Service undertaking restoration efforts as of 2025 to support ongoing filming and public access, influencing modern practices in an industry that has produced thousands of titles on these versatile grounds.

Overview

Definition and Purpose

A movie ranch is a large tract of land, typically situated in rural or semi-rural areas, that is owned or leased by film studios or independent producers and dedicated at least partially to serving as a filming location for motion pictures and television productions. These properties often feature constructed sets, such as replicas of Old West towns, alongside natural landscapes to simulate diverse environments for on-location shooting. The primary purpose of movie ranches has been to provide controlled, versatile outdoor spaces for film production, particularly for genres requiring expansive rural or historical backdrops like Westerns, while minimizing logistical challenges associated with remote locations. Developed to avoid the high costs, permit requirements, and unpredictability of public lands or temporary leases, these ranches allowed studios to maintain privacy, install permanent infrastructure like water and electricity, and facilitate efficient daily shoots close to Hollywood facilities—often within a 30-mile "studio zone" to sidestep union overtime pay for out-of-town work. This setup enabled quick set changes and repeated filming of scenes, such as gunfights or chases, without external disruptions. Over time, the purpose of movie ranches evolved from their origins in the silent film era, where they primarily supported Western productions, to broader applications during Hollywood's Golden Age and beyond. By the mid-20th century, they accommodated television series and films in non-Western genres, including historical dramas, sci-fi, and rural-set stories, adapting sets to double as varied locales like frontier towns or isolated farms. As of 2025, surviving ranches, including the reconstructed Paramount Ranch following the 2018 Woolsey Fire, continue to serve modern productions while sometimes functioning as public recreational sites.

Key Features and Infrastructure

Movie ranches typically feature core infrastructure designed to support versatile filming, including permanent or semi-permanent Western town facades with structures such as saloons, jails, banks, general stores, hotels, churches, and livery stables, often equipped with functional interiors for shooting. These are complemented by corrals and paddocks for livestock scenes, ranch houses or homesteads for domestic settings, and modular sets that can be reconfigured to represent different historical eras or genres, such as Mexican villages or rustic cabins. This setup allows for efficient on-site production without the need for extensive construction during shoots. Supporting facilities on movie ranches include dedicated areas for animal handling, such as barns and pens to accommodate horses and other livestock safely during filming. Prop storage warehouses, often spanning thousands of square feet and stocked with period-specific items like Western set dressings, enable quick access for set decoration. Additional amenities encompass dressing rooms, hair and makeup suites, wardrobe areas, production offices, and, in later developments, soundstages ranging from 11,000 to 22,000 square feet with high ceilings and heavy electrical service for controlled interior shoots. These elements streamline operations, reducing downtime and logistical challenges for film crews. The land characteristics of movie ranches emphasize expansive acreage, frequently exceeding 100 acres—such as the 240 acres at some Southern California sites—to provide ample space for multiple simultaneous productions. Diverse terrain, including rolling hills, canyons, creeks, oak groves, and open meadows, simulates varied landscapes like deserts, prairies, or forests, minimizing the need for location scouting elsewhere. This natural variety, combined with mild climates in regions like the Santa Clarita Valley, supports year-round filming. Logistical adaptations distinguish movie ranches from standard locations, incorporating perimeter fencing to ensure privacy and security during shoots, wide access roads capable of handling heavy trucks and equipment, and base camps with parking for hundreds of vehicles.

History

Origins in the Silent Film Era

The rise of Western films in the early 1910s necessitated reliable outdoor filming locations as Los Angeles began urbanizing, prompting filmmakers like D.W. Griffith to seek expansive rural settings in Southern California for authenticity in productions such as the 1910 short Ramona, shot in the Santa Clarita Valley. Actors like William S. Hart, who debuted in Westerns around 1914, further drove demand for versatile terrains to depict frontier life, transitioning from ad-hoc public lands to dedicated private properties. Pioneering movie ranches emerged to address these needs, with Universal Film Manufacturing Company establishing one of the first in 1912 by acquiring a 230-acre property known as the Oak Crest Ranch in the San Fernando Valley, where Carl Laemmle produced early Westerns and comedies under controlled conditions. The Lasky Feature Play Company followed suit in 1914, leasing a 4,000-acre ranch in the same valley for Cecil B. DeMille's feature Rose of the Rancho, marking an initial setup of leased farmlands augmented with basic sets for repeated use. By 1915, the Lasky operation expanded its lease on the Hollingsworth Ranch in North Hollywood, incorporating standing sets to support ongoing productions. These developments were spurred by post-homesteading land availability in Southern California, where vast, inexpensive tracts offered diverse landscapes ideal for film narratives, combined with proximity to emerging studios like the newly formed Paramount Pictures. Early challenges included weather dependency, which disrupted outdoor shoots despite the region's mild climate, and insufficient infrastructure, such as limited access roads and facilities, compelling permanent builds like basic stages and animal pens to mitigate evictions and privacy issues from public sites.

Expansion During Hollywood's Golden Age

The transition to sound films in the late 1920s and early 1930s significantly boosted the development of movie ranches, as studios sought rural, insulated outdoor locations to minimize urban noise interference from traffic and aircraft during recording. This shift aligned with the rising demand for B-Western serials, which required efficient, low-budget production schedules; studios like Republic Pictures and Monogram Pictures produced dozens of such features annually, often filming multiple episodes at dedicated ranches to capitalize on reusable sets and natural landscapes. Major advancements included the construction of elaborate, permanent sets to support high-volume shoots, such as the western town at Corriganville Movie Ranch, established in 1937 on a 1,800-acre site in Simi Valley with initial roads and scenery built for Republic Pictures productions. Similarly, the Iverson Movie Ranch in Chatsworth expanded its infrastructure in the 1920s, growing from a 500-acre homestead into a versatile backlot with rock formations and streets used for thousands of films over its history, including many B-Westerns in the 1930s and 1940s. To further streamline costs, studios introduced stock footage libraries, recycling shots of chases, stampedes, and landscapes from earlier Westerns in Republic and Monogram serials, allowing rapid assembly of new episodes. Industry integration deepened as major studios acquired or developed ranches for exclusive use, exemplified by RKO Pictures' purchase of an 89-acre property near Encino in the late 1920s, which peaked in the 1940s with sets for Westerns and served as a training ground for actors and crew in genre-specific techniques like stunts and horseback riding. These facilities, including Monogram's 10-acre Placerita Canyon ranch operational from 1936, hosted up to 16 B-Westerns per year by 1939, fostering a pipeline for talent in the Western trope. By the 1940s, over 40 active movie ranches operated in Southern California, blending film production with local agriculture through hybrid land use on former cattle properties and generating economic benefits via daily rentals (e.g., $650 at Corriganville) and job creation for locals.

Decline and Modern Revival

The decline of movie ranches accelerated in the 1960s as the popularity of B-Westerns waned, largely due to the shift toward television broadcasting, which repackaged older Western films and diminished the market for new low-budget productions. This change reduced the demand for the rugged outdoor sets that had defined these facilities during Hollywood's Golden Age. Urban sprawl in Southern California further pressured the industry, with expanding infrastructure like the 118 Freeway bisecting key sites and prompting land sales for residential development; Spahn Ranch, for instance, fell into disuse by the late 1960s amid these pressures and was later subdivided. By the 1970s, the trend toward international filming locations—driven by lower costs abroad for Westerns and other genres—exacerbated the downturn, leading to underutilization of California-based ranches. During the transition period of the 1980s, surviving movie ranches adapted by repurposing for television series and non-Western films, with Disney's Golden Oak Ranch serving as a prime example after its 1959 acquisition and ongoing use for Disney TV productions like The Swamp Fox. However, many faced closures due to disasters, such as the 1969 fire at Apacheland Movie Ranch in Arizona, which destroyed much of the site and contributed to its intermittent operations before a final shutdown following a 2004 blaze. These challenges marked a low point, with fewer productions relying on the aging infrastructure. The revival gained momentum in the 1990s, fueled by renewed interest from premium cable series like those on HBO and major blockbusters seeking period authenticity, which brought ranches back into regular use for diverse genres. Advances in digital effects during this era streamlined some set construction but heightened the value of ranches' natural landscapes for realistic exteriors. In the 2020s, sustainability initiatives emerged in response to wildfires, exemplified by the post-2018 Woolsey Fire reconstruction of Paramount Ranch, which incorporated eco-friendly materials and fire-resistant designs to ensure long-term viability. As of 2025, movie ranches have embraced hybrid models combining streaming content production—such as Netflix's Western series—with tourism experiences, bolstered by California's expanded Film and Television Tax Credit Program, allocating $750 million annually to incentivize local filming and economic recovery.

Historic Movie Ranches in Southern California

Pioneering Ranches in the San Fernando Valley

The San Fernando Valley emerged as a cradle for early movie ranches due to its vast open landscapes and proximity to nascent Hollywood studios, enabling the production of expansive outdoor scenes in the silent film era. The Lasky Ranch, leased by producer Jesse L. Lasky in late 1913, marked one of the first such sites when it served as the primary location for filming The Squaw Man (1914), the inaugural American feature-length film directed by Cecil B. DeMille. Also known as the Providencia Ranch, this 1,000-acre property in the eastern valley facilitated large-scale Western and dramatic sequences, including early works by D.W. Griffith such as The Birth of a Nation (1915). By the late 1920s, following the expiration of Lasky's lease, the ranch transitioned from film use to agricultural and equestrian purposes before being subdivided for residential development in the 1940s, paving the way for modern neighborhoods like Studio City. As sound technology revolutionized filmmaking in the 1930s, the Columbia Ranch in Burbank exemplified adaptations for the new era, opening in 1934 on 40 acres to provide dedicated backlots for outdoor shooting. This facility supported a range of productions, including the Our Gang (Little Rascals) comedy shorts series starting in the mid-1930s and long-running television Western Gunsmoke from the 1950s through the 1970s, utilizing constructed streets and period buildings that accommodated dialogue recording and synchronized effects. Following the sale to Warner Bros. in 1972, the ranch—renamed the Warner Bros. Ranch—continued serving as a versatile backlot for numerous productions until 2023, when it was used for filming shows like Desperate Housewives and Gilmore Girls. Demolition began in 2023-2024 for redevelopment into office space. Its enduring sets allowed for cost-effective reuse across serials and episodes, solidifying the valley's role in sound-era television. The RKO Encino Ranch, established in 1927 on 89 acres in the western valley, advanced multi-genre production by moving beyond Westerns to include comedies and dramas, reflecting the broadening scope of studio output. This site hosted Laurel and Hardy comedy films, such as elements of their RKO-distributed shorts and features, alongside classics like It's a Wonderful Life (1946) and The Hunchback of Notre Dame (1939), leveraging adaptable sets for urban and rural simulations. Operating until 1953, when financial pressures from RKO's declining fortunes led to its sale and conversion into the Encino Village subdivision, the ranch demonstrated early experimentation with permanent infrastructure for diverse narratives. These foundational ranches collectively innovated through the creation of reusable backlot towns—pre-built facades and streets that could be redressed for multiple projects—reducing setup times and costs compared to on-location shoots. Their strategic location within a 30-minute drive of central Hollywood studios further enabled daily commutes for actors, crews, and equipment, fostering seamless integration between indoor soundstages and outdoor filming during the industry's rapid expansion. This proximity and infrastructural efficiency established the San Fernando Valley as a blueprint for subsequent movie ranch developments.

Iconic Ranches in Simi Valley and Ventura County

Simi Valley and Ventura County emerged as key hubs for movie ranches during Hollywood's mid-20th-century boom, leveraging the area's dramatic landscapes to support the Western genre's demand for authentic outdoor settings. These sites, nestled in the and surrounding foothills, hosted numerous productions from the 1920s through the 1960s, contributing to the visual language of frontier tales through their versatile terrain. The Paramount Movie Ranch, established in 1927 when Paramount Pictures acquired approximately 2,700 acres in the Santa Monica Mountains near Agoura—adjacent to Simi Valley—served as a premier filming location until the 1980s. It featured in landmark Westerns such as Duel in the Sun (1946), directed by King Vidor, and the science-fiction Western Westworld (1973), directed by Michael Crichton, utilizing its constructed Western town set for dynamic chase and confrontation scenes. Severely damaged by the 2018 Woolsey Fire, the ranch has been under National Park Service management since 1980 as part of the Santa Monica Mountains National Recreation Area. Reconstruction of the Western Town was completed in 2025, allowing reopening for public access, events, and occasional filming. Corriganville Movie Ranch, founded in 1937 by actor and stuntman Ray "Crash" Corrigan, spanned about 1,800 acres in the Simi Valley foothills and became a prolific site for over 700 films and 2,800 television episodes, many in the Western genre. Corrigan developed elaborate sets like "Silvertown," a frontier town used in productions featuring Republic Pictures serials and B-Westerns, capitalizing on the ranch's red rock formations for action-oriented sequences. After financial challenges led to its sale in 1965, the property transitioned to public use, opening as Corriganville Regional Park in 1988 to preserve its cinematic legacy amid urban encroachment. The Iverson Movie Ranch, operational from the to the on roughly 500 acres in Chatsworth—near the Ventura border—gained fame for its distinctive boulder field, a cluster of massive formations that defined countless Western visuals. Iconically featured in John Ford's (), where the boulders served as territory backdrops for the film's pivotal attack , the ranch supported over 2,000 productions with its rugged, photogenic . Its closure stemmed from extensive rock quarrying starting in the 1940s and accelerating urban development, including the construction of the Simi Valley Freeway in the late , which fragmented the site and rendered it unsuitable for filming by the 1970s. These ranches exemplified the region's appeal through its rugged terrain of rocky outcrops, canyons, and oak-dotted hills, which provided cost-effective, versatile backdrops for stunts, horseback pursuits, and panoramic shots central to Western filmmaking. Their geographic clustering in Simi Valley and adjacent areas facilitated efficient resource sharing among production crews, studios, and equipment, enhancing the area's role as a collaborative epicenter for the genre during its peak.

Other Significant California Sites

Beyond the more central locations in the San Fernando Valley and Simi Valley, several other California movie ranches played notable roles in film production, often with unique histories marked by fires, sales, and shifts in use. These sites, scattered across diverse terrains from coastal canyons to desert outposts, contributed to Westerns and other genres while facing the pressures of urban expansion and natural disasters. The Spahn Movie Ranch, a 55-acre property in the Santa Susana Pass area of Los Angeles County, operated from the late 1940s through the 1960s as a filming location for Western-themed television shows and movies, including episodes of Bonanza and The Lone Ranger. Originally purchased by dairy farmer George Spahn in 1948, the ranch featured rugged hills and structures suited for outdoor shoots, attracting low-budget productions during Hollywood's post-war era. However, its notoriety stems from its occupation by Charles Manson and his followers from 1967 to 1969, during which time it served as their base for planning the Tate-LaBianca murders; this dark association led to increased scrutiny, and the site was largely destroyed by a wildfire in September 1970, after which the remnants were incorporated into the Santa Susana Pass State Historic Park. In the Santa Clarita Valley near Newhall, the Ranch—later renamed Ranch—opened in 1915 under and became a prolific site for B-Westerns, producing over 750 films starring actors like in his early . Acquired by in 1952 for $250,000, Autry rebuilt the facilities after a devastating in 1955 and used it as the backdrop for many of his own productions, including The Gene Autry Show. The ranch's 110-acre expanse included a Western street set, hacienda, and natural canyon landscapes that enhanced its versatility for period dramas. Today, under private ownership since 1991 by the Veluzat family, continues to host modern film and television projects, such as HBO's Deadwood and Netflix's Westworld, while preserving its historic structures through controlled access and maintenance. Further west in Malibu Canyon, the 20th Century Fox Movie Ranch spanned over 300 acres and was utilized starting in the 1920s for location shooting, with Fox acquiring the core property in 1946 following its use for John Ford's 1941 Oscar-winning film How Green Was My Valley, where a Welsh mining village set was constructed amid the area's lush, hilly terrain. The ranch supported a range of productions, from Westerns to war films like Tora! Tora! Tora! (1970), benefiting from its proximity to Los Angeles studios—about 20 miles away—while offering varied natural backdrops including streams and rock formations. By the late 1960s, declining studio interest and multiple wildfires prompted its sale; portions were subdivided for residential development in the early 1970s, but the majority was acquired by the State of California in 1976 and transformed into Malibu Creek State Park, where remnants of old sets, such as the MASH* meadow, remain visible to hikers. In the high desert of San Bernardino County, Pioneertown exemplifies a purpose-built movie set from 1946, founded by Hollywood figures including Roy Rogers and Gene Autry, along with investor Karl "Shorty" Nickell, as a "living, breathing" Old West town on 32 acres near Yucca Valley. Designed with shootable facades mimicking an 1880s frontier settlement—Mane Street, a bank, saloon, and jail—it facilitated over 50 films and TV episodes in the late 1940s and 1950s, such as Rogers' The Far Frontier (1948), while allowing to live on-site during production. Economic shifts reduced filming activity by the 1960s, and a major wildfire in 2008 damaged several buildings, but community efforts and private ownership have sustained it as a tourist destination with occasional modern shoots, highlighting themes of preservation amid land pressures common to many ranches. These peripheral sites, like their counterparts elsewhere in California, often succumbed to fires—exacerbated by dry brush and hot winds—and land sales driven by rising property values, transitioning from active production hubs to parks or private venues that echo their cinematic legacies.

Movie Ranches Beyond Southern California

Southwest United States Ranches

Movie ranches in the Southwest , particularly in and , have provided essential filming locations for Western genres due to their expansive desert terrains and rugged landscapes that authentically replicate frontier settings. Unlike the more urbanized and studio-dominated environments of , these sites offer natural backdrops with minimal need for constructed sets, fostering a sense of historical immersion for productions. The region's growth as a filming hub accelerated in the late 20th and early 21st centuries, driven by state tax incentives that offset production costs and attracted major studios seeking alternatives to California's escalating expenses and regulatory pressures. Apacheland Movie Ranch, established in 1960 near Apache Junction in Arizona's Canyon area, spanned approximately 1,800 acres and became a key site for Western television and productions. It hosted episodes of the series (1967–1971), utilizing its Western town sets to depict . The endured significant setbacks, including a major on May 25, 1969, that destroyed most —leaving only seven structures intact—prompting a rebuild that allowed continued filming. A second devastating on February 14, 2004, razed much of the remaining infrastructure, likely due to an electrical malfunction in the saloon, reducing the site to partial ruins by the 2010s; today, it sees sporadic use for independent projects amid ongoing preservation efforts. Old Tucson Studios, constructed in 1939 on the outskirts of Tucson, Arizona, by Columbia Pictures as a set for the film Arizona (1940), evolved into a premier movie ranch and tourist attraction. It served as the primary location for over 300 Western productions, including the iconic Gunfight at the O.K. Corral (1957), where its facsimile Old West town replicated Tombstone's streets for scenes featuring Burt Lancaster and Kirk Douglas. Opening to the public as a theme park in 1960, the site adopted a hybrid model blending film shoots with visitor experiences, such as staged gunfights and train rides, which has sustained its operations into the present day despite challenges like a 1995 fire. This dual focus has made it a enduring cultural landmark, drawing both filmmakers and tourists to its 50-acre complex nestled against the Tucson Mountains. In New Mexico, Bonanza Creek Ranch near Santa Fe has operated as a versatile movie ranch since the 1950s, initially as a working cattle property before hosting Hollywood productions. It featured prominently in films like Silverado (1985), where its Western town set portrayed 1880s frontier towns, and later in Rust (2021), which gained notoriety due to a fatal on-set shooting incident involving actor Alec Baldwin on October 21, 2021, at the site's church building; filming resumed and completed in 2023. The ranch's diverse assets, including historic homesteads and open desert expanses, have supported over 100 projects, from Young Guns (1988) to 3:10 to Yuma (2007). New Mexico's film tax credit program, enacted in 2002 and offering up to 40% rebates on qualified expenditures, has significantly boosted usage since the early 2000s by providing financial incentives that contrast with California's high operational costs and urban encroachment on legacy sites. As of November 2025, the ranch continues operations, with proposals for adjacent development.

Ranches in Other Regions

Movie ranches in regions beyond the Southwest, such as the and , have historically served specialized purposes, providing expansive natural landscapes and period sets for Westerns and epic dramas that required rugged, snow-capped terrains or vast prairies unavailable closer to Hollywood. These sites emerged from the early to mid-20th century to support productions seeking authentic frontier backdrops, often leveraging local land for their dramatic scale. In Montana, the Yellowstone Film Ranch, established in the 2010s overlooking Paradise Valley in the southwest part of the state, exemplifies the use of large-scale properties for contemporary productions. Spanning diverse terrains including bluffs and valleys, it functions as a western town backlot with production facilities tailored for series like Yellowstone, where its epic landscapes capture the vastness of ranch life central to the narrative. This site draws filmmakers through Montana's film incentives, highlighting the region's shift toward supporting high-profile streaming content amid its historic role in outdoor shoots. Utah's Kanab area, influenced by Rocky Mountain geography, features sites like Coral Pink Sand Dunes State Park, which has hosted numerous Western films since the 1920s due to its otherworldly dunes and canyons mimicking frontier badlands. Early productions such as the 1924 silent film Deadwood Coach utilized the dunes and nearby Kanab Canyon for stagecoach scenes, establishing the region as "Little Hollywood" with over 100 movies filmed there by the mid-20th century, including sets at the former Kanab Movie Ranch for titles like The Outlaw Josey Wales. These locations offered specialized red rock and sand environments for period authenticity, contrasting with California's more arid profiles. Further east in the Plains, Texas's near Brackettville represents a key outpost for historical Westerns, built in on a 500-acre as a mission and for John Wayne's The Alamo. Operational from the late 1950s through the 2010s, it hosted over 100 productions, serving as a self-contained facility despite its distance from Hollywood, which limited its density compared to California sites. The village's closure in 2018 marked the end of an era, but it underscored Texas's role in authenticating Texas Revolution and narratives; as of 2025, the site remains closed to the public. Since the 2000s, movie ranches in the Rockies and Plains have seen renewed activity through regional film commissions promoting local incentives to attract productions, fostering economic growth in rural areas. Challenges persist, including extreme weather like Montana's harsh winters and Utah's flash floods, which complicate scheduling and logistics. As of 2025, streaming services have amplified this trend, with Montana benefiting from Yellowstone's ongoing impact—generating over $70 million in spending—and Utah approving incentives for seven new projects expected to create 300+ jobs and $15.6 million in economic activity, boosting sites in both states for diverse genres beyond traditional Westerns.

Contemporary Developments

Revitalized and Rebuilt Historic Ranches

The revitalization of historic movie ranches in the 21st century has emphasized preservation through targeted restorations, particularly in response to environmental threats like wildfires. One prominent example is Paramount Ranch in , where the (NPS), in partnership with the nonprofit Fund, led the reconstruction of the site's Western Town following its destruction in the 2018 . began in 2023 with completion targeted for 2025, incorporating fire-resilient materials such as and to enhance durability against future fires. As of 2025, the rebuilt Western Town supports eco-conscious film and television productions, guided tours highlighting its cinematic legacy, and public hiking trails, balancing cultural access with environmental stewardship. Disney's , located in the near Newhall, , exemplifies private-sector in enhancements for ongoing production use. Acquired by Productions in and expanded significantly in subsequent decades, the 890-acre includes state-of-the-art backlots and a 42-storefront constructed to facilitate diverse shoots. The ranch served as a key filming location for scenes in Pirates of the Caribbean: At World's End (2007), utilizing its varied terrain for pirate ship sets and action sequences. Remaining privately owned and not open to the public, it continues active operations into 2025, including drone testing for potential Disney entertainment projects that demonstrate its adaptability to modern filmmaking technologies. In Simi Valley, Corriganville Park preserves remnants of the original Corriganville Movie Ranch, which operated from the 1930s until its closure in the 1960s due to financial pressures and urban development. The site was acquired in 1988 through a joint effort by the City of Simi Valley and the Rancho Simi Recreation and Park District, a special district serving public recreation needs, using state and local funds to prevent further commercial exploitation. Reopened to visitors in 1998, the 246-acre park now features over five miles of hiking trails, including a 1.2-mile Interpretive Trail with 20 educational markers detailing the ranch's role in over 3,000 films and its historical significance as a Western-themed attraction. These remnants, such as rock formations and partial set structures, serve an educational function by illustrating early Hollywood location shooting practices and the transition of ranch lands to public conservation areas. Broader revitalization initiatives for historic movie ranches in the have involved nonprofit organizations in acquisitions and adaptive upgrades to vulnerabilities. Groups like the Fund have facilitated and for fire-damaged sites, the integration of resilient without altering core historical features. Federal grants, including those from the NPS's recovery programs bolstered by 2023 allocations of $44 million for preparation across national parks, have supported these efforts by materials and designs that mitigate risks while promoting sustainable use for filming and . Such collaborations ensure these ranches endure as vital to Hollywood's amid increasing environmental pressures.

New and Purpose-Built Modern Ranches

Since the 1980s, several purpose-built movie ranches have emerged to meet evolving production demands, incorporating advanced facilities for post-production and sustainable design while drawing on the legacy of earlier Western sets for authentic backdrops. Skywalker Ranch in Marin County, California, exemplifies this shift, serving as Lucasfilm's primary campus for audio and creative work. Construction began in 1980 following the success of Star Wars: The Empire Strikes Back, with the initial phase completed by 1985 and the Technical Building operational by 1987. Spanning over 4,700 acres of former dairy farmland, the ranch features the 153,000-square-foot Technical Building housing Skywalker Sound, which includes a world-class scoring stage, six feature mix stages, 15 sound design suites, 50 editing suites, an ADR stage, two Foley stages, and a 300-seat Stag Theater for screenings. This setup supports comprehensive post-production workflows, enabling seamless integration of sound design and editing for major films, while the ranch's secluded, pastoral environment fosters creative retreats for filmmakers. Although primarily a private facility, its association with George Lucas's iconic projects has cultivated interest among film enthusiasts, occasionally facilitating guided visits that highlight its role in cinematic history. Southfork Ranch in Parker, Texas, represents another modern iteration, originally developed in the 1970s but continually adapted for television and event production into the present day. Selected in 1978 by Lorimar Productions as the primary filming location for the CBS series Dallas, which aired from 1978 to 1991 and reached audiences in 95 countries, the 200-acre property features the iconic Ewing Mansion and expansive grounds that became synonymous with the show's dramatic narratives. Over time, it has expanded beyond its original sets to include a 63,000-square-foot event space accommodating groups from 10 to 10,000, supporting weddings, corporate events, and fan experiences tied to the series' legacy. As of 2025, ongoing renovations are enhancing its infrastructure to better host contemporary productions and gatherings, such as the Southfork Experience event series, which reunites cast members and draws international visitors for themed panels and tours, thereby sustaining its viability for modern drama formats. In the 2010s, the Yellowstone Film Ranch in Paradise Valley, Montana, was purpose-built to capitalize on the region's natural beauty for Western genres, offering a turnkey location with integrated production support. Constructed with a focus on environmental sensitivity, the ranch features a 29,000-square-foot western backlot modeled after a late-1800s gold rush town, including 26 fully functional structures such as a saloon, bank, jail, and livery stable, alongside open fields, wooded cabins, and medieval sets for diverse shoots. Its design minimizes ecological impact through a small operational footprint and respectful land use, aligning with Montana's 35% transferable film tax credit to attract sustainable productions. The facility has hosted high-profile Western series and films, including preparations for Rust in 2022, providing on-site production offices and versatile exteriors that streamline logistics for location shooting. Contemporary innovations in these ranches emphasize digital integration to accommodate drone cinematography, VFX preparation, and international co-productions, enhancing efficiency in an era of hybrid filming. Facilities like Skywalker Ranch incorporate dedicated editing and sound suites that facilitate VFX workflows, allowing for real-time integration of digital elements during post-production. Drones have become standard for aerial shots on expansive properties such as Yellowstone Film Ranch, enabling cost-effective capture of vast landscapes without traditional helicopters, as seen in modern Westerns where they support dynamic tracking sequences. VFX prep areas, often including green-screen stages and data management hubs, prepare assets for computer-generated enhancements, reducing on-set reshoots. By 2025, expansions at sites like Eaves Movie Ranch in Santa Fe, New Mexico—under new ownership transitioning to a multifaceted venue—incorporate these technologies to attract global co-productions, combining historic Western sets with digital tools for international films and series, thereby broadening appeal to diverse markets.

Cultural and Industry Impact

Role in the Western Film Genre

Movie ranches played a pivotal role in defining the visual language of Western films through their standardized "Main Street" sets, which became synonymous with genre tropes such as high-noon shootouts, saloon brawls, and horseback chases along dusty thoroughfares. These facades, often constructed with aged lumber to evoke authenticity, featured elements like wooden sidewalks, banks, jails, and hotels that allowed filmmakers to recreate frontier towns efficiently without extensive travel. For instance, the Main Street at Melody Ranch in Santa Clarita, California, with over 65 storefronts, served as a template for countless productions, influencing the iconic imagery seen in films like Wichita (1955) and television series such as Gunsmoke. Stock footage from these ranches further amplified their impact, with reusable clips of landscapes, stampedes, and town scenes appearing in over 2,500 films and television episodes, particularly at sites like Iverson Ranch, which hosted productions from the silent era onward. This practice not only standardized visual motifs but also enabled cost-effective storytelling, as directors could intercut archival ranch footage to depict expansive Western vistas or action sequences. The result was a cohesive aesthetic that permeated the genre, from early B-Westerns to more ambitious epics like Stagecoach (1939), where Iverson's rocky terrain doubled as Monument Valley. In terms of production efficiencies, movie ranches facilitated the rapid output of low-budget Westerns and serials by providing self-contained environments that minimized logistical challenges. Studios like Monogram Pictures, operating at what became Melody Ranch, produced dozens of B-Westerns annually in the 1930s and 1940s, allowing actors such as John Wayne and Gene Autry to immerse themselves in ranch life for greater authenticity during extended shoots. This setup supported the genre's proliferation during Hollywood's Golden Age, with ranches enabling the filming of multiple pictures in quick succession on the same sets. Movie ranches contributed to the Western genre's evolution from formulaic silent "oaters" to more introspective revisionist works in the 1960s and 1970s, offering versatile backlots that adapted to shifting narratives. While early silent films used ranches for simple action tales, later productions like Sam Peckinpah's Ride the High Country (1962), shot amid California's Sierra Nevada landscapes near established ranch sites, explored themes of aging and morality, marking a tonal shift toward grittier realism. Statistically, Southern California ranches hosted hundreds of classic Westerns, accounting for a substantial portion of the genre's output during its peak, with Iverson Ranch alone featuring in approximately 2,500 titles. Their enduring legacy persists in neo-Westerns, where rebuilt ranch sets at Melody Ranch informed the stylized violence and frontier motifs in films like Django Unchained (2012).

Preservation Challenges and Economic Role

Movie ranches in California confront persistent preservation challenges, particularly from intensifying wildfires driven by climate change. The 2018 Woolsey Fire devastated Paramount Ranch's historic Western Town, reducing most structures to ash and highlighting the vulnerability of wooden sets to rapid fire spread in chaparral landscapes. In 2025, events like the Palisades Fire destroyed key historic buildings at nearby sites, underscoring the ongoing threat to cultural filming locations amid drier conditions and stronger winds. Urban development poses another risk, as demonstrated by the Iverson Movie Ranch, where freeway construction and subsequent residential expansion in the mid-20th century eroded much of the site's distinctive boulder-strewn terrain, once a staple for over 2,000 productions. Climate change compounds these issues by altering vegetation patterns and soil stability, potentially diminishing the rugged authenticity of ranch landscapes essential for period dramas and Westerns. Preservation efforts rely on public agencies and targeted funding to safeguard these sites. The National Park Service integrated Paramount Ranch into the Santa Monica Mountains National Recreation Area in 1980, enabling ongoing protection of its cinematic heritage, and allocated $44 million in 2023 for fire-resilient reconstruction using materials like concrete and managed vegetation to prevent future losses. Local historical societies advocate for similar initiatives at other ranches, while California's expanded Film and Television Tax Credit Program, increased to $750 million annually starting in 2025, bolsters maintenance indirectly by encouraging in-state shoots that provide revenue for site upkeep and restoration. Economically, movie ranches sustain local communities through film-related employment and ancillary activities. In Santa Clarita Valley, home to multiple ranches, over 500 filming permits in 2022 supported crew jobs and generated approximately $38.5 million in direct economic impact from location shoots. The state's tax credit program has amplified this, creating more than 110,000 jobs across direct production, suppliers, and induced spending from 2015 to 2020, with ranches like Veluzat contributing through diverse terrain for high-profile series. To enhance resilience, many operators diversify into non-film uses, such as corporate events, weddings, and educational tours on film history, providing steady income amid production fluctuations. The future of movie ranches hinges on adapting to sustainability demands, with a growing emphasis on green filming to mitigate environmental footprints. Independent productions increasingly prioritize low-impact practices, such as electric equipment and waste reduction, helping smaller ranches compete in an economy dominated by high-budget blockbusters that often relocate abroad for incentives. This shift not only aids preservation by aligning with climate goals but also ensures ranches remain viable hubs for both indie creativity and major industry needs.

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