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Navagraha temples
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Navagraha (Pron: nævəˈgrɑ:ə) pilgrimages are pilgrimages devoted to Navagraha—the nine (nava) major celestial bodies (Grahas) of Hindu astronomy. These temples are made of stone. These celestial bodies are named Surya (Sun), Chandra (Moon), Mangala (Mars), Budha (Mercury), Brihaspati (Jupiter), Shukra (Venus), Shani (Saturn), Rahu (North Lunar Node) and Ketu (South Lunar Node). Many temples in South India contain a shrine dedicated to the Navagrahas.

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Nepals First Navagraha temple is Nabagraha Temple Syangja in Arjunchaupari-1, Syangja District of Nepal. The temple is built differently in an open roof concept.

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In Kerala, Navagraha temples are rare, like other states. Unlike other Navagraha temples,Kilimarathukavu navagraha temple is elliptical in structure, much like the galaxy.

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The Navagraha temples in Tamil Nadu situated in the vicinity of Mayiladuthurai[1] and Kumbakonam, were constructed during the Chola dynasty. As per Hindu legend, Sage Kalava was suffering from serious ailments along with leprosy. He prayed to the Navagrahas, the nine planet deities. The planets were pleased by his devotion and offered cure to the sage. Brahma, the Hindu god of creation, was angered, as he felt that the planets had no powers to give boons to humans. He cursed the nine planets to suffer from leprosy and sent them down to earth in Vellerukku Vanam, the white wild flower jungle – the modern Suryanar Kovil. The planets prayed to Shiva to relieve them of the curse. Shiva appeared to them and said that the place belonged to them and they would have to grace the devotees worshipping them from the place. Each temple is located in a different village, and is considered an abode of one of the Navagrahas. However, eight of these temples are dedicated to Shiva.

The Surya temple is the only one dedicated to the Graham.[clarification needed] In fact, it is dedicated entirely to the worship of the Sun-God and the other navagrahas, the former being the object of worship as the principal deity and the latter as attendant deities. It was built around the 11th or 12th century. The other temples were built earlier, ranging back to 7th-9th century.[2]

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There is a similar cluster of Navagraha temples in Chennai, erstwhile Thondai Nadu in and around Kundrathur.

  • Agatheeswarar Temple - Suryan - Kolapakkkam
  • Somanaadheeswarar Temple - Chandran - Somangalam
  • Vaidheeswaran Temple - Angaragan - Poovirundhavalli (Poondhamalli)
  • Sundareswarar Temple - Budhan - Kovur
  • Ramanaadheeswarar Temple - Guru - Porur
  • Velleeswarar Temple - Sukran - Mangadu
  • Agatheeswarar Temple - Shaneeswaran - Pozhichalur
  • Neelakandeswarar Temple - Kethu - Gerugambakkam
  • Nageshwarar Temple - Rahu - Kundratthur

These were founded by Thiyagaraja Gurukkal and Bhuvaneshwari and their family published to people through small sized book of Navagraha stalam puranam in Chennai.

Thirunelveli

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A separate set of Navagraha temples which are dedicated to Lord Vishnu on the Tiruchendur-Tirunelveli route are called Nava Tirupathi.

  • Srivaikuntanathan Perumal Temple—Suryan
  • Vijayaasana Perumal Temple—Chandran
  • Vaithamanidhi Perumal Temple—Sevvai
  • ThiruPulingudi Perumal Temple—Budhan
  • AlwarThirunagari Temple—Gurubhagawan
  • Makara Nedunkuzhai Kannan Temple—Sukran
  • Srinivasa Perumal Temple—Shaniswaran
  • Irattai Thiruppathy, Aravindalochanar—Raghu
  • Irattai Thiruppathy, Devapiran—Kedhu

Gudiyatham, Vellore

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Navagraha temples [3] The Navagraha temples listed contain separate shrines for these gods or temple deity worshipped as that god.

  • Surya Navagrahastalam - Karupulleshwarar temple, Vellore, Gudiyatham
  • Chandra Navagrahastalam - Sri Linganatha Swamy temple
  • Angaarakan Navagrahastalam - Sri Mahadevar temple
  • Budha Navagrahastalam - Sri Semmalai temple
  • Guru Navagrahastalam - Sri Gurubhagavan temple, Perumbadi.
  • Sukra Navagrahastalam - Sri Kaalabhairavar temple, Pogalur
  • Shani Navagrahastalam - Sri Baalasarthuleshwarar temple, Gudiyatham north
  • Raahu Navagrahastalam - Sri Naganathaswamy temple, near Gudiyatham
  • Ketu Navagrahastalam - Sri Naganathaswamy temple, near Gudiyatham
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Navagraha temple in Guwahati

The Navagraha Temple is on the top of Chitrasal Hill (or Navagraha Hill), in Guwahati city, Assam. The existing brick temple on Chitrasal hill was built by Ahom king Swargadeo Rajeswar Singha during his reign from 1751 to 1769. Enshrined in this temple are nine Shivalingams, representing the nine celestial bodies, each covered with a coloured garment symbolic of each of the celestial bodies, with a Shivaligam in the centre symbolising the Sun. Connected to this Navagraha temple a nine-cornered (Na-kunia) tank was dug down in the valley south of it. This tank is known as Silpukuri.

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Shri Anna Ganapati Navgraha Siddhapeetham, Nasik, which is 1.5 km from Nasik Road railway station. All Navgraha are residing in nine temple (gabhara/garbhagudi) with their wives. It is the only navgraha Siddhapeetham in Maharashtra. Peth (central Pune), there is a major Navagraha temple behind Shaniwar Wada, which is also specifically devoted to Shani. The temple complex is at a distance of 1.5 km from Kherdi junction. It is owned by Shri Sainath Maharaj Trust, Dombivli (E), Thane. The main temple belongs to Sai Baba and there are surrounding temples of Ganesha, Shiva, Navagraha temple and Sri Dattatreya temple.

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A long-established Navagraha temple is inside the Bada Ganpati Temple just behind Makaleshwar Temple towards the Harsidhhi temple in the city of Ujjain in Madhya Pradesh.

Devotees worship all nine planets here and they offer mustard oil and flowers to Shani at the temple during their prayers.

Devotees pray while doing parikrama of Navagraha stones and present flowers and bel leaves while performing pooja.

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The Navagraha temple at Prayagraj in Uttar Pradesh was built by the Shri Patharchatti Ram Lila Committee in Prayagraj. It was opened to the public in 2012. It is located in the Rambagh area of Prayagraj. It can be reached within two minutes from the City Railway Station at Rambagh.

There are other temples as well:

  • Shri Khatu Shyam Temple
  • Shri Ram Temple

A jhaanki of Ganga Avataran is under construction and was expected to be complete by November 2012.

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Navagrah temple at Karari Kaushambi in Uttar Pradesh was built by Shri Somnath Verma. It was opened to the public in 2017, in Ashok Nager in Karari Kaushambi. It can be reached within 15 minutes from the Bharwari railway station at Ashok Nagar.

There are other gods in it as well:

  • Rama
  • Radha Krishna
  • Shiva
  • Durga
  • Ganesha
  • Hanuman

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Navagraha temples are Hindu shrines dedicated to the nine planetary deities (Navagrahas) revered in and cosmology. The most famous circuit consists of nine ancient temples situated near in , , primarily in and adjacent districts, each consecrated to one of the Navagrahas: the Sun (), Moon (), Mars (Angaraka), Mercury (), Jupiter (), Venus (), Saturn (), and the lunar nodes Rahu and Ketu. These temples, predominantly dedicated to Lord as the presiding deity, form a sacred circuit where devotees perform rituals to appease the celestial influences believed to govern human destiny, karma, and life events. Similar Navagraha temples and circuits exist in other regions of , such as Assam, Maharashtra, and northern states, as well as in Nepal. The origins of the Tamil Nadu temples trace back to the Chola dynasty, with most structures dating from the 7th to 12th centuries CE, reflecting the architectural grandeur of South Indian temple traditions. A central legend associated with the sites recounts how the Navagrahas, who cured sage Kalava Rishi of leprosy after he prayed to them, were cursed by Brahma with the same affliction for their arrogance; they were then redeemed by Lord Shiva, who established them in Vellurukku Vanam (the present-day region around Suryanar Kovil) to atone for their sins. This mythological narrative underscores the temples' role as abodes for planetary pacification, with the exception of Suryanar Kovil, which is uniquely devoted to the Sun God and all Navagrahas collectively. The nine temples in the circuit are: (Sun) in Suryanar Kovil village; Thingalur (Moon) near ; Vaitheeswaran Kovil (Mars) in ; (Mercury) near ; Alangudi () in ; Kanjanur () near ; (Saturn) in ; () in ; and Keezhperumpallam (Ketu) near . Pilgrimage to these sites, often undertaken as a circuit tour, holds profound astrological significance, as worship is prescribed to counteract doshas (afflictions) caused by adverse planetary positions in one's . The Indian Ministry of Tourism promotes this route under the PRASHAD scheme, with development projects sanctioned as of 2025 to enhance infrastructure and accessibility, recognizing its cultural and spiritual heritage value.

The Navagraha in

The Nine Celestial Influences

The , comprising nine celestial bodies personified as deities in Hindu tradition, form the foundational elements of Jyotisha (Vedic ) and are believed to govern various aspects of existence through their symbolic attributes and mythological roles. These include the Sun (), Moon (), Mars ( or Angaraka), Mercury (), Jupiter ( or ), Venus (), Saturn (), and the lunar nodes and Ketu. Each graha is associated with distinct vehicles (vahanas), colors, gems, and days of the week, reflecting their cosmic identities and influences on vitality, emotions, intellect, and karma. Surya, the Sun, symbolizes vitality, authority, and life force as the king among the grahas; he is depicted as a charioteer with two arms holding lotuses, riding a drawn by seven horses, with as his gem, as his color, and as his day. Chandra, , represents emotions, mind, and soothing energy; portrayed with two hands holding white lotuses, he travels in a pulled by ten horses or antelopes, linked to pearl, white color, and . Mangala, or Mars, embodies courage, conflict, and fiery strength as a ; he holds a mace and , rides a ram, and is associated with red coral, hue, and . Budha, Mercury, signifies intellect, communication, and wit as a youthful prince; depicted with four arms bearing a , shield, and mace, he mounts a , with emerald, green color, and as his attributes. Brihaspati, or Jupiter, known as the or teacher of the gods, denotes wisdom, expansion, and spiritual guidance; he holds a and scriptures, rides an or an eight-horse , connected to yellow sapphire, yellow color, and . Shukra, Venus, the priest of the demons, is tied to , , and material pleasures; portrayed with treasures and a , he travels in an eight-horse or on a , with diamond, white color, and . Shani, Saturn, serves as the judge enforcing discipline, karma, and patience; armed with a bow, arrows, and javelin, he rides a or , associated with , black color, and . Rahu, the north depicted as a dragon's head, symbolizes desires, illusions, and eclipses; he has a serpent lower body, rides a or dark , linked to hessonite (gomed), smoky color, and . Ketu, the south as a dragon's tail, represents detachment, spirituality, and (liberation); shown with a serpent head, he mounts a or peacock, with gem, multicolored aura, and influences on or . The mythological origins of most grahas trace to Vedic and Puranic texts, where they are anthropomorphized celestial entities, but Rahu and Ketu have a prominent narrative from the Samudra Manthan (churning of the ocean) described in the Shrimad Bhagavata Purana. During this cosmic event, gods and demons churned the milky ocean for amrita (nectar of immortality); Lord Vishnu, disguised as the enchanting Mohini, distributed the nectar to the gods, but the demon Svarbhanu (disguised as a god) sat between the sun and moon to drink it. Upon detection by the sun and moon, Vishnu beheaded him with his sudarshana chakra; the head became Rahu and the body Ketu, both granted immortality due to the nectar, eternally pursuing the sun and moon to cause eclipses as vengeance. This tale underscores themes of deceit, karma, and cosmic balance in Hindu mythology.

Astrological and Spiritual Role

In Hindu astrology, known as Jyotisha, the Navagraha—comprising the Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu, and Ketu—serve as celestial influencers that shape an individual's karma based on their positions in the janma kundali, or birth chart. These grahas determine life events by reflecting the karmic fruits of past actions, with their placements across the twelve houses and zodiac signs dictating outcomes in areas such as career, relationships, and health. Among them, malefic grahas like Shani (Saturn) and Rahu are particularly associated with doshas, or afflictions, leading to challenges such as chronic health issues, financial obstacles, and emotional hardships when weakly placed or aspected adversely in the chart. For instance, Shani's influence often manifests as delays and restrictions, while Rahu can trigger sudden disruptions or illusions that impede progress. Spiritually, the Navagraha are viewed as manifestations of divine energy, embodying aspects of the cosmic order and acting as agents to deliver karmic results while guiding devotees toward (righteous living). Worship of these grahas is believed to mitigate the effects of past-life karma, foster inner balance, and ultimately support the path to (liberation) by aligning personal actions with universal harmony. The , a foundational text attributed to Sage Parashara, emphasizes this by stating that the grahas incarnate to bestow the fruits of karma on living beings, underscoring their role in spiritual evolution through devotion and remedial practices. The concept of Navagraha worship has evolved historically from early Vedic references to celestial bodies in the , where the Sun () is invoked as a life-giving around 1500 BCE, laying the groundwork for astrological interpretations. By the medieval period, during the Pallava (7th–9th centuries CE) and Chola (9th–13th centuries CE) dynasties in , this evolved into structured temple worship, with Navagraha shrines integrated as subsidiary deities in larger and temples to address astrological imbalances. This integration, seen in sites like the Kailasanathar Temple from the , marked a shift toward public remedial rituals, blending cosmology with devotional architecture.

Worship and Remedial Practices

Rituals and Offerings

The Shanti Puja is a central performed at temples to pacify the nine celestial influences and mitigate their adverse effects on human life. This peace typically involves a homa, or fire offering ceremony, where devotees invoke the grahas through Vedic chants and present specific items into the sacred fire while seated before the shrine. The puja commences with the invocation of Lord and proceeds in a fixed sequence starting with at the center, followed by , , , , , , , and Ketu, ensuring a balanced worship of all planetary deities. During the homa, priests chant graha-specific beeja mantras, such as "Om " for , repeated 108 times to align cosmic energies and seek blessings for health, prosperity, and harmony. Offerings during the puja are tailored to each graha, symbolizing their elemental attributes and preferred tributes to invoke positive vibrations. These items, drawn from Vedic traditions, include grains, flowers, oils, and gems that resonate with the planet's nature.
GrahaSpecific Offerings
SuryaWheat, red flowers, , red cloth
ChandraMilk, white rice, white cloth, white flowers
MangalaRed lentils, , red cloth,
BudhaGreen gram (moong dal), emerald, green vegetables, durva grass
GuruYellow bananas or chana dal, , yellow flowers,
ShukraWhite rice, diamond, white sweets, curd, silver
Shani oil, iron, black sesame seeds
RahuMustard oil, black mustard seeds, coconut
KetuMulticolored flowers, black/white sesame, blankets
These offerings are presented sequentially during the puja, often accompanied by naivedya (food items) and dakshina (donations) to the priests. Remedial practices for graha nivarana, or pacification of planetary afflictions, extend beyond the core puja and include targeted yagnas (elaborate fire rituals) performed at temples to neutralize identified in one's . Devotees undertake fasting on graha-specific weekdays, such as Saturdays for , to build discipline and invite benevolence, while circuits visiting multiple Navagraha temples amplify the remedial effects by combining site-specific energies. Timing of these practices often aligns with planetary transits, or gochara, such as Shani's approximately 2.5-year stay in each zodiac sign, during which intensified rituals help navigate periods of challenge. Special pujas at Navagraha temples are associated with celestial events to counter intensified graha influences, including elaborate ceremonies during solar and lunar eclipses, which are linked to and Ketu's shadowy effects, involving extended homas and recitations for protection. Similarly, Navagraha-specific observances occur on days like , marking solar transitions, when collective worship with offerings seeks renewal and astrological balance across the community.

Architectural and Iconographic Features

Navagraha shrines in Hindu temples typically feature a dedicated or corridor where the nine planetary deities are enshrined in a linear arrangement facing east, adhering to principles outlined in for cosmic alignment and harmonious energy flow. , the central figure representing the Sun, is positioned in the middle, flanked on the right by () and (Mars), and on the left by (Mercury), (Venus), (Saturn), with Rahu and Ketu at the ends; this configuration symbolizes the balanced celestial order and facilitates devotional . The idols are often placed on a raised stone platform approximately three feet high, sometimes arranged in a 3x3 grid pattern on the pedestal to evoke a -like structure, enhancing the shrine's role within the temple's overall vastu layout. The iconography of the Navagraha emphasizes anthropomorphic forms that reflect their astrological attributes, crafted primarily from stone or bronze to ensure durability and ritual sanctity. is depicted standing on a lotus pedestal, holding lotuses in his hands, accompanied by consorts Usha and Pratyusha, and riding a with seven horses as his often carved below the main figure. appears with a crescent crown, seated or standing in a peaceful pose, while and Ketu are portrayed as headless torsos or serpent-bodied forms to signify their shadowy, nodal nature; other grahas like (warrior-like with a ) and (holding a staff and book) exhibit four-armed (caturbhuja) postures with specific mudras such as for protection. These depictions, including vahanas like the ram for or peacock for , integrate Vedic symbolism to invoke planetary influences during worship. Architecturally, Navagraha shrines evolved from rudimentary rock-cut integrations in the Pallava era (7th-8th centuries CE), where early panels appeared in cave temples like those at Mamandur, reflecting monolithic granite carvings influenced by Hellenistic prototypes adapted to indigenous styles. By the Chola period (9th-13th centuries CE), these shrines became integral to expansive Dravidian complexes, featuring towering gopurams and vimanas, as seen in temples such as Brihadisvara at , where Navagraha halls were incorporated into larger or sanctuaries for comprehensive remedial worship. This progression marked a shift from austere cave reliefs to ornate structural enclosures, emphasizing holistic temple design that unified planetary veneration with main deity adoration. Symbolic elements in these shrines often include circular yantras inscribed on the floor or walls, representing planetary orbits and zodiac alignments to mirror cosmic paths and aid meditation on graha influences. Pedestals bear etched symbols such as lotuses for or serpents for Rahu-Ketu, drawn in grids that align with directional vastu orientations, reinforcing the shrines' role in balancing celestial energies within the temple's .

Tamil Nadu Circuit

The Tamil Nadu Navagraha circuit comprises nine historic Hindu temples, each dedicated to one of the nine celestial grahas (planets) in , forming a interconnected pilgrimage sthala (sacred circuit) centered around the towns of and in . These temples, clustered within a roughly 100 km radius, encourage sequential worship to mitigate planetary influences and promote astrological balance, drawing devotees for remedial rituals tailored to each graha. Most are ancient temples incorporating shrines, except for the , which uniquely centers on the Sun deity, reflecting the Chola dynasty's emphasis on integrating cosmology with Shaivite devotion. Originating in the Chola era from the 9th to 12th centuries CE, the temples were constructed or renovated under various Chola rulers, with several attributed to Aditya Chola I (r. 870–907 CE), such as the Naganathaswamy Temple at . The circuit's development highlights the Cholas' patronage of temple architecture and , blending Dravidian style with of planetary deities often depicted in separate shrines or halls. Inscriptions and structural evidence, including gopurams and mandapas, underscore their role as centers for both spiritual and communal life during this period. The temples are as follows:
  1. (dedicated to ): Located near Aduthurai, this 9th-century temple features as Suryanar and is renowned for remedies addressing eye and skin ailments through solar worship.
  2. Thingalur Kailasanathar Temple (dedicated to ): Situated near , it alleviates mental disorders and emotional instability, with Chandra's shrine aiding lunar afflictions.
  3. Vaitheeswaran Kovil (dedicated to ): Near , this healing center treats blood-related issues and accidents; it is famed for integrating Ayurvedic and traditions in its rituals.
  4. Thiruvenkadu Svetaranyeswarar Temple (dedicated to ): Positioned near , it supports education, commerce, and intellectual pursuits, featuring shrines to .
  5. Alangudi Abathsahayeswarar Temple (dedicated to ): Near , it bestows prosperity and progeny blessings, with a notable Dakshinamurthy shrine.
  6. Kanchanur Kailasanathar Temple (dedicated to ): Located near , it fosters marital harmony and material comforts.
  7. Thirunallar Saneswarar Temple (dedicated to ): In near , it offers relief from karmic burdens and promotes longevity.
  8. Thirunageswaram Naganathaswamy Temple (dedicated to ): Near , it addresses fears related to eclipses and shadowy influences, with Rahu's unique visible idol.
  9. Keezhaperumpallam Naganathar Temple (dedicated to Ketu): Near Mayiladuthurai, it aids spiritual detachment and resolution of mystical obstacles.
Central legends tie the circuit to the Samudra Manthan (ocean churning) myth, where Shiva swallowed the halahala poison to protect the grahas and creation, earning the name Neelakanta; this act is commemorated in temples like Alangudi, where Shiva as Apathsahayeswarar safeguards devotees from planetary doshas. Another key narrative involves Sage Kalava Rishi, who suffered from leprosy and ailments. He prayed to the Navagrahas, who cured him. Brahma then cursed the Navagrahas with leprosy for curing without permission, but Shiva redeemed them by having them worship him and bathe in a holy tank, establishing these sites as their abodes to grant boons to devotees. Annual festivals, including Brahmotsavams during Tamil months like Chittirai (April-May), feature processions and special pujas across the circuit, enhancing the pilgrimage experience with communal rituals adapted from broader worship practices.

Kerala Sites

In Kerala, dedicated temples are relatively rare, in contrast to the extensive pilgrimage circuits found elsewhere in , with planetary worship more commonly integrated into the shrines of larger or temples. Unlike the structured circuit in , Kerala lacks a formal pilgrimage route, with worship integrated into local temple practices. This scarcity stems from the state's strong emphasis on tantric traditions centered on these primary deities, where influences are addressed through embedded mandapas or subsidiary icons rather than standalone complexes. Kerala's temple architecture, featuring sloped roofs, intricate wood carvings, and nalukettu-style courtyards, adapts elements to enhance cosmic balance within these holistic ritual spaces, often under the guidance of Brahmin priests who specialize in tantric pujas. One prominent example is the Kilimarathukavu Temple in , , where all nine grahas are enshrined in a single designed on the principle of revolving around the sun, creating a unique symbolic representation of celestial motion. Built as part of the larger Kilimarathukavu Shiva-Parvati Temple complex, which traces its origins to ancient times with reconstruction in later periods, the shrine features an elliptical layout that facilitates tantric rituals aimed at mitigating planetary doshas. Devotees perform special pujas here, including offerings of nine types of grains and oils specific to each graha, often during auspicious transits to seek astrological remedies. Another notable site is the Vettikkara Nanadurga near in , an over 200-year-old structure that combines devotion to the goddess Nanadurga with a dedicated shrine, emphasizing remedial worship for planetary afflictions. Officially recognized by the government in 1905 on land donated by the administration, the temple integrates local Kerala-style elements like simple gopurams and open courtyards, where tantric homams and installations are conducted by hereditary priests tied to lineages. Unique to this site is its proximity to the ancient , allowing pilgrims to combine visits for comprehensive spiritual and astrological consultations. These sites highlight adaptations to regional tantric practices, with rituals focusing on nivarana (remedial measures) through personalized horoscope-based pujas, often intensified during seasonal transitions like the to address water-related planetary influences. Historical ties to traditions underscore the scholarly approach to in these temples, where yantras and homas draw from ancient texts like the for precise celestial alignments.

and

The Navagraha Temple in , , represents the primary Navagraha worship site in , integrating Shaivite traditions with astrological reverence unique to the region's Eastern Indian heritage. Situated atop Chitrachal Hill—also known as Navagraha Hill—this temple was constructed around 1752 CE during the reign of Ahom king Rajeswar Singha, son of Rudra Singha, as part of the dynasty's broader patronage of religious architecture. The site draws pilgrims seeking planetary blessings, underscoring its role in local spiritual practices. At the heart of the temple lies its , housing nine lingams that symbolize the Navagrahas: , , , , , , , , and Ketu. Each lingam is draped in a distinct colored cloth corresponding to its planetary deity, facilitating aniconic worship aligned with Vedic astrology. The structure features a distinctive beehive-shaped dome in red, built upon an octagonal plinth believed to originate from the , with the lingams arranged in a circular formation to evoke cosmic harmony. This hilltop elevation enhances the temple's alignment with celestial observations, reflecting ancient astronomical principles. The temple's location ties it to legends of , the ancient capital of the Pragjyotisha-Kamarupa kingdom (circa 4th–12th centuries CE), renowned as the "city of eastern " for its early centers of astronomy and astrolatry. Historical texts like the associate the hill—referred to as Chitraparvat—with solar and planetary cults, positioning the site as a enduring hub for such traditions amid the Brahmaputra Valley's . Artifacts from the Ahom period, including lintels depicting Navagrahas in standing postures without vahanas, further illustrate regional adaptations in . Culturally, the Navagraha Temple functions as a vital center for astrologers, where devotees consult for interpretations and perform remedial pujas to mitigate planetary influences. This astrological prominence stems from its historical role as an observatory and advisory site during the Ahom era, when Shaivite devotion flourished under royal support. Annual rituals, including offerings during auspicious planetary transits, draw crowds, reinforcing the temple's integration into Assamese life as a beacon for cosmic balance and foresight.

Western and Central India

In Western and Central India, Navagraha temples reflect a blend of ancient astronomical reverence and regional historical influences, particularly in and , where worship focuses on mitigating planetary afflictions through integrated deity complexes and riverine rituals. These sites emphasize (spiritual fulfillment) and protection, drawing pilgrims for personalized astrological remedies. In , the Shri Anna Ganapati Navgraha Siddhapeetham in stands as a prominent modern complex dedicated to the nine planetary deities, located near the and established in the 21st century by Dattayogi Swami Shri Anna Guruji following a divine vision. The temple features a towering 42-foot four-faced Ganapati idol carved from black stone at Mahabalipuram and installed with Vedic rituals using 1.25 liters of milk and one rudrakshas, symbolizing peace, prosperity, health, and longevity. All nine grahas—, , , , , , , , and Ketu—are enshrined alongside their consorts in separate shrines, a unique arrangement promoting balance of male-female energies for planetary harmony. Within the same complex, Kal Bhairav serves as the Navagraha Kshetrapal (guardian deity), invoked for protection against graha doshas (planetary maleficences), integrating fierce Tantric elements with Vedic in a South Indian Shilpkala architectural style crafted by artisans from and Trichy over 2.5 years. Madhya Pradesh hosts two significant Navagraha sites tied to its sacred rivers and festivals. The Navagraha Mandir at in , an ancient temple dating back approximately 2,000 years and attributed to King , is situated on the banks of the , where the nine grahas are arranged in a linear row of shrines facing the water to facilitate purification rituals. This setup underscores the temple's role in alleviating planetary sorrows, especially during the Simhastha , when massive crowds gather for Shani Amavasya observances involving offerings of over five quintals of oil to . Complementing this, the Shree Navgrah Mandir in , a 250-year-old structure founded by Shree Sheshappa Sukhawadhani Weragkar and maintained by his descendants, lies near the Kunda River in the pilgrimage region and is renowned for Shani-specific remedies through Navgrah Puja. The temple, known as the "City of Nine Planets," features a parikrama sthali (circumambulatory path) encircling the grahas, along with shrines to Maa Baglamukhi and Surya Narayana, and hosts the annual Navgrah Mela during for regional spiritual gatherings. These temples share traits influenced by Maratha-era patronage, as seen in the Peshwa dynasty's support for the site, where a Peshwa king annually visited during fairs, fostering its growth as a hub. Modern expansions, particularly at , incorporate tourism-friendly infrastructure while preserving remedial practices, highlighting regional uniqueness: Maharashtra's synergy of Ganapati and Bhairav for and protection contrasts with Madhya Pradesh's integration of rituals for collective purification at .

Northern India

In Northern India, Navagraha temples in embody the devotional traditions of the Gangetic plain, where worship practices are deeply intertwined with the movement's emphasis on personal devotion and remedial rituals to balance planetary influences. These sites often draw on the sacred geography of the Ganga and rivers, believed to facilitate the purification of karma associated with celestial doshas, particularly during major pilgrimages like the . The contrast between urban centers like , with their growing community-driven devotion, and rural areas like Kaushambi, centered on archaeological heritage, highlights the diverse expressions of Navagraha veneration in the region. The Temple in , constructed post-1947 and opened to the public in 2012 by the Shri Patharchatti Ram Lila Committee, stands as a prominent modern example near the . This concrete structure houses idols of the nine grahas—, , , , , , , , and Ketu—and serves as a focal point for astrological remedies, especially during the , where mass pujas attract thousands seeking planetary appeasement. The temple's establishment by the Ram Lila committee integrates it with annual cultural performances, blending theatrical devotion from the tradition with graha worship to foster community spiritual practices. In , the Navagrah Temple at Karari, built by Shri Somnath Verma and opened in 2017, represents a lesser-known rural site situated amid the ancient ruins of , an erstwhile capital of the kingdom dating to the 6th century BCE and a key center of early Buddhist activity during the Buddha's lifetime. The temple features idols of the Navagrahas alongside deities like Parivar and , reflecting syncretic Hindu-Buddhist influences from the site's historical layers, which include monastic remains and Ashokan pillars from the 3rd century BCE. Devotees particularly seek remedies here for and Ketu doshas believed to hinder spiritual enlightenment, aligning with the area's legacy as a hub for contemplative practices in both traditions.

Nepal

In Nepal, the Navagraha tradition manifests through a blend of emerging dedicated sites and older embedded shrines, reflecting cross-border Hindu practices shared with India while adapting to local Himalayan contexts. The primary example is the Nabagraha Temple, Nepal's first temple exclusively dedicated to the nine celestial planets (Navagraha), located in the serene Jalbaraha forest of Arjun Chaupari Rural Municipality-1, Syangja district. Constructed between approximately 2023 and 2025 CE, with consecration ceremonies completed on February 18, 2025, ahead of Maha Shivaratri, the temple features a unique hexagonal structure housing a central 27-foot nine-armed pillar symbolizing the Navagraha, adorned with planetary icons at 13 feet high and a solar deity at the pinnacle. At its core stands a five-faced Panchamukhi Shiva Linga, surrounded by idols of Ganesha, Lakshmi, Durga Bhavani, Hanuman, and Kalabhairava, encouraging devotees to perform nine ritual circumambulations (parikramas) for planetary appeasement. This design, with an innovative octagonal pillar and a cosmic idol revealed annually on Ganesh Chaturdashi, promotes eco-spiritual tourism amid the forest's peepal trees, drawing pilgrims seeking remedies for astrological doshas influenced by the region's seismic and natural challenges. Inspired by broader South Asian circuits but tailored to Nepali spiritual needs, the temple addresses Himalayan-specific afflictions such as those linked to , filling a gap in dedicated planetary worship within the country. It fosters by attracting Indian devotees traveling to sites like , revitalizing the local village economy through visitor influx and connections to nearby homestays like Sirubari. The site hosts key events, including fairs from Falgun 6 to 14 (February-March), marked by the lighting of 12.5 million lamps during its 2025 inauguration, and remains open on for regular worship. Built on yogic advice during the auspicious Mahakumbh period—occurring every 144 years—the temple emphasizes planetary alignment for cosmic harmony, with its open and special revelations enhancing its role as a hub 52 km from . Complementing this modern development, older embedded Navagraha shrines exist for urban worship, such as the one in Gyaneshwor, , adjacent to the Mahadev Temple, dating to the 20th century CE. This shrine, part of a two-tiered pagoda-style complex dedicated to Lord , allows devotees to perform rituals for planetary peace (Graha shanti), integrating Navagraha veneration into daily city-based Hindu practices without a standalone structure.

References

  1. https://commons.wikimedia.org/wiki/File:Nawa_Graha_Temple_Parasnath_Mahadev_Temple_Gyaneshwor_Kathmandu_Nepal_Rajesh_Dhungana_5.jpg
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