Hubbry Logo
Three CorpsesThree CorpsesMain
Open search
Three Corpses
Community hub
Three Corpses
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Three Corpses
Three Corpses
from Wikipedia
Sanshi
Chinese三尸
Literal meaningthree corpses
Transcriptions
Standard Mandarin
Hanyu Pinyinsānshī
Wade–Gilessan-shih
Middle Chinese
Middle Chinesesansyij
Old Chinese
Baxter–Sagart (2014)s.ruml̥[ə]j
Alternative Chinese name
Traditional Chinese三蟲
Simplified Chinese三虫
Literal meaningthree worms
Transcriptions
Standard Mandarin
Hanyu Pinyinsānchóng
Wade–Gilessan-ch'ung
Middle Chinese
Middle Chinesesandrjuwng
Old Chinese
Baxter–Sagart (2014)s.rumC.lruŋ
三尸; Sanshi; "Three Corpses" illustration from the (c. 9th century) 除三尸九蟲保生經; Chu sanshi jiuchong baoshengjing

The sanshi (Chinese: 三尸; pinyin: sānshī; trans. "Three Corpses") or sanchong (Chinese: 三蟲; pinyin: sānchóng; trans. "Three Worms") are a Daoist physiological belief that demonic creatures live inside the human body, and they seek to hasten the death of their host. These three supernatural parasites allegedly enter the person at birth, and reside in the three dantian "energy centers", respectively located within the head, chest, and abdomen. After their human host dies, they are freed from the body and become malevolent ghosts.

The pernicious Three Corpses/Worms work to harm their host's health and fate by initiating sicknesses, inviting other disease-causing agents into the body, and reporting their host's transgressions to the gods. The Three Corpses are supposed to keep records of their host's misdeeds, ascend to tian "heaven" bimonthly on the night of Chinese sexagenary gengshen (庚申; "57th of the 60-day cycle") while the host is sleeping, and file reports to the Siming (司命; "Director of Destinies") who deducts a certain number of days from the person's life for each misdeed. One way of avoiding this bureaucratic snitching is to stay awake for the entire gengshen day and night, thus preventing the Three Corpses from leaving one's body (a belief later assimilated into the Japanese Kōshin 庚申 tradition).

For a Daoist adept to achieve the longevity of a xian "transcendent; immortal", it was necessary to expel the Three Corpses from the body. Since these evil spirits feed upon decaying matter produced by grains being digested in the intestines, the practice of bigu "abstinence from grains and cereals" is the first step towards expelling them. Bigu alone will not eliminate the Three Corpses, but weakens them to the point where they can be killed with waidan alchemical drugs such as cinnabar, and ultimately eliminated through neidan meditation techniques.

Terminology

[edit]

The Chinese terms sānshī and sānchóng compound sān () meaning "three, 3; several, many" with shī ( or ; "corpse, dead body; ritual personator representing a dead relative during Chinese ancestral sacrifices") and chóng ( or ; "insect; worm; bug").

The usual English translation of sanshi is "three corpses" or "Three Corpses". However, this Daoist term does not literally refer to "corpses; dead bodies" within the human body, but is linguistically causative meaning the eventual "death; mortality" produced by these demonic agents.[1] Compare the English slang verb corpse meaning "to make a corpse of, to kill" (Oxford English Dictionary 2009). More accurate translations of sanshi are "Three Deathbringers",[2] "Three Death-bringers"[3] [cf. the video game Death Bringer], "three corpse-demons",[4] or "three corpse [evils]".[5]

Synonyms for sanshi include fúshī (伏尸; "hidden corpse"), shīchóng (尸虫; "corpse worms"), shīguǐ (尸鬼; "corpse ghosts"), and in reference to the three corpses named Peng (see Baoshengjing below), shīpéng (尸彭; "corpse Pengs") or sānpéng (三彭; "three Pengs"). Sānshīshén (三尸神; "Lord Three Corpses") is an honorific alternate with shen "spirit; god; deity"

Sanchong, which the Lunheng (see below) used to mean "intestinal parasites", is normally translated as "three worms" or "Three Worms"; "Three Cadavers" is another version.[6] Owing to the semantic polysemy of chong, the term is also translatable as "three pests"[7] or "three bugs".[5]

The expressions Three Corpses and Three Worms are used in traditional Chinese medicine. Zhang and Unschuld[8] translate sanchong (三蟲) as "three bugs; three worms" and define two meanings: "Etiological Agent of all microorganisms in the body that bring forth disease", citing Li Shizhen's (1578) Bencao Gangmu (蟲部; chongbu; "bugs/worms section") that, "Bugs/worms are small organisms. There are very many types. This is the meaning of 'three bugs/worms'"; and "Combined Designation of huichong (蛔蟲; "roundworms"), chichong (赤蟲; "red worms"), and naochong (蟯蟲; "pinworms"), citing the (c. 610) Zhubing yuanhou zonglun (諸病源候總論; "General Treatise of Causes and Symptoms of Illnesses"), "The three worms include long worms, red worms, and pinworms". They give sanshi 三尸 "three corpse [bugs/worms]" as an Alternative Name for shichong 屍蟲 "corpse bugs/worms", and define it as the "Etiological Agent of microorganisms that can bring forth all types of shibing 屍病 "corpse [qi] disease", citing the Zhubing yuanhou zonglun again that, "Inside the human body there are from the beginning all the three corpse [bugs/worms]. They come to life together with man, but they are most malicious. They are able to communicate with demons and the numinous, and they regularly invite evil [qi] from outside, thereby causing human suffering".

Demonic possession and demonic medicine are ancient Chinese beliefs.[9] For example, the Bencao gangmu chapter (52) on medicines derived from the human body says "bregma; skull bone" is good for treating tuberculosis-like consumptive diseases that are supposedly caused by evil spirits, such as chuánshī (傳尸), which is translated as "cadaver vector disease",[10] "consumptive and infectious disease",[11] and "corpse [evil] transmission".[5]

Since the Chinese notion of "Three Corpses" within the human body is unfamiliar to most Westerners, meaningful English descriptions are problematic. Scholars have termed them as

  • gods:
    • "transcendental beings";[12]
    • "supernatural beings with physical and ephemeral spirit components";[1]
    • "internal gods";[13]
  • demons:
    • "a sort of demon";[14]
    • "maleficent demons";[15]
    • "malevolent beings in the body";[16]
    • "demonic supernatural creatures";[2]
  • both:
    • "semi-divine, semi-demonic agents".[17]
  • parasites:
    • "biospiritual parasites";[18]
    • "body parasites";[19]
    • "parasites said to live inside the human body".[20]
  • other terms:
    • "factors in the human body".[7]

Daoist internal deities

[edit]

In Daoist physiology, the human body contains many indwellers besides the Three Corpses. Nèishén (内神; "internal spirits/gods") and shēnshén (身神; "body spirits/gods") are Daoist terms for deities inhabiting various parts of the body, including the "the five viscera: heart, liver, spleen, lungs, and kidneys" (五臟; wǔzàng), "the six receptacles: gall bladder, stomach, large intestine, small intestine, triple burner, and bladder" (六腑; liùfǔ), and "the seven apertures in the human head: eyes, ears, nostrils, and mouth" (七竅; qīqiào).

These "body residents"[21] were either health threats or health protectors, and said to engage in constant struggles with one another. The upper, middle, and lower dantian energy-centers contained both the Three Corpses/Worms and the counterpart guardian gods called the sanyi (三一; "Three Ones").[22] When the Three Corpses approach spirits within the body, they can shapeshift, sometimes appearing as evil demons and sometimes taking human form.[23]

The ancient Chinese believed in soul dualism between the hun and po souls: heavenly hún (; "spiritual, ethereal, yang soul") that leaves the body after death and the earthly (; "corporeal, substantive, yin soul") that remains with the corpse of the deceased. In some Daoist traditions, the body was thought to contain three hun and seven po souls. The good hun-souls are clad in red and carry a red seal in their hands, the bad po-souls, "who long for the body to die and therefore perform mischief to try to hasten the adept's demise", are clad in black and carry black seals.[24] Strickmann says the Three Corpses/Worms represent a specialized development of the po-souls' destructive propensities.

But unlike the hun, whose nature (though flighty and inconstant) is entirely benign and whose tendencies are all heavenward, the seven p'o yearn for the earth. Their strongest wish is to rejoin the damp, dank underground springs whose moist, heavy nature they share, and so they seek to undermine and rid themselves of the constraining human body they inhabit. Thus at night, while their host is sleeping (and the airborne hun-souls are sporting and gambling with the hun of other sleepers, thereby causing dreams), the p'o beckon to passing phantoms and disease-demons and invite them in to take possession of the sleeper’s body and work toward his destruction. The very names of the seven p'o-souls suggest their harmful function, and one early list significantly begins with a corpse: corpse-dog, hidden dung, sparrow-sex, greedy-guts, flying venom, filth-for-removal, and rot-lung.[25]

Daoists were fascinated with correlations between the human body and the cosmos. Maspero says, "Man and world, for the Chinese, are absolutely identical, not only as a whole but also in every detail."[26] For examples, the human head is round like heaven, the feet are square like the earth; the Five Viscera correspond to the Five Phases, the 24 vertebra to the 24 solar terms, the 365 acupoints to the 365 days of the year; and the veins and arteries compare to rivers and streams.

Later texts like the Neijing Tu and Xiuzhen Tu depict the "inner landscape" of the human body as a microcosm of the universe, which helps neidan mediators visualize their personal internal spirits. While body gods travel in and out of the body, their prolonged exit may result in sickness or death. Hence, detailed visualizations of the corpse-worms within the meditator's body is a powerful means of keeping them in place and thus promoting health and longevity.[27][28]

Classical descriptions

[edit]

The received canon of Chinese classics first mentioned the Three Corpses and Three Worms in the Han dynasty period (206 BCE – 220 CE). Beginning in the Jin dynasty (266–420), Daoist texts portrayed them in both zoomorphic and bureaucratic metaphors.[29] According to Isabelle,[30] the Three Worms or Corpses are well known by all of the Daoist schools; for instance, they are mentioned in early Shangqing School texts such as the Huangting jing (黃庭經; "Scripture of the Yellow Court") and Dadong zhenjing (大洞真經; "Authentic Scripture of the Great Cavern"). The Three Corpses are among the most widely‑documented body parasites in early and medieval Chinese literature.[31]

Liexian zhuan

[edit]

Liu Xiang's (c. late 1st century BCE) Daoist hagiography Liexian Zhuan "Biographies of Exemplary Immortals"[32] first records the Three Corpses in the biography of Zhu Huang (朱璜). His Daoist master Ruan Qiu (阮丘) expelled the Three Corpses from Zhu Huang by means of a prescription combining seven drugs, administered nine times daily, over a period of a hundred days. It also quotes the Huangtingjing[33] that for genghsen days, "Do not sleep either day or night, and you shall become immortal."

Lunheng

[edit]

Wang Chong's (c. 80 CE) Lunheng[34] compares the sanchong (三蟲; "Three Worms") to zhì (; "leeches") (also written with insect radical generally used for characters naming insects, worms, spiders, and smaller reptiles). Wang censures critics who metaphorically describe corrupt officials as worms or parasites, "Man has three worms in his intestines" (人腹中有三蟲). "The worms living in low marshes are called leeches. They eat man’s feet, as the three worms eat his bowels" (蛭食人足,三蟲食腸). To whom will these critics, so fond of similarities, compare the three worms?" In another Lunheng section,[35] Wang Chong mentions ancient exorcisms of "flying corpses and floating goblins" (飛尸流凶).

Baopuzi

[edit]

The "Inner Chapters" of the (c. 320 CE) Baopuzi, written by the Jin Dynasty Daoist scholar Ge Hong, is the earliest source of detailed information about the Three Corpses. This text describes the sanshi parasites causing illnesses during unlucky times in the Chinese calendar and reporting sins on gengshen days, as well as gives several methods for preparing poisonous waidan alchemical elixirs to eliminate the Three Corpses.

The Baopuzi records how the Three Corpses and Zaoshen (竈神; "God of the Stove") make regular reports to Siming (司命; "Director of Destinies"), who shortens the host's lifespan accordingly. Answering a question about the importance of jìnjì (禁忌; "taboo"), Ge Hong cites three apocryphal Han texts, the Yineijie (易內戒; "Inner Commands of the Book of Changes"), Chisongzijing (赤鬆子經; "Classic of Master Redpine"), and Hetu jimingfu (河圖記命符; "River Chart Life Talisman"), which is attributed to the Han Daoist Lezichang 樂子長.

Taboos are most urgent for avoiding harm and losses. Inner Commands of the Book of Changes, Ch'ih-sung tzu's Classic, and The Life-dealing Amulets of the Ho-t'u-chi are unanimous in saying that the gods of heaven and earth who are in charge of misdeeds make deductions from people's three-day reckonings according to the degree of their wrongdoing. As these reckonings decrease, a man becomes poorer and falls ill; frequently he suffers anxiety. When no more are left, he dies. Since there are hundreds of things that may give rise to deductions, I cannot give a complete account. It is also said that there are Three Corpses [三尸] in our bodies, which, though not corporeal, actually are of a type with our inner, ethereal breaths, the powers, the ghosts, and the gods [魂靈鬼神之屬也]. They want us to die prematurely. (After death they become a man's ghost and move about at will to where sacrifices and libations are being offered.) Therefore, every fifty-seventh day of the sixty-day cycle they mount to heaven and personally report our misdeeds to the Director of Fates. Further, during the night of the last day of the month the hearth god also ascends to heaven and makes an oral report of a man's wrongs. For the more important misdeeds [; ji; "12 year period; discipline; mark"] a whole period of three hundred days is deducted. For the minor ones they deduct one reckoning [; suan; "calculate; count"], a reckoning being three days. Personally, I have not yet been able to determine whether this is really so or not, but that is because the ways of heaven are obscure, and ghosts and gods are hard to understand. (6)[36]

Compare Campany's translation, "As for the sort of beings they are, they have no physical forms but are nevertheless real, of a type with our cloud-souls and numina, ghosts and spirits (魂靈鬼神; hunling guishen)".[37] Among present-day Quanzhen School Daoists in Chengdu, Arthur says they remain awake in meditation all night on each new moon to effectively hinder the Three Worms' damning travels.[38] "The idea here is that if adepts successfully hinder the Deathbringers' travels for seven consecutive gengshen nights, the Director of Destiny will fire these supernatural entities from their appointed positions, and they will die."

Another germane Baopuzi passage explains how the Three Corpses take advantage of shuaiyue weiri (衰月危日; "months of weakness and days of peril"), which is a technical term for cyclical times of special vulnerability.[39] Ge Hong says even someone with xindao zhi xin (信道之心; "a heart believing in the Dao") must expel the Three Corpses.

If all you have is a heart faithful to God and yet do nothing for your own benefit – your predestined life span being defective and your body threatened with harm – the Three Corpses will take advantage of your weak months and perilous days [三尸因其衰月危日], the hours when your longevity could be interrupted or sickness incurred, to summon vicious breaths and bring in any demons they might be able to find to do you injury. (15)[40]

The Baopuzi uses sanchong (三蟲; "Three Worms") to mean sanshi (三尸; "Three Corpses"), and mentions both jiuchong (九蟲; "Nine Worms") (or "Nine Vermin"),[13] internal parasites, and the all-encompassing sanshi jiuchong "Three Corpses and Nine Worms".

Sanchong "Three Worms" synonymously means "Three Corpses", and the Baopuzi says both can be expelled through cinnabar-based alchemical elixirs. The first method of Xianmenzi (羡門子) expels the corpse-worms, provides immortality, and exorcises ghosts.

... mixes three quarts of wine with a pound of cinnabar and exposes it to the sun for forty days. After it has been taken for one day the Three Worms and all illnesses are immediately purged from the patient [三蟲百病立下]. If taken for three years, it will confer geniehood and one is sure to be served by two fairies, who can be employed to summon the Traveling Canteen. This elixir can exorcize ghosts. When the unburied dead everywhere are possessing people and harming them, inflicting injuries upon our homes, and throwing up earthworks to obstruct people, no harm will come to us if this elixir is hung pointed toward the sources of disaster. (4)[41]

The second method of Wu Chengzi (務成子) expels the Three Worms, works miracles, and provides virtual immortality. The complex instructions involve melting mercury and lead in a special crucible – made from heating realgar, earthworm excreta, and cinnabar inside iron and copper tubes – in order to produce 1500 pounds of gold.

After soaking for a hundred days in Vitex or red panicled millet wine, this gold softens sufficiently to be miscible with other things. If one pill of it the size of a gram is taken three times daily until one pound has been consumed, the Three Worms will cry for mercy and all illnesses will quit the body [三蟲伏尸百病皆去]. The blind will see; the deaf, hear; the aged will become like thirty; those entering fire will not be burned; all evils, all poisons, cold, wind, heat, and dampness—none of these will be able to attack such a man. If he continues the dosage until three pounds have been consumed, he will be able to walk on rivers and all the gods of the mountains and streams will come to serve and protect him. His lot of longevity will last as long as all nature. (16)[42]

Jiuchong "Nine Worms" broadly means "internal worms and parasites" in the Baopuzi, for instance, (5),[43] "Eulalia and male fern are vermifuges" [萑蘆貫衆之煞九蟲]. Ge Hong says that medicinal lacquer, instead of mercury, will eliminate the Nine Worms.

If pure, unadulterated lacquer is taken, it will put a man in communication with the gods and let him enjoy Fullness of Life. Directions: Mix it with ten pieces of crab. Take it with mica water, or mixed with jade water. The Nine Insects will then drop from you, and the bad blood will leave you through nose-bleeds [九蟲悉下惡血從鼻去]. After a year, the six-chia gods and the Traveling Canteen will come to you. (11)[44]

Sanshi jiuchong "Three Corpses and Nine Worms" is a generic name for "bodily parasites". They can be eliminated with an elixir called shendan (神丹; "Divine Cinnabar") or shenfu (神符; "Divine Amulet").

Take it for one hundred days and you will be a genie. To cross streams or pass through fire, smear the soles of your feet with it and you will be able to walk on water. After taking only three spatulas of it you will see that the Three Corpses and the Nine Worms in your body will disappear, and all your illnesses will be cured [三尸九虫皆即消壞百病皆愈也]. (4)[45]

Cinnabar, the reddish ore of mercury, is the essential ingredient in many Daoist magical elixirs that expel corpse-worms, most of which (including those above attributed to Xianmenzi, Wu Chengzi, and Shendan) are also said to cure bǎibìng (百病). Ge Hong gives the Recipe for Nibbling Melted Gold attributed to Liangyizi 兩儀子 (4),[46] which involves alternately dipping gold 100 times into boiling hog fat and vinegar, and concludes, "If you wish to take medicine that will banish [the Three Corpses] from your body, you must take cinnabar." For example, the xiaodan (小丹; "Lesser Elixir"),

Take one pound of cinnabar, pestled and sifted, three quarts of strong vinegar, and two quarts of lacquer. Mix these three thoroughly, and cook over a slow fire until the compound can be shaped into pills. Take three, the size of a hempseed, twice daily for thirty days, and all abdominal illnesses will be cured, and the Three Corpses that are in your body will depart [腹中百病愈三尸去]. Take for one hundred days, and your flesh and bones will become strong and sturdy. Take for one thousand days, and the Governor of Fates will strike your name from the Book of Death; you will last as long as all nature, and the sun and moon will always shine on you. You can change shape continuously. You will cast no shadow in the sun, for you will radiate your own light. (4)[47]

Lastly, a Baopuzi discussion about avoiding illnesses uses what commentators gloss as a variant name for the sanshi Three Corpses: sānshǐ (三使; "Three Envoys [of Death]"), with shǐ ("send (an envoy); make; cause").

The minor elixirs for recalling a man's ethereal breaths, the pills for countering the three Messenger-corpses [召魂小丹三使之丸], and lesser medicines made from the Five Brilliances and the Eight Minerals will sometimes melt hard ice instantly or keep one afloat in water. They can intercept ghosts and gods, lay tigers and leopards, and disperse accumulations in the digestive system and our organs. They dislodge the two lackeys of illness from the heart region and the diaphragm (Tso, Ch'eng 10.5); they raise those who have just died; return frightened ethereal breaths to the body they had quit. All these are common, everyday medicines. And, if they can still restore the dead to life, why should the superior medicines not be able to make the living immortal? (5)[48]

This refers to the Zuozhuan[49] recording that after Duke Jing of Jin dreamed about being cursed with two boyish disease-demons hiding in his body, he fell into a latrine and died in 581 BCE.

Shenxian zhuan

[edit]

Ge Hong's (c. 3rd–4th century) Shenxian zhuan Daoist hagiography of Liu Gen 劉根 quotes instructions passed from legendary Qin dynasty xian Han Zhong 韓眾, which explain how the Three Corpses can cause nightmares.

If you desire long life, the first thing you must do is to expel the three corpses. Once the three corpses are expelled, you must fix your aim and your thought, eliminating sensual desires. I [Liu Gen] then received [from Han Zhong the scripture] Divine Methods in Five Sections (Shenfang wupian 神方五篇) [for this purpose]. It says: "The ambushing corpses always ascend to Heaven to report on people's sins on the first, fifteenth, and last days of each month. The Director of Allotted Life Spans (Siming 司命) deducts from people's accounts and shortens their life spans accordingly. The gods within people's bodies want to make people live, but the corpses want to make them die. When people die, their gods disperse; the corpses, once in this bodiless state, become ghosts, and when people sacrifice to [the dead] these ghosts obtain the offering foods. This is why the corpses want people to die. When you dream of fighting with an evil person, this is [caused by] the corpses and the gods at war [inside you]." So I followed his [or the scripture's?] instructions, synthesized [the elixir] and ingested it, and thereby attained transcendence.[50]

The (c. 1029) Yunji Qiqian Daoist anthology[51] also describes internal gods and the Three Corpses fighting within the human body, "When in dreams one finds oneself fighting with wicked men, this is the Corpses struggling with the Spirits."

Nightmares were also a significant side-effect of expelling the Three Corpses through bigu fasting and poisonous elixirs.

The corpse-demons may manifest themselves in the ascetic’s dreams in the guise of three men garbed in rather old-fashioned costumes. As the program of anti-corpse treatment gets underway and the drugs begin to take effect, the adept will dream that his father or mother has died, or that his wife and children have been murdered. Or else the victims will be his sisters or brothers, or a woman, or he will dream that a grave has been destroyed and the coffin has vanished, or else that he is undergoing the five types of mutilating punishment. All these are said to be indications that the corpse-demons are about to be destroyed.[52]

Zhouhou beiji fang

[edit]

The Zhouhou beiji fang (肘后备急方; "Handbook of Prescriptions for Emergencies"), which is also attributed to Ge Hong but contains later emendations, lists the wǔshī (五尸; "Five Corpses")—external corpse-demons that enter the body at the invitation of the Three Corpses.

  • The fēishī (飛尸; "flying corpse"), which "roam about a person’s skin and bore through to his inner organs. Their action is manifested in intermittent stabbing pains."
  • The dùnshī (遁尸; "reclusive corpse"), which "attaches itself to your bones and so enters your flesh from within. It then burrows into the veins and arteries of your blood; its symptoms break out when it beholds a funeral or hears the sound of wailing."
  • The fēngshī (風尸; "wind corpse"), which "course exuberantly through all four limbs until you are unable to say where exactly the pain is situated. They lead to dizziness and loss of consciousness, and their outbreaks are provoked by wind and snow."
  • The chénshī (沉尸; "sinking corpse"), which "enwraps the vital organs and strikes against the heart and ribs, causing a knotting, slicing sensation there; this happens whenever it encounters cold."
  • The shīzhù (尸疰; "corpse-infusion" or "corpse-infestation"), which "is the dire culmination of the series. The victim feels that his entire body is sunken and weighted down, his vital spirits are in confusion, he is constantly oppressed by feelings of dullness and exhaustion, and the vital breaths are shifting and changing in his body’s every joint." (1).[53]

Ziyang zhenren neizhuan

[edit]

The (4th century CE) Ziyang zhenren neizhuan (紫陽真人內傳; "Inner Biography of the True Person of Purple Yang") described the appearance of the Three Corpses and how to eliminate them. Ziyang zhenren is the honorific name of the legendary Daoist xian Zhou Yishan (周義山, b. 80 BCE), who supposedly bestowed the Shangqing revelations on Yang Xi (楊羲, 330-c. 386). According to Zhou's biography, he learned alchemical and dietetic recipes to expel the Three Corpses from his master Su Lin (素林), who had learned them from his masters Qin Gao (琴高) and Qiusheng (生仇).

  • Qīnggǔ (青古; "Old Blue") dwells in the Muddy Pellet Palace within the Upper Dantian, "It is he who makes men blind, or deaf, or bald, who makes the teeth fall out, who stops up the nose and gives bad breath."
  • Bái gū (白姑; "White Maiden") dwells in the Crimson Palace within the Middle Field, "She causes palpitations of the heart, asthma, and melancholy."
  • Xuè shī (血尸; "Bloody Corpse") dwells in the Lower Dantian, "It is through him that the intestines are painfully twisted, that the bones are dried out, that the skin withers, that the limbs have rheumatisms..."[54]

This Shangqing text records a widely quoted recipe, attributed to Zhou Yishan, for killing the Three Worms/Corpses. It combines 7 drugs: 7/10 of a bushel of hemp-seeds, 7 ounces of Smilax, 6 ounces of Rehmannia glutinosa, 5 ounces of aconite, 5 ounces of cloud-shaped agaric mushrooms, 4 ounces of cinnamon, and a 7-inch long Zanthoxylum root. Then, one boils a root of Acorus calamus in 1 1/2 bushels of wine to produce pure essential liquor.

Soak the seven drugs in this, then decant the mixture into a vase; but that will still not do. After leaving the drugs to macerate for three nights, take them out and put them in the sun to dry out. (Then) again take the aforesaid liquor and steep (the seven drugs) in it for three nights. Once more draw off (the wine) from them and put them in the sun (and continue this alternative steeping in the wine and drying them) until the wine is exhausted; then stop putting them out to dry. Pound them in an iron mortar and put them through a fine sieve to reduce them to powder. Then take white honey and mix the powder with it for making pills. In the morning, facing East, roll two pills the size of a small pea; then increase this by one pill (each day) to ten or more. This regimen cures third-degree fever within the belly, it truly makes the breath rise up in such a way that the heart and breast are freed of all obstruction, coagulates the flesh and skin, makes the body light and produces a halo around it. When a whole dose has been taken, the cereal Worms die; when the Worms are dead the Corpses dry out; when they are dry, they drop down by themselves. This has to be done several times, not restricting oneself to a single dose.[55]

Taishang Lingbao wufuxu

[edit]
Illustration of hújiāo (胡椒; "Piper nigrum, black pepper") and fúlíng (茯苓; "Wolfiporia extensa, China-root fungus"), from Michael Boym's (1656) Flora Sinensis.

The (c. 400 CE) Taishang Lingbao wufuxu (太上靈寶五符序; "Explanations of the Five Numinous Treasure Talismans") or Wufuxu, compiled by the Lingbao School founder Ge Chaofu, describes various techniques for expelling the Three Corpses/Worms.

The Wufuxu uses both sanchong "Three Worms" and fushi "Concealed Corpses" as interchangeable names for the malevolent beings residing in the human body, interpreted as either the reconciliation of regional varieties of Chinese names or the conflation of common names with religious terms. Among the 11 Wufuxu recipes for expelling corpse-worms, 6 mention sanchong fushi (三蟲伏尸) integrating two previously separate names for similar ideas, which allows the text to address both readers familiar with the Three Worms concept as well as those who knew of the Concealed, or Three, Corpses.[29] "The Immortal's Method for Expelling the Three Worms and Concealed Corpses"[56] explicates the worm/corpse synonymy: "[T]he Concealed Corpses which live in people's abdomens limit the powers of medicines. [ ... ] This is all caused by the Three Worms. [ ... ] Simple commoners laugh at these things; therefore after people die they become 'Corpse' bones. This is the nickname of the Three Worms."

Among Wufuxu prescriptions for eliminating the Three Worms/Corpses, the primary anthelmintic herbs are:[57] shānglù (商陸; "Phytolacca rivinoides, pokeweed") root, tiānméndōng (天門冬; "Asparagus cochinchinensis, asparagus") root, huángjīng (黄精; "Polygonatum sibiricum, Solomon's seal"), and fúlíng (茯苓; "Wolfiporia extensa, China-root fungus") (often misidentified as Smilax glabra, sarsaparilla"). Pokeweed—which the Wufuxu says is effective alone or in combination with other medicinal herbs—is poisonous for humans, with the highest toxicity in the roots, yet it has been used in folk medicine as a purgative, emetic, diuretic, and hunger suppressant. Pokeweed root, asparagus root, and Solomon's seal all contain chemical compounds called saponins, which are poisons that irritate the gastric mucosa and thus can dislodge any intestinal parasites.[58]

"The Immortal's Method for Expelling the Three Worms and Concealed Corpses" (mentioned above) claims taking pokeweed root pills will make the Three Worms decompose and come out in the host's feces. The instructions say to mix pokeweed, China-root fungus, alcohol, wheat flour, and yeast, and to seal this in an earthenware jar for 20 days. Once fermented, the adept mixes this with boiled beans in order to make large pills the size of chicken egg yolks.

Daily ingest three pills for thirty days in order to expel [the Three Worms] and to gain a few benefits. The Upper Deathbringer [takes] one hundred days. The Middle Deathbringer [takes] sixty days. The Lower Deathbringer [takes] thirty days. [As they leave,] rotten smells will emerge: the Upper Deathbringer will smell like animal hair, the Middle Deathbringer will smell like feet, and the Lower Deathbringer will smell like a [rotten] chicken egg. The Upper Deathbringer will be black, the Middle Deathbringer will be dark blue-green (qing ), and the Lower Deathbringer will be white.[59]

The context[60] concludes that once the Three Worms are removed, the adept "never again feels hungry nor thirsty, and his heart is calm and free of thoughts".

The Taishang Lingbao wufuxu[61] cites Ge Hong that his great-uncle Ge Xuan transmitted a recipe containing Solomon's-seal, and said that "all the various ways to cultivate long life must begin with expelling the Three Worms and flushing out the Concealed Corpses".

While most Wufuxu methods for expelling the Three Worms involve anthelmintic herbs, a few do not. For instance, a recipe attributed to the Han Daoist Lezichang 樂子長[62] says, "Pluck peach leaves on the third day of the third month; crush them to extract seven pints of juice. Then mix in liquor and heat it five or six times. Take it before meals and the three worms will be driven out." One anomalous Wufuxu method does not mention either medicinal herbs or diet. "The Recipe of Master Redpine"[63] says, "When you cut the nails of your hands and feet on the sixteenth day of the seventh month, you can drive out the three worms from your intestines." Arthur reasons that cutting one's nails for cleanliness might help a person to avoid future parasite infestations but not existing ones, perhaps Master Redpine was referring to the Ghost Festival that is held on the full moon of the seventh lunar month.[64]

Hou Hanshu

[edit]

The (c. 445) Hou Hanshu "Book of the Later Han" (6–189 CE) mentions removing the Three Worms twice in the Biographies of Fangshi section (82B). The biography of the acupuncturist A Shan 阿善 says he lived to an age of over 100 years using the method of Hua Tuo 華佗, a famous physician who introduced surgical anesthesia, to remove the Three Worms. This prescription uses green leaves from a lacquer tree, which taken continuously will remove the Three Worms, benefit the internal organs, lighten the body, and prevent hair from turning white [言久服去三蟲利五藏輕體使人頭不白].

The biography of Fei Changfang 費長房 tells how he met the Daoist xian Xie Yuanyi 謝元一 who offered to teach him the Way.

Fei Changfang then followed the old man deep into the mountains. Penetrating into dense underbrush, they found themselves in the midst of a group of tigers, and the old man left Fei alone there, but he was not afraid. Then they reclined in a chamber in which a thousand-catty stone hung by a single length of old twine directly over Fei's heart. A mass of snakes appeared and gnawed on the twine till it was about to be severed, but Fei did not budge. The old man then returned, patted him and said "You're teachable!" Then the old man directed him to eat a pile of terribly foul-smelling excrement full of the three worms in it [糞中有三蟲], but Fei thought it too despicable. The old man then said, "You almost attained the Way, but unfortunately you have failed to complete it at this point. What a pity!" (82)[65]

Zhen'gao

[edit]

The (c. 499) Zhen'gao (真誥; "Declarations of the Perfected") is a collection of Shangqing materials edited by Tao Hongjing (456–536) as part of the Shangqing canon, based upon the notes of Yang Xi 楊羲 (330–386) and his patrons Xu Mai 許邁 (300–348) and Xu Mi 許謐 (303–376).

Nü xianren Liu Gang qi koujue (女仙人劉綱妻口訣; "The Oral Lesson of the Female Immortal, the wife of Liu Gang") explains how the Three Corpses in the bodies of men and women lust and mingle with each other, regardless of their conscious intentions.

Those who seek immortality must not associate with women. On the ninth day of the third month, the second day of the sixth month, the sixth day of the ninth month, and the third day of the twelfth month, [they] should remain in their rooms and make sure not to look at women. If the Six Corpses (the Three Corpses of the adept himself and of the woman that he looks at?) cause chaos, the blood in your viscera will be disturbed and aroused, your three hun souls will be unguarded. Your spirit will weaken and your qi will leave. All of these [factors] will accumulate, and bring about death. As for why you avoid [women] on these days, it is not only to block off lasciviousness. It is [also] to pacify the female palaces. The female palaces are in the shen and the male palaces are in the yin. Yin and shen punish each other. Both execute each other. On these days the Three Corpses of men and women come out from the pupils of the eyes. Female Corpses beckon the male, and male Corpses beckon the female. Misfortune and harm pass back and forth, making the spirit perish and thus blemishing your rectitude. Even if a person does not notice it, his body is exposed and has already been harmed because the Three Corpses fight within the eyes, while blood is shed within the Niwan (a compartment in the brain). On these days, even if it is a girl who you are extremely fond of, or a wife of a close friend, you absolutely must not look them face to face. My predecessor and teacher became an Immortal by simply practicing this method. The [prescription] does not apply to [your] closest of relatives to whom you have no thoughts [of sexual attraction].[66]

Chu sanshi jiuchong baoshengjing

[edit]

The (c. 9th century) Chu sanshi jiuchong baoshengjing (除三尸九蟲保生經; "Scripture on Expelling the Three Corpses and Nine Worms to Protect Life") contains illustrations and comprehensive discussions of the various corpse-worms, and gives methods for expelling them from the body. The text likely originated in the Sichuan region, and its original illustrations were attributed to a student of the famous Tang doctor Sun Simiao (581–682 CE).[67]

The Baoshengjing gives the Chinese names of the death-hastening Three Corpse brothers, who share the Peng (surname) "sound of a drum; strength"—compare the God of Longevity named Peng Zu 彭祖.

  • The Upper Corpse, Péng Jū 彭琚 [...] lives in the upper part of the head and attacks people's Niwan Dantian 泥丸丹田 [the upper energy locus in the center of the head where Daoists claim many of the corporeal deities reside]. It makes peoples' heads heavy, eyes blur with cold tears, noses fill with green mucus, ears deaf, teeth fall out, [...] and faces wrinkle. It causes good people, wealthy people, and rebellious people all to be regarded as evil and dirty.
  • The Middle Corpse, Péng Zhì 彭瓚 [...] is good at corrupting the five flavors, and it desires the five colors. It resides in the heart and stomach. It attacks the Red Palace [the middle energy locus at the level of the heart] and burns the inside. It causes peoples' hearts to be confused and always forgetful. With very little supportive qi, [people] become exhausted and subsequently fall over, see wild things, become depressed, and become dehydrated. It will make the mouth dry and the eyes white [indicating cataracts and blindness], and it will chisel at peoples' teeth. Day and night it tries to subdue and destroy its host. All of one's organs will become diseased.
  • The Lower Corpse, Péng Jiǎo 彭矯 [...] lives in peoples' stomachs and legs. It attacks peoples' lower extremities and injures and disperses the Ocean of Qi (氣海) [the lower energy storage field located three finger-widths below the navel]. It causes people to develop the hundred illnesses, to begin thinking injurious and rebellious thoughts, to desire women, to be daring and zealous, to become addicted to lust, to be offensive, to wantonly destroy things, and to be unable to control themselves.[68]

This text's woodblock illustrations depict the Upper Corpse as a male scholar or corrupt court official, the Middle as a short quadruped resembling a Chinese guardian lion, and the Lower Corpse as "a monster that looks like a horse's leg with a horned human head"[69][70]

The text differentiates the mythological Three Corpses from the intestinal jiǔchóng (九蟲; "Nine Worms"), which seem to be based on observations of harmful parasites such as roundworms or tapeworms.[71] The text explains that the Nine Worms are the physical counterparts of and acting agents for the Three Corpses.[72] They are:

  • "The ambush worm" (伏蟲; fuchong) saps people's strength by feeding off their essence and blood.
  • "The coiling worm [now meaning "roundworm"]" (蛔蟲; huichong) infests the body in pairs of male and female that live above and below the heart, consuming their host's blood.
  • "The inch-long white worm" (寸白蟲; cun baichong) chews into the stomach, weakening the inner organs and damaging the digestive tract.
  • "The flesh worm" (肉蟲; rouchong) causes itching and weakens the sinews and back.
  • "The lung worm" (肺蟲; feichong) causes coughing, phlegm buildup, and difficulty in breathing.
  • "The stomach worm" (胃蟲; weichong) consumes food from its host's stomach, causing hunger.
  • "The obstructing [or "diaphragm"] worm" (膈蟲; gechong) dulls the senses, induces drowsiness, and causes nightmares.
  • "The red worm" (赤蟲; chichong) causes stagnation of the blood and pneuma, heaviness in the waist, and ringing in the ears.
  • "The wriggling worm" (蹺蟲; qiaochong) causes itching sores on the skin and tooth decay.[73]

The Baoshengjing describes the sanhun (三魂; "Three hun-souls") in the human body and how to meditate on them.

The three spirit souls are located beneath the liver. They look like human beings and wear green robes with yellow inner garments. Every month on the third, thirteenth, and twenty-third, they leave the body at night to go wandering about. At this time, lie down with your feet up, your head supported by a pillow, and your legs stretched out straight. Fold your hands over your heart, close your eyes, and hold your breath. Clap your teeth three times. Now visualize a red energy in your heart about the size of an egg. It emerges from the heart and rises into the throat, from where it spreads a wondrous radiance that envelopes your entire body to grow into a glowing fire all around it. You should feel the body getting quite warm. At that point, call out their names: "Spirit Guidance—come to succor me! Inner Radiance—come to nurture me! Dark Essence—come to protect my life! Swiftly, swiftly, in accordance with the statutes and ordinances!" (1, 7)[74]

The text also describes countless weichong (微蟲; "micro organic worms"), which resemble caizi (菜子; "vegetable seeds"), residing on the surface of the body.[75]

Zhonghuang jing

[edit]

The (9th century) Quanzhen School text Zhonghuang jing (中皇經; "Classic of the Yellow Center") describes how an arduous bigu fasting regimen can result in weakness, loss of weight, yellowish complexion, and problems with the Three Worms.

When the adept first begins to fast, the air he swallows does not penetrate sufficiently, and he is constantly subjected to the mischief of the Three Worms. This causes frequent moods of depression and anxiety. He also becomes easily tempted to indulge in sensual or culinary pleasures. He must therefore make a constant effort to resist and overcome these woes and temptations. Quoting a certain Taishang shengxuan jing, the commentary explains that the fast is a process during which the Three Worms are successively exterminated; the Upper Worm dies after thirty days, the Middle Worm dies after sixty days, and the Lower Worm dies after ninety days. After 100 days, the adept's body becomes healthy and strong, and his mind becomes "pure." He is no longer in danger of falling prey to his desires. When this stage is reached, the adept can see the "Five Sprouts," or the qi of his five viscera, which also are described as the "proper qi of the five agents."[76]

Origins

[edit]

Scholars are unclear as to when the Three Corpse-Worms concept was first developed, and the best estimates are during the Western Han dynasty (206 BCE – 9 CE).

Arthur outlines the historical changes from the Three Worms as intestinal parasites to the Three Corpses as sin-reporting officials in the celestial bureaucracy.[77] In one of the earliest discussions, the (1st century CE) Lunheng envisioned the Three Worms as actual parasites that gnaw through the human intestines in the way that leeches gnaw through the feet. Later 3rd and 4th century Daoist texts such as the Baopuzi renamed the Three Worms as the Three Corpses, developed ideas about religious characteristics of these parasites, and retooled them into "supernatural beings with physical and ephemeral spirit components that are capable of exerting directed efforts to hasten the body's death."

Converging evidence from textual records and parasite physiology support the hypothesis that the Three Worms/Corpses concept originated over 2000 years ago.

Toshiaki Yamada[78] suggests that the Three Worms originated during the 1st–2nd century BCE early Han period. Both the Baopuzi and Wufuxu cite worm-expelling techniques from apocryphal Han texts associated with Chisongzi "Master Redpine" and Lezichang. These two semi-historical Daoist masters are frequently mentioned in connection with Emperor Wu of Han (r. 141–87 BCE), who wanted to become a Daoist immortal and employed numerous Taoist priests 道士; "Daoist priest; fortune teller; diviner" and fangshi (方士; "alchemist; exorcist; doctor; magician").

Some scholars hypothesize that the Three Worms may have originated from the observation of parasites in human excrement. Campany interprets the Hou Hanshu story about Master Xie Yuanyi telling Fei Changfang that he would never become a xian-immortal because he refused to eat "terribly foul-smelling excrement full of the three worms", figuratively denoting the prerequisite of expelling the Three Worms from his body.[79] Arthur observes that, "Likely evidence for these worms was plentiful in people's feces, especially those of starving people, because many intestinal worms will evacuate the digestive system if they are not able to ingest enough sustenance. Otherwise, when intestinal parasites grow large, portions of them will break off and be evacuated with the feces, thus providing additional tangible evidence of their existence."[80]

Japanese Kōshin

[edit]

The Japanese folk tradition of Kōshin (namely, the Sino-Japanese pronunciation of gengshen 庚申 "57th of the 60-day cycle") combines the Daoist Three Corpses with Shintō and Buddhist beliefs, including the Three Wise Monkeys. People attend Kōshin-Machi 庚申待 "57th Day Waiting" events to stay awake all night and prevent the Sanshi 三尸 "Three Corpses" from leaving the body and reporting misdeeds to heaven.

See also

[edit]

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The Three Corpses (sānshī 三尸 in Chinese) are demonic parasites central to Daoist physiological and cosmological beliefs, residing within the human body—in the head, chest, and legs—where they feed on grains, incite moral failings, and periodically report the host's sins to heavenly authorities, thereby hastening death and illness. Originating in early medieval Daoist texts, the Three Corpses represent internal forces of corruption that undermine vitality and longevity, often depicted alongside related entities like the Nine Worms (jiǔchóng 九蟲). These parasites enter the body at birth and thrive on cereal consumption, symbolizing the tension between human frailty and the pursuit of immortality through alignment with the Dao. Daoist practices to combat the Three Corpses emphasize purification and asceticism, including grain avoidance (bigu 辟穀) to starve them, meditative visualization to expel them, and alchemical elixirs believed to destroy them entirely. Such rituals, documented in scriptures like the , underscore the tradition's view of the body as a microcosm vulnerable to demonic influence, where eliminating these entities enables extended life and spiritual transcendence. The concept also intersects with broader Daoist , influencing dietary regimens and immortality cults from the onward.

Terminology and Concepts

Terminology

In Daoist tradition, the concept of the Three Corpses is denoted primarily by the terms sanshi (三尸, "three corpses") and sanchong (三蟲, "three worms"), which appear interchangeably throughout classical texts to refer to malevolent internal entities. The term sanshi evokes images of or ghostly presences within the body, while sanchong suggests parasitic worms akin to those described in ancient . This synonymy underscores the overlapping conceptual frameworks in early Daoist cosmology, where both terms capture the idea of insidious agents that undermine vitality and . The individual entities are assigned specific names that vary by source, reflecting regional or textual traditions. The upper corpse is commonly called Pengju (彭踽), the middle one Qitou (氣憂) or Pengzi (彭質), and the lower one Liufu (離肺) or (蠃山). These designations, often appearing as the "three Peng" in aggregate, personalize the entities and align them with hierarchical body divisions in Daoist physiology. Etymologically, sanshi relates to ancient Chinese beliefs in death-associated impurities, while sanchong derives from medical views of intestinal parasites (chong), symbolizing literal and metaphorical corruptions within the body. This dual bridges Daoist esotericism with broader Chinese folk and medical lore on bodily impurities. The terminology evolves from its earliest attestations in the Liexian zhuan (ca. 2nd century CE), where sanshi first denotes entities to be expelled for transcendence, to more systematized usage in Lingbao scriptures (ca. 5th century CE), which integrate sanchong into ritual and cosmological frameworks. This shift marks a consolidation of the terms within scriptural Daoism, emphasizing their role in spiritual purification.

Nature of the Three Corpses

In Daoist cosmology, the Three Corpses (sanshi) are conceptualized as malevolent, invisible spirit-like entities that inhabit the from birth, functioning as demonic parasites or internal demons intent on hastening the host's demise. These beings are often depicted as worm-like in form, residing in the three — the upper in the head or brain, the middle in the heart or chest, and the lower in the —where they disrupt the flow of (vital energy) and feed upon the host's essence (jing) and vitality, thereby inducing physical decay, illness, and premature aging. As agents of chaos within the Daoist worldview, they actively undermine the pursuit of by inciting excessive emotions, encouraging moral vices such as and , and weakening the body's overall energetic harmony, which explains the natural processes of human deterioration and mortality. A key behavioral aspect of the Three Corpses involves their periodic ascension to the heavens, where they report the host's s and transgressions to celestial authorities, such as the Ruler of Destiny or the Department of Destiny, resulting in divine punishments that further shorten lifespan—typically deducting 300 days for major offenses or 3 days for minor ones. This reporting occurs cyclically every 60 days on the gengshen (庚申) day, the 57th day in the , or continuously until a ledger is full. By maintaining records of the individual's speech, actions, and ethical lapses, these entities serve as underlings in a bureaucratic celestial system, perpetuating a cycle of vice and retribution that binds humans to mortality unless countered through spiritual cultivation. Depictions of the Three Corpses vary across Daoist texts, sometimes portraying them as mere parasitic worms (sanchong) lacking agency beyond consumption and reporting, while in other accounts they appear as ghostly (guǐ) figures or semi-divine bureaucrats with intentional malice and autonomy, capable of influencing thoughts and behaviors to ensure their own survival post-host death. This duality underscores their role not just as biological afflictions but as cosmological forces embodying the tension between chaos and order in the quest for transcendence, distinct from benign internal deities by their inherent opposition to the refinement of and essence.

Daoist Internal Deities

Role in Physiology

In Daoist physiology, the is conceptualized as a microcosm of the , where vital energies such as (vital energy) and jing (essence) circulate through key centers known as the three : the upper in the head, the middle in the chest, and the lower in the abdomen. The Three Corpses (sanshi), malevolent parasitic entities residing in these regions, disrupt this harmonious flow by causing blockages and dispersal of , while depleting jing and leading to systemic imbalances that manifest as various diseases and accelerate physical decay. This interference undermines the body's innate potential for self-regulation and , positioning the Corpses as primary obstacles in the pursuit of and extended life. The upper corpse, known in some texts as Pengju (彭踞), located in the head (corresponding to the upper dantian or Niwan Palace), impairs mental clarity by clouding the mind, inducing confusion, and causing headaches, blurred vision, and head winds that hinder focused thought and spiritual awareness. The middle corpse, situated in the chest (aligned with the middle dantian and heart region), affects emotional stability by generating agitation, sadness, and a sense of fullness, while disrupting heart function and provoking nightmares that disturb the cinnabar heart's equilibrium. The lower corpse, known in some texts as Li Piao (蠡剝), dwelling in the lower body, often the abdomen or legs (tied to the lower dantian or elixir field), governs digestive and reproductive processes but causes indigestion, stomach qi blockages, essence depletion, and sexual exhaustion, resulting in broader systemic weakening and reproductive health issues. Collectively, these effects illustrate how the Corpses target the body's core energetic hubs, transforming potential vitality into sources of affliction. In the broader Daoist framework, the Three Corpses embody the inherent tension between mortality and , as their presence ensures eventual by hastening aging and inviting illness, while their purification represents a foundational step toward achieving (immortal transcendence). Within the historical context of internal (), developed from early medieval texts onward, these entities are viewed as physiological blockages that must be cleared through meditative refinement to restore the unimpeded circulation of and jing, thereby enabling the alchemical transformation of the body into an immortal form. This process underscores the Corpses' role not merely as pathogens but as symbolic barriers to the body's divinization.

Relation to Other Internal Entities

In Daoist cosmology, the serves as a microcosm housing a diverse internal pantheon of deities and spirits, where the Three Corpses (sanshi) occupy a uniquely adversarial position among predominantly benevolent entities. The body's inner landscape includes protective deities such as the Five Organs Gods (wuzang shen), who reside in the heart, lungs, liver, , and kidneys, overseeing physiological functions like circulation, respiration, and digestion to promote health and longevity. Similarly, the Three Ones (sanyi) represent deified unities stationed in the three Cinnabar Fields—lower, middle, and upper—acting as guardians that facilitate harmony between the practitioner and cosmic forces, as detailed in Shangqing texts. Unlike these supportive figures, the Three Corpses function as malevolent parasites, collaborating with external demons to undermine cultivation by inciting desires and reporting moral lapses to the Director of Destinies (siming), thereby shortening the host's lifespan. In contrast to protective entities like the spirits of the five viscera, which maintain internal harmony, the Corpses actively sabotage equilibrium, embodying morbidity within the body's spiritual bureaucracy. This oppositional role highlights their status as intruders in a system otherwise oriented toward vitality, as evidenced in early Daoist scriptures like the Huangting jing, which enumerates benevolent organ gods while implicitly countering parasitic influences. The Three Corpses intersect with the dynamics of the hun (ethereal souls) and po (corporeal souls) but remain distinct as invasive agents rather than innate components of the soul complex. While the three hun reside in the liver and govern spiritual aspirations, and the seven po in the lungs manage physical instincts, the Corpses—often paired with the nine worms (jiuchong)—operate parasitically to disrupt these souls' balance, fostering illness without merging into their ethereal or corporeal natures. This separation underscores the Corpses' external origin, entering at birth as demonic entities that exploit rather than embody the hun-po duality central to Daoist physiology. Over time, textual depictions evolved from portraying the Three Corpses as autonomous demons in Han-era works like the to their integration within the hierarchical spirit world of Lingbao cosmology by the period. In Lingbao scriptures, they align with celestial cycles and rites, becoming subordinate elements in a broader cosmic order that practitioners must exorcise to ascend, reflecting a shift toward systematized pantheonic interactions. This development embedded the Corpses within a structured internal , contrasting their early independence with later roles as cogs in a divine overseen by higher deities.

Origins

Pre-Daoist Influences

The concept of internal parasites emerged in pre-Daoist Chinese thought during the (475–221 BCE) and early (206 BCE–220 CE), where they were viewed as literal intestinal entities responsible for illness and bodily decay. These worms were believed to accumulate heat and cause pain, particularly in the lower , as described in medical texts that emphasized their role in accumulative diseases (ji bing). For instance, the (Yellow Emperor's Inner Classic), a foundational medical compendium compiled around the 2nd–1st centuries BCE, references gu diseases involving the expulsion of white worms, portraying such parasites as invasive agents disrupting physiological harmony and leading to chronic ailments. This worm lore drew from broader ancient beliefs in bodily invaders, as seen in historical records predating organized Daoism. Shamanistic and folk traditions, particularly from the Chu state (1030–223 BCE) in southern China, further shaped these ideas through practices involving spirit mediumship (wu), where shamans communed with invading entities to diagnose and expel them. In Chu culture, body-invading gu (poison spirits) and gui (ghosts) were seen as malevolent forces causing affliction, often linked to sorcery or environmental contamination, with parallels to later parasite concepts. Archaeological evidence from Chu tombs, such as those at Baoshan, includes mortuary texts describing inner corpses (neishi) and spirit possessions, which show early ideas of internal supernatural influences. These beliefs, rooted in regional animism, influenced northern Chinese thought during the Warring States era, blending medical and ritual responses to perceived internal invasions. Early cosmological frameworks, predating formalized Daoism, provided a theoretical basis for internal decay through yin-yang theories, which posited that imbalances between these opposing forces within the body led to pathogenic accumulation and decline. Texts like the Yijing (Book of Changes), dating to the period (1046–771 BCE), describe yin as associated with decay and receptivity, while yang represents vitality, suggesting that unchecked yin could foster parasitic growth or spiritual corruption inside the human form. The recurring motif of the number three symbolized the triadic structure of heaven, earth, and human, as seen in pre-Qin cosmology, where this triad mirrored internal divisions (e.g., upper, middle, lower body regions) vulnerable to decay, laying groundwork for later tripartite parasite ideas without implying sin-reporting functions. Pre-Daoist philosophical texts offer brief allusions to supernatural influences on the body, hinting at precursors to later invasive entity concepts.

Early Daoist Development

The concept of the Three Corpses (sanshi) was known in late Han thought and emerged prominently in the 2nd century CE within the Celestial Masters Daoism founded by , where these internal entities were portrayed as demonic parasites residing in the body's three fields (head, chest, and abdomen). The concept appears in late Han skeptical writings, such as Wang Chong's Lunheng (ca. 80 CE), which critiques the "three worms in the abdomen" as superstitious, before its prominent role in Celestial Masters teachings. In 's teachings, the Corpses functioned as agents of heavenly judgment, ascending nightly to report human s to celestial officials, thereby linking moral failings directly to illness and shortened lifespan as part of a broader system of , , and redemption. This integration emphasized communal rituals and ethical conduct to mitigate their influence, positioning the Corpses as obstacles to spiritual harmony and divine favor within the early Daoist . The Three Corpses concept drew influence from Huang-Lao traditions of the early Han period, which fused lore with Laozi's philosophy to pursue through and techniques. In this blending, expelling the Corpses—often equated with parasitic worms—was reframed as a prerequisite for ingesting elixirs or achieving corporeal ascension, transforming earlier medical notions of internal pathogens into spiritual imperatives for transcendence. Such practices underscored the Corpses' role in obstructing the adept's path to xian () status, requiring purification rituals to align the body with cosmic order. From the 2nd to 4th centuries, the Corpses evolved from primarily medical concerns in folk healing to central spiritual motifs in maturing Daoist cosmology, particularly as grain abstention (bigu) emerged as a key method to starve and expel them, promoting and ethical living. This period saw a pronounced shift toward moral behavior as a means to weaken the Corpses' power, with texts like those of in the elaborating their demonic agency in thwarting transcendence unless subdued through disciplined conduct and . The emphasis on virtue over mere physical purging reflected Daoism's growing institutionalization, where the Corpses symbolized the tension between human frailty and divine potential. Scholarly debates in the late Han era, notably Wang Chong's skeptical critiques in the Lunheng (ca. 80 CE), challenged the Three Corpses as superstitious exaggerations, dismissing the "three worms in the abdomen" as unfounded beliefs tied to fraudulent claims and urging rational over ritualistic expulsion. Wang's materialist arguments, questioning the existence of internal demons reporting to heaven, provided a that influenced later orthodox Daoist refinements, prompting more systematic theological defenses of the concept.

Classical Descriptions

Han Dynasty Texts

The Liexian zhuan, a collection of hagiographies attributed to Liu Xiang and dating to approximately the 2nd century BCE to 2nd century CE, provides some of the earliest literary references to internal parasites in the context of cultivation. Biographies within the text describe immortals employing dietary restrictions and herbal regimens to expel worms from the body, framing these entities as obstacles to transcendence. For instance, certain accounts detail techniques for purging the three corpses (sanshi), portraying them as corporeal impediments that practitioners must eliminate through ascetic practices to achieve a perfected state. Wang Chong's Lunheng, completed in the CE, engages critically with prevailing beliefs about the three corpses, rejecting their portrayal as demons while validating the existence of parasitic worms within the human physiology. In essays such as "Jiechu," Wang argues that reports of ethereal corpse-spirits lack empirical basis, attributing bodily afflictions instead to tangible, worm-like organisms that feed on impurities and hasten decay if not addressed through rational medical means. This rationalist perspective underscores a tension between Daoist lore and Han-era skepticism, affirming parasites as a natural rather than demonic phenomenon. Although compiled in the CE by Fan Ye, the Hou Hanshu documents events and includes anecdotes linking the three corpses to illnesses suffered by elites, often interpreting these as consequences of ethical lapses. In the biography of Geng Yan, for example, corpse-induced ailments are depicted as punitive visitations that manifest in physical torment, reflecting broader Han cultural associations between moral conduct and bodily health. Such narratives illustrate the integration of the three corpses concept into historical discourse, portraying them as agents of during the Later Han period. Ge Hong's Zhouhou beiji fang, authored in the early CE, preserves references to Han practices for countering the three corpses through accessible remedies. The text outlines formulas combining like atractylodes with talismans and incantations to expel these entities, emphasizing their in preventing sudden death by targeting the upper, middle, and lower corpses. These methods draw on earlier traditions, adapting them for practical use in averting worm-related crises.

Six Dynasties and Later Texts

In the Baopuzi, authored by Ge Hong in the early 4th century, the Three Corpses are presented as internal demonic entities residing within the human body that actively undermine longevity by inciting sinful behavior and reporting the practitioner's transgressions to celestial authorities every sixty days, particularly on gengshen nights. Ge Hong details their role in blocking the path to immortality, emphasizing that they feed on the five grains and vital essences, thereby accelerating decay and death; he recommends countermeasures such as alchemical elixirs (shendan), talismanic rituals, and abstaining from sleep during these critical nights to prevent their ascent and accusations. The Zhen'gao, compiled by Tao Hongjing in the mid-5th century as part of the Shangqing revelations, expands on the cosmological significance of the Three Corpses, portraying them as malevolent spirits tied to the three cinnabar fields () that entangle the in mortality and must be transcended for celestial ascension. These texts describe rituals where the corpses are visualized as being reported to heavenly registers, with expulsion achieved through meditative visualizations of purifying celestial lights and to sever their influence and allow the spirit's ascent. The Taishang Lingbao wufuxu, a 4th- to 5th-century Lingbao scripture, incorporates the Three Corpses into broader purification frameworks, associating them with grain-dependent worms that corrupt the body's essences and hinder divine communion. It prescribes talismanic (zhai) and incantations using the five talismans to expel these entities, integrating them into rituals that cleanse the adept for alignment with cosmic forces. Esoteric texts from the 5th to 6th centuries, such as the Chu sanshi jiuchong baoshengjing and Zhonghuang jing, advance meditative techniques for directly confronting the Three Corpses, visualizing their dissection and removal from the body's orifices and fields through guided inner and breathwork to preserve vital . These practices emphasize the corpses' parasitic consumption of life force, countered by ascetic visualization to achieve bodily preservation and . Hagiographical accounts in works like the Shenxian zhuan and Ziyang zhenren neizhuan illustrate Daoist masters triumphing over the Three Corpses via sustained moral discipline, , and ingestion, depicting their expulsion as a pivotal step in attaining transcendence and exemplifying the integration of ethical cultivation with physiological reform.

Expulsion Practices

Ritual and Meditative Methods

In Daoist traditions, rituals known as zhai involve periodic abstinence, particularly on genshen nights during the when the Three Corpses are believed to ascend to to report human sins, thereby these entities and preventing their ascent. These practices, emphasized in Lingbao scriptures such as the Lingbao Wufuxu, combine dietary restriction with purification to weaken the corpses' influence on the body. For instance, the Baopuzi Neipian by (ca. 320 CE) describes abstaining from grains and heavy foods on these nights to deprive the corpses of sustenance, promoting and spiritual clarity. Vigil practices, or shou gengshen, require staying awake through the night on genshen days, often accompanied by incantations and visualizations of protective heavenly officials descending to intercept the corpses. This method, detailed in the Yunji Qiqian (ca. 1020 CE), disrupts the entities' reporting mechanism by maintaining constant awareness, thereby safeguarding the practitioner's lifespan. In Lingbao traditions, such vigils integrate communal recitation of scriptures to invoke divine intervention, fostering a collective barrier against the corpses' malevolent ascent. Meditative techniques, particularly neiguan (inner observation), enable practitioners to locate and dissolve the Three Corpses within the body's energy centers, such as the dantian. Rooted in Shangqing texts like the Zhen'gao (ca. 5th century), neiguan involves focused visualization to observe internal demons and refine qi (vital energy), transforming the corpses into harmless essences through alchemical processes. Quanzhen lineage meditators extend this by circulating qi to expel residues, as outlined in works by Wang Zhe (1113–1170 CE), emphasizing sustained introspection for spiritual purification. Moral cultivation complements these methods by promoting ethical living to diminish the Three Corpses' power, viewing virtuous conduct as a means to align with the Dao and starve demonic influences. In Shangqing and Quanzhen traditions, practices such as ascetic discipline and benevolence weaken the entities' hold, as articulated in the Quanzhen qingqui (ca. 12th century), where ethical adherence is seen as integral to immortality. This approach, echoed in Ge Hong's Baopuzi, underscores that moral rectitude naturally subdues the corpses without sole reliance on ritual.

Pharmacological and Talismanic Approaches

In Daoist traditions, pharmacological approaches to combating the Three Corpses often involved the ingestion of alchemical elixirs derived from external alchemy (waidan), particularly those based on cinnabar (dan), believed to poison and expel the parasitic entities while conferring longevity. The Baopuzi (ca. 320 CE) by Ge Hong describes how refined cinnabar compounds, when ingested over periods such as one hundred days, destroy the Three Corpses (sanshi) and associated Nine Worms (jiuchong), eliminating illnesses and enabling communion with divine beings. These elixirs were prepared through heating and sublimation processes, transforming the mineral into a potent "immortal medicine" that targeted the Corpses' reputed locations in the body's cinnabar fields. Such practices reflected the integration of alchemical metallurgy with physiological demonology, where the elixir's toxicity was seen as selectively harmful to demonic worms but restorative to the human host. Herbal remedies provided an accessible alternative or complement to mineral , drawing on to purge intestinal parasites symbolizing the Three Corpses. The Zhouhou beiji fang (Handy Prescriptions for Emergencies, ca. 340 CE), attributed to , includes formulas addressing corpse-infestation diseases (shizhu), which were linked to parasitic transmission and required urgent herbal intervention to prevent familial extinction. Atractylodes rhizome (zhu), a key herb in these regimens, was prescribed to target and eliminate the Three Corpses, as evidenced in Shangqing hagiographies where practitioners like Zhou Yishan ingested it for five years to purge the entities, resulting in enhanced vitality and internal organ clarity. These plant-based treatments emphasized decoctions or essences that mimicked alchemical purification, focusing on digestive and systemic expulsion without the risks of . Talismanic methods employed inscribed symbols (fu) as protective and invocatory tools, often combined with rituals to summon deities that subdued the Three Corpses. In Lingbao scriptures, such as the Taishang lingbao xu (Prolegomenon to the Five Treasure Talismans, ca. 400 CE), fu were drawn on paper, silk, or skin, then burned, worn, or ingested to invoke celestial guardians against internal demons, including the sanshi. The further recommends (xionghuang), a , applied or consumed to evacuate the Three Corpses and avert their baleful influence on lifespan. These practices integrated graphism with , where the talisman's characters—traced in ink—functioned as cosmic contracts compelling divine intervention. Esoteric texts like the Zhonghuang jing (Scripture of the Central Yellow, ca. 4th-5th century) incorporated physical amulets to aid mental "" of the body, visualizing and excising the Three Corpses through guided internal . The scripture names each Corpses—Pengju in the , Pengzhi in the chest, and Pengshi in the kidneys—and prescribes amulet-assisted meditations where practitioners, aided by worn or ingested fu, mentally sever the entities to prevent their ascension to heavenly tribunals at death. This approach blended talismanic symbolism with anatomical precision, using amulets to anchor visualizations and ensure the Corpses' permanent removal, thereby safeguarding the practitioner's fate.

Cultural Extensions

Japanese Kōshin Belief

The Kōshin belief, a Japanese adaptation of the Daoist Three Corpses concept, emerged in the 9th and 10th centuries through Buddhist-Daoist , particularly via monks like Ennin who imported Chinese esoteric texts during their travels to Tang . This transmission transformed the sanshi—three parasitic worms residing in the human body—into a central element of , where Kōshin (庚申), corresponding to the sexagenary cycle's metal-monkey year or day, became a guardian deity cult aimed at countering their malevolent influence. The sanshi were believed to monitor sins and ascend to the heavens every 60 days to report misdeeds, thereby shortening the host's lifespan, a notion rooted in texts like the Tang-era Sanshi jiuchong jing but localized through integration with and Buddhist protective rites. In Japanese lore, the three sanshi are named Jōshi (upper corpse, residing in the head and depicted as a Taoist wise man), Chūshi (middle corpse, in the torso as a wild beast), and Geshi (lower corpse, in the legs as a human foot with a cow's head). Core practices of centered on all-night vigils known as Kōshin machi, held every 60 days on Kōshin nights to prevent the sanshi's ascent by keeping participants awake through chanting, communal gatherings, and invocations. These rituals often involved erecting stone carvings or pagodas () inscribed with protective deities, serving as communal talismans for and warding off illness; such markers proliferated in urban areas, fostering social bonds among participants who shared meals and stories. Chants and spells, such as those invoking Shōmen Kongō, were recited to neutralize the worms, blending meditative discipline with folk to promote moral vigilance and physical health. In , the sanshi were depicted as three worms with distinct forms, while manifested as a blue-faced protector , Shōmen Kongō, with multiple arms wielding weapons to subdue them; the cult's imagery often included (mizaru, kikazaru, iwazaru) positioned at the base of Kōshin statues to "see no evil, hear no evil, speak no evil" as a preventive against accumulation. This imagery fused Daoist parasitology with elements, such as monkey messengers (sarugami) from , and Buddhist guardians. tales portrayed the sanshi as causing nightmares and , countered by Kōshin's intervention, reinforcing themes of purity and endurance. The belief spread from Heian-period (794–1185) nobility, who documented early vigils in court records like the Shoku Nihon Kōki (834 CE), to widespread adoption among Edo-era (1603–1868) commoners, influencing urban festivals, woodblock prints, and longevity amulets distributed at temples. By the (1185–1333), integration elevated Kōshin to a protective against epidemics, with thousands of stone monuments erected nationwide; in the , it permeated merchant culture through illustrated scrolls and annual celebrations, embedding the sanshi motif in everyday art and rituals for health and prosperity. This evolution highlighted Kōshin's role in democratizing Daoist esotericism, adapting it to Japanese communal and seasonal life cycles.

Modern Interpretations

In twentieth- and twenty-first-century scholarship, the Three Corpses (sanshi) have been reinterpreted as metaphors for psychological attachments and internal defilements that obstruct spiritual progress in (internal ) practices. Scholars such as Shih-shan Susan Huang, Isabelle Robinet, and Fabrizio Pregadio have examined the Three Corpses in Daoist texts, including and Shangqing traditions, highlighting their role in visualizations and cosmology related to bodily purification and transcendence. In contemporary , the Three Corpses feature in Japanese yokai traditions as sanshi, depicted as invisible worms residing in the body that report sins to heavenly authorities, often reimagined as internal demons in collections and media exploring self-sabotage. Chinese fantasy novels in the genre adapt the concept into "severing the three corpses"—a cultivation milestone where protagonists eliminate good, evil, and self aspects as inner demons to attain higher realms, blending Daoist symbolism with themes of personal growth and moral conflict. Neo-Daoist movements in the have repurposed Three Corpses expulsion ideas for and wellness, integrating them into and detox regimens like bi gu (grain avoidance) and guided to metaphorically "expel" mental toxins and attachments, eschewing classical rituals in favor of accessible techniques. Despite these developments, research on the Three Corpses remains limited in exploring dimensions, such as potential variations in their depiction across male and female neidan practitioners, and cross-cultural parallels to Western notions of "inner demons" in or , highlighting the need for interdisciplinary approaches to deepen understanding.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.