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Top Gun: Maverick
Top Gun: Maverick
from Wikipedia

Top Gun: Maverick
Theatrical release poster
Directed byJoseph Kosinski
Screenplay by
Story by
Based on
Produced by
Starring
CinematographyClaudio Miranda
Edited byEddie Hamilton
Music by
Production
companies
Distributed byParamount Pictures
Release dates
  • April 28, 2022 (2022-04-28) (CinemaCon)
  • May 27, 2022 (2022-05-27) (United States)
Running time
130 minutes[1]
CountryUnited States
LanguageEnglish
Budget$170–177 million[2][3]
Box office$1.496 billion[4][5]

Top Gun: Maverick is a 2022 American action drama film directed by Joseph Kosinski and written by Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, from a story by Peter Craig and Justin Marks. In this sequel to the 1986 film Top Gun, Tom Cruise reprises his starring role as the naval aviator Pete "Maverick" Mitchell. The ensemble cast also features Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Monica Barbaro, Lewis Pullman, Ed Harris, and Val Kilmer (in his final film role). The story involves Maverick confronting his past while training a group of younger Top Gun graduates, including the son of his deceased best friend, for a dangerous mission.

Development of a Top Gun sequel was announced in 2010 by Paramount Pictures. Cruise, along with co-producer Jerry Bruckheimer and director Tony Scott, were asked to return. Craig wrote a draft of the screenplay in 2012, but the project stalled when Scott died later that year. Top Gun: Maverick was later dedicated to Scott's memory. Production resumed in 2017, after Kosinski was hired to direct. Principal photography, which involved the use of IMAX-certified 6K full-frame cameras, took place from May 2018 to April 2019 in California, Washington, and Maryland. The film's complex action sequences—and later the COVID-19 pandemic—delayed its release, which was initially scheduled for July 12, 2019. During the pandemic, several streaming companies attempted to purchase the streaming rights to the film from Paramount, but all offers were declined on the orders of Cruise, who insisted that it should be released exclusively in theaters.

Top Gun: Maverick premiered at CinemaCon on April 28, 2022, and was theatrically released in the United States on May 27. The film was widely praised by critics, with many deeming it superior to its predecessor.[6] It was named one of the top ten films of 2022 by the American Film Institute and nominated for six awards at the 95th Academy Awards (including Best Picture), winning Best Sound. Top Gun: Maverick grossed $1.496 billion worldwide, making it the second-highest-grossing film of 2022 and the highest-grossing film of Cruise's career. A sequel is in development.

Plot

[edit]

More than 30 years after graduating from the Top Gun training school,[b] United States Navy Captain Pete "Maverick" Mitchell is a decorated test pilot whose insubordination has kept him from flag rank.[c] When Rear Admiral Chester "Hammer" Cain plans to cancel Maverick's "Darkstar" scramjet-powered hypersonic aircraft program, Maverick manages to reach the final target speed, but the prototype is destroyed when he cannot resist pushing beyond Mach 10. Cain tells Maverick that Admiral Tom "Iceman" Kazansky, Maverick's friend and former Top Gun rival, now commander of U.S. Pacific Fleet, has had Maverick assigned to the Top Gun school at NAS North Island, keeping his career alive for now.

The Navy has been ordered to destroy an unsanctioned uranium enrichment plant in an unnamed foreign country before it becomes operational. The plant, located in an underground bunker at the end of a canyon, is defended by surface-to-air missiles (SAMs), GPS jammers, fifth-generation Su-57 fighters, and F-14 Tomcats. With the GPS spoofing making an attack by the Lockheed Martin F-35 Lightning II unfeasible, Maverick devises a plan employing two pairs of F/A-18E/F Super Hornets armed with laser-guided bombs. However, instead of participating in and leading the mission himself, Maverick is ordered to train elite Top Gun graduates who will complete the mission, assembled by Air Boss Vice Admiral Beau "Cyclone" Simpson, who barely tolerates Maverick's presence in deference to Iceman.

Maverick dogfights with his skeptical students, winning their respect, while talented but cocky and rude Lieutenant Jake "Hangman" Seresin clashes with likable but cautious Bradley "Rooster" Bradshaw—son of Maverick's deceased best friend and radar intercept officer Nick "Goose" Bradshaw. Maverick reunites with former girlfriend Penny Benjamin and reveals his promise to Rooster's dying mother that Rooster would not become an aviator. Rooster, unaware of this, resents Maverick for blocking his Naval Academy application and blames him for Goose's death. Faced with selecting Rooster for the mission, Maverick confides in Iceman, who tells him, "It's time to let go" and reassures him that both the Navy and Rooster need Maverick.

Iceman soon dies from terminal cancer, and Cyclone removes Maverick as instructor. Believing Maverick's plan is impossible to execute, Cyclone relaxes the mission parameters, allowing for theoretically easier execution but predictably resulting in the pilots' deaths. During Cyclone's announcement, Maverick makes an unauthorized flight through the course, completing it in less time than stated in his original mission parameters, proving it can be done. Cyclone reluctantly appoints him as team leader.

Maverick flies the lead F/A-18E, accompanied by a buddy-lasing F/A-18F[d] flown by Lieutenant Natasha "Phoenix" Trace and weapon systems officer Lieutenant Robert "Bob" Floyd. Rooster leads the second strike pair, which includes Lieutenant Reuben "Payback" Fitch and WSO Lieutenant Mickey "Fanboy" Garcia. The four jets launch from an aircraft carrier, and Tomahawk cruise missiles destroy the enemy air base. The teams destroy the plant, but the SAMs open fire during their escape. Rooster runs out of countermeasures, and Maverick sacrifices his plane to protect him. Believing Maverick dead, all jets are ordered back to the carrier, but Rooster disobeys and returns to find Maverick on the ground being pursued by an Mi-24 attack helicopter. After destroying the gunship, Rooster is shot down by a SAM and ejects. The two rendezvous and steal an F-14 from the damaged air base. Maverick and Rooster destroy two intercepting Su-57s, but a third attacks as they run out of ammunition and countermeasures. Hangman, who was the mission's emergency action pilot, unexpectedly arrives in time to shoot it down, and the planes return safely to a jubilant flight deck.

Later, Rooster helps Maverick work on his P-51 Mustang. Afterward, Rooster looks at a photo of their mission's success, pinned alongside a photo of his late father and a young Maverick, as Penny and Maverick fly off in the P-51.

Cast

[edit]

Anthony Edwards, Meg Ryan, as well as Aaron and Adam Weis appear as the Bradshaw family in archive footage from Top Gun, along with Kelly McGillis as Charlotte "Charlie" Blackwood.

Production

[edit]

Development

[edit]
Joseph Kosinski was attached as director in 2017.

In 1990, during the promotion of Born on the Fourth of July (1989), Tom Cruise dismissed the notion of a sequel to Top Gun (1986) as "irresponsible".[13] Paramount Pictures began development on the film in 2010 after making offers to Jerry Bruckheimer and Tony Scott to create a sequel to Top Gun with Cruise reprising his role. When asked about his idea for a new Top Gun film, Scott replied, "This world fascinated me, because it's so different from what it was originally. But I don't want to do a remake. I don't want to do a reinvention. I want to do a new movie."[14] It was reported that the film would focus on the end of the dogfighting era,[15] the role of drones in modern aerial warfare,[16] and would see Cruise's character, Maverick, fly an F/A-18E Super Hornet.[17] Following Scott's death in 2012, the sequel's future became uncertain, but producer Jerry Bruckheimer remained committed to the project, especially given interest expressed by Cruise and Val Kilmer.[18]

Cruise revealed in June 2017 that the sequel would be titled Top Gun: Maverick, noting that he did not want a number in the title.[19] He added that the film is "going to be a competition film, similar to the first one", but clarified it as "a progression for Maverick".[20][21] By July 2017, Joseph Kosinski was announced as the director, after previously collaborating with Cruise on Oblivion (2013).[22][23] Kosinski met with Cruise on the set of Mission: Impossible – Fallout (2018), providing a lookbook, a poster, and a title, Top Gun: Maverick, prior to his hiring. Cruise then contacted Jim Gianopulos and requested to make the film.[24]

On June 19, 2019, at CineEurope in Barcelona, attendees were given a first look at some early footage of the film from a special Paramount presentation which ended with the Paramount President of International Theatrical Distribution Mark Viane and co-president of Worldwide Marketing and Distribution Mary Daily appearing in full flight gear.[25] In 2019, China's Tencent invested 12.5% of the film but later pulled out of the project at the end of that year over concerns that the film's themes could anger the Chinese government.[26]

Writing

[edit]

By mid-2010, Christopher McQuarrie received an offer to write the sequel's screenplay, which was rumored to have Cruise's character Maverick in a smaller role.[27] The following year, Ashley Edward Miller and Zack Stentz were credited as screenwriters on the project.[28] The studio would later move onto Peter Craig to draft a new script under Scott's direction in March 2012.[29] However, the project unexpectedly stalled due to Scott's suicide in August of that year.[30] Scott had apparently finalized the script and begun scouting locations with him and Cruise touring Naval Air Station Fallon, Nevada, a week before his death.[31] The Hollywood Reporter said the Top Gun sequel was one of three directing projects in "advanced development".[32] In March 2014, Bruckheimer said the filmmakers were taking a new approach, which involved pilots being rendered obsolete by drones.[33]

In September 2014, the sequel was officially revived. Justin Marks entered negotiations to write the screenplay.[34] Marks said that the sequel to Top Gun was his "dream project" and that the original was "an iconic film in his memory" that inspired him to write screenplays.[35] He researched the F-35 Joint Strike Fighter to gain insight into "how Top Gun would be represented in the current period".[35]

"Maverick in that film was in his early twenties and now he's in his fifties. It had to be a different journey, but it was important it was a journey for a man at a different part of his life. We think of Top Gun as an action film, but I think of it as a drama. It has some incredible action scenes in it, but there is a drama at the center of it."

— Kosinski, on the new script of Top Gun: Maverick[36]

During scripting discussions in Paris in 2017, where Cruise was shooting for Mission: Impossible – Fallout, Kosinski pitched two ideas to Cruise.[24][37] The first focused on the severed relationship between Maverick and Goose's son, set against a dangerous combat mission. The second focused on Maverick's current place in the Navy as part of the "Darkstar" program and the secrecy surrounding it.[37] With Kosinski in place as director, Only the Brave (2017) screenwriter Eric Warren Singer boarded the film to rewrite the script by August 2017.[38][39] In October 2018, McQuarrie, a frequent collaborator of Cruise, was brought in for rewrites during production.[40] McQuarrie opted to mostly ignore the first film during the writing process in order to make a film that could stand on its own merits without trying to outdo the original. He also flew with the Blue Angels in preparation.[41] By January 2020, final screenplay credits were given to Ehren Kruger, Singer, and McQuarrie, while story credit was attributed to Craig and Marks.[42][43]

Casting

[edit]
Jennifer Connelly played Cruise's love interest.

Cruise's involvement in Top Gun: Maverick was announced in January 2016.[44] He was paid between $12 and $14 million[45] plus a portion of the film's box office gross, which totaled more than $100 million.[46] Val Kilmer, now cancer-free, had campaigned on his Facebook page to reprise his role in the film.[47] In June 2018, TheWrap reported that he would appear in the film.[48] Bruckheimer and the filmmakers wanted to bring Kilmer back, especially with Cruise's insistence.[49] A trailer released in March 2022 featured a photograph of Kilmer wearing a uniform of a four-star admiral. In July 2018, Miles Teller was cast in the role of Goose's son, against Nicholas Hoult and Glen Powell.[50] Later that month, Jennifer Connelly joined the film's cast to play a single mother running a bar near the naval base.[51][52]

In August 2018, Powell joined the cast in a pilot trainee role that was enlarged for him, having impressed Cruise, Bruckheimer, and executives at Paramount and Skydance Media, with his auditions.[53] He was cast as the arrogant "Hangman" (originally named "Slayer" when he read the script). Powell was initially unimpressed by the prospect of taking the role, feeling the character was a unidimensional "dick garnish" and a "Navy Draco Malfoy" with no payoff nor reason to exist other than adding conflict to "Rooster"'s character arc. Cruise, Bruckheimer, Kosinski, and McQuarrie managed to convince him that he could shape his performance to make "Hangman" a more well-rounded character. Cruise advised Powell on body language in different cultures, helping him to play "Hangman" so that global audiences would emotionally connect with the character.[54] In the same month, Monica Barbaro, Thomasin McKenzie, Charles Parnell, Jay Ellis, Bashir Salahuddin, Danny Ramirez, Ed Harris, Jon Hamm, and Lewis Pullman joined the cast of the film; Barbaro, Pullman, Ellis, and Ramirez portrayed aviator trainees, while McKenzie was to portray the daughter of Connelly's character.[55][56][57]

Hamm signed onto the film before he was given an official offer or script.[58] In September 2018, Manny Jacinto joined the cast.[59] In October 2018, Kara Wang, Jack Schumacher, Greg Tarzan Davis, Jake Picking, Raymond Lee, Jean Louisa Kelly, and Lyliana Wray joined the cast;[60] Wray replaced McKenzie, who dropped out of the film after signing onto Lost Girls (2020).[61] In November 2018, Chelsea Harris joined the cast.[62] Kelly McGillis, Meg Ryan, and Aaron and Adam Weis, all of whom appeared in the original film, were not asked to appear in the sequel.[63][64][65]

According to interviews with Vanity Fair and GQ, Lewis Hamilton was offered a fighter pilot role because of his friendship with Cruise but turned down the offer because of his Formula One commitments.[66][67]

Filming

[edit]
Filming took place on the USS Abraham Lincoln.

To create the illusion that the actors were piloting the jets during flying scenes, the producers paid the Navy $11,374 per flight hour for F/A-18E (single seat) and F/A-18F (dual seat) Super Hornets and pilots to fly them. For external shots, real Navy pilots flew the E version. For shots of the actors in flight, the F version was used with the actual pilot in the front seat.[68] One F/A-18F was rigged with special cameras to film an actor in the back seat. Cruise designed a three-month "boot camp" to train the actors with flying roles to get them used to aerobatics and high g-forces, as well as build the spatial awareness they would need to operate the camera equipment. Some of the training was required by the Navy for passengers in tactical jets, including underwater evacuation.[69] Barbaro said the cast endured aerobatics riding in the Extra 300L flown by Chuck Coleman, including right before flights in the F/A-18F, to ensure their bodies had the required tolerance. She also praised the female pilots she had worked with during the filming process, and commented that while the "military aviation community [is] progressive, there's no way that [sexism] doesn't still exist in little moments here and there. It's par for the course for women in historically male-dominated spaces. So I was glad we kept that in."[70] The actors also had to learn lighting, cinematography, and editing to properly run the cameras, because, according to Bruckheimer "when they're up in the jet, they have to direct themselves, essentially."[71]

Preliminary production on the film officially started on May 30, 2018, in San Diego.[72][73] Although the real-life Top Gun school had been moved to Naval Air Station Fallon in Nevada since the events of the first film, the story was set in San Diego at Naval Air Station North Island.[74] The crew did film aerial shots at Naval Air Station Fallon.[75] In late August, a 15-person film crew from Paramount and Bruckheimer Films shot flight deck operations aboard the Norfolk-based aircraft carrier USS Abraham Lincoln.[76][77] In mid-February 2019, Cruise and the production crew were sighted on board USS Theodore Roosevelt at NAS North Island.[78] In March, filming in the Cascade Mountains was completed out of Naval Air Station Whidbey Island in Oak Harbor, Washington, where routes were scouted by helicopter and the L-39 before filming the F/A-18s.[75][79][80] On June 19, 2019, Miles Teller revealed in an interview that he had finished filming two days earlier.[81] Principal photography was scheduled until April 15, 2019, in San Diego, Lemoore, China Lake,[82] Chico,[83] and Lake Tahoe in California;[84] Seattle;[85] and Patuxent River, Maryland.[86] The low-pass scene with Ed Harris was filmed at China Lake with flying a Blue Angels plane at less than 50 ft (15 m) around 450 kn (520 mph; 830 km/h), which on the 20th and last pass pulled roofing material from the guard shack flying off held only by romex cable.[75] The post-production and editing works were supervised by Kosinski at his home during the COVID-19 pandemic lockdown.[87]

The film was shot in IMAX format using IMAX-certified Sony Venice 6K full-frame cameras.[88] Kosinski said that the team spent more than a year with Navy forces to use the IMAX cameras inside the cockpit. Four were directed towards the actor and two were faced outwards, accompanied by numerous cameras mounted on the aircraft's exterior. He said "the audience should feel the authenticity, strain, speed and gravitational forces, something that cannot be achieved through soundstage or visual effects, which needed a tremendous amount of effort and work." NAVAIR engineers used wind tunnel testing and computer modeling to rig cameras to the aircraft to withstand the speeds and g-forces sustained during maneuvering and carrier landings while maintaining safety in the event of ejection.[75][36] The crew shot the aerial footage outside the F/A-18s with gimbal-stabilized cameras on three platforms: a nose-mounted rig on one of two modified Aero L-39 Albatros that could film at 350 kn (403 mph; 648 km/h) and 3 g, nose- and tail-mounted cameras on an Embraer Phenom 300, and a nose-mounted rig on an Airbus AS350 helicopter.[89][90][79] More than 800 hours of aerial footage was shot for the film,[75] exceeding the combined footage shot for the films in the Lord of the Rings trilogy.[91]

The set of the Hard Deck bar, inspired by the real-life "I-Bar", was constructed on the beach at Naval Air Station North Island in Coronado, California with permission from the Navy.[92][93]

Aircraft

[edit]

For most of the planes including the F/A-18E/F, the production crew acquired 20 working aircraft from all over the US. Hindle said that Kosinski had made specifications for every detail during design, including the helmets, suits, props, and several others.[93]

Darkstar

[edit]

The fictional "Darkstar" aircraft was designed with help from engineers from Lockheed Martin and its Skunk Works division. A full-scale mockup of the aircraft was built and filmed at China Lake.[94] Kosinski said, "The reason we approached Skunk Works is because I wanted to make the most realistic hypersonic aircraft we possibly could. In fact, as you saw, we built it full-scale in cooperation with them. But the reason it looks so real is because it was the engineers from Skunk Works who helped us design it. So those are the same people who are working on real aircraft who helped us design Darkstar for this film."[95] Lockheed denied that Darkstar is related to the uncrewed Lockheed Martin SR-72, whose existence the company has never confirmed.[96]

F-14

[edit]
A screenshot of the F-14 Tomcat, from Top Gun: Maverick. For the dogfighting scene, the jet was shown completely through visual effects.

Production designer Jeremy Hindle said that using a F-14 Tomcat (which is featured in the first film) would have been difficult. "There are no F-14s that fly because they [have been decommissioned in the U.S.] and all the engines have been taken out of them."[93] He said that they were not able to use the active F-14 Tomcats in Iran, the only other country that acquired the aircraft, due to sanctions.[93] The U.S. scuttled or disabled its vast fleet of F-14s once they were retired to prevent the illicit export of spare parts.[97]

With help from the Navy, the production team secured one F-14A from the San Diego Air & Space Museum in California.[98] Hindle described further challenges, including dismantling and shipping the plane's components, and making the aircraft as functional as possible, though still without engines.[93]

Post-production

[edit]

Visual effects (VFX) artist Fred Lyn said CGI was used extensively in the film. The F-14 and Su-57 were visualized entirely by computer,[99] while the F/A-18 dogfighting and final strike scenes were shot with a single jet, producing footage that was used to create multiple jets onscreen.[99]

The film had about 2,400 VFX shots, all produced under visual effects supervisor Ryan Tudhope. Most work was done by Method Studios and MPC Film, though Lola VFX and Blind provided the 2D motion graphics, training visualizations, and the jet's head-up displays.[100]

Skywalker Sound worked on sound design and temp mixing for the film. They created aviation sound effects, working closely with GE Aviation, a jet engine manufacturer out of Cincinnati.[101] Final sound editing and mixing in Dolby Atmos and IMAX was handled by London-based Soundbyte Studios[102] and Twickenham Film Studios. Recording mixers Chris Burdon and Mark Taylor worked in two theaters with different audio configurations to complete the mixes, which took place in June and July 2020.[103]

After his treatment and operation for throat cancer, Val Kilmer lost his ability to speak effectively.[104] In 2021, he worked with Sonantic, a UK-based software company that specializes in voice synthesis, to digitally recreate his voice using AI technology and archived audio recordings of his voice.[105] The collaboration with Sonantic led to a successful vocal model program that Kilmer could apply in future projects.[105][106] For Top Gun: Maverick, however, this technology was not used. Director Joseph Kosinski said in an interview that they used Kilmer's actual voice, digitally altering it to increase clarity.[107]

Footage from the original film was used in a scene where Maverick watches Rooster playing "Great Balls of Fire" on the piano, invoking memories of Goose's family and death.[108] The footage was used as a flashback, to help explain the characters' relationship and to deepen the emotional conflicts involved. This was not planned in the original script; Kosinski introduced the idea in the film editing phase.[109]

In July 2024, actor Manny Jacinto, in regards to having his lines cut from the finished film, said that "Tom Cruise is writing stories for Tom Cruise" and that "There was this sense of where the film was going [on set], like I can see them focusing the camera more on these [other] guys and not taking so much time on our scenes."[110]

Music

[edit]

Top Gun composer Harold Faltermeyer returned to compose the soundtrack and was joined by Lady Gaga, OneRepublic, and Hans Zimmer. The soundtrack was produced by Lorne Balfe. The soundtrack was released on May 27, 2022, through Interscope Records and Paramount Music.[111][112] It was promoted by two singles, "Hold My Hand" by Lady Gaga and "I Ain't Worried" by OneRepublic. From the first film, the score also incorporates elements of the original "Top Gun Anthem",[113][114] and the song "Danger Zone", composed by Giorgio Moroder and sung by Kenny Loggins.[115]

Marketing

[edit]

The film's first teaser trailer premiered during a surprise appearance by Cruise at San Diego Comic-Con on July 18, 2019.[116][117] The first trailer received high praise from fans, with many lauding the return of the series and some comparing it to Star Wars: The Rise of Skywalker.[118] The Hollywood Reporter wrote that some fans noticed that the flag of the Republic of China[h] and the Flag of Japan were missing from the flight jacket of Cruise's character and accused Paramount of removing it to appease China-based co-financier Tencent Pictures.[119] However, the Republic of China and Japanese flags were later restored, as Tencent would end up pulling out of the production, leading to them being uncredited in the final film and, instead, the producers chose to not release the movie in China.[120][121] The second trailer was released in December 2019,[122] and a new Snapchat filter for the film was introduced by Paramount to engage "young-generation audiences".[123]

In February 2020, toy manufacturer Matchbox (owned by Mattel) announced that it was releasing a series of Top Gun die-cast models and products, including the F-14 Tomcat, F/A-18E/F Super Hornet, and the P-51 Mustang, as well as role-play items. They were scheduled for public release on June 1, 2020, despite the delayed theatrical release.[124] In June 2020, plastic model manufacturer Revell released a series of 1/48 scale Top Gun plastic models, including an F-14A Tomcat and an F/A-18E Super Hornet based upon the aircraft in the movie. These are versions of previous Revell offerings with modified decals and markings.[125] In July 2020, Hasbro announced a Top Gun-themed Transformers toy, "Maverick", which was released later in the year.[126][127] Hasbro later re-released the toy as a Walmart exclusive to tie into the film's final release date.[128]

On August 26, 2021, the first 13 minutes of the film were previewed at CinemaCon along with a new trailer with Tom Cruise marking his presence virtually at the event.[129] In January 2022, CBS Sports released a new clip from the film, coinciding with the AFC Championship Game between the Kansas City Chiefs and the Cincinnati Bengals.[130] In February 2022, the final trailer of the film tied to Porsche was aired before Super Bowl LVI.[131] In April 2022, Project ACES, the developers of the Ace Combat series, announced the release of an aircraft collaboration DLC for Ace Combat 7: Skies Unknown with Top Gun: Maverick, released on May 26, a day before the film's release.[132][133] A free expansion based on Top Gun Maverick was also released for Microsoft Flight Simulator on the same day, containing the F/A-18E/F Superhornet and fictional "Darkstar" planes as playable aircraft.[134] An interactive website was also launched on the same month.[135] On May 23, Cruise collaborated with The Late Late Show host James Corden for recreating a fighter sequence as a part of promotions.[136][137]

A three-week promotional tour was conducted in Mexico City, Tokyo, Cannes, London, San Diego and Los Angeles.[138] Event Cinemas announced Top Gun: Maverick Collector Combo, featuring a medium large salt-popcorn with refreshments in a collector cup, being marketed with stills featuring Cruise.[139] Other marketing deals were arranged with Applebee's restaurant chains[140] and Vudu.[141]

In Japan, the movie collaborated with Uma Musume Pretty Derby, naming the personification of the racehorse Mayano Top Gun as a special advertising pilot. It included Mayano Top Gun as Maverick in an alternate version of the movie poster.[142] Four of their voice actresses – including Mio Hoshitani, who plays Mayano Top Gun – also attended the Japanese premiere in Yokohama as part of Paramount's event coverage and met Cruise and Jerry Bruckheimer.[143]

Release

[edit]
(From left) Christopher McQuarrie, Vice Admiral Kenneth R. Whitesell, Tom Cruise, Joseph Kosinski, and Jerry Bruckheimer at the premiere of the film on May 4, 2022

Theatrical

[edit]

Top Gun: Maverick was generally released theatrically by Paramount Pictures in the United States on May 27, 2022 - after a TopGun Tuesday premier at select ScreenX theaters[144] and AMC Theatres[145] at limited locations across the United States on May 24, 2022. and advance screenings starting May 26.[146] It was originally scheduled to be released on July 12, 2019, but was delayed to June 26, 2020, in order to shoot several complex action sequences.[147] By March 2020, Paramount moved the film up two days early on June 24, 2020,[148] and it was then moved to December 23 due to the ongoing COVID-19 pandemic declared by the World Health Organization.[149][150] On July 23, 2020, the film was delayed again to July 2, 2021, partly due to scheduling conflicts with Cruise, as well as the recent delays of Mulan and Tenet due to the rise of COVID-19 cases,[151] and was further delayed to November 19, 2021,[152] before being pushed back further to a May 2022 release date.[146]

The film had its world premiere at CinemaCon on April 28, 2022[153] which was followed by a global premiere hosted at the San Diego Civic Theatre in San Diego, on May 4, which was also streamed live through YouTube.[154][155] It also screened at the 2022 Cannes Film Festival on May 18 in an Official Selection Screening, where it received a five-minute standing ovation from the audience. The Cannes premiere included a tribute to Cruise and his career.[156][157] The following day it had its UK premiere at the Royal Film Performance at London's Odeon Luxe Leicester Square in aid of the Film & TV Charity. The film was the last Royal Film Performance of Queen Elizabeth II's reign as she died later that same year.[158]

Home media

[edit]

Apple TV+ attempted to purchase the distribution rights to Top Gun: Maverick, but Paramount declined to sell them. When asked at the film's CinemaCon premiere about Apple and other streaming companies attempting to purchase the distribution rights, Bruckheimer said that the film had always had a big-screen destination. At the film's premiere at Cannes, Cruise also denied that the film was going to streaming.[159][160][161] Despite the model that most films at the time debuted on streaming 45 days after their theatrical releases,[162] Paramount decided to keep Top Gun: Maverick in theaters for an extended run due to Cruise's insistence and the successive week-to-week box office results of the film. The film was released digitally in standard definition, high definition and UHD on August 23, 2022, followed by the Ultra HD Blu-ray, Blu-ray, and DVD releases on November 1, 2022, in the United States[163] and October 31, 2022, in the United Kingdom.[164] It includes the expanded aspect ratio of 1.90:1 in select sequences as seen in IMAX screenings, four featurettes on the making of the film, Cruise discussing his career at the 75th Cannes Film Festival and two music videos of the songs featured in the film.[165]

Paramount+ and SkyShowtime (under the joint venture between both Paramount Global and Sky Group) made Top Gun: Maverick available to stream on December 22, 2022, as part of a customer's subscription to either service.[166][167] In the United States, Top Gun: Maverick became the most-watched film to debut on Paramount+.[168]

Reception

[edit]

Box office

[edit]

Top Gun: Maverick grossed $718.7 million in the United States and Canada, and $777 million in other territories, for a worldwide total of $1.496 billion.[4][5] The film became the highest-grossing film of Cruise's career on June 17, 2022, after crossing $800 million worldwide.[169] On June 26, the film crossed $1 billion, becoming the second film to do so during the pandemic era.[170][171] It is the second-highest-grossing film released in 2022 (behind Avatar: The Way of Water).[172] Sonny Bunch, writing for The Washington Post, argued that the film's financial success along with that of Spider-Man: No Way Home demonstrates that securing a theatrical release in China is not mandatory for a Hollywood film to be profitable.[121] Deadline Hollywood calculated the film's net profit as $391.1 million, accounting for production budgets, marketing, talent participations, and other costs; box office grosses and home media revenues placed it second on their list of 2022's "Most Valuable Blockbusters".[2]

In the United States and Canada, Top Gun: Maverick was the highest-grossing film released in 2022.[4][173] It grossed $126.7 million in its opening three-day weekend and $160.5 million over the four-day Memorial Day weekend, finishing first at the box office and nearly doubling Cruise's previous career best. The film also had the largest Memorial Day four-day opening weekend.[174] Its Memorial Day weekend record was later broken in 2025 by Lilo & Stitch ($183 million).[175] In its second weekend, it grossed $90 million; the 29% drop was the smallest ever for a film that had an opening of over $100 million, surpassing Shrek 2 (33% drop in its second weekend from a $108 million debut in May 2004).[176] The film was dethroned by newcomer Jurassic World Dominion in its third weekend, but still grossed $51.9 million.[177] The film remained in the top five at the box office throughout its first ten weeks of release.[178] The film finally dropped out of the top five at the box office in its 11th weekend, finishing sixth with $7 million.[179] In its 12th weekend, the film was re-released in over 400 theaters and made $7.1 million, returning to second place.[180][181] In its 15th weekend, the film made $6 million (and a total of $7.9 million over the four-day Labor Day frame), returning to the top of the box office.[182] Box office analysts attributed the film's longevity at the box office to positive critical reviews and word of mouth.[183][184]

Outside the US and Canada, the film grossed $124 million from 62 markets in its opening weekend. It was Cruise's biggest opening ever in 32 of those markets and Paramount's best opening for a live-action film in 18 of them. The largest markets in its opening weekend were the United Kingdom ($19.4 million), France ($11.7 million), Australia ($10.7 million), Japan ($9.7 million), and Germany ($6.5 million). The film had the best debut of Cruise's career in the Middle East ($6.3 million), Brazil ($5.3 million), the Netherlands ($2.4 million), Sweden ($2.2 million), Belgium ($1.7 million), New Zealand ($1.4 million), Poland ($1.2 million), Argentina ($1.2 million), Finland ($1.1 million) and Portugal ($770,000). IMAX accounted for $10.4 million of its opening weekend outside the US and Canada.[185] The following weekend, it made $85.8 million, a mere 16% drop that included $18.5 million from IMAX screenings.[186] As of May 1, 2024, the top markets are the United Kingdom ($103.4 million), Japan ($101.7 million), South Korea ($67.2 million), Australia ($64.3 million) and France ($59.8 million).[187]

Critical response

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Many critics found the film better than its predecessor and described it as one of the best Tom Cruise films of all time.[6]

On the review aggregator website Rotten Tomatoes, 96% of 476 critics' reviews are positive, with an average rating of 8.2/10. The website's consensus reads: "Top Gun: Maverick pulls off a feat even trickier than a 4G inverted dive, delivering a long-belated sequel that surpasses its predecessor in wildly entertaining style."[188] Metacritic, which uses a weighted average, assigned the film a score of 78 out of 100, based on 63 critics, indicating "generally favorable" reviews.[189] Audiences polled by CinemaScore gave the film a rare "A+" grade on an A+ to F scale, while PostTrak reported 96% of audience members gave it a positive score, with 84% saying they would definitely recommend it.[174]

Pete Hammond of Deadline Hollywood thought Maverick was better than the first film.[190] The New York Times-based critic A. O. Scott called it a "thin, over-strenuous and sometimes very enjoyable movie" and "an earnest statement of the thesis that movies can and should be great."[191] Peter Bradshaw wrote in The Guardian that "Cruise presides over some surprising differences from his first outing as the navy pilot hotshot in a film that's missing the homoerotic tensions of the 80s original."[192] Alonso Duralde of TheWrap opined that the film "counts as a worthy sequel in that it succeeds and fails in many of the same ways as the original."[193] Mark Kermode, writing in The Guardian, saw the film as an "eye-popping blockbuster" which "manages to take your breath away".[194]

Entertainment.ie's Brian Lloyd's 4-star review said the film "exceeds with flying colours" and "exists in a world that is all of its own making. There are golden sunsets, perfectly crisp white t-shirts, exquisitely coiffed hair, and long-held flames of romance that make it all impossible to resist."[195] Clarrise Loughery, chief editor of The Independent, wrote that the film is "as thrilling as blockbusters get. It's the kind of edge-of-your-seat, fist-pumping spectacular that can unite an entire room full of strangers sitting in the dark and leave them with a wistful tear in their eye."[196] Richard Brody of The New Yorker characterized it as more of a reimagining than a direct sequel, integrating contemporary political themes into the aerial combat drama of the 1986 film.[197] Tomris Laffly of RogerEbert.com highlighted its emotional depth, emphasizing its unexpectedly powerful impact on audiences.[198]

In June 2025, IndieWire ranked the film at number 7 on its list of "The 100 Best Movies of the 2020s (So Far)."[199]

Industry response

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On August 3, 2022, filmmaker Quentin Tarantino called Top Gun: Maverick "fantastic", as the film, alongside Steven Spielberg's West Side Story, "provided a true cinematic spectacle, the kind that I'd almost thought that I wasn't going to see anymore." As a long-time admirer of the original Top Gun director, the late Tony Scott, he added: "There was just this lovely, lovely aspect because I love both Tony Scott's cinema so much, and I love Tony so much that that's as close as we're ever going to get to seeing one more Tony Scott movie ... The respect and the love of Tony was in every frame. It was almost in every decision. It was consciously right there, but in this really cool way that was really respectful."[200] Spielberg himself also praised the film as having "saved the entire theatrical industry”.[201]

Ridley Scott, Tony's older brother with whom Cruise worked on the 1985 film Legend, was given a private screening for Maverick.[202][203] Bruckheimer stated, "One of the most heartwarming things I experienced is when we showed the movie to Tony's brother, Ridley. He was laudatory in his praise for the film and the kind of care that Tom took to honor Tony throughout the movie. That was foremost in everybody's mind." However, Fede Álvarez, director of Alien: Romulus (produced by Scott), later stated that Scott had more negative feelings on Maverick. Álvarez stated "I asked him about the new Top Gun and he's like 'meh.' I'm like, 'What are you talking about?' And he was like, 'My brother's was original and this is like eh.' He really respected it, but you could see how tough he was."[202][203][204] The film was dedicated to Scott's memory.[205]

Role of the U.S. military

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The film was actively supported and influenced by the United States Department of Defense and the United States Navy to present the U.S. military in a positive light and aid in recruitment and retention.[75] The U.S. Air Force also ran recruitment ads before the film's screenings.[206] This led some to criticize the film as propaganda.[207][208][209][210]

Accolades

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At the 95th Academy Awards, Top Gun: Maverick received nominations for Best Picture, Best Adapted Screenplay, Best Original Song, Best Film Editing, and Best Visual Effects; and won Best Sound.[211] The film's other nominations include four British Academy Film Awards,[212] six Critics' Choice Movie Awards (winning one),[213] and two Golden Globe Awards.[214] It received two National Board of Review Awards and was named one of the top-ten films of 2022 by the American Film Institute.[215][216]

Lawsuits

[edit]

2022 Yonay family lawsuit

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In June 2022, the family of Israeli author Ehud Yonay, whose May 1983 California magazine article "Top Guns" inspired the original film, filed a lawsuit against Paramount. They accused the studio of copyright infringement related to the release of Top Gun: Maverick and sought both damages and an injunction to halt the film's distribution. Jerry Bruckheimer produced the original film, whose screenplay was written by Jim Cash (died 2000) and Jack Epps Jr.; all three men participated in the sequel.[217] According to the lawsuit, Paramount had obtained exclusive film rights to Yonay's article but ignored the 35-year copyright law, wherein the rights reverted to Yonay's widow Shosh and son Yuval in January 2020 after the writer's death in 2012.[218]

The lawsuit claimed that Maverick contains elements similar to the original article and that Paramount continued with the filming, even after receiving notice of the copyright's termination. The film distributor considered most of the sequel to have been complete before then and denied that Maverick was derived from Yonay's article.[219][220] A court dismissed the suit in April 2024, noting that Top Gun: Maverick and the magazine article were not similar beyond their treatment of unprotectable historical facts.[221][222]

2025 Shaun Gray lawsuit

[edit]

In April 2025, Shaun Gray, cousin of Maverick co-screenwriter Eric Singer, brought a lawsuit asserting joint authorship of the film. Gray claimed that he had written key scenes and "actively participated in story meetings with Singer and the Film's director, Joseph Kosinski," but was not under a traditional work for hire contract with Paramount and so retained copyright to his contributions.[223][224] In July, Judge Jed S. Rakoff dismissed Gray's joint authorship claim but allowed his alternative claim of copyright infringement to continue.[225][226] In August, Paramount Global brought counterclaims of infringement as well as fraud, alleging that Gray had "effectively admitted to infringing" the company's copyright in its pre-existing Top Gun material, as he had not been under a contract with Paramount when he contributed scenes to the film and therefore had produced an unauthorized derivative work.[227]

Sequel

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In May 2022, Teller revealed that he had been pitching a sequel, which would be tentatively titled Top Gun: Rooster and centered on his character, to Paramount Pictures.[228] By July of the same year, he stated that he has been having ongoing discussions with Cruise regarding a sequel.[229] In January 2024, it was reported that a sequel is in development.[230][231] In May 2025, Christopher McQuarrie confirmed he was writing Top Gun 3.[232]

See also

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Notes

[edit]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
is a 2022 American action drama film directed by Joseph Kosinski that serves as a sequel to the 1986 film Top Gun. The story centers on Captain Pete "Maverick" Mitchell (Tom Cruise), a veteran U.S. Navy test pilot who is assigned to train an elite group of Top Gun graduates, including the son of his late comrade, for a high-risk mission to destroy a fortified enemy uranium enrichment plant using advanced fighter jets. The film, produced by Jerry Bruckheimer and released theatrically by Paramount Pictures on May 27, 2022, following delays from the COVID-19 pandemic, featured extensive practical effects with actors undergoing real flight training in F/A-18 Super Hornets and other military aircraft provided through U.S. Navy cooperation. It achieved commercial success, grossing $1.452 billion worldwide on a $177 million production budget, ranking as the second-highest-grossing film of 2022 and the highest-grossing entry in Tom Cruise's filmography. Critically acclaimed for its adrenaline-fueled aerial sequences and commitment to authentic aviation cinematography over heavy reliance on CGI, the film holds a 96% approval rating on Rotten Tomatoes based on hundreds of reviews. Top Gun: Maverick received six nominations at the , including Best Picture, and won the Oscar for Best Sound, recognizing the technical prowess in capturing immersive cockpit audio during high-G maneuvers. While praised for revitalizing theatrical attendance post-pandemic through its spectacle-driven appeal, the production navigated challenges such as script revisions to maintain focus amid consultation and avoided major alterations despite external market pressures, including a release ban in .

Synopsis and Characters

Plot Summary

After more than thirty years of service as one of the U.S. Navy's top aviators, Captain Pete "Maverick" Mitchell continues pushing boundaries as a , achieving Mach 10 in a before a near-fatal incident leads to his reassignment. He is summoned to the Top Gun school at to train an elite group of graduates for a high-risk mission: destroying an underground uranium enrichment facility in a rogue nation's territory, protected by advanced surface-to-air missiles and fifth-generation enemy fighters. The approach requires flying at low altitudes through a narrow, radar-evading canyon before a steep climb to deploy laser-guided bombs within a 90-second window. Among the trainees is Lieutenant Bradley "Rooster" Bradshaw, son of Maverick's deceased best friend, Lieutenant Nick "Goose" Bradshaw, whose death Maverick feels responsible for; Rooster harbors resentment, exacerbated by Maverick's past interference in his naval academy application. The team includes cocky Lieutenant Jake "Hangman" Seresin, Lieutenant Natasha "Phoenix" Trace, Lieutenant Robert "Bob" Floyd, Lieutenant Reuben "Payback" Fitch, and Lieutenant Mickey "Fanboy" Garcia. Maverick enforces rigorous simulations, outperforming the pilots himself to demonstrate feasibility, fostering tension with Vice Admiral Beau "Cyclone" Simpson, who doubts Maverick's methods, and bonding through informal activities like beach volleyball. Maverick rekindles a romance with bar owner Penny Benjamin and receives support from Admiral Tom "Iceman" Kazansky, his former rival dying of throat cancer, who intervenes to protect Maverick's command. Iceman's death prompts a funeral where Cyclone reinstates Maverick for the mission. Dagger Squadron—Maverick, Rooster, Phoenix, Bob, Payback, and Fanboy—executes the operation to destroy the facility. After successfully bombing the target, during egress they encounter surface-to-air missiles and enemy Su-57 fighters. Maverick sacrifices his F/A-18 to shield Rooster from a missile and ejects, presumed dead. The remaining pilots—Phoenix, Bob, Payback, and Fanboy—return to the unnamed carrier as ordered. Rooster disobeys to rescue Maverick, resulting in both being shot down over enemy territory. They evade capture, steal an F-14A Tomcat, shoot down pursuing Su-57s, and receive support from Hangman, who eliminates the final threats. Maverick and Rooster land the damaged F-14 on the carrier using the emergency barricade, lacking a functional tailhook. The squadron reunites and celebrates on deck. Maverick and Rooster reconcile over Goose's death. Maverick secures his future with Penny, and Rooster retains Maverick's dog tags as a symbol of mentorship.

Cast and Roles

Tom Cruise reprises his role as Captain Pete "Maverick" Mitchell, a veteran United States Navy aviator tasked with training elite pilots for a high-stakes mission. Miles Teller portrays Lieutenant Bradley "Rooster" Bradshaw, Maverick's protégé and the son of his late friend Goose from the original film. Jennifer Connelly plays Penny Benjamin, Maverick's romantic interest and owner of a bar frequented by pilots. The supporting cast includes Jon Hamm as Admiral Beau "Cyclone" Simpson, the commanding officer overseeing the operation; Glen Powell as Lieutenant Jake "Hangman" Seresin, a cocky rival pilot; and Lewis Pullman as Lieutenant Robert "Bob" Floyd, a reserved weapons systems officer. Monica Barbaro stars as Lieutenant Natasha "Phoenix" Trace, a skilled aviator; Jay Ellis as Lieutenant Reuben "Payback" Fitch; Danny Ramirez as Lieutenant Mickey "Fanboy" Garcia; and Greg Tarzan Davis as Lieutenant Javy "Coyote" Machado, all members of Maverick's elite training detachment. Ed Harris appears as Rear Admiral Solomon "Hammer" Bates, a skeptical higher-up, while Val Kilmer returns as Admiral Tom "Iceman" Kazansky, Maverick's former rival now serving in a naval command position.
ActorRole
Tom CruiseCapt. Pete "Maverick" Mitchell
Miles TellerLt. Bradley "Rooster" Bradshaw
Jennifer ConnellyPenny Benjamin
Jon HammAdm. Beau "Cyclone" Simpson
Glen PowellLt. Jake "Hangman" Seresin
Lewis PullmanLt. Robert "Bob" Floyd
Monica BarbaroLt. Natasha "Phoenix" Trace
Jay EllisLt. Reuben "Payback" Fitch
Danny RamirezLt. Mickey "Fanboy" Garcia
Greg Tarzan DavisLt. Javy "Coyote" Machado
Ed HarrisRear Adm. Solomon "Hammer" Bates
Val KilmerAdm. Tom "Iceman" Kazansky

Production

Development History

Paramount Pictures initiated development of a sequel to the 1986 film Top Gun in 2010, securing Tom Cruise to reprise his role as Pete "Maverick" Mitchell, Jerry Bruckheimer as producer, and Tony Scott to direct. Scott, who helmed the original, collaborated closely with Cruise on the project in its early stages, including meetings as late as August 17, 2012. Scott's suicide on August 19, 2012, halted progress, leaving the sequel in limbo for several years. The project languished amid challenges in crafting a script that satisfied Cruise's standards for practical effects and aviation authenticity, with initial efforts by screenwriter Ehren Kruger failing to advance to production. Revival efforts gained traction around 2017 when director Joseph Kosinski, known for Tron: Legacy and Oblivion, developed a new storyline emphasizing real fighter jet sequences and pitched it directly to Cruise during the filming of Mission: Impossible – Fallout in Paris, alongside Bruckheimer. Kosinski's vision, focusing on Maverick training a new generation of pilots for a high-stakes mission, secured Cruise's approval and Paramount's commitment, replacing Scott as director. The screenplay evolved through multiple iterations, credited to Kruger, Eric Warren Singer, and Christopher McQuarrie, based on a story by Peter Craig and Justin Marks, incorporating Cruise's input on character arcs and technical feasibility. By late 2018, the project moved forward with Skydance Media co-financing, setting the stage for pre-production amid ongoing Navy consultations for realism.

Screenwriting and Creative Input

The screenplay for Top Gun: Maverick was credited to , , and , with the story developed by and , building on characters created by and for the 1986 original. Development of the script spanned over a , initially stalled after the 2012 suicide of —who had been attached as director—and later delayed by production shutdowns in 2020. Director collaborated with producer to outline a centered on mentoring a new generation of pilots amid high-stakes missions, confronting personal regrets including the death of his co-pilot from the first film. Kosinski pitched this mentor-protégé framework directly to Tom Cruise during the latter's filming of Mission: Impossible in Paris, securing approval by emphasizing emotional continuity with the original while updating for contemporary aerial warfare tactics. Cruise, serving as producer alongside his starring role, exerted substantial creative influence, prioritizing a storyline that integrated authentic in-cockpit flying to honor aviation realism over CGI reliance, which shaped sequences around real Navy training protocols and pilot psychology. This approach stemmed from Cruise's stated goal of crafting a "love letter to aviation," ensuring the script's action beats derived from feasible physics and pilot capabilities rather than stylized effects. The U.S. Navy and Department of Defense provided early and ongoing script consultation, embedding technical advisors who reviewed drafts for operational fidelity—such as F/A-18 maneuvers and mission planning—while the Pentagon's involvement facilitated narrative alignment with military recruitment themes, including Maverick's arc as a symbol of disciplined excellence. Documents obtained via Freedom of Information Act requests reveal no formal script notes from the military but confirm co-developmental input from project inception, prioritizing portrayals that enhanced service branch appeal without compromising core plot elements like Maverick's rule-breaking ethos. In 2025, a federal court dismissed a copyright lawsuit by uncredited writer Shaun Gray, who claimed contributions to key scenes enlisted by Singer and Kosinski, affirming the official credits.

Casting Process

Tom Cruise reprised his role as Captain Pete "Maverick" Mitchell, with his involvement in the sequel secured by Paramount Pictures and Skydance Media as early as 2015, prior to formal production announcements. Director Joseph Kosinski prioritized actors who could endure the film's rigorous aviation training and G-force exposure, conducting auditions that emphasized physical fitness and authenticity in portraying elite pilots. The process drew from Cruise's producer oversight, ensuring alignment with the original film's tone while introducing fresh ensemble members to depict a new generation of Top Gun graduates. Miles Teller was cast as Lieutenant Bradley "Rooster" Bradshaw, the son of Maverick's late Radar Intercept Officer Nick "Goose" Bradshaw from the 1986 film, with the announcement made on July 3, 2018. Kosinski had considered Teller for the role earlier in development, valuing his prior dramatic work and ability to convey emotional depth amid high-stakes action. Glen Powell initially auditioned for Rooster around 2017 but was not selected; following Teller's casting, Cruise personally contacted Powell in 2017 to offer him the antagonistic pilot role of Lieutenant Jake "Hangman" Seresin, which Powell accepted after initial reservations about the character's cocky archetype. Powell prepared by immersing himself in pilot routines, including visits to air bases, to embody the role convincingly. Jennifer Connelly was announced on July 20, 2018, as Penelope "Penny" Benjamin, Maverick's romantic interest—a character briefly mentioned in the original film as an admiral's daughter. Kosinski selected Connelly to refresh the love interest dynamic, opting not to recast Kelly McGillis's Charlie Blackwood from 1986, stating the need for "new characters" to evolve the narrative beyond nostalgia. Supporting roles filled out rapidly, with Jon Hamm as Admiral Beau "Cyclone" Simpson, Ed Harris as Rear Admiral Solomon "Warlock" Bates, and Lewis Pullman as Lieutenant Robert "Bob" Floyd announced on August 22, 2018; additional pilots like Monica Barbaro (Phoenix), Jay Ellis (Payback), and Danny Ramirez (Fanboy) were confirmed by late August 2018. Val Kilmer returned as Admiral Tom "Iceman" Kazansky, adapting his performance around health challenges including throat cancer. The final ensemble rounded out by October 3, 2018, with lesser roles such as Kara Wang as Instructor Logan "Minx" Lee and Jack Schumacher as Lieutenant Neil "Omaha" Vikander.

Filming and Practical Effects


Principal photography for Top Gun: Maverick began with specialized shoots in August 2018 aboard the USS Abraham Lincoln (CVN-72), an active-duty Nimitz-class aircraft carrier, where a 15-person production crew captured flight deck operations for the film's opening sequences under a Navy production assistance agreement. The majority of filming occurred from mid-2019 through early 2021, primarily at Naval Air Station North Island in San Diego, California, with additional locations including Point Mugu in Oxnard and sites in Nevada and Washington State to depict diverse terrains. Production faced delays due to the COVID-19 pandemic, resuming in September 2020 after a halt in March.
The film prioritized practical effects over digital simulation, with lead actor and producer Tom Cruise advocating for authentic aerial sequences filmed in real F/A-18E/F Super Hornet jets provided by the U.S. Navy. Actors underwent a rigorous three-month training program, including centrifuge sessions to withstand up to 8 Gs and instruction on operating modified Sony VENICE cameras mounted inside cockpits, enabling in-camera capture of pilot reactions under genuine G-forces. Cinematographer Claudio Miranda employed five IMAX-certified cameras per aircraft—three in the cockpit and two externally—to achieve unprecedented immersion, minimizing post-production CGI for flight dynamics while using visual effects sparingly for background enhancements and impossible angles via rotating cockpit rigs on stages. This approach, supported by over 700 actual flight hours, ensured realism that distinguished the production from CGI-heavy contemporaries, though approximately 2,400 VFX shots provided seamless integration for elements like enemy aircraft and landscapes.

Aircraft and Aviation Sequences

The aviation sequences in Top Gun: Maverick relied heavily on practical filming with operational U.S. Navy , capturing real maneuvers and G-forces to achieve authenticity, with actors positioned in the rear seats of two-seater jets flown by active-duty naval aviators. This approach minimized reliance on CGI for American formations and dogfights, though supplemented enemy planes like the Su-57 and certain impossible maneuvers. Primary filming utilized F/A-18F Super Hornets, the Navy's two-seat variant of the Super Hornet, for interior shots during high-G sequences such as inverted dives and carrier traps. Each jet accommodated up to six Venice cameras in the cockpit—three full units plus Rialto-separated sensors for forward and rear views over pilots' and ' shoulders—using lightweight lenses to withstand vibrations and forces up to 8-9 Gs. External cameras, mounted on NAVAIR-custom housings on the jets' bellies, wings, and , captured self-referential shots, while air-to-air photography employed a modified "CineJet" with Shotover F1 gimbals, an , and an H125 helicopter for dynamic pursuits. Actors, including Tom Cruise, underwent three months of intensive flight training starting with Cessna 172s and progressing to Extra EA-300 aerobatic planes and L-39s to build tolerance for G-forces and simulate combat reactions like grimacing or blacking out, which were documented in real-time by cockpit cameras. Cruise personally piloted a P-51 Mustang for a low-altitude training sequence, leveraging his certified pilot license, while other cast members remained passengers to prioritize safety and Navy protocols. Carrier operations were staged aboard the USS Abraham Lincoln, incorporating live launches and recoveries with F/A-18s to replicate Strike Fighter Tactics Instructor program realism. The appeared in static ground sequences at an enemy base, sourced as a non-airworthy from storage with engines removed, precluding any flight usage due to the type's retirement in 2006. Fictional elements like the Darkstar hypersonic prototype utilized a full-scale rolling mockup for ground sequences, while CGI handled acceleration visuals exceeding real physics. The Darkstar prop was a full-scale rolling mockup measuring 70 feet long with a 40-foot wingspan, designed by Lockheed Martin's Skunk Works and precision-built by ADM Works in California primarily using carbon fiber composites. It featured functional landing gear for towing during filming, a realistic carbon fiber cockpit with controls and canopy lenses, and was fabricated in 14 weeks using 3D CAD models, layup tooling, and precision metrology.
Aircraft TypeRole in SequencesFilming Notes
F/A-18F Super Dogfights, canyon runs, carrier Navy-provided two-seaters; in rear, 6 cockpit cameras per jet; up to 9G maneuvers.
P-51 Low-level flyoverPiloted by Cruise; real flight without aboard.
F-14 TomcatEnemy base ground sceneStatic ; no aerial use.
Air-to-air camera platformModified as CineJet for chasing Super .
Su-57 ()Adversary Fully CGI; no practical model flew the depicted maneuvers.
These methods, coordinated by aerial unit director Kevin LaRosa II, resulted in over 700 flight hours and thousands of passes, prioritizing causal fidelity to aviation physics over simulated effects for sequences like formation flying and missile locks. Approximately 2,400 VFX shots integrated backgrounds, explosions, and composites without altering core jet behaviors, as confirmed by supervisors who noted the footage's inherent realism reduced post-production needs.

Soundtrack

Original Score

The original score for Top Gun: Maverick was composed by Hans Zimmer, Harold Faltermeyer, Lorne Balfe, and Lady Gaga, marking Gaga's first credit in film scoring. Faltermeyer, returning from the 1986 film's synthesizer-based score, partnered with Zimmer to orchestrate an expanded, more symphonic adaptation of key motifs like the "Top Gun Anthem," emphasizing epic brass and strings to heighten tension in aerial combat sequences. Zimmer focused on action cues for dogfights and training, while Gaga's love theme provided emotional underpinning for themes of sacrifice and romance; Balfe oversaw production. Development began in 2018 at Zimmer's Santa Monica studio, with work extending through 2019 and into remote sessions in 2020–2021 amid the COVID-19 pandemic, incorporating contributions from musicians like drummer Chad Smith and cellist Tina Guo recorded in isolation. The score integrates subtle nods to Faltermeyer's original themes while building intensity through layered percussion and orchestral swells tailored to practical flight footage. Original score tracks appeared on the May 27, 2022, soundtrack album released by Interscope Records, totaling about 30 minutes amid featured songs, including "Main Titles (You’ve Been Called Back to Top Gun)," "Darkstar," "You’re Where You Belong / Give ‘Em Hell," "Dagger One is Hit / Time to Let Go," "Tally Two / What’s the Plan / F-14," "The Man, the Legend / Touchdown," "Penny Returns – Interlude," and a climactic "Top Gun Anthem." Critics noted its effectiveness in amplifying the film's visceral energy, though it received no Academy Award nomination for Best Original Score, attributed in part to the composers' separate workflows. The featured music in Top Gun: Maverick incorporates licensed tracks from the 1986 original film alongside newly composed songs, enhancing key sequences with high-energy rock and pop elements. "Danger Zone" by , originally released on the Top Gun soundtrack, recurs during the opening aerial maneuvers, underscoring Maverick's return to Top Gun with its signature synth-driven intensity. In the Hard Deck bar scene, Lieutenant Bradley "Rooster" Bradshaw performs a live rendition of "Great Balls of Fire" by Jerry Lee Lewis, capturing the film's nostalgic nod to the original while advancing character dynamics through impromptu piano play. This version, recorded on set by actor Miles Teller, appears on the official soundtrack album released May 27, 2022. Original compositions include "" by , which accompanies a football montage emphasizing camaraderie and physical , released as a single on April 22, 2022, ahead of the film's . Similarly, Lady Gaga's "Hold My Hand," co-written with and Jesse Gregg, plays over credits, blending orchestral swells with pop hooks to evoke resolution; it was released as a single on May 6, 2022, and later nominated for Best Original Song at the 95th Academy Awards. Additional licensed tracks, such as Hank Williams' "Your Cheatin' Heart," provide subtle country influences in interpersonal scenes, maintaining the film's blend of classic American rock with contemporary production. These selections, curated by music supervisor Julianne Jordan, prioritize diegetic and non-diegetic cues that amplify the narrative's themes of risk, legacy, and exhilaration without overshadowing Hans Zimmer's score.

Marketing and Distribution

Promotional Campaigns

Paramount Pictures launched an extensive promotional campaign for Top Gun: Maverick spanning several years, beginning with the release of the first official trailer on July 18, 2019, which garnered significant online views and set the stage for anticipation amid production delays due to the COVID-19 pandemic. A Super Bowl LVIV TV spot aired on February 2, 2020, featuring Tom Cruise in high-speed flight sequences to maintain momentum. Subsequent trailers, including a second one on December 16, 2019, and a final official trailer on March 29, 2022, emphasized practical aviation effects and nostalgia, contributing to viral social media engagement with related hashtags accumulating over 14.5 billion views across platforms like TikTok. The campaign integrated cross-portfolio activations within Paramount's ecosystem, leveraging TV brands and IP for targeted advertising, alongside live stunts such as a five-plane squadron flyover forming the film's logo at the Manhattan Beach AVP Volleyball Tournament in summer 2022. Partnerships included collaborations with Microsoft for Top Gun: Maverick missions streamed on Flight Simulator via Twitch, and a fitness challenge #TopGunTuesdays with Dogpound gym featuring themed workouts. Co-branding efforts extended to Porsche for nostalgic tie-ins, while content series like a 10-part franchise retrospective and Halloween-themed "Top Gun Pumpkin Carving School" drove fan participation and home entertainment buzz post-theatrical release. High-profile events amplified visibility, including a trailer reveal by Tom Cruise at San Diego Comic-Con in 2022 and the world premiere livestreamed from USS Midway in San Diego on May 4, 2022, followed by early access screenings on May 24. The strategy's effectiveness was recognized with awards for best integrated campaign, supporting the film's record-breaking box office performance.

Theatrical and Digital Release

Top Gun: Maverick had its world premiere at the Cannes Film Festival on May 18, 2022. A London premiere followed on May 19, 2022. The film received a wide theatrical release in the United States on May 27, 2022, distributed by Paramount Pictures in formats including IMAX, Dolby Cinema, and 4DX. This date marked the end of pandemic-related delays, with Paramount opting for an exclusive 45-day theatrical window to prioritize cinema exhibition over early streaming availability. The film became available for premium video on demand (PVOD) purchase and rental on digital platforms such as and Apple TV on August 23, 2022, approximately 88 days after its theatrical debut. It later streamed on Paramount+ globally starting December 22, 2022, becoming the service's most-watched film in its opening weekend. A limited rerelease occurred in theaters on September 8, 2023, to capitalize on ongoing popularity.

Commercial Success

Box Office Performance

Top Gun: Maverick, released theatrically on May 27, 2022, had a production budget estimated at $170–177 million. The film achieved a worldwide gross of $1.496 billion, marking it as the second-highest-grossing film of 2022 globally and the highest-grossing film in Tom Cruise's career. This performance yielded an estimated $391 million in profit for Paramount Pictures after theatrical revenue shares and marketing costs. Domestically, the film opened to $126.7 million over the four-day Memorial Day weekend across 4,735 theaters, setting a record for the holiday period and ranking as the second-highest opening weekend of 2022 at the time. Its total North American gross reached $718.7 million, placing it among the top domestic earners unadjusted for inflation and surpassing the previous record held by Titanic during its run. The film's strong word-of-mouth contributed to exceptional longevity, with a 5.66x multiplier from opening to final domestic total and a theatrical run extending over 14 weeks. Internationally, Top Gun: Maverick earned approximately $777.3 million, with significant contributions from markets including Europe, the Middle East, Africa, and Asia. The global total underscored its appeal amid post-pandemic recovery for cinemas, as it outperformed expectations for a legacy sequel by maintaining momentum through repeat viewings and limited competition during its peak run.

Home Media Sales

Top Gun: Maverick was released for digital purchase and rental on August 23, 2022, followed by physical home media formats including DVD, Blu-ray, and 4K UHD Blu-ray on November 1, 2022. In its first week of digital availability, the film set a U.S. record for week-one electronic sell-through (EST) sales, surpassing previous benchmarks and ranking among the top 20 all-time best-selling digital movies domestically. By early September 2022, it had become the highest-grossing digital sell-through title in U.S. history, reflecting strong consumer demand post-theatrical run. On physical disc charts, Top Gun: Maverick debuted at number one on the NPD VideoScan combined DVD and Blu-ray sales ranking for the week ending November 10, 2022, with Blu-ray formats comprising 65% of units sold—40% standard Blu-ray and 25% 4K UHD. It retained the top position for the following week and extended its lead to four consecutive weeks by November 26, 2022, while leading overall disc sales for November. In the United Kingdom, the film achieved over 1.2 million units sold across DVD, Blu-ray, and digital EST, making it the best-selling home video title of 2022, with more than 800,000 units from digital alone. Home entertainment revenue contributed approximately $250 million globally to the film's financial performance, underscoring its sustained post-theatrical profitability amid a declining physical media market.

Reception and Analysis

Critical Evaluations

Top Gun: Maverick received widespread critical acclaim, earning a 96% approval rating on Rotten Tomatoes based on 477 reviews, with the site's consensus describing it as a film that "revs its old-fashioned Hollywood jet engines and soars to popcorn-picture heights, occasionally even achieving high hypersonic thrills." On Metacritic, it scored 78 out of 100 from 63 critics, indicating "generally favorable" reception, with reviewers highlighting its technical prowess and entertainment value. Critics frequently praised the film's aerial action sequences, shot using practical effects and real fighter jets, which provided immersive, high-stakes visuals superior to the original 1986 film's simulations. Director Joseph Kosinski's emphasis on authentic flight footage, including IMAX cameras mounted in cockpits, was lauded for delivering visceral tension and realism, with Tom Cruise's insistence on performing many stunts himself contributing to the sequence's credibility. Tom Cruise's portrayal of Pete "Maverick" Mitchell drew particular commendation for blending nostalgia with maturity, evolving the character from reckless youth to a seasoned mentor while retaining his signature bravado. Supporting elements, such as the score's callbacks to Harold Falkner's original themes and the emotional resonance of Val Kilmer's brief return as Iceman, were noted for enhancing thematic depth without overt sentimentality. The film's avoidance of heavy-handed messaging in favor of straightforward heroism and skill-based triumphs aligned with its escapist appeal, resonating in a post-pandemic era craving unapologetic spectacle. Some detractors argued the narrative remained formulaic, relying on familiar tropes like rivalries and redemption arcs without substantial innovation beyond the visuals. Jennifer Connelly's romantic subplot was critiqued as underdeveloped, serving more as a nod to the original than a fleshed-out dynamic. Despite these points, the prevailing view positioned the sequel as a rare successful legacy project, outperforming its predecessor in execution and audience engagement metrics.

Audience and Cultural Response

Top Gun: Maverick earned an A+ grade from CinemaScore, a rare achievement shared by fewer than 1% of films polled, reflecting strong immediate audience approval from opening-night surveys. The film also achieved a 98% audience score on Rotten Tomatoes based on over 50,000 verified ratings, indicating sustained positive reception among viewers. These metrics underscore the sequel's broad appeal, with audiences praising its high-octane aerial sequences and character-driven narrative over mere reliance on nostalgia from the 1986 original. Demographic data revealed a skew toward older viewers, with 54% of domestic ticket buyers aged 35 and above, contributing to high repeat attendance rates—16% of audiences saw the film multiple times, including 4% viewing it four or more times. This enthusiasm manifested in measurable boosts to theater foot traffic, such as a 120% increase in daily visitors in Rhode Island during the opening week compared to prior periods. The film's post-pandemic release positioned it as a catalyst for theatrical recovery, affirming producer Tom Cruise's insistence on exclusive big-screen presentation and drawing crowds seeking immersive spectacle unavailable via streaming. Culturally, Top Gun: Maverick exceeded expectations as an unforeseen blockbuster, surprising skeptics who anticipated modest performance from a 36-year-old franchise revival. Its success highlighted the enduring draw of practical effects and emotional storytelling in aviation-themed action, fostering discussions on cinema's communal value amid streaming dominance. While nostalgia amplified interest among original fans, the sequel's technical authenticity and thematic focus on mentorship and duty resonated independently, embedding it in broader conversations about heroism and technological prowess in American filmmaking.

Military and Industry Perspectives

The U.S. Navy provided extensive support for Top Gun: Maverick, including access to aircraft carriers, F/A-18 Super Hornets, and other assets, reflecting a view of the film as a favorable depiction of naval aviation. This collaboration, which involved script reviews and technical advising by Navy personnel, ensured that flight sequences captured authentic elements of pilot training and operations, though the narrative prioritized dramatic tension over routine procedures. Former Top Gun instructor Guy Snodgrass, a retired Navy Commander, described the aerial maneuvers as highly realistic, noting that the film's inverted dives and high-G pulls mirrored actual tactics, while acknowledging Hollywood liberties like exaggerated mission risks. Naval aviators and graduates of the Navy Fighter Weapons School have generally praised the sequel's technical fidelity compared to the 1986 original, with one former instructor estimating that 90% of the flying was realistic based on mission profiles he had flown. Combat veteran and stunt pilot Frank Weisser, a two-time Blue Angels member, highlighted the film's accurate portrayal of cockpit dynamics and team coordination during high-stakes sorties. However, critiques from active and retired pilots emphasize that the movie romanticizes individualism over the Navy's emphasis on bureaucracy and collective discipline, portraying Maverick's rule-breaking as more heroic than it would be in reality. A 60 Minutes segment featuring Top Gun graduates underscored this, noting the film's inspiration value but deviations in depicting carrier operations and leadership hierarchies. In aviation circles, professionals commended the production's innovative use of in-cockpit cameras mounted in real F/A-18s, which subjected actors to genuine G-forces up to 8.5, enhancing authenticity beyond CGI reliance. Publications like Flying Magazine viewed it as a benchmark for aerial filmmaking, appealing to pilots who appreciated the emphasis on skill over technology, though some noted outdated tactics relative to fifth-generation stealth fighters like the F-35. Defense analysts have observed the film's role in bolstering public perception of U.S. military capabilities, with the Navy leveraging screenings for recruitment drives that saw spikes in applications following its 2022 release. While some outlets labeled it de facto propaganda due to Pentagon involvement, military sources counter that its motivational impact on service members outweighed narrative simplifications.

Awards and Recognition

Major Accolades

Top Gun: Maverick garnered widespread acclaim in major award circuits, particularly for its technical achievements and overall impact. At the 95th Academy Awards on March 12, 2023, the film secured six nominations, including Best Picture, Best Adapted Screenplay, Best Original Song ("Hold My Hand" by Lady Gaga, BloodPop, and Benjamin Rice), Best Film Editing, Best Sound, and Best Visual Effects; it won the Oscar for Best Sound, awarded to Mark Weingarten, James H. Mather, Al Nelson, Chris Burdon, and Mark Taylor. The nomination for Best Picture marked a rare honor for a blockbuster action sequel, reflecting its commercial and artistic success despite competition from films like Everything Everywhere All at Once. The film was nominated at the 80th Golden Globe Awards in 2023 for Best Motion Picture – Drama and Best Original Song ("Hold My Hand"), though it did not win in either category. At the 76th British Academy Film Awards, Top Gun: Maverick earned four nominations in technical fields: Best Cinematography (Claudio Miranda), Best Editing (Eddie Hamilton), Best Sound, and Best Special Visual Effects, underscoring praise for its aerial sequences and production values, but received no victories. Beyond these, the film was named one of the top ten films of 2022 by the American Film Institute, alongside honors from the Producers Guild of America for Outstanding Producer of Theatrical Motion Pictures and the National Board of Review for Best Film, highlighting its industry validation prior to the Oscars. These accolades contributed to its reputation as a critically revived action franchise entry, with over 100 additional wins across various guilds and critics' awards for elements like directing and visual effects.

Technical Achievements

Top Gun: Maverick received the Academy Award for Best Sound at the 95th Academy Awards on March 12, 2023, recognizing the work of sound designers James H. Mather, Al Nelson, Bjørn Schroeder, Chris Burdon, and Mark Taylor for their immersive audio capturing high-altitude jet maneuvers and cockpit communications. The film was also nominated for Best Film Editing and Best Visual Effects, highlighting contributions in montage sequencing of flight action and integration of practical and digital elements, though it did not win in those categories. Additionally, it secured the Cinema Audio Society Award for Outstanding Achievement in Sound Mixing for a Live Action Feature, underscoring the technical prowess in blending on-location recordings with post-production enhancements. The production innovated aerial cinematography by mounting modified IMAX and Sony VENICE cameras directly in real F/A-18 Super Hornet cockpits, with actors positioned in rear seats enduring up to 8G forces during flights conducted by U.S. Navy pilots. Cinematographer Claudio Miranda adapted camera systems, including removable sensors, to withstand extreme vibrations and G-loads, enabling unprecedented in-camera capture of authentic pilot reactions and landscapes without relying heavily on green-screen composites. This approach involved over 800 flights totaling more than 1,000 hours, prioritizing practical effects for realism in dogfight and canyon run sequences, supplemented by approximately 2,400 visual effects shots for enhancements like missile trails and explosions. Editing techniques synchronized multi-angle footage from helmet cams, external chase planes, and onboard rigs to create fluid, high-speed action montages, earning praise for maintaining spatial coherence amid complex maneuvers. The film's commitment to minimal CGI in core aviation scenes—using real aircraft like the F-14 Tomcat for legacy shots—set a benchmark for blending analog authenticity with digital polish, influencing subsequent action filmmaking.

Military Collaboration

U.S. Navy Involvement

The U.S. Navy provided substantial logistical and technical support for the production of Top Gun: Maverick, including access to aircraft, ships, and bases to facilitate authentic depictions of naval aviation operations. This cooperation involved the provision of 4 to 12 F/A-18E/F Super Hornets for aerial filming, one repainted F-14 Tomcat for a crash sequence with ejection seats removed, and stock footage of the F-35C under strict security review by the Joint Program Office. Filming utilized the USS Abraham Lincoln for F-35 and F/A-18 operations and the USS Theodore Roosevelt for interior scenes in the combat direction center and the F-14 crash portrayal, with Paramount Pictures covering associated transport, painting, and maintenance costs for the F-14. Naval facilities such as Naval Air Station Fallon—the site of the real TOPGUN school—Naval Air Station Lemoore, Naval Air Station Whidbey Island, Naval Base Coronado, Naval Air Facility El Centro, and Naval Air Weapons Station China Lake hosted production activities, including hangar transformations and the construction of the "Hard Deck" bar set on NAS North Island's beach, which remained until September 2020. Technical advisors, including Captain Brian Ferguson as aerial coordinator on active-duty orders, Captain JJ "Yank" Cummings, and Commander Tim "Sparky" Charlebois, reviewed the script line-by-line from June 2017 to February 2018 to ensure operational accuracy, professional dialogue, and a positive portrayal of Navy culture, rejecting elements like unrealistic pilot infiltrations or fraternization subplots. Actor training emphasized realism, with performers experiencing flights in the rear seats of two-seat Super Hornets alongside naval aviators, enduring high-G maneuvers captured via 6K Sony Venice cameras mounted on modified aircraft; approximately 95% of cockpit footage derived from these real flights conducted by Navy pilots, minimizing CGI reliance. Advisors coordinated safety protocols for aerial sequences, drawing on expertise from TOPGUN and adversary squadrons to depict genuine maneuvers and training protocols. In exchange, the Department of Defense received five movie posters and ten DVDs upon release, with Navy approvals from entities like the Naval Air Systems Command for camera installations on F/A-18s and helicopters.

Impact on Recruitment and Perception

The release of Top Gun: Maverick in May 2022 prompted U.S. Navy officials to anticipate a recruitment surge akin to the original 1986 film, with recruiters establishing booths at theaters and the service promoting aviation career paths in conjunction with screenings. However, empirical data indicates no substantial quantifiable increase materialized; Navy enlistments remained challenged amid broader military recruiting shortfalls, with fiscal year 2022 goals unmet by approximately 7,000 sailors and persistent difficulties extending into 2023. Anecdotal reports from recruiters noted heightened inquiries about pilot programs post-release, but these did not translate to verified spikes in applications or contracts, contrasting with pre-release optimism. Historical analysis of the original Top Gun underscores caution in attributing causation to films; while popularly linked to a 500% recruitment jump—a figure repeated without primary sourcing—the verified effect was a modest 8-8.3% rise in naval aviator applications in the subsequent year, influenced by concurrent factors like post-Vietnam recovery and economic conditions rather than the movie alone. For Maverick, similar dynamics prevailed: the film's emphasis on technical prowess and mission success aligned with Navy messaging, yet external pressures such as economic uncertainty, competition from private sector opportunities, and shifting youth demographics limited any isolated impact. Regarding public perception, the film reinforced a heroic, competence-driven image of naval aviation, portraying pilots as elite professionals executing high-stakes operations with precision and minimal bureaucracy, which resonated amid critiques of recent military engagements. Surveys and commentary post-release highlighted its role in evoking national pride and countering narratives of institutional failure, with audiences citing renewed appreciation for service members' skills over two decades of counterinsurgency-focused operations. Critics from defense-oriented outlets noted its potential to humanize the military's technical edge, though some progressive analyses framed it as overt recruitment propaganda, a view unsubstantiated by enlistment metrics but reflective of polarized media interpretations. Overall, while not reversing recruitment trends, Maverick contributed to a temporary uplift in favorable military sentiment, evidenced by increased social media engagement with Navy content and box-office driven visibility for service branding.

Yonay Family Rights Dispute (2022)

In January 2020, the heirs of Ehud Yonay—his widow Shosh and son Yuval—exercised a statutory right under U.S. copyright law to terminate the 1983 grant of rights that Yonay had provided to Paramount Pictures for adapting his magazine article "Top Guns," published in California magazine, into the original Top Gun film. The termination notice had been sent in 2018, reviving the family's control over the article's copyright while alleging that Paramount proceeded with production of Top Gun: Maverick without securing fresh authorization or licensing, thereby infringing on their exclusive rights. Yonay, an Israeli-American journalist who died in 2012, had detailed the experiences of U.S. Navy fighter pilots at Naval Air Station Miramar in his piece, which served as a key inspiration for the 1986 film but was not a direct script adaptation. On June 6, 2022, the Yonay heirs filed suit against Paramount Pictures Corporation in the U.S. District Court for the Central District of California (Case No. 2:22-cv-04547), asserting claims of direct and vicarious copyright infringement, breach of an implied contract requiring credit to Yonay in any derivative works, and declaratory relief to affirm their ownership rights. The plaintiffs contended that Top Gun: Maverick substantially copied protectable elements from the article, such as specific pilot characterizations, training scenarios at Miramar (renamed North Island in the film), and competitive dynamics among aviators, despite the sequel's focus on new plotlines involving advanced aircraft like the F/A-18 Super Hornet and drone threats. They sought damages, including the film's profits, and an injunction, arguing that Paramount's prior rights extended only to the original film as a derivative work and not to sequels produced post-termination. Paramount countered that the termination did not revoke rights in pre-existing derivative works like the original Top Gun franchise, nor did the sequel infringe by copying non-protectable ideas such as general Navy pilot rivalries or flight training tropes, which are scènes à faire inherent to the genre. The studio emphasized that Maverick's script, credited to Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie, drew from the established film characters and lore rather than directly replicating the article's narrative structure or unique expressions. On April 5, 2024, U.S. District Judge Beverly Reid O'Connell granted Paramount's motion for summary judgment, ruling that no reasonable jury could find substantial similarity between the article's protectable elements and the film's scenes, as the comparisons relied on unprotected factual depictions or broad concepts; the breach claim was dismissed for lack of an enforceable credit obligation in the sequel. The Yonays appealed the dismissal to the U.S. Court of Appeals for the Ninth Circuit in May 2024, maintaining that the district court erred in evaluating similarity at a high level of abstraction and undervaluing the article's influence on the franchise's core premise. Oral arguments occurred on June 3, 2025, where Ninth Circuit judges expressed skepticism toward the infringement claims, questioning whether the sequel's modernized elements sufficiently mirrored the 1983 article beyond generic aviation themes. As of October 2025, the appeal remains pending without a final ruling, highlighting ongoing debates over copyright termination's scope for long-running film franchises derived from journalistic works.

Shaun Gray Credit Lawsuit (2025)

In April 2025, Shaun Gray, cousin and occasional assistant to credited Top Gun: Maverick co-screenwriter Eric Warren Singer, filed a copyright infringement lawsuit against Paramount Pictures in the U.S. District Court for the Southern District of New York, seeking co-authorship credit and a share of the film's profits. Gray alleged that Singer and director Joseph Kosinski enlisted his help in developing key scenes, including plot elements involving Maverick's mentorship of younger pilots and specific action sequences, but denied him formal recognition despite his substantial contributions to the final screenplay. The suit highlighted Gray's prior writing credits on other projects but emphasized that his uncredited work on Maverick—a film that grossed over $1.5 billion worldwide—entitled him to joint authorship under copyright law. On July 31, 2025, U.S. District Judge Jed S. Rakoff partially dismissed Gray's claims, ruling that he failed to demonstrate sufficient original authorship or fixation of his contributions to warrant a share of the copyright or profits, as the screenplay underwent extensive revisions by multiple parties including Singer, Kosinski, and producer Jerry Bruckheimer. The decision noted that Gray's allegations did not establish independent creation of protectable elements, dismissing demands for accounting of profits but allowing narrower claims related to potential breach of implied contract to proceed. In response, Paramount filed a countersuit on August 14, 2025, accusing Gray of fraud, copyright infringement, and misrepresentation for concealing his purported involvement until 2023—over a year after the film's June 2022 release—and after Singer had secured sole credit negotiations with the Writers Guild of America. The studio argued that Gray's delayed claims undermined the collaborative writing process and sought declaratory judgment affirming no co-authorship, along with damages for alleged bad-faith assertions. As of October 21, 2025, Paramount's counterclaims remain active following a court ruling denying Gray's motion to dismiss them, with the case centered on disputes over evidentiary submissions including emails and draft comparisons; no trial date has been set. The litigation underscores tensions in Hollywood screenwriting attribution, where guild rules and joint authorship standards often favor documented contributions amid iterative script development.

Sequel Developments

Top Gun 3 Planning

Following the commercial and critical success of Top Gun: Maverick, which grossed over $1.4 billion worldwide, Paramount Pictures initiated development on Top Gun 3 in early 2024. Producer Jerry Bruckheimer confirmed in September 2025 that the project remains active, with screenwriter Ehren Kruger, who co-wrote Maverick, refining the script. Tom Cruise, reprising his role as Captain Pete "Maverick" Mitchell, endorsed the sequel in May 2025, stating discussions with Paramount were underway to ensure quality aligned with the franchise's standards. Director Joseph Kosinski, who helmed Maverick, is attached to direct or produce, emphasizing an "ambitious" narrative centered on Maverick confronting an existential crisis, described as his "one last ride." Co-writer Christopher McQuarrie revealed in May 2025 that the core story concept was finalized after a year of development, prioritizing thematic depth over rushed production. Actor Jay Ellis, returning as Lt. Reuben "Payback" Fitch, noted in February 2025 that the team is methodically addressing script revisions to "get it right," reflecting caution after Maverick's high bar. Scheduling conflicts pose the primary challenge, as Kosinski's commitment to an untitled Formula 1 film starring Brad Pitt delays principal photography. This pushes a potential release to 2028 at earliest, or 2029 if post-production mirrors Maverick's timeline, according to industry estimates. Paramount views the project as a high priority, leveraging Maverick's Navy collaboration and practical effects for authenticity, though no casting beyond Cruise has been finalized. Bruckheimer indicated in October 2025 that Kruger's next draft could accelerate momentum once Kosinski's availability aligns.

Key Personnel and Story Updates


Joseph Kosinski is set to return as director for Top Gun 3, following his work on Top Gun: Maverick. Ehren Kruger is scripting the film, building on concepts developed with input from the U.S. Navy and Lockheed Martin to ensure technical accuracy in aerial sequences. Christopher McQuarrie, co-writer of Maverick, has outlined a storyline described as "already in the bag," emphasizing an ambitious narrative that expands beyond the scope of the previous film.
Tom Cruise will reprise his role as Captain Pete "Maverick" Mitchell, with the story framed as his "one last ride," addressing the character's future after the events of Maverick. Miles Teller is confirmed to return as Lt. Bradley "Rooster" Bradshaw, maintaining the mentor-protégé dynamic central to the sequel's emotional core. Glen Powell's Lt. Jake "Hangman" Seresin is anticipated to feature, though Cruise has expressed interest in introducing new squadron members rather than relying solely on the Maverick ensemble to refresh the dynamics. Specific plot details remain limited, but Kosinski has teased a challenging mission that will make Maverick's stakes feel comparatively modest, focusing on advanced aviation threats. Development progressed through mid-2025, with script revisions ongoing as of August.

References

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