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Tute
Tute
from Wikipedia
Tute
A player of Tute holding the ten cards as a fan
OriginItaly
Alternative namesTutti
TypeTrick-taking
Players2 or 4
SkillsTactic; Teamwork (Tute in Pairs)
Age range7+
Cards40 cards
DeckSpanish
Rank (high→low)1 3 12 11 10 7 6 5 4 2
Playcounter-clockwise
Playing time8–10 minutes per hand
ChanceMedium
Related games
Briscola

Tute (Spanish pronunciation: [ˈtute] ) is a trick-taking card game of the ace–ten family for two to four players. Originating in Italy, where it was known as tutti, during the 19th century the game spread in Spain, becoming one of the most popular card games in the country. The name of the game was later modified by Spanish speakers, who started calling the game tute. The game is played with a deck of traditional Spanish playing cards, or naipes, that is very similar to the Italian 40-card deck.

The classic version of the game is two-player tute, while the most played is tute in pairs, where four players form two teams. The object of the game is to score the most points in the baza (a pile next to a player that contains the cards that the player gets after winning a trick) and by declarations (holding certain combinations of cards). Due to its wide popularity, several variations of the game exist.

Overview

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Tute originated in Italy.[1] The game belongs to the same family as Brisca and has similar rules of play and final count of points. The name of the game originated from the Italian word tutti (all), the declaration that a player announces when holding the four kings,[2]or four Jacks. The game spread to Spain during the 19th century, brought back by Spanish troops who returned from missions in Italy. As the popularity of the game increased, its name was modified over time by Spanish speakers, who started calling the game tute.[3] The game became one of the most popular in Spain, leading to the later appearance of regional variations of the game.[2] In Mexico, the game was known as tuti.[4]

The game is played with a Spanish deck of cards, which is divided into four suits: Oros (coins), Espadas (swords), Copas (cups) and Bastos (batons). The 8s and 9s of each suit are excluded, leaving forty cards in the deck.[5][6] The object of the game is to score the most points in the baza and from declarations (see Scoring below).[2]

Rules

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Two-player tute

[edit]
Position of the trump in the deck in a two-player game

This variation of tute is called "tute habanero". Each player is dealt eight cards and the next is turned for trump. The upcard is placed perpendicular and beneath the stock.[7]

The non-dealer leads any card to the first trick. The second player must follow suit and head the trick if possible. If the second player is void in the led suit, but has one or more trump cards, he must play a trump. Only if the second player has no cards of the led suit and no trumps, may any other card be played. The trick is won by the higher trump or, if no trumps are played, the higher card of the led suit.[8]

The winning player takes both cards of the trick, and places them face down in separate pile on the table, called the baza. These cards remain out of play until scores are calculated at the end of the round.[9]

Position of the cards in a two-player game

The winner of the trick takes the first card from the stock, and the loser the second. The trick winner may then make any announcements before leading to the next trick. Thus, until the stock runs out, so that, until that point, they each hold eight cards at the start of every trick. When the trump upcard is higher than a 7 (Ace, Three, King, Knight, or Knave), the player that holds the 7 of trumps may able exchange it for the upcard. The 7, and cards of lesser value (6, 5, and 4), may later be exchanged only by a 2. The trump exchanges are allowed anytime in the game until only two cards remain in the stock.[7][8]

After a player makes the first baza, that player is allowed to make declarations.[10] Declaring is allowed until the last two cards are left in the stock (the last face-down stock card, and the trump upcard below it). After these last two stock cards are picked up, all of the cards the players hold must be played in order to finish the deal. When the deal is over, the players tot up their scores (see Scoring below). After the counting ends, and their scores are calculated, the cards in the bazas are mixed again in a single stock to be dealt at the start of the next deal.[9]

Tute in pairs

[edit]
Position of the players in a pairs game

Tute in pairs is played by four players—two teams of two players each—and every player receives ten cards (since there are 40 cards, this means that all of the cards in the deck are dealt). The last card to be dealt is shown to the rest of the players and becomes the trump. This card belongs to the player it was dealt to. The four people sit in a circle, with opponent players to the right and left of each player, and players sitting opposite their team members.[9]

One person plays a card, and the player to the right of this person, from the opponent team, plays a card. As with two-player tute, if the second player has one or more higher cards of the same suit as the first player's card, one of these must be played. If the second player has cards of the same suit, but only ones of less value than the first card, one of these must be played. If the second player does not have any cards of the same suit but has one or more trump cards, one of these must be played. If the second player has no cards of the same suit and no trumps, any other card can be played.[11]

Now, the next player to the right plays a card following the same rules as the second player: if possible, a card of the same suit as the first player's card must be played, higher than the first two cards if possible; or if this is not possible, then lower; if no card of the same suit is held, then if possible, a trump card must be played; if no trump card is held, then any card may be played. The fourth player likewise plays a card following these same rules.[12]

When all four cards of the trick are on the table, the pair that played the card with the strongest card wins the hand. The trump suit beats the other three suits, with the ranking of trump cards from strongest to weakest as follows: Ace-3-King-Knight-Knave-7-6-5-4-2. The next strongest suit is the one the first player played, again with the card rankings being Ace-3-King-Knight-Knave-7-6-5-4-2. Cards of the other two suits always lose to trumps and the first player's suit. The winning team places the four cards from the trick into their baza. The rules for the declarations are similar to two-player tute, but it is mandatory to declare the cards after a player or the partner begins a baza. Only the scoring team can declare. To declare their cards, the opposing team has to begin a baza. Declaring cards in the plays that follow the beginning of a baza is not allowed. After the hand is over, the counting starts (see Scoring below). When the counting ends, and after the score is calculated, the cards in the bazas are mixed again in a single stack to be dealt at the start of the next round.[13] The deal of cards rotates counter-clockwise during the subsequent hands.[11]

Scoring

[edit]

Tute games are played until an established number of game points is reached. Each time one of the competitors wins a round, one point is added to the total score of the player or pair. New rounds are played until a player or pair reaches the game points goal (three and six point games are the most common). When the number is reached the player or pair wins.[14]

The winner (or the pair of winners) of the round is determined by the total of round points each player (or pair) collects. These points are calculated as the sum of card values in baza, bonus points for declarations and the final trick bonus.

Card values

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The values of cards are associated with their ranks:

Card
Name As (ace) Tres (three) Rey (king) Caballo (knight) Sota (knave)
Value (points)[15] 11 points 10 points 4 points 3 points 2 points

The rest of the cards (7-6-5-4-2) are called cartas blancas (white cards) because their value is zero round points.[7]

Declarations

[edit]
Depending on the trump suit, this combination gives the player 20 or 40 additional round points

A player (or a pair), who wins at least one trick receives an ability to gain more round points upon declaring the card combinations. In tute in pairs the declarations can be performed until the end of round; in two-player tute, this ability persists until only two cards are left in the deck.[15]

The player, who collected all the four kings, is entitled to declare tute (all), which automatically ends the round with a collector's victory. Having both king and knight of the trump suit, one can declare las cuarenta (forty), scoring additional 40-round points. The combination of king and knight of any other suit can be declared as veinte (twenty); it adds 20 round points to the player's score. If possible, a player can declare several combination. In such cases the declarations with the higher round point value must be made first. For example, after declaring veinte the player loses right to declare las cuarenta, though declaring another veinte is still allowed. In two-player games the declaration order rule only applies to declarations between each trick is played, so the player can declare las cuarenta after veinte if the combination is collected by picking the previously missing card from the stock.[16]

The total of the round points the player (or pair) has gained is calculated as the sum of values of the cards collected in the baza and the values of the declared combinations.[7] The winner of the last trick also receives ten bonus round points.[17] The total value of the deck (and thus the maximum number of round points) is 230 points.

Example
Points for cards collected in baza Declarations Last trick won Total
Card rank Knaves Knight King Three Ace Las cuarenta! Veinte
Amount 2 0 1 3 2
Points 2×2 0×3 1×4 3×10 2×11 1×40 0×20 1×10 110

Variants

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Due to the popularity of the game in Spain, modifications to the traditional rules have appeared regionally, creating variations. The variants are played with similar rules to normal tute, but differing in the number of cards, rules for declarations, and other minor modifications of the traditional rules.[18]

Sources

[edit]
  1. ^ Hervey & Parlett 1994, p. 53.
  2. ^ a b c Arts 1999, p. 93.
  3. ^ Rojo 1977, pp. 355–357.
  4. ^ Cambas (1883), p. 93.
  5. ^ Marco & de Ochoa y Ronna 1897, p. 9.
  6. ^ Román y Salamero & Kron 1911, pp. 16–17.
  7. ^ a b c d Marco & de Ochoa y Ronna 1897, p. 10.
  8. ^ a b Editorial Paidotribo staff 2003, p. 192.
  9. ^ a b c Kany 1929, p. 163.
  10. ^ Álvarez Fernández-Novo 1998, p. 41.
  11. ^ a b Arts 1999, pp. 96–100.
  12. ^ Marco & de Ochoa y Ronna 1897, p. 11.
  13. ^ Arts 1999, p. 98.
  14. ^ Editorial Paidotribo staff 2003, p. 191.
  15. ^ a b Editorial Paidotribo staff 2003, pp. 188–192.
  16. ^ Arts 1999, p. 95.
  17. ^ Arts 1999, p. 94.
  18. ^ Farina & Lamberto 2006, pp. 426–449.

Bibliography

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  • Cambas, Manuel Rivera (1883). Mexico Pintoresco, Artistico y Monumental. Vol. 3. Mexico: Reforma.
  • Álvarez Fernández-Novo, Fernando (1998). Vocabulariu de Riosa [Riosa Vocabulary] (in Asturian). Academia Llingua Asturiana. ISBN 978-84-8168-114-7.
  • Arts, Niké (1999). Enciclopedia de los Juegos de Cartas [Encyclopedia of Card Games] (in Spanish). American Bar Association. ISBN 978-84-7927-351-4.
  • Farina, Giampiero; Lamberto, Alessandro (2006). Enciclopedia Delle Carte. La Teoria e la Pratica Di Oltre 1000 Giochi [Encyclopedia of Cards: The Theory and Practice of About 1000 Games] (in Italian). Hoepli Editore. ISBN 978-88-203-3672-1.
  • Hervey, George F; Parlett, David Sidney (1994). Teach Yourself Card Games. NTC Publishing Group. ISBN 978-0-8442-3685-8.
  • Kany, Charles Emil (1929). Fiestas y Costumbres Españolas [Festivities and Traditions of Spain] (in Spanish). George Harrap.
  • Marco, Luis & de Ochoa y Ronna, Eugenio (1897). Repertorio Completo de Todos los Juegos [Complete Repertoire of All Games] (in Spanish). Bailly-Bailliere e hijos.
  • Rojo, Guillermo (1977). Verba [Verbs] (in Spanish). Vol. 3–4. Universidad de Santiago de Compostela.
  • Román y Salamero, Constantino; Kron, Richard (1911). El Castellano Actual: Lecturas y Conversaciones Castellanas Sobre la Vida Diaria en España y en los Paises de Lengua Española [The Current Castillan: Castillian Readings and Conversations About Everyday Life in Spain and the Spanish-speaking Countries] (in Spanish). Bielefeld.
  • Wilson Server, Alberta (1947). Hispania. Vol. 30. American Association of Teachers of Spanish and Portuguese, American Association of Teachers of Spanish.
  • Editorial Paidotribo staff (2003). Enciclopedia de los Juegos: Las Reglas de 500 Juegos [Encyclopedia of Games: The Rules of 500 Games] (in Spanish). Editorial Paidotribo. ISBN 978-84-8019-717-5.
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from Grokipedia
Tute is an Argentine cartoonist and graphic humorist known for his minimalist drawings and insightful, often poignant commentary on love, relationships, and the human condition. Born Juan Matías Loiseau in Buenos Aires in 1974, he is the son of the renowned cartoonist Caloi and grew up immersed in Argentina's rich tradition of graphic humor. Tute began publishing his work professionally in the 1990s, contributing to collective volumes and writing poetry before making his breakthrough in 1999 with daily cartoons and illustrations in the newspaper La Nación, where he continues to appear regularly. In 2008, he launched the long-running comic strip Batu in the same publication. His distinctive style emphasizes economy in both lines and words, drawing influences from Jorge Luis Borges and Sigmund Freud to create concise pieces that frequently explore psychoanalytic undertones and the intricacies of couple dynamics. Quino, creator of Mafalda, once described him as the best graphic humorist in Argentina. Over the years, Tute has published numerous collections of cartoons and graphic novels, with his work appearing in multiple countries including Spain, France, Brazil, and Mexico. Notable projects include Tutelandia, Dios, el hombre, el amor y dos o tres cosas más, and Diario de un hijo, a reflective work on grief and artistic identity following the death of his father in 2012. Through his output in newspapers, books, and other media, Tute has established himself as one of the most distinctive voices in contemporary Latin American graphic humor.

Early Life

Birth and Family Background

Juan Matías Loiseau, known professionally as Tute, was born on May 21, 1974, in Buenos Aires, Argentina. He is the son of Carlos Loiseau, the renowned Argentine cartoonist and humorist better known by his pen name Caloi. Tute's family background is deeply rooted in graphic humor through his father's influential career, which exposed him from an early age to the craft of cartooning and illustration. He has described this heritage as something carried "in his blood," noting that having Caloi as a father made aspects of entering the field easier because he learned extensively from him, though it also required effort to establish his own independent style separate from that early natural influence. This paternal legacy proved foundational to Tute's artistic development and path in graphic humor.

Education and Early Interests

Juan Matías Loiseau, known as Tute, studied graphic design at the Escuela Superior de Diseño. He further trained in graphic humor at the Escuela de Garaycochea, where he took courses under Carlos Garaycochea and Eduardo Ferro that covered drawing, caricature, illustration, digital art, and graphic humor. Tute developed an interest in drawing from early childhood, beginning as soon as he could hold a pencil and aspiring to become a professional draftsman. During adolescence, he questioned whether he could succeed in graphic humor, which demands not only technical skill but also the ability to generate clever ideas and connect with a wide audience. He soon realized he could produce effective humor, reinforcing his dedication to the field. His formative interest in graphic humor was shaped by observing his father, the comic artist Caloi, though Caloi offered no direct instruction in drawing. This family influence, alongside his formal education, supported his shift in focus toward cartooning and illustration.

Career

Cartooning and Graphic Humor

Juan Matías Loiseau, professionally known as Tute, stands as one of the leading contemporary figures in Argentine graphic humor, recognized for his distinctive contributions to the field as a cartoonist and humorist. As the son of the renowned cartoonist Caloi (Carlos Loiseau), Tute continues his family's legacy in graphic humor while forging his own artistic path with a unique voice. His work, often delivered through single-panel cartoons and daily panels, is characterized by philosophical depth, poetic sensibility, and ironic wit, aiming to simultaneously provoke laughter, trigger reflection, and evoke emotion. Tute emphasizes maximum synthesis in both drawing and text, ensuring every element serves the message, and frequently incorporates references to psychoanalysis, the unconscious, and existential themes such as love, relationships, solitude, and human anguish. Since 1999, Tute has published daily in the newspaper La Nación, where his signature panel Tutelandia appears on the back cover and he contributes a humor page to the Sunday magazine ADN Cultura. His cartoons also reach readers through syndication in newspapers across Mexico, Colombia, Peru, Nicaragua, Ecuador, Honduras, Puerto Rico, Panama, and the United States. Among his recurring creations, the couple Mabel and Rubén—fluid in appearance and role—function as versatile mirrors of shared human experiences and feature prominently in his daily output. Tute's impact on Argentine graphic humor has earned him significant recognition, including the Diploma al Mérito in Humor e Historieta from the Konex Foundation in 2012 and his declaration as Personalidad Destacada de la Cultura by the City of Buenos Aires in 2022 for communicating universal values such as justice, human rights, and gender equity with simplicity and broad resonance.

Film Directing and Writing

Juan Matías Loiseau, known professionally as Tute, has credits as a director and writer on two short films. He directed and wrote El ángel de Dorotea (2005), additionally serving as location manager on the project. The short received recognition, including the award for Best Ibero-American Short Film at the XVIII Festival de Cortometrajes de Aguilar de Campoo in Palencia, Spain, as well as Best National Film at the III Festival Internacional de Cine Independiente de Mar del Plata and second prize for best audiovisual at the XXXIV Festival Internacional Liceo Casino in Galicia. Loiseau subsequently directed and wrote Abismos (2007). These works mark his contributions to filmmaking, distinct from his primary career in graphic humor.

Voice Acting and Television Appearances

Tute has made occasional contributions to television as a voice actor and guest personality. He provided the voice of Quino, credited as Voz Quino, in the educational animated series Zamba + Artistas, which aired from 2020 to 2021. In addition to this voice role, Tute has appeared as himself on several Argentine television programs. He was a guest on the talk show Pura Química in two episodes in 2014, on Hacete de Oliva in one episode in 2014, and on ¡Fa! in one episode in 2022. These guest appearances reflect his recognition in Argentine media beyond his primary work in cartooning.

Published Works

Books and Collections

Tute has published more than twenty books in Argentina and abroad, compiling his signature graphic humor while expanding into graphic novels, autobiographical narratives, poetry, and thematic collections that deepen the introspective and philosophical tones of his work. His early output focused on collections of his daily newspaper cartoons, including Tute (2007) and Tute de bolsillo (2007), both issued by Editorial Sudamericana. He followed with additional humor collections such as Araca, corazón! (2008), the children's-oriented Batu series (with volumes released between 2009 and 2011), and Tuterapia (2013). In 2014, Tute released his first graphic novel, Dios, el Hombre, el amor y dos o tres cosas más, prefaced by Quino, marking a transition to longer, more narrative-driven formats blending humor, reflection, and illustration. Tute has published a trilogy of humor books centered on psychoanalysis: Tuterapia, Humor al Diván, and Superyó. In 2019, he published Diario de un hijo, an autobiographical graphic work tracing his life from childhood through the death of his father, the cartoonist Caloi. Tute has also published two books of poems, further exploring emotional and existential themes through illustrated verse. His most recent work is the graphic essay Ensayo para mi muerte (2025), a poetic meditation on mortality that extends his characteristic blend of wit and profundity. These bound publications allow Tute to elaborate on the themes of love, family, death, and the human psyche that recur in his graphic humor.

Personal Life

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