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Ugrasena
King of Mathura
King of the Yadus[1]
TextsMahabharata
Genealogy
Parents
  • Ahuka (father)
ChildrenKamsa
DynastyYaduvamsha
Balarama and Krishna being received at the court of the King Ugrasena at Mathura

Ugrasena (Sanskrit: उग्रसेन) is a character mentioned in the Hindu epic, Mahabharata. He is the King of Mathura, a kingdom that was established by the Vrishni tribes from the Yadavamsha clan. His son Kamsa was a cousin of Krishna's mother, Devaki. King Ugrasena was overthrown by Kamsa, and was sentenced to life in prison, along with Kamsa's cousin, Devaki, and her husband, Vasudeva. Krishna reinstalled Ugrasena as the ruler of Mathura once more after defeating his wicked uncle.[2]

History

[edit]

According to the Puranas, Kamsa issued an order for the execution of his own father once he grew paranoid of the valour of Krishna and Balarama in Mathura, observing them slay wild elephants that he had released for their murder. He ordered his father to be thrown in the river Kalindi, bound hand and foot. This was among the many reasons that would lead to his nephew slaying him.[3]

Krishna treated Ugrasena with honour upon his prestigious welcome and reception to the city of Mathura:[4]

O king, informed of your intention I say that you are the king of Mathura. Do not make it otherwise. O king, I will confer upon you your proper share in the land and gift. As I did with the other kings I had kept your share in reserve beforehand, one hundred thousandth portion without any ornaments or raiment. O king, get upon your white car adorned with gold, umbrella, fans, flags and celestial ornaments. And wearing your crown of sunny lustre govern the city of Mathura, delightedly with your sons and grand-sons, defeat your enemies and multiply the Bhoja race. The king of gods, the holder of thunder-bolt sent, for Ananta and Shouri, celestial ornaments and raiments. From the thousand jars of gold coins reserved for the citizens of Mathura in that ceremony of installation the king of gods has ordered that one thousand should be given to each of the panegyrists and bards, one hundred to each old man, prostitute and other men and ten thousand to each of the Yadavas, Vikadru and others who live with the king Ugrasena.

— Harivamsa Purana, Chapter 56

Samba, the son of Krishna and great-grand son of Ugrasena, had insulted several sages by disguising himself as a pregnant woman and asked the sages to ascertain the baby's gender. The sages cursed him to deliver an iron rod, which was to cause the annihilation of his entire clan. The Yadavas reported these tidings to Ugrasena, who had the rod turned into powder, and thrown into the sea. He also prohibited liquor in his kingdom. Sometime, after this incident he died and attained heaven. He, along with Bhurishravas, Shalya, Uttara and his brother Shankha, Vasudeva, Bhuri, Kamsa, joined the company of devas in heaven.[5]

Personality

[edit]

In contrast to his son Kamsa, Ugrasena is described to be a conscientious and capable ruler, and a great devotee of Vishnu. The Vishnu Purana states that the city of Mathura was "well presided over by Ugrasena, and abounded in a happy population both of men and women".[6]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Ugrasena

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from Grokipedia
Ugrasena was a prominent king in ancient Indian epics and , ruling over as the leader of the and clans, and serving as the father of the tyrannical Kansa and the maternal grandfather of the deity Krishna through his daughter . Deposed by his ambitious son Kansa, who imprisoned him and seized the throne, Ugrasena's rule was restored following Krishna's slaying of Kansa, after which Krishna formally installed him as the sovereign over the kingdom, honoring the ancient curse of that barred direct Yadu descendants from kingship. In the broader narrative of Krishna's life, Ugrasena played a pivotal role as a wise and authoritative figure among the Yadavas, advising on and participating in key events such as welcoming Krishna and back to after their upbringing in . His reign later extended to Dwaraka after the Yadavas' migration, where he managed the clan's affairs, including the handling of the prophetic iron club () that foretold the Yadavas' destruction, which he ordered ground to powder and cast into the to avert immediate calamity. Ugrasena's character embodies themes of dethroned royalty, familial loyalty, and restoration through divine intervention, as depicted across texts like the , , and Harivamsha.

Background and Family

Parentage and Early Life

Ugrasena was a prominent king of the dynasty, belonging to the Vrishni-Andhaka branch, and is identified in ancient texts as the son of Ahuka, a key figure in the lineage descending from the legendary progenitor Yadu. This genealogy traces through notable ancestors such as Shini, a renowned Yadava warrior, and his son Satyaka, who further linked the line to earlier rulers like Yudhajit, thereby situating Ugrasena within the broader framework of the Yadavas. As a member of this pastoral and martial clan, Ugrasena's heritage emphasized the Yadavas' traditional roles as cowherds and protectors, blending valor with agrarian pursuits in the fertile regions along the . His early life unfolded in , the longstanding hub of settlements, where the community maintained a semi-nomadic, lifestyle centered on rearing and seasonal migrations to lush pastures. The , often referred to as Shaurasenas in this context, formed a cohesive society of clans including the , who had established as their primary center through gradual colonization and fortification, fostering a culture of physical prowess and communal governance. Ugrasena, born into this environment, likely participated in the clan's herding traditions and warrior training, as the were known for their athleticism and defense of grazing lands against external threats. Ugrasena ascended to the throne of following the death of his father Ahuka and amid shifts in Yadava leadership, such as Vasudeva's transition to cowherding, which necessitated a consolidation of power under his rule. This succession marked a pivotal moment in strengthening dominance in the region, as Ugrasena worked to uphold 's status as the fortified capital of the Yadava tribes, overseeing its defenses and alliances to preserve the clan's autonomy. Through his reign's early phases, he maintained the pastoral equilibrium that defined Yadava society, ensuring the prosperity of their herds and the security of their settlements before broader dynastic challenges arose. Ugrasena was the maternal grand-uncle of Krishna, whose mother was the daughter of Ugrasena's brother Devaka.

Marriage and Offspring

Ugrasena married Padmāvatī, a princess from known for her virtues and devotion, in a union that reinforced alliances within the Yadava clan through intermarriages among its branches. Their marriage, detailed in the , symbolized the consolidation of power and kinship ties in the Sātavata lineage, where such matrimonial bonds were essential for maintaining dynastic unity and political stability. Ugrasena fathered nine sons, with Kansa as the eldest, renowned for his tyrannical nature that later led to his usurpation of the throne. The other sons included Sunāmā, Nyagrodha, Kaṅka, Śaṅku, Suhū, Rāṣṭrapāla, Dhṛṣṭi, and Tuṣṭimān, forming a significant portion of the royal progeny and contributing to the clan's martial and administrative roles. These sons exemplified the emphasis on large families to ensure lineage continuity and military strength. He also had five daughters—Kaṁsā, Kaṁsavatī, Kaṅkā, Śūrabhū, and Rāṣṭrapālikā—who married the younger brothers of Vasudeva, such as Devabhāga and others. His brother Devaka had seven daughters, including Devakī, who married Vasudeva, son of Shurasena, and became the mother of Krishna and ; the other daughters of Devaka also married Vasudeva's brothers. These marriages linked Ugrasena's lineage directly to Shurasena's descendants, weaving the Andhaka and branches of the Yadavas into a cohesive kinship network, with Ugrasena as the maternal grand-uncle of Krishna.

Reign and Usurpation

Rule over

Ugrasena ruled as king of the s, leading the clans of the Vṛṣṇis, Andhakas, Sātvatas, Bhojas, and Dāśārhas.

Overthrow by Kansa

Kansa, the son of Ugrasena and a powerful prince of the Yadava dynasty, exhibited growing ambition and tyrannical tendencies that culminated in his usurpation of the throne of . These traits were intensified by a divine he overheard during the wedding procession of his sister to , where a celestial voice declared that the eighth child of would cause his death. Stricken with fear and rage upon hearing this omen, Kansa initially attempted to slay but was dissuaded by 's pleas, leading him to instead plot broader measures to secure his power. The coup occurred shortly after the marriage festivities, as Kansa, leveraging his military prowess and alliances, moved against his father to eliminate any potential opposition. He subdued and imprisoned Ugrasena, the reigning king of the Yadus, Bhojas, and Andhakas, thereby assuming sole control over the kingdom of . Though accounts do not detail explicit armed resistance from Ugrasena, the act of subduing implies a forceful deposition, confining the king to captivity alongside other loyalists within Mathura's confines. In the immediate aftermath, Kansa established an oppressive regime marked by paranoia and cruelty, including the systematic murder of Devaki's first six children to avert the prophecy's fulfillment. This reign of terror extended to the subjugation of the Yadava clans, fostering widespread fear and setting the stage for internal strife within the kingdom.

Role in Krishna's Narrative

Imprisonment and Restoration

Ugrasena, the king of the Yadus, was imprisoned by his son Kansa soon after the celestial prophecy foretelling Kansa's death at the hands of Devaki's eighth child, an event that prompted Kansa to seize power and confine his father along with Devaki and Vasudeva in Mathura. This captivity endured for approximately 12 years, during which Ugrasena and the other prisoners endured harsh confinement while witnessing Kansa's tyrannical rule, including the systematic murder of Devaki's first six newborn sons to avert the prophecy. The arrival of Krishna and in marked the turning point; the brothers entered the city at the invitation of and confronted Kansa in the royal wrestling arena, where they swiftly defeated and slew the tyrant king, thereby ending his . Immediately following Kansa's defeat, Krishna and proceeded to the prison, liberating and from their bonds. Ugrasena was subsequently freed from confinement and his restoration to the throne was formalized through a orchestrated by Krishna, who installed him as the reinstated of the Yadus, Bhojas, and Andhakas, thereby re-establishing the traditional order in . In this renewed governance, the city rejoiced in the return of righteous rule.

Advisory Position under Krishna

Following Kansa's defeat at the hands of Krishna and , Ugrasena was reinstated as the king of , marking the restoration of his lineage's authority over the Yadavas. However, his kingship remained nominal, as real power shifted to Krishna, who emerged as the leader guiding the clan's political and strategic affairs. This arrangement reflected Krishna's familial ties as Ugrasena's grandson through , ensuring continuity while leveraging Krishna's divine wisdom for governance. Amid escalating threats from Jarasandha's invasions, Krishna proposed and Ugrasena approved the relocation of the from to Dwaraka, an impregnable island city built under divine guidance to safeguard the clan. Ugrasena's endorsement of this migration, detailed in consultations with Krishna and , underscored his advisory role in endorsing strategic necessities for survival. In Dwaraka, Ugrasena organized Yadava defenses, including fortifications and administrative structures, often deferring to Krishna's counsel on military preparations against external foes. Ugrasena's interactions with Krishna extended to moral and strategic deliberations on the new city's , where he sought advice on upholding amid dynamics and . As titular , Ugrasena provided a stabilizing presence, mediating tensions among Yadava factions while Krishna directed overarching policies. His rule endured from Kansa's death through the establishment of Dwaraka until the impending Yadava curse, maintaining nominal order under Krishna's protective leadership.

Portrayals in Scriptures

Mahabharata and Harivamsa

In the Mahabharata's Sabha Parva, Ugrasena is referenced as the king of the Yadavas, prominently featured among the principal leaders who honor Krishna upon his return to Dwaraka after diplomatic missions on behalf of the . This portrayal underscores Ugrasena's role in Yadava assemblies, where he participates in collective veneration of Krishna, reflecting the clan's unity and Krishna's emerging diplomatic influence amid the prelude to the conflict. The Harivamsa, an appendix to the , provides expanded details on Ugrasena's genealogy within the Yadu dynasty, identifying him as the son of Ahuka and father to , , and several other offspring, thereby positioning him as a pivotal figure in the lineage leading to Krishna and . His court life in is depicted as that of a prosperous over a fortified on the Yamuna's banks, marked by administrative duties such as distribution during festivals and oversight of governance, though these are overshadowed by his eventual restoration after Kamsa's usurpation. Ugrasena's involvement in early Krishna narratives appears indirectly, such as in the aftermath of Kamsa's defeat, where he grieves his son's death, performs funeral rites with Yadava support, and is reinstated as by Krishna, who declines the himself. Throughout both texts, Ugrasena is portrayed as a just yet vulnerable ruler, emblematic of the s' internal frailties; his overthrow by the tyrannical highlights themes of dynastic instability, while his restoration symbolizes renewal under Krishna's protective guidance. In episodes preceding the , Ugrasena engages in Yadava councils, such as those in Dwaraka where he collaborates with as co-governor, advising on relocations and defenses against threats like , thereby reinforcing the clan's strategic preparations.

Puranic Accounts

In the Bhagavata Purana, Ugrasena is depicted as the rightful king of the Yadus who is imprisoned by his tyrannical son Kansa, who usurps the throne of out of fear and ambition. This imprisonment underscores Kansa's cruelty, as he confines Ugrasena along with other family members to consolidate power over the Śūrasena states. Following Kansa's slaying by Krishna, the text narrates Ugrasena's restoration to the throne, where Krishna and personally install him as the sovereign of the Yadus, resettling displaced kin under his rule and ensuring protection from further threats. The Bhagavata Purana highlights Ugrasena's devotion to Krishna, portraying him as a figure who continually beholds the Lord and benefits from his proximity, embodying a life of amid the divine līlās. The emphasizes Ugrasena's place within the genealogy, identifying him as the son of Ahuka and brother to Devaka, situating him in the branch of the descending from Yadu. This lineage connects Ugrasena directly to Vishnu's incarnations, as his family—through daughter Devaki's marriage to —becomes the vessel for Krishna's avatāra, facilitating the Lord's earthly pastimes and the fulfillment of against . The text underscores his role in preserving the dynastic continuity that enables Vishnu's divine interventions. Across various , including the Bhagavata and Vishnu, Ugrasena appears in advisory capacities in Dwaraka, where he upholds by issuing orders during crises, such as directing the grinding of the iron mace born from Samba's into dust to avert immediate doom, though this action inadvertently contributes to the Yadavas' eventual downfall. These accounts vary slightly in detail—for instance, some extensions in Puranic traditions portray his consultations with Krishna on familial and royal matters—but consistently depict him as a steadfast upholder of , navigating curses and fate with measured authority. Symbolically, Ugrasena represents paternal authority subdued by inexorable fate and filial , only to be redeemed through divine intervention, illustrating the Puranic theme of transcending human limitations and restoring cosmic order.

Later Events and Legacy

Involvement in Yadava Curse

Following the , Ugrasena ruled over as the reinstated king of the s, during a period marked by growing internal vices such as excessive intoxication and quarrels among the clan members. These behaviors, exacerbated by the fulfillment of Gandhari's on Krishna and his kin, led to a of the Yadavas' self-destruction within 36 years. To mitigate the impending doom foretold by the sages' curse—triggered when Samba, Krishna's son, and other Yadava youths mocked visiting rishis at Pindaraka by disguising him as a pregnant woman—Ugrasena implemented strict measures. The sages prophesied that Samba would give birth to an iron club destined to annihilate the Yadava race, and indeed, an iron mace emerged the next day. In response, Ugrasena banned the carrying of weapons and large assemblies to prevent violence, and prohibited the manufacture and consumption of liquor across the kingdom, with severe penalties for violations, though these edicts ultimately failed to avert the clan's fate. Upon the iron club's appearance, Ugrasena, in great distress and without consulting Krishna, ordered it ground into fine powder and the remnants cast into the sea, hoping to nullify the curse; however, the powder sprouted as eraka grass along the coast, later forming the lethal reeds used in . In the final days, as the Yadavas gathered for a to Prabhasa, Ugrasena remained in while the clan succumbed to a drunken brawl fueled by old grudges, using the cursed reeds as maces to slaughter one another, fulfilling the prophecy and decimating the lineage. Ugrasena survived , receiving news of the catastrophe from messenger Daruka, who lamented at his feet alongside . According to the , Ugrasena later committed himself to the flames along with family members, as submerged into the ocean, marking the end of the dynasty.

Cultural Depictions

Ugrasena appears in various regional retellings of Krishna's narrative within classical , where his role as the deposed king underscores themes of and restoration. In poetry, centered on Krishna in the Mathura-Vrindavan region, Ugrasena is referenced as part of the broader lineage and courtly episodes, emphasizing his advisory wisdom post-Kansa's defeat. Similarly, Tamil Vaishnava works like Kulasekhara Alwar's Perumal Tirumozhi allude to Mathura's royal figures in hymns praising Vishnu's incarnations, framing Ugrasena within the context of divine kingship. In visual arts, Ugrasena is prominently featured in miniature paintings that illustrate Puranic scenes of his reinstatement. A notable example is an illustration from the Bhagavata Purana attributed to Mughal court artists, depicting King Ugrasena paying homage to Krishna and Balarama upon their return to Mathura, highlighting themes of filial piety and royal legitimacy. Another composition, "Ugrasena Back on Throne," portrays the moment of his restoration after Kansa's slaying, with Krishna enthroning his grandfather amid celebratory Yadava figures, as preserved in collections from the Allahabad Museum. These works, often in vibrant colors and intricate details, reflect the syncretic style of Rajput and Mughal ateliers, symbolizing Ugrasena's transition from imprisonment to paternal authority. Sculptural representations in Mathura's temple art occasionally include his court in narrative reliefs, evoking the region's ancient Yadava heritage. Ugrasena's character finds expression in performing arts through traditional theater forms that dramatize Krishna's Mathura leelas. In Yakshagana, the vibrant folk opera of coastal , he is the central figure in plays like Raja Ugrasena, where performers in elaborate costumes and makeup portray him as the beleaguered monarch confronting his tyrannical son, blending music, , and to convey moral restoration. These performances, accompanied by percussion and wind instruments, emphasize Ugrasena's resilience and grandfatherly bond with Krishna. In Krishna natakas and Ramlila-style enactments across , Ugrasena appears in episodes of his overthrow and liberation, enacted during festivals like Janmashtami to illustrate themes of justice. In modern media, Ugrasena is reimagined with emphasis on his grandfatherly wisdom and advisory role in Krishna's life. Television adaptations frequently cast him as a dignified elder; for instance, in the 1988 Hindi serial Mahabharat, Ramlal Gupta portrayed Ugrasena in arcs depicting his release from imprisonment and the Yadavas' relocation to Dwaraka. The 2019 series Paramavatar Shri Krishna features Shiv Kumar Mishra as Ugrasena, focusing on his counsel during Kansa's reign of terror. Similarly, RadhaKrishn (2018–2023) shows his coronation post-Kansa, underscoring family dynamics. In films, while not always central, he appears in mythological retellings like animated features on Krishna's early life, symbolizing paternal continuity. Contemporary novels, such as Ashok K. Banker's Rage of Jarasandha (2014) from the Krishna Coriolis series, depict Ugrasena navigating post-restoration threats from Jarasandha, portraying him as a strategic ruler blending vulnerability with resolve. These portrayals often highlight his evolution from victim to patriarch, resonating with audiences through themes of redemption and legacy.

References

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  23. https://www.sacred-texts.com/hin/m02/m02002.htm
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  25. https://vedabase.io/en/library/sb/11/1/
  26. https://www.yorku.ca/inpar/mausala_ganguli.pdf
  27. https://vedabase.io/en/library/sb/11/31/
  28. https://sacred-texts.com/hin/vp/vp155.htm
  29. https://enrouteindianhistory.com/braj-bhasha-in-mughal-court/
  30. https://www.researchgate.net/publication/329736254_Perumal_Thirumozhi
  31. https://indianculture.gov.in/museum-paintings/ugrasena-back-throne
  32. https://mapacademy.io/article/sculpture-at-mathura/
  33. https://accsindia.org/kamsa-vadhe-yakshagana-by-yaksha-sinchana/
  34. https://www.sahapedia.org/yakshagana-the-performance
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