Videodrome
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Videodrome

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Videodrome

Videodrome is a 1983 Canadian science fiction body horror film written and directed by David Cronenberg and starring James Woods, Sonja Smits, and Debbie Harry. Set in Toronto during the early 1980s, it follows the CEO of a small UHF television station who stumbles upon a broadcast signal of snuff films. Layers of deception and mind-control conspiracy unfold as he attempts to uncover the signal's source, complicated by increasingly intense hallucinations that cause him to lose his grip on reality.

Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films at the time, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget. The film received praise for the special makeup effects, Cronenberg's direction, Woods and Harry's performances, its "techno-surrealist" aesthetic, and its cryptic, psychosexual themes. Cronenberg won the Best Direction award and was nominated for seven other awards at the 5th Genie Awards.

Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.

Max Renn is the president of CIVIC-TV, a Toronto UHF television station specializing in sensationalist programming. Harlan, the operator of CIVIC-TV's unauthorized satellite dish, shows Max Videodrome, a plotless show purportedly broadcast from Malaysia depicting victims being violently tortured and eventually murdered. Believing this to be the future of television, Max orders Harlan to begin unlicensed use of the show.

Nicki Brand, a sadomasochistic radio host who becomes sexually involved with Max, is aroused by an episode of Videodrome. Upon learning it is actually broadcast out of Pittsburgh, she goes to audition for the show but never returns. Max contacts Masha, a softcore pornographer, and asks her to help him investigate Videodrome. Masha informs Max that the footage is real and is the public "face" of a political movement, though Max remains skeptical, and that the enigmatic media theorist Brian O'Blivion knows about Videodrome.

Max tracks down O'Blivion to a homeless shelter where vagrants engage in marathon sessions of television viewing. He discovers that O'Blivion's daughter Bianca runs the mission, aiding her father's vision of a world where television replaces everyday life. Later, Max views a videotape of O'Blivion explaining that Videodrome is a socio-political battleground in which a war is being fought to control the minds of the people of North America. Max then hallucinates Nicki speaking directly to him, causing his television to undulate as he kisses the screen. Disturbed, Max returns to O'Blivion's shelter. Bianca tells him that Videodrome carries a broadcast signal that gives malignant brain tumors, which considers part of his vision, believing hallucinations are a higher form of reality. When O'Blivion found out it was to be used for malevolent purposes, he attempted to stop his partners, only to be killed by his own invention. In the year before his death, O'Blivion recorded thousands of videos, which now form the basis of his television appearances.

Later that night, Max hallucinates placing his handgun in a slit in his abdomen. He is contacted by Videodrome's producer, Barry Convex of the Spectacular Optical Corporation, an eyeglasses company that acts as a front for an arms company. Convex uses a device to record Max's hallucinations. Max envisions himself on the Videodrome set whipping Nicki, whose image then transforms into that of Masha. Max then wakes up at home to find Masha's corpse in his bed. He frantically calls Harlan to photograph the body as evidence, but, shortly after he arrives, her body is gone.

Wanting to see the latest Videodrome broadcast, Max meets Harlan at his studio. Harlan reveals that he has been working with Convex to recruit Max to their cause. They aim to end North America's cultural decay by using Videodrome to kill anyone too obsessed with sex and violence. Convex then inserts a brainwashing Betamax tape into Max's torso. Under Convex's influence, Max kills his colleagues at CIVIC-TV. He attempts to kill Bianca, who stops him by showing him a videotape of Nicki's murder on the Videodrome set. Bianca then "reprograms" Max to her father's cause: "Death to Videodrome. Long live the new flesh." Under her orders, he kills Harlan, whose hand transforms into a stielhandgranate after he inserts it into Max's torso slit and explodes, and Convex, whose body erupts into massive tumors and tears itself apart after Max shoots him with a gun fused to his hand.

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