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Collar (clothing)
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In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. Among clothing construction professionals, a collar is differentiated from other necklines such as revers and lapels, by being made from a separate piece of fabric, rather than a folded or cut part of the same piece of fabric used for the main body of the garment.
A collar may be permanently attached to the main body of the garment (e.g. by stitching) or detachable.
Word usage
[edit]The Oxford English Dictionary traces collar in its modern meaning to c. 1300, when collars served as neck-protecting armour.[1]
History
[edit]Today's shirt collars descend from the rectangular band of linen around the neck of 16th century shirts. Separate ruffs exist alongside attached ruffled collars from the mid-16th century, usually to allow starching and other fine finishing,[citation needed] or to make collar-laundering easier.[2]
During the medieval period and sporadically thereafter, people wore ornamental collars as a form of jewelry.
Terminology
[edit]- Band — a strip of fabric that fastens around the neck, perpendicular to the body of the garment, to which a collar proper may be attached.
- Collar stiffeners, bones or stays — strips of baleen, metal, horn, mother of pearl, or plastic, rounded at one end and pointed at the other, inserted into a man's shirt collar to stiffen it and prevent the points from curling up; usually inserted into the underside of the collar through small slits but sometimes permanently sewn in place.
- Points — the corners of a collar; in a buttoned-down collar, the points are fitted with buttonholes that attach to small buttons on the body of the shirt to hold the collar neatly in place.
- Spread — the distance between the points of a shirt collar.
- Stand — the band on a coat or shirt collar that supports the collar itself.
- Fusing — Collar is pasted with a special fabric called fusing (collar fusing) so that buttonholes can be made without slippage.
Types
[edit]Collars can be categorized as:
- Standing or stand-up, fitting up around the neck and not lying on the shoulders.
- Turnover, standing around the neck and then folded or rolled over.
- Flat or falling, lying flat on the shoulders.
Collars may also be stiffened, traditionally with starch; modern wash-and-wear shirt collars may be stiffened with interfacing or may include metal or plastic collar stays. Shirt collars which are not starched are described as soft collars. The shape of collars is also controlled by the shape of the neckline to which they are attached. Most collars are fitted to a jewel neck, a neckline sitting at the base of the neck all around; if the garment opens down the front, the top edges may be folded back to form lapels and a V-shaped opening, and the cut of the collar will be adjusted accordingly.
Collar styles
[edit]This section possibly contains original research. (August 2008) |
Names for specific styles of collars vary with the vagaries of fashion. In the 1930s and 1940s, especially, historical styles were adapted by fashion designers; thus, the Victorian bertha collar — a cape-like collar fitted to a low scooping neckline — was adapted in the 1940s but generally attached to a V-neckline.
Some specific styles of collars include:
| Type | Other names | Image | Information |
|---|---|---|---|
| Ascot collar | stock collar | A very tall standing collar with the points turned up over the chin, to be worn with an Ascot tie. | |
| Albany collar | A standard turndown cutaway collar, worn predominantly in the early 20th century. | ||
| Band | Grandad collar | A collar with a small standing band, usually buttoned, in the style worn with detachable collars. | |
| Barrymore collar | A turnover shirt collar with long points, as worn by the actor John Barrymore. The style reappeared in the 1970s; particularly during that time it was often known as a "tapered collar", and could accompany fashionable wide four-in-hand neckties on dress shirts. | ||
| Bertha collar | A wide, flat, round collar, often of lace or sheer fabric, worn with a low neckline in the Victorian era and resurrected in the 1940s. | ||
| Buster Brown collar | A wide, flat, round collar, sometimes with a ruffle, usually worn with a floppy bow tie, characteristic of boys' shirts from c. 1880–1920. | ||
| Butterfly collar | The same as the wing collar, but with rounded tips. Popularised by fictional detective Hercule Poirot. | ||
| Button-down collar | A collar with buttonholes on the points to fasten them to the body of the shirt. | ||
| Camp collar | convertible collar, notched collar | A one-piece collar that lies flat, part of the shirt also lies flat to create a notch. | |
| Cape collar | A collar fashioned like a cape and hanging over the shoulders. | ||
| Chelsea collar | A woman's collar for a low V-neckline, with a stand and long points, popular in the 1960s and 1970s. | ||
| Clerical collar | A band collar worn as part of clerical clothing. | ||
| Convertible collar | A collar designed to be worn with the neck button either fastened or unfastened. | ||
| Cossack collar | A high standing collar opening to one side and frequently trimmed with embroidery; popular under the influence of the 1965 film Doctor Zhivago. | ||
| Detachable collar | false-collar | A collar made as a separate accessory to be worn with a band-collared shirt. (Currently worn styles are turndown, tab, and dog collars; as well as historical styles such as Imperial or Gladstone.) | |
| Double Round Collar | A turn down collar with rounded tips. | ||
| Edwardian Collar | A high stiff collar such as the Canadian hockey commentator/celebrity Don Cherry wears. The opposite of slovenly, but not actually formal. | ||
| Eton collar | A wide stiff buttoned collar forming part of the uniform of Eton College starting in the late 19th century. | ||
| Falling band | A collar with rectangular points falling over the chest, worn in the 17th century and remaining part of Anglican clerical clothing into the 19th century. | ||
| Fichu collar | A collar styled like an 18th-century fichu, a large neckerchief folded into a triangular shape and worn with the point in the back and the front corners tied over the breast. | ||
| Gladstone collar | A standing collar with the points pressed to stick out horizontally at the side-fronts, worn with a scarf or ascot; popularized by the British Prime Minister William Ewart Gladstone. | ||
| High neck collar | A collar that covers all or most of the neck, popular among women in Edwardian times. | ||
| HRH collar | Stand-up turned-down collar | A shirt collar created[3] by Charvet for Edward VII, which became very popular[4] at the end of the 19th century. | |
| Imperial/Poke collar | A stiff standing collar for men's formal wear, differentiated from other tall styles by the lack of tabs at the front. | ||
| Italian collar | A collar on men's shirts in which the upper collar is part of the shirt facing and the undercollar is a separate piece.[5] | ||
| Jabot collar | A standing collar with a pleated, ruffled, or lace-trimmed frill down the front. | ||
| Johnny collar | A style with an open, short V-neck and a flat, often knit collar. | ||
| Kent collar | One of the most frequent contemporary collar styles. | ||
| Lacoste collar | the un-starched, flat, protruding collar of a tennis shirt, invented by René Lacoste. | ||
| Long point collar | Straight point collar, Forward point collar, Narrow point collar | A collar with long pointy edges. Usually worn with a suit and a tie, because otherwise the extra long collar points can look odd. It's considered a conservative type of collar. | |
| Mandarin | Cadet collar, Chinese collar | A small standing collar, open at the front, based on traditional Manchu or Mongol-influenced Asian garments. | |
| Man-tailored collar | A woman's shirt collar made like a man's shirt collar with a stand and stiffened or buttoned-down points. | ||
| Mao collar | A short, almost straight standing collar folded over, with the points extending only to the base of the band, characteristic of the Mao suit. | ||
| Masonic collar[6] | A detachable collar made of fabric or chains that is worn by Freemasons of high rank or office. It signifies which office they hold. A jewel is attached to the bottom of the collar further defining the Brothers rank and office. Also see photo of NSW & ACT Grand Master wearing his collar.[6] | ||
| Medici collar | A flared, fan-shaped collar standing high behind the head, often of lace, in the style seen in portraits of Marie de' Medici.[7] | ||
| Middy collar | A sailor collar (from midshipman), popular for women's and children's clothing in the early 20th century. | ||
| Mock | mockneck | A knitted collar similar to a turtleneck, but without a turnover. | |
| Napoleonic collar | So called because of its association with Emperor Napoleon I Bonaparte's military uniforms. A turnover collar, fairly rigid in construction and open at the front, it is similar to a Nehru collar, but it rises much higher and is generally shaped to frame the wearer's neck and lower head; this was a design feature that William Belew incorporated into Elvis Presley's "stage uniforms" in his later years. | ||
| Nehru collar | A small standing collar, meeting at the front, based on traditional Indian garments, popular in the 1960s with the Nehru jacket. | ||
| Notched collar | A wing-shaped collar with a triangular notch in it, with the lapels (when on blazers and jackets) of a garment at the seam where collar and lapels. Often seen in blazers and blouses with business suits. Also, rounded notched collars appear in many forms of pajamas and nurses uniforms.[8] | ||
| Peter Pan collar | A flat, round-cornered collar, named after the collar of the costume worn in 1905 by actress Maude Adams in her role as Peter Pan, and particularly associated with little girls' dresses.[9] | ||
| Piccadill collar | A wing collar made of plastic or celluloid. | ||
| Pierrot collar | A round, flat, limp collar based on the costume worn by the Commedia dell'Arte character Pierrot. | ||
| Poet collar | A soft shirt collar, often with long points, worn by Romantic poets such as Lord Byron, or a 1970s style reminiscent of this. | ||
| Popped collar | A style of wearing a collar unfolded and high against the neck, made popular in the early 1980s with polo shirts. Saw a resurgence in the 2000s with bro culture. | ||
| Rabat | Clerical Collar worn in the Catholic Church for hundreds of years, the Rabat does not equal the ordinary bands of a judge. | ||
| Revere collar | A flat V-shaped collar often found on blouses. | ||
| Rolled collar | Any collar that is softly rolled where it folds down from the stand, as opposed to a collar with a pressed crease at the fold. | ||
| Round collar | Any collar with rounded points. | ||
| Ruff collar | A high standing pleated collar popular in the renaissance period made of starched linen or lace, or a similar fashion popular late seventeenth century and again in the early nineteenth century. They were also known as "millstone collars" after their shape.[10] | ||
| Sailor collar | A collar with a deep V-neck in front, no stand, and a square back, based on traditional sailor's uniforms. | ||
| Shawl collar | A round collar for a V-neckline that is extended to form lapels, often used on cardigan sweaters, dinner jackets and women's blouses. | ||
| Spread collar | cut away collar | A shirt collar with a wide spread between the points, which can accommodate a bulky necktie knot. | |
| Tab collar | A shirt collar with a small tab that fastens the points together underneath the knot of the necktie. | ||
| Tunic collar | A shirt collar with only a short (1 cm) standing band around the neck, with holes to fasten a detachable collar using shirt studs. | ||
| Tunisian collar | A T-shaped collar with a vertical button placket going up to mid-chest. This type of collar is believed to originate from the Jebba, a Tunisian Folk costume. This type of collar is currently in use for modern shirts and pulls. Also the Jebba is still worn in Tunisia as a ceremonial traditional costume. | ||
| Turned-Down Collar | A folded collar pointing down, as opposed to a turned-up collar, such as a Wing collar; created by Charvet.[11] | ||
| Turtleneck | polo neck, rollneck, skivvy | A close-fitting knitted collar that folds over and covers the neck | |
| Upturned collar | An otherwise flat, protruding collar of either a shirt (especially a tennis shirt), jacket, or coat that has been turned upward, either for sport use, warmth, or as either a "fashion signal" or a perceived status symbol. Elvis Presley favored this collar style, especially in the earliest years of his career, because he believed his neck looked too long; he had, in turn, been inspired by Billy "Mr. B" Eckstine, who had designed and patented a high roll collar that formed a "B" over a double Windsor-knotted necktie. | ||
| Van Dyke | vandyke collar | A large collar with deep points standing high on the neck and falling onto the shoulders, usually trimmed with lace or reticella, worn in the second quarter of the 17th century, as seen in portraits by Anthony van Dyck.
The vandyke collar was also popular in the United States in the 1880s.[12] | |
| Windsor collar | For a cutaway collar: a dress-shirt collar that is slightly stiff, with a wide spread (space between the points) to accommodate a Windsor knot tie, popularized in the 1930s; for a wing collar, a standard wing collar. | ||
| Wing collar | wingtip collar | A small standing collar with the points pressed to stick out horizontally, resembling "wings", worn with men's evening dress (white tie or black tie); a descendant of Gladstone collar. Used by barristers in the UK, Canada and India. | |
| Wing | whisk | A stiffened half-circle collar with a tall stand, worn in the early 17th century. | |
| Y-collar | Similar to a Johnny collar, only with one or two buttons at the bottom of the V-neck line, creating a "Y" shape. | ||
| Zero collar | Neckline of shirt without band and collar. |
Buttoning
[edit]Conventions on fastening the buttons on a collar differ globally. In the United States and the United Kingdom, the top button is virtually always left unbuttoned, unless one is wearing a necktie, but unbuttoning two or more buttons is seen as overly casual. By contrast, in Slavic countries, including at least Poland, and Ukraine, the top button is buttoned even in the absence of a tie.
Extended meanings
[edit]From the contrast between the starched white shirt collars worn by businessmen in the early 20th century and the blue chambray workshirts worn by laborers comes the use of collar colors in job designation, the "workforce colorwheel". Examples are blue-collar, pink-collar and white-collar.
See also
[edit]References
[edit]- ^ Harper, Douglas. "collar". Online Etymology Dictionary.
- ^ Compare:
Skipper, H. R. (1928). "6: Outfitting: Collars Past and Present". In Bridgland, A. S. (ed.). The Modern Tailor Outfitter and Clothier. Vol. 3. Read Books Ltd (published 2013). p. vi. ISBN 9781447497967. Archived from the original on 2019-12-21. Retrieved 2018-01-08.
It is claimed by America that one of her citizens, a Mrs. Hannah Lord Montague, in the course of her domestic duties a hundred years ago, observed that collars (which in those days were part of the shirt) soiled much more quickly than the rest of the garment. She conceived the idea of making a collar which could be detached from the shirt and washed separately. Whether the detachable collar originated in America or not, the collar industry in England seems to have come into being in 1840, more or less about the same time as it did in America.
{{cite book}}: ISBN / Date incompatibility (help) - ^ "Try our "98'Curzons!" A few fashion hints for men". Otago Witness. November 3, 1898. Archived from the original on September 15, 2012. Retrieved 2010-01-26.
It was actually the Prince of Wales who introduced this shape. He got them originally about eight years ago from a manufacturer called Charvet, in Paris.
- ^ Levitt, Sarah (1991). Fashion in photographs 1880–1900. London: Batsford. p. 81. ISBN 0-7134-6120-9.
- ^ Lappin, Peter (August 2020). "Patterns of the Past: Exploring the Early 1960s Italian Collar Shirt". Threads.
- ^ a b "Freemasons NSW & ACT – The Grand Master". www.masons.org.au. Archived from the original on 2015-12-23. Retrieved 2014-05-27.
- ^ Cumming, Valerie (2010). The dictionary of fashion history. Oxford New York: Berg. p. 130. ISBN 9781847885333.
- ^ "- Define at Dictionary.com". www.dictionary.com.
- ^ Felsenthal, Julia (20 January 2012). "Where the Peter Pan Collar Came From—and Why It's Back". Slate Magazine. Archived from the original on 21 January 2012. Retrieved 21 January 2012.
- ^ "Collar of Linen and Needle Lace, anonymous, c. 1625 – c. 1640 – Rijksmuseum". Archived from the original on 2012-10-11. Retrieved 2011-01-22.
- ^ Flusser, Alan (October 1982). "The Shirt Maker". TWA Ambassador.
- ^ Trenton State Gazette (New Jersey), November 18, 1880, p. 3; "Fashion Hints", San Francisco Bulletin, October 29, 1881, Supplement p. [2]; "Nice Ideas and Pretty Things Women Who Blindly Follow Fashion's Leaders and Women Who Do Not", Omaha Daily Herald, p. 5; "Fashion Notes. Latest Styles", Baltimore Sun, August 31, 1885, Supplement p. [2].
External links
[edit]
Media related to Collars at Wikimedia Commons
The dictionary definition of collar (clothing) at Wiktionary- Collars on Boys Shirts and Blouses: From the Historical Boys' Clothing website
Collar (clothing)
View on GrokipediaEtymology and Usage
Origins of the Term
The term "collar" derives from the Late Latin collāre, a diminutive form of collum meaning "neck," originally denoting a band or strap placed around the neck, primarily for restraining animals such as dogs or horses.[7][8] This usage emphasized functionality, as in a device for control or identification.[9] By the 12th century, the word entered Old French as coler or colier, retaining the sense of a neck band but beginning to extend to human adornments like necklaces or protective gear.[7] The Norman Conquest of 1066 facilitated its transmission into Middle English, where it appeared as coler around the 13th century, borrowed through Anglo-Norman dialects spoken by the invading Normans.[9][7] Early English attestations from the 13th and 14th centuries primarily described coler as a protective element, such as neck armor in military contexts or stiff bands in clerical vestments, marking its shift from animal restraint to human apparel for safeguarding or status.[7] For instance, in Geoffrey Chaucer's The Canterbury Tales (late 14th century), the Miller's Tale depicts the character Alisoun wearing a collar of coal-black silk around her neck, illustrating its integration into everyday fashionable clothing: "And eek bihynde, on hir coler aboute, / Of col-blak silk, withinne and eek withoute."[10] This evolution laid the groundwork for later innovations like detachable collars in the 19th century.[7]Modern Linguistic Applications
In contemporary fashion terminology, the term "collar" specifically denotes a folded or structured band attached to the neckline of garments such as shirts, blouses, jackets, and dresses, distinguishing it from other neckwear like neckties, which are separate accessories, or simple bands, which lack the structured fold or points typical of collars. This definition emphasizes the collar's function as an integral edge or frame for the garment's opening, often serving both aesthetic and practical purposes in framing the wearer's face or neck. Within the tailoring industry, "collar size" refers to the measurement around the neck where the collar sits, commonly expressed in inches for men's shirts and ranging typically from 14 to 18 inches to accommodate standard adult neck circumferences. This jargon is essential in bespoke and ready-to-wear production, where precise collar sizing ensures proper fit and comfort, often denoted on garment labels or patterns as, for example, "15.5-inch collar." Regional variations in terminology highlight cultural preferences in collar design and attachment. In British English, "detachable collar" remains a recognized term for separate, interchangeable pieces historically popular in formal wear, though less common today, while American English favors integrated or "attached collars" in everyday shirts, reflecting a 1920s shift toward convenience and mass production.[11] These differences underscore broader linguistic adaptations in global fashion discourse, where British usage retains echoes of Victorian modularity, contrasting with American streamlining for modern lifestyles.Historical Development
Pre-Modern Eras
In ancient Greece and Rome, tunics formed the foundational garment, featuring simple neck bindings or bands to secure the fabric around the neckline, providing basic modesty and structure.[12] These early bindings, typically cut as round or V-shaped openings in wool or linen tunics, evolved during the Archaic period (c. 800–500 BCE) toward more defined forms, particularly in military contexts where short-sleeved tunics offered practical mobility and minimal neck reinforcement for protection during combat.[13] By the Classical Greek era and into Roman times, such necklines on military tunics remained unadorned and functional, prioritizing ease over ornamentation, as seen in depictions of warriors and legionaries.[14] Medieval European collar developments transitioned from basic linen bands in the early Middle Ages to more elaborate forms by the 16th century, when ruffs emerged as detachable lace extensions worn over shirts for both protective and decorative purposes.[3] Originating as modest frills on necklines in the mid-1500s, ruffs grew in popularity across Western Europe, evolving into stiff, pleated structures made from fine linen or cambric, often starched for rigidity.[15] Under Queen Elizabeth I (r. 1558–1603), ruffs reached their peak as symbols of status, with portraits depicting them up to 9 inches (a quarter yard) wide, supported by wire frames known as supportasses to maintain their upright, fan-like shape.[16] These elaborate collars, requiring up to 18 yards of fabric and intricate pleating, underscored the era's emphasis on hygiene—allowing easy laundering—while framing the face to convey authority and refinement in courtly settings.[3]19th-21st Century Innovations
The invention of the detachable collar in 1827 by Hannah Montague of Troy, New York, marked a significant advancement in collar design, driven by the practical needs of urbanization and frequent laundering. Montague, seeking to extend the life of her husband's shirts amid the growing industrial workforce's demand for clean attire, cut off soiled collars and reattached fresh ones, sparking the collar manufacturing industry in the region. This innovation facilitated easier maintenance, as collars could be washed and starched separately, aligning with the era's shift toward mass-produced clothing and reducing the labor-intensive full-shirt washing process.[17] Celluloid collars, introduced in the 1890s as a waterproof, non-launderable alternative to starched linen, gained popularity among men for their crisp appearance and low maintenance, remaining common until the 1920s when softer fabrics prevailed.[18] In the 20th century, the polo collar emerged as a key sportswear innovation, introduced by French tennis player René Lacoste in the mid-1920s to address the discomfort of rigid long-sleeved shirts during play. Lacoste's design featured a soft, knitted collar in piqué cotton, with short sleeves and a buttoned placket, providing better mobility and breathability; it quickly influenced broader sportswear trends, evolving into the iconic polo shirt by the 1930s. The button-down collar, patented in 1900 by Brooks Brothers for polo players to prevent flapping, transitioned from sportswear to everyday casual attire by mid-century.[19] Post-World War II, the spread collar rose in prominence within business attire, reflecting the expansion of corporate culture and white-collar professions in the 1950s, where its wider angle accommodated varied tie knots and projected a modern, professional silhouette in tailored suits.[20] Entering the 21st century, collar innovations have emphasized sustainability and technology integration. Brands like Patagonia have incorporated recycled polyester into shirt collars and fabrics since 1993, with expanded use in shirts by the 2000s and lines like Responsibili-Tee (introduced around 2017) using 100% post-consumer recycled materials for durable, low-water-production apparel as of 2025.[21] Additionally, smart collars with embedded NFC chips have emerged since around 2015, enabling product authentication, supply chain tracking, and interactive features like digital care labels when scanned by smartphones, particularly in luxury and anti-counterfeiting applications.[22]Anatomy and Terminology
Structural Components
The structural components of a collar in clothing primarily consist of the stand, leaf (also known as the fall), and points or tips, which together form the basic framework around the neck. The stand serves as the inner band that sits directly against the wearer's neck, providing vertical support and rising from the garment's neckline edge to create a structured base. This component is typically constructed from the shirt's main fabric, often reinforced to maintain shape, and for typical examples measures around 1.5 to 1.75 inches (3.8-4.4 cm) in height at the back.[23][24] The leaf or fall refers to the outer flap that extends downward from the stand, folding over to form the visible portion of the collar and framing the neckline. It transitions from the stand at the roll line, a curved seam that defines the fold, and is designed to lie flat or drape slightly depending on the garment's construction. The points or tips are the protruding ends of the leaf, usually at the front, which may be folded, buttoned, or left open to secure the collar in place. These ends contribute to the overall silhouette while allowing for adjustability.[25][26][27] Support mechanisms are integral to maintaining the collar's stiffness and shape, typically achieved through interlining materials layered between the outer fabric and undercollar. Common interlinings include cotton or canvas for traditional stiffness, with modern options using fusible adhesives (often plastic-based) for bonding; these vary by garment type to ensure durability without bulk. In historical detachable collar designs, separate interlinings allowed for independent stiffening and cleaning. Collar width, influenced by the spread between points, is often wider for longer face shapes to balance proportions visually.[28][29][30]Specialized Vocabulary
In collar design and tailoring, specialized vocabulary encompasses precise terms for structural features and measurements that distinguish various collar types. These terms facilitate communication among designers, tailors, and manufacturers, ensuring consistency in construction and fit. Key nomenclature includes descriptions of collar shapes, attachment elements, and dimensional metrics, often tailored to functional and aesthetic requirements. The spread collar is defined by the angle formed between its two points, typically measuring 60-120 degrees, with moderate spreads around 60-90 degrees suitable for accommodating larger tie knots.[31] This angle contributes to the collar's balanced appearance when worn open or with formal attire. Complementing this, the button-down collar incorporates small fabric tabs at the tips, which are fastened to the shirt body via buttons, providing a secure and casual hold that prevents the points from lifting.[26] In contrast, the wing collar features short, folded stubs that project outward horizontally like wings, designed specifically for tuxedo shirts to frame a bow tie elegantly.[32] Collar spread metrics further refine these designs through standardized measurements. Point length, the distance from the collar tip to the point where it attaches to the collar stand, generally ranges from 2.5 to 3.5 inches, influencing the collar's proportion relative to the wearer's neck and face.[33] The roll line denotes the curved seam or fold where the collar transitions from the upright stand to the falling leaf, dictating how the collar drapes over the shirt or lapel for a natural flow. These metrics build briefly on the basic stand (the supportive upright band) and leaf (the outer folding layer) components.[26] Archaic terms like the Eton collar have experienced revival in vintage fashion contexts. This style is characterized as a wide, rounded collar, often stiffened, with broadly spread points, originally intended for boys' suits.[34] Its distinctive shape evokes historical tailoring precision while adapting to contemporary bespoke interpretations.[35]Varieties and Styles
Formal Collars
Formal collars are distinguished by their structured designs, intended to complement neckwear such as ties or bow ties in professional and ceremonial contexts, providing a polished silhouette that enhances the wearer's attire. These collars prioritize rigidity and precise geometry to maintain shape under formal garments like suits and tuxedos, often featuring starched or reinforced elements for elegance. Unlike more relaxed styles, formal collars emphasize symmetry and compatibility with accessories, originating from early 20th-century menswear innovations that aligned with evolving business and evening dress codes.[32] The spread collar, a cornerstone of modern formal menswear, features points that open at an angle of approximately 60 to 120 degrees, offering versatility for various tie knots including the Windsor style. This design allows the collar to frame the knot prominently while tucking neatly beneath jacket lapels, making it suitable for business suits and semi-formal events. Introduced in the 1920s to accommodate the wider Windsor knot's popularity, the spread collar became the standard for professional attire by the mid-century, supplanting narrower point collars in everyday formal dress.[31][36][32] The wing collar represents the epitome of stiff, ceremonial formality, characterized by an upright stand with folded tips that extend horizontally like wings, typically paired with a white bow tie. Its structure includes a high, starched band—often around 1 inch in height—to support the formal bow and ensure a crisp appearance against tailcoats or tuxedos. Historically favored for white tie events since the late 19th century, the wing collar transitioned to black tie formalwear in the early 20th century but remains a symbol of vintage elegance in tuxedo ensembles today.[37][38][39] The tab collar, a refined option for tie-centric formal looks, incorporates concealed tabs or a hidden bar between the points to secure and elevate the necktie knot, creating a taut, elevated profile. This mechanism, often using snaps or buttons, draws the points closer together for a streamlined effect under suit collars. Gaining prominence in mid-20th-century Ivy League fashion during the late 1950s, particularly among Yale students and popularized by retailers like J. Press, the tab collar embodied the era's preppy sophistication before declining in the 1970s.[32][40]Casual and Functional Collars
Casual and functional collars emphasize comfort, flexibility, and utility in everyday and active attire, diverging from rigid structures to accommodate relaxed movements and informal settings. These designs often feature softer materials and simpler constructions that prioritize wearability over aesthetic formality. The button-down collar consists of soft, pointed tips that are secured to the shirt front via small buttons, preventing flapping during activity while maintaining a laid-back appearance. This style originated in the late 19th century when polo players in England added buttons to their collars to keep them in place, a practical adaptation observed by John E. Brooks during a match in 1896, leading Brooks Brothers to introduce the first manufactured version around 1900.[41] Ideal for casual shirts, it has become a staple in American sportswear, offering subtle structure without the stiffness of dress collars.[42] The camp collar, characterized by its notched, open design that lies flat against the body, suits unstructured blouses and shirts for a breezy, effortless vibe. Emerging prominently in the 1950s as part of resort wear, it drew from tropical work garments like the guayabera, adapting their relaxed fit for leisure settings in warm climates.[43] Today, it thrives in modern athleisure, pairing well with shorts or chinos for activities like beach outings or casual outings, where its wide opening enhances airflow and comfort.[44] The mandarin collar features a short, stand-up band without folds or points, providing a sleek, minimalist frame around the neck. Adapted from traditional Asian tunics worn by Qing Dynasty officials in China from the 17th to early 20th centuries, it gained Western traction in the 1960s through the popularity of Nehru jackets, which emphasized clean lines and cultural fusion in menswear.[45] Its functional simplicity—lacking protruding elements—makes it ideal for active or layered casual shirts, offering neck coverage without bulk in modern minimalist fashion.[46]Construction Techniques
Attachment Methods
Collars in modern garments are primarily secured to the shirt body through permanent stitching, with closure at the front achieved via buttoning. Typically, the front placket of a shirt features one or two buttons positioned at the collar's base to fasten the collar points or band together, ensuring a secure fit around the neck; this configuration allows for easy donning while maintaining structure. Variations exist, such as the button-down style where small buttons attach the collar points directly to the shirt front for added stability, a detail elaborated in discussions of collar varieties. The transition to sewn buttons for collar attachment became widespread after 1900, particularly following World War I when military-issued shirts popularized soft, integrated collars over traditional detachable designs secured by studs, marking a shift toward convenience in everyday and formal wear.[36] Stitching techniques play a crucial role in attaching collars durably to the garment neckline, commonly employing seams that provide strength and a clean finish. In a standard process, the collar stand is pinned to the neckline edge with right sides facing and sewn at a seam allowance of about 1/4 inch, followed by attachment of the stand facing and edgestitching for reinforcement. These methods enhance durability by distributing stress evenly and preventing fraying, commonly employed in high-volume shirt manufacturing where seams undergo repeated wear.[47] Detachable collar systems offer an alternative attachment method, allowing collars to be swapped independently of the shirt, often using studs or snaps for secure, non-permanent fastening. Traditional studs consist of a button-like head on a short shank that passes through buttonholes on both the collar and shirt band, typically requiring two to three per collar for front and back closure, a mechanism that originated in the 19th century but persisted into early 20th-century formalwear. Snaps provide a modern variation, with metal or plastic fasteners that snap together invisibly, enabling quick attachment and removal while maintaining a smooth appearance. This detachable approach saw a revival in the 2020s, particularly in customizable formal and streetwear, as designers reintroduced it for versatility in outfits, appearing on runways with innovative materials and hardware to appeal to contemporary aesthetics.[48][49]Materials and Manufacturing
Collars in clothing are primarily fabricated from textiles selected for their durability, comfort, and aesthetic properties. Cotton poplin serves as a staple material for everyday collars, valued for its tight plain weave that provides a crisp, lightweight finish suitable for frequent wear.[50] In contrast, silk is favored for luxury applications, offering a lustrous surface and fluid drape that enhances formal attire.[51] These outer fabrics are reinforced with interlinings to maintain structure; fusible non-woven interlinings, developed in the mid-20th century using adhesives like polyethylene, bond via heat and pressure to prevent wrinkling and ensure long-term shape retention.[52] Manufacturing processes emphasize efficiency and precision to enhance collar durability. Patterns for collars are typically cut on the fold of the fabric to align with the grainline, promoting symmetry between the upper and under layers while minimizing material waste.[53] In industrial settings, automated fusing machines apply interlinings consistently, enabling high-volume output in apparel factories where production lines process collars at rates supporting thousands of units daily.[54] Contemporary trends focus on sustainability to address environmental impacts in collar production. Recycled polyester derived from PET plastic bottles has gained adoption; H&M reported that 25% of its materials were recycled in 2023, with recycled polyester comprising 79% of its polyester use.[55] By 2024, H&M achieved 89% recycled or sustainably sourced materials overall, with 94% of polyester recycled.[56] Such initiatives, combined with optimized dyeing and finishing techniques, have enabled water use reductions; for example, one partnered facility achieved a 38% reduction per garment between 2018 and 2020, and as of 2024, H&M reported a 9.5% reduction in freshwater consumption at tier 1 and 2 suppliers, promoting resource conservation without compromising quality.[57][58]Cultural and Symbolic Roles
Fashion Influences
In the 1970s, Vivienne Westwood revolutionized fashion through her punk designs, subverting historical styles into rebellious streetwear in collaboration with Malcolm McLaren at their King's Road boutique SEX, influencing the broader punk movement by transforming ornamental elements into provocative accessories that emphasized individuality and cultural disruption.[59] By the 2010s, Thom Browne elevated tailoring through exaggerated proportions in menswear and womenswear, distorting traditional silhouettes to critique and reinvent preppy Americana.[60] Collections like Fall 2014 showcased theatrical elements in collaboration with milliner Stephen Jones, creating whimsical, gender-fluid narratives that impacted luxury fashion, as seen in adaptations by celebrities and street stylists.[61] Browne's approach, rooted in his 2000s origins but peaking in the 2010s, promoted structured yet avant-garde shirting across global runways.[62] Post-1960s feminist movements prompted a significant shift in women's fashion, moving away from rigid structures that reinforced traditional femininity to more fluid, unisex interpretations for empowerment and practicality.[63] This evolution, accelerated in the 1970s through power dressing and the rejection of hyper-feminine norms, allowed women to adopt casual and professional attire symbolizing autonomy and blurring gender boundaries.[64] Designers like Mary Quant furthered this by promoting simple silhouettes in miniskirts and shifts, aligning with second-wave feminism's push for liberation from restrictive clothing.[65] In the 2020s, K-pop idols have driven global trends in Asian streetwear, integrating layered designs into gender-neutral outfits that mix Y2K nostalgia with urban athleisure, as seen with groups like Stray Kids and LE SSERAFIM.[66] This influence has boosted the Asian streetwear market, with K-pop aesthetics contributing to a 15% increase in youth segment growth by fusing pop culture with accessible styling.[67] Industry analyses highlight how these aesthetics have expanded Korean fashion exports, enhancing the sector's economic impact amid rising demand for idol-inspired casual wear.[68]Metaphorical Extensions
The term "white-collar worker" refers to individuals employed in professional, managerial, or administrative roles, typically associated with office environments and clean attire like white dress shirts with collars; it was coined in the early 20th century by American author Upton Sinclair to describe such workers in contrast to manual laborers.[69] In opposition, "blue-collar worker" denotes those engaged in manual or industrial labor, originating from the durable blue chambray or denim shirts worn by tradespeople to conceal dirt and oil stains; the phrase first appeared in print in 1924 in an Iowa newspaper referring to mechanics and similar occupations.[70] Common idiomatic expressions extend the collar's connotation of restraint or discomfort beyond clothing. For instance, "hot under the collar" describes a state of anger or irritation, evoking the sensation of heat and perspiration around the neck during emotional agitation; this American-English phrase emerged around 1900, alluding to the physiological flush of rage.[71] Similarly, "to collar" someone means to seize or arrest, derived from the physical act of grabbing a fugitive by the collar during pursuit, a usage documented in early 19th-century slang among law enforcement.[72] In contemporary technology, the term "collar" analogously describes wearable devices encircling the neck for functional purposes, mirroring the garment's form. Examples include the Q-Collar, an FDA-cleared neckband worn by athletes since the early 2020s to mitigate concussion risks by compressing jugular veins and increasing intracranial blood volume for brain protection.[73] Other innovations, such as smart cervical collars with embedded sensors for real-time rehabilitation monitoring, further adapt the collar motif to medical and ergonomic applications in the 2020s.[74]References
- https://en.wiktionary.org/wiki/collar