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Argand lamp
Argand lamp
Argand lamp
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An Argand lamp in use in A Portrait of James Peale, done in 1822 by Charles Willson Peale
Argand lamp with circular wick and glass chimney. Illustration from Les Merveilles de la science (1867–1869) by Louis Figuier.

The Argand lamp is a type of oil lamp invented in 1780 by Aimé Argand. Its output is 6 to 10 candelas, brighter than that of earlier lamps. Its more complete combustion of the candle wick and oil than in other lamps required much less frequent trimming of the wick.

In France, the lamp is called "Quinquet", after Antoine-Arnoult Quinquet, a pharmacist in Paris, who used the idea originated by Argand and popularized it in France. Quinquet sometimes is credited with the addition of the glass chimney to the lamp.[1]

Design

[edit]

The Argand lamp had a sleeve-shaped wick mounted so that air can pass both through the center of the wick and also around the outside of the wick before being drawn into a cylindrical chimney which steadies the flame and improves the flow of air. Early models used ground glass which was sometimes tinted around the wick.

An Argand lamp used whale oil, seal oil, colza, olive oil[2] or other vegetable oil as fuel which was supplied by a gravity feed from a reservoir mounted above the burner.

A disadvantage of the original Argand arrangement was that the oil reservoir needed to be above the level of the burner because the heavy, sticky vegetable oil would not rise far up the wick. This made the lamps top heavy and cast a shadow in one direction away from the lamp's flame. The Carcel lamp of 1800, which used a clockwork pump to allow the reservoir to sit beneath the burner, and Franchot's spring-driven Moderator lamp of 1836 avoided these problems.

The same principle was also used for cooking and boiling water due to its 'affording much the strongest heat without smoke'.[3]

History

[edit]
An astral lamp, an Argand lamp designed so that the reservoir does not cast a separate shadow

The Argand lamp was introduced to Thomas Jefferson in Paris in 1784 and according to him gave off "a light equal to six or eight candles."[4]

These new lamps, much more complex and costly than the previous primitive oil lamps, were first adopted by the wealthy, but soon spread to the middle classes and eventually the less well-off as well. Argand lamps were manufactured in a great variety of decorative forms and quickly became popular in America.[5] They were much used as theatrical footlights.[6]

It was the lamp of choice until about 1850 when kerosene lamps were introduced. Kerosene was cheaper than vegetable oil, it produced a whiter flame, and as a liquid of low viscosity it could easily travel up a wick eliminating the need for complicated mechanisms to feed the fuel to the burner.

See also

[edit]
  • Bude-Light: a very bright vegetable oil lamp that works by introducing oxygen into the center of an Argand burner.
  • Lewis lamp

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Argand lamp

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from Grokipedia
The Argand lamp is a type of oil lamp invented in 1780 by Swiss physicist and chemist Aimé Argand, characterized by a hollow cylindrical wick positioned between two concentric metal tubes and enclosed by a glass chimney, which facilitates improved airflow for a brighter, steadier, and relatively smokeless flame compared to earlier wick lamps. This design produced 6 to 10 candelas of light—six times brighter than traditional candles—by drawing air through the inner tube to the flame base and exhausting it via the outer tube and chimney, enabling efficient combustion of oils like whale oil or vegetable-based fluids. Argand's innovation stemmed from his theories on , developed while working in , where he patented the burner mechanism to address the dim, smoky output of flat-wick lamps prevalent in the . In 1783, he shared the prototype with Parisian entrepreneurs Antoine-Arnault Quinquet and Pierre-François Lange, who refined it with a more stable glass chimney and popularized it in under the name "quinquet," sparking a brief dispute over credit before Argand secured an English patent in 1784 through partnerships with manufacturers like . By the late 1780s, production expanded to and the , where firms such as Cornelius & Company crafted ornate versions in materials like , , and cut glass for domestic and public use. The lamp's historical significance lies in revolutionizing indoor lighting during the , extending workable hours in factories, homes, and institutions like churches, while supporting reading and leisure activities with its clear, directional light enhanced by optional ground-glass shades. Despite its advantages, the Argand lamp was expensive to produce, top-heavy due to elevated oil reservoirs, and posed fire risks from volatile fuels like turpentine-alcohol mixtures popular in the 1840s–1850s, paving the way for later gas and electric lighting technologies.

Invention and Development

Aimé Argand and Origins

François-Pierre-Amédée Argand, commonly known as Aimé Argand, was a Swiss chemist and born on July 5, 1750, in , . He received his education at the Academy of Geneva, where he trained in and physics and attended lectures by the prominent natural philosopher Horace-Bénédict de Saussure. During his early career in Geneva, Argand conducted experiments on , exploring ways to enhance the efficiency of burning processes, which laid the groundwork for his later innovations in lighting. These studies reflected the broader Enlightenment interest in scientific improvement of everyday technologies, particularly in the context of Geneva's vibrant intellectual community. In 1780, Argand conceived the fundamental idea for what would become the Argand lamp, driven by the limitations of traditional oil lamps that produced dim, smoky flames due to inadequate oxygen supply. His conceptual origins stemmed from a desire to increase lamp brightness through better oxygenation, inspired by contemporary on , including Antoine Lavoisier's work on oxygen's role in burning and a paper by the French inventor Meunier on oil burners. Argand hypothesized that surrounding the flame with a steady flow of air on both sides would promote a more complete and brighter , addressing the inefficiencies of flat-wick designs that restricted . Argand developed his initial prototypes in workshops around this time, collaborating closely with his brother Jean during his early inventive work. This design featured a cylindrical wick of cloth or similar , positioned between two concentric metal tubes, allowing air to be drawn upward by both inside and outside the for optimal oxygenation. Early testing in these workshops demonstrated the potential for a smokeless, intensely bright , marking a significant departure from prior oil lamps and setting the stage for further advancements. Argand continued his research until his death in October 1803, at the age of 53.

Patent and Commercialization

Aimé Argand secured a British patent for his lamp design in 1784 (patent no. 1425), filed in collaboration with partners including William Parker, which described a smokeless oil lamp with a tubular wick and improved airflow for brighter illumination. A corresponding French patent was also granted in 1784, providing legal protection in both key markets. In 1782, Argand traveled to Paris, where in 1783 he shared his prototype with pharmacist Antoine Quinquet and merchant Pierre-François Lange, who refined it with a glass chimney and popularized it as the "quinquet." However, patent disputes quickly emerged; in France, pharmacist Antoine Quinquet produced modified versions without authorization, prompting Argand to win two legal victories affirming his rights, though an agreement to share profits was later disrupted by the French Revolution. In England, the patent faced challenges and was ultimately declared invalid, enabling widespread copying by other manufacturers and limiting Argand's exclusive control. To facilitate commercialization, Argand partnered with Birmingham entrepreneur and merchant William Parker in 1784, granting Boulton a to produce the lamps exclusively in . Boulton utilized his advanced Soho Manufactory near Birmingham for mass production, leveraging its expertise in and to create elegant Sheffield-plate bases and fittings that appealed to luxury markets. This collaboration marked the lamp's entry into commercial manufacturing, with initial output focusing on high-quality models priced for affluent buyers. Early production encountered significant hurdles, including difficulties in fabricating the tall, thin glass chimneys essential for the lamp's draft mechanism. Boulton's frequent absences managing other ventures, such as operations in , further delayed scaling, while competition from unauthorized copies strained resources. Despite these issues, the lamps debuted successfully among elite consumers in Britain and , sold to nobility, intellectuals, and institutions like the and , establishing the Argand lamp as a of Enlightenment-era sophistication. The Boulton-Argand partnership dissolved acrimoniously by the late 1780s over unfulfilled financing and profit-sharing disagreements, but Soho's output had already propelled the invention's .

Design Features

Wick and Airflow Mechanism

The core innovation of the Argand lamp lies in its tubular wick, constructed from cloth with thick longitudinal threads formed into a hollow cylinder that fits between concentric metal tubes. This design permits air to flow both through the central perforation of the —measuring slightly more than half an inch in —and around the exterior space between the outer tube (approximately 1.6 inches in ) and the intermediate tube (1 inch in ). The airflow mechanism supplies oxygen to both the inner and outer surfaces of the wick, promoting complete fuel vaporization and efficient combustion that minimizes soot production. By drawing air upward from below the wick through this dual-path system, the lamp achieves a steady, smokeless flame when the wick height is properly adjusted, as excessive elevation can lead to incomplete burning and smoke. This principle contrasts with earlier flat-wick designs, where limited air access resulted in sooty, inefficient flames. To optimize performance, the wick is raised or lowered using an ingenious rack-and-pinion adjustment mechanism, typically made of iron and , which allows precise control over length and intensity. Maintaining the wick at the correct height ensures the burns cleanly and brightly, producing an output of 6 to 10 candelas—equivalent to the light of six to seven traditional candles—while reducing and extending burn time.

Chimney, Reservoir, and Materials

The cylindrical glass was a key structural element of the Argand lamp, refined in by Parisian entrepreneurs Antoine-Arnault Quinquet and Pierre-François Lange with a more stable design to protect the from drafts while channeling upward for optimal . Typically 8 to 12 inches tall and narrow in profile, it created an that enhanced flame stability and reduced accumulation. Constructed from heat-resistant —a lead-based material capable of withstanding elevated temperatures without cracking—the chimney allowed for brighter, cleaner burning compared to open-flame designs. The , or font, served as the storage component, usually designed as an urn-shaped vessel integrated into the lamp's base or stem to facilitate gravity-fed delivery to . Made from durable metals such as or silver-plated with a tinned interior to prevent from oils, it held fuels like refined or colza , providing several hours of burn time per filling depending on reservoir size, wick dimensions, and quality. This design ensured steady fuel supply without frequent refilling, making the lamp practical for extended evening use in households and public spaces. Overall lamp construction emphasized longevity and elegance, with bases forged from robust or silver-plated for stability and resistance to wear, often elevated on pedestals or tripods to prevent tipping. Luxury variants incorporated —gilt bronze—decorations, such as neoclassical motifs or foliate patterns, appealing to affluent consumers in the late 18th and early 19th centuries. These materials not only supported the lamp's functionality by enclosing and directing airflow around the wick but also elevated its status as a refined household fixture.

Operation and Performance

Ignition and Fuel Consumption

To ignite the Argand lamp, the wick is lit, allowing the flame to establish before the glass chimney is positioned over the burner to improve airflow and intensify the flame while shielding it from drafts. The lamp primarily burned refined whale oil, with sperm whale oil preferred for its superior clarity and minimal smoke production, though vegetable-based alternatives like colza or olive oil were also used effectively. Fuel consumption typically averaged about 0.5 to 1 ounce per hour for a standard single-flame model, varying with wick adjustment and oil quality. Maintenance routines centered on wick care to sustain optimal burning, including daily trimming with small to remove charred edges and maintain an even height, preventing carbon buildup that could cause or dimming. The oil was refilled via a spout or to minimize spills, ensuring the oil level remained consistent for without overflowing the wick. Periodic cleaning of the and burner removed any residue, preserving the lamp's efficiency.

Efficiency and Output Compared to Predecessors

The Argand lamp produced a light output of 6 to 10 —six to ten times brighter than a traditional 's approximately 1 —through enhanced airflow for more complete . In comparison to rushlights, which provided very dim illumination equivalent to less than one , the Argand offered a steady comparable to 6 to 10 . Flat-wick lamps, common before 1780, produced roughly 1 to 3 times the of a with incomplete , whereas optimized Argand designs achieved up to 18 . The design's hollow wick and enabled more efficient with reduced and compared to the wasteful, heat-intensive output of candles or rushlights, which required frequent trimming due to short burn times of 45-60 minutes. The Argand lamp's burn time extended to up to 12 hours per oil fill, depending on reservoir size and wick adjustment, compared to candles' 4-6 hours. Note: measures in a specific direction, while lumens measure total light output; historical comparisons often use (≈ ) for intensity, with total flux varying by beam distribution (e.g., 1 ≈12.6 lumens for isotropic sources).
PredecessorLight Output (candlepower)Fuel ConsumptionKey Drawbacks
Tallow Candle~1~5-10 g/hourSmoky, short burn (4-6 hours), dim flicker
Rushlight<1~10-20 g/hourFrequent trimming, minimal illumination
Flat-Wick Oil Lamp1-3~20-50 g/hourIncomplete burn, soot buildup, wasteful heat
Argand Lamp6-10 (up to 18 optimized)~15-30 g/hourSteady, relatively smokeless; longer 12-hour burns

Historical Significance

Widespread Adoption

Following its invention, the Argand lamp saw initial adoption among Europe's elite in the 1780s, prized for its superior brightness and reduced smoke compared to traditional candles and oil lamps. In France, modified versions known as Quinquet lamps, featuring a glass chimney for flame stability, gained immense popularity in Parisian salons and aristocratic households, where they illuminated intellectual gatherings and elegant interiors. In Britain, the lamps were similarly embraced by the aristocracy and wealthy classes starting from the mid-1780s, offering illumination equivalent to six to ten candles and becoming a status symbol in grand homes. The lamp's appeal crossed the Atlantic, reaching American elites by the 1790s. acquired multiple Argand lamps from around 1790 for use in the President's House in —his temporary —and later at his estate, where they enhanced formal rooms with their efficient, steady light. Early occupants of the , completed in 1800, including and , continued this trend by installing Argand lamps throughout the executive mansion, reflecting their status as cutting-edge technology for official and private spaces. By the late 1780s and into the early 1800s, the Argand lamp expanded beyond private elite settings to public applications, particularly in Britain. In lighthouses, it was adopted for its reliable, intense beam; the Trinity House at Portland Lighthouse installed silvered parabolic reflectors with Argand burners in 1788, marking one of the earliest maritime uses and improving visibility for ships. Scottish engineers under the Northern Lighthouse Board, established in 1786, similarly integrated Argand lamps into coastal beacons from the early 1800s, enhancing safety along rugged shores. In London, the lamps illuminated theaters like the Haymarket, where colored glass chimneys on Argand burners created dramatic stage effects starting in the 1780s and continuing into the early 1800s. For street lighting, Argand designs were incorporated into London's public lamps in the early 1800s, providing brighter illumination along key thoroughfares before gas lighting's dominance after 1807. Production peaked in the mid-19th century, with American manufacturers leading large-scale output to meet growing demand across sectors. By the 1830s, Boston-based Henry N. Hooper and Company was a prominent producer, crafting ornate and Argand lamps for homes, institutions, and exports, contributing to the technology's widespread availability until the lamp's rise around 1850.

Economic and Social Impacts

The introduction of the Argand lamp in the late significantly stimulated the industry by heightening demand for high-quality , which burned cleanly and efficiently in its design. Following the lamp's success in and , the need for sperm oil surged after 1784, bringing sudden prosperity to whale-hunters and expanding whaling operations. This increased demand played a key role in transforming American whaling into a major economic sector by 1820, with fleets venturing farther to meet the growing market for illuminants. On the social front, the Argand lamp's superior and steady extended productive evening hours in households, facilitating prolonged reading, study, and domestic work that advanced personal and pursuits beyond daylight limitations. Its enclosed glass chimney safeguarded the from drafts and accidental spills, markedly lowering hazards relative to open-flame candles or rudimentary wick lamps prevalent before its . These improvements contributed to safer indoor environments, allowing families to engage more confidently in nighttime activities without the constant threat of ignition. Initially confined to affluent circles as an expensive prestige item, the Argand lamp symbolized refined taste and was acquired by prominent figures such as , who praised its illumination in 1784 and imported examples for use . Elaborate versions, often crafted from fine metals and glass, underscored class distinctions in early adoption. By the , however, production innovations and substitutions with cheaper fuels like colza or lard oil rendered variants more affordable, broadening access to reliable among the middle class and gradually eroding its exclusivity.

Legacy and Variations

Influence on Subsequent Lighting Technologies

The Argand lamp's innovative design, featuring a tubular wick and dual airflow system for enhanced combustion, directly influenced early gas lighting systems in the 19th century. Soon after the introduction of coal gas illumination in the early 1800s, the Argand burner was adapted by substituting gas for oil, creating the Argand-type gas burner that provided a brighter, more stable flame through concentric tubes allowing air to flow both inside and outside the flame. This adaptation was evident in public installations, such as the gas lamps on Westminster Bridge in London, illuminated on December 31, 1813, which collectively produced light equivalent to thousands of traditional Argand oil lamps. The Smithsonian Institution holds examples of 19th-century gas lamps employing Argand burners, underscoring their role in transitioning from oil to gaseous fuels for street and indoor lighting. The principles of controlled airflow and efficient fuel from the Argand lamp extended to (or paraffin) lamps introduced in the , which adopted a central-draft mechanism as a direct continuation of the Argand's tubular wick . This allowed for better oxygen supply to the flame, resulting in a cleaner, brighter burn with less compared to flat-wick predecessors, and 's lower cost further popularized these lamps in households and lighthouses. The Linda Hall Library notes that while the Argand dominated until around 1850, its core innovations in wick and configuration persisted in models, enabling prolonged use in non-urban settings. These achieved outputs of 6-10 , a benchmark that influenced subsequent oil-based illuminants until the widespread availability of . Building on this lineage, the Argand's emphasis on aerodynamic flame control informed the development of incandescent mantle lamps in the late 19th and early 20th centuries, where a fabric mantle impregnated with rare-earth oxides glowed under the heat of a gas or flame for intensified light without direct luminosity. Historical accounts trace the mantle lamp's evolution back to Argand's foundational improvements in burner efficiency, which laid the groundwork for the multi-concentric ring burners and superheated systems that achieved up to 400 in early 20th-century applications. Although the Argand lamp itself was largely superseded by in urban areas by the 1830s—due to gas's lower cost and scalability—and by electric incandescent bulbs in the 1880s, its efficiency concepts endured in 20th-century portable and pressure-fed lamps, such as those used in rural or emergency .

Modern Reproductions and Collectibility

In the , craftsmen have produced faithful reproductions of Argand lamps to preserve their historical for decorative and educational purposes. Companies like JP-Tinsmith handcraft electrified versions using bodies, components, and silver-plated reflectors, often stenciled in period colors such as or mustard yellow, with bulbs (25W to 50W) simulating the original flame while incorporating safety features like switches and sleeves to reduce glare. These adaptations eliminate open flames, making them suitable for home use without the hazards of oil combustion. Modern interpretations also include LED-based designs that mimic the Argand's cylindrical wick mechanism. Designer Quentin de Coster's 2014 Argand lamp, for instance, replaces the traditional wick-lift with an LED system, evoking the 18th-century aesthetic in a contemporary, energy-efficient format. At historic sites like , replica Argand lamps fitted with LED bulbs have been employed to achieve authentic lighting effects without shades, balancing historical accuracy with modern practicality. Original Argand lamps command significant value in the antique market, reflecting their rarity and craftsmanship, with prices typically ranging from $200 to $30,000 (as of 2025) depending on condition, maker, and provenance. A pair of Regency silver and gilt-bronze Argand lamps by , marked Birmingham 1819 and featuring adjustable burners with Old Sheffield Plate reservoirs, sold at for $30,000 in 2013. Simpler bronze examples from the 1840s, as appraised on , fetch $200 to $300 at auction (as of 2025). Exceptional pairs with neoclassical detailing can reach $15,000 on platforms like (as of 2025). These lamps hold cultural value through their role in historical preservation, appearing in museum exhibits and reenactments to illustrate early industrial lighting innovations. At George Washington's , multiple Argand wall lamps and sconces with mirrored reflectors are displayed in period rooms, educating visitors on 18th- and 19th-century domestic life. The Goodwood Museum & Gardens features an Argand lamp in its virtual exhibit, highlighting its six- to tenfold brighter output compared to candles and its widespread use by 1840. Similarly, the showcases a circa-1835 Argand lamp by Henry N. Hooper and Company, underscoring its contribution to American . In reenactments at sites like these, reproductions or restored originals enhance immersive experiences, emphasizing the lamp's elegant, enduring form.

References

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  2. https://collections.telfair.org/objects/3653/argand-lamp
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  8. https://www.lindahall.org/about/news/scientist-of-the-day/ami-argand/
  9. https://american-antiques.net/argand-lamps-a-revolution-in-lighting/
  10. https://collections.vam.ac.uk/item/O82636/argand-lamp-boulton-matthew/
  11. https://encyclopedia.pub/entry/34461
  12. https://www.monticello.org/research-education/thomas-jefferson-encyclopedia/tabletop-argand-lamp/
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  17. https://www.jptinsmith.com/RelatedTopics.html
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  19. https://emuseum.mountvernon.org/objects/755/argand-lamp
  20. https://indiastreetantiques.com/object-devotion/amie-argand-knew-how-to-light-up-a-room
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  28. https://decorativeartstrust.org/reinterpreting-mount-vernons-front-parlor/
  29. http://www.antiquesandfineart.com/articles/media/images/00601-00700/00608/mt-vernon_AFA_6AN.pdf
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  40. https://www.hhhistory.com/2021/07/oil-lamps-past-and-present.html
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  50. https://www.christies.com/en/lot/lot-5683117
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  53. https://emuseum.mountvernon.org/objects/1310/argand-wall-lamp
  54. https://www.goodwoodmuseum.org/virtual-exhibit/argand-lamp/
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