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Coade stone
Coade stone or Lithodipyra or Lithodipra (Ancient Greek: λίθος/δίς/πυρά, lit. 'stone fired twice') is stoneware that was often described as an artificial stone in the late 18th and early 19th centuries. It was used for moulding neoclassical statues, architectural decorations and garden ornaments of the highest quality that remain virtually weatherproof today.
Coade stone features were produced by appointment to George III and the Prince Regent for St George's Chapel, Windsor; The Royal Pavilion, Brighton; Carlton House, London; the Royal Naval College, Greenwich; and refurbishment of Buckingham Palace in the 1820s.
Coade stone was prized by the most important architects such as: John Nash-Buckingham Palace; Sir John Soane-Bank of England; Robert Adam-Kenwood House; and James Wyatt-Radcliffe Observatory.
The product (originally known as Lithodipyra) was created around 1770 by Eleanor Coade, who ran Coade's Artificial Stone Manufactory, Coade and Sealy, and Coade in Lambeth, London, from 1769 until her death in 1821. It continued to be manufactured by her last business partner, William Croggon, until 1833.
In 1769, Mrs Coade bought Daniel Pincot's struggling artificial stone business at Kings Arms Stairs, Narrow Wall, Lambeth, a site now under the Royal Festival Hall. This business developed into Coade's Artificial Stone Manufactory with Coade in charge, such that within two years (1771) she fired Pincot for "representing himself as the chief proprietor".
Coade did not invent artificial stone. Various lesser-quality ceramic precursors to Lithodipyra had been both patented and manufactured over the forty (or sixty) years prior to the introduction of her product. She was, however, probably responsible for perfecting both the clay recipe and the firing process. It is possible that Pincot's business was a continuation of that run nearby by Richard Holt, who had taken out two patents in 1722 for a kind of liquid metal or stone and another for making china without the use of clay, but there were many start-up artificial stone businesses in the early 18th century of which only Coade's succeeded.
The company did well and boasted an illustrious list of customers such as George III and members of the English nobility. In 1799, Coade appointed her cousin John Sealy (son of her mother's sister, Mary), already working as a modeller, as a partner in her business. The business then traded as Coade and Sealy until his death in 1813, when it reverted to Coade.
In 1799, she opened a showroom, Coade and Sealy's Gallery of Sculpture, on Pedlar's Acre at the Surrey end of Westminster Bridge Road, to display her products.(See adjacent "Coade and Sealy gallery" image)
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Coade stone
Coade stone or Lithodipyra or Lithodipra (Ancient Greek: λίθος/δίς/πυρά, lit. 'stone fired twice') is stoneware that was often described as an artificial stone in the late 18th and early 19th centuries. It was used for moulding neoclassical statues, architectural decorations and garden ornaments of the highest quality that remain virtually weatherproof today.
Coade stone features were produced by appointment to George III and the Prince Regent for St George's Chapel, Windsor; The Royal Pavilion, Brighton; Carlton House, London; the Royal Naval College, Greenwich; and refurbishment of Buckingham Palace in the 1820s.
Coade stone was prized by the most important architects such as: John Nash-Buckingham Palace; Sir John Soane-Bank of England; Robert Adam-Kenwood House; and James Wyatt-Radcliffe Observatory.
The product (originally known as Lithodipyra) was created around 1770 by Eleanor Coade, who ran Coade's Artificial Stone Manufactory, Coade and Sealy, and Coade in Lambeth, London, from 1769 until her death in 1821. It continued to be manufactured by her last business partner, William Croggon, until 1833.
In 1769, Mrs Coade bought Daniel Pincot's struggling artificial stone business at Kings Arms Stairs, Narrow Wall, Lambeth, a site now under the Royal Festival Hall. This business developed into Coade's Artificial Stone Manufactory with Coade in charge, such that within two years (1771) she fired Pincot for "representing himself as the chief proprietor".
Coade did not invent artificial stone. Various lesser-quality ceramic precursors to Lithodipyra had been both patented and manufactured over the forty (or sixty) years prior to the introduction of her product. She was, however, probably responsible for perfecting both the clay recipe and the firing process. It is possible that Pincot's business was a continuation of that run nearby by Richard Holt, who had taken out two patents in 1722 for a kind of liquid metal or stone and another for making china without the use of clay, but there were many start-up artificial stone businesses in the early 18th century of which only Coade's succeeded.
The company did well and boasted an illustrious list of customers such as George III and members of the English nobility. In 1799, Coade appointed her cousin John Sealy (son of her mother's sister, Mary), already working as a modeller, as a partner in her business. The business then traded as Coade and Sealy until his death in 1813, when it reverted to Coade.
In 1799, she opened a showroom, Coade and Sealy's Gallery of Sculpture, on Pedlar's Acre at the Surrey end of Westminster Bridge Road, to display her products.(See adjacent "Coade and Sealy gallery" image)