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Guide number
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When setting photoflash exposures, the guide number (GN) of photoflash devices (flashbulbs and electronic devices known as "studio strobes", "on-camera flashes", "electronic flashes", "flashes", "speedlights", and "speedlites") is a measure photographers can use to calculate either the required f-stop for any given flash-to-subject distance, or the required distance for any given f-stop. To solve for either of these two variables, one merely divides a device's guide number by the other.
Though guide numbers are influenced by a variety of variables, their values are presented as the product of only two factors as follows:[1]
- Guide number = f-number × distance
This simple inverse relationship holds true because the brightness of a flash declines with the square of the distance, but the amount of light admitted through an aperture decreases with the square of the f-number.[2] Accordingly, as illustrated at right, a guide number can be factored to a small f-number times a long distance just as readily as a large f-number times a short distance.
Guide numbers take into account the amount of luminous energy of the flash, the camera's ISO setting (film speed), flash coverage angle, and filters. Studio strobes in particular are often rated in watt⋅seconds, which is an absolute measure of illuminating power but is not particularly useful for calculating exposure settings. All else being equal, a guide number that twice as great will permit subjects to be properly exposed from twice as far away or an f-number twice as great.
The guide number system, which manufacturers adopted after consistent-performing mass-produced flashbulbs became available in the late 1930s, has become nearly superfluous due to the ubiquity of electronic photoflash devices featuring variable flash output and automatic exposure control, as well as digital cameras, which make it trivially easy, quick, and inexpensive to adjust exposures and try again.[3] Still, guide numbers in combination with flash devices set to manual exposure mode remain valuable in a variety of circumstances, such as when unusual or exacting results are required and when shooting non-average scenery.
Different models of flash devices available on the market have widely varying maximum-rated guide numbers.[4] Since guide numbers are so familiar to photographers, they are near-universally used by manufacturers of on-camera flash devices to advertise their products' relative capability. However, such a practice demands industry-wide standardization of both the ISO setting and illumination angle underlying the ratings; this has only been partially realized. For the most part, manufacturers state guide numbers relative to a sensitivity of ISO 100.[5] However, manufacturers sometimes rate guide numbers at ISO 200, which makes them 41% greater.[6] The illumination angles underlying manufacturers' ratings vary greatly, which can make it particularly difficult to compare models.
Understanding guide numbers
[edit]Units of measure
[edit]
Throughout most of the world where the metric system (SI) is observed, guide numbers are expressed as a unitless numeric value like 34, even though they are technically a composite unit of measure that is a two-factor product: f-number⋅meters.[7] As such, guide numbers can be reduced either to distance in meters or to f-stops depending on how one uses the guide number in a calculation.
In the U.S. however, photographers typically measure distances in feet and require guide numbers scaled accordingly. To serve the U.S. market, manufacturers of flash devices typically provide foot-based guide numbers and add nomenclature such as feet, ft, or the foot symbol ′ to unambiguously denote that fact, e.g. Guide number: 92'.[8] Another common practice when flash devices are marketed in the U.S. is to provide two guide numbers—which can be expressed in a variety of formats—so distances and f-numbers may be calculated using either feet or meters, e.g. Guide number: 30 m / 98 ft.[5]
Though nomenclature conventions such as these can make guide numbers misleadingly appear to be length-based units of measure, they serve as notations to eliminate ambiguity as to which length-based system of measurement underlies the guide numbers. As with metric-based guide numbers, foot-based guide numbers are a two-factor unit of measure except the units are f-number⋅feet.
To convert a guide number given in meters to feet, divide by 0.3048. To convert a guide number given in feet to meters, multiply by 0.3048.
Calculating with guide numbers
[edit]It is easy to use guide numbers to calculate either an aperture or a flash-to-subject distance. Consider a flash device with a rating of 28 meters (which might be marked "92 feet", "28 DIN", "28/92", "92", etc.).
Suppose a photographer has a flash device with a guide number of 44 (m) / 144 (ft), sets the camera's aperture to f/4, and wants to know the required flash-to-subject distance; he merely divides the guide number by 4. Thus, a subject 11 meters or 36 feet away will be correctly illuminated (GN 44 (m) ÷ f/4 = 11 m, and GN 144 (ft) ÷ f/4 = 36 ft). For the same guide number and an aperture of f/8, the light source must be 5.5 meters or 18 feet from the subject.
Alternatively, if one has an established flash-to-subject distance and wants to find the required f-number, one divides the guide number by the distance. Example: Guide number = 48 (m) and the distance is 6 meters; one needs and aperture of f/8 (GN 48 ÷ 6 m = f/8).
Example for finding a distance
[edit]Suppose a photographer wants to shoot with an aperture of f/2.8 and the guide number is 28 (m) / 92 (ft). The flash device must be 10 meters (33 feet) from the subject.
- In metric: GN 28 ÷ f/2.8 = 10 m
- In U.S. customary units: GN 92 ÷ f/2.8 = 33 ft
Example for finding an aperture
[edit]Suppose a photographer's flash-to-subject distance is 9.75 meters (32 feet) and the guide number is 39 (m) / 128 (ft). The aperture must be f/4.
- In metric: GN 39 ÷ 9.75 m = f/4
- In U.S. customary units: GN 128 ÷ 32 ft = f/4
Details
[edit]
The magnitude of guide numbers is a function of the following four variables:
- The total luminous energy (in lumen⋅seconds) emitted by the flash head (which is itself the product of the duration and the average luminous flux of a flash).
- The solid angle subtended by the circular- or rectangular-profile beam as it leaves the flash head (the average of the beam's X- and Y-axis angles).
- The ISO sensitivity setting.
- Filters (either on the flash or on the camera lens). See Effect of filters, below.
The above variables fall into two classes that influence the magnitude of guide numbers:
- Those that affect the non-distance-related intensity of a flash arriving at a scene (a property called illuminance, measured in lux or lumens per square meter) or its duration; namely its power setting, flash coverage angle, and color gels in front of the flash head.
- Those that affect the camera's non-aperture-related light sensitivity; namely lens filters and the ISO rating of the film/imaging sensor.
Changing either the f-stop or the flash-to-subject distance does not affect guide numbers because, by definition, choosing a different value for one factor is automatically accompanied by a reciprocal adjustment in the other.
Most modern flash devices can operate at guide numbers less than their maximum ratings via either manual adjustment of their power settings in binned steps, by an in-flash automatic light sensing feature, or by being cued by the camera's sensor; both the latter options make continuously variable adjustments. Manual attenuation settings are usually steps in powers of 0.5 (full f-stops) that commonly extend five to eight f-stops deep (power levels of 1⁄2, 1⁄4, 1⁄8 ... 1⁄256).[9] Shutter speeds do not factor into guide number calculations with electronic flash and, for the most part, have no effect on exposures.
Guide numbers are not affected by scene reflectance. Guide numbers are a function of the illuminance and duration of a flash (a property called luminous exposure that have lux⋅seconds as their units of measure) arriving at a scene as measured by an incident-light meter (pictured at right), not the amount leaving the scene.[2] Whereas scene reflectance (the albedo of the objects being photographed) have no influence on the illuminance (lux value) arriving at any given scene, reflective surfaces along the path between a flash device and a scene, such as light-colored ceilings, do have an influence. Guide numbers are often calculated by manufacturers for optimum results in average indoor settings.[10] Cameras' built-in reflected-light meters are not a definitive measure of exposure. For example, using a camera with a through-the-lens meter to photograph a park bench surrounded by sunlit snow underexposes the image, making the bench appear nearly black and the snow as dark as grass and foliage. This is because reflected-light meters are calibrated for an average scene reflectance of 18% and do not give good results for scenes with non-average reflectance.[citation needed] A gray card and light meter can be used for better calibration.
Guide number distances are always measured from the flash device to the subject; if the flash device is detached from the camera, the position of the camera is irrelevant. Furthermore, unless a flash device has an automatic zoom feature that follows the setting of a camera's zoom lens, guide numbers do not vary with the focal length of lenses.
When manufacturers of flash devices provide guide numbers ratings specified relative to ISO 200, this increases them by the square root of the difference, or a 41 percent increase relative to those given at ISO 100.[6]
Effect of power settings
[edit]Most modern electronic flash devices have manually adjustable power settings. Moreover, virtually all modern on-camera flash devices that have manually adjustable power settings also provide either a built-in mechanical circular calculator (such as shown in the photo at the top of this article) or a digital display that automatically shows the effect power levels have on f-stop and distance (guide number).
Nevertheless, for those who want to master the math, guide numbers diminish from their full-power ratings as the square root of their fractional setting per the following formula:
- …where
- is the numerator in the fraction of the power setting
- is the denominator in the fraction of the power setting
The following is a step-by-step example of using the above formula: Suppose your full-power guide number is 48 (it is irrelevant if it is scaled for meters or feet for this purpose) and the flash device is set to 1⁄16 power. Divide 1 by 16 to obtain 0.0625. Take the square root of that (the button on a calculator), which equals 0.25, and multiply that by the guide number of 48 to obtain a reduced-power guide number of 12.0.
The mathematical relationship between guide numbers and power levels can also be understood using the below alternative formula, which is suitable whenever the numerator in the fractional power setting is 1 (which is usually the case with flash devices):
- …where
- is the denominator in the fraction of the power setting
Example: Suppose your full-power guide number is 51 and your flash device is set to 1⁄32 power. Take the square root of 32 (the button on a calculator), which equals approximately 5.657. Divide 51 by 5.657 to obtain a reduced-power guide number of 9.0.
Effect of flash angle (zoom setting)
[edit]Many flash devices have auto- or manual-adjust zoom features that permit the illumination angle to be widened (lessening the guide number) to fully illuminate the image area of wide-angle lenses, or narrowed (increasing the guide number) for telephoto lenses. Such coverage angles may be given in degrees but are often expressed as being equivalent to lens focal lengths for full-frame, 35 mm cameras. Manufacturers' advertising practices vary as to the angle of coverage underlying their guide number ratings, in large part because some flash devices can be zoomed whereas others are fixed.
Virtually all modern on-camera flash devices with zoomable flash heads also have either a built-in mechanical circular calculator (such as shown in the photo at the top of this article) or a digital display; both automatically show the effect zoom levels have on f-stop and distance (guide number).
The optics of flash heads are complex; each manufacture's designs not only have illumination areas that are slightly different, but are the product of differing relative proportions of transmission, diffusion, reflection, and refraction among their optical elements (flash tube, reflector, Fresnel lens, and add-on wide-angle adapter). Accordingly, there is no universal formula for precisely calculating how guide numbers diminish from, for instance, a 105 mm setting to 50 mm or 35 mm settings.
The below table illustrates the variation in guide numbers depending on zoom level for some select, relatively high-power zoom-capable flash devices.
| VARIATION IN DECAY OF GUIDE NUMBER VERSUS FLASH ANGLE (NORMALIZED TO 105 mm) WITH SELECTED ZOOM-CAPABLE FLASH DEVICES | |||||||
|---|---|---|---|---|---|---|---|
| Flash angle[A] | Vivitar 285 | Sony HVL-F58AM | Yongnuo YN-568EX | Canon 430EX III-RT | Nikon SB-900 | Metz 58 AF-2 | Median value |
| 105 mm | 100% | 100% | 100% | 100% | 100% | 100% | 100% |
| 50 mm | 85.7% | 72.4% | 72.4% | 76.8% | 80.7% | 72.4% | 74% |
| 35 mm | 71.4% | 62.1% | 67.2% | 65.1% | 68.4% | 60.3% | 66% |
| 28 mm | 50.0% | 53.4% | 51.7% | 55.8% | 60.6% | 53.4% | 53% |
Note A: Flash angle is equivalent to the denoted lens focal length for a full-frame 35 mm camera.
Effect of ISO sensitivity
[edit]
This photo was shot in fair quality air at ISO 12,800 using a modestly powerful camera-mounted flash, yielding a high guide number of 438 (m) / 1438 (ft). When shot at f/1.8 to favor distance, the utility pole marked by the arrow would be properly illuminated were it not for haze glare, which fogged the image and diminished brightness.
Among other variables like illumination angle (for devices with zoomable flash heads) and power setting, guide numbers are a function of the ISO sensitivity (film speed or ISO setting on a digital camera). Guide numbers change as the square root of the difference in ISO sensitivity. Accordingly, a greater ISO sensitivity yields a greater guide number.
To allow photographers to properly calculate exposures, even older, base-model flash devices have at least a tabular table on the device showing its guide number for a limited range of common ISO sensitivities. Today, the state of the art has advanced so that with the exception of the least expensive models, virtually all modern on-camera flash devices feature either a built-in mechanical circular calculator (such as shown in the photo at the top of this article) or—more modern yet—a digital display; both methods automatically calculate the effect ISO settings have on f-stop and distance (guide number). Such features make it exceedingly easy to find a suitable combination of f-stop and distance so photographers seldom need to concern themselves with the mathematical details underlying how their flash devices' guide number changes with different ISO sensitivities.
Still, it can be helpful when comparing flash devices to understand how guide numbers vary with ISO sensitivity. Usually manufacturers state their products' guide number ratings relative to an ISO sensitivity of 100. However, some manufacturers of flash devices may provide guide numbers ratings specified relative to ISO 200, which increases its guide number by 41 percent relative to those given at ISO 100.[6]
The below table shows the proportional change in a flash device's guide number relative to both ISO 100 and ISO 200.
The extremely high guide numbers shown in the right-hand portion of the table have a limited real-world ability to extend flash distances. As the above photo illustrates, the f-number × distance reciprocal relationship breaks down when on-camera flash devices that are set to full or near-full power are used in combination with cameras set to very high ISO sensitivities and large apertures (exceedingly long distances). ISO settings like 102,400 can yield guide numbers in excess of 1220 (m) / 4000 (ft) that seldom if ever permit extremely long-range flash photography due to particulates and aerosols typically present in outside air that fog images with haze glare and attenuate the reach of the light. Except in unusual atmospheric conditions, extraordinarily large guide numbers will produce suitable results only by either positioning the flash device off-axis from the camera by a fair distance or by shooting at the smallest apertures.
| CHANGE IN GUIDE NUMBERS AS ISO SENSITIVITY VARIES FROM AN ADVERTISED RATING | ||||||||||||||||||||||||
| ISO sensitivity[B] | 32 | 40 | 50 | 64 | 80 | 100 | 125 | 160 | 200 | 250 | 320 | 400 | 500 | 640 | 800 | 1600 | 3200 | 6400 | 12,800 | 25,600 | 51,200 | 102,400 | 204,800 | 409,600 |
| Proportional change in GN relative to ISO 100 | 0.561 | 0.630 | 0.707 | 0.794 | 0.891 | 1.00 | 1.12 | 1.26 | 1.41 | 1.59 | 1.78 | 2.00 | 2.24 | 2.52 | 2.83 | 4.00 | 5.66 | 8.00 | 11.3 | 16.0 | 22.6 | 32.0 | 45.3 | 64.0 |
| Proportional change in GN relative to ISO 200 | 0.397 | 0.445 | 0.500 | 0.561 | 0.630 | 0.707 | 0.794 | 0.891 | 1.00 | 1.12 | 1.26 | 1.41 | 1.59 | 1.78 | 2.00 | 2.83 | 4.00 | 5.66 | 8.00 | 11.3 | 16.0 | 22.6 | 32.0 | 45.3 |
Note B: The ISO sensitivities shown in this table are their common nomenclature values; their actual underlying values may be slightly different, such as ISO 250, which is actually approximately 252.
Effect of filters
[edit]Filters reduce guide numbers regardless of whether they are gels placed over the flash device or are lens filters on the camera. Flash devices may come with detachable color-correction gels or filters to match the color of the flash with different types of ambient lighting such as incandescent and fluorescent. Some modern flash devices can even detect when color-correction gels have been attached and automatically compensate for their effect on guide numbers.[citation needed]
Unless a hot shoe-mounted electronic flash device's power can be controlled by a camera via through-the-lens metering (TTL), guide numbers must be manually compensated for the effect of on-lens filters. Even with TTL, non-average scenery such as off-center subjects with distant backgrounds or scenery with elements that have non-average reflectance can confound TTL metering. However, such situations cannot confound guide number equations. For instance, a typical polarizing filter, which attenuates 1–1.5 f-stops, will diminish guide numbers to 71–60% of their unfiltered rating.[citation needed]
Guide numbers diminish as the square root of filter attenuation in f-stops, as per the following formula:[citation needed]
- ...where equals the filter's rated loss in f-stops.
The below table provides some common filter values.
| ATTENUATION OF GUIDE NUMBERS WITH FILTER LOSS | |||
|---|---|---|---|
| f-stop loss |
Factor | f-stop loss |
Factor |
| 1⁄3 | 89.1% | 1+2⁄3 | 56.1% |
| 1⁄2 | 84.1% | 2 | 50.0% |
| 2⁄3 | 79.4% | 2+1⁄3 | 44.5% |
| 1 | 70.7% | 2+1⁄2 | 42.0% |
| 1+1⁄3 | 63.0% | 2+2⁄3 | 39.7% |
| 1+1⁄2 | 59.5% | 3 | 35.4% |
When a flash device is set to manual (M) or automatic (A) exposure mode and is not being controlled via the camera's through-the-lens metering, a convenient way to compensate for the effect of a lens-mounted filter is to set the ISO rating on a camera to a higher value than the flash device. For instance, if a polarizing filter attenuates by 1 f-stop and the flash device is set to ISO 100, then the camera can simply be set to ISO 200. The extra camera sensitivity compensates for the loss due to the filter.
The formula governing this relationship is as follows:
- …where equals the camera filter's rated loss in f-stops.
Here is a step-by-step example of using this formula: Suppose a filter attenuates by 1+1⁄3 f-stops and the flash device is set to ISO 100. Take 2 and raise it to the power of 1.3333 (using the button on a scientific calculator), which is approximately 2.5198, and then multiply that by 100, which equals about 252. The nearest standard camera setting is ISO 250.
Effect of shutter speeds
[edit]

With electronic flash
[edit]When electronic flash devices based on flashtube technology are used with most modern cameras (those with focal-plane shutters), shutter speed has no effect on guide numbers. (A notable exception is when a flash device at full power is used in combination with cameras equipped with leaf shutters set to very brief exposure times.)[citation needed]
This is because even at the most powerful settings, flash durations seldom exceed a few milliseconds (thousandths of a second). With focal-plane shutters, a flash begins shortly after the shutter curtain has fully opened and must extinguish before the curtain begins to close. Selecting any shutter speed faster than the camera's rated X-sync speed, which is often between 1⁄60 and 1⁄200 of a second (from as long as 16.7 milliseconds to as little as 5.0 milliseconds) causes the shutter curtain to begin wiping closed across the film or sensor before the flash has extinguished. When this happens, an underexposed, gradated band appears along an edge of the image—often trailing off darker towards the left or bottom, as seen in the photo at top right.[citation needed]
Conversely, longer exposures also have no effect on guide number. After the flash has extinguished, longer shutter speeds will only increase the contribution from continuous ambient light, which can lead to ghosting with moving subjects.
With flashbulbs
[edit]Shutter speeds influence guide numbers when using flashbulbs due to their relatively long flash durations. Vintage flashbulbs, though no longer made, are still available and have a niche following, largely because even medium-size bulbs such as the once-popular General Electric Synchro-Press No. 11 had huge light outputs on the order of 23,000 lumen⋅seconds—far exceeding the most powerful of today's hot shoe-mounted electronic flash devices. At a relatively slow shutter speed of 1+⁄25 of a second (40 milliseconds), the GE No. 11 had a guide number of 97.5 (m) / 320 (ft) at ISO 100 when using a typical 6- or 7-inch-diameter (150–175 mm) polished reflector.[11] With peak powers often between one and two million lumens, many young baby boomers chased after fairylike retinal bleached spots (a symptom of flash blindness) for minutes after having their pictures taken at close distance with flashbulbs of the era.
If one wanted the benefit of all the light produced by a flashbulb (highest possible guide number), relatively long exposure times were required because most flashbulbs didn't stop producing useful amounts of light until 20–90 milliseconds (ms) after electrical current was applied. The GE No. 11 flashbulb for instance, was a Class M (medium peak) bulb, which were designed to produce peak luminous fluxes 20 ms after firing (see the graph at lower right). The No. 11 was intended for leaf shutter-type cameras and M sync photoflash triggering, which gave M bulbs a head start by delaying the opening of the shutter so any given camera's fastest exposure time would be centered at the 20 ms point (an 18.75 ms delay for instance, for a definitional camera capable of 1⁄400 second exposures, or 2.5 ms).
The GE No. 11 stopped producing useful amounts of light roughly 50 ms after current was applied. Thus, a camera with a fastest shutter speed of 1⁄400 of a second (one that began exposures 18.75 ms after a bulb was fired with M sync triggering), and which was set to 1⁄25 of a second, would close its shutter 59 ms after triggering a flashbulb (18.75 ms + 40 ms = 58.75 ms) and would achieve the maximum rated guide number from the No. 11.[citation needed]
So long as one used flashbulbs with leaf shutter-type cameras, faster exposures and larger apertures could be used to minimize motion blur or reduce depth of field at the expense of guide number. In the case of the GE Synchro-Press No. 11 with M sync for instance, shutter speeds as long as 1⁄50 of a second still diminished its guide number, though it still managed an impressive 140 (ft) at a 1⁄400 second exposure. This relationship between shutter speed and guide number was reflected in the guide number tables printed on flashbulb packaging after the industry-wide adoption of the guide number system, as exemplified by the below-left table for the No. 11.[citation needed]
| EFFECT OF SHUTTER SPEED ON GUIDE NUMBER FOR THE GE SYNCHRO-PRESS #11 FLASHBULB (6- OR 7-INCH POLISHED RELFECTOR, M SYNC, ISO 100) | |||||
|---|---|---|---|---|---|
| Shutter speed (s) |
≥1⁄25 | 1⁄50 | 1⁄100 | 1⁄200 | 1⁄400 |
| Guide number (ft) |
320 | 260 | 250 | 190 | 140 |
Cameras with focal-plane shutters—even if they had PC connectors with X, F, M, or S-sync delays ("xenon sync" with zero delay and flashbulbs with peak delays of 5, 20, and 30 ms)—could not be used at speeds that attenuated guide numbers with most types of flashbulbs because their light curves were characterized by rapid rise and fall rates; the second shutter curtain would begin wiping shut during a period of rapid change in scene illuminance, causing uneven exposure across the image area that varied in nature depending on exposure duration and the type of bulb. With the GE Synchro-Press No. 11 for instance, a modern camera with a focal-plane shutter and X sync would require a shutter speed of 1⁄15 of a second (67 ms) to obtain an even exposure across the entire image area—and a not-insignificant boost in the guide number by capturing all the luminous energy to the left of the 20 ms peak.
A notable exception to this limitation with focal-plane shutters was when using FP sync in combination with "flat peak" (FP) bulbs, which had 19–20 ms rise times followed by broad, relatively level plateaus in their light output curves. The FP bulbs, like GE's No. 6, allowed extraordinary flexibility with shutter speeds, ranging from the slowest speeds on the dial to the fastest where only a narrow slit passed over the film—at the expense of course, of guide number.
History
[edit]
General Electric introduced the guide number system in 1939 concurrently with the introduction of a compact, wire-filled flashbulb called the No. 5.[12][13][14] This compelling new way of easily and accurately calculating photoflash exposures was quickly adopted by manufacturers of a wide variety of photographic equipment, including flashbulbs, film, cameras, and flashguns.
The first flashbulb was introduced in 1925 and was filled with flash powder. In 1929, Sashalite Limited in London invented the "Sashalite" flashbulb, which was filled with a crumpled wad of aluminum foil so thin (about one-tenth the width of a human hair) it could not be picked up with fingers.[12][15]
Prior to GE's inverse of the squares innovation, photographers and publications—via tedious trial and error with different flashbulbs and reflectors—generated tables providing a large number of aperture-distance combinations. For instance, a 1940 edition (written too late to incorporate guide numbers) of the Complete Introduction to Photography by the Journal of the Photographic Society of America featured an exposure table for foil-filled flashbulbs, which is shown below. The parenthetical values in bold were not part of the original table; they show the equivalent guide number for each aperture-distance combination. The original table used the common nomenclature values for the apertures; the guide numbers shown here are based on the precise aperture values from the series. Note the scatter in the guide number values in each column; the data for the right-most flashbulb setup has over a three-quarter f-stop variation from high to low.
| 1940 EXPOSURE EXPERIMENT WITH FOIL-FILLED FLASHBULBS Complete Introduction to Photography, p. 317 | |||||
|---|---|---|---|---|---|
| Distance (in feet) |
Small bulb in metal reflector |
Large bulb in metal reflector |
Small bulb in ordinary reflector |
Large bulb in ordinary reflector | |
| 6 | f:22 (136) | f:32 (192) | f:16 (96) | f:22 (136) | |
| 10 | f:16 (160) | f:22 (226) | f:11 (113) | f:16 (160) | |
| 15 | f:11 (170) | f:16 (240) | f:6.3 (95) | f:11 (170) | |
| 20 | f:6.3 (127) | f:11 (226) | f:4.5 (90) | f:6.3 (127) | |
The above table is for only one film speed. For end users, obtaining proper exposures with flashbulbs was an error-prone effort as they mentally interpolated between distances and f-stop combinations that weren't very accurate in the first place. Had the guide number system existed by this point, the above table would not have required the left-most column showing distances and would have required only one row (showing guide numbers) under each heading.
By 1941, two years after GE introduced the guide number system, guide number ratings for products like the GE No. 11 were being discussed in books like Flash in Modern Photography.[16] By 1944, the 16th edition of Wall's Dictionary of Photography featured a guide number table.[17] Perhaps so as to not intimidate readers, that table still showed numerous combinations of distances and apertures, but it also featured a new column showing the guide number that every cell in its row equalled. The guide number system underlying that table drove slightly finer increases, averaging a factor of each, from one distance to the next (6, 9, 12, 18, and 24 feet) so each step would be accompanied—by definition—by an increase in aperture of precisely one f-stop. Not surprisingly, the data scatter was as tight as mathematical rounding to the nearest foot permitted.
By late 1949, authors catering to hobbyists were using guide numbers in articles in a routine fashion, as exemplified by the January 1950 issue of Popular Photography, as follows:[18]
The system I use is to decide upon lens opening (as demanded by depth of field) and, working with the guide number of the bulb, figure out how far the flash should be from the subject.
Upon introducing the new inverse of the squares concept in 1939, General Electric initially referred to the new system as "Flash Numbers".[14] Two years later, Flash in Modern Photography (1941) used the term "guide number" on page 47, on the very next page used the term "Flash Number" (title case), and later still used the term "flash number" (lowercase). Terminology was similarly mixed in the United Kingdom for years after the introduction of the guide number system; circa 1954, "Flash Factor", "Flash number" (and sometimes "Guide number") were in use.[19]
See also
[edit]References
[edit]- ^ B & H Foto & Electronics: Understanding Guide Numbers
- ^ a b Scantips.com: Understanding Flash Guide Numbers, plus GN Calculator
- ^ Jacobson, Ralph (2000). Manual of Photography (9th ed.). Focal Press. p. 331. ISBN 978-0-240-51574-8.
- ^ For example, among hot shoe-mounted flash devices, at ISO 100, 60° horizontal coverage angle (suitable for use with a 35 mm-format, full-frame lens with a 35 mm focal length), and full power, the Holga Holgon MF Flash has a guide number of 6.5 (m). Under the same conditions, both the Sony HVL-F58AM and the Metz mecablitz 64 AF-1 digital have guide numbers of 36 (m). And still under the same conditions, the side-mounted pistol grip-style Metz mecablitz 76 MZ-5 digital is rated at 45.5 (m).
- ^ a b
- mecablitz 52 AF-1 digital data page - Metz mecatech GmbH
- SB-5000 AF Speedlight product page - Nikon
- Speedlite 430EX III-RT product page - Canon
- ^ a b c SB-910 AF Speedlight product page - Nikon):
- ^ mecablitz 76 MZ-5 digital product page specifications - Metz mecatecheh GmbH (in German)
- ^
- ^ The Canon Speedlite 430EX III-RT goes down to 1/128; the Nikon SB-5000 AF Speedlight goes down to 1/256.
- ^ Characterizing the Output of Photographic Flash Units, by Douglas A. Kerr (PDF here) for more.
- ^ Flashbulbs.com: "Flash info"
- ^ a b Peres, Michael, R. (2007). Focal Encyclopedia of Photography: Digital Imaging, Theory and Applications, History, and Science (4th ed.). Focal Press. p. 769. ISBN 978-0-240-80740-9.
{{cite book}}: CS1 maint: multiple names: authors list (link) - ^ Popular Photography, May 1957, p. 137
- ^ a b Minicam, Vol. 3 (1939), p. 17. Note that the article title on page 20 was "SIMPLIFIED FLASH EXPOSURE TABLES" and, using GE's early terminology, referred to guide numbers as "Flash Numbers" (in title case).
- ^ Popular Photography, April 1938, p. 25
- ^ Mortensen, William (1941). Flash in Modern Photography. Camera Craft Publishing Co. p. 47.
- ^ Mortimer, F. J., ed. (1944). Wall's Dictionary of Photography (16th ed.). Boston: American Publishing Co. pp. 313–314. Revised and largely re-written by Sowerby, A. L. M.
- ^ Popular Photography, January 1950, p. 127
- ^ Newnes, George (1955). Newnes Photographers' Pocket Reference Book. Butler & Tanner Ltd., Frome and London. p. 84.
Further reading
[edit]- Bryan Peterson, Understanding Flash Photography: How to Shoot Great Photographs Using Electronic Flash, (paperback – August 30, 2011), Amphoto Books, ISBN 9780817439569
External links
[edit]- D. 'n' A. Seaver: Conley cameras
- Photographic Memorabilia: Flash Photography ~ History & ILFORD
- Scantips.com: Understanding Flash Guide Numbers, plus guide number Calculator
- Scantips.com: EV – Exposure Value (with EV table and EV calculator)
- Sekonic.com: EV/Lux/FootCandle Conversion Chart Archived 2017-08-14 at the Wayback Machine
Guide number
View on GrokipediaFundamentals
Definition
The guide number (GN) of an electronic flash unit is a standardized metric representing its light output capability, defined as the product of the maximum flash-to-subject distance and the f-number required to achieve correct exposure at ISO 100 with direct, head-on illumination.[2][5] This value is measured at the flash's full power output in a basic configuration, providing a benchmark for comparing flash intensity across different units.[6] In manual flash photography, the guide number serves as a key tool for determining exposure settings, allowing photographers to compute appropriate aperture or distance combinations without the need for an external light meter.[7] By relating flash power directly to photographic variables like distance and lens aperture, it facilitates precise control over illumination in scenarios where automated metering is unavailable or undesirable.[8] Unlike other metrics for flash performance, such as energy storage in joules—which quantifies the electrical input to the flash capacitor—or luminous flux in lumens—which measures total emitted visible light independent of direction—the guide number emphasizes practical exposure outcomes tailored to inverse square law effects in photography.[9][10] This distance-oriented focus makes GN particularly useful for real-world applications, though it assumes standard conditions like ISO 100 and may require adjustments for other sensitivities.[1] Guide numbers are conventionally expressed in meters or feet, reflecting regional measurement preferences.[7]Units of Measure
The guide number (GN) of a photographic flash is expressed in either meters or feet, depending on regional measurement conventions. Historically, European and Asian markets have preferred metric units (meters), while the United States has favored imperial units (feet), influencing how manufacturers specify GN values in product documentation.[11] Modern flash units from major manufacturers often provide dual ratings in both meters and feet to facilitate global use, as seen in specifications for models like Canon's Speedlite series, where a GN of 12 meters equates to 39 feet.[6] The conversion between units follows the relation GN (feet) ≈ GN (meters) × 3.3, or more precisely × 3.28 to align with the exact meter-to-foot ratio.[6][2] The International Organization for Standardization (ISO) standardizes GN measurement in ISO 1230:2007, designating meters as the primary unit and providing for foot conversions, with values rounded to two significant digits.[12] Manufacturer testing methods can vary, such as direct measurement at 1 meter versus extrapolation from standard distances like 2 meters or 10 feet, potentially leading to minor discrepancies in reported GN across brands.[4] These unit differences impact international usability, requiring photographers to perform conversions during exposure calculations to ensure consistency when using flashes sourced from diverse markets.[2]Calculations and Applications
Basic Formula
The guide number (GN) in flash photography represents a fundamental measure of a flash unit's output, defined as the product of the distance from the flash to the subject and the f-number required for correct exposure at ISO 100 and full flash power.[13] This relationship is expressed by the core equation: where is the distance to the subject in meters and is the lens f-number.[13] The equation derives from the inverse square law governing light falloff, assuming the flash acts as a point source illuminating a subject with 16.7% reflectance under controlled conditions.[13] From this, the formula can be rearranged to solve for other variables: the maximum distance is given by , and the required f-number by .[13] These rearrangements enable photographers to calculate exposure settings for direct flash use without metering, provided the flash is unmodified and positioned off-camera if needed.[13] The formula assumes direct, unmodified illumination from the flash with no contribution from ambient light, and it relies on the point-source approximation where light intensity decreases with the square of the distance, neglecting additional falloff from beam spread or environmental factors.[13] It applies specifically to electronic flash equipment at full output and X-synchronization, with the guide number standardized in meters for ISO 100 film or sensor speed.[13]Determining Distance
To determine the maximum flash-to-subject distance for proper exposure, begin by selecting the desired f-number (aperture) and ISO sensitivity, as these directly influence the calculation. The guide number is standardized at ISO 100, so adjust it for other ISO settings by multiplying the base guide number by the square root of (ISO / 100); for instance, at ISO 400, multiply by √4 = 2. Then, divide the adjusted guide number by the selected f-number to yield the distance, expressed in the same units (meters or feet) as the guide number.[6][14] Consider a flash with a guide number of 20 meters at ISO 100 and an aperture of f/4: the maximum distance is 20 / 4 = 5 meters. This relationship stems from the inverse square law governing flash illumination, where doubling the distance to the subject reduces light intensity to one-quarter, requiring the f-number to double (e.g., f/4 to f/8, a two-stop adjustment) to compensate and achieve equivalent exposure.[1][15] For real-world use, round distances to the nearest whole number to simplify on-location decisions, and conduct test shots with the actual equipment and environment, as factors like wall reflections or subject tone can slightly alter results.[2]Determining Aperture
To determine the appropriate aperture for flash exposure given a known flash-to-subject distance, photographers rearrange the guide number equation to solve for the f-number. The process begins by measuring the distance from the flash to the subject accurately, as small errors can significantly impact exposure due to the inverse square law governing light falloff. Next, adjust the flash's base guide number—typically specified at ISO 100 and full power—for the chosen ISO sensitivity and flash power output; higher ISO or power increases the effective guide number proportionally to the square root of the change. The required aperture is then calculated as f-number = adjusted guide number / distance.[2][4] For example, consider a flash with a guide number of 20 meters at ISO 100 and full power, illuminating a subject 4 meters away under those conditions. The calculation yields f/5 (20 / 4 = 5), providing correct exposure while balancing light intake with sharpness. This aperture results in a moderate depth of field, where the range of acceptable sharpness extends several centimeters in front of and behind the subject for typical portrait focal lengths like 85mm on a full-frame sensor, helping to keep the subject's face in focus without overly blurring key details.[2][16] Common pitfalls in this process include inaccurate distance measurement, which can lead to over- or underexposure, especially in dynamic shooting scenarios; always verify distance with a tape measure or rangefinder for precision. In portrait photography, the resulting aperture from guide number calculations may produce a deeper depth of field than ideal for subject isolation, potentially drawing attention to the background if it approaches the hyperfocal distance—the point at which everything from half that distance to infinity appears sharp—and requiring compensatory adjustments like boosting ISO to widen the aperture.[2][17][18]Factors Affecting Guide Number
Power Settings
The guide number of a photographic flash is typically specified by manufacturers at full power output, serving as the baseline for calculating exposure in manual mode. For instance, the Nikon SB-800 speedlight has a guide number of 38 meters (125 feet) at ISO 100 with a 35 mm zoom setting when operating at 100% power.[19] This rating assumes optimal conditions, such as 20°C ambient temperature, and provides a reference for determining flash distance or aperture without metering. In automatic modes like TTL, the flash adjusts power dynamically below full output based on scene analysis, but the published guide number remains tied to the maximum capability. Adjusting the flash to fractional power levels modifies the effective guide number proportionally to the square root of the power ratio, reflecting the inverse square law of light falloff. The relationship is expressed as GN_effective = GN_full × √(power fraction), where power fraction is the ratio relative to full output (e.g., 1 for full, 0.5 for half). At half power, the guide number decreases to approximately 70.7% of the full value (GN_full / √2), halving the light energy delivered while allowing for shorter maximum distances. For quarter power (1/4), the guide number halves exactly (GN_full / 2), quartering the light output and reducing effective range accordingly; at 1/16 power, it quarters (GN_full / 4), delivering only 1/16th the energy. This scaling enables precise control in manual mode for balancing exposure without overexposing close subjects.[20] In manual mode, lower power settings reduce the time required to recharge the flash capacitor, resulting in faster recycle times compared to full power operation. For example, a typical speedlight like the Nikon SB-800 recycles in about 5-6 seconds at full power with alkaline batteries, but drops to under 2 seconds at quarter power, enabling rapid sequential shooting.[7] Additionally, reduced output minimizes heat generation within the flash unit, as less electrical energy is converted to thermal waste during discharge; high-power bursts can lead to overheating after approximately 15 full-output firings in a short period, triggering protective shutdowns, whereas fractional settings allow sustained use without thermal limits. In automatic modes, the flash inherently uses lower power for nearer subjects, yielding similar benefits in recycle speed and thermal management during variable-distance photography.[21]Flash Angle and Zoom
The zoom setting of a flash head adjusts the angle of light dispersion, directly impacting the effective guide number by altering how light is concentrated or spread. When the flash is set to a narrower beam angle, corresponding to a telephoto zoom (e.g., 200mm), the light is focused into a tighter pattern, increasing the intensity on the subject and thus raising the effective guide number; for instance, the Nikon SB-5000 achieves a guide number of 55 meters at 200mm compared to 34.5 meters at 35mm, all at ISO 100 in FX format.[22] Conversely, a wider angle setting (e.g., 35mm) spreads the light over a broader area to match wide-angle lenses, reducing the intensity per unit area and lowering the guide number; the Canon Speedlite 600EX II-RT, for example, has a guide number of approximately 36 meters at 35mm zoom versus 60 meters at 200mm, representing about a 40% reduction.[23][24] Manufacturer specifications for guide numbers are typically provided at a standard zoom position, often equivalent to 50mm on a full-frame sensor, to offer a consistent baseline for comparisons across models, though full tables in manuals detail variations across zoom ranges.[7] Adjustment factors account for these differences; for example, switching to a 35mm zoom setting may reduce the guide number by 20-40% relative to the telephoto maximum, depending on the flash model, requiring photographers to consult specific tables for precise calculations.[25] In bounce flash applications, where the flash head is tilted to reflect light off a surface like a ceiling, the effective guide number decreases due to increased path length and reflection losses, typically requiring about 2 stops more power than direct flash, effectively halving the guide number.[26] For ceiling bounce, this loss arises from the light traveling to the reflector and back (often doubling the distance) plus approximately 50% absorption by the surface, making it essential to position the bounce surface close (e.g., 2-3 meters high) for optimal efficiency.[26] This zoom mechanism creates a fundamental trade-off between coverage and intensity: wider angles provide broader illumination suitable for group portraits or environmental shots, illuminating larger areas evenly but with diminished brightness per subject, while narrower settings maximize reach for distant or isolated subjects at the expense of limited field coverage.[25] Photographers must select zoom based on scene demands, often starting from full power as a baseline before fine-tuning for distribution.[2]ISO Sensitivity
The guide number (GN) of a flash unit is fundamentally tied to the camera's ISO sensitivity, as higher ISO amplifies the sensor's response to light, effectively increasing the flash's usable power. The relationship is reciprocal and scales with the square root of the ISO value, meaning the effective GN is proportional to . For instance, at ISO 400, the effective GN doubles compared to ISO 100, while at ISO 25, it halves.[6][27] Guide numbers are standardized at ISO 100 to provide a consistent reference point for comparing flash outputs across manufacturers and models, a convention rooted in traditional film speeds where ASA 100 was a common baseline. This standardization simplifies specifications in flash manuals and allows straightforward adjustments for other sensitivities without ambiguity. However, using higher ISO settings to enhance the effective GN can introduce digital noise, especially in underexposed areas, though the direct illumination from flash often reduces visible noise by ensuring the subject receives ample photons relative to the amplified signal.[2][28][29] In practice, photographers adjust the base GN (rated at ISO 100) by multiplying it by the factor to determine the effective value for exposure calculations. For example, a flash with a base GN of 36 at ISO 100 yields an effective GN of approximately 50.9 at ISO 200 () or 72 at ISO 400 () or approximately 102 at ISO 800 (). This adjustment integrates into the basic flash exposure formula, where distance and aperture remain key variables.[6][8] In low-light scenarios, elevating ISO extends the effective GN to achieve proper flash exposure at greater distances or wider apertures, but excessive noise can degrade image quality. To balance this, fill flash techniques often pair a modest ISO boost with ambient light capture, using the flash primarily to illuminate shadows while keeping overall sensitivity low to preserve detail and reduce noise artifacts.[30][31]Filters
Optical filters attached to the flash head absorb a portion of the emitted light, thereby decreasing the effective guide number proportionally to the filter's transmission efficiency. This reduction occurs because less light reaches the subject, requiring adjustments to power, distance, or aperture for proper exposure. The impact varies by filter type, with neutral density filters causing the most predictable attenuation based on their stop rating. Neutral density (ND) filters uniformly reduce light intensity across all wavelengths to enable wider apertures or longer exposures with flash, such as achieving shallow depth of field in bright conditions. The effective guide number is reduced by the square root of the transmission factor; for a 1-stop ND filter with 50% transmission, the guide number drops to approximately 70.7% of its original value (equivalent to a 0.5-stop loss in distance or aperture terms). Stronger filters, like a 3-stop ND (12.5% transmission), further diminish the guide number to about 35% of baseline, necessitating compensation through increased flash power or closer subject positioning.[32][33] Color correction gels, such as conversion gels for matching flash output (typically 5500K) to tungsten ambient light (around 3200K), introduce minor guide number losses due to incomplete light transmission. A full CTO (color temperature orange) gel, for instance, transmits about 55% of the light, reducing the effective guide number to roughly 74% (a 0.4-stop loss). Lighter variants like 1/4 CTO gels exhibit even less impact, with transmission efficiencies of 80-90%, resulting in only 5-10% guide number reduction from absorption inefficiency. These gels are essential for color balance in mixed lighting but require exposure recalculation to avoid underexposure.[34][35] Diffusers and softboxes, while primarily designed to scatter light for softer shadows and broader coverage, also lower the peak guide number by dispersing output over a wider area, typically causing a 1-2 stop reduction in light intensity compared to bare flash. For example, a small softbox might halve the effective guide number (1 stop loss) while evening illumination, making it suitable for portraits but less efficient for distant subjects. This trade-off enhances creative control, such as warming effects or reduced harshness, though users must test and adjust exposures accordingly to maintain desired lighting ratios.[36][37]Shutter Speed
In electronic flashes, the guide number remains independent of shutter speed as long as the exposure occurs at or below the camera's maximum sync speed, typically around 1/200 second for many modern DSLRs and mirrorless cameras. This independence arises because the flash duration is very brief, often approximately 1/1000 second at full power (measured at t0.5, the time at 50% intensity), allowing the entire flash output to be captured fully while the shutter is open.[2][38][39] In contrast, flashbulbs exhibit a dependence on shutter speed due to their longer burn times, ranging from 10 to 100 milliseconds, which means faster shutter speeds can truncate the light output and reduce the effective guide number. For optimal exposure with flashbulbs, shutter speeds must be slower than the bulb's peak duration to capture the full luminous energy; exceeding this, such as using speeds faster than 1/30 second, results in diminished guide numbers, sometimes by a factor proportional to the speed increase. For example, the GE #5 flashbulb achieves a guide number of approximately 200 (ISO 100, black-and-white film) at 1/100 second, but this value adjusts downward with quicker shutters to account for incomplete light integration.[40][41] Exceeding the sync speed in any flash system leads to uneven illumination, such as dark bands across the frame or overall underexposure, because the shutter curtains begin to close before the flash fully exposes the sensor. High-speed sync (HSS) modes mitigate this by pulsing the flash continuously during the exposure, enabling shutter speeds up to 1/8000 second, but at the cost of reduced effective guide number—typically by 2 to 3 stops compared to standard sync, due to the lower peak intensity required for the prolonged output.[38][42][43] Historically, flashbulbs demanded precise shutter speed matching to maximize guide number efficacy, often limiting photographers to slower speeds and specific bulb types for focal-plane shutters. Modern electronic flashes, however, provide greater flexibility, maintaining consistent guide numbers up to the sync limit without such constraints, though HSS introduces trade-offs in power for higher speeds.[40][2]Historical Development
Origins with Flashbulbs
The guide number system originated in the 1930s as a response to the challenges of achieving consistent exposures in flash photography, which previously relied on hazardous magnesium flash powder. Flash powder, introduced in the late 19th century, burned unpredictably, leading to variable light output, smoke-filled environments, and risks of fire or injury from exploding pans, making precise exposure control difficult without extensive trial and error.[44] General Electric standardized the guide number in 1939 to quantify flashbulb output consistently, coinciding with the release of their compact No. 5 wire-filled bulb, which simplified exposure calculations for photographers transitioning from powder-based systems.[45] Early guide number tables began appearing in photography manuals in the late 1930s, offering practical aids for determining apertures and distances based on bulb performance.[40] Flashbulbs exhibited variability across types, necessitating guide numbers to account for differences in light yield and burn characteristics; for instance, S-type bulbs provided guide numbers around 200-300 in feet at ISO 100, while M-type bulbs offered similar outputs but with medium burn durations suited to leaf shutters.[41] Bulb-specific charts were required due to varying burn durations—ranging from 20-30 milliseconds for S-types to 8-12 milliseconds for M-types—which influenced synchronization timing and effective light delivery.[40] The system saw early adoption in studio and press photography during the late 1930s and 1940s, where portable flashbulbs enabled on-location shooting, though photographers still needed to consult charts for each bulb type to mitigate exposure inconsistencies arising from production variations and firing conditions.[44]Evolution in Electronic Flashes
Early electronic flashes emerged in the 1930s with experimental strobes by Harold Edgerton, but portable commercial units did not appear until the late 1940s and 1950s, representing a pivotal advancement over single-use flashbulbs by offering consistent and repeatable light output. The Honeywell Strobonar series, starting with the 1958 Futuramic model, adopted the guide number (GN) system from the flashbulb era for backward compatibility. Introduced around 1965, later models such as the Strobonar 312 featured specified GN values—such as 40 (at ASA 25)—to enable photographers to calculate exposures manually, leveraging the reliable energy discharge of electronic capacitors.[46][47] This retention of GN facilitated a smoother adoption among professionals accustomed to bulb-based workflows, even as automatic exposure features began emerging in later iterations.[48] During the 1970s and 1980s, GN ratings solidified as a standard metric in electronic flash specifications, providing a benchmark for power output that photographers relied on for manual mode calculations amid the proliferation of dedicated hot-shoe flashes.[49] The advent of through-the-lens (TTL) metering in the early 1980s, exemplified by Nikon's implementation in the FA camera, automated flash exposure adjustments and diminished the need for direct GN computations in many scenarios.[50] Nevertheless, GN endured as a core reference for manual overrides and non-TTL systems, ensuring its utility in professional and studio environments where precise control was paramount. In the modern era from the 1990s to 2025, GN remains indispensable for speedlight units in dynamic shooting conditions. Technological updates, including high-speed sync (HSS) modes introduced in the late 1990s, have necessitated refined GN ratings to account for reduced effective power at shutter speeds beyond the camera's native sync limit, typically halving the GN compared to standard sync.[49] These adaptations ensure GN's relevance in professional speedlights from manufacturers like Nikon and Canon, supporting applications in action and outdoor photography.[51] Although automatic exposure modes and mobile apps have accelerated a decline in routine GN usage by simplifying flash integration for casual photographers, the metric retains significant value in off-camera wireless setups where manual power balancing across multiple units demands accurate output comparisons.[52] In such configurations, GN facilitates quick assessments of flash coverage and intensity without relying on real-time metering, particularly in complex multi-light arrangements common in studio and event work.[53]References
- https://camera-wiki.org/wiki/Strobonar