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Hub AI
Stock photography AI simulator
(@Stock photography_simulator)
Hub AI
Stock photography AI simulator
(@Stock photography_simulator)
Stock photography
Stock photography is the supply of photographs that are often licensed for specific uses. The stock photo industry, which began to gain hold in the 1920s, has established models including traditional macrostock photography, midstock photography, and microstock photography. Conventional stock agencies charge from several hundred to several thousand US dollars per image, while microstock photography may sell for around US$0.25. Professional stock photographers traditionally place their images with one or more stock agencies on a contractual basis, while stock agencies may accept the high-quality photos of amateur photographers through online submission.
Themes for stock photos are diverse, although Megan Garber of The Atlantic wrote in 2012 that "one of the more wacky/wondrous elements of stock photos is the manner in which, as a genre, they've developed a unifying editorial sensibility. To see a stock image is... to know you're seeing a stock image." Historically notable traditional stock photo agencies have included RobertStock, the Bettman Archive in New York, and the Hulton Archive in the United Kingdom, among many others. In the 1990s companies such as Photodisc in Seattle, Washington, began selling CD ROMs with packs of images, pioneering the royalty-free licensing system at a time when Rights Managed licensing was the norm in the stock industry. There was a great amount of consolidation among stock photo agencies between 1990 and the mid-2000s, particularly through Corbis and Getty Images. The early microstock company iStockphoto was founded in May 2000, followed by companies such as Dreamstime, 123RF, Shutterstock, DepositPhotos and Adobe Stock.
Newspapers and magazines were first able to reproduce photographs instead of line art in the mid-1880s with the invention of the half-tone and its use on a printing press. Initially starting with staff photographers, independent free-lance photographers eventually took over. One of the first examples of a stock photo was circa 1920 when American photographer H. Armstrong Roberts ensured that the people photographed in "Group in Front of Tri-Motor Airplane" all signed model releases. This allowed the photograph and others like it to be commercially viable. In an effort to save the cost of hiring photographers for commission-based photo shoots, publishers and advertisers began to consider stock photos as a less risky alternative. One of the first major stock photography libraries was founded in 1920 by H. Armstrong Roberts.
The Bettmann Archive in New York is an example of an early traditional stock agency, with the company delivering photos upon 24-hour request to magazines such as Look and Life. Founded in 1936 by Otto Bettmann, a German curator who emigrated to the United States in 1935, the Bettman Archive began with Bettmann's personal collection of 15,000 images which he brought with him in suitcases when he escaped from Nazi Germany. He actively expanded his collection by placing ads in magazines for stills and photos. A different early pioneer with the stock industry was photographer Tony Stone, whose portfolio of mountain scenes proved popular with chocolate advertisers. Stone's stock library eventually reached 20,000 images, each selected for its likelihood to sell multiple copies.
Known as a stock resource for newspapers and magazines, the Hulton Archive started as the photographic archive of Picture Post. As the archive expanded through World War II, it became clear that its vast collection of photographs and negatives were becoming an important historical documentary resource. In 1945, Sir Edward Hulton set up the Hulton Press Library as a semi-independent operation and commissioned Charles Gibbs-Smith of the Victoria and Albert Museum to catalogue the entire archive using a system of keywords and classifications. The Gibbs-Smith system claims to be the world's first indexing system for pictures, and it was eventually adopted by the British Museum collections.
By the 1980s, stock photography had become a specialty in its own right, with the stock industry advancing quickly. As photo libraries transitioned from physical archives to servers in the mid-1990s, "stock libraries" were increasingly called "stock agencies". The archives also began to rely increasingly on keywords for sorting and retrieving photographs. In 1991, Photodisc in Seattle, Washington, began selling CD ROMs with packs of images. Unlike their competitors, Photodisc licensed the image packs as Royalty Free. In contrast to the Rights Managed system, royalty free allowed the purchaser of a CD ROM to use the images as many times as they liked without paying further fees.
There was a great amount of consolidation among stock photo agencies between 1990 and the mid-2000s, with Corbis notably acquiring the massive Bettmann Archive in 1995. After Photodisc went online in 1995, in September 1997, PhotoDisc agreed to combine with London-based Getty Communications to form the Seattle-based Getty Images. In 1996, the Hulton Picture Collection was bought by Getty Images for £8.6 million.
Alamy (registered as Alamy Limited) is a privately owned stock photography agency launched in 1999. Alamy maintains an online archive of over one hundred million still images, illustrations and hundreds of thousands of videos contributed by agencies and independent photographers or collected from news archives, museums and national collections. Its suppliers include both professional and amateur photographers, stock agencies, news archives, museums and national collections. Its clients are from the photography, publishing and advertising industries and the general public.
Stock photography
Stock photography is the supply of photographs that are often licensed for specific uses. The stock photo industry, which began to gain hold in the 1920s, has established models including traditional macrostock photography, midstock photography, and microstock photography. Conventional stock agencies charge from several hundred to several thousand US dollars per image, while microstock photography may sell for around US$0.25. Professional stock photographers traditionally place their images with one or more stock agencies on a contractual basis, while stock agencies may accept the high-quality photos of amateur photographers through online submission.
Themes for stock photos are diverse, although Megan Garber of The Atlantic wrote in 2012 that "one of the more wacky/wondrous elements of stock photos is the manner in which, as a genre, they've developed a unifying editorial sensibility. To see a stock image is... to know you're seeing a stock image." Historically notable traditional stock photo agencies have included RobertStock, the Bettman Archive in New York, and the Hulton Archive in the United Kingdom, among many others. In the 1990s companies such as Photodisc in Seattle, Washington, began selling CD ROMs with packs of images, pioneering the royalty-free licensing system at a time when Rights Managed licensing was the norm in the stock industry. There was a great amount of consolidation among stock photo agencies between 1990 and the mid-2000s, particularly through Corbis and Getty Images. The early microstock company iStockphoto was founded in May 2000, followed by companies such as Dreamstime, 123RF, Shutterstock, DepositPhotos and Adobe Stock.
Newspapers and magazines were first able to reproduce photographs instead of line art in the mid-1880s with the invention of the half-tone and its use on a printing press. Initially starting with staff photographers, independent free-lance photographers eventually took over. One of the first examples of a stock photo was circa 1920 when American photographer H. Armstrong Roberts ensured that the people photographed in "Group in Front of Tri-Motor Airplane" all signed model releases. This allowed the photograph and others like it to be commercially viable. In an effort to save the cost of hiring photographers for commission-based photo shoots, publishers and advertisers began to consider stock photos as a less risky alternative. One of the first major stock photography libraries was founded in 1920 by H. Armstrong Roberts.
The Bettmann Archive in New York is an example of an early traditional stock agency, with the company delivering photos upon 24-hour request to magazines such as Look and Life. Founded in 1936 by Otto Bettmann, a German curator who emigrated to the United States in 1935, the Bettman Archive began with Bettmann's personal collection of 15,000 images which he brought with him in suitcases when he escaped from Nazi Germany. He actively expanded his collection by placing ads in magazines for stills and photos. A different early pioneer with the stock industry was photographer Tony Stone, whose portfolio of mountain scenes proved popular with chocolate advertisers. Stone's stock library eventually reached 20,000 images, each selected for its likelihood to sell multiple copies.
Known as a stock resource for newspapers and magazines, the Hulton Archive started as the photographic archive of Picture Post. As the archive expanded through World War II, it became clear that its vast collection of photographs and negatives were becoming an important historical documentary resource. In 1945, Sir Edward Hulton set up the Hulton Press Library as a semi-independent operation and commissioned Charles Gibbs-Smith of the Victoria and Albert Museum to catalogue the entire archive using a system of keywords and classifications. The Gibbs-Smith system claims to be the world's first indexing system for pictures, and it was eventually adopted by the British Museum collections.
By the 1980s, stock photography had become a specialty in its own right, with the stock industry advancing quickly. As photo libraries transitioned from physical archives to servers in the mid-1990s, "stock libraries" were increasingly called "stock agencies". The archives also began to rely increasingly on keywords for sorting and retrieving photographs. In 1991, Photodisc in Seattle, Washington, began selling CD ROMs with packs of images. Unlike their competitors, Photodisc licensed the image packs as Royalty Free. In contrast to the Rights Managed system, royalty free allowed the purchaser of a CD ROM to use the images as many times as they liked without paying further fees.
There was a great amount of consolidation among stock photo agencies between 1990 and the mid-2000s, with Corbis notably acquiring the massive Bettmann Archive in 1995. After Photodisc went online in 1995, in September 1997, PhotoDisc agreed to combine with London-based Getty Communications to form the Seattle-based Getty Images. In 1996, the Hulton Picture Collection was bought by Getty Images for £8.6 million.
Alamy (registered as Alamy Limited) is a privately owned stock photography agency launched in 1999. Alamy maintains an online archive of over one hundred million still images, illustrations and hundreds of thousands of videos contributed by agencies and independent photographers or collected from news archives, museums and national collections. Its suppliers include both professional and amateur photographers, stock agencies, news archives, museums and national collections. Its clients are from the photography, publishing and advertising industries and the general public.