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Hotel Edison
Hotel Edison
Hotel Edison
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Hotel Edison is at 228 West 47th Street in Midtown Manhattan, New York City. Opened in 1931, it is part of the Triumph Hotels brand, owned by Shimmie Horn and Gerald Barad.[1] Thomas Edison turned on the lights when it opened. It accommodated 1,000 guests on 26 floors and offered three restaurants. It attempted to mimic the telephone number PEnnsylvania 6-5000 of the Hotel Pennsylvania by using the telephone exchange name CIrcle 6-5000. Herbert J. Krapp was the architect,[2] and Milton J. Kramer was the original owner. The hotel's ballroom was used as the Broadway theatres Arena Theatre in 1950 and as the Edison Theatre from 1972 until 1991, when it was converted back into a ballroom. Another former ballroom was home to Frances Edelstein's Cafe Edison from 1980 to 2014.

Key Information

Tony Pastor performing at the Hotel Edison circa 1947, photographed by William P. Gottlieb

In the early 1950s, "Glorious" Gloria Parker and her orchestra hosted an evening broadcast on WOR from the Hotel Edison. Parker would open the show with the glass harp (or musical glasses) and feature the popular Latin sound on her marimba with her orchestra.

Henry Jerome was a band leader at the hotel when he heard from Bill Randle about a trio. This led the signing of Dorsey Burnette, Johnny Burnette and Paul Burlison to a management contract. Jerome got Johnny a daytime job as an elevator operator at the hotel and moved The Rock and Roll Trio in the hotel from the YMCA. He secured a contract for the trio with GAC (General Artists Corporation) and with the Coral division of Decca Records.

The hallway walking scene preceding Luca Brasi's murder in the 1972 film The Godfather was filmed in the hotel. It was the penthouse in Woody Allen's 1994 film Bullets over Broadway. Neil Simon's 2001 play 45 Seconds from Broadway is set in the hotel's cafe.[3] Michael Keaton is seen drinking at the hotel's bar, the Rum House, in the 2014 film Birdman.[4]

References

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Hotel Edison

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The Hotel Edison is a historic hotel located at 228 West 47th Street in the Times Square neighborhood of , . Opened in , it holds the distinction of being the first hotel in the Theater District and is named after American inventor , who activated its marquee lights during the grand opening ceremony. Constructed during the height of the era, the hotel was developed by hotelier Milton J. Kramer through the Milnag Realty Corporation and exemplifies the modernistic architectural trends of the time with its setback design and ornate interiors. Originally comprising 1,000 rooms, it quickly became a hub for Broadway performers, Hollywood stars, and luminaries drawn to its lavish and central location amid the vibrant energy of . The property passed through three generations of the Kramer family before being acquired by Triumph Hotels, a hospitality group founded in 2014 and currently led by co-owner Shimmie Horn, who has overseen renovations blending its vintage charm with contemporary amenities. As of 2025, the Hotel Edison offers 810 guest rooms and suites, along with on-site dining venues such as Friedman's for American comfort food, Bond 45 for , and The Rum House, a celebrated bar recognized by Eater as one of New York City's top hotel bars. It continues to serve as a landmark in the Theater District, proximate to Broadway theaters, , and major attractions, while featuring facilities like a fitness center, business center, and 24-hour security. The hotel's cultural legacy extends to its appearances in notable media, including the films and , and television shows such as and .

History

Construction and opening

The Hotel Edison was developed by Milton J. Kramer, vice president of the Milnag Realty Corporation, which served as the original owner, with construction commissioned in 1930. The project was designed by architect Herbert J. Krapp, known for his work on Broadway theaters, and built by the Max J. Kramer Company on a plot at 228-248 West 47th Street formerly used as a freight distribution facility. Work began early that year, reflecting optimism in New York City's hospitality sector despite emerging economic challenges. Construction progressed rapidly, with the 26-story structure nearing completion by August 1930 and fully finished in 1931. The hotel was engineered to house up to 1,000 guests, emphasizing efficiency and modern conveniences for its location. Its Art Deco influences, including streamlined facades and geometric motifs, aligned with contemporary architectural movements in the Theater District. The grand opening occurred in January 1931, marked by a ceremonial event where inventor activated the hotel's lights, symbolizing technological progress and the venue's namesake. Initial amenities included three restaurants catering to diverse tastes and a lavish intended for upscale social gatherings and events. Erected during the onset of the , the Hotel Edison was marketed as a mid-priced alternative in the bustling area, offering value-driven accommodations and facilities to attract budget-conscious travelers, performers, and locals amid widespread economic hardship.

Mid-20th century operations

Following , the Hotel Edison capitalized on a surge in tourism and the revitalized prominence of New York City's Theater District, establishing itself as a vital hub for Broadway performers, theatergoers, and visitors eager to immerse in the area's cultural vibrancy. The hotel's location just off [Times Square](/page/Times Square) made it a preferred base for artists and audiences alike, with its amenities supporting the post-war boom in entertainment and nightlife. In 1950, the hotel adapted its grand ballroom into the Arena Theatre, a space dedicated to off-Broadway productions that expanded the venue's role in the city's theatrical landscape. The theater opened on May 31 with a revival of George Kelly's The Show-Off, followed by notable runs including a production of Shakespeare's Julius Caesar and Gian-Carlo Menotti's double bill The Telephone/The Medium in 1950. This conversion reflected the hotel's evolving function amid the Theater District's dynamic scene, hosting innovative and experimental works until the space reverted to ballroom use in the early 1950s. The mid-century era also saw the hotel embrace radio and live entertainment, enhancing its status within Times Square's nightlife. In the late 1940s, bandleader Tony Pastor and his orchestra performed and broadcast regularly from the hotel's , drawing crowds with swing and popular tunes that captured the era's energetic spirit. Complementing this, in the early 1950s, "Glorious" Gloria Parker led her all-female orchestra in evening broadcasts on WOR radio from the hotel, where she uniquely opened each show playing the , blending musical novelty with live performances that entertained both on-air listeners and in-person audiences. These events underscored the hotel's integral role in the district's after-hours culture, with its venues serving as gathering spots for musicians, celebrities, and patrons. The hotel's telephone exchange, CIrcle 6-5000—deliberately echoing the iconic of the nearby —facilitated seamless connections for guests navigating the bustling area. By the and , the Hotel Edison confronted significant challenges from Times Square's urban decline, as the neighborhood grappled with rising crime, economic downturns, and a shift toward seedy that diminished its former glamour. Despite these pressures, the hotel persisted as an operational anchor, adapting through continued theatrical uses like the eventual reopening of its ballroom as the Edison Theatre in 1972. Initial preservation efforts during this period highlighted the hotel's original design as a cultural asset worthy of protection, aligning with growing citywide initiatives to safeguard historic structures amid the area's transformation.

Late 20th century to present

In 1972, the Hotel Edison's ballroom was transformed into the Edison Theatre, a Broadway venue that hosted numerous productions until its closure in 1991, after which it was restored as an event space. The theatre's run included notable shows like the long-running revue Oh! Calcutta! and dramas such as Love Letters, contributing to the hotel's ongoing ties to the . The Cafe Edison, a beloved often called the "Polish Tea Room," opened in 1980 within the hotel's former space, founded by Harry Edelstein in partnership with then-owner Ulo Barad, both who met in . It became a gathering spot for Broadway insiders, offering affordable Eastern European fare like matzo ball soup and blintzes until its closure at the end of , when the hotel declined to renew the lease amid financial pressures and plans to upgrade the area for higher-end dining. Following Ulo Barad's death in 2013, his son Gerald Barad assumed principal ownership of the hotel, and in 2014, he partnered with Shimmie Horn to form Triumph Hotels, incorporating the Edison into a collection of historic New York properties emphasizing personalized service. Under this ownership, the hotel underwent significant revitalization starting in the , including a multi-million-dollar restoration of the Edison Ballroom in 2008 that preserved its elements like gold-leaf ceilings and added modern features such as tufted leather columns. Further updates in 2017 and 2018 enhanced the ballroom for events, while ongoing room refreshes through 2025 introduced retro-inspired designs with improved comfort, such as in the Collection suites featuring glamour and skyline views. The severely impacted the Hotel Edison, as with other properties, leading to near-zero occupancy in 2020 due to travel restrictions and Broadway shutdowns, with the hotel temporarily housing quarantined individuals and homeless residents. By 2025, it had recovered as a key staple in the revitalizing Theater District, benefiting from rebound and strong average daily rates, though full pre-pandemic levels remained elusive amid broader hotel challenges.

Architecture and design

Exterior features

The Hotel Edison stands as a 25-story structure designed by architect Herbert J. Krapp, featuring a setback design with eleven setbacks that complies with 1930s New York City zoning laws, resulting in terraced upper levels to allow for increased light and air circulation in the dense urban environment. Its facade employs white enamel brick above the second story for the main walls, paired with vari-colored terra cotta spandrels between windows, while the base utilizes Deer Island granite at street level and Sones Sound granite up to the second floor, accented by an ornamental terra cotta belt course in green, brown, and white tones that introduces geometric patterning. Vertical emphasis is achieved through aligned window openings and linear brickwork, underscoring the building's streamlined, modernistic profile characteristic of early . The entrance marquee and signage capture the vibrant glamour of , with original lighting fixtures subtly referencing , who personally activated the marquee lights at the hotel's 1931 opening. Situated at 228 West 47th Street, the hotel harmonizes with adjacent structures, such as Broadway theaters, forming a cohesive segment of the area's historic skyline defined by and Beaux-Arts influences. Though not individually landmarked, the exterior's Art Deco integrity has been maintained through ongoing preservation efforts, including facade cleaning and repairs during property-wide renovations in the late 2010s that prioritized historical authenticity.

Interior elements

The lobby of the Hotel Edison features six murals created in the 1990s that evoke the (WPA) style of the late 1930s, depicting vibrant scenes of 1930s life, including figures such as baseball player , musician , and dance troupe. These artworks, rendered in an motif with bold colors and geometric framing, line the walls of the reception area, capturing the era's energy and contributing to the space's historic ambiance. The Edison Ballroom showcases ornate interiors, including a restored gold-leaf , glass chandeliers, and an original herringbone wooden floor accented by geometric patterns in the wall treatments and beaded curtains reminiscent of . Following a $5 million renovation in 2008, the space incorporated plush banquettes, tufted leather-upholstered columns, and backlit glass tiles while preserving its core historic elements, such as the multi-level layout with an upstairs balcony. This update enhanced the ballroom's capacity for events without compromising its elegant, period-specific charm. Hallways and elevators throughout the hotel incorporate brass accents, including thin strips along walls and ceilings, paired with etched glass panels and period-style lighting fixtures that highlight the aesthetic. The elevators feature gilded detailing, providing a dramatic ascent that aligns with the building's theatrical heritage. Architect Herbert J. Krapp, known for designing numerous Broadway theaters, infused the interiors with his background in stage design through dramatic flourishes such as curved staircases and wood-paneled walls, creating a sense of theatrical grandeur in public areas. These preserved elements are balanced with modern accessibility updates, such as improved and barrier-free pathways, ensuring functionality while maintaining the unaltered core ; the building's exterior setbacks further enhance internal flow, illuminating these features naturally.

Facilities and amenities

Guest accommodations

The Hotel Edison originally opened in with 1,000 rooms across 26 floors, designed to accommodate a large volume of guests in the heart of the Theater District. Over the decades, the hotel's layout has evolved through consolidations and updates, streamlining the inventory to approximately 795 guest rooms while maintaining its historic capacity for diverse traveler needs. Guest accommodations are categorized into Classic rooms, rooms, and suites, each blending antique-style furnishings with modern comforts to evoke the hotel's heritage. Classic rooms offer standard configurations such as single king or two queen beds, suitable for solo travelers or small families, while rooms provide upgraded space with similar bedding options and enhanced decor. Suites, the largest category, include deluxe variants with separate living areas, some featuring private terraces or kitchenettes, ideal for extended stays or groups. Recent renovations from the through 2025 have modernized the sleeping quarters, introducing chic, retro-inspired design elements alongside comfortable Frette linens and robes in all categories. These updates incorporate amenities like complimentary high-speed (up to three devices per room), large flat-screen HDTVs with premium channels, in-room safes, irons and ironing boards, iHome clock radios with USB charging ports, and mini-fridges available upon request or standard in suites. Coffee makers can also be requested, ensuring functionality for business and leisure guests. Hallways retain subtle motifs, connecting these refreshed spaces to the hotel's 1930s origins. Bathroom renovations emphasize modern fixtures, including walk-in showers with white marble sinks and C.O. Bigelow toiletries in Signature rooms and suites, while Classic bathrooms feature updated shower/tub combos and hair dryers. Select areas preserve original tile patterns, balancing historic charm with contemporary usability. Accessibility is prioritized with dedicated ADA-compliant rooms and suites equipped with roll-in showers, grab bars, visual alert telephones, and lowered closet rods; wheelchair-accessible public areas and ADA communication kits are available upon request. Many rooms offer views of or the , with quieter courtyard options in interior layouts, enhancing the overall guest experience in this bustling location.

Dining and entertainment venues

The Hotel Edison originally featured three restaurants upon its opening in , catering to the theater district's vibrant social scene with dining options that reflected the era's elegance. One of these spaces, the former , later became home to Cafe Edison from 1980 to 2014, a beloved known as the "Polish Tea Room" for its Eastern European-inspired menu of blintzes, matzo ball soup, and coffee, which drew Broadway insiders, actors, and locals as a cultural hub amid Times Square's transformation. The cafe's closure in 2014 marked the end of an era, but it underscored the hotel's longstanding role in fostering communal gathering spots tied to entertainment. Today, Friedman's offers American in a casual setting, serving dishes such as pancakes, , sandwiches, and salads, with live performances in the evenings. Bond 45 offers in an Art Deco-inspired setting, serving homemade pastas, antipasti, and dishes to theatergoers since relocating to the hotel in after two decades in . The restaurant's warm ambiance, with its cozy banquettes and classic Italian flair, complements all-day dining from through late-night bites. Adjacent to it, The Rum House bar, established in 2011 and revitalized post-2014 hotel renovations, provides a wood-paneled retreat with live and performances nightly, specializing in rum-centric cocktails like the namesake Rum House Punch. These evening shows evoke the hotel's entertainment legacy, drawing crowds for intimate sets in a copper-accented space. The Edison Ballroom serves as a multi-purpose venue for events, weddings, and corporate functions, with a capacity of up to 1,000 for receptions and 500 for seated banquets across its multi-level, 17,000-square-foot layout. Originally opened in and briefly operating as the Edison Theatre from 1950 to 1991 for productions, it was restored in 2008 to preserve its grand architectural details. Complementing these venues, the hotel hosts complimentary manager's receptions on weekdays from 5 to 6 p.m. in the lobby, featuring wine, light snacks, and occasional live music to enhance the property's ties to New York City's performative heritage.

Cultural significance

Notable guests and residents

Throughout its history, the Hotel Edison has attracted a constellation of performers, comedians, and writers, drawn by its prime location in the Theater District, which fostered long-term residencies and frequent stays among Broadway and talents during the 1930s and 1940s. Among the most prominent long-term residents were comedian and his wife, performer , who made their home on the hotel's ninth floor shortly after their 1927 marriage and remained there for several years into the early 1930s, a period when the couple was rising to fame in and early radio. Their close friend and fellow comedian also resided at the hotel, occupying an apartment on the fourth floor during the same era, allowing the trio to collaborate informally amid their burgeoning careers in entertainment. These residencies reflected the hotel's role as a hub for figures navigating New York's vibrant entertainment scene, with Burns and Allen's daily life there intertwined with rehearsals and social gatherings that fueled their act's signature interplay. Broadway playwright Moss Hart similarly chose the Hotel Edison as a base following the 1930 success of his hit show Once in a Lifetime, taking up a tower apartment in 1931 where he could immerse himself in the district's creative energy. Hart even relocated his parents to the hotel temporarily until securing them a permanent apartment, underscoring the property's appeal as a supportive environment for emerging talents balancing professional and personal demands. Sports columnist and short story writer Ring Lardner also stayed at the hotel in 1933, occupying Room 1935 during a New York visit that aligned with his coverage of the city's cultural pulse. In the mid-20th century, the hotel hosted bandleader and singer Tony Pastor, who performed regularly there throughout the as part of his band's engagements, often staying on-site in rooms that captured candid moments of his tenure, such as photographs taken in 1946–1948 showing him with his saxophone amid the hotel's surroundings. Pastor's residencies contributed to the hotel's reputation for nurturing swing-era performers, with his acts drawing crowds to the property's venues and reinforcing its ties to live entertainment. The hotel's proximity to Broadway theaters continued to lure stars for shorter stays well into later decades, maintaining its legacy as a favored retreat for the district's luminaries.

Role in theater and events

The Hotel Edison's , originally opened in as a grand space, served as a vibrant hub for social and entertainment activities during the mid-20th century, hosting dances, post-theater parties for Broadway patrons, and live radio broadcasts that captured the era's theatrical energy. In the 1930s and 1940s, it accommodated performances and swing dances, drawing crowds from nearby venues, while in the early , bandleader Gloria Parker and her orchestra broadcast evening shows on WOR radio from the hotel, opening with her signature performances. These events underscored the ballroom's role in fostering New York's nightlife and its proximity to the theater district, making it a natural gathering spot for performers and audiences alike. In 1950, the ballroom was temporarily converted into the Arena Theatre, a 650-seat venue dedicated to experimental plays and off-Broadway-style productions amid Broadway's evolving landscape. It opened on May 31 with a revival of George Kelly's The Show-Off starring , followed by short runs of innovative works like Razzle Dazzle in its brief operation before reverting to ballroom use in 1951. This short-lived incarnation highlighted the hotel's adaptability to the , providing a flexible space for emerging talents outside traditional Broadway houses. From 1972 to 1991, the space reopened as the Edison Theatre, a full Broadway venue that hosted a diverse array of productions, including the long-running revue Oh! Calcutta! (1976–1989, over 5,900 performances) and musicals like Don't Bother Me, I Can't Cope (1975) and Me and Bessie (1975–1976). Other notable runs featured offbeat works such as Sizwe Banzi Is Dead and The Island (both 1974), emphasizing socially conscious theater, as well as intimate revivals like Love Letters (1989). The theater's 20-year tenure solidified the Hotel Edison's integral connection to Broadway, accommodating both commercial hits and experimental fare until its closure in 1991 and return to ballroom configuration. Following a major renovation in 2008 that restored the Edison Ballroom's splendor, the hotel has emerged as a key venue for contemporary events, hosting awards ceremonies, fashion shows, and corporate galas that align with 's ongoing revival as a cultural epicenter. The multi-level space now supports up to 1,000 guests for galas and nonprofit fundraisers, while partnerships with local arts organizations, such as live broadcasts from the hotel lobby in collaboration with Times Square Chronicles, promote emerging performers and . These initiatives continue the hotel's legacy of supporting the , bridging historic theater traditions with modern gatherings in the heart of Manhattan's entertainment district.

Appearances in media

The Hotel Edison has gained prominence through its appearances in several notable films and theatrical works, often showcasing its Art Deco interiors and central location in the Theater District. These portrayals have underscored the hotel's role as an iconic backdrop for stories of ambition, crime, and show business in mid-20th-century New York. In Francis Ford Coppola's The Godfather (1972), the hotel served as the filming location for the tense scene in which Luca Brasi (Lenny Montana) meets Virgil Sollozzo (Al Lettieri), with shots captured at the rear entrance on West 46th Street and interior spaces. The production utilized the hotel's period-appropriate architecture to evoke the gritty underworld of 1940s Manhattan. Woody Allen's (1994) featured the Hotel Edison's penthouse suite and hallways for key interior sequences, including scenes with and navigating the theatrical world of New York. Similarly, Alejandro González Iñárritu's Birdman or (The Unexpected Virtue of Ignorance) (2014) included shots of at the hotel's Rum House bar, capturing the chaotic energy of Broadway life in a single, fluid take. These film usages highlight the hotel's versatile spaces, from opulent suites to intimate lounges. Neil Simon's play 45 Seconds from Broadway (2001) is set in the hotel's Café Edison, drawing direct inspiration from the real-life interactions at the diner—affectionately known as the "Polish Tea Room"—and its owners, who influenced characters like Zelda and Bernie. The comedy portrays the café as a hub for theater folk, just steps from Broadway stages, reflecting the hotel's enduring ties to the community. The hotel has also appeared in television series such as and , further embedding it in depictions of New York life. These media references have boosted the Hotel Edison's publicity, attracting film enthusiasts through guided tours that visit the site for and other productions, while memorabilia like vintage postcards and production stills are available via hotel archives and online collectibles. The hotel's cinematic legacy is occasionally highlighted in documentaries on 's evolution, emphasizing its survival amid the area's transformation.

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