Metropolis (comics)
Metropolis (comics)
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Metropolis (comics)

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Metropolis
First appearanceAction Comics #16
(September 1939)
Created byJerry Siegel
Joe Shuster
In-universe information
LocationsAce o' Clubs
Daily Planet
Daily Star
Galaxy Communications
LexCorp
Project Cadmus
S.T.A.R. Labs
PublisherDC Comics

Metropolis is a fictional city appearing in American comic books published by DC Comics, best known as the home of Superman and his closest allies and some of his foes. First appearing by name in Action Comics #16 (Sept. 1939), Metropolis is depicted as a prosperous and massive city in the Northeastern United States, in close proximity to Gotham City. In recent years, it has been stated to be located in New York.[1]

The co-creator and original artist of Superman, Joe Shuster, modeled the Metropolis skyline after Toronto, where he was born and lived until he was ten.[2] Since then, however, the look and feel of Metropolis has been greatly influenced by New York City.[3][4][5]

Within the DC Universe, Metropolis is depicted as being one of the largest and wealthiest cities in the world, having a population of 11 million citizens.[6][7][8]

In addition to Superman, the city is also home to other superheroes, such as Booster Gold, Black Lightning, Thorn, Gangbuster, and Hawkgirl among several others.

Creation

[edit]
New York City is often cited as a real-life equivalent of Metropolis,[4] and the landmarks in Metropolis are based on real places in Manhattan.[3]

Like many other fictional cities in DC Comics, the location of Metropolis has varied over the years but is usually portrayed as a major city in the Northeast, sharing various qualities with New York City.[5] Superman co-creator Joe Shuster moved to Cleveland at age ten, where he met co-creator and Ohio native Jerry Siegel.

Originally intending to sell the Superman strips to a Cleveland newspaper, they decided to set the stories there, but when the strips were re-used for the comic books, they changed the location to the fictional Metropolis. Shuster was quoted as having modeled his Metropolis cityscape on that of his hometown, Toronto,[9] and in the early versions of Superman, Clark Kent worked for a newspaper called the Daily Star, modeled after the real-life Toronto Star.[9][10] Action Comics #2, however, mistakenly portrays Clark Kent as a reporter for the Cleveland Evening News.

Geography

[edit]

In Superman #2 (Fall 1939), Metropolis was placed in the U.S. state of New York, making it the earliest specific reference to the location of Metropolis.[5] In that issue, Clark Kent (Superman) sends a telegram to George Taylor, the editor of the Daily Star (the antecedent to the Daily Planet), addressed to "Metropolis, N.Y."[5]

In the 1940s Superman cartoons, produced by Paramount Pictures, Fleischer Studios and Famous Studios, Superman is said to live on the island of Manhattan. In the seventh cartoon of the series, Electric Earthquake (1942), a Native American mad scientist claims that his people are the rightful owners of Manhattan, thus placing these cartoons on the island. In the fifth cartoon in the series, The Bulleteers (1942), the name of the city is identified as Metropolis, as the Bulleteers address in that cartoon the population of Superman's city as "citizens of Metropolis"; and in the thirteenth cartoon Destruction, Inc. (1942), Metropolis is even seen spelled out twice on the Metropolis Munition Works.

In a 1970s edition of "Ask the Answer Man", a column that ran occasionally in DC publications, it was stated that Metropolis and Gotham City were adjacent to New York City; across the harbor from each other.[11] That same column stated that Green Arrow's home, Star City, was in Connecticut, Flash's Central City was in Ohio, and Hawkman's Midway City was in Michigan.[11] An earlier issue of DC's fanzine Amazing World of DC Comics, however, stated that Metropolis was located in Delaware, while Gotham was placed in New Jersey.[12] The 1990 Atlas of the DC Universe role playing game supplement, published by Mayfair Games, states that Metropolis is in Delaware.[13]

In June 1976, Superman #300 featured an out-of-canon story about the infant Kal-El arriving on Earth in that year, triggering an increase in Cold War tensions between the United States and the Soviet Union. In that story's version of the year 2001, passing reference is made to the merging of the eastern seaboard cities from Boston to Washington, D.C., into a "newly incorporated urban center" called "Metropolis".

In his 1978 work, The Great Superman Book, an encyclopedia of the first forty years of the Superman comics, author Michael Fleisher cites many examples which demonstrate that Metropolis equates with New York City. The most blatant of these might be the statement he cites from Action Comics #143 (April 1950), which states that the Statue of Liberty stands in "Metropolis Harbor".[3] The Statue of Liberty, in fact, stands in New York Harbor.

In the pre-Crisis on Infinite Earths comics, Smallville was often shown as being within driving distance of Metropolis,[14][15] although with no definitive location. John Byrne's 1986 revamp of Superman cited the city as being in Kansas.

The 1992 "Death of Superman" storyline depicts Doomsday on a path from Ohio through the state of New York, ending in Metropolis, and the 2005 comic Countdown to Infinite Crisis also places Metropolis in the state of New York.

The 2003 DC Comics/Marvel Comics crossover mini-series JLA/Avengers depicts the city as along the multi-state Interstate 95, which is the main highway on the East Coast of the United States,[16] and portrays the corresponding location in the Marvel Universe as forests and fields, explaining that Marvel's Earth and DC's Earth have different surface areas to account for their different geography (no Metropolis on Marvel's Earth, no Latveria on DC's Earth, and so on).[17]

On the television series Superman: The Animated Series, the second part of the episode titled "Little Girl Lost" depicts Darkseid's forces using a machine hidden in or around Metropolis to attempt to pull a comet into the earth. The beam from that machine is depicted originating from the area of the mid-western United States where Kansas is located.

Frank Miller has said that "Metropolis is New York in the daytime; Gotham City is New York at night."[4][18] Gotham City is home to Batman, whose activities are more often nocturnal, while Metropolis is home to Superman, who usually operates during the day. In terms of atmosphere, Batman writer and editor Dennis O'Neil has said that, figuratively, "Batman's Gotham City is Manhattan below 14th Street at eleven minutes past midnight on the coldest night in November, and Metropolis is Manhattan between 14th and 110th Streets on the brightest, sunniest July day of the year".[18][19] New York City has been more recently used as a locale in the DC Universe, like the Marvel Universe, in which it exists as a separate city from Metropolis and Gotham City. The Justice Society of America, for example, is based in New York, as were the Teen Titans.

In the DC Universe film franchise, Metropolis is located in Delaware, as confirmed by James Gunn, the writer and director of Superman (2025).[20]

In relation to Gotham City

[edit]
Superman flies over Metropolis. Artwork by Alex Ross.

Metropolis is frequently depicted as being within driving distance of Gotham City, home of Batman. This happens, for example, in the three-issue 1990 mini-series of World's Finest Comics by Dave Gibbons, Steve Rude, and Karl Kesel. The distance between the two cities has varied greatly over the years, ranging from being hundreds of miles apart to Gotham and Metropolis being twin cities on opposite sides of Delaware Bay, with Metropolis in Delaware[13][21] and Gotham City being in New Jersey.[12][13][22][21][23][24]

In Bronze Age stories that depicted Metropolis and Gotham City as twin cities, the Metro-Narrows Bridge was said to be the main route connecting Metropolis to Gotham City.[14][25] Stated as being the longest suspension bridge in the world,[26] the Metro-Narrows Bridge is likely based on the Verrazano-Narrows Bridge, which stretches between Staten Island and Brooklyn in New York City.

In The World's Greatest Superheroes newspaper comic strip, a 1978 Sunday strip shows a map of the east coast of the United States; the map places Metropolis in Delaware and Gotham City across Delaware Bay in New Jersey, with the Metro-Narrows Bridge linking the two cities.[27] A similar map appeared in The New Adventures of Superboy #22 (October 1981), with Smallville shown within driving distance of both cities (in post-Crisis comics, Smallville was officially relocated to Kansas). 1990's The Atlas of the DC Universe also places Metropolis in Delaware and Gotham City in New Jersey.[22]

However, the exact location of the two cities has varied. A map of the United States in the Secret Files & Origins Guide to the DC Universe 2000 depicts Metropolis and Gotham City (alongside Blüdhaven) as being somewhere in the tri-state area.[28]

In the TV series Lois & Clark: The New Adventures of Superman, when Lois finds out about Superman's secret identity and yells at Clark about how he's been hiding his secretly being Superman, he responds, "A little louder, Lois. I don't think they could hear you in Gotham City." In the TV series Smallville, Linda Lake, a columnist for the Daily Planet, once boasted that she could see Gotham City from her new office.[29] In Superman: The Animated Series, Bruce Wayne is shown taking his private jet aircraft to Metropolis, indicating that the two cities have at least some distance between them.

In the 2016 film Batman v Superman: Dawn of Justice, director Zack Snyder confirmed that Metropolis and Gotham City would be portrayed as geographically situated right next to each other, on the opposite sides of a bay, similar to Jersey City and Manhattan.[30]

History

[edit]

A Native American tribe sold Metropolis Island to the first European settlers in 1644,[31] similar to the history of New York City, in which Native Americans sold Manhattan Island to Dutch settlers in 1626.[32]

Features

[edit]

Over the years, Metropolis' features have greatly changed in the comics; however, Metropolis is always presented as being a global city. It is often referred to as "The Big Apricot" just as New York City is nicknamed "The Big Apple".[33] It is commonly portrayed as having an Art Deco style of architecture, much like New York City. The skyline and many of the notable landmarks in Metropolis are based on real-life landmarks in New York City.[3] Frank Miller has said that "Metropolis is New York in the daytime; Gotham City is New York at night."[18]

Metropolis' features became more defined and more obviously based on New York following both 1985's Crisis on Infinite Earths miniseries and John Byrne's subsequent revamping of Superman, including the late 1980s comic special The World of Metropolis.

According to Action Comics #143 (April 1950), the Statue of Liberty is said to stand in "Metropolis Harbor", while the real-life Statue of Liberty stands in New York Harbor.[3] However, most stories indicate the Statue of Liberty is actually in New York City, which also exists in the DC Universe as a separate city from Metropolis.

The map of Metropolis designed for Mayfair Games' first edition of the DC Heroes Role-Playing Game resembled that of Manhattan.

Districts and boroughs

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Metropolis is made up of six boroughs, the largest being New Troy. Each of the boroughs has its own distinct character and feel, which resemble and mimic New York City's boroughs.

New Troy

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New Troy is the largest borough in Metropolis. Resembling Manhattan, New Troy is a skyscraper island bustling with commerce and business. The concrete and steel canyons of the city rise to dizzying heights. "1930s architecture stretched like a rubber band" as cited in the Art of Superman Returns book.

The Daily Planet Building is the most recognizable landmark in the Metropolis skyline, much like the Empire State Building for New York City. Located in "Planet Square", it is particularly known for the Daily Planet globe atop the building. Other prominent skyscrapers include the Emperor Building (a reference to the Empire State Building), the Newstime Building (home of the national Newstime magazine, a reference to and combination of Newsweek and Time) which is secretly owned for several years by Lord Satanus posing as "Colin Thornton", and the Twin Towered LexCorp Tower, (a reference to the former twin towers of the World Trade Center), headquarters for Lex Luthor's company.

Lex Luthor stands before the Superman and Superboy memorials in Centennial Park, based on New York's Central Park.

Besides the Financial District, notable areas of New Troy include:

Famous streets in New Troy include Fifth Avenue, Bessolo Boulevard, and Topaz Lane. The latter two are Metropolis' versions of Broadway in New York City. Bessolo Boulevard's name is derived from Adventures of Superman lead actor George Reeves' legal name before entering films. Other Metropolis boulevards in the New Troy borough are similarly named for other actors from that series and from its radio predecessor of the same name, such as Coates, Larson, and Collyer.

Centennial Park (sometimes labeled as Metropolis Park) is Metropolis' largest city park and is based on real life Central Park of New York City. Its most noteworthy feature is a statue of Superman with an American bald eagle erected after his apparent death fighting Doomsday. A statue of Superboy (Conner Kent) was built next to it after Conner's death during Infinite Crisis.

In 1990s and 2000s stories, the married Clark Kent and Lois Lane live in an apartment in New Troy, at 1938 Sullivan Lane, which is a tribute to the year Superman first appeared. The apartment was a wedding gift to the couple by Bruce Wayne, who owned the building.[34] Clark Kent's traditional address of 344 Clinton Street, Apartment 3D, was usually described as being located in midtown Metropolis.[35]

Suicide Slum
[edit]

In northwestern New Troy is the impoverished and crime-infested neighborhood of Southside also known by its occupants as Suicide Slum, best known for the 1940s adventures of the Guardian and his street urchin companions the Newsboy Legion and in more contemporary times with Gangbuster. Although the northwestern location is similar to the relationship of Harlem to midtown Manhattan, the neighborhood bears more physical and cultural resemblance to Manhattan's Lower East Side. The Ace o' Clubs is a bar owned by Bibbo Bibbowski in Suicide Slum.

Other locations in New Troy
[edit]

Other notable places and their NYC inspirations in New Troy include:

Boroughs and suburbs

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New Troy is separated from the suburban boroughs by the West River and Hobb's River, based on New York's East River and Hudson River, respectively.

Midvale
[edit]

Midvale is a suburb of Metropolis, more well known as the home of Supergirl and the site of the Midvale Orphanage prior to the events of Crisis on Infinite Earths.[36] It is located 60 miles northwest of Metropolis.[37]

Bakerline
[edit]

Bakerline is another borough of Metropolis. Located north of New Troy, Bakerline is the home of newspaper reporter Jimmy Olsen and appears to be based on The Bronx in New York City.

Other boroughs and suburbs
[edit]

Other boroughs and suburban areas, almost all of which are based on real places in New York City, include Queensland Park (a reference to Queens), Hell's Gate (a reference to Hell Gate Bridge), St. Martin's Island (a reference to Staten Island), Park Ridge (a reference to Park Slope), Metrodale, and Highville.

Cultural, educational, and research institutions

[edit]
The exterior of the Superman Museum. From Superman #286, April 1975. Art by Curt Swan.

In the Silver Age and Bronze Age comics, a major Metropolis landmark is the Superman Museum.[38] The Superman Museum features various exhibits dedicated to Metropolis' favorite superhero, similar to the Flash Museum in Central City.[39] The Museum's exhibits were responsible for the origin of the Composite Superman.[40] Members of the criminal organization the 100 at one point secretly used the Superman Museum as their base of operations, which was discovered by the superhero Black Lightning and his nemesis Tobias Whale.[41] Superman, under the effects of hypnosis, once went on a rampage and wrecked several pieces at the museum.[42] The Superman Museum, like the Flash Museum, is also usually shown as existing well into the Legion of Super-Heroes' era.[43]

The central branch of S.T.A.R. Labs, a major scientific research institution, is also located in Metropolis.[44]

The Metropolis Museum of Natural History was featured in the film Superman Returns.

Education

[edit]

Metropolis University, Clark Kent's alma mater, is located in the city of Metropolis; Clark graduated with a degree in journalism.[45][46] The college has a floating aquarium anchored just offshore called the "Ark".[8]

Other landmarks, institutions and businesses

[edit]
  1. Centennial Hotel - Offers world-class cuisine and an observation deck with views across Centennial Park.
  2. Centennial Park - Activities in the wooded acres include horseback riding, boating, and golfing.
  3. 1938 Sullivan - Owned by Wayne Enterprises, Lois Lane, and Clark Kent's apartment building is one of the city's oldest buildings.
  4. University of Metropolis - Clark Kent's alma mater, this Ivy League institution boasts well-respected schools of journalism, law, and business.
  5. S.T.A.R. Labs[47] - The Metropolis arm of the privately owned scientific think-tank founded by Dr. Garrison Slate.
  6. Steelworks[48] - John Henry Irons' foundry in the Old Hook Basin district of Suicide Slum includes a variety of advanced technology to aid Superman.
  7. Suicide Slum - Despite being razed and renovated by Brainiac 13,[49] Suicide Slum, where Bibbo has his Ace O' Clubs bar, is still a sink of crime and poverty.
  8. Special Crimes Unit Precinct - Metropolis' S.C.U's upgraded headquarters houses offices, armories, and holding cells.
  9. Stryker's Island Penitentiary[50] - The ultimate maximum security prison possesses high-tech detention facilities designed to accommodate metahuman villains. Located near New Troy's West River.
  10. Union Station - Location in the heart of the city, Union Station links the national railroad network to Metropolis' unique "Rail Whale" commuter grid.
  11. Metropolis City Hospital - The state-of-the-art medical center maintains a privileges-sharing program with S.T.A.R. Labs.
  12. Jules Verne Extra-Terrestrial Museum - The museum exhibits artifacts from alien worlds and presents guest lectures by interplanetary heroes.
  13. Lena Luthor Science Explorarium - Technological advances abound this interactive museum.
  14. City Hall - The administrative center of Metropolis has mayoral, governmental, and emergency services offices.
  15. S.A.I. Dam - Hydroelectric waterworks control the flow of the twin rivers and the recycling of the city reservoir.
  16. Hypersector - The business and financial center of Metropolis.
  17. Hotel Metropolis - Five-star luxury accommodation located amid the heart of Downtown.
  18. Shuster Hall - Metropolis' premier theater has been in service since 1938.
  19. GBS Building - The corporate hub of Galaxy Communications' media conglomerate.[51]
  20. Daily Planet Building - The home of the respected, globally circulated newspaper.[52] The Daily Planet Building, with its distinctive hologram globe, is one of the city's most important landmarks.
  21. Metropolis Museum of Art - Galleries include important historical and contemporary artistic works.
  22. LexCorp Towers[53] - Designed to form a double L, Lex Luthor's 307-story citadels (with robot sentries and mutable glass windows) are Metropolis tallest skyscraper.

Industry

[edit]

LexCorp, founded by Lex Luthor, is interested in all aspects of technology, communication, medical science, technical science, architectural engineering, future technology, and more.[8]

Steelworks is the laboratory of John Henry Irons and in post-Crisis continuity, it came to rival LexCorp as its reach expanded into many different industries. John Henry renamed Steelworks Ironworks to further himself from his superhero life as Steel.[8]

Law and government

[edit]

Mayors

[edit]

At least four mayors are considered part of Metropolis' history:

  • Mayor Frank Berkowitz - Mayor Frank Berkowitz began his term prior to Superman's first known public meeting with Lex Luthor as depicted in the Man of Steel #4 mini-series by John Byrne. Superman was given a choice: join Luthor and receive a generous check from him as first payment for his services, or arrest Luthor for the events in #4 as Berkowitz asked him to. Superman's decision made Lex Luthor his deadliest enemy to this day. Some years later, Frank Berkowitz was killed by a sniper hired by Lex Luthor.
  • Mayor "Buck" Sackett - "Buck" Sackett was elected as Berkowitz's successor. He was covertly Lex Luthor's "puppet".
  • Mayor Fleming - Mayor Fleming is an African-American female who has been introduced in Nick Spencer's Jimmy Olsen back-ups. She chose Jimmy Olsen and Sebastien Mallory to show the Dalwythians around the city.
  • Mayor Rob Morrisroe - Mayor Rob Morrisroe is the mayor of Metropolis in the first issue of Superman (vol. 3), as of DC's 2011 New 52 reboot.
  • Mayor Perry White - Perry White stepped down as editor of the Daily Planet to run for mayor of Metropolis and later won in DC All In.

Metropolis Police Department

[edit]

The Metropolis Police Department headed by Commissioner David Corporon possesses a Special Crimes Unit dedicated to defending the city against superhuman menaces in case Superman is absent. The unit is headed by Maggie Sawyer and Dan Turpin, both of whom maintain frequent contact with the Man of Steel. Another of Superman's police contacts over the years has been Inspector William Henderson, who is currently the Metropolis police commissioner. The police unit is featured in a 1994–1995 limited series, Metropolis SCU. At some point during the missing year following Infinite Crisis, the division of the Metropolis Police Department dedicated to superhuman crime was renamed the Science Police, seemingly a reference to the similarly named group in the Legion of Super-Heroes' 31st Century.

Stryker's Island Penitentiary (based on New York's Riker's Island) is the name of Metropolis' largest prison facility, as well as the name of the island on which it sits; it is located in Metropolis' West River south of New Troy (the real-life Riker's Island sits in the East River, connected by a foot and vehicle bridge to the nearby borough of Queens, although the island itself and its jail complex are technically and officially part of The Bronx).

Metropolis Fire Department

[edit]

Post-Crisis, Fireman Farrell is shown to be a member of the Metropolis fire department.[54] As of Batman & Superman: World's Finest #4 (July 1999), Farrell is now a captain in the Metropolis FD.

Media

[edit]

Metropolis' premier newspaper is the Daily Planet, one of the most renowned news organizations in the DC Universe. The city is also home to the national Newstime magazine, where Clark Kent held the position of editor during the Eradicator story arc until he was fired by his superior, Collin Thornton, in The Adventures of Superman #465, for his increasingly strange behavior due to the Eradicator (including firing of some employees).

Other major media located in Metropolis include WGBS-TV, flagship station of the Galaxy Broadcasting System (GBS) television network, both subsidiaries of media conglomerate Galaxy Communications.[55] Popular shows included The Midnight Show Starring Johnny Nevada (a fictional version of NBC's The Tonight Show, with Johnny Nevada being an analogue of Johnny Carson).[56]

Between the early 1970s and mid-1980s, both Clark Kent and Lois Lane worked for WGBS after Galaxy Communications purchased the Daily Planet in a 1971 storyline, with Clark as the anchorman for the WGBS evening news.[57] He was eventually joined by Lana Lang as a co-anchor.[57] After John Byrne's revamp of Superman's origins, though, Clark and Lois were reverted to working at the Daily Planet once again. Galaxy Broadcasting and WGBS-TV still exist post-Crisis, however, and are usually used in any story where a television station or network is needed or shown. Post-Crisis, Clark, Lois and Lana never worked for the station. During the 1990s however, both Jimmy Olsen and Cat Grant did work there.

People and culture

[edit]

The people of Metropolis are depicted as a diverse group of large city-dwellers within the comics. They live in one of the world's largest, wealthiest, and most important cities.

Sports

[edit]

As befitting any world city, Metropolis is represented by teams in all major-league sports.[58] Like New York City, it is home to two teams in baseball and football. Of the two baseball teams, the Metropolis Monarchs are Clark Kent's favorite,[59] while the other team, the Metropolis Meteors, is mentioned in 52 as having a rivalry with the St. Louis Cardinals.

In American football, Metropolis is home to the Metropolis Metros and the Metropolis Meteors. The latter football team (sharing the same name as the above baseball team) once featured Steve Lombard as its star quarterback.[60] On the TV show Smallville, there is a football team called the Metropolis Sharks.

The city is also home to the Metropolis Generals basketball team, who play in Shuster Sports Arena,[61] presumably named for Superman co-creator Joe Shuster.

Professional ice hockey is also present in Metropolis; its NHL team is the Metropolis Mammoths.[13]

Several sports stadiums have been mentioned over the years. One such stadium is Metropolis Stadium, which was built in 1940. (Pre-Crisis, Metropolis Stadium had an Earth-Two counterpart, which was named "Sportsman's Stadium".)[62] This was perhaps influenced by the real-life Sportsman's Park in St. Louis, for many years the shared home of baseball's St. Louis Cardinals and St. Louis Browns.

Legion-Era Metropolis

[edit]

Metropolis is traditionally depicted as continuing to survive, thrive and expand well into the 30th- and 31st-century timeframe of the Legion of Super-Heroes.

During the original incarnation of the series, Metropolis would be depicted as covering anything ranging from the entire Atlantic American coast to a more narrowed jurisdiction – according to one map officially published during Paul Levitz and Keith Giffen's initial partnership on the series, in Legion of Super-Heroes (vol. 2) #313 (July 1984) – covering most of Massachusetts, all of Rhode Island and Connecticut, New York State from Long Island's eastern tip up into the Catskills, and a large portion of northern New Jersey. In one imaginary Superman tale published in 1976 and partly set in then-futuristic 2001, "Metropolis" is the name of the new megalopolis of the Eastern seaboard corridor, comprising the cities of Washington, D.C., Philadelphia, New York and Boston and all the territory in between (Superman #300, June 1976).

Whatever version was used, it was generally viewed as given that the original city, as well as Gotham City, were considered within Legion-era Metropolis' boundaries, from the mid-1960s until the events of Zero Hour.

The first post-Infinite Crisis version of the series as published in the "Threeboot" edition has described Metropolis as having expanded over the intervening millennium up the "entire Atlantic seaboard" of North America in one issue. In Final Crisis: Legion of 3 Worlds, it is revealed that this version of Metropolis belongs to Earth-Prime.

In Adventure Comics (vol. 2) #12, Metropolis during the Legion's first year is described by Brainiac 5 as having a population of "78 million sentient inhabitants in the urban zone before you reach the greenbelt".

In other media

[edit]

Television

[edit]
In the TV series Adventures of Superman, Los Angeles stood in place for Metropolis. The Los Angeles City Hall was depicted as the Daily Planet building in later seasons.
In the TV series Lois and Clark: The New Adventures of Superman, Chicago stood in place for Metropolis.
Metropolis Skyline, as seen in Smallville. The Daily Planet Building and LuthorCorp Tower are seen as the two tallest skyscrapers. On Smallville, Vancouver, British Columbia, Canada, stands in as Metropolis.

Film

[edit]
The Daily Planet Building at Planet Square with the Financial District, in 2006's Superman Returns
Another shot of Metropolis, which actually is Lower Manhattan with minor edits, like the removal of the modern 17 State Street and replaced with an older looking tower. The Daily Planet Building and others can be seen.
A welcome sign to Metropolis in the 2025 Superman film
  • Superman Returns director Bryan Singer intended his version of Metropolis to be a stylistic cross between 1930s New York and current New York. The many shots of Superman flying high above the city establish that although Metropolis has a rectangular park reminiscent of Central Park, the city overall has a slightly different shape from New York City. Several New York City landmarks, such as the American International Building, Battery Park, the MetLife Building, the Woolworth Building, World Financial Center, 7 World Trade Center, and the Brooklyn Bridge, were clearly shown, as was the street grid of lower Manhattan, with a fictional bridge inserted north of Battery Park City and a fictional pier in the middle of Battery Park. The map of Metropolis shown in this article, however, tries to make the city's form as different as possible from New York City's, given the scenery shown. Photographs of some automobiles used in filming show license plates bearing the phrase "New York State" along the bottom,[67] although the featured vehicles (including Lois Lane's car) are shown in the film to have license plates reading "The First State"[68][69] Lex Luthor's map onscreen portrays the city as directly in the location of New York City. Senior production designer Guy Dyas said in The Art of Superman Returns (Chronicle Books, 2006): "We wiped out, I think, half of New Jersey to put in Metropolis." The map showed Metropolis clearly being in place for New York City but in New York State. Long Island was not shown. Midtown Manhattan was only shown twice, both in brief high aerial shots of the city at night. The first had the Empire State Building and Chrysler Building obstructed by clouds while the GE Building was visible. The second, all three buildings would appear but very briefly. License Plates show the Daily Planet Building as the main symbol for Metropolis. With no World Trade Center due to the September 11, 2001 attacks (which took place during Superman's five-year departure from Earth), the real life Empire State Building, or in this case the Emperor Building as named in the comics, would be the tallest in Metropolis. In past Superman films, Metropolis was suggested to be New York City itself. Landmarks like the World Trade Center and Statue of Liberty were seen on film. In Superman Returns, Metropolis is New York City with minor changes. The film focused primarily on Lower Manhattan with Midtown Manhattan only shown twice in the distance. 17 State Street, which is a recognizable glass tower at the tip of the island was replaced by an older looking tower and the tops of the two World Financial Center Towers were removed. A small cluster of tall Art-Deco Towers along with the Daily Planet building were added to the skyline near the Civic Center. The LexCorp Tower never appeared in the film; comics suggest LexCorp had a Twin Towered Headquarters, which suggests that if they still existed, the World Trade Center North and South towers were the LexCorp Towers, but being 2006, unlike the older Superman films, the World Trade Center's Twin Towers, did not appear, being that the setting is after the September 11, 2001 attacks. It is implied that 9/11 happened shortly after Superman's five-year departure from Earth, as in 2006, five years ago it was 2001 where the world was in no major wars until the events of 9/11. Despite this, one aerial shot showed several small buildings over the site, probably suggesting that they never existed, yet a quick scene showed footage of the War on Terror on television news. Parts of Superman Returns was filmed in Sydney, Australia, and some minor landmarks in Sydney can be identified such as Martin Place, when Superman catches the car. License plates on cars that state the first state may also refer to NSW license plates.
Metropolis as seen in the DC Extended Universe. In this image, portions of Millennium Park in Chicago were used to model the fictional city.[70]
  • Metropolis appears in the 2025 film Superman. This version was filmed mainly in the Ohio cities of Cleveland and Cincinnati, but is strongly implied to be in Delaware due to various buildings flying Delaware state flags, as well as Lois Lane's car having a Delaware license plate.

Video games

[edit]

Metropolis appears in several video games, including Superman, Superman: Shadow of Apokolips, Superman: The Man of Steel, Superman Returns, Mortal Kombat vs. DC Universe, where it is shown partially in ruins following the Justice League's fight with Darkseid, and it appears in DC Universe Online.

Metropolis appears in the game Injustice: Gods Among Us, in two different forms- a Prime Earth version, in which the Joker attempts and fails to destroy the city with an atomic bomb, and an alternate universe Earth version, which occurs as a result of the Joker succeeding in his plot, which also killed Lois Lane and Superman's unborn son. The alternate universe, or "Regime" Metropolis is used as a playable fighting stage. Here, it has been rebuilt into a more dystopian city, which is where the "prime" Batman and Joker end up when they are accidentally transported there. The Prime Earth version, however, is not a playable stage in the game, and is only shown as a cameo in the game's story mode. One notable feature in each version of Metropolis is a statue depicting Superman with a globe. In the Prime universe, the statue depicts Superman standing below the globe, carrying it above his head, symbolizing that he follows the world's rules. On the other hand, in the Regime universe, the statue depicts Superman standing above the globe with his arms folded, symbolizing that the world follows his rules, as he has become a tyrant following the destruction of the original Metropolis and the deaths of Lois Lane and their unborn son. Metropolis is the only stage in the game to have three sections: the city streets, the top of the Daily Planet, and a museum featuring past superhero costumes and weapons.

Metropolis appears in Lego Dimensions, where it is taken over by Sauron from The Lord of the Rings franchise, With Superman being sucked into an alternate dimension, Batman, Gandalf, and Wyldstyle oppose Sauron.

Metropolis appears as a playable stage in Injustice 2. The two sections consist of Memorial Station (which contains statues of Superman and his downfall and Lex Luthor's opposition) and the Ace O' Clubs bar. In the story mode, Metropolis is one of the cities Superman fails to restore on Brainiac's ship.

In Lego DC Super-Villains, part of the open world is Metropolis. LexCorp Tower, the Daily Planet, and S.T.A.R. Labs are featured.

An open-world Metropolis is the main setting of Suicide Squad: Kill the Justice League, with Brainiac taking over the Justice League through mind control and having them capture and destroy the city, so he can rebuild it new.

Theme parks

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Metropolis appears in the Justice League: Alien Invasion 3D dark ride designed and created by Sally Corporation for Warner Bros. Movie World in Gold Coast, Australia. The city also appears in the Justice League: Battle for Metropolis dark ride created by Sally Corporation and is located at several Six Flags theme parks. A section of Warner Bros. World Abu Dhabi is themed after Metropolis, with major landmarks serving as entrances to attractions such as the Daily Planet for a Superman attraction, the Hall of Justice for a Justice League ride, and the Metropolis Observatory for a Green Lantern attraction. Patrons can also eat at a restaurant themed after Big Belly Burger.

Metropolis, Illinois

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The real town of Metropolis, Illinois, has been proclaimed the "hometown of Superman" by the Illinois State Legislature, and the town celebrates its "local hero". Among the ways it celebrates the character include a large Superman statue in the city, a Superman museum, an annual Superman festival, and its local newspaper The Metropolis Planet, a name inspired by the major newspaper in fictional Metropolis, the Daily Planet. A version of the town has appeared in the comics itself, as a city whose citizens idolize the hero who lives in their 'sister' city.[73]

References

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from Grokipedia
Metropolis is a fictional city in the DC Comics universe, serving as the primary setting for the adventures of the superhero Superman and his supporting cast, including Lois Lane and Lex Luthor.[1] Often depicted as a gleaming, optimistic metropolis known as the "City of Tomorrow," it symbolizes progress, hope, and the American ideal in contrast to the darker Gotham City.[2] The city was introduced in Action Comics #1 (June 1938), the debut of Superman, created by writer Jerry Siegel and artist Joe Shuster, who drew inspiration from their hometowns of Cleveland, Ohio, and Toronto, Ontario, respectively, for its early skyline and urban feel.[3][4] Over time, as Superman's popularity grew, Metropolis evolved into a more generalized stand-in for a futuristic New York City-like environment, with towering skyscrapers, advanced technology, and the iconic Daily Planet newspaper headquarters at its center.[5] In comic continuity, Metropolis is typically located in the Northeastern United States, often on the Delaware side of Delaware Bay directly across from Gotham City in New Jersey, a placement first proposed in DC's 1970s fan magazine The Amazing World of DC Comics and later referenced in various stories and media.[2][6] Key landmarks include Centennial Park, Suicide Slum, and the Hall of Justice, while the city has been the site of major events such as multiple destructions by villains like Brainiac and Doomsday, underscoring its role as a battleground for Superman's fights against threats to humanity. Beyond comics, Metropolis has appeared in films, television series like Superman & Lois, and animated adaptations, reinforcing its status as an enduring symbol of heroism and urban aspiration in popular culture.[1]

Origins and Concept

Creation by Siegel and Shuster

Metropolis was first conceptualized by writer Jerry Siegel and artist Joe Shuster as the adopted home city of their superhero creation, Superman, serving as a bustling urban backdrop to his adventures.[7] Intended to embody a gleaming, modern environment that contrasted sharply with Superman's humble rural roots in Kansas, the city represented progress and opportunity in the creators' vision.[8] This deliberate juxtaposition highlighted themes of transformation, with the young Clark Kent leaving his small-town upbringing for the excitement of big-city life.[9] The city made its debut by name in Action Comics #16, published in September 1939, marking the first explicit reference to "Metropolis" as Superman's base of operations.[10] Prior to this issue, early Superman stories in Action Comics #1 through #15 referenced Cleveland, Ohio, as the urban setting where Clark Kent worked as a reporter for the Cleveland Evening News, gradually evolving into the formalized concept of Metropolis.[9][11] Siegel and Shuster selected the name "Metropolis" to evoke a sense of futuristic optimism, symbolizing an idealized American city of tomorrow filled with towering skyscrapers and innovative spirit.[7] From its introduction, the Daily Star newspaper—later renamed the Daily Planet—stood as a central narrative hub in Metropolis, where Clark Kent began his career as a mild-mannered reporter.[8] Shuster, drawing from his childhood experiences delivering papers for the real-life Toronto Daily Star, incorporated the fictional paper as a key element to ground Superman's double life in journalistic intrigue.[12] This setup allowed Siegel and Shuster to weave stories of heroism amid everyday urban newsroom dynamics, establishing the city as an integral character in the Superman mythos.[7] The creators' design of Metropolis also briefly referenced broader geographical inspirations, such as the skylines of Toronto—Shuster's birthplace—and New York City, blending familiar urban elements with aspirational futurism.[7]

Inspirations and Early Design

Joe Shuster drew significant inspiration for Metropolis from his childhood in Toronto, where he was born in 1914 and lived until age nine. The city's skyline, with its emerging Art Deco architecture, influenced the gleaming, futuristic aesthetic of the fictional metropolis in early Superman comics. Specifically, the Toronto Daily Star building at 80 King Street West, completed in 1929 in a generic Art Deco style, served as a visual model for the Daily Planet headquarters, while Shuster's experience selling the Toronto Daily Star as a newsboy shaped Clark Kent's journalistic role and the newspaper's initial name, the Daily Star, which was changed to Daily Planet in 1940.[4][13] Jerry Siegel's roots in Cleveland, Ohio, also informed the early conceptualization of Superman's urban setting. Born in 1914 to Jewish immigrant parents, Siegel grew up in the Glenville neighborhood, a thriving middle-class area where he met Shuster at high school. Initial Superman story strips, developed starting in 1933, were explicitly set in Cleveland, incorporating local culture and landmarks to ground the hero's adventures in a familiar "big city" environment before the creators generalized it.[3][14] These prototype strips, created between 1933 and 1938 but rejected by syndicates, featured Superman operating in a thinly veiled version of Cleveland, incorporating real local addresses and culture before the setting was fictionalized for publication.[3] Thematically, Metropolis was designed as the "City of Tomorrow," embodying ideals of progress, technological advancement, and collective heroism in contrast to the shadowy, crime-infested Gotham City associated with Batman. This optimistic portrayal highlighted wealth and innovation through towering skyscrapers and bustling commerce, symbolizing a beacon of hope protected by Superman, while Gotham represented urban decay and vigilantism.[15][9] By mid-1939, depictions in the Superman newspaper strips, which ran from 1939 to 1967, had adopted the standalone fictional setting of Metropolis, relocating from the earlier Cleveland influences.[14][3][16]

Geographical Setting

Location and Layout

Metropolis is depicted as a major city in the northeastern United States within the DC Universe, frequently portrayed as being located in or near New York State in early comic iterations, though its precise placement has varied across canon.[2] In contemporary comic continuity, it is commonly situated on the Delaware side of Delaware Bay, establishing it as a coastal metropolis with access to the Atlantic Ocean.[2] This positioning aligns it closely with Gotham City across the bay in New Jersey, facilitating narrative interactions between the two urban centers.[17] The city's layout reflects a sprawling coastal urban environment, encompassing approximately 125 square miles and divided by the Metropolis River system, which includes the Hob's River to the north and the West River to the south.[18] These waterways separate the central districts from suburban areas, creating a network of harbors, islands, and mainland banks that support extensive maritime activity and define the city's east-west orientation.[17] The overall structure draws inspiration from New York City's geography, with three islands contributing to its insular and peninsular features, enhancing its role as a hub for commerce and innovation.[6] Metropolis is organized into six boroughs, with New Troy serving as the central, densely populated core akin to Manhattan in its skyscraper-dominated skyline and business focus.[19] This borough anchors the city's vibrant heart, while the surrounding areas provide a mix of residential, industrial, and recreational spaces. The population is estimated at around 11 million residents, underscoring its status as one of the largest and most affluent cities in the DC Universe.[17] Canon variations include the 1990 Atlas of the DC Universe role-playing supplement, which firmly placed Metropolis in Delaware, and John Byrne's 1986 post-Crisis revamp of Superman, which relocated Smallville to Kansas while keeping Metropolis on the East Coast.[2] These shifts highlight the flexible geographical framework employed in DC Comics to adapt the city's role in Superman's narratives.[2]

Relation to Gotham City

In DC Comics canon, Metropolis and Gotham City are frequently depicted as twin cities positioned across a bay, most consistently the Delaware Bay in modern interpretations, with their proximity allowing for narrative crossovers between Superman and Batman.[2] The distance between them has varied across depictions, ranging from adjacent urban expanses separated by mere waterways to approximately 20-60 miles when accounting for routes around the bay, facilitating quick travel in stories involving joint threats.[20] This geographical closeness was first formally suggested in a 1977 issue of The Amazing World of DC Comics #14, where Metropolis was placed in Delaware and Gotham in neighboring New Jersey, establishing them as near neighbors.[21] Thematically, Metropolis embodies optimism, progress, and gleaming modernity, serving as a stark contrast to Gotham's grim, corruption-plagued atmosphere of shadows and decay, a duality often explored in Batman/Superman crossovers to highlight the heroes' complementary philosophies.[22] In series like World's Finest Comics, this opposition underscores Superman's hopeful vigilance in the "City of Tomorrow" against Batman's vigilantism in the "city of night," with events like villainous incursions forcing the duo to navigate each other's domains and ideologies.[20] Post-1990s continuity solidified their shared regional placement, with The Atlas of the DC Universe (1990) mapping Metropolis on Delaware's coast opposite Gotham in New Jersey across the bay, a configuration that influenced later media.[2] This setup was visualized in the 2016 film Batman v Superman: Dawn of Justice, where the cities appear as sister metropolises divided by a expansive bay, emphasizing their intertwined yet oppositional fates during the heroes' conflict.[23] The arrangement was reaffirmed in the 2025 Superman film, depicting Metropolis on Delaware's side of the bay directly opposite Gotham, complete with in-universe license plates and maps confirming the proximity.[24]

Historical Timeline

Founding and Early History

The origins of Metropolis in DC Comics lore date back to 1644, when a Native American tribe sold Metropolis Island to Dutch settlers in a transaction mirroring the historical purchase of Manhattan Island from the Lenape people nearly two decades earlier. This foundational event is depicted in Action Comics #148 (September 1950), where Superman intervenes in the past to ensure the legitimacy of the sale amid a dispute over its validity centuries later. The settlers established a small trading post that laid the groundwork for the city's future expansion as a coastal settlement.[25] Metropolis developed as a key industrial and port city, drawing immigrants and laborers to support manufacturing and shipping sectors. Infrastructure projects, including bridges and rail lines, facilitated trade and growth.[2] In the early 20th century, Metropolis boomed as a major port, leveraging its location on Delaware Bay for international commerce. This propelled economic vitality and architectural innovation, with the city becoming a symbol of American progress by the 1930s.[2] Prior to Superman's arrival, the 1920s in Metropolis were marked by the underground culture of speakeasies during Prohibition, hidden in basements and warehouses amid the port's shadowy districts, fostering a vibrant yet illicit nightlife. The ensuing Great Depression brought hardship, but the 1930s saw gradual economic recovery through municipal initiatives and federal aid, revitalizing industries and infrastructure. These eras contributed to the city's affectionate nickname, "the Big Apricot," evoking its fruitful prosperity in contrast to New York City's "Big Apple."[26]

Evolution Across Comic Eras

Metropolis's depiction in the Golden and Silver Ages (1939–1985) emphasized an expansive, optimistic urban landscape inspired by Art Deco architecture, symbolizing progress, modernity, and the American dream during the Great Depression and post-war boom.[13] The city was portrayed as a gleaming metropolis of towering skyscrapers and bustling streets, serving as a perfect backdrop for Superman's heroic feats against everyday threats and larger-than-life villains.[27] This era's stories highlighted Metropolis as a symbol of hope and technological advancement, with landmarks like the Daily Planet building featuring iconic elements such as the massive globe that underscored the city's forward-looking spirit.[28] Following the 1985–1986 Crisis on Infinite Earths reboot, the Post-Crisis era (1986–2011) grounded Metropolis in greater realism, introducing socioeconomic contrasts to reflect urban challenges amid Superman's protection.[29] Neighborhoods like Suicide Slum emerged as gritty, crime-ridden areas, adding depth to the city's portrayal and emphasizing themes of inequality and redemption.[30] This period also integrated Metropolis more firmly into the broader DC Universe geography, positioning it on the Delaware side of Delaware Bay, opposite Gotham City, to enhance narrative connectivity across titles.[2] Subsequent reboots, including Infinite Crisis (2005–2006), revived and blended Art Deco aesthetics with modern technological elements, portraying Metropolis as a hybrid of retro-futurism and contemporary innovation.[31] Key retcons shaped its structure: in the 1970s, the city was divided into distinct boroughs, such as New Troy, to organize its expansive layout.[32] The 1994 Zero Hour event further simplified the urban framework by resolving timeline inconsistencies, streamlining Metropolis's historical and geographical details for cohesive continuity.[33] These changes maintained the city's role as Superman's symbolic home while adapting to evolving storytelling needs.

Recent Depictions

In the New 52 continuity launched in 2011, Metropolis was portrayed with a darker, more grounded tone, emphasizing urban grit and frequent large-scale threats that tested the city's resilience. The era highlighted Lex Luthor's pervasive influence over the city as its dominant industrialist, positioning him as a shadowy power broker who manipulated local politics and economy to undermine Superman.[34] During this period, Metropolis endured partial destruction from extraterrestrial invasions, including Brainiac's assault in Superman #7-8 (2012), where the villain's forces ravaged districts while attempting to bottle Kryptonian artifacts and data from the city. Post-invasion recoveries often involved Luthor's companies leading reconstruction efforts, further entrenching his control. The Rebirth initiative from 2016 onward shifted depictions toward themes of renewal, with Metropolis frequently shown undergoing post-event rebuilds following cataclysmic battles. In the 2024 Absolute Power crossover, Amanda Waller's metahuman crackdown targeted Metropolis's heroes, leading to power suppressions and widespread chaos that necessitated rapid civic restoration efforts. Superman #19 (2024) depicts the aftermath, where lingering effects from the power loss event allow infernal forces tied to Doomsday's return to breach the city, portraying a vulnerable Metropolis invaded by hellish threats as Superman and a newly empowered Lois Lane defend it.[35][36] The 2024 comic series My Adventures with Superman, tying into the animated show, features Amazo—an adaptive android—as a central threat causing a potential "meltdown" in Metropolis, where the robot's unstable evolution endangers infrastructure and forces evacuations amid pursuits by Task Force X.[37] At San Diego Comic-Con 2025, the "DC Comics: Metropolis & Beyond" panel announced expanded Superman storylines focusing on the city's evolving role in the DC Universe, including deeper explorations of its districts and hero dynamics. This aligns with the DCU film canon's integration, as confirmed in Superman (2025), which places Metropolis firmly in Delaware via on-screen details like license plates, bridging comic lore with cinematic geography.[38][21]

Urban Structure

Districts and Boroughs

Metropolis is divided into six boroughs, the largest of which is New Troy, functioning as the city's primary business and commercial core with its iconic Financial District dominated by towering skyscrapers. This central borough, resembling a futuristic Manhattan, houses a mix of socioeconomic areas, including the notorious Suicide Slum—a rundown, crime-infested neighborhood also known as Hob's Bay or Southside, which has symbolized urban decay in Superman narratives since its introduction in early 1940s comics featuring the Newsboy Legion.[39][40] In contrast, affluent residential pockets within New Troy, such as Parkdale Heights, offer upscale living amid the borough's dense urban fabric.[18] Bakerline, situated north of New Troy, serves as an industrial and middle-class borough, characterized by factories, housing developments, and a 40-minute commute to the city center via train; it is notably the longtime home of Jimmy Olsen and his family, first depicted in Action Comics #599.[21] Other boroughs like Queensland Park, Park Ridge, Hell's Gate, and St. Martin's Island contribute to the city's layout, with the former encompassing expansive parklands, the latter providing additional residential and commercial spaces along the waterfront, Hell's Gate known for its industrial zones, and St. Martin's Island featuring port facilities. These divisions highlight Metropolis's blend of high-tech progress and gritty realism, with New Troy concentrating economic activity while outer boroughs support industrial and leisure functions.[41][42] Beyond the core boroughs, suburbs such as Midvale extend Metropolis's residential footprint, offering quieter, suburban environments for expansion, particularly in depictions post-1980s comic reboots. Midvale, introduced in Action Comics #252, is best known as the early residence of Supergirl (as Linda Lee) at the Midvale Orphanage, embodying a more idyllic, family-oriented contrast to the urban intensity of New Troy.[43] Outlying areas like Rocky Heights further represent affluent suburban growth, accommodating population overflow and diverse ethnic communities that enrich the city's cultural mosaic. New Troy serves as the demographic and economic heart, while peripheral districts foster residential diversity and community enclaves.[9]

Architecture and Landmarks

Metropolis is renowned for its distinctive Art Deco architectural style, which dominates the city's skyline and embodies the optimistic spirit of 1930s America. Towering skyscrapers feature streamlined geometric forms, stepped setbacks, and intricate metalwork, drawing inspiration from the era's World's Fairs and urban renewal projects. This aesthetic underscores the city's portrayal as a beacon of progress and modernity in DC Comics lore.[13] The Daily Planet Building exemplifies this style, standing as a colossal Art Deco edifice in the civic center with a massive golden globe atop its roof that rotates to indicate the time. Modeled after real-world structures like the former Toronto Star Building, it represents the fusion of journalism and architectural grandeur, often depicted as a central hub in the skyline.[44] Prominent landmarks further define Metropolis's visual identity. Centennial Park, a verdant expanse reminiscent of New York's Central Park, includes a bronze Superman statue erected to honor the hero's sacrifices against threats like Doomsday. LexCorp Towers, twin skyscrapers configured in an "L" shape, rise as the city's tallest structures, symbolizing corporate dominance with their sleek, imposing presence. Metropolis Harbor anchors the waterfront, occasionally featuring the Statue of Liberty in classic depictions, evoking national symbolism.[45][46] In Post-Crisis narratives, Metropolis evolved with modern additions, incorporating holographic elements and sustainable designs in 2000s storylines to reflect contemporary futurism while preserving Art Deco roots. The city's architecture often endures cycles of destruction and rebirth; for instance, the 1993 Doomsday saga in Superman: The Man of Steel depicted widespread devastation followed by resilient reconstructions that reinforced its enduring skyline.[47]

Key Institutions

Educational and Research Centers

Metropolis University, established in 1947 and first depicted in Superman #46, serves as the alma mater of Clark Kent, where he pursued studies in journalism during his early adulthood.[48] The institution is renowned for its journalism program, which has produced influential reporters, and its strong emphasis on scientific disciplines, including biology and physics, fostering innovations that intersect with the city's superhero narratives.[48] Early Superman stories often featured the university as a backdrop for Clark's college experiences, highlighting themes of identity and ethical reporting amid emerging superhuman threats. S.T.A.R. Labs, with its central branch located in Metropolis, stands as a leading scientific research organization dedicated to advanced technology and experimental studies.[49] The facility has played a pivotal role in metahuman-related investigations, collaborating with heroes like Superman on containment and analysis of extraordinary phenomena. Its involvement in major events, such as the Armageddon 2001 crossover where the Metropolis branch was destroyed in a battle between Captain Atom and Monarch, underscores its narrative significance in multiversal crises.[50] Rebuilt post-incident, S.T.A.R. Labs continues to drive plotlines involving scientific breakthroughs and ethical dilemmas in superhuman research. The Superman Museum, first appearing in Action Comics #164 (January 1952), functions as an exhibit hall dedicated to the Man of Steel's legacy, housing memorabilia from his heroic exploits.[51] Located near Suicide Slum, it serves as a public educational resource, showcasing interactive displays on Superman's origins, battles, and cultural impact, while occasionally featuring in stories where artifacts draw villains or inspire young heroes. Recent depictions in the 2020s portray these centers advancing cutting-edge technologies, often tying into broader industry partnerships for Metropolis's defense against escalating super-villain incursions.

Major Businesses and Industry

LexCorp stands as the preeminent corporate entity in Metropolis, established by Lex Luthor in the post-Crisis on Infinite Earths era as a sprawling conglomerate that dominates multiple sectors. Specializing in advanced technology, pharmaceuticals, and weapons manufacturing, the company leverages Luthor's genius to innovate and expand, often positioning itself as a rival to international giants while fueling both economic growth and supervillainous schemes in the city.[52][53] Complementing LexCorp's influence is Steelworks, the ethical manufacturing firm founded by John Henry Irons, known as Steel, shortly after his debut in the post-Crisis continuity. Operating from a dedicated facility in Metropolis, Steelworks emphasizes non-lethal equipment production and sustainable engineering, providing tools to the Special Crimes Unit and contributing to the city's defense against threats without compromising moral standards. Irons' venture harnesses innovative designs, including armor and weaponry inspired by his own heroic suit, to promote a brighter technological future for the urban landscape.[54][55] The Financial District serves as Metropolis's economic nerve center, analogous to Wall Street, where high-stakes trading and corporate headquarters drive the city's prosperity. This area's vitality stems from robust sectors including media conglomerates, cutting-edge technology firms, and shipping operations along Hob's River, which facilitate global trade and position Metropolis as a premier hub for commerce and innovation.[45] Metropolis's industries underscore the city's resilience, blending corporate ambition with sustainable advancements to support its role as a center of innovation.

Governance and Public Safety

Municipal Leadership

Metropolis operates under a council-mayor system of government, where the mayor is elected every four years and serves as the chief executive, chairing the city council responsible for legislative matters. This structure has been depicted in various storylines emphasizing the balance between executive leadership and council oversight in addressing urban challenges. One of the earliest prominent mayors in the Post-Crisis continuity was Frank Berkowitz, who held office in the late 1980s and was known for his initial support of Superman's activities in the city. Berkowitz's term ended tragically when he was assassinated by a sniper hired by Lex Luthor, highlighting early instances of corruption influencing municipal politics.[56] Succeeding Berkowitz was Bradford "Buck" Sackett, elected in the late 1990s as a councilman from a small district who rose to the mayoral position. Sackett served as a covert puppet for Lex Luthor, allowing Luthor's influence to permeate city governance through backroom dealings and policy favors benefiting LexCorp. His administration exemplified the corruption arcs of the era, where Luthor's schemes in the 1990s undermined elections and manipulated public officials to maintain control over Metropolis's economy and politics.[57] In the 2000s, Lex Luthor himself briefly pursued and influenced mayoral roles in alternate depictions, though his broader criminal empire often overshadowed direct electoral bids in main continuity; however, his presidential run during this period drew from similar tactics of public manipulation seen in local politics. More recently, Perry White, the longtime editor of the Daily Planet, served a temporary stint as mayor in 2024 before being elected to a full term in a landslide victory amid calls for journalistic integrity in leadership (as of November 2025).[58][59] White's election reflected a shift toward policies focused on superhero integration, promoting collaboration between figures like Superman and city institutions.

Police and Fire Departments

The Metropolis Police Department (MPD) serves as the primary law enforcement agency in the fictional city of Metropolis, handling routine crimes as well as extraordinary threats posed by metahumans and supervillains.[60] Within the MPD, the Special Crimes Unit (SCU) was established in the 1980s to address cases involving superhuman elements that exceed standard police capabilities, often collaborating directly with Superman.[60] The SCU has been led by Inspector Maggie Sawyer since its early days, with Inspector Dan Turpin serving as her key deputy and second-in-command, bringing a no-nonsense approach to tackling threats like Intergang and other metahuman criminals.[60] Sawyer, introduced as a tough, dedicated captain in Superman #4 (1986), became one of Superman's primary police contacts, exemplifying the unit's role in bridging human law enforcement with superhuman justice.[60] The SCU gained further prominence in the 1994 miniseries Metropolis S.C.U., which focused on the team's investigations into bizarre crimes, including those involving advanced technology and supernatural elements, earning recognition for its groundbreaking portrayal of Sawyer as an openly lesbian lead character.[60] A notable aspect of MPD operations includes oversight of Stryker's Island Penitentiary, Metropolis's maximum-security facility for housing supervillains whose powers or influence demand isolation from the general population.[61] In Action Comics #1047 (2022), the prison's harsh conditions—such as the severe debilitation of inmate Metallo through limb removal and power suppression—drew criticism even from Lex Luthor, highlighting ongoing challenges in containing superhuman threats while maintaining humane standards.[61] The Metropolis Fire Department complements public safety efforts by responding to emergencies ranging from urban blazes to those escalated by superhuman incidents, often operating in the shadow of Superman's interventions but remaining essential for recovery and containment.[62] In Superman: Beyond #11 (2012), a descendant of Superman, Kal Kent, joined the department as a firefighter, utilizing advanced gear to combat fires linked to extraterrestrial conflicts, underscoring the department's adaptation to Metropolis's unique dangers like post-battle infernos following events such as the Doomsday confrontation.[62] In recent depictions, such as the 2024 Absolute Power crossover, the MPD supports efforts against metahuman threats orchestrated by Amanda Waller, including aiding in the restoration of powers and infrastructure after widespread disruptions in Metropolis.[63]

Cultural Life

Media Outlets

The Daily Planet stands as the preeminent newspaper in Metropolis, serving as a cornerstone of journalistic integrity and a frequent hub for Superman's supporting cast. Originally introduced as the Daily Star in early Superman tales from the late 1930s, it was rebranded to the Daily Planet in Superman #4 (1940), reflecting creators Jerry Siegel and Joe Shuster's shift to avoid potential legal issues with an existing publication.[8] Under the leadership of editor-in-chief Perry White, the newspaper has been the professional home of reporters Clark Kent and Lois Lane since the 1940s, where they pursue investigative stories often intersecting with superhuman events.[64] White, known for his gruff yet principled demeanor, acquired a controlling interest in the paper in the post-World War II era, transforming it into a Pulitzer Prize-winning outlet renowned for its exposés on corruption and crime.[65] Broadcast media in Metropolis complements the Daily Planet's print dominance, with WGBS-TV, the local affiliate of the Galaxy Broadcasting System, emerging as a key player in visual journalism. Debuting in Superman's Pal, Jimmy Olsen #133 (1970), WGBS initially served as the parent company to the Daily Planet during the Silver Age, with Clark Kent anchoring the evening news under the alias "Kent Clark" to maintain his secret identity.[21] In pre-Crisis continuity, the station broadcasted live coverage of Superman's feats, fostering public awareness of his heroism while occasionally rivaling the newspaper's scoops. Following the 1985-1986 Crisis on Infinite Earths reboot, WGBS evolved into a direct competitor to the Daily Planet, owned by Intergang operative Morgan Edge, and featured Clark as a prominent on-air personality amid corporate intrigue and battles against villains like the Toyman.[21] Radio broadcasting adds another layer to Metropolis's media landscape, exemplified by WMET, a station that has occasionally drawn Clark Kent into its orbit. In one Silver Age tale, a young Clark hosted a late-night radio program on WMET under the pseudonym "the Sultan of Song," entertaining listeners with music and commentary until superhuman interruptions forced him to prioritize his dual life.[66] These outlets collectively play pivotal roles in uncovering scandals, such as those involving Lex Luthor's criminal enterprises; for instance, Daily Planet investigations in the 1970s exposed Luthor's manipulations of city contracts, leading to his temporary downfalls and amplifying Superman's interventions.[67] Over time, Metropolis's media entities have adapted to technological advancements, particularly from the 2000s onward. The Daily Planet incorporated online editions and digital reporting in post-Crisis stories, allowing real-time dissemination of news during crises like the Imperiex War, where Lois Lane's dispatches reached global audiences via emerging web platforms.[68] By the 2020s, comics depicted integrations with digital platforms, as seen in the 2024 Absolute Power event where Amanda Waller hacked the Daily Planet to spread misinformation about metahumans, underscoring the outlet's central role in combating digital threats and maintaining relevance amid superpowered chaos.[69] This evolution underscores the outlets' enduring commitment to truth amid Metropolis's superpowered chaos.

Sports and Entertainment

Metropolis boasts a vibrant professional sports scene, with teams competing in major leagues that reflect the city's dynamic energy. The baseball franchises include the Metropolis Monarchs, favored by Clark Kent, and the Metropolis Meteors, whose motto "Aim for the stars" embodies the city's aspirational spirit; the Meteors debuted in comics in 1973.[70][21] In football, the Metropolis Metros share the spotlight, known for record-breaking performances by players like quarterback Johnny Dakota. The ice hockey team, the Metropolis Mammoths, rounds out the major squads, with designs featuring a mammoth wielding a hockey stick that have appeared in official DC artwork. These teams play home games at venues such as LordTech Stadium, sponsored by the tech firm run by Maxwell Lord.[71][21] Entertainment in Metropolis thrives through iconic venues that blend recreation with spectacle. Centennial Park serves as a central hub for public gatherings, including concerts and commemorative events, highlighted by the Superman memorial statue that draws crowds for celebrations. In the New Troy borough, theaters like the Wireless City Movie Theater host performances and screenings, spoofing grand venues and contributing to the district's cultural prestige.[45] Superman-related events infuse sports and entertainment with heroic flair, such as parades honoring the Man of Steel and his allies, which often feature floats, fan tributes, and appearances by the hero himself during citywide festivals. These gatherings underscore Metropolis's identity as the City of Tomorrow, where everyday leisure intersects with extraordinary feats.[9] The cultural role of sports in Metropolis is amplified by intense rivalries, particularly with Gotham City's teams like the Gotham Knights, fostering a longstanding intercity competition that mirrors the ideological clash between the two metropolises—hopeful optimism versus gritty resilience. This rivalry energizes fans and appears in various media portrayals.[72] In recent years, comic narratives have tied these elements to high-stakes action; for instance, a 2024 storyline in My Adventures with Superman #4 depicts battles involving Amazo disrupting the city, including potential interruptions to ongoing events like games at local stadiums. Additionally, the 2025 film Superman includes an Easter egg referencing the Metropolis Meteors baseball team, nodding to their comic origins while integrating them into the cinematic universe.[73][21]

Demographics and Society

Metropolis features a multi-ethnic population shaped by waves of immigration, with neighborhoods like the Hob's Bay area historically attracting Irish and other immigrant groups in the mid-19th century, contributing to the city's cultural diversity.[74] This diversity is evident in areas such as Queensland Park, which serves as a hub for immigrant communities along the West River, promoting coexistence among various ethnic groups.[41] The city's society is marked by significant wealth disparities, exemplified by the contrast between the elite, business-oriented borough of New Troy—home to skyscrapers and commerce—and the impoverished Suicide Slum, a high-crime neighborhood officially known as Southside or Hob's Bay.[45] Suicide Slum, a longstanding symbol of urban poverty, was first depicted in Star-Spangled Comics #7 (1942) as a rundown area in what was initially portrayed as part of New York City before being integrated into Metropolis.[30] Post-Crisis on Infinite Earths storylines highlighted gentrification efforts, particularly following the 2000 Brainiac 13 event, where advanced technology upgraded the city's infrastructure, spurring revitalization in dilapidated sections like Suicide Slum while exacerbating tensions between socioeconomic classes.[18] In 2020s comics, narratives have increasingly addressed inequality, portraying Metropolis as reliant on Superman's interventions to bridge gaps between affluent districts and underserved communities.[75] Cultural festivals play a key role in fostering social unity, including the annual Superman Day, a citywide celebration featuring parades and events honoring the hero, as seen in Superman #157 (1962).[76] Global migration influences local arts and cuisine, blending international traditions into the urban landscape. Sports events occasionally serve as social unifiers across divides.[75] Recent comics have emphasized LGBTQ+ representation to reflect evolving societal dynamics, notably through characters like Maggie Sawyer, a captain in the Metropolis Special Crimes Unit introduced in Superman #4 (1987).[60] Sawyer's storyline in Superman #15 (1988) revealed her as a lesbian, detailing the personal costs of her orientation, including a divorce and loss of custody, marking an early milestone for queer visibility in DC titles.[60] Her leadership in the 1994 miniseries Metropolis S.C.U. further explored these themes, earning a GLAAD Media Award in 1996 for advancing LGBTQ+ narratives.[60]

Future Metropolis

Legion of Super-Heroes Era

In the 30th and 31st centuries depicted in Legion of Super-Heroes stories, Metropolis has evolved into a sprawling super-city that serves as the capital of the United Planets and a hub of interstellar society. By the 2970s, the city has expanded dramatically to encompass the entire Atlantic seaboard, transforming from its 20th-century roots into a vast urban expanse with an urban core population of 78 million sentient beings.[77] This growth reflects centuries of technological advancement and population influx from across the galaxy, positioning Metropolis as the political and cultural center of a united humanity and alien worlds. The city's infrastructure supports this scale through hyper-efficient transit systems and self-sustaining energy grids, ensuring seamless integration of diverse species and economies. Technological marvels define the 30th-century Metropolis, where flying cars zip through elevated skyways, and massive domed districts protect against environmental hazards while housing specialized zones for research and recreation. The United Planets headquarters, a towering complex symbolizing galactic cooperation, anchors the city's skyline and coordinates diplomacy among thousands of member worlds. These features underscore Metropolis's role as a beacon of progress, with automated defenses and anti-gravity architecture allowing vertical expansion without compromising livability. The Legion of Super-Heroes' headquarters occupies a prominent position within this landscape, reformed from the iconic Daily Planet building into a fortified command center equipped with time-travel labs and training simulators. Key events in Legion lore highlight Metropolis's vulnerability and resilience amid superhuman conflicts. During battles with the Fatal Five—a notorious group of villains including Validus, Tharok, and the Emerald Empress—the city's skyline has been repeatedly altered by devastating assaults, such as energy blasts shattering domed sectors and Validus's rampages toppling landmark spires. These clashes, often centered around the Legion headquarters, test the city's advanced shielding and rapid reconstruction capabilities, reinforcing its status as ground zero for threats to the United Planets. The Legion era establishes retroactive connections to the present-day Metropolis through frequent time-travel narratives, where 30th-century heroes intervene in 20th- and 21st-century events to safeguard their future. For instance, in stories from the 1980s Legion of Super-Heroes series, Legionnaires journey back to protect key figures like young Clark Kent, linking the futuristic city's foundations to Superman's enduring legacy in the modern era.

Other Alternate Timelines

In the Elseworlds miniseries Kingdom Come (1996), written by Mark Waid and painted by Alex Ross, Metropolis serves as the epicenter of the initial catastrophe that sets the stage for a dystopian alternate future. The story opens with the Joker launching a devastating killing spree in the city, culminating in the bombing of the Daily Planet building and the murder of Lois Lane, which shatters Superman's faith in heroism and leads to his retirement. This event exacerbates the chaos wrought by a new generation of reckless metahumans, turning Metropolis into a symbol of societal collapse, with its once gleaming skyline reduced to overgrown ruins amid the broader conflicts between heroes and villains.[78] The city's decay reflects the narrative's themes of moral erosion and the consequences of unchecked superhuman violence, as the Justice League's eventual return fails to fully restore order before a cataclysmic war engulfs the world. The Injustice comic series (2013–2016), written primarily by Tom Taylor, portrays Metropolis in an authoritarian alternate timeline where Superman, traumatized by the Joker's nuclear destruction of the city—killing millions, including Lois Lane and their unborn child—establishes a tyrannical Regime to enforce global peace. Rebuilt under Superman's rule, Metropolis becomes a heavily surveilled fortress of control, featuring advanced monitoring systems and Regime enforcers patrolling its streets to suppress dissent, transforming the "City of Tomorrow" into a model of oppressive order.[79] This redesign emphasizes the series' exploration of power's corrupting influence, as the city's gleaming facade hides the loss of freedoms, with Batman leading an underground resistance from the shadows.[80] In Mark Millar's Superman: Red Son (2003), an Elseworlds tale illustrated by Dave Johnson and Kilian Plunkett, Metropolis represents the heart of American capitalism during a reimagined Cold War, serving as a hub for anti-Soviet propaganda amid Superman's upbringing in the USSR.[81] Raised as a Soviet champion, Superman bolsters the communist regime, prompting the United States to weaponize Metropolis as a symbol of Western superiority, with Lex Luthor leading efforts to counter the "Red Menace" through scientific and ideological campaigns centered in the city.[82] The narrative flips traditional dynamics, depicting Metropolis not as Superman's adoptive home but as a fortified propaganda outpost, highlighting ideological clashes that escalate into a superhuman arms race.[83] Recent multiverse explorations in 2024 DC titles introduce variant Metropolises with altered geographies, diverging from canonical depictions to explore "what if" scenarios. In Superman #10 by Joshua Williamson and Bruno Redondo, a time-displaced storyline transports Clark Kent to a Wild West version of Metropolis, where the futuristic skyline is replaced by dusty frontiers, saloons, and outlaws, forcing Superman to team up with the ghostly vigilante Marilyn Moonlight against a time-traveling threat menacing this nascent city.[84] This swapped geography blends Western tropes with superhero elements, portraying an "infant Metropolis" as a lawless boomtown under siege, emphasizing adaptability in alternate timelines.[85] Such variants, part of broader multiverse narratives like the Dawn of DC initiative, illustrate Metropolis's enduring flexibility across realities, often recontextualizing its urban identity to probe Superman's role in diverse settings.[86]

Portrayals in Other Media

Live-Action Television and Film

The live-action television series Adventures of Superman (1952–1958), starring George Reeves as the titular hero, portrayed Metropolis as a quintessential 1950s American urban center, with much of the filming taking place at Hal Roach Studios in Culver City, Los Angeles, and utilizing stock footage of the city's skyline to evoke a bustling, optimistic metropolis.[87] The establishing shot of the Daily Planet building featured the E. Clem Wilson Building at 5225 Wilshire Boulevard in Los Angeles, while other exteriors drew from Los Angeles locations like the Griffith Observatory, blending real urban architecture with studio sets to capture the era's post-war vibrancy and architectural optimism.[88] In the 1990s series Lois & Clark: The New Adventures of Superman (1993–1997), Metropolis was depicted through Chicago exteriors that emphasized its role as a media hub, with landmarks such as the John Hancock Center and Tribune Tower standing in for the city's iconic skyline and emphasizing the newsroom dynamics at the Daily Planet.[9] The production highlighted Metropolis's gleaming, modern facade to underscore themes of journalism and romance, using Chicago's Loop district for street-level shots that conveyed a sophisticated, wind-swept urban environment.[9] The CW series Smallville (2001–2011) represented Metropolis as a sleek, high-rise contrast to its rural Kansas setting, with downtown Vancouver, British Columbia, serving as the primary filming location for urban scenes, including the city's skyline enhanced through visual effects to depict a thriving coastal metropolis.[89] Vancouver's diverse architecture, such as shots around Beresford Street in Burnaby, provided the backdrop for Clark Kent's transition to city life, focusing on Metropolis's energetic nightlife and corporate towers.[89] The CW series Superman & Lois (2021–2024) portrayed Metropolis as a modern, family-oriented urban center integral to the Kent family's daily life and Superman's heroic endeavors, using a mix of filming locations to capture its bustling atmosphere. The exterior of the Daily Planet was the Metropolitan Tower at 310 S. Michigan Avenue in Chicago, Illinois, while interiors and many street-level scenes were shot at the Vancouver Sun offices and various sites in Vancouver, British Columbia, Canada, with Chicago's skyline also employed for establishing shots via visual effects.[90] In the film Superman Returns (2006), directed by Bryan Singer, Metropolis was crafted as a fictitious Art Deco-inspired city through sets and visual effects filmed primarily at Fox Studios Australia in Sydney, New South Wales, with editing that evoked a New York-like grandeur while avoiding direct replication of any real city.[91] Production designer Guy Hendrix Dyas incorporated towering, ornate buildings to symbolize hope and scale, using Sydney locations like Wynyard Station for hospital exteriors reimagined as Metropolis General.[92][93] Man of Steel (2013), directed by Zack Snyder, depicted Metropolis during its climactic battle sequence using Chicago, Illinois, as the key filming location, with the Chicago Board of Trade Building at 141 West Jackson Boulevard serving as the exterior for the Daily Planet to ground the destruction in a realistic Midwestern urban landscape.[94] Additional sets and practical effects were built in Illinois around Plano and Chicago's Loop, emphasizing the city's vulnerability through widespread devastation filmed on location to heighten the stakes of Superman's origin story.[95] James Gunn's Superman (2025) places Metropolis geographically in Delaware, across the bay from Gotham in New Jersey, with principal filming in Cleveland, Ohio, transforming downtown sites like Public Square and the Cleveland Arcade into a vibrant urban district featuring destruction sequences amid high-rise action.[24][96] The design evolved into a retro-futuristic blend of Art Deco and modern elements, incorporating historical signs in the "Downtown District" to nod to the city's comic roots, while Cleveland's architecture provided a textured, lived-in feel for scenes of heroism and chaos.[97][96]

Animation, Video Games, and Theme Parks

Metropolis has been prominently featured in various animated series within the DC Animated Universe, often serving as a stylized central hub for superhero activities. In Justice League Unlimited (2004–2006), the city is depicted with a retro-futuristic aesthetic reminiscent of mid-20th-century optimism, blending Art Deco architecture with advanced technology to emphasize its role as Superman's adopted home and a beacon of progress.[98] This portrayal highlights Metropolis as the brighter counterpart to Gotham City, with towering skyscrapers and bustling streets that host Justice League operations against threats like Darkseid.[99] In Young Justice (2010–present), Metropolis receives a tech-heavy redesign, portraying it as the "City of Tomorrow" on the American East Coast, complete with sleek, modern infrastructure and high-tech facilities that underscore its innovative spirit.[100] The series emphasizes the city's coastal location and role as Superman's base, where young heroes navigate urban challenges amid advanced laboratories and corporate towers.[101] Video games have depicted Metropolis as an interactive, destructible environment central to DC narratives. In Injustice: Gods Among Us (2013), developed by NetherRealm Studios, Metropolis serves as a key stage where players engage in battles amid crumbling skyscrapers and interactive elements like exploding vehicles, reflecting the city's vulnerability during Superman's regime in the alternate storyline.[102] The level transitions from street-level fights to rooftops and museums, allowing for dynamic destruction that amplifies the chaos of the Injustice universe.[103] Lego DC Super-Villains (2018), created by TT Games, presents a blocky, explorable version of Metropolis for open-world adventures, where players collect tokens and solve puzzles across its iconic landmarks like the Daily Planet building.[104] The hub encourages villainous escapades through its colorful, modular streets and gold brick challenges, capturing the city's scale in a family-friendly, Lego-style format.[105] In Suicide Squad: Kill the Justice League (2024), Rocksteady Studios crafted an expansive open-world Metropolis twice the size of Gotham from Batman: Arkham Knight, featuring missions amid Brainiac's invasion-ravaged skyline with vertical traversal and dynamic events.[106] Players traverse districts like Centennial Park and Hall of Justice, engaging in shooter gameplay that highlights the city's post-apocalyptic transformation under corrupted Justice League control.[107] Theme park attractions bring Metropolis to life through immersive experiences simulating heroic defenses. At Warner Bros. World Abu Dhabi, the Metropolis land recreates Superman's gleaming city with detailed facades, including the Justice League: Warworld Attacks 5D dark ride where riders join Superman, Batman, and Wonder Woman in battles against interstellar foes, featuring motion simulators and effects that evoke flights over the skyline.[108][109] Several Six Flags parks host Superman-themed coasters and rides set in Metropolis motifs, such as Superman: The Ride at Six Flags America, a hypercoaster launching riders through simulated urban airspaces mimicking the city's aerial threats.[110] The Justice League: Battle for Metropolis interactive dark ride, found at locations like Six Flags Over Texas, immerses guests in a 4D battle to save the city using laser blasters against holographic villains amid projected skyscrapers.[111] In 2024, the animated series My Adventures with Superman expanded Metropolis lore through its second season and tie-in comic miniseries by Josie Campbell, depicting the city under martial law by the Human Defense Corps following Superman and Supergirl's conflicts, with storylines exploring hidden threats like Amazo in its urban underbelly.[37][112] These elements deepen the city's narrative as a hub of heroism and intrigue, bridging animated episodes with comic expansions.[113]

Real-World Counterparts

Metropolis, Illinois

Metropolis, Illinois, is a small city in Massac County with a population of approximately 6,000 residents, located along the Ohio River in the southern tip of the state. In 1972, the Illinois State Legislature passed Resolution 572, officially declaring it the "Hometown of Superman" in recognition of its shared name with the fictional city from the DC Comics universe, a designation that has since been embraced by DC Comics itself. This proclamation transformed the rural community into a hub for Superman enthusiasts, leveraging the coincidental nomenclature to foster a unique cultural identity distinct from the creators Jerry Siegel and Joe Shuster's original inspirations drawn from urban environments like Cleveland and Toronto. The city's most prominent tribute is a 15-foot-tall bronze Superman statue, weighing around 4,000 pounds, unveiled on June 5, 1993, in Superman Square at the heart of downtown; it replaced an earlier, smaller fiberglass version from the 1980s and stands as the world's largest Superman statue, funded through community contributions via engraved bricks. Across the street sits the Super Museum, housing the world's largest collection of Superman memorabilia with over 70,000 items, including original comic art, costumes from films and television, props, and rare artifacts amassed by collector Jim Hambrick since the museum's opening in 1981. Additional attractions include vibrant murals depicting Superman scenes, such as the "Greetings from Metropolis" artwork created collaboratively by locals and visitors, along with prominent welcome signs and billboards featuring the hero that greet travelers entering the city. Since 1979, Metropolis has hosted the annual Superman Celebration, a multi-day festival now in its fifth decade that draws 20,000 to 25,000 visitors each June with parades, costume contests, celebrity appearances from actors and comic creators, car shows, and panel discussions blending comic con elements with community events. The festival, organized by the Metropolis Chamber of Commerce, began as a one-day local gathering but has expanded into a major regional draw, emphasizing themes of heroism and community. This embrace of Superman has significantly boosted tourism, providing an economic lifeline to the town by attracting fans year-round to its themed sites and generating revenue through visitor spending on lodging, dining, and merchandise. While the city's Superman identity stems from a serendipitous name match rather than direct ties to Siegel and Shuster's creative process, it has cultivated a lasting cultural legacy, positioning Metropolis as a real-world counterpart that enhances the character's Midwestern roots in popular imagination.

Filming Locations and Inspirations

The fictional city of Metropolis in Superman comics and adaptations has drawn significant inspiration from real-world urban landscapes, particularly Toronto and Cleveland, the hometowns of co-creators Joe Shuster and Jerry Siegel, respectively. Shuster, born in Toronto, modeled the early depictions of Metropolis's skyline after the city's distinctive architecture, including elements like the Flatiron Building, which influenced the Daily Planet headquarters. Meanwhile, Siegel's experiences in Cleveland contributed to the city's Midwestern vibe and industrial elements, with local landmarks subtly shaping the bustling, optimistic atmosphere of Superman's home.[114][115] In early film adaptations, such as Richard Donner's Superman: The Movie (1978), Metropolis was visualized through composites of New York City's skyline, blending practical shots from Manhattan with studio sets to evoke a towering, Art Deco-inspired metropolis. This approach continued in Superman II (1980), where New York exteriors stood in for key scenes, enhancing the city's scale and energy. For the 2013 film Man of Steel, while the primary destruction sequence was filmed in Chicago, subsequent depictions of the ravaged Metropolis in Batman v Superman: Dawn of Justice (2016) utilized Detroit locations, including the abandoned Michigan Central Station and downtown ruins, to portray the aftermath of the Kryptonian battle.[116][117] The television series Smallville (2001–2011) frequently used Vancouver, British Columbia, as a stand-in for Metropolis during cameo appearances and later seasons, with downtown skylines and the University of British Columbia doubling for urban and campus settings. In more recent productions, Atlanta has served as a hub for DCEU reshoots, notably at Trilith Studios for pick-up shots in James Gunn's Superman (2025), incorporating Georgia backlots for interior and supplemental Metropolis scenes. Cleveland played a pivotal role in the latter film, transforming Public Square and sites like City Hall into the canonical Metropolis—explicitly placed in Delaware via on-screen license plates—honoring the creators' roots while adapting the city for a modern, hopeful narrative. Metropolis, Illinois, holds a unique official designation as the "Hometown of Superman," though it was not used for filming.[89][118][119][120][24]

References

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