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"Demain"
Song by Les Misérables Ensemble
from the album Les Misérables
LanguageFrench (original)
English titleOne Day More
Published1980
Recorded
  • 1980 (French cast recording)
  • 1985 (London cast recording)
  • 1987 (Broadway cast recording)
  • 2012 (Film cast recording)
Genre
Length3:36 (London cast recording)
ComposerClaude-Michel Schönberg
Lyricists

"One Day More" ("Demain", Tomorrow, in the original French version) is a song from the 1980 musical Les Misérables. The music was written by Claude-Michel Schönberg, original French lyrics by Alain Boublil and Jean-Marc Natel, with an English-language libretto by Herbert Kretzmer.[1] The song is sung by the entire chorus, using a counterpoint melody.

Les Misérables was originally released as a French-language concept album, as French songwriter Alain Boublil had had the idea to adapt Victor Hugo's novel into a musical while at a performance of the musical Oliver! in London.[2]

The show and the song have been translated into 21 languages, including Japanese, Hebrew, Icelandic, Norwegian, Czech, Polish, Spanish, and Estonian, and there have been 31 cast recordings featuring the song.[3] The London cast version is triple platinum in the UK, for sales of more than 900,000, and platinum in the U.S., for sales of more than one million. The Broadway cast version is quadruple platinum in the U.S. (more than four million sold), where four other versions have also received gold certifications.[4]

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[5] Silver 200,000‡

‡ Sales+streaming figures based on certification alone.

[edit]

In 2012, musical theater performer and composer Michael Bihovsky composed a parody of this song about gluten-free and hypoallergenic food called "One Grain More".[6][7]

"One Day More" was parodied by the Marsh Family, a British family, in a video that went viral and was covered by NPR. The parody describes the social and economic implications on normal life due to the COVID-19 pandemic.[8]

In 2017, the song was covered by the cast of the Magicians in season 2, episode 9 – Lesser Evils.[9]

"One Day More" was parodied by James Corden and an ensemble of Broadway cast members on January 19, 2021, the last day of the presidency of Donald Trump and day before the inauguration of Joe Biden.[10] The parody's lyrics frequently reference both the COVID pandemic and the events during and after supporters of Trump stormed the United States Capitol.[11][12]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

One Day More

View on Grokipedia
from Grokipedia
"One Day More" is an ensemble song from the musical , featuring music composed by and lyrics by , Jean-Marc Natel, and Herbert Kretzmer. Performed by principal characters including , , Marius, , , , and the , it interweaves their individual perspectives on impending confrontation and personal reckonings on the eve of the 1832 in . As the Act I finale, the number employs complex and escalating to heighten dramatic tension, encapsulating themes of destiny, redemption, and central to Victor Hugo's source novel. The song originated in the French production of , which premiered in Paris in 1980, but gained global prominence through the English-language adaptation that opened at London's on October 8, 1985, directed by and John Caird. Its structure, blending multiple melodic lines into a unified crescendo, has been praised for showcasing the musical's innovative format and emotional depth, contributing to ' status as one of the longest-running musicals in Broadway and West End history. Notable performances include the 1995 10th Anniversary Concert and the 2010 25th Anniversary Concert at , where large casts delivered the piece to sold-out audiences, underscoring its enduring appeal in live theater. In the 2012 film adaptation directed by , "One Day More" was performed by actors such as , , and , filmed live on location to capture raw vocal intensity, though this approach drew mixed reviews for deviating from polished traditions. The song's cultural impact extends beyond theater, inspiring flash mobs, choral arrangements, and even symbolic uses in political protests, reflecting its resonance with motifs of resolve and uncertainty. Despite no major controversies tied directly to the number, its placement before the rebellion's tragic outcome highlights the musical's unflinching portrayal of failed uprisings, prioritizing historical realism over triumphant narratives.

Background and Development

Origins in Les Misérables

"One Day More" draws its narrative origins from Victor Hugo's 1862 novel Les Misérables, specifically the converging personal and political tensions on the eve of the June Rebellion in Paris on June 5–6, 1832. In the novel's fourth volume, Hugo details the revolutionaries' preparations amid the funeral procession of General Jean Maximilien Lamarque, whose death on June 1 catalyzed unrest against the July Monarchy; student leaders like Enjolras and the Friends of the ABC society mobilize supporters for barricades, while Marius Pontmercy grapples with his budding romance with Cosette and his ideological commitment to the cause, ultimately resolving to join the insurgents after learning of Valjean's plan to depart the city. Parallel to this, Jean Valjean contemplates escape with Cosette to evade pursuit, and Inspector Javert intensifies surveillance, setting the stage for their intertwined fates at the barricades. Alain Boublil, who first conceived the musical adaptation after rereading Hugo's novel in 1978, incorporated these multithreaded character arcs into the 1980 French Les Misérables, where the song appeared as "Demain" (Tomorrow), emphasizing the imminent confrontation. composed the music to interweave individual soliloquies—reflecting Valjean's dread of recapture, Javert's unyielding duty, Marius's romantic turmoil, and the students' defiant rallying cry—thus distilling Hugo's expansive prose descriptions of nocturnal resolve and foreboding into a contrapuntal ensemble number. This structure faithfully adapts the novel's causal buildup to the , where personal motivations amplify the historical uprising's stakes, though the musical compresses timelines for dramatic effect, such as aligning Valjean's flight with the rebels' assembly more tightly than in Hugo's account. The song's creation marked a pivotal evolution in the musical's development from to stage production, premiering in Paris on September 17, 1980, before the English adaptation refined its lyrics under Herbert Kretzmer for the 1985 premiere, amplifying the thematic echoes of Hugo's themes of redemption, , and . While Hugo's embeds these events in broader sociological analysis of post-Napoleonic , the musical's "One Day More" prioritizes emotional immediacy, using the characters' voices to convey the inexorable pull toward conflict as depicted in chapters like "The Agreement Between Marius and Courfeyrac" and the ABC society's vigils.

Composition and Lyrics

"One Day More" features music composed by for the original French-language production of , with by and Jean-Marc Natel; the song, known as "Demain" in its initial form, served as the Act I finale in the released on 30 January 1980 and the stage premiere on 17 September 1980 at Paris's Palais des Sports. The English adaptation of the was crafted by Herbert Kretzmer to enhance rhythmic flow and idiomatic expression for the West End production, which opened on 8 October 1985 at the , transforming the piece into a layered ensemble that heightens dramatic tension through overlapping vocal lines. Schönberg's score employs a moderate of 86 beats per minute in 4/4 time, primarily in , incorporating recurring motifs from earlier numbers such as the falling semiquavers and intervals echoing Valjean's "Who Am I?" for thematic continuity. The lyrics structure revolves around a central refrain—"One day more"—repeated by each character to underscore personal anxieties and aspirations on the eve of the June Rebellion, beginning with Jean Valjean's dread of recapture ("These men who seem to know my crime / Will surely come a second time") and layering in Marius's newfound love ("I did not live until today / How can I live when we are parted?"), Cosette's reciprocal longing, Éponine's unrequited devotion ("One more day all on my own"), Javert's resolute pursuit ("One more day with life and sin"), Enjolras's revolutionary call ("Tomorrow we'll be far away / Tomorrow is the judgment day"), and the Thénardiers' opportunistic scheming ("Tomorrow we'll discover / What our God in heaven has in store"). This polyphonic buildup culminates in a choral explosion of the refrain, symbolizing collective inevitability, with Kretzmer's revisions amplifying emotional immediacy compared to the original French's more declarative tone in "Demain," where Javert's lines convey milder skepticism toward the uprising. Schönberg's orchestration supports the vocal complexity with driving strings and brass underscoring the revolutionary undertones, while harmonic progressions—such as shifts from A6 to F#7 and into —create unease, mirroring the characters' converging fates without resolving until the full asserts unity in discord. The lyrics' causal realism lies in their depiction of individual motivations driving historical events, privileging personal agency over abstract , as evidenced by the deliberate interweaving that avoids simplistic to reflect real interpersonal conflicts.

Musical and Dramatic Elements

Structure and Orchestration

"One Day More" employs a through-composed ensemble form in , integrating reprises of prior motifs into overlapping vocal lines that escalate from solo statements to dense , reflecting the converging plotlines at the close of Act I. The divides into five primary sections: Valjean and Javert's dueling themes of redemption versus pursuit; the revolutionaries' (Enjolras, students) martial resolve; Marius and Cosette's romantic anticipation in parallel thirds doubled by horns, echoing dotted rhythms from ""; Éponine's solitary anguish; and the Thénardiers' opportunistic plotting, before converging in a climactic ensemble with simultaneous strands from Valjean, Javert, the lovers, Éponine, and the students. Valjean's opening motif—two followed by a crotchet on "One day more"—links to descending scalic patterns, while , triplet figures, and a brief 5/8 bar add rhythmic complexity, with modulations to , , and heightening tension toward a resolute perfect . The utilizes a large-scale ensemble arranged by John Cameron, comprising woodwinds (two flutes, two oboes, two clarinets, one ), (four horns, three trumpets, two trombones, one ), percussion (including and for martial drive), , two keyboards, guitar, , and full strings, sustaining approximately four minutes at a moderato . Semiquaver ostinati in flutes and violins propel the forward momentum, syncopated chords punctuate harmonic shifts (e.g., A6–F♯7–D–B♭m/E♭⁹), trombones and bass deliver descending scales, adds sparkle to choral entries, and swells amplify the crescendos, evoking revolutionary fervor without overpowering the vocal .

Character Perspectives and Counterpoint

"One Day More" employs through superimposed individual motifs, creating a texture that layers distinct vocal lines to depict the colliding personal stakes of characters on the eve of the uprising. This dramatic quodlibet technique allows each figure to articulate their motivations in overlapping solos, with orchestral ostinatos—such as semiquaver patterns in flutes and violins—underscoring the mounting tension without resolving into full until the ensemble climax. The structure alternates sparse introductions of themes with dense , modulating through keys like to to heighten emotional discord, reflecting how private conflicts intersect with public revolt. Jean Valjean's opening motif, comprising two quavers followed by a crotchet, conveys his dread of recapture, as he sings of a "never-ending road to Calvary" and anticipates pursuers returning for his past crimes, driven by the imperative to safeguard his freedom and Cosette's future amid Javert's shadow. Javert's quaver-based theme enters in opposition, expressing his unyielding commitment to suppressing the rebellion—"One day more to revolution / We will nip it in the bud"—motivated by a worldview prizing legal absolutism over insurgent chaos, positioning him as the enforcer of stability against the students' threat. Marius's dotted-rhythm line in parallel thirds with reveals his romantic turmoil, weighing —"Tomorrow we'll be far away"—against revolutionary duty—"My place is here / I fight with you"—stemming from his recent infatuation clashing with Enjolras's call to arms. mirrors this separation anxiety, her voice intertwining to emphasize personal loss over political fervor. Éponine's isolated C/E/C motif laments unrequited affection for Marius—"One more day all on my own"—her motivation rooted in class-bound despair and self-sacrifice, adding a layer of tragic longing amid the broader strife. Enjolras embodies collective aspiration, urging alliance—"Will you take your place with me?"—fueled by idealistic fervor for republican overhaul, contrasting the self-interested , whose repeated semiquavers accompany scheming lyrics about profiting from the melee—"Watch 'em run amuck / Catch 'em as they fall"—revealing their amoral opportunism amid turmoil. The culminates in partial unisons and refrains on judgment and renewal, yet the persistent motif overlaps underscore irreconcilable drives: Valjean's evasion, Javert's rigidity, lovers' entanglements, and radicals' defiance, all converging without synthesis toward inevitable .

Themes and Interpretations

Historical Context of the

The , established following the 1830 Revolution that ousted Charles X, installed Louis-Philippe as a constitutional favoring bourgeois interests, with restricted to the wealthiest approximately 200,000 voters out of a exceeding 30 million, thereby alienating urban workers, republicans, and radicals who viewed the regime as a of ideals. Economic hardships compounded discontent, including failures, rising food prices, and industrial slowdowns from 1827 to 1832, while under the monarchy eschewed aggressive support for liberal revolts abroad, frustrating Bonapartists and republicans. The cholera epidemic, originating from contaminated water sources and killing nearly 19,000 Parisians—disproportionately in poorer districts—further eroded public trust in the government's competence, fueling perceptions of elite neglect amid class tensions. This crisis claimed the life of General Jean-Maximilien Lamarque, a Napoleonic , liberal deputy, and vocal critic of the monarchy's , on June 1, ; his death symbolized opposition hopes for reform, drawing political exiles like Poles and Italians to . Lamarque's on June 5, attended by up to 100,000 mourners chanting republican slogans, escalated when troops charged the crowd near the , prompting insurgents to erect dozens of using vehicles and paving stones in central districts like the . The uprising, involving an estimated 1,500 to 3,000 active combatants primarily from republican societies, students, and workers, briefly seized key streets but lacked coordination or widespread proletarian backing beyond isolated faubourgs. Government forces, comprising 20,000 National Guardsmen and 40,000 regular troops under Marshal Nicolas Soult, responded with artillery barrages, notably at the Cloître Saint-Merri convent where fierce street fighting occurred on June 5–6. By June 6 evening, barricades were dismantled, and order restored within 48 hours, as the rebellion failed to ignite broader insurrection due to insufficient arms, leadership fractures, and National Guard loyalty to the regime. Casualties totaled around 800, with 93 insurgents killed and 291 wounded, alongside 73 troops and guardsmen dead and 344 injured; post-suppression arrests exceeded 1,500, targeting republican networks and leading to executions, though the event exposed regime vulnerabilities without immediate overthrow. The swift defeat reinforced monarchical stability temporarily but highlighted simmering republican and socialist grievances that resurfaced in the 1848 Revolution.

Political and Philosophical Symbolism

"One Day More" embodies the political symbolism of revolutionary anticipation, where disparate individual motivations converge toward collective action against social and economic oppression. In the song, student revolutionaries like express commitment to overthrowing the Bourbon restoration's inequalities, fighting on behalf of the impoverished "" to achieve political and economic freedom, a theme rooted in Victor Hugo's depiction of class-based misery driving historical upheaval. This reflects the real of 1832, a failed republican uprising symbolizing broader struggles for amid monarchical entrenchment, as the lyrics' martial rhythms and calls to evoke the causal link between personal suffering and organized resistance. Philosophically, the number highlights moral s inherent in human agency during crises of change, incorporating a recurring "moral " motif tied to Jean Valjean's theme of redemption and choice, underscoring characters' ethical struggles—such as Valjean's fear-driven flight versus the students' sacrificial resolve—as they face the "storm" of tomorrow. The weaves personal fears, loves, and betrayals (e.g., Javert's intent to suppress the revolt, the ' opportunism) into a unified anticipation, symbolizing the philosophical interplay of individual will and inexorable historical forces, with lyrics invoking discovery of "what our Lord in Heaven has in store" to blend deistic with proactive in . The song's polyphonic buildup to homophonic resolution further symbolizes the transition from fragmented personal narratives to collective purpose, illustrating how private stakes—romantic longing for Marius and , Eponine's —intersect with ideological fervor, a structural for societal transformation through unified resolve despite divergent dreams. This encapsulation of hope amid uncertainty critiques passive acceptance of injustice, privileging active moral engagement as a pathway to potential redemption and .

Performances and Adaptations

Stage Productions and Revivals

Les Misérables premiered on stage on September 17, 1980, at the Palais des Sports in , directed by , with "One Day More" concluding Act I through its ensemble arrangement of overlapping character motifs leading to unified choral resolve. The production ran for approximately three months before closing, prompting revisions for subsequent English-language adaptations. An English version opened on October 8, 1985, at London's under Cameron Mackintosh's production, transferring to the Palace Theatre on December 28, 1985, where it achieved continuous runs interrupted only by periodic updates and the closure from March 2020 to September 2021. In 1992, a reimagined staging returned to the Palace Theatre, followed by a 2004 relocation to the Queen's Theatre (now ) with refreshed direction by Mackintosh and , emphasizing dynamic blocking for sequences like "One Day More" to heighten tension among converging plotlines. The Broadway premiere occurred on March 12, 1987, at the , directed by Nunn and John Caird, accumulating 6,680 performances until its closure on May 18, 2003, at the ; "One Day More" was staged as a pivotal ensemble spectacle, often praised for its orchestration of individual anxieties into collective uprising. A revival launched on November 9, 2006, at the , incorporating touring production efficiencies and running until January 6, 2008, with 463 performances. Another Broadway revival opened on March 23, 2014, at the under Lawrence Connor's direction, featuring stripped-down sets that intensified the contrapuntal layering in "One Day More," and concluded on September 4, 2016, after 1,336 performances. Multiple U.S. national tours have followed, including a first tour from onward exceeding 7,000 performances over 17 years, alongside ongoing international tours licensed in over 50 countries, adapting "One Day More" to varied venues while retaining its core dramatic buildup.

Film and Concert Versions

In the 2012 film adaptation of Les Misérables, directed by and released by on December 25, 2012, "One Day More" serves as the climactic ensemble number concluding the first act, depicting the characters' converging tensions on the eve of the . The sequence features live-sung performances by principal cast members, including as , as , as , as , as Éponine, and as , with additional vocals from supporting actors like as and the student revolutionaries. This version emphasizes spatial separation among characters—Valjean in his home, Javert on patrol, and the students at the barricades—through dynamic and to convey parallel narratives, diverging from the stage's unified staging while preserving the structure. Concert adaptations of "One Day More" have prominently featured in milestone live events celebrating the musical's longevity. The 10th anniversary concert, recorded on October 8, 1995, at London's and marketed as the "Dream Cast in Concert," showcased the song with a full and , led by (Valjean), (Marius), (Cosette), (Éponine), (), and (). This performance, lasting approximately six minutes, highlighted the ensemble's vocal interplay and was commercially released on DVD and audio formats, capturing the grandeur of the hall's acoustics. The 25th anniversary concert, staged on October 3, 2010, at in before an audience of 17,000, presented "One Day More" twice: first by the principal cast including (Valjean), (Marius), (Fantine, with ensemble duties), (Cosette), and (Enjolras), followed by an encore with original London cast members like and . Directed by , the rendition incorporated a large and visual projections of imagery, extending the number to underscore the musical's enduring appeal; it was broadcast on and released on DVD, Blu-ray, and streaming platforms. Additional concert versions include the 2019 Les Misérables: The Staged Concert at the , where "One Day More" was performed by a West End cast featuring (), Houchen (Marius), and (Valjean) in a semi-staged format with minimal sets, emphasizing vocal delivery over dramatic blocking; this production was recorded live and streamed globally. These renditions consistently prioritize the song's contrapuntal demands, adapting orchestration for arena-scale amplification while maintaining fidelity to and Claude-Michel Schönberg's original score.

Reception and Certifications

Critical and Commercial Response

Despite initial critical panning of upon its 1985 London premiere—with the Evening Standard labeling it a "glum " suited to Victorian sensibilities rather than 1980s audiences—"One Day More" emerged as a focal point of praise for its masterful of multiple character arcs through and thematic overlap, creating a tense, multifaceted prelude to the scenes. Theater reviewers in subsequent productions have highlighted the song's ability to condense narrative momentum, blending romance, pursuit, and rebellion into a "powerful moment" that galvanizes audiences at Act One's close. Analyses commend its structural innovation, weaving at least five distinct melodies into a cohesive ensemble without sacrificing emotional clarity, a technique that elevates it beyond typical musical theater finales. Commercially, Les Misérables transcended early skepticism through robust word-of-mouth and audience demand, transferring to the West End shortly after its Barbican run and achieving global longevity with performances seen by over 130 million people across 57 countries in 22 languages as of 2025. "One Day More" has bolstered this success as a signature track in cast recordings and adaptations, including the 2012 film soundtrack where it featured prominently, though it did not chart independently at high positions; its value lies in amplifying the musical's box-office draw and cultural permeation rather than isolated single sales. The song's role in high-attendance revivals underscores its contribution to the production's sustained profitability, with critics noting its crowd-energizing effect as a key factor in the show's defiance of initial dismissal.

Awards and Sales Data

The 2012 film of "One Day More" was released as a single in the following its performance at the on February 24, 2013. It debuted and peaked at number 66 on the UK Singles Chart dated January 27, 2013, spending two weeks in the top 100. First-week sales totaled 4,723 units. The track experienced a sales increase after the Oscars broadcast, though specific post-performance figures beyond the debut week remain unpublicized in available data. No formal certifications from the (BPI) or equivalent bodies for the single have been issued. The song itself has not won major music industry awards such as Grammys, but the Original Broadway Cast Recording, which includes it, received the Grammy Award for Best Musical Cast Show Album in 1987. Voter polls have recognized its popularity, including a 2021 survey naming it the 's favorite musical theater song.

Cultural Impact and Legacy

The song "One Day More" from Les Misérables has been frequently referenced and parodied in media to symbolize impending confrontation or change, drawing on its ensemble structure depicting multiple characters' converging tensions. In political contexts, it has served as a rallying or satirical tool. During the 2019–2020 Hong Kong pro-democracy protests, demonstrators adapted the song as an anthem of resistance against Beijing's influence, performing it en masse to evoke revolutionary solidarity akin to the musical's June Rebellion. In the United States, a 2012 pro-Obama YouTube parody retitled "One Term More" urged re-election by mirroring the song's buildup to decision day. More recently, on January 19, 2021, The Late Late Show with James Corden aired a parody version marking the final day of Donald Trump's presidency, featuring host James Corden alongside Broadway performers like Patti LuPone and Audra McDonald, who reinterpreted lyrics to celebrate the transition. Television productions have incorporated parodies for comedic effect. On February 16, 2025, during 's 50th anniversary special, dozens of former cast members and hosts, including and , reunited for a -themed sketch culminating in a group rendition of "One Day More," satirizing the show's history. Animated series have also engaged with it; a 2022 fan production crossed characters with the song's format in a video. During the , the song inspired viral adaptations reflecting isolation and anticipation. A British family released a lockdown-themed on April 1, 2020, altering lyrics to comment on life, which gained media attention for its humorous resilience. Additionally, "One Day More" has become a staple for flash mobs worldwide, with performers staging surprise ensemble numbers in public spaces to capture its dramatic interplay, as noted in event planning resources. In early 2025, the U.S. Army Chorus included "One Day More" in a medley performed at a event on February 22, blending it with "Do You Hear the People Sing?" to highlight themes of unity and resolve, though interpretations varied on its political undertones given the revolutionary associations of songs in global protests.

Covers, Parodies, and Influence

"One Day More" has inspired numerous covers by musical theater enthusiasts and professional ensembles, often highlighting its complex structure. A 2023 collaborative rendition featuring vocalists Caleb Hyles, AnnaPantsu, Jonathan Young, Derivakat, and others was uploaded to , accumulating over 422,000 views by blending contemporary vocal styles with the original orchestration. Similarly, a 2020 cover organized by fans recreated the ensemble using remote recordings, emphasizing the song's adaptability during . Official cast recordings from productions like the 2010 Les Misérables company and the 1996 10th anniversary cast have also served as interpretive covers, preserving variations in tempo and vocal delivery across international tours. Parodies of the song frequently adapt its interwoven narratives to contemporary events, leveraging its dramatic buildup for satirical effect. In April 2020, the Marsh family from , , produced a lockdown-themed parody with altered lyrics reflecting pandemic isolation, which garnered 849,000 YouTube views and praise for its familial harmony and timely humor. James Corden hosted a 2021 parody on The Late Late Show reimagining the song around the final day of Donald Trump's presidency, featuring guests like and to mock political tensions. The cast of Broadway's performed a 2021 parody linking the number to their own ensemble dynamics, showcasing cross-production tributes within musical theater. Other variants include a 2014 parody distorting lyrics for comedic absurdity, amassing 878,000 views. The song's influence extends to musical composition and pop culture, establishing a template for polyphonic finales in Broadway scores. Its weaving of multiple character motifs into a unified crescendo has informed subsequent works, such as act-one closers in other musicals that prioritize thematic convergence over linear storytelling. References appear in South Park's "La Resistance," which nods to "One Day More" through structural parallels in ensemble rebellion anthems. Politically, supporters of invoked the number during the 2012 election cycle, adapting its revolutionary fervor to campaign rallies. The track's enduring structure continues to symbolize cathartic anticipation, influencing how ensemble pieces build emotional intensity in theater and media adaptations.

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  48. https://parade.com/tv/snl50-les-miserables-parody-song-cameos
  49. https://www.facebook.com/mwca.musical/videos/one-day-more-phineas-and-ferb-x-les-mis%25C3%25A9rables-mwca/1292353164859196/
  50. https://www.npr.org/sections/coronavirus-live-updates/2020/04/01/825232156/u-k-familys-lockdown-themed-rendition-of-les-mis-is-a-delight
  51. https://truthlytics.com/us-army-chorus-performs-famous-revolutionary-anthem-at-the-white-house/
  52. https://www.youtube.com/watch?v=YMuxvD8_SkM
  53. https://www.youtube.com/watch?v=zZ_4HNeOqc8
  54. https://genius.com/Les-miserables-original-london-cast-ensemble-one-day-more-sample/covers
  55. https://www.youtube.com/watch?v=JbDPdLsFPkc
  56. https://www.classicfm.com/music-news/videos/quarantined-family-one-day-more-les-mis-parody/
  57. https://www.youtube.com/watch?v=E4aTjeCP0Lo
  58. https://www.youtube.com/watch?v=4G4Qvjv5W2C
  59. https://www.youtube.com/watch?v=bYPG155DagM
  60. https://lauravanarendonkbaugh.com/review-les-miserables-with-a-z/
  61. https://playbill.com/article/les-miserables-takes-its-rightful-place-as-pop-culture-king
  62. https://www.theatlantic.com/culture/2012/12/les-miserables-soundtrack-videos/320478/
  63. https://dbknews.com/0999/12/31/arc-53g5i6btvjboli3jbff56rz6bm/
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