Hubbry Logo
Exposition (narrative)Exposition (narrative)Main
Open search
Exposition (narrative)
Community hub
Exposition (narrative)
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Exposition (narrative)
Exposition (narrative)
Exposition (narrative)
View on Wikipedia
from Wikipedia

Narrative exposition, now often simply exposition, is the insertion of background information within a story or narrative. This information can be about the setting, characters' backstories, prior plot events, historical context, etc.[1] In literature, exposition appears in the form of expository writing embedded within the narrative.

Infodumping

[edit]

An information dump (more commonly now, infodump) is a large drop of information by the author to provide background they deem necessary to continue the plot. This is ill-advised in narrative and is even worse when used in dialogue. There are cases where an information dump can work, but in many instances it slows down the plot or breaks immersion for the readers. Exposition works best when the author provides only the bare minimum of surface information and allows the readers to discover as they go.[2]

Indirect exposition/incluing

[edit]

Indirect exposition, sometimes called incluing, is a technique of worldbuilding in which the reader is gradually exposed to background information about the world in which a story is set. The idea is to clue the readers in to the world the author is building without them being aware of it. This can be done in a number of ways: through dialogues, flashbacks, characters' thoughts,[3] background details, in-universe media,[4] or the narrator telling a backstory.[3]

Indirect exposition has always occurred in storytelling incidentally, but is first clearly identified in the modern literary world, in the writing of Rudyard Kipling. In his stories set in India like The Jungle Book, Kipling was faced with the problem of Western readers not knowing the culture and environment of that land, so he gradually developed the technique of explaining through example. But this was relatively subtle, compared to Kipling's science fiction stories, where he used the technique much more obviously and necessarily, to explain an entirely fantastic world unknown to any reader, in his Aerial Board of Control universe,[5] starting with the novella "With the Night Mail" (1905).

Kipling's writing influenced other science fiction writers, most notably the "Dean of Science Fiction", Robert Heinlein, who became known for his advanced rhetorical and storytelling techniques, including indirect exposition.

The word incluing is attributed to fantasy and science fiction author Jo Walton.[6] She defined it as "the process of scattering information seamlessly through the text, as opposed to stopping the story to impart the information."[7] "Information dump" (or info-dump) is the term given for overt exposition, which writers want to avoid.[8][9] In an idiot lecture, characters tell each other information that needs to be explained for the purpose of the audience, but of which the characters in-universe would already be aware.[10] Writers are advised to avoid writing dialogues beginning with "As you well know, Professor, a prime number is..."[11][12][13]

See also

[edit]

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Exposition (narrative)

View on Grokipedia
from Grokipedia
In narratives, exposition refers to the portion of a story that introduces essential background information, including the setting, characters, and relevant prior events, enabling readers to comprehend the unfolding plot. This element establishes the context and foundation for the , often appearing at the beginning but potentially woven throughout to maintain engagement. Exposition plays a critical role in the traditional plot structure, serving as the initial phase that precedes rising action, , and resolution, by orienting the without overwhelming them with unnecessary details. Effective exposition balances informativeness with subtlety, as excessive or poorly placed details can disrupt immersion, while strategic delivery enhances tension and character depth. Authors must prioritize relevance, revealing only what advances the story's core conflicts and themes. Common techniques for delivering exposition include showing through integrated action and , which immerses readers by embedding information in the flow, and telling via direct for concise overviews of complex backstories. digressions, such as flashbacks or brief detours, provide deeper context and motivations, heightening by alternating between present events and historical insights, as seen in works like The West Wing episodes that interweave campaign origins with current crises. Subtle hints via character interactions or environmental descriptions further avoid info-dumps, ensuring the exposition supports rather than halts the story's momentum.

Overview

Definition

In narrative , exposition refers to the conveyance of essential background information that enables readers to understand the story's context, including details about the setting, characters' histories and relationships, and the rules governing the fictional world. This information establishes the foundational elements necessary for the audience to follow subsequent events without confusion. Unlike plot advancement, which propels the story forward through actions and conflicts to reveal "what happens next," exposition focuses on explaining "what was" or "why things are" by providing prior context that informs the current . This distinction ensures that exposition supports rather than drives the primary sequence of events. The term "exposition" in theory originates from 's (c. 335 BCE), where it aligns with the concept of the —the initial segment of a dramatic work preceding the chorus's entry, designed to introduce key background details to the audience. While related to expository writing in , which systematically explains or informs through objective presentation of facts, exposition in adapts these principles to immerse readers in a story's world by integrating contextual details seamlessly into the fabric.

Purpose and Importance

Exposition serves as the foundational element in structure, primarily orienting readers to the story world by introducing essential background information such as setting, characters, and initial circumstances, thereby preventing confusion and enabling coherent comprehension of subsequent events. This orientation establishes the stakes for character actions, grounding the audience in the 's context so that conflicts and developments carry meaningful weight. Without this initial conveyance of background, as defined in , readers risk disorientation, which undermines the story's progression. The importance of exposition lies in its role in fostering immersion and reader ; it bridges the gap between the author's intent and the audience's understanding, allowing for emotional investment and sustained interest. Ineffective or absent exposition can lead to disengagement, as readers struggle to contextualize actions or motivations, disrupting the flow and reducing overall comprehension. By providing this necessary , exposition enhances the audience's ability to connect with the story, transforming abstract elements into relatable experiences that heighten involvement. In the evolution of narrative theory, exposition has shifted from overt explanations in classical drama—such as chorus delivering background to clarify plot prerequisites and orient spectators—to a modern emphasis on subtle integration that maintains pacing without overt interruption. 's Poetics underscores the beginning's role as a self-contained start that sets up the action logically, often aided by choral exposition to ensure audience grasp of prior events. Contemporary approaches, influenced by modernist innovations, prioritize embedding exposition within action to avoid , reflecting a broader trend toward immersive, efficient . The impact of exposition varies across genres, proving crucial in where extensive is required to familiarize readers with unfamiliar rules, histories, and environments, thus preventing immersion-breaking confusion in invented universes. In contrast, relies on less overt exposition, leveraging shared everyday details to imply context organically, as the familiar world demands minimal explicit orientation for reader engagement. This genre-specific adaptation highlights exposition's adaptability in balancing information delivery with narrative momentum.

Techniques

Direct Exposition

Direct exposition is a narrative technique wherein essential background information—such as the story's setting, character histories, or contextual details—is conveyed explicitly through the narrator's voice or straightforward , presenting facts plainly without reliance on implication or action. This method allows authors to deliver information overtly, often in the form of authorial commentary or character statements that directly inform the about key elements needed to understand the plot. When employed excessively, direct exposition can result in "infodumping," defined as a concentrated delivery of a large volume of background or descriptive material all at once, which may overwhelm the reader and disrupt immersion. Key characteristics of direct exposition include its use of block-like passages for concise summaries, such as outlining a character's motivations, describing environmental details, or recapping prior events to ground the reader. These blocks prioritize informational efficiency over dramatic tension, enabling quick establishment of narrative foundations, particularly in stories with intricate premises. The technique relies on the narrator's to state truths directly, avoiding interpretive layers that might confuse audiences unfamiliar with the . Historically, direct exposition has been prominent in 19th-century novels, where authors like utilized it to convey social context through explicit authorial narration, detailing societal ills, class structures, and character dispositions to critique Victorian England. For instance, Dickens often inserted narrative summaries to highlight economic disparities and moral failings, ensuring readers grasped the broader implications of his characters' actions. Similarly, in ancient , Homer's employs direct exposition in its opening , where the poet summarizes the wrath of Achilles and its catastrophic consequences, providing a prologue-like overview of the epic's scope and themes to orient listeners in . The advantages of direct exposition lie in its efficiency for complex setups, offering immediate clarity and preventing reader disorientation in dense . It excels in establishing foundational knowledge swiftly, which is valuable for historical or socially layered stories requiring upfront context. Conversely, its drawbacks include the potential to halt narrative momentum, as lengthy blocks can feel didactic and interrupt the flow, especially if they prioritize explanation over engagement. In contrast to indirect methods that integrate details more seamlessly, direct exposition demands careful moderation to maintain pacing.

Indirect Exposition

Indirect exposition, often termed "incluing," is a narrative technique that conveys essential background information subtly and gradually through the fabric of the story itself, rather than through explicit statements. Coined by and fantasy author in 2008, the term describes "scattering pieces of information seamlessly through the text to add up to a big picture that the reader has to put together," allowing audiences to infer world details, character histories, and plot contexts organically. This method contrasts with direct exposition, which overtly tells information to the reader. The origins of indirect exposition trace back to Rudyard Kipling's 1905 novella With the Night Mail, where futuristic elements of an aerial transport world emerge naturally through the protagonist's experiences and observations, without halting the narrative for explanation. Kipling's approach influenced subsequent writers, notably Robert Heinlein, who emphasized the "" principle—demonstrating story elements through action and implication rather than narration—to build immersive speculative worlds. Key mechanisms of indirect exposition include environmental clues, such as everyday objects or settings that imply broader historical or cultural contexts; character interactions, where and behaviors reveal relationships, motivations, or past events without overt summary; and subtle narrator asides that hint at underlying rules or lore. These elements encourage active reader engagement, piecing together the exposition like a puzzle to form a cohesive understanding of the narrative framework. One primary advantage of indirect exposition is its ability to preserve immersion and pacing, as it integrates information fluidly to avoid disrupting the story's momentum. It particularly circumvents "idiot lectures," contrived scenes where characters explain in-universe facts that would be self-evident to them, thus preventing artificiality and enhancing believability in complex or speculative settings.

Integrated Methods

Integrated methods of exposition blend structural elements into the fabric, building on direct and indirect techniques to weave seamlessly without halting the story's momentum. These approaches employ non-linear or framed devices to reveal essential information, enhancing depth and engagement while maintaining flow. Flashbacks, or analepses, involve temporal shifts to past events that disclose , often triggered by a present moment to illuminate character motivations or historical context. As defined in narrative theory, an analepsis interrupts the primary timeline to recount prior occurrences, either internal to a character's perspective or external to the plot, allowing for layered revelation of exposition. A seminal example appears in Marcel Proust's (1913–1927), where involuntary memories evoke extended flashbacks, such as the taste of a madeleine cookie summoning childhood recollections that unpack the protagonist's psychological and social world. This technique enriches the narrative by embedding exposition within sensory and emotional triggers, avoiding overt narration. Prologues and epilogues serve as framed segments that bookend the main story, providing dedicated setup or resolution to orient readers on world-building, themes, or outcomes. Prologues often deliver historical or contextual exposition before the central action, while epilogues tie loose ends with reflective insights. In J.R.R. Tolkien's (1954–1955), the introduces culture and the ring's lore through a folkloric tone, establishing the fantasy universe without intruding on the plot's onset. Such devices are prevalent in epic fantasy, where they furnish mythological groundwork essential for immersion. Additional tools include openings, which plunge into the action with scant initial exposition, deferring reveals through subsequent layers to build intrigue. This classical technique, originating in epics like Homer's , prioritizes momentum while gradually unfolding via or events. Dream sequences offer subjective glimpses into exposition, revealing hidden truths or through surreal vignettes, as seen in modernist novels where they symbolize unresolved pasts. Found documents, such as letters in epistolary formats, simulate discovered artifacts that piecemeal disclose events, fostering authenticity and reader in works like Bram Stoker's Dracula (1897). In modern , particularly video games, integrated exposition adapts through player-discovered lore, where environmental scatters fragments—notes, audio logs, or artifacts—for active uncovering. This method empowers agency, as in series, where lore emerges via rather than mandates, deepening immersion in vast worlds. Such adaptations extend traditional tools into participatory forms, prioritizing discovery over delivery.

Placement and Structure

Initial Placement

In narrative storytelling, initial placement of exposition serves a critical role in the openings of stories, providing essential setup within the first act or chapter to orient readers to the core elements while simultaneously hooking their interest through intriguing hints of conflict or mystery. This upfront delivery establishes the foundational context—such as key characters, settings, and circumstances—allowing the audience to invest emotionally and intellectually from the outset without disorientation. Within traditional , this initial exposition aligns with the base of Freytag's Pyramid, where it introduces the static situation and preparatory elements before the rising action unfolds, as detailed in Gustav Freytag's 1863 treatise Technique of the Drama. Freytag emphasized this phase as the groundwork for dramatic tension, drawing from Aristotelian principles to ensure the audience grasps the impending conflict early on. In the commonly used in and , exposition is predominantly front-loaded in Act 1, facilitating character introductions, world-building, and the inciting incident that disrupts the and launches the plot. This placement, typically comprising the first 25% of the narrative, ensures that subsequent acts build on a solid orientation rather than retroactively filling gaps. Key considerations for pacing in this initial phase involve carefully balancing informational depth with intrigue to avoid "info dumps" that could overload or bore the . Writers must weave essential details into dynamic scenes or , prioritizing what is immediately necessary while teasing larger stakes to sustain momentum from the story's start. Techniques like prologues can aid this delivery by framing the setup in a concise, atmospheric manner.

Ongoing Integration

Ongoing integration of exposition involves the gradual unfolding of background information throughout a , ensuring that essential details about characters, settings, and prior events are revealed progressively to sustain and . This approach contrasts with initial front-loading by distributing revelations in alignment with plot developments, preventing overload while building layers of depth. Narrative theorists emphasize that such integration allows exposition to serve the story's momentum rather than halt it, fostering a sense of discovery for the audience. A key method within ongoing integration is drip-feeding, where information is released incrementally as the plot advances, particularly in genres requiring sustained mystery, such as thrillers or mysteries. This technique maintains intrigue by withholding non-essential details until they directly impact current actions or decisions, thereby enhancing thematic resonance and pacing. describes this as parsing exposition "bit by bit through the entire story," arguing that it avoids unnatural dumps and integrates seamlessly into forward motion. In practice, drip-feeding ties revelations to character motivations or conflicts, ensuring each piece of information propels the forward without retrospective excess. Ongoing exposition often intersects with the rising action, where elements are linked to escalating conflicts to heighten tension and emotional stakes. As the ascends toward the climax in structures like Freytag's pyramid, integrated exposition provides context for complications, revealing how past events influence present challenges and character choices. This relation amplifies dramatic irony and urgency, as audiences piece together implications in real-time with the protagonists. Freytag's model positions rising action as an extension of the foundational exposition, allowing ongoing layers to deepen the central struggle without disrupting flow. In serialized formats, such as series or episodic novels, ongoing integration manifests through cumulative exposition that accumulates across installments, building a richer world and character arcs over time. This method supports long-form storytelling by layering revelations episode by episode or season by season, fostering viewer investment through evolving understanding. Drawing on Newcomb's concept of cumulative , as analyzed by Ursula Ganz-Blättler, this structure involves prior elements informing future developments, enabling sustained depth in broadcast fiction by progressively unveiling interconnected backstories and motivations. For non-linear narratives, ongoing integration adapts by weaving exposition across fragmented timelines or parallel plots, distributing background details to clarify relationships as the structure converges. This technique ensures coherence amid chronological disruption, revealing foundational information contextually within jumps between past and present. Nonlinear structures thus rely on integrated exposition to anchor disorienting sequences, gradually constructing the full framework as disparate threads intersect. Initial setup from the story's outset serves as a prerequisite, priming audiences for these layered revelations without overwhelming the nonlinear progression.

Examples Across Media

In Literature

In Jane Austen's (1813), the opening paragraphs employ direct exposition to establish the Regency-era social setting and the Bennet family's dynamics. The famous first sentence—"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife"—introduces the societal imperative of as an economic and status-driven necessity among the English gentry, while the ensuing dialogue between Mr. and Mrs. Bennet reveals their contrasting personalities: her anxious fixation on securing advantageous matches for their five daughters amid the entailment of their estate, and his sarcastic detachment. J.R.R. Tolkien's (1954) uses indirect exposition in its and early chapters to gradually build the lore of through the s' perspective and their journey. The provides background on hobbit culture, history, and the Shire's peaceful isolation without overt narration, instead weaving in details of their customs and the larger world's ancient conflicts via subtle references to events like the War of the Ring. As the narrative progresses with Frodo's departure, lore emerges organically through conversations, songs, and encounters, such as Gandalf's explanations during travels, immersing readers in the fantasy realm without halting the plot. Ursula K. Le Guin's A Wizard of Earthsea (1968) integrates exposition through a linear third-person narrative that reveals protagonist Ged's personal history alongside the magical rules of the Earthsea archipelago from the outset. The story begins with Ged's childhood on Gont Island and his discovery of innate magical abilities, progressing to his apprenticeship and training at Roke School, where the principles of true names, balance, and shadows central to the world's metaphysics are elucidated through actions and events. This method blends character development with worldbuilding, showing how Ged's early mistakes shape his quest without relying on authorial summary. Genre variations in literary exposition highlight contrasts between heavy in science and fantasy—often using techniques like incluing, where details are implied through context—and the minimalist approach of . In science and fantasy, such as Tolkien's works, extensive lore is conveyed indirectly to evoke a lived-in , as seen in gradual revelations of cosmology and history. Conversely, Ernest Hemingway's exemplifies modernist restraint, omitting explicit details to imply deeper emotional and social layers beneath sparse prose, as in his short stories where unspoken tensions drive the , prioritizing reader over comprehensive .

In Film and Other Media

In film, exposition often leverages visual and auditory elements to convey backstory efficiently. For instance, (1994) employs direct narration by the character Red, voiced by , to provide essential background on Andy Dufresne's wrongful conviction and imprisonment, framing the from an inmate's perspective without relying on lengthy . This technique delivers concise historical context while establishing thematic tones of hope and resilience. In contrast, Pixar's Up (2009) uses an indirect visual montage in its opening sequence to depict the emotional history of Carl and Ellie's lifelong relationship, marriage, and her death, compressing decades of events through symbolic imagery like a shared adventure book and home renovations, evoking audience empathy without explicit narration. Television series adapt exposition for episodic and serialized formats, particularly in pilots that must establish expansive worlds. The pilot episode of (2011), titled "," integrates maps of Westeros alongside character dialogues to outline political houses, geographical threats, and initial conflicts, such as the Night's Watch discovering undead beyond , setting up the realm's intricate power dynamics. In ongoing serialized narratives like , exposition unfolds through gradual reveals, such as prophetic visions or council discussions that incrementally disclose alliances and betrayals across seasons, maintaining viewer engagement by tying new information to advancing plotlines. Video games emphasize interactive exposition, allowing players to uncover lore organically. The Legend of Zelda series, particularly titles like Breath of the Wild (2017), utilizes environmental where players explore Hyrule's ruins, shrines, and artifacts—such as decayed Sheikah technology or ancient murals—to piece together the kingdom's fallen history and Link's amnesia, fostering immersion without interruptions. Unique challenges in these media arise from balancing efficiency with engagement. Films often rely on visual shorthand, like title cards in historical dramas (e.g., specifying dates or locations in The Untouchables ), to deliver rapid contextual setup, though overuse can disrupt narrative flow. In interactive formats such as video games, the principle of "show, don't tell" extends to "play, don't show," prioritizing player agency in discovering exposition through actions and environments over passive delivery, which risks alienating audiences if lore feels inaccessible.

Challenges and Best Practices

Common Pitfalls

One of the most frequent errors in handling narrative exposition is infodumping, where writers deliver large blocks of background information in a single, uninterrupted segment, often at the story's outset. This approach overwhelms readers with excessive details, such as lengthy prologues detailing or world mechanics, leading to boredom and a disruption in momentum as the audience struggles to process and retain the data. Such overload is particularly problematic in direct exposition techniques, where the straightforward presentation amplifies the risk of stalling engagement early on. Another common pitfall is the use of "as-you-know" explanations, also known as the "As You Know, Bob" trope, in which characters unnaturally recount information they both already possess solely to inform the reader. This manifests as contrived , such as one character reminding another of shared facts about their situation or the setting, which feels forced and inauthentic, breaking the immersion and essential to narrative flow. The artificiality arises because real conversations rarely involve redundant recaps, making these moments jarring and exposing the mechanics of the storytelling. Exposition can also suffer from inconsistency, where information is revealed unevenly—either too much too soon, spoiling tension, or critical details withheld excessively, resulting in plot holes that undermine the story's logical coherence. These gaps occur when later revelations contradict earlier details without justification, creating confusion and eroding trust in the narrative's . For instance, abrupt shifts in revealed facts about character backstories or world rules can highlight unresolved contradictions, making the plot feel unreliable. Finally, genre mismatches in exposition often lead to imbalances, such as over-explaining in subtle, character-driven genres like , where dense info blocks clash with the emphasis on implication and emotional nuance, alienating readers seeking understated depth. Conversely, in complex speculative genres like fantasy, under-explaining essential world-building elements leaves audiences disoriented amid intricate rules and histories, fostering frustration rather than immersion. This mismatch highlights how exposition volume must align with genre expectations, or it risks derailing the intended atmospheric tone.

Effective Strategies

One effective strategy for delivering exposition seamlessly is adhering to the "show, don't tell" principle, which involves prioritizing sensory details, actions, and character emotions over direct statements to immerse readers in the . This approach conveys necessary background information through vivid, experiential elements rather than abstract summaries, fostering deeper engagement while keeping exposition concise and integrated into the story's flow. Writers should tie exposition strictly to elements that impact the plot or characters, trimming any irrelevant to maintain narrative momentum and relevance. By focusing only on information that advances the story or influences character decisions, authors avoid unnecessary digressions that could disrupt pacing or dilute tension. During revisions, incorporating feedback is crucial for identifying info gaps or overloads in exposition, allowing writers to refine delivery based on how readers perceive clarity and flow. Beta readers, providing perspectives from a general audience, can highlight sections where exposition feels dense or insufficient, enabling targeted adjustments to balance information without overwhelming the narrative. In the , modern tools such as AI-powered writing assistants offer valuable support for pacing , helping writers evaluate exposition distribution and identify areas for tighter integration. Platforms like Sudowrite enable macro-level reviews of drafts to detect uneven rhythms caused by expository blocks, suggesting revisions that enhance overall seamlessness in digital workflows. This practice complements traditional methods by providing objective insights into potential infodumps, ensuring exposition serves the story effectively.

References

  1. https://owl.purdue.edu/owl/subject_specific_writing/writing_in_literature/literary_terms/index.html
  2. https://jerz.setonhill.edu/writing/creative1/shortstory/
  3. https://www.lewisu.edu/writingcenter/pdf/narrative-elements-1.pdf
  4. https://sites.psu.edu/inkstains/2021/02/18/the-pros-and-cons-of-exposition/
  5. https://niemanstoryboard.org/2020/02/05/using-narrative-digression-to-weave-backstory-context-and-suspense-into-stories/
  6. https://www.litcharts.com/literary-devices-and-terms/exposition
  7. https://blog.reedsy.com/guide/elements-of-plot/exposition/
  8. https://www.studiobinder.com/blog/what-is-exposition-definition/
  9. https://kindlepreneur.com/exposition/
  10. https://classics.mit.edu/Aristotle/poetics.2.2.html
  11. https://human.libretexts.org/Bookshelves/Composition/Introductory_Composition/Rhetoric_and_Composition_(Wikibooks)/07:_Teachers_Handbook/7.04:_Modes_of_Writing/7.4.03:_Exposition
  12. https://oxfordre.com/literature/display/10.1093/acrefore/9780190201098.001.0001/acrefore-9780190201098-e-1051
  13. https://pmc.ncbi.nlm.nih.gov/articles/PMC7413736/
  14. https://www.writingmastery.com/blog/what-is-exposition-in-writing
  15. https://classics.mit.edu/Aristotle/poetics.html
  16. https://www.writersdigest.com/there-are-no-rules/writing-science-fiction-novels-exposition-sci-fi-novels
  17. https://dev.housing.arizona.edu/exposition-definition-literature
  18. http://webs.anokaramsey.edu/stankey/Literat/Fiction/Fiction3.htm
  19. https://sites.krieger.jhu.edu/world-science-fiction/about-science-fiction/concepts-and-terminology/
  20. http://webs.anokaramsey.edu/stankey/Literat/Fiction/Fiction2.htm
  21. https://www.ijmra.us/project%20doc/2025/IJRSS_MARCH2025/IJRSS22March25.pdf
  22. https://press.uchicago.edu/Misc/Chicago/9780226470498_Lattimore_intro.pdf
  23. https://reactormag.com/sf-reading-protocols/
  24. https://www.torforgeblog.com/2014/06/12/throwback-thursdays-space-cadets-and-starship-troopers/
  25. https://jerichowriters.com/what-is-exposition-in-a-story/
  26. https://www.thenovelry.com/blog/exposition-in-a-story
  27. https://archive.org/download/freytagstechniqu00freyuoft/freytagstechniqu00freyuoft.pdf
  28. https://www.masterclass.com/articles/freytags-pyramid
  29. https://www.studiobinder.com/blog/three-act-structure/
  30. https://blog.reedsy.com/guide/story-structure/three-act-structure/
  31. https://www.masterclass.com/articles/how-to-master-narrative-pacing
  32. https://www.helpingwritersbecomeauthors.com/backstory-drip-pt-3-of-3/
  33. https://writers.com/freytags-pyramid
  34. https://blog.commarts.wisc.edu/2013/07/23/the-cumulative-narrative-of-the-cumulative-narrative-of-television-studies/
  35. https://www.lit-verlag.de/isbn/978-3-643-80273-6
  36. https://www.studiobinder.com/blog/what-is-a-non-linear-plot-definition/
  37. https://www.gutenberg.org/ebooks/1342
  38. https://www.litcharts.com/lit/pride-and-prejudice/chapter-1
  39. https://www.litcharts.com/lit/the-fellowship-of-the-ring/prologue
  40. https://www.litcharts.com/lit/a-wizard-of-earthsea/summary
  41. https://www.hemingwaysociety.org/scott-donaldson-iceberg-theory
  42. https://jamesdiedrick.agnesscott.org/global_modernism/hemingways-short-stories-realist-modernist-or-both/
  43. https://www.nytimes.com/1994/09/23/movies/film-review-prison-tale-by-stephen-king-told-gently-believe-it-or-not.html
  44. https://www.studiobinder.com/blog/up-script-pdf-screenplay-download/
  45. https://www.thefandomentals.com/got-rewatch-1x01/
  46. https://www.eurogamer.net/zelda-breath-of-the-wild-archaeology
  47. https://www.routledge.com/rsc/downloads/Chapter_9_from_The_Visual_Story_3e_9781315794839.pdf
  48. https://www.gamedeveloper.com/design/opinion-play-don-t-show
  49. https://www.writersdigest.com/write-better-fiction/writing-mistakes-writers-make-info-dumping
  50. https://www.helpingwritersbecomeauthors.com/common-writing-mistakes-pt-50/
  51. https://www.helpingwritersbecomeauthors.com/as-you-know-bob/
  52. https://authorkristenlamb.com/2013/12/do-you-have-as-you-know-bob-syndrome-how-writers-can-butcher-dialogue-how-to-fix-it/
  53. https://www.masterclass.com/articles/how-to-fix-plot-holes-in-your-story
  54. https://www.well-storied.com/blog/plot-holes
  55. https://ancillaryreviewofbooks.org/2023/11/08/to-bring-you-up-to-speed-exposition-suspension-of-disbelief-and-genre/
  56. https://writingcooperative.com/the-dos-and-don-t-of-exposition-in-literature-a9e9ef1c3b15
  57. https://www.masterclass.com/articles/how-to-write-effective-exposition
  58. https://www.alyssamatesic.com/free-writing-resources/how-to-write-exposition
  59. https://btleditorial.com/2023/02/28/info-dumps-worldbuilding/
  60. https://sudowrite.com/blog/your-first-draft-is-a-slog-heres-how-to-use-ai-to-tighten-its-pacing/
Add your contribution
Related Hubs
User Avatar
No comments yet.