Hubbry Logo
Singer MotorsSinger MotorsMain
Open search
Singer Motors
Community hub
Singer Motors
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Singer Motors
Singer Motors
from Wikipedia

Preferred Share of the Singer and Company Ltd, issued 19. October 1903

Key Information

Singer Motors Limited was a British motor vehicle manufacturing business, originally a bicycle manufacturer founded as Singer & Co by George Singer, in 1874 in Coventry, England. Singer & Co's bicycle manufacture continued. From 1901 George Singer's Singer Motor Co made cars and commercial vehicles.

Singer Motor Co was the first motor manufacturer to make a small economy car that was a replica of a large car, showing a small car was a practical proposition.[1] It was much more sturdily built than otherwise similar cyclecars. With its four-cylinder ten horsepower engine the Singer Ten was launched at the 1912 Cycle and Motor Cycle Show at Olympia. William Rootes, a Singer apprentice at the time of its development and consummate car-salesman, contracted to buy 50, the entire first year's supply.[1] It became a best-seller.[1] Ultimately, Singer's business was acquired by his Rootes Group in 1956, which continued the brand until 1970, a few years following Rootes' acquisition by the American Chrysler corporation.

History

[edit]
Singer bicycle with motorwheel
Singer motorcycle

Bicycles

[edit]

George Singer began his bicycle-making business in Coventry in 1874.[2] At the time, he was foreman of the Coventry Sewing Machine Company, from which he resigned.[3] He was joined in the business by J. E. Stringer, his brother-in-law.[4] It appears Singer was inspired to produce a bicycle safer than the Ordinary (penny-farthing) type standard at the time, by cyclist George Dominy.[4] Singer did not alter the large front and small rear wheel design of the Ordinary, but by raking the front forks (a first) did make it safer.[4] He patented the design on 24 October 1878.[4]

He followed this with an 1879 model having a large rear wheel and small front wheels which could be folded aside.[4] and in 1885 with a tricycle, rear wheels driven by chain, which also featured a handbrake (designed by Singer and his associate, R. H. Lea) on the rear axle.[4]

In about 1888, Singer introduced the Rational, a diamond-framed model with wheels the same size, each about 30 in (76 cm) diameter.[5] It also offered removable handlebars and removable rear wheel.[6] While safer, its performance suffered.[6] Nevertheless, it proved popular with cycle tourers.[6]

In 1895, Singer Cycle faced a £600,000 "floatation by that egregious company promoter" Terah Hooley,[6] but survived. It also weathered an industry slump in 1898 that wiped out many British bicycle makers.[6]

Singer Cycle Company began producing motor cars in 1901.[6]

Engines, three-wheelers and motorcycles

[edit]
Part of Singer & Company Directors' Report, 31 July 1917. The chairman then was Arthur Edward Jagger, other directors were William Edward Bullock and Arthur Charles Bourner, who was a partner of the largest chartered accountancy firm of the Potteries.

Singer Cycle began motor vehicle production in 1901, purchasing the manufacturing rights to the Perks & Birch Motor Wheel, a one-cylinder engine contained in a spoked aluminium wheel,[6] known as a motorwheel. It was a 222 cc (13.5 cu in) four-stroke designed by former Beeston employees Edwin Perks and Frank Birch. A unique feature was that the engine, fuel tank, carburettor and low-tension magneto were all housed in a two-sided cast alloy spoked wheel. It was probably the first motor bicycle to be provided with magneto ignition. It was perhaps the only motorcycle engine of its era with reliable ignition.[7] These were fitted to bicycles.[8] The design was used by Singer & Co in the rear wheel and then the front wheel of a trike.

In 1904, he developed a range of more conventional motorcycles which included 346 cc two strokes and, from 1911, side-valve models of 299 cc and 535 cc. In 1913 Singer & Co offered an open-frame ladies model.[9]

Singer & Co stopped building motorcycles at the outbreak of the First World War.[10]

Motorcycle racing

[edit]

In 1909, Singer & Co built a series of racers and roadsters and entered several bikes in races, including the Isle of Man Senior TT in 1914.[9] George E. Stanley broke the one-hour record at Brooklands race track on a Singer motorcycle in 1912, becoming the first ever rider of a 350 cc motorcycle to cover over 60 miles (97 km) in an hour.[8]

Motor cars

[edit]

Singer's first tricar was the Tri-Voiturette.[7] It was powered by a 2+12 hp (1.9 kW) engine, and offered in two models, the No. 1 (passenger facing backward) and Mo. 2 (passenger facing forward); both fitted the passenger seat well behind the rear axle.[11]

At the 1902 Cordingly Show, at the Islington Agricultural Hall, Singer showed two commercial variants of the Tri-Voiturette, the Motor Carrier, one for tradesmen, one for dairymen.[7]

The Tri-Voiturette was replaced by another tricar, which had two front wheels and a driven rear, more horsepower, and a coachbuilt body, but with the passenger now in front of the driver.[7]

Muriel Hind drove a Singer Tricar in the 1906 Land's End to John O'Groats Trial, with aviation pioneer Hilda Hewlett as her passenger and mechanic. She also drove a tricar in the twenty four hour London to Edinburgh Trial, again with a female passenger, making good time in torrential rain.[12]

The first Singer-designed car was the 4-cylinder 2.4-litre 12/14 of 1906.[citation needed] The engine was bought in from Aster.[citation needed]

Singer made their first four-wheel car in 1905. It was designed by Scottish engineer Alexander Craig and was a variant of a design he had done for Lea-Francis having a 2-cylinder 1,853 or 2,471 cc (113.1 or 150.8 cu in) engine.[13]

The Craig engine was replaced in 1906 by White & Poppe engines in Singer's two light car models. These were a 7 hp (5.2 kW) twin and a 12/14 four-cylinder. These were joined by a White & Poppe-engined Doctor's Brougham and two Auster-powered tourers, a 12/14 and a 20/22.[7]

For 1907, the Lea-Francis design was dropped and a range of two-, three- and four-cylinder models was launched, using White and Poppe engines.[citation needed] The Aster engined models were dropped in 1909 and a new range of larger cars introduced.[citation needed] All cars were now White and Poppe powered.[citation needed]

Singer experimented with a cyclecar, powered by a transversely-mounted aircooled engine in 1911–12.[7] Instead, the company built a light car, the Ten, which debuted in 1912 with a 10 hp (7.5 kW) 1,096 cc (66.9 cu in) four-cylinder engine;[14] its main drawback was a three-speed transmission built into the rear axle.[15] The Ten was the company's first big seller.[citation needed] The same year, two years after George Singer's death, the "bicycle wheel" radiator emblem was deleted.[7] That year's primary product was a 16/20, powered by a White & Poppe engine.[7]

The use of their own power plants spread through the range until by the outbreak of the First World War all models except the low-volume 3.3-litre 20 hp were so equipped.[citation needed]

Plaque describing Singer's part in the origin of Aston-Martin

The Ten's performance attracted interest from former racing cyclist Lionel Martin, who bought a copy right off Singer's stand at the 1912 Olympia Motor Show.[15] Martin gave the car a thorough going-over, improving the engine's power and raising the top speed from 40 to 70 mph (64 to 113 km/h).[15] Martin set up shop in Henniker Mews, Kensington, England, tuning the four-cylinder cars, and did a robust business.[15] This was aided by the motor racing success of Martin's own improved Ten, in particular at the Aston Clinton hillclimb.[15] The Ten would also be sold by William Rootes, former Singer apprentice turned dealer.[15]

On 11 July 1914, Beatrice Blore drove a Singer Ten car up the cable track (with a gradient of 1 in 3 in places) of the Great Orme, in Llandudno, North Wales, becoming the first woman to drive up the steep and challenging headland. She was six months pregnant at the time and the drive was a publicity stunt developed by her partner George Wilkin Browne to help sell the cars at his Llandudno garage, North Wales Silver Motors. The cars were advertised for sale for £195.[16]

Production was suspended for the First World War, then resumed afterward.[15] Except for detail changes, the engine remained the same until the Ten ended production in 1923; the chassis was redesigned in 1921.[15] The two-seater was priced at £395.[15]

In 1921, Singer purchased motorcycle and cyclecar maker Coventry Premier, selling a four-wheeler of their design, powered by a 1,005 cc (61.3 cu in) water-cooled V-twin, for £250,[15] under that name until 1924.[13] The engine was changed to a four-cylinder Singer in 1922, but the car ceased production in 1923.[15]

In 1922, Singer's first six-cylinder was a 1,999 cc (122.0 cu in) of 15 hp (11 kW), with a dated fixed head.[15] This new 15 used a chassis very similar to the 10's, and had one interesting feature, a retractable luggage rack.[17] In 1924, the 15 was offered with a Weymann fabric body.[17] Sales of the 15 were "modest".[17]

The 10's engine was converted to overhead valves in 1923 and monobloc, while the next year, the Ten also got a Weymann body option.[17]

The new 10/26 replaced the older 10 in 1924.[17] it offered a 1,308 cc (79.8 cu in) engine and modernized styling. It was offered in several models, from the £195 four-seat Popular to the £295 Saloon Limousine Del Luxe.[17]

At the 1926 London Motor Show, the company debuted the Junior, powered by a 16.5 hp (12.3 kW) OHV 848 cc (51.7 cu in).[18] Priced from £148 10s as a four-seat tourer, it had only rear-wheel brakes to start.[17] A racing 10 set the Brooklands lap record in 1921 at 74.42 mph (119.77 km/h).[19] Meanwhile, the 10/26 became the 1,308 cc (79.8 cu in)-engined Senior,[20] joined by the new Six, powered by a 1,776 cc (108.4 cu in) inline six based on the 10/26's and four-wheel servo-assisted brakes from Clayton Dewandre.[17] The same year, Singer took over Calcott Brothers.[13]

In the 1920s, Singer sales climbed steadily,[17] By 1928, Singer was Britain's third largest car maker after Austin and Morris.[21] Singer, restricted by a built-in site,[clarification needed] acquired other companies for factory space. In 1926, they made 9,000 cars.[citation needed] In 1929, with seven factories and 8,000 employees, they produced 28,000 cars,[citation needed] though having just 15%[citation needed] they trailed far behind Austin and Morris which shared 60% of the market.[citation needed] Hampered by their new acquisitions, the cost of new machinery and a moving assembly line in their latest acquisition, Singer's offerings were eclipsed by new models from Austin, Morris, and Hillman; from 1932, these were joined by the new Ford Model Y.[1]

The Senior would be redesigned in 1928, with capacity increased to 1,571 cc (95.9 cu in) and an additional crankshaft main bearing added (up from two to three).[17] And, like the Junior and Six, the track was increased.[17] One other model was a fabric-bodied convertible saloon, the Sun.[22]

The redesign left Singer with a few hundred older chassis, which the company bodied and sold as Deliverys, at £180.[22]

Toward the end of the year, a privateer ran a two-seat Junior up Porlock Hill one hundred times in fifteen hours, which moved Singer to rename that model the Porlock.[22]

In 1929, a 2+2 on the Junior chassis appeared, and the Senior disappeared, while the Six gained a 1,792 cc (109.4 cu in) sidevalve.[22] This was joined by a Super Six, with a 1,921 cc (117.2 cu in) OHV and four-speed manual transmission.[22] This was, said The Autocar, "the most impressive Singer yet"[23]

The 8 hp (6.0 kW) 848 cc (51.7 cu in) Junior of 1931, with styling resembling the top-priced saloon and a "waterfall" grille, which lent the car its common name.[24] The range continued in a very complex manner using developments of the ohc Junior engine, with an 848 cc (51.7 cu in), the Ten, the sidevalve 1,476 cc (90.1 cu in) 12/6, the sidevalve 18/6 (now 2,041 cc (124.5 cu in)), and the OHV Silent-Six (now 2,180 cc (133 cu in)).[22] At the top of the price range was the £480 Charles Frederick ‘C F’ Beauvais-designed Kaye Don saloon, built on the Silent-Six platform.[22] Hydraulic brakes were standard, except for the Kaye Don, which relied on servo-boosted Dewandre brakes.[22] A sliding sunshine roof was also available.[22]

In 1932, Leo J. Shorter became chief engineer (by 1940, technical director[25]).[22] He and two other designers created the new Sports Nine Sports, which made its debut at the London Motor Show that same year;[22] it featured a two-bearing crankshaft engine of 972cc, which gave the car its name. Owing to manufacturing difficulties of the new bodywork, the "9" engine was fitted to a number of Junior chassis' as a stopgap until the production cars were ready, which gave rise to the incredibly rare "Junior-Nine". The production numbers are unknown, and only 8 are known to have survived.[citation needed] And in 1933, The Nine was joined by a new 14 hp (10 kW) six-cylinder, a 1.5 Horsepower six-cylinder, and a 2-Liter six-cylinder, while the Junior was dropped and the new sidevalve-engined 12 displaced the Ten.[22] The Sports Nine was "an immediate success"[22] among trials racers, and Singer entered a specially-prepared version at Le Mans, which led to the Nine being commonly called the Le Mans.[22] Singer earned an "excellent reputation" in racing before three works Nines appeared at the 1935 Ulster Tourist Trophy, where all three wrecked, all from the same cause (steering failure) and all, incredibly, at the same spot. All the drivers literally walked away unscathed, but Singer's reputation in racing was beyond repair.[25]

In summer 1934, the Eleven was launched and was very innovative in its class by including the clutch-less "Fluidrive" Fluid coupling and Independent front suspension,[26] and was also offered with "aerodynamic" Airstream coachwork;[25] the name was given independent of the Chrysler.[25]

Independent front suspension was added to the Nine in 1935,[25] while the larger models got Fluidrive transmissions.[25] The new two litre Sixteen debuted that year as well, also with IFS.[25] The Nine became the Bantam in 1935, which also debuted at the London Motor Show; it was a close copy of the Ford Model Y (a popular subject for copying), with two-bearing crankshafts and a 972 cc (59.3 cu in) engine; this, and its high £127 pricetag, made it uncompetitive.[25] It had a two-bearing crankshaft and was the first Singer with a synchromesh gearbox,[25] albeit with only three forward gears.[27][failed verification] Continuing decline in sales led to financial trouble, and Singer attempted to cut costs, such as by switching back to mechanical brakes on the Nine in 1939.[25]

In May 1936, W. E. Bullock, who had been managing director from 1919 together with his son, general manager from 1931, resigned following criticism from the shareholders at their annual general meeting. No longer viable, Singer & Co Limited was dissolved in December 1936 and what had been its business was transferred to a new company, Singer Motors Limited.[28]

In 1938, the three-bearing 9 hp (6.7 kW) OHC engine of 1,074 cc (65.5 cu in) was introduced,[citation needed] the three speed gearbox only had synchro between 2nd and top.[29]

Singer Motors Limited

[edit]

From 1938 to 1955, Singer Motors Ltd supplied new OHC engines (a few 9HP, a 10HP and numerous 12 HPs plus 4-speed gearboxes) for fitment to HRG Engineering Company's sports cars at Tolworth, Surrey - these replaced the 1.5 litre Meadows engines fitted to earlier cars.

After the Second World War, the new Roadster and the Ten and Twelve saloons all returned to production with little change. In 1948, Singer's first streamlined car appeared, the SM1500 (designed by Technical Director Shorter[25]), which featured coil spring IFS.[25] and a separate chassis, still using the SOHC 1500cc engin;[citation needed] It was, however, expensive, at £799,[citation needed] and hopes it would save the company proved in vain.[30]

The SM1500 was given a traditional radiator grille and renamed the Hunter in 1954;[citation needed] the high-priced Hunter was equally in vain.[25] (Though specified with an optional HRG-designed[citation needed] DOHC engine, this was likely never sold.[25]) In the December 2011 edition of Automobile Magazine, a 1954 SM1500 was compared to an MG TD, finding the Singer the superior roadster.[31]

Rootes Group

[edit]

By 1955, the business was in financial difficulties and the Rootes Brothers bought it the following year. They had first handled Singer sales just before the First World War. The Singer brand was absorbed into their Rootes Group which had been an enthusiastic exponent of badge engineering since the early 1930s. The next Singer car, the Gazelle, was a more up-market Hillman Minx.[25] which retained the pre-war designed Singer OHV engine for the I and II versions until 1958,[25] when the IIA was given the Minx pushrod engine. The Vogue, which ran alongside the Minx/Gazelle from 1961, was based on the Hillman Super Minx with differing front end styling and more luxurious trim.[citation needed]

After 1958, all Singer products were mere badge-engineered models.[32]

By 1970, Rootes were themselves struggling financially. They had been acquired by the American Chrysler corporation, and founder (by then Sir) William Rootes had died in 1964. In April 1970, as part of a rationalisation process, the last Singer rolled off the assembly line, almost 100 years after George Singer built the first cycle.[33][failed verification] The last car to carry the Singer name was an upmarket version of the rear engined Hillman Imp called the Chamois. With the take over of Rootes by Chrysler begun in 1964 and completed in 1967, many of the brands were set to vanish and use of the Singer name ended in 1970. The site of the Singer factory in Coventry is now occupied by Singer Hall, a hall of residence for Coventry University.

Models

[edit]

The main models produced[34] were:
e. & o.e.

name cylinders cubic

capacity

bore and

stroke

tax

horsepower

power output years in

production

Eight/Ten 2 sv 1,400 cc (85 cu in) 95 x 100 11.19 - 1905
Seven/Nine 2 sv 905 cc (55 cu in) 80 x90 7.94 - 1906–10
Twelve/Fourteen 2 sv 2,356 cc (144 cu in) 100 x 150 12.4 - 1906
Twelve/Fourteen 4 sv 1,810 cc (110 cu in) 80 x 90 15.87 - 1906–10
Ten 3 sv 1,358 cc (83 cu in) 80 x 90 11.9 - 1907
Twelve/Fifteen 4 sv 2,438 cc (149 cu in) 84 x 110 17.5 - 1907
Twenty/Twenty-two 4 sv 3,686 cc (225 cu in) 95 x 130 22.38 - 1907
Twenty/Twenty-five 4 sv 3,456 cc (211 cu in) 100 x 110 24.8 - 1908–10
Sixteen 4 sv 2,497 cc (152 cu in) 85 x 110 17.92 - 1909
Sixteen/Twenty 4 sv 2,799 cc (171 cu in) 90 x 110 20.09 - 1910
Twenty/Twenty-five 4 sv 4,712 cc (288 cu in) 100 x 150 24.8 - 1910
Fifteen 4 sv 2,614 cc (160 cu in) 80 x 130 15.87 - 1911–14
Twenty 4 sv 3,308 cc (202 cu in) 90 x 130 20.09 - 1911–15
Fourteen 4 sv 2,389 cc (146 cu in) 78 x 125 15.09 - 1912–14
Ten 4 sv 1,096 cc (67 cu in) 63 x 88 9.84 - 1912–16
Twenty-five 4 sv 4,084 cc (249 cu in) 100 x 130 24.8 - 1913–14
Senior 4 sv 2,614 cc (160 cu in) 80 x 130 15.87 30.2 bhp (22.5 kW; 30.6 PS) @ 2,150 rpm 1915
World War I
name cylinders cubic

capacity

bore and

stroke

tax

horsepower

power output years in

production

Ten 4 sv 1,097 cc (67 cu in) 63 x 88 9.84 - 1919–23
Fifteen 6 sv 1,991 cc (121 cu in) 65 x 100 15.72 - 1921—1925
Ten/Twenty-six 4 ohv 1,308 cc (80 cu in) 63 x 105 9.84 - 1925–27
Eight 4 847 cc (52 cu in) 56 x 86 7.78 - 1926
Junior 4 sohc 850 cc (52 cu in) - 1926–35
Fourteen/Thirty-four 6 ohv 1,776 cc (108 cu in) 63 x 95 14.76 - 1926
Fourteen/Thirty-four 6 ohv 1,792 cc (109 cu in) 65 x 90 15.72 - 1926
Six 6 - 1927
Eight Junior 4 ohc 848 cc (52 cu in) 56 x 86 7.78 16.5 bhp (12.3 kW; 16.7 PS) @ 3,250 rpm 1927–32
Ten 4 1,261 cc (77 cu in) 65 x 95 10.48 - 1927–32
Senior 4 1,571 cc (96 cu in) 69 x 105 11.81 1927–30
Singer 16 6 ohv 1,920 cc (117 cu in) 65.5 x 95 15.96 - 1929
Senior Six(Light Six) 6 sv 1,792 cc (109 cu in) 65 x 90 15.72 - 1930—31
Super Six 6 ohv 1,920 cc (117 cu in) 65.5 x 95 15.96 - 1930–31
2-litre 6 sohc 2,050 cc (125 cu in) 69.5 x 90 17.97 45 bhp (34 kW; 46 PS) @ 3,600 rpm 1933
Nine 4 sohc 972 cc (59 cu in) 60 x 86 8.93 31 bhp (23 kW; 31 PS) @ 4,800 rpm 1933–37
Nine Le Mans 4 sohc 972 cc (59 cu in) 60 x 86 8.93 35 bhp (26 kW; 35 PS) @ 4,500 rpm 1935–36
Nine Special Speed 4 sohc 972 cc (59 cu in) 60 x 86 8.93 38 bhp (28 kW; 39 PS) @ 5,000 rpm 1935
Twelve 4 sohc 1,442 cc (88 cu in) 69.5 x 95 11.98 32 bhp (24 kW; 32 PS) @ 3,600 rpm 1933–35
1½ litre Le Mans 6 sohc 1,493 cc (91 cu in) 59 x 91 12.95 48 bhp (36 kW; 49 PS) @ 4,600 rpm 1933–37
Fourteen Six 6 sohc 1,612 cc (98 cu in) 60 x 95 13.39 - 1933
Silent Six 6 sohc 2,162 cc (132 cu in) 69.5 x 95 17.97 - 1934
Continental 6 sohc 2,162 cc (132 cu in) 69.5 x 95 17.97 - 1934
Kaye Don Special 6 sohc 2,162 cc (132 cu in) 69.5 x 95 17.97 - 1934
Eleven fluidrive 4 sohc 1,459 cc (89 cu in) 66.5 x 105 11 39 bhp (29 kW; 40 PS) @ 4,000 rpm 1934–37
Eleven Airstream 4 sohc 1,584 cc (97 cu in) 69.5 x 105 11.98 39 bhp (29 kW; 40 PS) @ 4,000 rpm 1934–36
Sixteen Six ifs fluidrive 6 sohc 1,993 cc (122 cu in) 65 x 100 15.72 - Aug 1934 onward
Silent Six 6 sohc 2,366 cc (144 cu in) - 1934 onward
Bantam Nine 4 sohc 972 cc (59 cu in) 60 x 86 8.93 30 bhp (22 kW; 30 PS) @ 4,200 rpm 1936–38

——————————————————————————————————————————————

December 1936: Singer & Co Limited dissolved;
business transferred to Singer Motors Limited[28][35]

——————————————————————————————————————————————

name cylinders cubic

capacity

bore and

stroke

tax

horsepower

power output years in

production

Twelve 4 sohc 1,525 cc (93 cu in) 68 x 105 11.47 1937–39
Bantam Nine 4 sohc 1,074 cc (66 cu in) 60 X 95 8.93 30 bhp (22 kW; 30 PS) @ 4,200 rpm 1938–40
Nine 4 sohc 1,074 cc (66 cu in) 60 X 95 8.93 30 bhp (22 kW; 30 PS) @ 4,200 rpm 1938–1947
Ten 4 sohc 1,193 cc (73 cu in) 63.25 x 95 9.92 37 bhp (28 kW; 38 PS) @ 5,000 rpm 1938–48
Super Ten 4 sohc 1,193 cc (73 cu in) 63.25 x 95 9.92 37 bhp (28 kW; 38 PS) @ 5,000 rpm 1938–48
9 Roadster 4 sohc 1,074 cc (66 cu in) 60 x 95 8.93 36 bhp (27 kW; 36 PS) @ 5,000 rpm 1939–40

1946–49

World War II
name cylinders cubic

capacity

bore and

stroke

tax

horsepower

power output years in

production

Super Twelve 4 sohc 1,525 cc (93 cu in) 68 x 105 11.47 43 bhp (32 kW; 44 PS) @ 4,000 rpm 1947–1949
9 Roadster series 4A 4 sohc 1,074 cc (66 cu in) 60 x 95 - 36 bhp (27 kW; 36 PS) @ 5,000 rpm 9/1949–10/50
9 Roadster series 4AB 4 sohc 1,074 cc (66 cu in) 60 x 95 - 36 bhp (27 kW; 36 PS) @ 5,000 rpm 10/1950–1/53
9 Roadster series 4AC 4 sohc 1,194 cc (73 cu in) 48 bhp (36 kW; 49 PS) @ 4,200 rpm 1950–1953
SM Roadster series 4AD 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - 58 bhp (43 kW; 59 PS) @ 4,600 rpm 1951–1955
SM1500 saloon 4 sohc 1,525 cc (93 cu in) 68 x 105 11.47 43 bhp (32 kW; 44 PS) @ 4,000 rpm 1948–51
SM1500 saloon 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - 58 bhp (43 kW; 59 PS) @ 4,600 rpm 1951–54
½ ton Utility circa 1952 [36] 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - - circa 1952
Hunter 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - 58 bhp (43 kW; 59 PS) @ 4,600 rpm 1954–56
Hunter 75 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - 75 bhp (56 kW; 76 PS) @ 5,250 rpm 1955–56
SMX prototype 4 sohc 1,497 cc (91 cu in) 73 x 89.4 - 48 bhp (36 kW; 49 PS) @ 4,500 rpm 1956

——————————————————————————————————————————————

December 1955: Singer Motors joins Rootes Group[37]

——————————————————————————————————————————————

name cylinders cubic

capacity

bore and

stroke

tax

horsepower

power output years in

production

Gazelle I 4 sohc 1,497 cc (91 cu in) 73 x 89.4 52.5 bhp (39.1 kW; 53.2 PS) @ 4,500 rpm 1956–57
Gazelle II 4 sohc 1,497 cc (91 cu in) 73 x 89.4 52.5 bhp (39.1 kW; 53.2 PS) @ 4,500 rpm 1957–58
Gazelle IIA 4 ohv Rootes engine

1,494 cc (91 cu in)

79 x 76.2 60.2 bhp (44.9 kW; 61.0 PS) @ 4,500 rpm 1958
Gazelle III 4 ohv 1,494 cc (91 cu in) 79 x 76.2 60 bhp (45 kW; 61 PS) @ 4,500 rpm 1958–59
Gazelle IIIA 4 ohv 1,494 cc (91 cu in) 79 x 76.2 64 bhp (48 kW; 65 PS) @ 4,600 rpm 1959–60
Gazelle IIIB 4 ohv 1,494 cc (91 cu in) 79 x 76.2 60 bhp (45 kW; 61 PS) @ 4,500 rpm 1960–61
Gazelle IIIC 4 ohv 1,592 cc (97 cu in) 81.5 x 76.2 63 bhp (47 kW; 64 PS) @ 4,100 rpm 1961–63
Gazelle V 4 ohv 1,592 cc (97 cu in) 81.5 x 76.2 67 bhp (50 kW; 68 PS) @ 4,100 rpm 1963–65
Gazelle VI 4 ohv 1,725 cc (105 cu in) 81.5 x 76.2 62.5 bhp (46.6 kW; 63.4 PS) @ 4,200 rpm 1965–67
New Gazelle 4 ohv 1,725 cc (105 cu in) 81.5 x 76.2 62.5 bhp (46.6 kW; 63.4 PS) @ 4,800 rpm

74 bhp (55 kW; 75 PS) @ 5,000 rpm

1967–70
Vogue I 4 ohv 1,592 cc (97 cu in) 81.5 x 76.2 66 bhp (49 kW; 67 PS) @ 4,800 rpm 1961–62
Vogue II 4 ohv 1,592 cc (97 cu in) 81.5 x 76.2 66 bhp (49 kW; 67 PS) @ 4,800 rpm 1963–64
Vogue III 4 ohv 1,592 cc (97 cu in) 81.5 x 76.2 78.5 bhp (58.5 kW; 79.6 PS) @ 5,000 rpm 1964–65
Vogue IV 4 ohv 1,725 cc (105 cu in) 81.5 x 82.55 80 bhp (60 kW; 81 PS) @ 5,000 rpm 1965–66
New Vogue 4 ohv 1,725 cc (105 cu in) 81.5 x 82.55 80 bhp (60 kW; 81 PS) @ 5,000 rpm 1966–70
Chamois 4 ohv 875 cc (53 cu in) 68 x 60.375 39 bhp (29 kW; 40 PS) @ 5,000 1965–70

See also

[edit]

Notes

[edit]

Sources

[edit]
Cover of Singer & Co. (1909) Ltd., directors' report, 31 July 1910.
  • Kevin Atkinson The Singer Story, Cars, Commercial Vehicles, Bicycles, Motorcycles; Veloce Publishing ISBN 9781874105527
  • Wise, David Burgess. "Singer: A Car for Every Purse and Purpose" in Ward, Ian, Executive Editor. The World of Automobiles, Volume 18, pp. 2064-71. London: Orbis, 1974.
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Singer Motors was a British automobile manufacturer based in , . Originally established as a bicycle producer in 1874 by George Singer and Charles Stringer as Singer & Co., the company transitioned into motorized vehicles around 1900, beginning with tricycles and motorcycles before focusing on automobiles. It later became Singer Motors Limited in 1936, producing a range of cars noted for their engineering innovations and motorsport achievements until the brand was discontinued in 1970. By the 1920s and , it had become Britain's third-largest carmaker, with popular models like the Singer Junior and driving sales and racing success. The company's early automotive ventures included its first four-wheeled car in 1905, followed by its first in-house designed model, the Singer 12/14, launched in 1906, and the successful Singer Ten in 1912, which sold around 6,000 units at £185 each. Singer pioneered several British firsts, such as independent front wheel suspension and a clutchless gearchange using a , featured in models like the 1934 saloon. Its vehicles excelled in events like the 1908 RAC 2,000 Miles International Touring Car Trial and 1930s qualifications, with the becoming an iconic for both road and competition use. Following , Singer faced increasing competition and financial pressures, leading to its acquisition by the in 1955, after which models like the were rebadged versions of vehicles. Production at its factory ended by 1958, and the brand was fully discontinued in 1970 under ownership, marking the end of Singer's independent legacy in the British motor industry.

History

Founding and Bicycles

Singer & Co. was founded in 1874 by George Singer and his brother-in-law Charles Stringer in , , initially as a bicycle manufacturer. Singer, an experienced who had previously worked at the Coventry Sewing Machine Company, began by importing and assembling components from abroad before transitioning to full local production. This entrepreneurial approach allowed the company to enter the burgeoning cycle industry during a period of rapid innovation in personal transportation. The company quickly achieved early success with its bicycle manufacturing, starting with high-wheel penny-farthings known as the "Challenge" series from around 1875. These were followed by the patented "Xtra Ordinary" model in , which featured improvements like backward-raked forks for enhanced stability. By the late 1880s, Singer shifted to safety s, such as the "Rational" model around 1890, which offered lower frames and diamond configurations for safer riding. Production scaled significantly during the bicycle boom, with the company outputting approximately 130 bicycles per week by the mid-decade, establishing it as one of Britain's largest cycle producers. Key innovations included the early adoption of pneumatic tires in the late 1880s, which improved ride comfort and contributed to the popularity of safety bicycles among a broader audience. Singer's factory expanded to employ a substantial , reflecting the city's dominance in the global cycle with nearly 40,000 workers across firms by the . These developments positioned Singer & Co. as a major British player, incorporating features like rubber-studded pedals and detachable handlebars to meet growing demand. In 1896, the firm reorganized as the Limited, solidifying its industrial footprint before venturing into motorized vehicles in the early .

Early Motorized Vehicles

Singer Cycle Company, originally renowned for its production, ventured into powered transport in 1900 by licensing the Perks & Birch 'Motor Wheel' design. This innovative unit consisted of a 222cc four-stroke integrated into a fabricated aluminum rear wheel, producing 2 hp and enabling speeds up to 18 mph with a range of about 50 miles on a full tank. The Motor Wheel was primarily fitted to three-wheeled delivery vehicles, marking Singer's inaugural motorized product and simplifying engine attachment by replacing a standard or wheel without extensive frame modifications. In 1901, Singer expanded its lineup with the introduction of motorcycles and three-wheelers known as tricars, targeted at commercial users for delivery and transport duties. Early motorcycles utilized the Perks & Birch design, while tricars combined the Motor Wheel with a single front wheel for stability in urban operations. These vehicles addressed the growing demand for reliable powered alternatives to horse-drawn carts, with the tricars featuring basic suspension and pedal assistance for low-speed maneuvering. Motorcycle production grew steadily from 1901 to 1915, evolving from belt-driven singles to more advanced configurations. Initial models in 1901-1903 relied on belt drive for simplicity, often paired with the 222cc in open-frame designs suitable for both solo and tandem use, including ladies' variants with mechanisms to eliminate discomfort. By 1904, Singer introduced V-twin engines in two-speed tricars and forecars, enhancing torque for heavier loads. The shift to all-chain drive in 1905 improved durability and efficiency, coinciding with fan cooling and magneto ignition; notable examples included the 499cc 3 hp single-cylinder Roadster (85x88mm bore and stroke) and the lighter 226cc Moto-Velo with a Dufaux . Later developments featured water-cooled four-valve heads in 1912 for competitions and two-stroke options by 1914, such as the 349cc 2.75 hp model with chain-cum-belt drive and forks, reaching up to 6 hp in V-twin variants. Production, based in , ceased in 1915 due to demands, after which Singer redirected resources to other motorized pursuits.

Automobile Development

Singer Motors entered the automobile market in with its first four-wheeled car, a compact two-seater model powered by an 8 hp twin-cylinder horizontal engine mounted under the floorboards, featuring innovative pneumatic tires for improved ride comfort. This design, developed under license from Lea-Francis by engineer Alexander Craig, marked a shift from the company's earlier focus on bicycles and motorized two-wheelers, establishing Singer as a producer of reliable light vehicles priced accessibly at around £226. The car's simple construction and sturdy build appealed to early motorists seeking practical transport, setting the foundation for Singer's expansion into full-scale automotive production. A pivotal advancement came in 1912 with the introduction of the Singer Ten, a small featuring a 1,096 cc four-cylinder engine and a full-sized that emulated the proportions of larger luxury models, making it a with around 6,000 units produced through 1923. Classified as a due to its lightweight design under 7 cwt, the Ten offered economical operation and versatility in body styles, from two-seaters to tourers, which helped Singer capture a significant share of the growing budget car market. Its success underscored Singer's strategy of combining affordability with aspirational styling, boosting production volumes and refining in-house engineering capabilities. During the , Singer accelerated its growth with models like the 1926 Junior, a light car powered by an 848 cc overhead-camshaft that became a cornerstone of the company's output, contributing to annual production exceeding 9,000 units by the late 1920s. This expansion, supported by multiple factories and a of over 8,000, elevated Singer to Britain's third-largest car manufacturer by 1928, trailing only Austin and Morris in market share. The Junior's efficient design and competitive pricing drove mass appeal, while Singer's adoption of advanced features like electric starting positioned it as an innovator in the mid-range segment. Engineering innovations continued into the 1930s, exemplified by the 1933 , which featured a refined 972 cc single overhead- engine delivering enhanced performance and smoothness for its class. This model, along with sports variants tuned for higher speeds and racing, such as the Nine with twin carburetors, catered to performance enthusiasts and reinforced Singer's reputation for technical sophistication. By prioritizing overhead camshaft technology across its lineup, Singer achieved greater power efficiency and reliability, solidifying its competitive edge in the pre-war British automotive landscape.

World War II and Post-War Recovery

With the outbreak of in 1939, Singer Motors in shifted its production entirely to support the British war effort, adapting its factories to manufacture aircraft components, munitions such as steel helmets and shell casings, and utility vehicles including vans for the Royal Air Force and passenger/troop carriers based on the pre-war 10 hp chassis. The company's Canterbury Street works, like other Singer facilities, produced essential war materials including jerry cans stamped with "SM," while enduring heavy bombing due to the strategic importance of Coventry's industrial output. This pivot halted all civilian automobile production, with factory lines reconfigured for defense needs to meet urgent demands from the Ministry of Aircraft Production and other government agencies. Post-war recovery proved challenging amid Britain's austerity measures, including severe material shortages like steel and labor disruptions as workers transitioned from wartime roles. Civilian car production resumed tentatively in 1946 with updated versions of pre-war models such as the Super Ten, Twelve, and Roadster, but delays persisted due to supply constraints and economic policies mandating that manufacturers export at least 75% of output to secure raw materials under 1947 quotas. These regulations, aimed at rebuilding the through foreign earnings, emphasized export markets and limited domestic availability during a period of national and reconstruction. In November 1947, Singer launched its first entirely new post-war model, the SM1500 saloon, featuring a 1,500 cc single overhead-camshaft engine derived from pre-war designs but updated for modern standards. With a focus on exports to aid recovery, domestic sales began in , helping Singer regain pre-war production levels by despite ongoing competition and resource limitations. This milestone marked a gradual return to civilian manufacturing, underscoring the company's adaptability in navigating toward economic stabilization.

Corporate Evolution

Acquisitions and Expansion

In 1921, Singer acquired Coventry Premier Ltd., a Coventry-based manufacturer of motorcycles and cyclecars, which allowed the company to integrate Premier's designs into its portfolio, including the production of a four-wheeled powered by a 1,005 cc water-cooled until 1923. This acquisition expanded Singer's offerings in commercial vehicles and smaller passenger cars, enhancing its diversification beyond bicycles and early automobiles. The company's growth continued with the 1926 purchase of Calcott Brothers, another Coventry firm specializing in light cars and motorcycles, which brought expertise in compact vehicle production and additional manufacturing facilities. Calcott's designs, such as their four-cylinder light cars from the early , were incorporated to bolster Singer's entry into the affordable small car market, exemplified by models like the Singer Junior. Parallel to these acquisitions, Singer pursued internal expansion, enlarging its Coventry factories to accommodate rising demand, including the integration of space from the acquired firms. By the late , the workforce had grown to over 5,000 employees across multiple sites, supporting scaled-up operations. These initiatives significantly boosted production capacity, positioning Singer as the third-largest car producer in the UK by 1928, behind only Austin and Morris, with output reaching approximately 9,000 vehicles that year.

Formation of Singer Motors Limited

In December 1936, Singer & Co Limited was dissolved due to its unviability amid financial difficulties, with the motor vehicle business transferred to a newly formed , Singer Motors Limited. This restructuring allowed for the separation of the declining bicycle and divisions—which had ceased production in and seen motorcycles fade from prominence—from the more prosperous automobile segment, addressing economic pressures from the 1930s , intensified competition from affordable imports like the Ford Model Y, and high operational costs from prior expansions and machinery investments. The formation stemmed partly from internal challenges, including a squabble and the fallout from a disastrous racing incident at the Ards Ulster Tourist Trophy, where multiple Singer Le Mans cars crashed, leading to factory closures and the shutdown of the sports car competition department. Operationally, Singer Motors Limited adopted a streamlined dedicated exclusively to automobile production, issuing shares to the public and listing on the to secure fresh capital and focus resources. This shift emphasized a simplified product lineup of three core saloon models—the Bantam, 10 hp, and 12 hp—while building on assets from earlier acquisitions that had bolstered the motor interests transferred. The immediate effects included enhanced operational efficiency, enabling the introduction of innovative models such as the 1937 1½ Litre , which capitalized on the company's engineering expertise in lightweight, overhead-camshaft designs to compete in the growing market.

Rootes Group Acquisition and Decline

In December 1955, the acquired Singer Motors amid the latter's financial difficulties and outdated product lineup, providing Rootes with valuable factory space and engineering expertise to support its ongoing expansion efforts. The , often dated to 1956 in historical accounts, marked the end of Singer's independent operations, as Rootes rapidly integrated the company by repurposing its facilities for broader group production needs. The integration process emphasized badge-engineering to streamline manufacturing, with Singer models adopting Rootes platforms to fill market gaps between and offerings. For instance, the 1956 Singer utilized the Rootes Audax body shell combined with Singer's 1497cc Hunter engine, positioning it as a more upscale small car. Later, the 1967 Singer emerged as a rebadged variant of the , featuring minor trim enhancements to maintain a distinct Singer identity while sharing the Imp's rear-engine layout and 875cc aluminum-block engine. This approach reduced development costs but gradually eroded Singer's unique engineering heritage, leading to a narrower range of badge-engineered vehicles like the Vogue series based on the . By the mid-1960s, Singer's decline accelerated due to the loss of brand autonomy and limited model diversity under Rootes' rationalization, compounded by the group's own labor disputes and product challenges. The 1967 acquisition of Rootes by for approximately £20 million further intensified these pressures, as American management prioritized cost-cutting over brand preservation. Consequently, Chrysler discontinued the Singer marque in March 1970, with the final vehicle—a Vogue estate—rolling off the , ending over 70 years of Singer vehicle manufacturing. The acquisition's legacy included the repurposing of Singer's facilities, such as the Birmingham plant for component storage and distribution, while the site supported Rootes and assembly into the 1980s before eventual closure under ownership in 2006. This shift highlighted the vulnerabilities exposed during Singer's post-war recovery, ultimately subordinating its innovative legacy to larger corporate strategies.

Models

Pre-World War II Models

Singer Motors entered the automobile market in 1905 with its first four-wheeled passenger car, a modest two-seater designed under license from Lea-Francis and featuring a 1,400 cc three-cylinder . This early model marked the company's transition from bicycles and motorcycles to powered vehicles, emphasizing simple, reliable engineering suitable for emerging mass motoring. By , Singer expanded the lineup with the 12/14 hp model, powered by a 2.4-liter four-cylinder Aster , alongside smaller 8-10 hp variants using horizontal or vertical engines with chain or shaft drive, which catered to budget-conscious buyers seeking economical transport. The 1912 introduction of the Singer Ten revolutionized the company's offerings, featuring a 1,096 cc side-valve four-cylinder of Singer's own that delivered around 10 horsepower and a top speed of approximately 60 mph. Priced affordably at £185, this light car became a commercial success, with approximately 6,000 units produced from 1912 to 1923, praised for its reliability, low running costs, and cyclecar-like efficiency that appealed to first-time car owners in Britain. Its rear-axle gearbox and conventional chassis with semi-elliptic springs contributed to a reputation for sturdy performance, solidifying Singer as the third-largest British carmaker by the late . Redesigned in 1923 with an overhead-valve , the Ten continued as a staple, available in tourer and saloon bodies that highlighted the brand's focus on practical, value-driven . In the , Singer targeted the growing demand for compact economy cars with the 1926 Junior, equipped with an 848 cc overhead-camshaft four-cylinder producing 16.5 horsepower at 3,250 rpm. Starting at £148 10s for a four-seater tourer, the Junior achieved strong market reception for its nimble handling, of around 40 , and versatile body options including fabric saloons and sports two-seaters with wire wheels, selling thousands of units within its first five years. This model's innovative OHC and lightweight construction underscored Singer's engineering evolution toward more refined, performance-oriented passenger cars while maintaining affordability and durability as core selling points. The 1930s lineup built on this foundation with the 1933 , a successor to the Junior featuring a 972 cc overhead-valve four-cylinder engine tuned to 26.5 horsepower via twin downdraft carburetors, available in saloon, tourer, and drophead coupé bodies. Priced from about £150, the Nine emphasized economy with fuel consumption near 35 mpg and reliable daily motoring, achieving broad commercial success through its modern chassis and optional independent front suspension introduced in 1934. Complementing it was the 1.5 model, powered by a 1,496 cc overhead-cam four-cylinder engine delivering 48-58 horsepower depending on tuning, offered in sports tourer and saloon variants that balanced performance with practicality. With production peaking at around 28,000 vehicles company-wide in , these models reinforced Singer's reputation for dependable, stylish passenger cars that evolved from basic runabouts to more sophisticated designs, prioritizing reliability and cost-effectiveness amid economic challenges.

Post-World War II Models

Following , Singer Motors resumed automobile production with the SM1500 in 1948, marking the company's first new design in over a decade and featuring a modernized approach influenced by American styling trends. The SM1500 was powered by a 1,506 cc overhead camshaft (OHC) inline-four engine, available in both four-door saloon and two-door roadster body styles, with the saloon emphasizing family practicality and the roadster offering open-top motoring. It incorporated coil-spring independent front suspension, a rarity for British saloons at the time, mounted on a separate for improved ride quality, and optional twin-carburetor setups for enhanced performance. Over 19,000 saloons were produced between 1949 and 1954, supplemented by approximately 3,400 roadsters from 1948 to 1950, achieving total figures exceeding 22,000 units; these models found favor in fleet markets, including driving schools and police forces, though overall sales were modest amid stiff competition from more affordable rivals. In 1954, Singer introduced the Hunter as a facelifted evolution of the SM1500, retaining the 1,506 cc OHC engine with an updated for slightly refined output, while adopting a more traditional chrome grille and fibreglass bonnet for cost efficiency. Approximately 4,800 Hunters were built until 1956, serving as a transitional model that maintained the independent front suspension and body styles of its predecessor but struggled with similar market challenges, including high pricing at around £799. The acquisition by the in 1955 enabled Singer to integrate shared platforms, leading to the series launch in 1956 as a badge-engineered upscale variant of the . The series, produced from 1956 to 1970 across seven iterations, represented Singer's most successful post-war lineup, with total production reaching 122,902 units and engines evolving from the 1,497 cc OHC unit in early models to larger 1,598 cc and 1,725 cc options by the . Offered primarily as four-door saloons but also in convertible and estate variants, the Gazelle featured Rootes' Audax then body styling, with distinctive Singer badging, higher trim levels, and optional overdrive for smoother highway cruising; later models incorporated independent front suspension derived from Rootes engineering. Market performance improved significantly under Rootes, with the series appealing to executive buyers seeking refined British motoring, and adaptations for export markets like , where local assembly occurred from 1957 to 1961 to meet import restrictions. Singer's final passenger car model, the introduced in 1964, was a rear-engined compact based on the platform, positioning the brand in the growing small-car segment with a 875 cc OHC all-aluminum driving the rear wheels. Available as a saloon, , and variant with luxury vinyl interiors and trim accents, it emphasized agile handling and for urban use. Production totaled 45,775 units through 1970, with over 29,000 built by mid-1966 alone, reflecting strong initial sales that tapered amid broader Rootes challenges; the benefited from at all four wheels, enhancing its sporty reputation in export markets including adaptations for right-hand-drive regions beyond the .

Commercial Vehicles

Singer Motors entered the market in the early 1900s, building on its initial foray into motorized transport with the acquisition of rights to the Perks & Birch Motor Wheel in 1900. This innovative design featured a fabricated wheel incorporating a 2 hp , which was fitted to three-wheeled tricycles suitable for urban goods delivery. These lightweight three-wheel delivery vans provided efficient short-haul transport in British cities, marking Singer's transition from bicycles to powered commercial applications. During the and , Singer expanded its commercial lineup to include a range of , light trucks, and buses derived from its passenger car , particularly the popular Singer Ten introduced in 1912. The 10 hp , based on this four-cylinder , were designed for light commercial duties such as parcel and goods delivery, offering reliability and ease of for urban and rural fleets. Production of these vehicles continued through and into the post-war period, supporting British commercial operations before Singer shifted emphasis toward passenger cars. Acquisitions played a key role in enhancing Singer's commercial offerings. In 1921, Singer purchased Coventry Premier, a Coventry-based manufacturer of motorcycles and cyclecars, integrating its production facilities and designs to bolster capabilities. Similarly, the 1925 acquisition of Calcott Brothers, known for its pre-war delivery vehicles and light cars, allowed Singer to incorporate established commercial body styles and variants into its lineup. These moves contributed to annual production of hundreds of commercial vehicles, which served in British fleets for goods transport and early public conveyance before the focus returned to automobiles by the late .

Racing Involvement

Motorcycle Racing

Singer Motors entered the realm of motorcycle racing in the early 1900s, focusing on reliability trials and hill climbs to demonstrate the durability of their lightweight machines. In 1902, the company's 2.75 hp models, including motorized tricycles and early motorcycles, competed in events such as the Cycling Club hill climbing competition, where rider Edwin Perks secured gold medals in both the up to 1.75 hp and 2.75 hp classes on Westerham Hill in . These participations highlighted the machines' hill-climbing prowess and low fuel consumption, with a Singer entry winning first place in motor trials at and earning a at the motor trials that same year. From 1911 to 1914, Singer expanded into international road racing by entering the Isle of Man Tourist Trophy (TT) events, fielding both 350 cc Junior and 500 cc Senior class machines. The company produced dedicated TT replicas, such as the 4 hp 500 cc side-valve single-cylinder model with belt drive and a flat tank, designed for the demanding Mountain Course. Singer's best performance came in the 1913 Senior TT, where a factory entry achieved fifth place overall. In the 1914 Senior TT, rider Victor Horsman finished 49th on a Singer, marking the company's final pre-war outing before motorcycle production ceased amid World War I. Singer's racing efforts centered on tuned production-derived models, including the 6 hp V-twin introduced in 1904. These adaptations not only aided race entries but also fed back into production motorcycles, improving overall reliability through lessons in braking and from successes. Across British events from 1902 to 1914, Singer secured multiple class wins and premier awards in reliability trials, establishing the brand's reputation for robust engineering that influenced subsequent lightweight motorcycle designs.

Car Racing and Trials

Singer Motors entered the competitive world of endurance racing with its debut at the in 1933, fielding a Sports model that finished 13th overall and qualified as the first unsupercharged British car under 1,000 cc for the Cup, averaging 49.4 mph over the 24 hours. This result highlighted the reliability of Singer's pre-war models, such as the Nine, which served as the foundation for racing variants tuned for enhanced performance in demanding conditions. In 1934, Singer expanded its effort with both 1,493 cc and 972 cc models, securing 7th and 8th overall finishes with the larger-engined cars while claiming 1st in the 1,000 cc class with ; the following year, eight Nine entries achieved positions from 16th to 23rd overall, including multiple class podiums and 2nd in the Rudge Cup. By 1939, Singer had amassed 26 starts at , with 14 finishers, underscoring the marque's commitment to endurance racing through factory-supported teams that contributed to British motorsport's interwar prominence. Beyond circuit racing, Singer excelled in reliability trials and rallies throughout the and , where models like the Nine and 1.5 Litre demonstrated exceptional durability on varied terrain. Notable successes included team prizes in the 1933 Sunbac Colmore Trial and an outright victory in the 1936 RAC Rally, where Alf Langley piloted a 1.5 Litre to 1st overall. These achievements reinforced Singer's reputation for building robust vehicles capable of conquering hill climbs and long-distance events, often with modifications for improved traction and power delivery.

References

Add your contribution
Related Hubs
User Avatar
No comments yet.