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Spider-Bitch (Ashley Barton)
Spider-Bitch (Ashley Barton)
from Wikipedia
Ashley Barton
Spider-Bitch
Ashley Barton as Spider-Bitch by Steve McNiven, Dexter Vines, and Morry Hollowell.
Publication information
PublisherMarvel Comics
First appearance
  • As Ashley:
  • Wolverine #67 (September 2008)
  • As Spider-Bitch:
  • Wolverine #68 (October 2008)
Created by
In-story information
Alter egoAshley Parker Barton
SpeciesHuman
Place of originThe Wastelands, Earth-807128/21923
Team affiliationsSpider-Army/Amazing Arachnids/Spider-Force
Partnerships
Notable aliases
  • Spider-Bitch
  • Spider-Woman
  • Spider-Girl
  • Spider-Lady
  • Spider-Kingpin
  • Kingpin of the Wastelands
  • Kingpin of Crime
  • Lady Barton
  • Ash Barton-Morse
  • King Zemo
Abilities
  • Peak human strength, speed, and agility
  • Use of interdimensional travel

Spider-Bitch (Ashley Parker Barton) is a character appearing in American comic books published by Marvel Comics. Created by Mark Millar and Steve McNiven, the character first appeared in Wolverine #67 (September 2008). She is the estranged daughter of Peter Parker / Spider-Man's youngest daughter Tonya and Clint Barton / Hawkeye, and the stepdaughter of Tonya's husband Ultron 8, from the alternate-future of Earth-807128/21923, in which the supervillains overthrew the superheroes three decades earlier.[1] Having no superpowers, after being saved from execution by her estranged father and Old Man Logan in 2008's Old Man Logan storyline, Spider-Bitch kills the current Kingpin of Crime, succeeding him as the Kingpin of the Wastelands, revealing her true villainous nature, before unsuccessfully attempting to kill her father and Logan.[2]

While usually portrayed as a supervillain, Spider-Bitch has also been occasionally depicted assisting her fellow Spider-People in multiversal conflicts. In the 2014–15 "Spider-Verse" storyline, set after Old Man Logan, Spider-Bitch is among the first recruited to a resistance movement against the Inheritors' consumption of Spider-People across the Spider-Verse by the Superior Spider-Man, Otto Octavius, to devise a plan to kill them all; in the aftermath of the conflict, Spider-Bitch continues to explore the multiverse, assisting various teams of Spider-People while funnelling resources back to her home dimension until the 2018 Spider-Geddon storyline and Spider-Force miniseries, following which she returns to her reality, seven years having passed, and reclaims her throne from Taskmaster in 2019's Old Man Quill storyline, continuing her plans to take over the world.

Receiving a generally positive critical reception, the character was adapted to the 2021 radio drama podcast series Marvel's Wastelanders as Ash Morse / King Zemo, voiced by Sasha Lane, and made her cinematic debut in the 2023 feature film Spider-Man: Across the Spider-Verse, referred to as Ashley / Spider-Kingpin, a member of Miguel O'Hara's Spider-Society.[3][4]

Publication history

[edit]

Created by Mark Millar and Steve McNiven, Spider-Bitch first appeared in Wolverine Vol. 3 #67 (September 2008) before making full appearances the following two issues in October and November.[5] Owing to the child-oriented storylines of the character's initial appearances post-Old Man Logan, she is alternately referred to as "Spider-Woman" or "Spider-Girl" due to censorship in text box descriptions, referring to herself as "the Spider-B****" in dialogue.

She is a supporting character in the event series Spider-Verse (Nov. 2014–Feb. 2015), Spider-Geddon (Oct.–Dec. 2018), and Old Man Quill (Feb.–Dec. 2019), and a minor character in Old Man Hawkeye (Feb.–Dec. 2018).[6]

Fictional character biography

[edit]

Old Man Logan

[edit]
Wolverine Vol. 3 #67 (September 2008), depicting Spider-Bitch's first appearance. Art by Steve McNiven.

In the future of Old Man Logan, thirty years after the supervillains overthrew the superheroes, the title character and the now-blind Clint Barton / Hawkeye are passing through Hammer Falls, Nevada after Clint hired Logan as protection while delivering a shipment cross-country, when the pair are greeted by Ultron Eight, the current husband of Clint's third ex-wife Tonya (the youngest daughter of Peter Parker / Spider-Man) and stepfather to their 22-year-old daughter Ashley, both of whom Clint had left when she was three months old with limited contact since. Assuming Clint is there because of a letter Tonya had sent him, Ultron is surprised to learn that he hasn't received it and directs him to Tonya, who informs Clint that Ashley and her friends, apparently inspired by stories of Clint and her grandfather, had formed a super-team and gone north to Salt Lake City, Utah to take down an unnamed African-American man who is the current Kingpin of Crime before being captured and set to be publicly executed the following morning; Ashley is shown to be in a prison cell to be dressed in a costume similar to that of the deceased Spider-Women and her aunt Mayday Parker / Spider-Girl.[7] Surprised, having "never really had Ashley pegged as the superhero type", telling Tonya that he had gotten the impression that she was an "evil badass type [who] never really seemed especially altruistic" from the few encounters he had had with her, Clint nonetheless agrees to rescue her and doubles Logan's salary to convince him to help him rescue her. While en route, passing through Cedar City, Clint tells Logan that while surprised, he is "so friggin' proud" of his daughter; meanwhile, in the Rice–Eccles Stadium in Salt Lake City (now Fisk Lake City), the Kingpin feeds the other members of Ashley's team, successors to Daredevil and the Punisher, to utahraptors while bragging over having killed Magneto during his rise to power, as the pair beg to know what they had done to Ashley. Elsewhere, in her cell inside a customized Walmart-turned-prison, Ashley, known as "Spider-Bitch", sits silently as some of her guards mock the concept of superheroes, before Clint and Logan crash their Spider-Mobile through the wall of the prison. Stating "That'll be Dad." upon hearing the crash, Ashley watches as her father massacre the guards before telling him precisely where on the wall the control panel for her cell is so he can open it, shooting it with an arrow. As the Kingpin enters the room to see what the commotion is, the newly freed Ashley immediately decapitates him by swinging the end of a shotgun into his neck, before knocking a surprised Clint to the ground: Ashley explains that she and her team came to the area not as superheroes, but as supervillains, intending to seize control of the Kingpin's Quarter (formerly Las Vegas) by killing him, the same way the Kingpin himself had taken over as dictator by killing Magneto. As she prepares to beat her father to death,[8] Ashley tells him that she's "doing it because I want to", before Logan, having witnessed Ashley's actions, crashes through the skylight in the Spider-Mobile and rescues Clint. Overlooking the escaping duo, Ashley orders a segment of her new army to go after them, before taking her rightful place on her throne as Spider-Bitch, the Kingpin of the Wastelands.[9] While drinking at a bar with the following day, Clint regrets not being involved in his daughter's life, recalling the day she was born and how she was the first thing she ever saw;[10] these events are also witnessed by a time-displaced Eva Bell.[11]

Edge of Spider-Verse and Spider-Verse

[edit]

Alternately referred to as both "Spider-Woman" and "Spider-Girl" due to censorship in text box descriptions (although referring to herself as "the Spider-B****" in dialogue),[12] and indicated to now be going by her father's surname as Ashley Barton, Spider-Bitch returns in Spider-Verse as one of the first recruited to the Spider-Army of Otto Octavius, the Superior Spider-Man, after he saves her from being consumed by Karn,[13] joining him in recruiting other Spider-People from across the multiverse to their cause, meeting various variants of her grandfather and his family, amongst others.[14][15] After subduing and capturing Karn, Spider-Bitch is among those who push to immediately kill him, only for him to reveal he is but one of a family of Inheritors driven to consume Spider-Totems and escapes his bonds, preparing to consume two of their number before two of his siblings turn up to do so instead; the trio ultimately begin fighting one another, allowing the Spider-Army to escape to their base in 2099. After sending the rest of the Spider-Army to research Karn and his siblings, Otto takes Spider-Bitch and Black-Ops Spider-Man aside to discuss their shared perspective as "killers" who have seen "Brutality. Devastation. Darkness." and whether they are willing to "the face of true evil" and potentially commit genocide against the Inheritors. After a pause, the trio agree, with Spider-Bitch, acknowledging Otto as "boss", stating that "If we're going to survive this, we'll do whatever we have to. Whether the others like it or not."[16] Over the next few months, after fending off several more Inheritor attacks, killing several of them,[17] and learning Karn can be turned to their cause, being an unwilling Inheritor who took no joy in his overpowering biological urges to consume Spider-Totems, banished from returning home for eons, Spider-Bitch agrees with a segment of the Spider-Army to lend Karn some off their life-force before successfully recruiting him to fight and imprison his family.[18][19]

Deadpool: Too Soon?

[edit]

In the Infinite Comic Deadpool: Too Soon?, while investigating an assassin who has been killing several "silly" superheroes across the multiverse, Deadpool seeks to protect Spider-Ham, tracking him down to Central Park, where he interrupts an ongoing baseball game between the Amazing Arachnids (a team of Spider-People from across the Spider-Verse) and the Seething Snikters (a team of variants of Wolverine, his clones and his children). Noticing Deadpool, a participating Spider-Bitch questions what he is doing there and why he interrupted the game, before joining the other Spider-People and Wolverines in chasing him out of the park.[20]

Old Man Hawkeye

[edit]

In the prequel series Old Man Hawkeye (Jan.–Dec. 2018), set five years before Old Man Logan, after learning that his glaucoma will render him completely blind in a matter of weeks due to, Clint visits a 17-year-old Ashley in Hammer Falls, Nevada so that he can see her with his own eyes for the last time; after Clint notes she has a poster of a young him as Hawkeye on the wall (alongside posters of her grandfather Spider-Man and the Kingpin), Ashley references him atypically showing up every five years to see her. Hearing from Tonya that Ashley had recently gotten in trouble for fighting, Clint is initially proud to hear that she had beaten up a bully who had in turn been "beating up one of the fat kids" and stealing his money, only to learn that she had beaten them both up due the "fat kid" having been paying her for protection, and she was insulted by the "disrespect" he had shown by keeping money from her. Dismissing her father's attempts at small talk, Ashley asks Clint why he is really there. After she is dismissive of his vague response, Clint leaves Ashley be, leaving to fulfil his vendetta with the Thunderbolts before he is fully blind.[21] A few days later, Marshal Bullseye, tracking Clint's subsequent killings, visits Hammer Falls and questions Ashley about Clint (whom he rightfully suspects to be behind the killings) outside her mother's garage. After learning that Clint does not actually live there, only coming around "once every few years when he feels guilty about knocking up my mother", Marshal Bullseye notices Ashley's lack of fear with regards to his appearance, even after pulling out a sai in front of her; Ashley references having killed the last man to stick a knife in her face. Impressed, and receiving word of a new "attack by assailant wielding bow", Marshal Bullseye tells Ashley ("little lady") that he will give Clint her regards when he sees him.[22] Later, while visiting Arcade's Murderworld, Nevada to kill Atlas, Clint briefly meets with an elderly Ruth "Blindfold" Aldine, who sees the "bloody road" he is on, "choosing to live for revenge", in particular Ashley's future as Spider-Bitch five years in the future, her attempt to kill him, and his own death days after, although only vaguely alluding to it and shaping images of her, Clint and Logan out of smoke.[23]

Spider-Geddon and Spider-Force

[edit]

In the 2018 comics event Spider-Geddon and the spin-off mini-series Spider-Force,[24] Spider-Bitch recruits Spider-Kid, a 13-year-old Petey Parker, whom she nicknames "Gramps", to his great annoyance, to gain his assistance in preventing Otto (now the Superior Octopus) from unwittingly and unknowingly allowing the Inheritors to clone themselves new bodies,[25] following their earlier escape from their radioactive prison planet, allowing them to launch their attack on the Spider-Verse anew.[26] After failing to stop Otto, who is horrified by what he has done and returns to the mantle of the Superior Spider-Man while attempting to redeem himself; Spider-Bitch, Jessica Drew, Kaine Parker, Astro-Spider, and Spider-Kid meanwhile form a "Spider-Force" to travel to the Inheritors' former prison on an intended suicide mission (wearing hazmat suits) to destroy the abandoned crystal containing the soul of the Inheritors' father Solus, the most powerful Inheritor of them all to prevent his resurrection as well, coming into conflict with that universe's John Jameson.[25] Jameson, revealed to be a telepath, reads the Spider-Force's mind to be able to trust them: while doing so, a glimpse of Ashley Barton's childhood is seen: killing enforcers of the original Kingpin with a dirtbike and stealing cartons of milk for her community. After proceeding to a space station orbiting the planet, Ashley shares a moment of vulnerability with Petey after being briefly "touched" by the Inheritor Verna: Ashley recalls sitting on her reality's Peter's knee as a baby shortly before his death, before growing up in a wasteland of lies, abandonment and abuse.[27] After almost being killed by Verna, the duo escape in an escape pod before unwittingly unknowingly themselves delivering the Solus crystal to the Inheritors via Jessica.[28] After Solus is resurrected, Gwen Stacy / Spider-Gwen leads the new Spider-Army, including a returned Ashley as Spider-Bitch against the Inheritors, alongside a Captain Universe-enpowered Miles Morales, and with the Inheritors weakened thanks to a plan by Otto and Ben Reilly, the Spider-Army is able to achieve victory, binding the Inheritors (but for Morlun) in place before transferring their consciousnesses into the cloned bodies of babies and removing their hunger for Spider-Totems, truly recycling their souls. The Spider-Verse finally at peace, Spider-Bitch returns to her reality to resume her role as Kingpin of the Wastelands, contemplating her purpose in the world.[29]

Old Man Quill

[edit]

In Old Man Quill, after returning to the Wastelands to find seven years to have passed (since Old Man Logan),[30] and Emperor Doom to have taken over her lands while she was fighting the Inheritors and travelling the multiverse,[31] Spider-Bitch is captured by his forces and made to regularly fight in gladiatorial combat in Rice–Eccles Stadium over the following months, with Doom appointing Taskmaster in her stead. After coming across a stranded elderly Peter Quill alongside her in the arena (who is hallucinating the deceased Guardians of the Galaxy talking to him and Rocket Raccoon flirting with her), Spider-Bitch is surprised to learn she will not be facing her usual opponents in combat, but a mind-controlled Fin Fang Foom.[32] After witnessing Spider-Bitch push a prisoner dressed like Captain America into a guard to steal the latter's spear, killing them both, before proceeding to attack Foom's ankles, Quill has Spider-Bitch give him a "Fastball Special", throwing him into one of the drones surrounding the arena to commandeer it, and use it to free Foom, who begins to incinerate the watching audience. Making her way to Taskmaster, Spider-Bitch mocks his age and competence before punching him multiple times in the face. After directing Quill on where to find the Ultimate Nullifier, a relic in the Baxter Building's ruins in New York which he is looking for, Spider-Bitch resumes her role as Kingpin of the Wastelands, overseeing the gladiatorial fights as her assistant arranges for her to watch Taskmaster take on her newly captured Venom-infused Tyrannosaurus rex.[33] Sometime later, after her men discover an army of Doombots to be coming in her direction, Spider-Bitch prepares a speech for her people to inspire them to fight and die on her behalf to protect "what's mine". After one of her assistants informs that they will surely all be killed the moment the Doombots arrive in the city based on the speed they are moving at, Spider-Bitch asks him to "show a little spine"; after seeing the Doombots blow past above the city, Spider-Bitch is surprised that she was not their intended target.[34] Later still, while sitting on her throne and holding a skull in her hands, Spider-Bitch is insulted when her television channels are replaced by a broadcast from Doom and Madame Masque of Quill's intended execution, which is interrupted by Galactus, who Quill then kills.[35][36]

Spider-Verse vs. Venomverse

[edit]

In Spider-Verse vs. Venomverse, Spider-Bitch returns to the multiverse to gleefully assist the Spider-Society in warring with the symbiotes.[37]

Powers and abilities

[edit]

Despite her get-up, and being considered a Spider-Totem by the Inheritors and the Web of Life and Destiny, Spider-Bitch seemingly has none of the powers of her grandfather, Spider-Man (super-strength, agility, the ability to stick to surfaces, and a spider-sense that warns them of danger), although she displays strength, speed, and agility which allow her to go toe-to-toe with superhumans. She acquired these skills through vigorous training and exercise.[38][a] Expressing no interest in romantic relationships of any kind, Spider-Bitch instead seeks world domination and independence from oversight by Doctor Doom throughout Old Man Quill, oblivious to his lack of interest in her actions.[40]

Reception

[edit]

Accolades

[edit]

Other versions

[edit]

Edge of Venomverse

[edit]

Fifteen years after the events of Old Man Logan, Spider-Bitch (depicted as white due to a printing error) finally tracks down Logan (his escape the only "black mark on [her] reputation" as the Kingpin of the Wastelands) with the assistance of Bruce Banner Junior and Warren Worthington III, each respectively helping her after learning Logan to have been responsible for the deaths of their biological family and teammates respectively. After having Warren knock Logan out, Spider-Bitch strings him up with web shooters she acquired from her grandfather's corpse so the trio can taunt them, before releasing a Venom-infused Tyrannosaurus rex to eat him alive, keeping them at bay with web-whips. After Logan briefly tears himself free using his claws, Spider-Bitch webs them together again, only for Logan to take advantage of her lack of a Spider-Sense and use the momentum of her webs to pull her up into the air into the Tyrannosaurus's maw, killing her.[43]

Deadpool Kills the Marvel Universe Again

[edit]

In Deadpool Kills the Marvel Universe Again, as a brainwashed Deadpool decapitates Miles Morales while flying on Green Goblin's glider, dressed as Spider-Man, he sees himself as a "Composite Spider-Man and Deadpool" ending "The Saga of the Spider-Verse Clone Conspiracy" by killing multiple Spider-People, including Spider-Bitch, and "putting an end to this arachnid mayhem!"[44]

In other media

[edit]

Film

[edit]
Kris Anka's concept art of a redesigned Ashley Barton / Spider-Kingpin and Felicity Hardy / Scarlet Spider (wearing the Spider-Armor MK II) for Spider-Man: Across the Spider-Verse.

Video games

[edit]

Miscellaneous

[edit]
  • Ashley Barton appears in Marvel's Wastelanders: Hawkeye (2021), voiced by Sasha Lane. This version, also known as Ash Morse, Ash Barton, and Natasha Cassandra "Ash" Barton-Morse (née Bishop-Jones), is the 17-year-old, non-superpowered biological daughter of Kate Bishop and Jason Jones, who Bishop left in Clint Barton and Bobbi Morse's care following Jason's sudden death. While running for student government president in high school on a platform dedicated to criticizing the Kingdom of Zemo, in which she lives, her best friend and bodyguard Max suffers an overdose of a drug called "Hype" that grants its consumer superpowers and explodes, seemingly dying in the process. Swearing revenge, Ash learns the drugs came from the Brotherhood Traveling Circus, Carnival and Ringmaster's Road Show and recruits Clint, who is employed with them, to help her find the drugs' distributor and kill them. Along the way, Ash reunites with Kate and attempts to kill Max's supplier, Frederick Dukes, Junior, only to learn he had been manipulated by the Ringmaster and Max is alive, having teleported to safety following the explosion and hidden himself in the woods neighboring the circus. Upon reuniting with Max, Ash begins to question her desire for revenge and the path it will bring her down in life.[47][48] Sometime later, Ash becomes the new King Zemo, one of the Seven Dictators of the Wastelands, when her predecessor, Herman Zemo, vacates the position after spending a decade of impersonating his father Helmut.
  • Spider-Bitch is referenced in Doja Cat's song "HEADHIGH" via her 2024 album Scarlet.[49]

Merchandise

[edit]

Ashley Barton / Spider-Bitch received a figure in Hasbro's Marvel Legends line.[50]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Spider-Bitch (Ashley Barton) is a fictional character appearing in American comic books published by , depicted as a vigilante in the dystopian alternate reality designated Earth-807128, the setting of the "" storyline. As the daughter of Clint Barton (Hawkeye) and Tonya Parker—the youngest daughter of Peter Parker ()—Ashley is Spider-Man's granddaughter and inherits her grandfather's web-shooters to fight crime in a world overrun by supervillains. Unlike many Spider-Family members, she possesses no innate superhuman abilities such as spider-sense, relying instead on her resourcefulness, combat skills honed in a brutal post-apocalyptic landscape, and the technological gadgets from her lineage. Created by writer and artist , Ashley Barton made her first in Wolverine #67 (September 2008) and her full debut in Wolverine #68 (October 2008), as part of the eight-issue "Old Man Logan" arc (Wolverine #66–72). In this narrative, set decades in the future where the supervillains have conquered America, Ashley teams up with her estranged father and the aged (Logan) to overthrow the Kingpin, but after killing him and seizing power as the new Kingpin, she betrays and attempts to kill her father, solidifying her reputation as a cunning and morally ambiguous anti-heroine. Her provocative alias "Spider-Bitch" reflects the harsh, unfiltered tone of this world, though it was later softened to "" or "" in crossovers to suit broader audiences. Ashley Barton's role expanded beyond her native timeline during the 2014–2015 "" crossover event, where she was recruited by to combat the Inheritors—family of vampiric beings hunting Spider-totem bearers across realities—as part of the multiversal alliance. Featured prominently in issues like Amazing Spider-Man (Vol. 3) #10–14, she contributed her tactical savvy and web-based arsenal to the resistance, helping thwart the existential threat despite her lack of superhuman abilities. Subsequent appearances in events like "" (2018) further integrated her into the broader mythology, portraying her as a survivor whose gritty perspective contrasts with more idealistic Spider-heroes.

Publication history and development

Creation and concept

Spider-Bitch, whose real name is Ashley Barton, was created by writer and artist as part of the "" storyline in . She was first mentioned by name in Wolverine #67 (September 2008) and made her full debut as Spider-Bitch in Wolverine #68 (October 2008), both issues set in the dystopian Earth-807128 universe. Conceived as the daughter of Clint Barton (Hawkeye) and Tonya Parker—making her the granddaughter of Peter Parker—Ashley embodies a stark contrast to the traditional heroic ideals of the Spider-family. Her initial portrayal draws from the post-apocalyptic themes of the "" arc, depicting her as a foul-mouthed, violent survivor navigating a wasteland ruled by villains, with her moniker "Spider-Bitch" directly reflecting this aggressive, unfiltered personality shaped by a brutal environment. The character's development was influenced by -style dystopian road narratives and the subversion of superhero tropes seen in Clint Eastwood's , reimagining Spider-Man's legacy through a lens of hardened cynicism and familial estrangement in a world where heroism has long faded. For broader accessibility in crossover events, her name was temporarily altered to the more family-friendly "" or "" during her appearance in Amazing (Vol. 3) #10 (January 2015), aligning with the multiversal storyline while preserving her core dystopian origins. This evolution highlights Millar and McNiven's intent to craft a provocative anti-hero whose raw edge challenges the polished optimism typically associated with variants, later expanding her role across multiversal narratives.

Key comic appearances

Spider-Bitch, or Ashley Barton, debuted in the "Old Man Logan" storyline within the comic arc Wolverine #66–72, published from June 2008 to June 2009, where she was introduced as the daughter of Clint Barton in a dystopian future Earth-807128. This arc marked her first major role, showcasing her complex family dynamics and rise to power in the Wastelands. She followed up with a significant appearance in Giant-Size Old Man Logan #1 in September 2009, expanding on the events of her debut by depicting her betrayal and leadership in Hammer Falls. After a period of absence, Ashley Barton was reintroduced to the narrative in #33 in September 2014, where she was recruited by Octavius to combat the Inheritors, highlighting her tactical skills and web-based arsenal in a multiversal context. She made a in Edge of Spider-Verse #1 (September 2014), as part of the buildup to the event. She made a minor cameo in Amazing (Vol. 3) #10 later that year, joining other Spider-heroes against the Inheritors. Barton played major roles in the 2015 Spider-Verse event across issues #1–2, teaming up with Spider-Men from various realities to defend against the Inheritors. In 2016, she appeared in Deadpool: Too Soon? #1, depicted in a lighter, alternate scenario involving multiversal chaos and humor. Her presence continued in Old Man Hawkeye #1–4 (2018), delving into her father's aging adventures and family tensions in the Wastelands. The character featured prominently in Spider-Geddon #1–5 (2018), allying with Spider-Army remnants to battle a new Inheritor threat. This led into Spider-Force #1–3 in 2019, where she joined a specialized team to hunt symbiote threats across realities. Her most extended recent arc was in Old Man Quill #1–12 (2019), intersecting with the in a dystopian crossover. She had a minor cameo in Spider-Verse vs. Venomverse #1 (2017), bridging symbiote and spider conflicts. As of November 2025, Ashley Barton has no major new comic appearances following her 2019 roles, though she has been referenced in broader Spider-multiverse discussions and events without dedicated storylines.

Fictional character biography

Origins in

Ashley Barton, known as Spider-Bitch, is the daughter of Clint Barton (the aged Hawkeye) and Tonya Parker, the youngest daughter of Peter Parker (), thereby making her Spider-Man's granddaughter in the dystopian Earth-807128. In this alternate future, set decades after the Hulk Gang's brutal massacre of most superheroes, the world has devolved into the lawless Wastelands dominated by warring supervillain factions, with territories ruled by figures like the Kingpin of Hammer Falls. Ashley grew up amid this chaos, inheriting her family's legacy in a harsh environment where survival demanded ruthlessness over heroism. Her father, Clint, embodied a fading sense of justice, but Ashley rejected idealistic paths, instead channeling her heritage into a bid for dominance by adopting a modified version of her grandfather's costume. Determined to overthrow the aging Kingpin, Ashley assembled a small band of young allies to challenge his rule over the Kingdom of the Kingpin, but she was captured and imprisoned. Clint enlisted the aid of , the retired , to rescue her during their journey through the Wastelands in Wolverine (Vol. 3) #67-68 (2008). Upon liberation, Ashley shocked her father by immediately executing the Kingpin in a violent coup, seizing control of his territory and declaring herself the new Kingpin of the Wastelands under the moniker Spider-Bitch to honor her grandfather's legacy while embracing her aggressive persona. This takeover marked Ashley's transformation into a iron-fisted , an uneasy alliance with Logan as they navigated the Wastelands' dangers together, though her methods starkly contrasted Clint's ideals—prompting his disappointment that "she didn’t want to be a ...she wanted to be the ." Her rule solidified her as a formidable force in the post-apocalyptic landscape, prioritizing power and survival over moral redemption.

Edge of Spider-Verse and Spider-Verse events

In the buildup to the event, Ashley Barton was recruited by (Otto Octavius) in Superior Spider-Man #32 (August 2014), as part of the Edge of Spider-Verse initiative to assemble a multiversal alliance against the Inheritors, a vampiric family preying on Spider-totems across realities. Operating under the censored alias to align with the event's tone, she left her throne in the ruined Wastelands of Earth-807128 shortly after claiming it, drawn into the conflict by the promise of greater power and survival. Barton joined the burgeoning Spider-Army in #1–2 (November–December 2014), contributing to early strikes against the Inheritors' forces, including an ambush on Karn, their scout and assassin. During the confrontation in #33 (September 2014), she pushed for the immediate execution of the captured Karn, arguing for total eradication of the Inheritors to end the threat decisively, which put her at odds with more restraint-oriented members of the team who favored containment or redemption. Her advocacy for genocidal measures reflected a pragmatic ruthlessness honed in her dystopian homeworld, where mercy had long proven fatal. Throughout these events, Barton's combat prowess shone in skirmishes defending safe havens like Loomworld, where she utilized her enhanced agility, web-based tactics, and lethal precision to dispatch Inheritors' and lesser threats, often prioritizing efficiency over heroism. This positioned her as a polarizing figure within the Spider-Army—valued for her effectiveness in safeguarding the but distrusted for her self-serving undertones and willingness to cross moral lines, fusing her inherited Spider legacy with the unforgiving ambition of a former Kingpin successor.

Deadpool: Too Soon? and Old Man Hawkeye

In Deadpool: Too Soon? Infinite Comic #6 (2016), Ashley Barton, operating under her moniker, joins the Amazing Arachnids—a multiversal team of Spider-themed heroes—for a chaotic game in against the Seething Snikters, a squad of variants led by . Her aggressive playstyle, including fierce swings and taunts, highlights her combative edge, while her banter with the opposing adds a layer of irreverent humor to the multiversal crossover. The miniseries Old Man Hawkeye #1–4 (2018), set five years before the events of Old Man Logan, portrays Ashley at age 17 as an emerging villain in training, aiding her father Clint Barton in targeted strikes against the Red Skull's regime in the dystopian Amerika. Despite her initial loyalty in these operations, her dialogue and actions—such as eyeing power structures with calculated interest—reveal an ambitious, power-hungry nature that foreshadows her betrayal of heroic ideals. These narratives serve as flashbacks to Ashley's youth on Earth-807128, tracing her evolution from a hero-worshipping daughter influenced by her father's Avenger legacy to the ruthless tyrant she becomes in later years. Her eventual rise as the new Kingpin encapsulates this shift, born from the corrupted remnants of her family's heroic past. The stories underscore themes of legacy and corruption within the Barton lineage, illustrating how Clint's absences and the wasteland's brutality warp Ashley's potential into villainy.

Spider-Geddon, Spider-Force, and Old Man Quill

In the 2018 crossover event , Ashley Barton, known as Spider-Bitch, rejoined the multiversal Spider-Army to combat the Inheritors, who had escaped their prison and resumed hunting Spider-totems across realities. Building on her prior recruitment during the original events, she contributed to the coalition's efforts against these familial threats, participating in high-stakes missions to prevent further genocidal incursions. As a direct tie-in to , Barton became a key member of Spider-Force, a specialized strike team assembled in Spider-Force #1–3 (2019) to pursue and eliminate lingering Inheritor dangers off-world, including at the symbiote prison on Earth-41940. Led by (), the unit included Jessica Drew (Spider-Woman), along with newer recruits Astro-Spider and Spider-Kid, with Barton providing her wasteland-honed tactical insight and combat prowess during their perilous first mission, which tested the team's cohesion against overwhelming odds. Her involvement underscored a shift toward proactive multiversal defense, leveraging her experience from Earth-807128's brutal to secure remote threats. Following these events, Barton returned to her home reality of Earth-807128 in Old Man Quill #1–12 (2019), only to discover seven years had passed in her absence due to her multiversal travels, during which Victor von Doom had seized control as Emperor Doom and usurped her position as the Kingpin of Fisktown. Deposed and operating from the shadows, she allied with an aged Peter Quill (), who had arrived in the Wastelands seeking the , to orchestrate a counteroffensive against Doom's regime. Their collaboration culminated in liberating to devastate Doom's forces, enabling Barton to reclaim her throne and restore order amid the chaos of her prolonged exile's repercussions. This arc highlighted her evolution into a more strategic commander, integrating multiversal alliances to consolidate power in a fractured world.

Spider-Verse vs. Venomverse

In Spider-Verse vs. Venomverse #1 (2025), Ashley Barton, known as Spider-Bitch, makes a return appearance as a member of the contingent, joining forces with the Spider-Society to combat an invasion by symbiote forces from the threatening multiple realities. Drawing on her prior experiences with the Spider-Army during multiversal threats, she deploys her enhanced agility and combat prowess to engage variants in fierce battles across dimensions. This crossover highlights her combat expertise against symbiotic entities, positioning her as a key defender in the escalating war despite her underlying villainous tendencies from her dystopian origins. The event serves as a pivotal bridge in Spider-Bitch's narrative arc, expanding her role from isolated skirmishes to confronting broader Marvel cosmic perils, where she emerges as a pragmatic ally willing to set aside personal ambitions for collective survival. Her involvement underscores the high stakes of the conflict, as the unites to safeguard the Web-Heart artifact from symbiote corruption, with Spider-Bitch's ruthless efficiency proving instrumental in early confrontations.

Powers and abilities

Enhanced physical attributes

Unlike her grandfather Peter Parker, Ashley Barton possesses no innate superhuman abilities or spider-derived powers, including the lack of Spider-Sense, relying instead on her peak human physical conditioning honed through lifelong survival training in the post-apocalyptic Wastelands of Earth-807128. This rigorous regimen, shaped by the harsh realities of a villain-dominated world and her upbringing by her mother and a peaceful unit, has pushed her body to the absolute limits of , allowing her to perform feats that surpass those of ordinary individuals without crossing into the supernatural. Her strength is at peak human levels, enabling her to overpower average opponents in close-quarters combat and lift weights comparable to Olympic athletes, such as subduing armed guards single-handedly during her rise to power. Ashley's agility is similarly enhanced, permitting acrobatic maneuvers, precise dodges, and wall-running with the aid of her grandfather's web-shooters, facilitating swift evasion in battle. Her speed allows for rapid strikes and quick repositioning, outpacing typical reaction times to land decisive blows against multiple foes in chaotic skirmishes. Durability forms another cornerstone of her capabilities, forged from years of experience in the Wastelands, where she has endured severe injuries—including stabbings and beatings—that would incapacitate most people, yet recovered through sheer resilience and medical improvisation. This toughness is complemented by her ability to push through pain and fatigue, maintaining operational effectiveness in prolonged fights. Ashley's training emphasized marksmanship and hand-to-hand techniques adapted to wasteland . By her thirties in the Wastelands timeline, Ashley continues to maintain her physical prime without any artificial enhancements, her body aging gracefully due to disciplined lifestyle and constant activity, allowing her to lead insurgencies and engage in high-stakes conflicts undiminished.

Combat skills and equipment

Ashley Barton is renowned for her exceptional proficiency, honed through rigorous self-taught in a brutal, post-apocalyptic world, where she relies on skill and ingenuity rather than innate superpowers. Her peak physical conditioning enables the execution of these abilities under extreme duress, allowing sustained performance in prolonged engagements. In close-quarters fighting, Barton excels as an expert hand-to-hand combatant, integrating a hybrid style of disciplined forms with a raw, street-fighting brutality that emphasizes joint locks, strikes to vital points, and opportunistic takedowns. This style renders her highly effective in stealth infiltrations and targeted assassinations, allowing her to neutralize threats silently in urban ruins or enemy strongholds. Her proficiency is evident in solo missions against symbiote hosts and mechanical adversaries, where she leverages and precision to outmaneuver larger opponents. Barton dons a makeshift costume patterned after her grandfather Peter Parker's suit, featuring a hooded , web-patterned , and reinforced armored scavenged from pre-cataclysm tech to against blades, bullets, and energy blasts. Her arsenal includes inherited web-shooters for mobility and restraint, alongside post-apocalyptic salvage like compact energy rifles, explosive grenades, and modified all-terrain vehicles for rapid deployment. These tools support her preference for , enabling quick strikes and evasions in contested territories. Strategically, Barton possesses a keen tactical acumen for commanding makeshift armies, specializing in hit-and-run maneuvers that exploit terrain advantages and enemy vulnerabilities in resource-scarce settings. She coordinates ambushes and diversions with precision, as seen in her orchestration of multiversal alliances against existential threats, prioritizing mobility and surprise over direct confrontations.

Characterization and themes

Personality and motivations

Ashley Barton, known as Spider-Bitch, exhibits a foul-mouthed and aggressive demeanor that starkly subverts the traditional heroism associated with lineage characters. In the dystopian landscape of Earth-807128, she embraces a villainous , utilizing her inherited web-shooters and gadgets not for altruistic ends but to seize control and establish stability through dominance. Her signature catchphrase, "Bitch got old!", encapsulates this brash attitude, often invoked in confrontations to assert her authority over aging adversaries like the Kingpin, whom she ultimately overthrows to claim his territory. Her motivations are deeply rooted in survival and the protection of her hard-won domain, influenced by a twisted interpretation of her family legacy as the granddaughter of Peter Parker and daughter of Clint Barton. Rather than pursuing or redemption, Ashley seeks broader power to avert the kind of widespread chaos that defined her world's Hulk-led massacres and villainous takeovers, viewing domination as the only safeguard against further collapse. This pragmatic drive leads her to honor her heritage selectively, adopting elements of Spider-Man's outfit while discarding his moral code in favor of ruthless ambition. Throughout her arc, Ashley evolves from a vengeful young captive—rescued inadvertently during Old Man Logan's journey—to a calculated ruler who demonstrates conditional loyalty to allies such as her father Hawkeye and Logan, yet readily betrays alliances when they no longer serve her interests. This shift highlights her adaptability in a broken , where personal gain supersedes sentiment. Her cynical , forged by profound losses including the decimation of heroic figures, stands in sharp contrast to the of mainstream Spider-heroes, prioritizing opportunistic over .

Family and relationships

Ashley Barton is the daughter of Clint Barton (Hawkeye) and Tonya Parker, the youngest daughter of Peter Parker (), thereby making her the granddaughter of the iconic web-slinger. Her parents' marriage ended in divorce, leaving Tonya to raise her largely on her own as an auto-mechanic in the dystopian Wastelands, where Tonya formed a surrogate parental bond with the benevolent Ultron Eight, who provided more consistent guidance than Clint. Barton maintains a close but deeply strained relationship with her father, marked by mutual distrust and occasional collaboration amid the chaos of their ruined world; Clint, fearing her potential descent into villainy, nonetheless aids her survival, such as during a daring from Kingpin's forces, though their alliance fractures when Ashley betrays him to pursue her own ruthless ambitions. This dynamic underscores Clint's role in imparting basic combat training to her, blending paternal protectiveness with apprehension over her aggressive tendencies. She idolizes her deceased grandfather Peter Parker as an emblem of faded heroism in a corrupted era, adopting his spider-motif and web-shooters despite possessing no innate abilities, a choice that ties her tenuously to the Parker legacy while highlighting its erosion through her villainous path. Tonya's influence remains peripheral, serving mainly to connect Ashley biologically to the Spider lineage without shaping her vigilante identity. Beyond immediate family, Ashley forms pragmatic alliances rather than deep emotional bonds, viewing as a reluctant mentor figure during joint revenge quests against wasteland tyrants, and later aligning uneasily with multiversal Spider-People as comrades against existential threats like the Inheritors. No romantic relationships are depicted, emphasizing her focus on survival-driven partnerships over personal intimacy. These connections illuminate themes of corrupted legacy within the Barton-Parker lineage, where familial ties fuel both inspiration and conflict in a hero-less world.

Reception and legacy

Critical reception

Spider-Bitch's codename has been criticized as offensive and tonally mismatched for broader audiences, leading Marvel to rebrand her as or in later appearances. Critics have pointed to some drawbacks, including an over-reliance on edginess that borders on gratuitous, particularly with her codename "Spider-Bitch," which has been called offensive and tonally mismatched for broader audiences, leading Marvel to rebrand her as or in later appearances.

Accolades and cultural impact

Ashley Barton, known as Spider-Bitch, was immortalized in Hasbro's line as part of the 2016 Space Venom Build-A-Figure wave, where she was depicted as with detailed sculpting reflecting her costume and web-shooting accessories. Collectors have praised the figure for its high level of articulation and faithful recreation of her dystopian appearance, making it a sought-after item among enthusiasts. In the 2021 audio series : Hawkeye, Ashley Barton was portrayed by under the alias Ash Morse (also referred to as Ash Barton), adapting her backstory into a of vengeance and survival in a villain-dominated world. The series earned acclaim for its immersive storytelling and Lane's compelling performance, which added emotional layers to the character's fierce independence, contributing to the podcast's overall positive reception with ratings around 7.4 on . Spider-Bitch gained further cultural prominence through a reference in Doja Cat's 2024 song "HEADHIGH" from the album Scarlet, where the lyrics include the line "They should call me Spider-bitch," invoking her bold and unapologetic persona to symbolize resilience and defiance. This nod highlighted her influence beyond comics, integrating her into contemporary music discussions on empowered, anti-heroic figures. While Ashley Barton has not received formal awards in comic book categories, her inclusion in fan rankings, such as Trending Pop Culture's top five female Spider heroes, underscores her role in sparking conversations about diverse, morally ambiguous characters in the Marvel multiverse.

Alternate versions

Edge of Venomverse

In Edge of Venomverse #4 (August 2017), Ashley Barton, known as Spider-Bitch, is depicted as a variant from Earth-17673, an alternate future timeline branching from the Old Man Logan storyline where a symbiote-possessed Tyrannosaurus rex survived its initial encounter. In this non-canon "what-if" narrative set 15 years after the events of , Ashley seeks revenge against for dismantling her criminal operations in Hammer Falls by killing her enforcers. She allies with () and Bruce Banner Jr., both harboring their own grudges—Archangel for the destruction of the and Banner Jr. for the death of his father at Logan's hands—to capture the aging and exploit his DNA for creating a symbiote clone army to conquer the wasteland. The trio imprisons Logan in the at the ruins of the Xavier Institute, intending to pit him against their captured symbiote-infected dinosaur as a while harvesting his genetic material. This symbiote, a manifestation of the entity from Earth-17673, enhances the T. rex into a monstrous hybrid capable of overwhelming even Logan's adamantium claws. Ashley's role highlights her ruthless leadership in this post-apocalyptic alliance, leveraging her web-shooters, agility from combat training, and tactical skills to subdue Logan during the ambush. The story explores themes of symbiote corruption in a -dominated , though Ashley herself remains unbonded, underscoring the broader threat of symbiote invasion orchestrated by Knull across realities in the event. During the confrontation, Logan feigns defeat to lure the symbiote-dinosaur closer, then maneuvers Ashley into its path, resulting in her being devoured and killed by the beast before it can consume him. This fatal end prevents the alliance from fully realizing their clone army plan, though Banner Jr. and Archangel briefly consider proceeding with Logan's remains. Logan's subsequent bonding with the symbiote propels him into the larger Venomverse conflict against Knull, the symbiote god, leaving Ashley's variant as a short-lived antagonist emphasizing the perils of vengeance in a symbiote-ravaged world. Her portrayal amplifies her canonical aggression without direct symbiote influence, portraying her as strategically vulnerable in the face of overwhelming symbiotic power.

Deadpool Kills the Marvel Universe Again

In the five-issue miniseries Deadpool Kills the Marvel Universe Again (2017), written by with art by Dalibor Talajić, Spider-Bitch becomes one of the targets in 's chaotic, multiversal rampage against Marvel . Featured prominently in issue #2, she confronts the brainwashed mercenary in a high-stakes battle, leveraging her agility, web-shooters, and combat techniques to mount a fierce defense. Deadpool ultimately kills her in an over-the-top, gore-filled sequence that satirizes her aggressive persona, decapitating her with a glider in a nod to classic tropes twisted for dark humor. This portrayal underscores the series' core theme of irreverent , gleefully subverting iconic characters through exaggerated violence and absurdity.

Earth-21923 variant

In the Earth-21923 reality, Ashley Barton is known primarily as , with additional aliases including Spider-Bitch and Kingpin, distinguishing her from variants in other universes. She draws on her family's spider legacy through technological gadgets like web-shooters, becoming a formidable figure who rules over territories in the post-apocalyptic Wastelands. This version of Barton adopts a modified costume, emphasizing her connection to the Spider legacy while establishing dominance as the new Kingpin after displacing prior rulers. Barton retains a backstory similar to her Earth-807128 counterpart, as the daughter of Clint Barton (Hawkeye) and Tonya Parker, implying grandparents Peter Parker and as the foundational and his partner. However, her family ties are adjusted in this multiversal context, focusing on the transmission of equipment and skills across generations without direct overlap to earlier Wastelands conflicts. This setup highlights variations in the Spider legacy, where Barton's web-shooters and combat prowess serve both personal ambition and broader heroic duties. During the Spider-Geddon event, Barton integrates into the Spider-Society as a key member of the Spider-Force team, led by Kaine () and including Jessica Drew (), to hunt the Inheritors across realities. Unlike her more ruthless portrayal in primary continuities, this variant acts as a collaborative hero, undertaking high-risk missions to protect the multiverse, such as confronting and other Inheritors in covert operations. Her involvement underscores the theme of reluctant alliances among Spider-totem bearers, contributing to the defeat of the familial threats without tying back to isolated Old Man Logan-era events.

Adaptations in other media

Film and animation

Spider-Bitch, reimagined as Spider-Kingpin for the film's PG rating, makes a brief in the animated feature (2023), where she is depicted as a member of Miguel O'Hara's Spider-Society. In this multiversal narrative, Ashley Barton is portrayed as a ruthless ruler of a dystopian wasteland, drawing from her comic origins as a descendant of Peter Parker who overthrew the Kingpin to seize control of Hammer Falls. Her role contributes to the film's expansive ensemble of Spider-variants, highlighting the diversity of the Spider-Society without significantly altering the central plot focused on and . The character's visual design in the film updates her comic book costume, incorporating cyberpunk aesthetics with a bulky, armored suit featuring jagged edges, metallic reinforcements, and a prominent spider emblem fused with Kingpin-inspired motifs to evoke her tyrannical leadership. This redesign was developed by comic artist Kris Anka, who served as a character designer for the production, emphasizing a post-apocalyptic vibe that aligns with the wasteland setting of Earth-807128 while fitting the film's stylized animation pipeline. Voiced by an uncredited actress, Spider-Kingpin has no spoken lines in her fleeting appearance during the Spider-Society sequence, serving primarily as a visual Easter egg for fans familiar with the character's comic backstory. As of November 2025, Spider-Bitch has not received a standalone animated series or dedicated film portrayal. However, her inclusion in Across the Spider-Verse opens potential for expanded roles in future installments of the franchise, such as the delayed Spider-Man: Beyond the Spider-Verse, slated for release on June 18, 2027, which continues the multiversal storyline and could revisit lesser-seen variants like Ashley Barton.

Audio and miscellaneous

A character inspired by Ashley Barton from the comics, known as Spider-Bitch, was adapted in the audio drama podcast series : Hawkeye, released in 2021 by and SiriusXM. In this post-apocalyptic story set in a villain-dominated world, she is portrayed as Ash, the estranged 17-year-old daughter of Hawkeye (voiced by ), seeking vengeance for her friend's death and joining her father on a perilous mission. Voiced by , this version explores themes of family reconciliation and heroism in a wasteland devoid of traditional Marvel heroes, drawing from Barton's comic origins as Hawkeye's daughter while adapting her into a young rebel navigating survival and betrayal. The character received a cultural nod in popular music through Doja Cat's song "HEADHIGH" from the 2024 deluxe album Scarlet 2 Claude. In the lyrics, Doja Cat references "Spider-Bitch" in the line "They draggin' my name through the web, they should call me Spider-Bitch," evoking Barton's bold and defiant persona amid themes of resilience and public scrutiny. This mention highlights Spider-Bitch's unapologetic vibe crossing over into mainstream pop culture, aligning with the song's empowering tone. Beyond audio and music, Spider-Bitch has appeared in miscellaneous media such as Marvel sets, including sketch cards in the series that depict her dystopian warrior aesthetic. She has also featured in fan-created media, including artwork and discussions within Marvel enthusiast communities, though as of 2025, no major live-action or film portrayals outside of animated adaptations exist.

Video games and merchandise

As of 2025, Spider-Bitch, or Ashley Barton, has no major appearances in console or PC video games, with her presence limited to minor roles in mobile titles. She first appeared as a playable character known as in Spider-Man Unlimited, a 2015 endless runner game developed by , where she is depicted as a web-slinging hero fighting villains in a setting. More recently, she was added as a playable character named (Ashley Barton) in Marvel Future Fight, a mobile action RPG by , released on December 18, 2024, as part of an update featuring variants. These cameo-style inclusions highlight her niche status in interactive media, without dedicated storylines or significant gameplay integration compared to more prominent Spider-family members. Merchandise for Ashley Barton remains sparse, reflecting her rather than mainstream appeal. The primary official collectible is a 6-inch released by in 2016 as part of the Marvel Legends Space Venom Build-A-Figure wave, marketed under the name (Ashley Barton) to avoid the character's explicit comic moniker. The figure features a red-and-blue costume with web patterns, articulated posing, and includes a torso piece for the Space Venom Build-A-Figure. No apparel lines or additional collectibles tied to media have been produced, leaving her representation in commercial products underrepresented relative to her roles.

References

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