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Axminster Carpets
Axminster Carpets
Axminster Carpets
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Axminster Carpets Limited is an English manufacturer of carpets, particularly the eponymous Axminster carpets. The company is based in Axminster, Devon.

Key Information

Background

[edit]

Whilst visiting Cheapside market in London, Devon-based weaver Thomas Whitty was impressed by a large Turkish carpet that he saw. Upon his return to Axminster, he used his weaving skills to work out how to produce a product of similar quality. After several months work, he completed his first carpet on midsummer's day in 1755.[1]

Whitty's carpets, looking much like horizontal tapestries, became the benchmark for wealthy aristocrats to have in their country homes and town houses, between 1755 and 1835. The company produced Axminster carpets for: the music room of the Royal Pavilion, Brighton; Chatsworth House; Powderham Castle; Saltram House; and Warwick Castle. King George III and Queen Charlotte purchased Axminster carpets and also visited the factory.[1]

In 1800, the company made a 74-by-52-foot (23 m × 16 m) carpet for Mahmud II, the Sultan of the Ottoman Empire, known today as the most famous Axminster Carpet of all. Depicting a blazing sun, moon and a whole constellation of stars, it cost £1000 (equivalent to £101,984 in 2023). Carried out of the factory by thirty men from the local Congregational Church, it was initially placed in the Topkapi Palace. It was then moved to the Defterdar Palace, where it became the property of Esma Sultan, the daughter of Sultan Mustapha III.[2]

Decline

[edit]

In 1828, a disastrous fire destroyed the weaving looms. In 1835, the company owner, Samuel Rampson Whitty, the founder's grandson, was declared bankrupt. Blackmores of Wilton, Wiltshire, near Salisbury, bought the remaining stock and looms and extended their business to include hand-knotted carpets, which were still called Axminsters.[1]

In July 2012, Axminster Heritage Ltd bought the now Grade II listed former original carpet factory in which Thomas Whitty founded the company and wove the first carpets. It now houses the town's heritage centre, incorporating the town museum and the tourist information centre.[3]

Refoundation

[edit]
Hamlyns's Mill, Buckfastleigh, which was bought by Harry Dutfield post-World War II to overcome supply difficulties for woollen yarn

In 1929, Kidderminster-resident Scottish-born carpet manufacturer Harry Dutfield founded a new carpet company with his former schoolfriend Stephen Quayle. However, as the depression hit, the company became beset by Union problems. Setting off for the 1935 London Motor Show to buy his first Jaguar car, Dutfield met a vicar on the train from the West Country, who told him that carpets had not been made in the town of Axminster since the 1828 fire.[4]

Returning home, Dutfield formulated a business plan to move his company to Axminster and relaunch Axminster Carpets Ltd.[5] He persuaded the Southern Railway to extend its station at Axminster, and from 1937 lease him land on which to build a suitable factory.[6]

At the outbreak of World War II, Dutfield converted the factory to produce stirrup pumps and later aircraft parts, while Dutfield himself was an officer in the Home Guard.[4]

After hostilities ceased, and with severe shortages of raw materials, keen fisherman Dutfield bought a woollen mill at Buckfast, near Buckfastleigh, which came with salmon fishing rights on the River Dart.[4] This enabled Dutfield to establish the company on its original basis, being the complete "from fleece to floor" carpet maker.[5]

After handing over day-to-day running of the company to his son Simon, Dutfield semi-retired from the company to pursue his hobby of fishing. Awarded an MBE for his services to British exports, Dutfield died at his home in Axminster on 21 May 1999.[4]

Present

[edit]
The factory outlet for Axminster Carpets Limited in Axminster, Devon

Today, Axminster Carpets is the only manufacturer to purchase, wash, card, spin and dye its own yarn before weaving the carpet itself.[7]

To celebrate 250 years of carpet weaving in Axminster, in 2005 a commemorative rug was produced. Paraded by the company's weavers through the town, it was then blessed by the Bishop of Exeter and presented to the Earl of Devon. The carpet is now in Clarence House, the then-home of King Charles III.[7] Also in 2012, Axminster was awarded a Royal Warrant for the supply of goods and services to the Royal Household.[7][8]

The modern Axminster-type power loom is capable of weaving high quality carpets with many varying colours and patterns, and is manufactured all over the world. Due to their hard-wearing and durable nature, Axminster carpets are most frequently used in country homes, luxury hotels, global airlines and train carriages.[7] Every Wetherspoon pub has a bespoke designed carpet manufactured by Axminster.[9]

On 19 February 2020, it was announced that the company had gone into administration.[10] However, it was bought out of administration in March 2020 by a group of investors, including the former owners.

References

[edit]

Further reading

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Axminster Carpets

View on Grokipedia
from Grokipedia
Axminster carpets are a type of woven floor covering renowned for their intricate, pictorial designs and vibrant colors, originating from the town of in , , where they were first produced in 1755 using a specialized weaving technique that allowed for detailed patterns similar to tapestries but adapted for durability on floors. Invented by local clothier Thomas Whitty, who was inspired by expensive Turkish carpets displayed in , the Axminster method involved hand-weaving with wool yarns inserted individually on the weft to create seamless, custom designs, reducing the labor-intensive knotting required in traditional Oriental rugs while achieving a cut-pile surface with about 16 knots per square inch for cost efficiency. Whitty's factory, established on Midsummer's Day 1755 with his children as the initial workforce, quickly gained acclaim; by 1757, it shared a prize from the Society of Arts for the best value carpet, and in 1759, Whitty won outright, boosting its reputation among British elites. The carpets became staples in prestigious settings, including royal residences—King George III and Queen Charlotte visited the factory in 1789—and notable estates like and the Brighton Pavilion, with one extraordinary 74-by-52-foot carpet woven in 1822 for the Sultan of Turkey. Primarily made from sourced locally, they featured floral motifs such as honeysuckle and dahlias, often designed by architects like the Adam brothers, and were prized for their seamless construction and bright, long-lasting hues. Production declined after a devastating fire destroyed the looms in 1828, leading to bankruptcy in 1835 under Whitty's heirs and a century-long hiatus in Axminster carpet manufacturing. The industry revived in 1937 when Harry Dutfield, inspired by a chance encounter, established Axminster Carpets Ltd with two gripper looms—a mechanized evolution of the original technique—producing the first modern carpet on Coronation Day for King George VI. The company faced administration in 2020 but was rescued through a buyout by investors, and as of 2025 continues weaving in Axminster using both traditional and advanced methods for royal households, luxury hotels, and global clients, preserving a legacy of craftsmanship that spans nearly three centuries.

Overview

Definition and Characteristics

Axminster carpets are a type of high-quality woven produced using a specialized weaving technique that interlaces face s and backing s on a to create a seamless, complete product without the need for a secondary backing. Originating from the town of in , , in 1755, they were initially hand-woven using a spool insertion method to mimic the intricate designs of imported Oriental rugs, establishing the first distinctly English carpet style capable of rivaling such imports in both aesthetics and craftsmanship. Today, the Axminster method is predominantly machine-implemented, involving the insertion of individual yarn tufts row by row into the backing, which enables exceptional flexibility in pattern creation and color variation. Key characteristics of carpets include their use of individual tuft insertion, where pile yarns are looped around weft shots to form secure, U-shaped tufts that provide a firm hold and a textured, reversible surface. They are typically constructed from , prized for its natural durability, resilience, and luxurious feel, though modern variants may incorporate blends with synthetic fibers like (e.g., 80% and 20% ) for enhanced performance in high-traffic areas. These carpets feature high pile , allowing for vibrant, pictorial motifs with unlimited colors—up to 20 or more in a single piece—and intricate details such as floral or neoclassical patterns, all woven seamlessly in broadloom widths up to 4 meters (13 feet). This construction results in superior longevity and a underfoot sensation compared to less dense options. Unlike tufted carpets, which dominate 95% of the commercial market and require glued secondary backings that can delaminate over time, carpets offer inherent structural and resistance to wear, making them ideal for luxury residential and commercial installations. They differ from machine-loop or flatweave carpets by providing cut-pile surfaces with defined patterns that do not fade or blur, and their woven nature ensures no visible seams in large areas, contrasting with the pieced construction common in many synthetic alternatives. Historically and technically, emulates the tuft density and visual depth of hand-knotted Oriental rugs (typically 8-16 tufts per square inch) while achieving machine efficiency, thus bridging traditional artistry with modern scalability.

Weaving Process

The original 18th-century Axminster weaving process, developed in , utilized a hand-operated vertical equipped with multiple spools, each containing colored pile s arranged according to the . Weavers inserted rows of these yarn tufts around the warp threads, securing them with weft shots of backing material between each row of tufts, and then cut the yarns to form the pile; this spool method allowed for complex, multicolored patterns without the need for pre-woven shuttles or frames, imitating hand-knotted effects with up to five colors per row. The process, adapted by Thomas Whitty from Savonnerie techniques, relied on manual labor to wind spools in a two-stage setup—preparing the design before —and produced carpets in widths ranging from 46 cm to 366 cm. By the 19th and 20th centuries, the process evolved into mechanized looms, which automated tuft insertion using controlled by a jacquard mechanism to select and pull individual colored from bobbins. In this system, the insert tufts around double weft picks every three shots of backing, after which a traveling knife cuts the to create J-shaped loops forming the cut-pile surface; modern electronic jacquard controls enable up to 10–32 colors per row and widths up to 4 meters (13 feet), with production speeds of 18–20 rows per minute. Axminster carpets traditionally employ wool yarns for the pile to provide resilience and texture, with or for the warp and jute or similar for the weft, forming symmetrical tufts at densities of approximately 7–14 per inch (about 42–100 tufts per ) to ensure secure anchorage. Contemporary variations often blend 80% with 20% in the pile for enhanced strength, while maintaining natural fibers in the backing. This weaving method yields seamless construction without joins, exceptional pattern flexibility for intricate designs, and superior longevity—lasting decades in high-traffic areas with proper care—due to the three-dimensional locking of tufts into the backing.

History

Founding and Early Development

Axminster Carpets were founded in 1755 by Thomas Whitty, a local cloth weaver in , , , who drew on the town's established textile expertise to pioneer a new method of carpet production. Whitty's inspiration stemmed from Turkish carpets he observed in a London warehouse and the advanced weaving techniques he secretly learned at Peter Parisot's Fulham factory, which were influenced by the renowned Savonnerie carpets from Paris. Leveraging his background in woolen cloth production, Whitty adapted these French methods to create affordable, high-quality pile carpets that could rival imported luxuries. The early years were marked by significant challenges, including the need to maintain secrecy around the proprietary techniques while experimenting with small-scale production. Whitty initially set up operations in a local , employing his family and young girls aged 10 to 17 for their nimble fingers, which helped keep labor costs low. After producing an initial eight-inch sample in April 1755, the first full-sized carpet was completed later in 1755, marking the beginning of viable output despite the labor-intensive hand-knotting process. By the 1760s, the business had expanded to a dedicated in , allowing for increased production capacity and broader employment of local workers, primarily young women. A key innovation was Whitty's adaptation of the French low-warp to suit English materials and conditions, which reduced the number of knots per square inch—typically to 16—while enabling the creation of smoother, more intricate designs at a lower cost. This technical refinement, combined with the use of yarns for the pile, positioned Axminster Carpets as an accessible luxury, fostering steady growth through the 1770s and laying the foundation for the company's reputation.

Peak and Notable Commissions

Under the leadership of founder Thomas Whitty and his successors, including sons John and Thomas Whitty II, and later grandson Samuel Ramson Whitty, the Axminster carpet manufactory experienced significant expansion in the late 18th and early 19th centuries, reaching its zenith around 1800 with the production of increasingly large and intricate pieces that showcased the factory's advanced capabilities. By this period, the company was capable of crafting expansive carpets, such as a 74-by-52-foot example completed in 1822 for the Ottoman Sultan , demonstrating the scale and technical prowess that allowed for custom designs up to hundreds of square yards in a single piece. Exports grew substantially, with carpets shipped to markets across and America, enhancing the firm's international reputation and contributing to its output of high-value commissions. Royal patronage played a pivotal role in the company's success, beginning in the 1760s when King granted an early warrant and visited the factory in 1789 alongside Queen Charlotte, who placed orders for personal use. The firm supplied carpets to key royal residences, including commissions for the principal rooms of between 1824 and 1828, as well as pieces for during the same era. These royal endorsements not only provided steady revenue but also elevated Axminster carpets as a symbol of British craftsmanship, with and later commissioning works for multiple palaces that highlighted the factory's ability to produce neoclassical and ornate patterns on demand. Among the most prestigious commissions were those incorporating designs by architect , whose neoclassical motifs were woven into Axminster carpets for elite estates in the and 1770s, including the drawing room at for the , featuring a central medallion with floral swags and anthemion borders that unified floor and ceiling aesthetics. In the early , the Prince Regent ordered oriental-inspired carpets for the Royal Pavilion at , with three major pieces for the Saloon, Banqueting Room, and Music Room completed around 1822, blending elements like peacocks and floral motifs in vibrant wool palettes. These projects exemplified the manufactory's versatility, adapting to architectural demands while producing durable, one-piece carpets tailored to specific interiors. At its peak, the Axminster operation employed numerous local families, including young women valued for their dexterity in intricate knotting, with teams of 20 to 30 workers required for handling the largest looms and finished products, fostering a skilled that sustained the town's through consistent output and high-value sales. The company's valuation reflected this prosperity, with individual commissions like the 1822 carpets exceeding £1,000 (equivalent to over £100,000 today) and the Goldsmiths' Hall banqueting carpet, valued at 1,600 guineas, underscoring its influence on the broader British textile industry by popularizing hand-woven, pictorial carpets as luxury exports. This era solidified Axminster's role in elevating domestic techniques, inspiring competitors and contributing to the sector's growth amid rising demand for opulent interiors.

Decline and Closure

The decline of the original Axminster carpet manufactory began in the 1820s, driven primarily by intensified competition from the Industrial Revolution's mechanized production methods. Power-looms introduced in and Wilton enabled the of cheaper, though less intricate, carpets, undercutting the hand-woven Axminster products that relied on skilled labor and higher costs. This shift toward industrialization made it increasingly difficult for the Axminster factory to maintain its market position, especially as economic downturns reduced demand for luxury handcrafted goods. Internal challenges compounded these external pressures. The death of Thomas Whitty Jr. in 1827 left a , exacerbating issues of mismanagement under subsequent generations. A devastating in 1828 destroyed , requiring a costly rebuild that strained finances further, while the high overheads of hand-weaving persisted amid fluctuating prices and delayed payments from customers. Samuel Ramson Whitty, the last family proprietor, faced mounting debts, culminating in his bankruptcy declaration in 1835. The closure marked a abrupt end to operations, with the factory shutting down that year and its looms, designs, and stock auctioned off to Wilton Carpets in 1836. This resulted in the loss of over 200 jobs in the local community, severely impacting the town's economy. The event temporarily halted Axminster-style weaving in , though the techniques were later adopted elsewhere, including , where they influenced early American carpet production.

Refounding and Modern Era

In 1937, following the closure of the original Axminster carpet factory in 1835 due to bankruptcy and competitive pressures from mechanized production elsewhere, Harry Dutfield, a Scottish-born carpet manufacturer from , revived the industry in the town. Inspired by a conversation on with a local who lamented the loss of the traditional craft, Dutfield established Axminster Carpets Ltd and built a new factory at Gamberlake, equipping it with two gripper Axminster looms to produce carpets drawing on the original Thomas Whitty designs for authenticity and quality. The first emerged in May 1937, marking the end of a 102-year hiatus in local production, with initial output reaching 1,000 yards per week and employing around 35 workers by mid-1939. World War II interrupted operations from 1939 to 1945, as the factory shifted to wartime production of essential items such as stirrup pumps, aircraft components for Vickers Armstrong and Rolls-Royce, and camouflage netting, with much of the workforce conscripted. Carpet weaving resumed in late 1945 and fully by 1946, despite ongoing wool shortages, supported by a company self-build housing scheme to retain skilled employees amid post-war labor challenges. This resumption coincided with an export-driven recovery in the British carpet sector, enabling Axminster to expand internationally and secure early contracts, including a one-mile installation for the Exeter cinema in 1937 that foreshadowed future growth. Post-war expansion accelerated in the with the adoption of automated gripper looms, including wider 7-foot-6-inch and 9-foot models installed in , followed by 12-foot broadlooms in the to meet rising demand for fitted carpets in homes and public spaces. Production doubled during this "," with the workforce growing to around 600 by the , and the company diversified into custom commissions for luxury hotels, theaters, and airports, enhancing its reputation for high-end, durable weaves. A new pension scheme in 1951 and an on-site canteen in 1958 further stabilized operations, while designs continued to evolve from hand-drawn patterns to early mechanized systems. Under family ownership led by Harry Dutfield until his death in 1999, the company passed to his son Simon and later grandson Joshua, maintaining control through the amid a workforce of approximately 450 by the mid-1990s and the integration of computer-controlled looms for precision. Annual output scaled significantly, supporting prestige projects such as the replacement carpets for in 1999, which replicated 18th-century Whitty patterns using modern techniques. This era solidified Axminster's position as a leader in woven carpets, blending heritage craftsmanship with industrial efficiency.

Recent Challenges and Rescue

In the wake of the 2008 global financial crisis, Axminster Carpets faced mounting pressures from a broader industry shift toward cheaper synthetic carpets, which eroded demand for traditional luxury weaves amid reduced on high-end interiors. This trend, combined with rising raw material costs, culminated in the company's first administration in March 2013, when administrators cut approximately 300 jobs from a of 400 and closed a loss-making subsidiary, attributing the collapse to a sharp increase in wool prices and a slight sales downturn. The business was swiftly rescued in April 2013 through a by a led by private investor , allowing a reduced operation to resume with about 100 staff and restoring break-even status by focusing on core capabilities. Throughout the , persistent challenges including ongoing revenue declines and market preference for synthetics led to further layoffs and operational scaling back, straining the firm's finances despite its heritage appeal. These vulnerabilities were exacerbated by the , which triggered severe cashflow issues from disrupted supply chains and halted luxury installations; on February 19, 2020, Axminster Carpets entered administration for the second time in seven years, resulting in the immediate loss of 80 jobs and accumulation of nearly £8 million in debts, though key assets like historic looms were preserved for potential sale. Administrators from Duff & Phelps noted failed attempts to secure alternative rescue funding amid the economic lockdown. A rapid turnaround came in March 2020 when a new investor group, including former owner and partners from a Staffordshire-based firm, acquired the business as a , eliminating its debts and safeguarding around 150 jobs while ensuring continuity of production at the factory. This buyout preserved the company's and weaving expertise, preventing full . By 2021, operations had stabilized under the new ownership, with the firm pivoting toward digital sales channels via its platform to reach global customers and emphasizing heritage branding to highlight its 250-year legacy in luxury carpets. Through 2025, this strategy supported steady recovery, including commissions and recognition as a leading British luxury , while maintaining focus on sustainable, traditional without further major disruptions. As of November 2025, the company remains active, with recent independent testing affirming the durability of its 100% carpets in commercial environments.

Notable Uses and Legacy

Historical Installations

Several surviving examples of 18th- and 19th-century Axminster carpets remain or documented in historic British locations, showcasing the craftsmanship of Thomas Whitty's original manufactory. At in , the Devonshire House carpets, originally woven circa 1790 with thoroughly designs featuring elaborate floral and foliate motifs, were relocated from the demolished in and now adorn the estate's interiors. These pieces exemplify the early adoption of Axminster weaving for grand aristocratic settings, with their rich wool pile and vibrant colors preserved through careful maintenance. Other notable installations include the neoclassical carpet at in , designed by around 1769 to complement the house's interiors, incorporating geometric patterns and medallions inspired by ancient motifs. This carpet, woven by Whitty, harmonizes with Adam's architectural scheme and remains a key feature of the . Royal collections hold significant examples, with Axminster carpets commissioned during the reign of for residences including and . One early piece, designed in 1765 for Queen Charlotte's dressing room, reflects the monarch's patronage of the Axminster factory and features intricate floral borders typical of the period. These royal commissions, often bespoke to fit specific chambers, underscore the carpets' status as symbols of prestige and innovation in British . Preservation efforts have ensured the longevity of these artifacts, with restoration projects focusing on conservation techniques to address wear from age and use. The Axminster Heritage Centre in maintains exhibits of surviving originals and fragments, including displays from Chatsworth and royal examples, supported by funding from bodies like the Heritage Lottery Fund for building restorations and interactive presentations. These initiatives, including reweaving damaged sections using traditional methods, allow public access while protecting the carpets' historical integrity.

Contemporary Applications

Following the resumption of production after World War II in 1945, Axminster Carpets secured significant contracts for public buildings, including hotels and theaters, as part of its expanded operations with new wider looms installed for fitted carpets and rugs. By the mid-20th century, the company had established itself as a preferred supplier for and entertainment venues, contributing to interior updates in prominent establishments. In the late 20th and early 21st centuries, Axminster Carpets has specialized in bespoke projects for luxury hotels, such as the multi-million-pound refurbishments at De Vere properties. For instance, at De Vere in , 100% carpets were custom-woven for the estate, earning the 'Best Residential Woven Carpet' award at the International Awards in 2017 for their durability and aesthetic appeal. Similar installations at De Vere Tortworth Court and De Vere Latimer Estate blended period architecture with modern comfort, highlighting the company's expertise in high-traffic hospitality environments. Axminster Carpets holds substantial cultural significance through its role in heritage restorations and design accolades. In 1999, the company recreated carpets for using original 18th-century patterns by Samuel Ramson Whitty, ensuring historical fidelity post-fire damage. A notable 21st-century example is the 2018 recreation of the 1822 Saloon carpet for the Royal Pavilion in , an intricate oriental design incorporating 20 dragons, 100 sun rays, and 274 lotus leaves, woven in collaboration with decorative artists to revive George IV's opulent interiors. By the 2020s, Axminster Carpets has achieved extensive global reach, exporting bespoke woven products to luxury homes, yachts, and public spaces in international markets including the USA and the Middle East. For marine applications, the company crafts custom carpets tailored for yachts, emphasizing durability against harsh conditions while maintaining elegant patterns. In 2024, Axminster Carpets supplied sustainable woven flooring for 825 vehicles of South Western Railway, expanding its presence in rail transport. These exports reflect the refounding's lasting impact on the brand's revival as a worldwide luxury supplier.

Current Operations

Production and Innovation

Axminster Carpets maintains its primary manufacturing operations at a dedicated in , , . The facility emphasizes the traditional Axminster weaving technique, adapted with contemporary machinery to ensure efficiency while preserving the characteristic cut-pile structure and intricate patterning. Key innovations in production include the integration of (CAD) software for pattern creation, adopted since the to enable rapid visualization and iteration of complex motifs. Additionally, advanced gripper looms with digital controls have been implemented, allowing for accelerated prototyping and reduced lead times without compromising quality. These advancements build upon the historical evolution of gripper loom technology, enhancing precision in yarn insertion for up to 10 colors per row. The customization process starts with client briefs, where designers collaborate to develop patterns using CAD tools, followed by yarn preparation with eco-friendly dyes and incorporation of recycled yarns introduced after 2020 to support sustainable practices. Yarns are then creel-loaded onto the looms for , with each carpet crafted to exact specifications in a "woven-to-order" approach that minimizes waste. The workforce includes skilled weavers who receive training in heritage methods to uphold the craftsmanship central to Axminster's . This blend of experienced artisans and modern tools ensures the factory's capacity to meet diverse demands for luxury, durable carpets. In November 2025, independent testing confirmed that 100% Axminster carpets perform as well as wool/ blends in demanding commercial environments.

Sustainability and Market Position

Axminster Carpets has implemented several initiatives focused on reducing environmental impact throughout its production . The company sources the majority of its from British sheep farms, minimizing transport-related carbon emissions by reducing road miles for raw materials. Additionally, all yarns generated during are recycled into underlay, promoting a approach. In wool processing, a closed-loop at its Buckfast facility achieves zero discharge to sewers, significantly cutting consumption, chemical use, and needs by reusing hot process water. The firm holds prestigious certifications underscoring its commitment to quality and . Axminster Carpets retains the Royal Warrant of Appointment, originally granted in 2012 and renewed in 2013, with the latest update in 2024 for service to His Majesty The King, recognizing excellence in carpet making and supply. In the market, Carpets occupies a niche in the luxury segment, specializing in woven carpets that command due to their craftsmanship and durability compared to machine-tufted alternatives. The company reported annual of £14.3 million as of , reflecting operations in a competitive landscape. Looking ahead, Carpets is expanding capabilities in digital customization through tools like "Ready to Weave," enabling rapid production of designs on electronic Jacquard looms, while building on the financial stabilization achieved following its 2020 acquisition by a of investors. This positions the brand for growth in sustainable luxury amid ongoing industry recovery.

References

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