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Bedknobs and Broomsticks
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| Bedknobs and Broomsticks | |
|---|---|
Theatrical release poster | |
| Directed by | Robert Stevenson |
| Screenplay by | |
| Based on | The Magic Bedknob & Bonfires and Broomsticks by Mary Norton |
| Produced by | Bill Walsh |
| Starring |
|
| Cinematography | Frank V. Phillips |
| Edited by | Cotton Warburton |
| Music by | Irwin Kostal |
Production company | |
| Distributed by | Buena Vista Distribution |
Release dates |
|
Running time | 118 minutes (1971 original version) 139 minutes (1996 reconstruction version) |
| Country | United States[1][2] |
| Language | English |
| Budget | $6.3 million[3] |
| Box office | $17.9 million[4] |
Bedknobs and Broomsticks is a 1971 American live-action/animated hybrid musical fantasy film directed by Robert Stevenson from a screenplay by Bill Walsh and Don DaGradi and with songs written by the Sherman Brothers. It was produced by Walsh for Walt Disney Productions. It is based upon the books The Magic Bedknob (1943) and Bonfires and Broomsticks (1947) by English author Mary Norton. It combines live action and animation, and stars Angela Lansbury, David Tomlinson, Ian Weighill, Cindy O'Callaghan, and Roy Snart.
During the early 1960s, the film entered development when the negotiations for the film rights to Mary Poppins (1964) were placed on hold. When the rights were acquired, the film was shelved repeatedly because of its similarities to Mary Poppins until it was revived in 1969. Originally at a length of 139 minutes, it was edited down to almost two hours before its premiere at Radio City Music Hall.
The film was released on December 13, 1971, to mixed reviews from film critics, some of whom praised the live-action/animated sequence. It received five Academy Awards nominations, winning one for Best Special Visual Effects. It was the last film released before the death of Walt Disney's surviving brother, Roy O. Disney, who died one week later. It was also the last theatrical film Reginald Owen appeared in before his death the following year on November 5, 1972; his last two acting credits were for television. It was also the last film work of screenwriter Don DaGradi before his retirement in 1970 and death on August 4, 1991.
In 1996, the film was restored with most of the deleted material re-inserted back into it. A stage musical adaptation of it had its world premiere at the Theatre Royal in Newcastle upon Tyne on 14 August 2021 before embarking on a UK and Ireland tour until May 2022.[5]
Plot
[edit]In August 1940, during the Blitz, three orphans named Charles, Carrie, and Paul Rawlins are evacuated from London to Pepperinge Eye near the Dorset coast where they are placed in the reluctant care of Miss Eglantine Price, who agrees to the arrangement temporarily. They attempt to run back to London, but change their minds after observing Miss Price flying on a broomstick. Revealing that she is learning witchcraft through a correspondence school with hopes of using her spells in the British war effort against the Nazis, Miss Price offers the children a transportation spell on a bedknob in exchange for their silence, which they accept. Later, she receives a letter from her school announcing its closure, thus preventing her from learning the final spell. She convinces the children to use the bedknob to go to London and locate her teacher Professor Emelius Browne.
Mr. Browne turns out to be a charismatic street magician who created the course from an old book as a joke, only to be shocked to learn that the spells work. He gives the book to Miss Price, who is distraught to discover the final spell, Substitutiary Locomotion, is missing key pages. The group travels to Portobello Road to locate the old bookseller who sold Browne the book; the missing pages reveal that the spell is not in the book, but engraved on the Star of Astoroth, a medallion that belonged to a sorcerer of that name. The bookseller explains that Astoroth experimented with magic on animals before anthropomorphism drove the animals to kill the wizard, take the medallion, and flee to the remote island of Naboombu. According to a notation in the book, a 17th-century lascar had claimed to have seen Naboombu, but the bookseller never found it. Paul confirms its existence by revealing a storybook that he found in Browne's townhouse.
The group travels to Naboombu and lands in a lagoon, where Mr. Browne and Miss Price enter a dance contest and win first prize before the bed is fished out by a bear, who informs the group that humans are not allowed on the island by royal decree. They are brought before the ruler King Leonidas, who is wearing the Star of Astoroth. Mr. Browne acts as a referee in a soccer match in order to appease King Leonidas and the animals' love for the game. The chaotic match ends in King Leonidas' self-proclaimed victory, but Mr. Browne swaps the medallion with his referee whistle, and the group escapes back to Miss Price's house. Miss Price exercises the Substitutiary Locomotion spell, which imbues inanimate objects with life, but they quickly go out of control. When she is informed that the children can be moved to another home, she decides to let them stay, realizing she has come to care for them and vice versa. Mr. Browne later bids goodbye to the group and sleeps at the train station so that he can catch a train back to London in the morning.
A platoon of Nazi German commandos land on the coast via U-boat, invading Miss Price's house to use as their headquarters for a fear-spreading raid while imprisoning her and the children in the local museum. At the train station, Mr. Browne subdues two Nazis and heads back to Miss Price's house, where he turns himself into a white rabbit to avoid the army. Reuniting with Miss Price and the children at the museum, Mr. Browne inspires Miss Price to use the Substitutiary Locomotion spell to enchant the exhibits into an army. The army of knights' armor and military uniforms chases the Nazis away, but not before they destroy Miss Price's workshop, breaking the spell and ending her career as a witch. Despite the setback, Miss Price is happy that she played a small part in the war effort.
Shortly afterward, Miss Price has officially adopted the children while Mr. Browne has enlisted in the army and departs with the local Home Guard escorting him, promising that he will return and sharing a kiss with Miss Price. Paul reveals he still has the enchanted bedknob, implying they can continue on with their adventures.
Cast
[edit]- Angela Lansbury as Miss Eglantine Price. Miss Price is initially a somewhat reclusive woman, reluctant to take in children from London as she believes they will get in the way of her witchcraft, which she prefers to keep secret but hopes to use to bring the nascent World War II to an end. However, she bonds with the children and falls in love with Mr. Browne during their journey. She becomes the adoptive mother to the Rawlins siblings at the end of the film.
- David Tomlinson as Mr. Emelius Browne. Introduced as "Professor Browne", the title by which Miss Price knows him, he is running a Correspondence College of Witchcraft based on what he believes to be "nonsense words" found in an old book. When Miss Price and the children find him in London, he is revealed to be a street performer and con artist, and not a very good one. He is, however, a smooth talker, which proves useful on the group's adventures, and believes in doing everything "with a flair". As the adventures unfold, he finds himself developing an attachment to Miss Price and the children, a feeling he struggles with; Browne becomes the adoptive father to the Rawlins siblings at the end of the film and enlists himself in the military, while promising his new family that he'll return.
- Roddy McDowall as Mr. Rowan Jelk, the local clergyman. Deleted scenes reveal Mr. Jelk to be interested in marrying Miss Price, largely for her property.
- Sam Jaffe as Bookman, a mysterious criminal also in pursuit of the Substitutiary Locomotion spell. It is implied that there is some history and bad blood between him and Mr. Browne.
- John Ericson as Colonel Heller, leader of the German raiding party which comes ashore at Pepperinge Eye.
- Bruce Forsyth as Swinburne, a spiv and associate of the Bookman's who acts as his muscle.
- Cindy O'Callaghan as Carrie Rawlins. Slightly younger than Charlie, she takes on a motherly attitude toward her brothers, especially Paul. She is the first to encourage a friendly relationship between Miss Price and the children.
- Roy Snart as Paul Rawlins. Paul is about six; his possession of the bedknob and the Isle of Naboombu children's book lead to the group's adventures as well as the eventual solution to the quest for the Substitutiary Locomotion spell. Paul is prone to blurting out whatever is on his mind, which occasionally leads to trouble.
- Ian Weighill as Charles "Charlie" Rawlins. Charlie is the eldest of the orphaned Rawlins children; eleven, going on twelve, according to Carrie, an age which Miss Price calls "The Age of Not Believing". Accordingly, he is initially cynical and disbelieving of Miss Price's magical efforts, but comes around as time goes on; it is at his initial suggestion that Ms. Price uses the Substitutiary Locomotion spell on the museum artifacts.
- Tessie O'Shea as Mrs. Jessica "Jessie" Hobday, the local postmistress of Pepperinge Eye and chairman of the War Activities Committee.
- Arthur Gould-Porter as Captain Ainsley Greer, a British Army captain who comes from HQ in London to inspect the Home Guard and becomes lost in the area. He is constantly running into locals who suspect him of being a Nazi in disguise.
- Reginald Owen as Major General Sir Brian Teagler, commander of the local Home Guard.
- Cyril Delevanti as Elderly Farmer
- Hank Worden as Old Home Guardsman (uncredited)
Voices
[edit]- Bob Holt as Codfish, a denizen of the Naboombu lagoon who judges the underwater dance contest.
- Lennie Weinrib as King Leonidas, a lion who is the ruler of the Isle of Naboombu. He is a devoted soccer player with a fearsome temper, as well as a notorious cheat who is known to make up the rules as he goes along, according to Paul's book. Leonidas' voice is based on Robert Newton's interpretation of Long John Silver from Disney's live-action adaptation of Treasure Island.
- Weinrib also voices Secretary Bird, a prim and proper type who is King Leonidas's secretary, and often bears the brunt of the King's outbursts.
- Dallas McKennon as Bear, a brown bear who is a sailor and fisherman on the Isle of Naboombu. He is the one who pulls the bed, with Miss Price's group on it, out of the lagoon with his fishing pole, and takes them to see the King after warning them of his temper.
Production
[edit]English author Mary Norton published her first children's book, The Magic Bed-Knob, in 1943. In August 1945, Walt Disney purchased the film rights to the book. Norton then published Bonfires and Broomsticks in 1947, and the two children's books were then combined into Bed-Knob and Broomstick in 1957. In 1961, Disney was in negotiations for the film rights to Mary Poppins with P. L. Travers; a film adaptation of Bedknobs and Broomsticks was suggested as an alternative project in case the rights were refused. During the meantime, Disney instructed Robert and Richard Sherman to begin development on the project.[6] Sometime later, the Sherman Brothers held a story conference with producer Bill Walsh and screenwriter Don DaGradi, in which the Shermans sang a demo version of the song "Eglantine". During the conference, Disney fell asleep in his chair, a moment DaGradi later immortalized in a sketch. Richard Sherman explained, "[Disney] might have been tired that day..."[7] When Disney purchased the rights to Mary Poppins, the Bedknobs project was shelved.[6][8]
In April 1966, the project (re-titled as The Magic Bedpost) was placed back into development, with the Sherman Brothers and Irwin Kostal set to resume their musical collaboration.[9] However, the project was shelved again because of its similarities to Mary Poppins (1964). As the Sherman Brothers' contract with the Disney studios was set to expire in 1968, they were contacted by Bill Walsh in their office to start work on the film. Then, Walsh, DaGradi, and the Sherman Brothers re-assembled to work on the storyline for several months. Although there was no plan to place the film into production at the time, Walsh promised the Shermans that he would call them back to the studio and finish the project. He eventually did in November 1969.[8]
Throughout 1970 and 1971, the Sherman Brothers reworked their musical compositions for the film. The song "The Beautiful Briny" was originally written for Mary Poppins, for a sequence where Mary sends the Banks children to several exotic locations by spinning a compass, but the sequence was deleted. The song was ultimately used in Bedknobs and Broomsticks instead.[10][11]
Casting
[edit]Leslie Caron, Lynn Redgrave, Judy Carne, and Julie Andrews were all considered for the role of Eglantine Price.[12] Andrews was initially offered the part, but hesitated, afraid of being typecast. Walsh later contacted Angela Lansbury, who signed onto the role on Halloween: October 31, 1969. Shortly after, Andrews, feeling she owed Disney for her film career, contacted Walsh to accept the role, only to learn that Lansbury had been cast.[13][14] Although Peter Ustinov was considered,[14] Ron Moody was originally slated as Emelius Browne, but he refused to star in the film unless he received top billing, which the studio would not allow. He was ultimately replaced with David Tomlinson.[12]
The three Rawlins children—Charlie, Carrie, and Paul—were played by Ian Weighill, Cindy O'Callaghan, and Roy Snart respectively. Weighill had previously dropped out of school and began his acting career in an uncredited role as a schoolboy in David Copperfield (1969). He auditioned before Disney talent scouts for one of the child roles in Bedknobs and Broomsticks in London, and was cast as Charlie. Before Bedknobs, Snart was a child actor appearing in numerous commercials, and was cast as Paul for his "impish, cheeky look". For the part of Carrie, O'Callaghan had previously acted in television commercials and later made her stage debut as Wendy in a production of Peter Pan at the Scala Theatre. There, she caught the attention of Disney's talent scouts.[15]
Filming
[edit]Filming took place at the Disney studios in Burbank, California, from early March to June 10, 1970.[16] The coastal scenes featuring German soldiers were shot on location at a nearby California beach. The opening village scenes which features Corfe Castle and long shots of Miss Price (Lansbury) on her motorbike were created using matte paintings by artist Alan Maley.[17] Filming lasted fifty-seven days while the animation and special effects required five months each to complete.[18]
For the Naboombu soccer sequence, the sodium vapor process was used, which was developed by Petro Vlahos in the 1960s.[19] Animator and director Ward Kimball served as the animation director over the sequence.[20] Directing animator Milt Kahl had designed the characters, but he was angered over the inconsistencies in the character animation. This prompted Kimball to send a memo dated on September 17, 1970, to adhere to animation cohesiveness to the animation staff.[21] Because of the heavy special effects, the entire film had to be storyboarded in advance, shot for shot, which Lansbury later said resulted in her acting being "very by the numbers".[22]
Release
[edit]Bedknobs and Broomsticks had an original runtime of 141 minutes, and was scheduled to premiere at Radio City Music Hall. However, in order to accommodate for the theater's elaborate stage show, the film had to be trimmed down to under two hours, and 23 minutes were ultimately removed from the film. The removed scenes included a minor subplot involving Roddy McDowall's character (which was reduced to one minute) and three entire musical sequences, titled "A Step in the Right Direction", "With a Flair", and "Nobody's Problems".[23] Additionally, almost three minutes were removed from the "Portobello Road" sequence, and the song "Eglantine" was also shortened.[24][25]
When the film was reissued theatrically on April 13, 1979, an additional twenty minutes of footage were deleted.[25]
1996 restoration
[edit]Intrigued with Lansbury's song "A Step in the Right Direction" on the original soundtrack album, Scott MacQueen, then-senior manager of Disney's library restoration, set out to restore the film in conjunction with the film's 25th anniversary.[14] Most of the deleted film material was found, but some segments of "Portobello Road" had to be reconstructed from work prints with digital re-coloration to match the film quality of the main content.[25] The footage for "A Step in the Right Direction" was unrecoverable,[25] but the sequence was reconstructed for inclusion as a supplemental feature on home media releases of the film by linking the original music track up to existing production stills. The edit included several newly discovered songs, including "Nobody's Problems", performed by Lansbury. The number had been cut before the premiere of the film. Lansbury had only made a demo recording, singing with a solo piano because the orchestrations would have been added when the picture was scored. When the song was cut, the orchestrations had not yet been added; therefore, it was finally orchestrated and put together when it was placed back into the film.
The soundtrack for some of the spoken tracks was unrecoverable. Therefore, Lansbury and McDowall re-dubbed their parts, while other actors made ADR dubs for those who were unavailable. Voice actor Jeff Bennett recorded ADR for Mr. Browne, as health issues prevented Tomlinson from participating in recording.[25]
The restored version of the film premiered on September 27, 1996, at the Motion Picture Academy of Arts and Sciences in Beverly Hills, California, where it was attended by Lansbury, the Sherman Brothers, Roddy McDowall, Ward Kimball, and special effects artist Danny Lee.[14] It was later broadcast on Disney Channel on August 9, 1998.[25]
Home media
[edit]In 1980, Disney partnered with Fotomat Corporation on a trial distribution deal,[26] in which Bedknobs and Broomsticks was released on VHS and LaserDisc on March 4, 1980. By October 1982, Disney partnered with RCA to release nine of their films on the CED videodisc format,[27] and Bedknobs and Broomsticks was re-released later that year. The film was issued on VHS on October 23, 1989.[28] It was released on VHS as an installment in the Walt Disney Masterpiece Collection on October 28, 1994.[29]
The restored version of the film was released on laserdisc in 1997, then a subsequent VHS and DVD release with this version followed on March 20, 2001, as part of the Walt Disney Gold Classic Collection, to commemorate the 30th anniversary of the film.[30] The reconstruction additionally marked the first time the film was presented in stereophonic sound. Along with the film, the DVD included a twenty-minute making-of featurette with the Sherman brothers, a recording session with David Tomlinson singing the ending of "Portebello Road", a scrapbook containing thirteen pages of concept art, publicity, and merchandising stills, and a Film Facts supplement about the film's production history.[31]
A new edition called Bedknobs and Broomsticks: Enchanted Musical Edition was released on DVD on September 8, 2009. This new single-disc edition retained the restored version of the film and most of the bonus features from the 2001 DVD release.[32] The film was released on Special Edition Blu-ray, DVD, and Digital HD on August 12, 2014, in its original 117-minute version, with the deleted scenes used in the previous reconstructed version presented in a separate section on the Blu-ray disc.
Reception
[edit]Box office
[edit]By January 1974, the film had grossed $8.25 million in box office rentals from the United States and Canada,[33] with its final domestic rentals totaling $8.5 million.[34] The 1979 re-release increased its North American rentals to $11.4 million.[35]
Critical reaction
[edit]Vincent Canby of The New York Times wrote that the film is a "tricky, cheerful, aggressively friendly Walt Disney fantasy for children who still find enchantment for pop-up books, plush animals by Steiff and dreams of independent flight." He further highlighted the Naboombu live-action/animated sequence as "the best of Disney, going back all the way to the first Silly Symphonies".[36] Variety wrote that "what it may lack in the charm of [Mary Poppins] it more than measures in inventiveness. Indeed, it is doubtful if special effects or animation have been ever bettered or used to greater advantage. Alone they are a reason for seeing the film", and the reviewer praised the Naboombu sequence as containing "not only sheer delights but technical masterpieces."[37] Roger Ebert of the Chicago Sun-Times awarded the film two-and-a-half stars out of four, claiming that, while the film has the "same technical skill and professional polish" as Mary Poppins, it "doesn't have much of a heart...and toward the end you wonder why the Poppins team thought kids would like it much."[38] Gene Siskel of the Chicago Tribune gave Bedknobs two stars out of four, calling the film "a mishmash of story ideas and film styles". He further added that the live action/animated sequence was "one bright spot in the story", but felt "the difference between scenes of sea horses and storm troopers is so great that probably no story could manage it. Bedknobs tries and fails."[39]
Pauline Kael, reviewing for The New Yorker, panned the film, writing that there is "no logic in the style of the movie, and the story dribbles on for so long that it exhausts the viewer before that final magical battle begins." She concluded her review by stating: "This whole production is a mixture of wizardry and ineptitude; the picture has enjoyable moments but it's as uncertain of itself as the title indicates."[40] Charles Champlin of the Los Angeles Times wrote that the film was "pleasant enough and harmless enough. It is also long (almost two hours) and slow. The songs are perfunctory (nothing supercalifragi-whatever) and the visual trickeries, splendid as they are, are sputtery to get the picture truly airborne. By the standards Disney has set for itself, it's a disappointing endeavor."[41]
On review aggregator website Rotten Tomatoes, the film has an approval rating of 67% based on 36 reviews, with an average score of 6.1/10; the site's "critics consensus" reads: "Bedknobs and Broomsticks often feels like a pale imitation of a certain magical guardian and her wards, but a spoonful of Angela Lansbury's witty star power helps the derivativeness go down."[42] On Metacritic, the film has a score of 59 out of 100 based on 11 reviews, indicating "mixed or average" reviews.[43]
Accolades
[edit]| Award | Date of ceremony | Category | Nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| Academy Awards | April 10, 1972 | Best Art Direction | Art Direction: John B. Mansbridge and Peter Ellenshaw; Set Decoration: Emile Kuri and Hal Gausman |
Nominated | [44] [24] |
| Best Costume Design | Bill Thomas | Nominated | |||
| Best Scoring: Adaptation and Original Song Score | Song Score by Richard M. Sherman and Robert B. Sherman; Adaptation Score by Irwin Kostal |
Nominated | |||
| Best Song – Original for the Picture | "The Age of Not Believing" Music and Lyrics by Richard M. Sherman and Robert B. Sherman |
Nominated | |||
| Best Special Visual Effects | Alan Maley, Eustace Lycett, and Danny Lee | Won | |||
| Golden Globe Awards | February 6, 1972 | Best Actress in a Motion Picture – Musical or Comedy | Angela Lansbury | Nominated | [45] |
Music
[edit]The original cast soundtrack
[edit]| Bedknobs and Broomsticks | |
|---|---|
| Soundtrack album by | |
| Released | 1971/2002 |
| Label | Walt Disney |
| Producer | Richard M. Sherman · Robert B. Sherman · Irwin Kostal |
The musical score for Bedknobs and Broomsticks was composed and adapted by Irwin Kostal, with all songs written by Richard M. Sherman and Robert B. Sherman. This was the Shermans' third collaboration with Kostal, with the others being Mary Poppins (1964), Chitty Chitty Bang Bang (1968), Charlotte's Web (1973), and The Magic of Lassie (1978). A soundtrack album was released by Buena Vista Records in 1971.[46][47] While the film was released in mono sound, the musical score was recorded in stereo, and the soundtrack album was released in stereo. An expanded soundtrack album was released on CD on August 13, 2002.
"The Age of Not Believing" received a nomination for the Academy Award for Best Original Song. "With a Flair", "Don't Let Me Down", and "Nobody's Problems" were cut out in 1971, but are present in the reconstructed version of the film. The footage for "A Step in the Right Direction" is lost. "Solid Citizen" and "The Fundamental Element" had been cut out before the production: the former was replaced by the soccer match, while parts of the latter were incorporated into "Don't Let Me Down".
The songs include:
| No. | Title | Performer(s) | Length |
|---|---|---|---|
| 1. | "Overture/The Old Home Guard" | Reginald Owen | |
| 2. | "The Age of Not Believing" | Angela Lansbury | |
| 3. | "With a Flair" | David Tomlinson | |
| 4. | "A Step in the Right Direction" | Lansbury | |
| 5. | "Eglantine/Don't Let Me Down/Reprise: Eglantine" | Lansbury, Tomlinson | |
| 6. | "Portobello Road" | Street Vendors, Tomlinson | |
| 7. | "Portebello Street Dance" | Tomlinson | |
| 8. | "The Beautiful Briny" | Tomlinson & Lansbury | |
| 9. | "Substitutiary Locomotion" | Tomlinson, Lansbury, Ian Weighill, Cindy O'Callaghan & Roy Snart | |
| 10. | "Reprises: Eglantine/Portebello Road" | Tomlinson & Lansbury | |
| 11. | "Finale" | Home Guardsmen | |
| 12. | "Nobody's Problems (Demo) (2002 bonus track)" | Lansbury | |
| 13. | "Solid Citizen (Demo) (2002 bonus track)" | Richard M. Sherman | |
| 14. | "The Fundamental Element (Demo) (2002 bonus track)" | Richard M. Sherman |
Cover versions
[edit]Other 1971 recordings include:
- "Songs from Walt Disney Productions’ Bedknobs and Broomsticks" (Mike Sammes, Judy Carne, The Mike Sammes Singers; the so-called "second cast" recording):[48][49] "The Old Home Guard", "A Step in the Right Direction", "The Age of Not Believing", "With a Flair", "Eglantine", "Portobello Road", "The Beautiful Briny", "Substitutiary Locomotion", "The Old Home Guard (Reprise)"
- "From Walt Disney Productions’ Bedknobs and Broomsticks: The Story and Songs" (the songs are same as the previous)[50][49]
- "Bedknobs And Broomsticks" (Beryl Reid, Hugh Paddick, The Rita Williams Singers):[51][52] Overture, "The Old Home Guard", "The Age of Not Believing", "With a Flair", "Don't Let Me Down", "Portobello Road", "The Beautiful Briny", "A Step in the Right Direction", "Eglantine", "Substitutiary Locomotion", "Finale" (Reprises: Eglantine/Portobello Road/The Old Home Guard)
Stage musical adaptation
[edit]A stage musical adaptation of Bedknobs and Broomsticks features the songs from the film by the Sherman Brothers, with additional music and lyrics by Neil Bartram, and a book by Brian Hill. The original production, which was directed by Candice Edmunds and Jamie Harrison, opened at the Theatre Royal, Newcastle, in August 2021, before embarking on a UK and Ireland tour until May 2022.[53] It was produced by Michael Harrison, by special arrangement with Disney Theatrical Productions.
See also
[edit]References
[edit]- ^ "Bedknobs and Broomsticks". American Film Institute. Archived from the original on December 1, 2017. Retrieved November 28, 2017.
- ^ "Bedknobs and Broomsticks". British Film Institute. Archived from the original on December 1, 2017. Retrieved November 28, 2017.
- ^ Smith, Cecil (March 22, 1970). "Disney studios: it's a hardly a Mickey Mouse operation". Los Angeles Times. Archived from the original on June 20, 2021. Retrieved July 17, 2018 – via Newspapers.com.
- ^ "Bedknobs and Broomsticks, Box Office Information". The Numbers. Archived from the original on August 15, 2012. Retrieved January 12, 2012.
- ^ "Bedknobs & Broomsticks Musical UK Tour – Bedknobs & Broomsticks Tickets 2021". British Theatre. May 10, 2021. Retrieved June 4, 2021.
- ^ a b Koenig 1997, pp. 145–146.
- ^ Noyer, Jérémie (September 21, 2009). "Richard M. Sherman on Bedknobs And Broomsticks: a Solid Songwriter!". Animated Views (Interview). Archived from the original on July 18, 2018. Retrieved July 17, 2018.
- ^ a b Sherman & Sherman 1998, p. 162.
- ^ "Disney Evokes Fantasy A La 'Poppins'; Repeat Talent in 'Magic Bed'". Variety. April 13, 1966. p. 4. Retrieved November 17, 2022 – via Internet Archive.
- ^ Koenig 1997, p. 146.
- ^ Sherman & Sherman 1998, p. 166.
- ^ a b Maltin, Leonard (2000). The Disney Films. Disney Editions. p. 262. ISBN 978-0786885275.
- ^ Stirling, Richard (2009). Julie Andrews: An Intimate Biography. St. Martin's Press. p. 240. ISBN 978-0-312-56498-8.
- ^ a b c d "A Witch's Brew of a Perfect Movie". D23. November 11, 2009. Archived from the original on April 14, 2021. Retrieved July 17, 2018.
- ^ "3 English Children Get Big Break from Disney". Press & Sun-Bulletin. March 25, 1972. p. 8. Archived from the original on June 20, 2021. Retrieved October 11, 2018 – via Newspapers.com.
- ^ LoBianco, Lorraine. "Bedknobs and Broomsticks". Turner Classic Movies. Archived from the original on July 18, 2018. Retrieved July 17, 2018.
- ^ Jeffrey (November 11, 2009). "A Witch's Brew of a Perfect Movie". D23. Retrieved August 30, 2024.
- ^ Warga, Wayne (December 5, 1971). "Mr. Success, Spelled W-A-C-K-Y, of Disney's Fantasy Factory". Los Angeles Times. p. 32. Archived from the original on July 18, 2018. Retrieved July 17, 2018 – via Newspapers.com.
- ^ Foster, Jeff (2014). The Green Screen Handbook: Real-World Production Techniques (2nd ed.). Routledge. pp. 11–13. ISBN 978-1-138-78033-0.
- ^ "Bedknobs and Broomsticks Feature Wonderland". The Daily Herald. September 27, 1971. p. TV11. Archived from the original on June 20, 2021. Retrieved October 11, 2018 – via Newspapers.com.
- ^ Deja, Andreas (July 4, 2012). "Bedknobs & Broomsticks". Deja View. Archived from the original on October 12, 2018. Retrieved October 11, 2018 – via Blogger.
- ^ Angela Lansbury discusses "Bedknobs and Broomsticks" (Video). YouTube. Archive of American Television. July 17, 2018. Event occurs at 0:54.
- ^ Sherman & Sherman 1998, p. 167.
- ^ a b Arnold 2013, p. 104.
- ^ a b c d e f King, Susan (August 7, 1998). "Unveiling a Polished-Up 'Bedknobs'". Los Angeles Times. Archived from the original on June 20, 2021. Retrieved July 17, 2018.
- ^ "Quips: Invite Mickey Into Your Home". Orange Coast Magazine. February 1981. Archived from the original on June 20, 2021. Retrieved August 28, 2018 – via Google Books.
- ^ "Disney, RCA Extend Pact". Billboard. Vol. 94, no. 39. October 2, 1982. p. 42. Archived from the original on June 20, 2021. Retrieved October 11, 2018 – via Google Books.
- ^ Zad, Martie (September 27, 1989). "'Bambi' Released in Video Woods". The Washington Post. Archived from the original on August 20, 2018. Retrieved July 17, 2018.
- ^ "Bedknobs and Broomsticks". Walt Disney Video. Archived from the original on June 8, 2000. Retrieved July 17, 2018.
- ^ "Imagination for a Lifetime – Disney Titles All the Time; Walt Disney Home Video Debuts the Gold Classic Collection; An Animated Masterpiece Every Month in 2000" (Press release). Burbank, California. Business Wire. January 6, 2000. Archived from the original on May 22, 2018. Retrieved July 17, 2018 – via TheFreeLibrary.
- ^ Cedeno, Kevin. "Bedknobs and Broomsticks 30th Anniversary Edition DVD Review". UltimateDisney.com. Archived from the original on June 4, 2011. Retrieved July 17, 2018.
- ^ "Bedknobs and Broomsticks: Enchanted Musical Edition DVD Review". DVDizzy.com. Archived from the original on September 16, 2013. Retrieved September 14, 2013.
- ^ "Big Rentals of 1973". Variety. January 9, 1974. p. 19.
- ^ "All-Time Film Rental Champs". Variety. January 7, 1976. p. 44.
- ^ "All-Time Film Rental Champs". Variety. January 14, 1981. p. 54.
- ^ Canby, Vincent (November 12, 1971). "Angela Lansbury in 'Bedknobs and Broomsticks'". The New York Times. p. 54. Archived from the original on July 18, 2018. Retrieved July 17, 2018.
- ^ "Film Reviews: Bedknobs and Broomsticks". Variety. October 13, 1971. p. 16. Archived from the original on July 18, 2018. Retrieved July 17, 2018.
- ^ Ebert, Roger (November 24, 1971). "Bedknobs and Broomsticks". Chicago Sun-Times. Archived from the original on July 18, 2018. Retrieved July 17, 2018 – via RogerEbert.com.
- ^ Siskel, Gene (November 24, 1971). "Knobs and Sticks Archived 2021-06-20 at the Wayback Machine". Chicago Tribune. Section 2, p. 5 – via Newspapers.com.
- ^ Kael, Pauline (December 11, 1971). "The Current Cinema". The New Yorker. pp. 138–139.
- ^ Champlin, Charles (November 19, 1971). "Mary Poppins on a Broomstick" Archived 2021-06-20 at the Wayback Machine. Los Angeles Times. Part IV, p. 2 – via Newspapers.com.
- ^ "Bedknobs and Broomsticks (1971)". Rotten Tomatoes. Archived from the original on October 27, 2020. Retrieved September 15, 2020.
- ^ "Bedknobs and Broomsticks". Metacritic. Archived from the original on October 28, 2020. Retrieved November 18, 2020.
- ^ "The 44th Academy Awards (1972) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Archived from the original on November 11, 2014. Retrieved December 6, 2011.
- ^ "Bedknobs and Broomsticks". Golden Globe Awards. Retrieved November 16, 2024.
- ^ original LP sleeve
- ^ About the album (Cartoon Research)
- ^ Original LP sleeve
- ^ a b About the album (Cartoon Research)
- ^ Original LP sleeve
- ^ About the album (discogs.org)
- ^ archive.org
- ^ "Bedknobs & Broomsticks Musical UK Tour – Bedknobs & Broomsticks Tickets 2021". British Theatre. May 10, 2021. Retrieved April 9, 2024.
Bibliography
[edit]- Arnold, Mark (October 31, 2013). Frozen in Ice: The Story of Walt Disney Productions, 1966–1985. BearManor Media. ISBN 978-1593937515.
- Koenig, David (1997). Mouse Under Glass: Secrets of Disney Animation & Theme Parks. Bonaventure Press. ISBN 978-0964060517.
- Sherman, Robert; Sherman, Richard (1998). Walt's Time: from before to beyond. Camphor Tree Publishers. ISBN 978-0964605930.
External links
[edit]Bedknobs and Broomsticks
View on GrokipediaPlot Summary
Synopsis
In August 1940, amid the London Blitz, three orphaned siblings—Charlie (aged 11), Carrie (10), and Paul (5) Rawlins—are evacuated to the rural village of Pepperinge Eye, England, and billeted with the reclusive spinster Eglantine Price, who is secretly studying witchcraft through a correspondence course to contribute to the British war effort against Nazi Germany.[4] Miss Price, portrayed as an eccentric but determined amateur witch, confides in the children about her magical pursuits and enchants a bedknob from their lodging's brass bed, enabling the bed to travel instantaneously to any location via a spell requiring the incantation of a destination's name.[4] Seeking the incomplete spell for "Substitutiary Locomotion"—which animates inanimate objects—the group travels to London, where they locate Professor Emelius Browne, a charismatic but fraudulent magician who had recruited Miss Price into witchcraft under false pretenses and possesses the first half of the required spellbook, Spells of Astoroth.[4] Pursued by a German spy interested in their magic, they journey via the enchanted bed to the fictional African island of Naboombu, an animated realm inhabited by anthropomorphic animals, including a lion king who awards them the Star of Astoroth medallion containing the spell's missing text after a chaotic soccer match.[4] Returning to Pepperinge Eye, the spell is tested on local artifacts, but when Nazi paratroopers invade the village under cover of night, Miss Price activates the full incantation on suits of armor, household items, and museum exhibits in the nearby Alderman's mansion, creating an army of animated defenders that routs the invaders and secures the spell's official pardon for emergency wartime use.[4] Browne enlists in the military, while the children retain the bedknob for potential future escapades.[4]Cast and Characters
Live-Action Roles
Angela Lansbury portrayed Miss Eglantine Price, an eccentric apprentice witch residing in the village of Pepperinge Eye who corresponds with a magic school and seeks to aid Britain's war effort against Nazi invaders through spellcraft.[5] David Tomlinson played Emelius Browne, a charismatic but fraudulent magician and headmaster of the correspondence course from which Price learns, who becomes an unlikely ally in her magical endeavors.[4] The orphaned Rawlins siblings—Charlie (Ian Weighill), the skeptical eldest; Carrie (Cindy O'Callaghan), the optimistic middle child; and Paul (Roy Snart), the youngest with a penchant for toys—arrive as evacuees from London and are billeted with Price, drawing her into adventures involving enchanted travel.[6] Roddy McDowall appeared as Reverend Rowan Jelk, the local vicar who provides comic relief and interacts with the protagonists amid wartime suspicions of witchcraft.[7] Sam Jaffe depicted the Bookman, a grizzled antiquarian who assists in locating a crucial spellbook containing the "Substitutiary Locomotion" incantation.[5] Supporting roles included John Ericson as Colonel Heller, a German commandant leading an invasion force, and Bruce Forsyth as the tour guide during the Portobello Road sequence.[8]| Actor | Role | Description |
|---|---|---|
| Angela Lansbury | Miss Eglantine Price | Apprentice witch determined to use magic against wartime threats.[5] |
| David Tomlinson | Emelius Browne | Fraudulent magician and correspondence course instructor.[4] |
| Ian Weighill | Charlie Rawlins | Eldest evacuated child, initially distrustful of adults.[6] |
| Cindy O'Callaghan | Carrie Rawlins | Middle sibling, adaptable and resourceful.[6] |
| Roy Snart | Paul Rawlins | Youngest child, innocent and toy-obsessed.[6] |
| Roddy McDowall | Reverend Rowan Jelk | Village clergyman suspicious of unconventional activities.[7] |
| Sam Jaffe | Bookman | Elderly scholar aiding in magical research.[5] |
Animated and Voice Roles
The film's animated sequences, particularly the adventure on the Isle of Naboombu, featured anthropomorphic animal characters voiced by a small ensemble of actors, emphasizing the whimsical and royal hierarchy of the island's inhabitants. These voices brought to life talking beasts capable of speech, soccer, and courtly intrigue, contrasting with the live-action portions.[9] King Leonidas, the anthropomorphic lion serving as the pompous ruler of Naboombu, was voiced by Lennie Weinrib, whose booming delivery underscored the character's regal yet irritable demeanor during the soccer match and spell quest.[9] The Secretary Bird, acting as the king's bureaucratic aide, received its prim, efficient tones from veteran Disney voice artist Dallas McKennon (also credited as Dal McKennon), known for roles in numerous animated features.[9] Additional animated denizens included the Fisherman Bear, portrayed with gruff humor by McKennon in a dual role, handling fishing and crowd scenes amid the island's chaos.[9] David Tomlinson, who played live-action lead Emelius Browne, also provided the voice for Secundus, a supporting animal figure in Naboombu interactions, blending his character's con-artist flair into the animation.[9] These performances, recorded in 1970-1971, supported the film's hybrid effects without dominating the narrative, as the animated voices primarily facilitated plot advancement in the spell-substitution sequence.[9]Production
Development from Books
The film Bedknobs and Broomsticks draws from two novels by English author Mary Norton: The Magic Bed-Knob; or, How to Become a Witch in Ten Easy Lessons, first published in 1943, and its sequel Bonfires and Broomsticks, published in 1947.[10][11] These works, centered on three children evacuated during World War II who encounter an amateur witch named Miss Price, were merged into a single volume titled Bed-Knob and Broomstick in 1957.[12] Walt Disney Productions secured the film rights to Norton's material soon after the initial book's release, with acquisition occurring by August 1945.[13] Development accelerated in the early 1960s amid delays in obtaining rights to P.L. Travers's Mary Poppins, prompting Disney to pivot to Norton's lesser-known but thematically similar tales of English wartime magic and whimsy.[14] The screenplay by Bill Walsh and Don DaGradi fused elements from both novels but introduced substantial deviations to suit a family musical format, including new characters like a anthropomorphic rabbit guide, elaborate song sequences (e.g., "Portobello Road" and "The Beautiful Briny"), and hybrid live-action/animation segments absent from the books.[15] Norton's plots emphasize domestic escapades, such as procuring a bedknob from a London charlatan for travel to an island of cannibals and resolving a local witch-hunt via broomstick chases; the film reimagines the island as a vibrant animal society inspired by evolutionary theory and culminates in Miss Price deploying magic against Nazi paratroopers invading the English coast—a wartime defense motif extrapolated beyond the source material's focus on personal discovery and mild mischief.[16][2] These alterations prioritized visual spectacle and patriotic resonance over the novels' quieter, more introspective tone, reflecting Disney's post-Mary Poppins strategy of blending live-action with animation for broader appeal.[17]Casting Decisions
Angela Lansbury was cast as the apprentice witch Eglantine Price after Julie Andrews, the studio's initial choice, declined the role; Andrews later reconsidered but found Lansbury already selected.[18] Other actresses considered included Leslie Caron and Lynn Redgrave, though Lansbury's selection was praised for capturing the character's reclusive eccentricity and determination more fittingly than a more polished performer might have.[18][19] David Tomlinson portrayed the con artist Emelius Browne, a role that diverged from his previous Disney characters like the upright Mr. Banks in Mary Poppins (1964), allowing him to explore a more roguish persona; Tomlinson, a frequent Disney collaborator, expressed enthusiasm for this contrast.[20] The child leads—Ian Weighill as Charlie Rawlins, Cindy O'Callaghan as Carrie Rawlins, and Roy Snart as Paul Rawlins—were non-professional actors selected through auditions overseen by Disney scouts, prioritizing natural performances over experience to evoke wartime evacuees' authenticity; Weighill, for instance, had prior minor exposure as an extra in David Copperfield (1969) but ceased acting post-production.[21][22] Supporting roles featured established performers like Roddy McDowall as the skeptical vicar Mr. Jelk and Tessie O'Shea as the boisterous Mrs. Hobday, chosen to balance the film's whimsical tone with grounded character interactions, though specific selection rationales beyond availability and prior credits remain undocumented in production records.[6]Filming Process
Principal photography for Bedknobs and Broomsticks commenced in early March 1970 at the Walt Disney Studios in Burbank, California, and concluded on June 10, 1970.[23] The majority of the film, including interior sets depicting the English village of Pepperinge Eye, London sequences such as Portobello Road, and the seaside home, was shot on soundstages to recreate the British setting amid World War II.[24] [22] Location shooting occurred in England for authenticity in exterior scenes, including Corfe Castle in Dorset standing in for the film's fictional castle and coastal views along the Seven Sisters cliffs in Sussex.[24] [25] Additional California exteriors, such as those simulating the Dorset coast with invading forces, were filmed near Ventura to supplement the UK footage.[26] The production mirrored the intermittent schedule of Mary Poppins, with frequent delays attributed to coordination of live-action elements that would later integrate with animation and special effects.[4] Working with child actors Roy MacArthur, Cindy O'Callaghan, and Ian Weighill required structured daily routines, including on-set schooling to comply with labor regulations, while lead Angela Lansbury performed extensive practical magic sequences involving props like the enchanted bedknob.[23] Director Robert Stevenson's oversight ensured continuity across the hybrid format, though the Burbank-based production occasionally strained efforts to capture period-specific British accents and wartime atmosphere without extensive travel.[22]Animation Techniques and Effects
The production of Bedknobs and Broomsticks integrated live-action footage with animation through the sodium vapor process, a matte compositing technique developed by Ub Iwerks at Disney Studios. This method employed a specialized yellow sodium-vapor screen illuminated by sodium lamps, captured via a three-strip Technicolor camera that isolated foreground elements from the uniform background wavelength, enabling seamless layering of multiple live-action passes and animated cels without the edge artifacts common in blue-screen processes.[27] The technique facilitated key sequences such as the flying bedknob traversals, where actors including Angela Lansbury and the child performers were filmed against the sodium screen and later composited into fantastical environments.[27] Animation sequences, directed by Ward Kimball, were concentrated on the Isle of Naboombu, featuring anthropomorphic animals in musical and athletic antics. Directing animator Milt Kahl designed the principal characters, emphasizing naturalistic acting, weight distribution in clothing, and species-specific movements—such as an elephant goalkeeper wielding its trunk or a cheetah's paws igniting from speed during the soccer match refereed by live-action actor David Tomlinson.[28] Enlarged character drawings by Kahl guided live-action performers during rehearsals to match animated timing and poses, ensuring visual continuity upon compositing via the sodium process.[28] The film's visual effects team, led by Eustace Lycett, applied the technique to the "substitutiary locomotion" spell, animating suits of armor and household objects to march; this combined sodium matting with practical wirework, puppetry, and costumed actors for wide establishing shots.[27] These innovations contributed to the film's Academy Award for Best Visual Effects at the 44th ceremony on April 10, 1972, awarded to Alan Maley, Eustace Lycett, and Danny Lee for their work in optical printing and matte artistry that blended disparate elements into a cohesive hybrid narrative.[29] The sodium vapor approach, refined from its debut in Mary Poppins (1964), represented Disney's pinnacle in pre-digital live-action/animation fusion, though it demanded precise lighting and limited flexibility compared to modern chroma keying.[27]Music and Songs
Composition and Original Score
The songs and incidental music for Bedknobs and Broomsticks were composed by Richard M. Sherman and Robert B. Sherman, known collectively as the Sherman Brothers, who specialized in crafting narrative-driven scores for Disney musicals following their Academy Award-winning work on Mary Poppins (1964).[30][31] Their contributions included thematic motifs that underscored the film's blend of wartime realism and fantastical elements, such as the march-like "The Old Home Guard" overture, which evoked British Home Guard drills during World War II.[32] Irwin Kostal, an experienced Disney collaborator, served as music supervisor, conductor, arranger, and orchestrator, adapting the Shermans' compositions into a full orchestral score that integrated live-action and animated sequences.[33][6] Kostal's arrangements amplified the score's whimsical yet tense atmosphere, employing brass and percussion for militaristic cues in scenes like the island of Naboombu and strings for magical flights, while ensuring seamless transitions between song reprises and underscoring.[34] His efforts earned an Academy Award nomination for Best Scoring: Adaptation and Original Song Score in 1972, recognizing the synthesis of original material with adapted elements.[33] The composition process occurred amid production challenges post-Walt Disney's death in 1966, with the Shermans refining themes through 1970 and 1971 to align with script revisions, including expanding motifs for animated segments like the soccer match.[35] This iterative approach maintained causal ties between music and plot progression, prioritizing empirical synchronization over stylistic flourishes, though some early concepts were curtailed due to budget constraints.[36]Key Songs and Sequences
"The Old Home Guard" serves as the film's opening musical number, performed by a chorus representing the British Home Guard during World War II, establishing the wartime setting in 1940 England with lyrics emphasizing civilian defense efforts.[32] It reappears in reprise during the climactic battle sequence against Nazi invaders, underscoring themes of resilience.[37] "The Age of Not Believing", a solo by Angela Lansbury as Eglantine Price, reflects the character's internal struggle with magic's reality amid skepticism, composed by the Sherman Brothers with a melancholic melody that highlights her apprentice witch's doubts.[32] This introspective piece, lasting approximately 3 minutes and 18 seconds in the soundtrack version, transitions into her determination to master spells for the war effort.[38] "Portobello Road" is an elaborate production number depicting a bustling London market, featuring diverse street performers, vendors, and dancers in a choreographed sequence that blends live-action with vibrant costumes and sets to evoke 1940s multiculturalism.[39] Sung by ensemble cast including David Tomlinson as Emelius Browne, it advances the plot as the children search for a magical bedknob, lasting over 7 minutes and showcasing the film's hybrid musical style.[40] "The Beautiful Briny" combines live-action with animation in an underwater fantasy sequence, where characters explore a mythical sea world with mermaids and marine life, performed by Tomlinson, Lansbury, and child actors Roy Smart, Cindy O'Callaghan, and Ian Weighill.[32] The song's whimsical lyrics and orchestration by Irwin Kostal facilitate the quest for a spell substitution, emphasizing escapism from wartime hardships.[41] "Substitutiary Locomotion", introduced as a spell incantation rather than a traditional song, drives the film's central magical sequence where inanimate objects are animated, leading to chaos and the journey to the animated island of Naboombu.[39] Performed amid practical effects and animation, it culminates in a sports game with animal athletes, blending humor and spectacle in the 1971 release's innovative effects.[38]Soundtrack Releases and Covers
The original motion picture soundtrack album for Bedknobs and Broomsticks was released on vinyl LP by Disneyland Records (STER-1326) in 1971, shortly before the film's premiere, compiling key songs and score segments composed by Richard M. Sherman and Robert B. Sherman under the musical direction of Irwin Kostal.[42] The album featured 10 tracks, including "Overture/The Old Home Guard" by the Home Guardsmen, "The Age of Not Believing" sung by Angela Lansbury, and "Portobello Road" with David Tomlinson and ensemble vocals, running approximately 31 minutes in stereo format. Some tracks, such as "With a Flair" and "A Step in the Right Direction," originated from scenes deleted from the final film cut but were retained on the recording.[34] An expanded compact disc edition, also titled Bedknobs and Broomsticks: Original Motion Picture Soundtrack, was issued by Walt Disney Records (60784-7) on August 13, 2002, extending to 14 tracks and 38 minutes with restored and additional audio elements from the film's score. This version preserved the original performances while offering improved fidelity and broader availability through digital platforms like Apple Music, where it lists the same core selections alongside instrumental cues.[32] Cover versions of the film's songs appeared contemporaneously on licensed albums, reflecting the score's immediate cultural reach. The ensemble Living Voices released Music From Walt Disney Productions' "Bedknobs and Broomsticks" on RCA Victor in September 1971, adapting nine tracks including "The Beautiful Briny," "Portobello Road," and "Substitutiary Locomotion" in choral arrangements with orchestral backing.[43][44] British actress Beryl Reid contributed to a cover album featuring songs like "The Age of Not Believing" and "Eglantine," supported by Hugh Paddick and The Rita Williams Singers, which drew from deleted sequences to expand its selections.[34] These releases prioritized narrative medleys over strict fidelity to the film's versions, often incorporating promotional tie-in elements.Release and Distribution
Initial Theatrical Release
Bedknobs and Broomsticks premiered in the United Kingdom on October 7, 1971, during a charity event, with general release following on October 8.[45][46] The film reached the United States on December 13, 1971, distributed by Buena Vista Distribution Company under Walt Disney Productions.[1][5] The initial theatrical version ran 117 minutes, shortened from an original cut exceeding two hours to suit audience attention spans and runtime norms.[47] Rated G by the Motion Picture Association of America, it targeted family audiences amid competition from other holiday releases.[1]
In North America, the film's initial release generated $17.87 million in box office earnings, reflecting modest performance relative to its $6.3 million production budget and the studio's expectations for a post-Mary Poppins successor.[48] International rollout followed similar patterns, with early screenings in countries including Israel, India, and Mexico during 1971.[46] Promotional efforts emphasized the blend of live-action, animation, and musical elements, drawing on wartime nostalgia for British audiences while positioning it as whimsical escapism in the U.S.[45]
Restorations and Re-Releases
The film underwent a theatrical re-release in 1979, shortened to 97 minutes by excising most songs except "Portobello Road" and "The Beautiful Briny," along with other footage to streamline runtime for audiences.[49][45] This version prioritized action sequences over musical elements, reflecting Disney's strategy during the late 1970s to broaden appeal amid shifting market preferences for faster-paced family entertainment.[49] In 1996, marking the film's 25th anniversary, Disney restored it to nearly its original intended 139-minute length by reintegrating the majority of previously deleted scenes and musical content, drawing from surviving elements to reconstruct the narrative as closely as feasible to director Robert Stevenson's vision.[47] This version addressed earlier cuts made post-premiere, which had reduced the 1971 release from 141 minutes, and became the basis for subsequent home video editions emphasizing the full musical fantasy.[49] Later restorations included a 2001 digital remastering that preserved the extended cut but encountered criticism for audio synchronization issues in certain sequences, stemming from challenges in aligning original mono tracks with new stereo mixes.[50] The 2009 Enchanted Musical Edition further refined visuals and sound, incorporating high-definition transfers while retaining the reconstructed structure, though it did not introduce new footage.[51] No additional theatrical re-releases followed the 1979 version, with Disney favoring home media for preserving restored iterations.[45]Home Media and Availability
Bedknobs and Broomsticks was first released on VHS in the United States on March 4, 1980, marking one of Disney's early home video offerings. Subsequent VHS editions included a 1989 "Sorcerer Mickey" version and a 1991 Buena Vista reissue, with a 30th Anniversary Edition in 2001 featuring supplemental content like "Music Magic: The Sherman Brothers". A 25th Anniversary Special Edition appeared on LaserDisc in 1997. The film transitioned to DVD with the 30th Anniversary Edition in 2001, presented in remastered form. An Enchanted Musical Edition DVD followed on September 22, 2009, including restored and remastered visuals along with bonus features such as deleted song recreations. The Special Edition Blu-ray, utilizing a high-definition transfer, debuted on August 12, 2014, with enhanced audio and the 117-minute cut plus supplements like a featurette on the Sherman Brothers' score. Digital downloads and HD versions became available prior to the Blu-ray, with iTunes offering an extended cut in HD by 2014 based on the 2001 master. As of 2025, the film streams exclusively on Disney+ in most regions, typically featuring the standard theatrical edit, though some users report omissions of sequences like "With a Flair" compared to physical editions. It is also purchasable or rentable digitally on platforms including Amazon Video and Apple TV for $3.99 or higher, with physical Blu-ray and DVD copies distributed via partners like Sony Pictures Home Entertainment since February 2024.Reception and Performance
Box Office Results
Bedknobs and Broomsticks was released theatrically in the United States on October 7, 1971, by Walt Disney Productions following an earlier premiere in London.[48] The film earned a domestic box office gross of $17,871,174, which represented its total worldwide earnings as no significant international figures are recorded separately.[48] Produced at a cost of $20 million, the movie underperformed financially relative to its budget, exacerbating Walt Disney Productions' box office challenges in the post-Walt era amid rising production expenses for its hybrid live-action and animation format.[48][52] Despite the shortfall, it ranked ninth among the top-grossing films of 1971 in the domestic market.[53]Critical Reviews
Upon its release on December 13, 1971, Bedknobs and Broomsticks received mixed reviews from critics, who frequently compared it to Disney's earlier success Mary Poppins (1964) and noted its blend of live-action, animation, and musical elements as both a strength and a source of unevenness.[3] [54] Roger Ebert of the Chicago Sun-Times awarded it 2.5 out of 4 stars, praising Angela Lansbury's charismatic performance as the apprentice witch Miss Price, the children's likable mischief, and the film's charming animated sequences, such as encounters in an animal-ruled kingdom, while critiquing its occasional lapses into formulaic Disney whimsy without the tighter narrative cohesion of its predecessor.[3] Vincent Canby of The New York Times described the film as a "tricky, cheerful, aggressively friendly Walt Disney fantasy for children," highlighting its inventive magical set pieces—like the bed traveling to fantastical locales—and Lansbury's engaging portrayal of an eccentric, spell-learning spinster, though he implied its aggressive amiability bordered on overreach in appealing to young audiences.[55] Variety offered a more enthusiastic assessment, stating that "the magic of Walt Disney lingers magnificently" in the production's technical achievements, including seamless live-action/animation integration and the rousing "Portobello Road" sequence, which showcased vibrant production design and choreography despite the film's sprawling 117-minute runtime.[54] Critics commonly lauded the special effects, which won an Academy Award for Best Visual Effects in 1972, and the score by the Sherman Brothers, but faulted the narrative for pacing issues and tonal shifts between wartime peril and lighthearted escapism.[3] [54] Retrospective analyses, aggregating 35 critic scores, reflect this divide with a 66% approval rating on Rotten Tomatoes, where reviewers appreciated the film's anti-invasion climax as a timely WWII allegory but noted its indulgence in extremes rendered it "unwieldy."[56] Modern commentators have increasingly valued its historical context, with some observers in 2021 emphasizing Lansbury's witch as a symbol of British resilience against fascism, though contemporary family-oriented critiques still point to dated elements like the children's occasionally bratty behavior disrupting emotional flow.[57]Awards and Nominations
At the 44th Academy Awards held on April 10, 1972, Bedknobs and Broomsticks received five nominations and secured one win for Best Special Visual Effects, awarded to Alan Maley, Eustace Lycett, and Danny Lee for their innovative integration of live-action footage with animated sequences, including the film's climactic battle scene.[58] The other nominations included Best Original Song for "The Age of Not Believing" (music by Richard M. Sherman and Robert B. Sherman, lyrics by Richard M. Sherman), Best Original Dramatic Score for Irwin Kostal's composition, Best Art Direction (John B. Mansbridge, Peter Ellenshaw, and others), and Best Film Editing for Cotton Warburton's work.[59]| Award | Category | Recipient(s) | Result |
|---|---|---|---|
| Academy Awards | Best Special Visual Effects | Alan Maley, Eustace Lycett, Danny Lee | Won |
| Academy Awards | Best Original Song ("The Age of Not Believing") | Richard M. Sherman, Robert B. Sherman | Nominated |
| Academy Awards | Best Original Dramatic Score | Irwin Kostal | Nominated |
| Academy Awards | Best Art Direction | John B. Mansbridge, Peter Ellenshaw, et al. | Nominated |
| Academy Awards | Best Film Editing | Cotton Warburton | Nominated |
