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Dragon Ball Z
Dragon Ball Z
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Dragon Ball Z
ドラゴンボールZ
(Doragon Bōru Zetto)
Genre
Created byAkira Toriyama
Anime television series
Directed by
Produced by
  • Kenji Shimizu
  • Kōji Kaneda
Written byTakao Koyama
Music byShunsuke Kikuchi
StudioToei Animation
Licensed by
Original networkFNS (Fuji TV)
English network
Original run April 26, 1989 January 31, 1996
Episodes291 (List of episodes)
Anime television series
Dragon Ball Z Kai
Directed by
  • Yasuhiro Nowatari
  • Naohiro Terazaki
Written byTakao Koyama
Music by
StudioToei Animation
Licensed byCrunchyroll[Note 1]
Original networkFuji TV
English network
Original run April 5, 2009 – March 27, 2011
Continued run:
April 6, 2014
June 28, 2015
Episodes
  • 159 (Japan)
  • 167 (International)[6]
(List of episodes)
Media franchise
icon Anime and manga portal

Dragon Ball Z[a] (DBZ) is a Japanese anime television series produced by Toei Animation. Part of the Dragon Ball media franchise, it is the sequel to the 1986 Dragon Ball television series and adapts the latter 325 chapters of the original Dragon Ball manga series created by Akira Toriyama. The series aired in Japan on Fuji TV from April 1989 to January 1996 and was later dubbed for broadcast in at least 81 countries worldwide.[7]

Dragon Ball Z continues the adventures of Son Goku in his adult life as he and his companions defend the Earth against villains including aliens (Vegeta, Frieza), androids (Cell), and magical creatures (Majin Buu). At the same time, the story follows the life of Goku's son, Gohan, as well as the development of his rivals, Piccolo and Vegeta.

Due to the success of the series in the United States, the manga chapters making up its story were initially released by Viz Media under the Dragon Ball Z title. The anime's popularity has also spawned various media and merchandise that has come to represent the majority of the material within the Dragon Ball franchise, including films, home video releases, soundtracks, trading cards, and video games. Dragon Ball Z remains a cultural icon through numerous adaptations and re-releases, including a remastered broadcast titled Dragon Ball Z Kai.[b] Dragon Ball Z has since been followed by a sequel series titled Dragon Ball GT (1996–1997), a "midquel" series titled Dragon Ball Super (2015–2018) and another midquel series titled Dragon Ball Daima (2024–2025).

Plot

[edit]

Saiyan Saga

[edit]

Dragon Ball Z picks up five years after the end of the Dragon Ball series, with Son Goku now a young adult and father to his son, Gohan.

A humanoid alien named Raditz arrives on Earth in a spacecraft and tracks down Goku, revealing to him that he is his long-lost older brother and that they are members of a near-extinct elite alien warrior race called Saiyans (サイヤ人, Saiya-jin). Goku (originally named Kakarot (カカロット, Kakarotto) had been sent to Earth as an infant to conquer the planet, but suffered a severe blow to his head shortly after his arrival and lost all memory of his mission, as well as his blood-thirsty Saiyan nature.

Raditz tells Goku that along with two stronger elites, Vegeta and Nappa, they are the only remaining Saiyans after their home planet Vegeta was destroyed. Raditz asks Goku to enlist in helping conquering planets and joining the remaining Saiyans. When Goku refuses to join and help them, Raditz takes Goku and Krillin down with one strike, kidnaps Gohan, and threatens to murder him if Goku does not kill 100 humans within the next 24 hours. Goku decides to team up with his arch-enemy Piccolo, who was also defeated by Raditz in an earlier encounter, to defeat him and save his son. During the battle, Gohan's rage momentarily makes him stronger than Piccolo and Goku as he attacks Raditz to protect his father. The battle ends with Goku restraining Raditz so that Piccolo can hit them with a deadly move called Special Beam Cannon (魔貫光殺砲, Makankōsappō; lit. "Demon Penetrating, Killing Ray Gun"), mortally wounding them both, and kills them after a short while. But before Raditz succumbs to his injuries, he reveals to Piccolo that the other two Saiyans are much stronger than him and will come for the Dragon Balls in one year.

Having witnessed Gohan's latent potential, Piccolo takes him into the wild to train for the upcoming battle against the Saiyans. In the afterlife, Goku travels the million-kilometer Snake Way so that he can train under the ruler of the North Galaxy, King Kai. King Kai teaches Goku the Kaio-ken (界王拳, Kaiōken; lit. "Fist of Kings of Worlds") and the Spirit Bomb (元気玉, Genki Dama; lit. "Energy Sphere") techniques. Despite his gruff and villainous nature, Piccolo grows fond of Gohan while he oversees him learning to fend for himself. This forges an unlikely emotional bond between the two.

After a year, Goku is revived with the Dragon Balls, but King Kai panics as he realizes that Goku will have to take Snake Way again to get back and will not make it until hours after the Saiyans arrive. Goku's allies group up to fight until Goku gets back, but prove to be no match for Nappa and the "Prince of All Saiyans", Vegeta. Yamcha, Tien Shinhan, Chiaotzu and Piccolo all perish in the battle, with Piccolo's death causing both Kami and the Dragon Balls to fade from existence. When Goku finally arrives at the battlefield, he avenges his fallen friends by easily defeating Nappa before crippling him by breaking his spine in half. A furious Vegeta then executes Nappa for his failure to kill Goku.

Goku uses several grades of the Kaio-ken to win the first clash with Vegeta, which concludes with a climactic ki beam struggle, but it comes at a great cost to his body. Vegeta comes back and creates an artificial moon to transform into a Great Ape, which he uses to torture Goku. Krillin and Gohan sense that Goku is in trouble, and they return for a group fight with the now-seemingly unstoppable Vegeta. They are aided at key moments by Yajirobe, who cuts Vegeta's tail to revert him into his normal state. Goku gives Krillin a Spirit Bomb that he made, and Krillin uses it to severely damage Vegeta. Vegeta is ultimately defeated when he is crushed by Gohan's Great Ape form, and he retreats to his spaceship as Krillin approaches to finish him off. Goku convinces Krillin to spare Vegeta's life and allow him to escape Earth, with Vegeta vowing to return and destroy the planet in revenge for his humiliation at Goku's hands.

Frieza Saga

[edit]

During the battle, Krillin overhears Vegeta mentioning the original set of Dragon Balls from Piccolo's homeworld, Namek (ナメック星, Namekku-sei). While Goku recovers from his injuries, Gohan, Krillin, and Goku's oldest friend Bulma depart for Namek to use these Dragon Balls to revive their fallen friends in the battle.

Upon their arrival on Namek, Krillin, Gohan, and Bulma discover that Vegeta and his superior, the galactic tyrant Frieza, are already there, each looking to use the Dragon Balls to obtain immortality. Vegeta is stronger than before, as Saiyans become stronger when they recover from the brink of death, so he seizes the opportunity to rebel against Frieza. A triangular game of cat-and-mouse ensues, with Frieza, Vegeta, and Gohan plus Krillin alternately possessing one or more of the Dragon Balls, with no one managing to possess all seven at any given time.

Vegeta manages to isolate Frieza's lieutenants one by one and kill them. When Frieza sees that Vegeta is posing too big of a problem, he summons the Ginyu Force, a team of elite mercenaries led by Captain Ginyu, who can switch bodies with his opponents. Vegeta reluctantly teams up with Gohan and Krillin to fight them, knowing that they are too much for him to handle alone. The Ginyu Force proves too powerful, but Goku finally arrives and defeats them single-handedly, saving Vegeta, Gohan, and Krillin. Vegeta believes Goku may have become the legendary warrior of the Saiyans, the Super Saiyan ((スーパー)サイヤ人, Sūpā Saiya-jin). As Goku heals from a brutal fight with Captain Ginyu, Krillin, Dende, and Gohan secretly use the Dragon Balls behind Vegeta's back to wish for Piccolo's resurrection and teleport him to Namek. Vegeta finds them using the Dragon Balls without him, but the Grand Elder dies and rendering the Dragon Balls inert before he can wish for immortality. Just as this happens, Frieza arrives and decides to kill the four of them for denying him his wish for immortality.

Piccolo arrives on Namek but is accidentally separated from the others due to a badly-worded wish. He finds the strongest Namekian warrior, Nail, who was defeated by Frieza and fuses with him to greatly increase his power.

Despite both Piccolo and Vegeta's advances in power, they are greatly outclassed by Frieza, who goes through several transformations before reaching his final form, which he then uses to kill Dende.

Goku arrives after healing from his injuries, and Vegeta tells him that Frieza was the one who destroyed the Saiyan homeworld and massacred the Saiyan race, as he feared that he would one day be overthrown by a Super Saiyan. Frieza then kills Vegeta in front of Goku.

Though Goku's power exceeds Vegeta's, he is still no match for Frieza. Goku uses his last resort, a massive Spirit Bomb with the energy of Namek and the surrounding worlds, and it seemingly defeats the tyrant. However, Frieza manages to survive, and he unleashes his wrath upon the group by gravely wounding Piccolo and murdering Krillin. Goku's rage finally erupts, and he undergoes a strange transformation that turns his hair blond, his eyes green, and causes a golden aura to radiate from his body. Goku has finally become a Super Saiyan.

Meanwhile, the revived Kami uses Earth's Dragon Balls to resurrect everyone on Namek that was killed by Frieza and his henchmen, which also allows the Grand Elder to be resurrected for a short time, and the Namekian Dragon to return. Dende uses the final wish to teleport everyone on Namek to Earth except for Goku and Frieza.

Even at 100% power, Frieza cannot manage to defeat the Super Saiyan transformation. Goku outwits Frieza, cutting him in half with his own attack, before escaping Namek as the planet is destroyed in a massive explosion.

Garlic Jr. Saga

[edit]

After the battle with Frieza, Goku's friends and family are waiting for word on his return when a demonic star drifts into Earth's orbit and opens up a rift in space, allowing the malevolent immortal Garlic Jr. to break free from his imprisonment inside the Dead Zone. Seeking revenge for a past defeat at the hands of Goku and Piccolo, Garlic Jr. traps Kami and Mr. Popo inside a bottle and uses his Black Water Mist to turn all of Earth's inhabitants into bloodthirsty, vampire-like beings. Gohan, Krillin, Piccolo, Krillin's then-girlfriend Maron, and Gohan's pet dragon Icarus are the only ones unaffected and set out to stop Garlic Jr. and restore the Earth and its inhabitants. This proves to be easier said than done, as Garlic Jr. has complete immortality, making him impossible to kill. Luckily, Gohan's hidden potential gives him the edge he needs to eradicate Garlic Jr.'s forces and send him back into the Dead Zone. He also destroys the star, ensuring that Garlic Jr. will remain trapped in the Dead Zone for all eternity.

Androids Saga

[edit]

One year later, Frieza is revealed to have survived and arrives on Earth with his father, King Cold, seeking revenge. However, a mysterious young man named Trunks appears, transforms into a Super Saiyan, and kills Frieza and King Cold. Goku returns a few hours later, having spent the past year on the alien planet Yardrat learning a new technique: Instant Transmission, which allows him to teleport to any location he desires. Trunks reveals privately to Goku that he is the son of Vegeta and Bulma, and has traveled from 17 years in the future to warn Goku that two Androids (人造人間, Jinzōningen; lit. "Artificial Humans") created by Dr. Gero will appear in three years to seek revenge against Goku for destroying the Red Ribbon Army when he was a child. Trunks says all of Goku's friends will fall to them - while Goku himself will die from a heart virus six months before their arrival.

Trunks gives Goku medicine from the future that will save him from the heart virus and departs back to his own time. When the androids arrive, Goku falls ill during his fight with Android 19 but is saved by Vegeta, who reveals that he has also achieved the Super Saiyan transformation. Vegeta and Piccolo easily defeat Android 19 and Dr. Gero (who turned himself into "Android 20"), but Trunks returns from the future to check on their progress and reveals that the androids they defeated are not the ones that killed all of them in the future.

Goku is out of commission and his allies are overwhelmed by the arrival of Androids 16, 17 and 18, while an even stronger bio-Android called Cell emerges from a different timeline and embarks on a quest to find and absorb Androids 17 and 18, allowing him to attain his "perfect form".

Cell successfully absorbs Android 17, becoming considerably more powerful, but Vegeta returns to the battle, having greatly elevated his power, and easily overpowers him. However, Vegeta allows Cell to absorb Android 18, believing that his "perfect form" will be no match for his Super Saiyan power. Vegeta is subsequently defeated, with Cell mockingly thanking him for helping him achieve perfection.

Cell allows everyone to live for the time being and announces a fighting tournament to decide the fate of the Earth, known as the "Cell Games". Goku, recovered from the heart virus and having reached the zenith of the Super Saiyan form, takes on Cell at the tournament. Goku eventually realizes that Cell is far too powerful for him to handle, and forfeits the fight to the astonishment of everyone else. Goku proclaims that Gohan will be able to defeat Cell. Though initially outclassed, Gohan is eventually able to tap into his latent power and achieve the Super Saiyan 2 transformation after Android 16 sacrifices himself in a failed attempt to kill Cell. Refusing to accept defeat, Cell prepares to self-destruct and destroy the Earth.

Goku uses his Instant Transmission ability to teleport himself and Cell to King Kai's planet, where Cell explodes and kills everyone there. However, Cell survives the blast and returns to Earth more powerful than ever, where he promptly murders Trunks, but Gohan unleashes the totality of his power in a massive Kamehameha wave and obliterates Cell for good.

The Dragon Balls are then used to revive everyone that was killed by Cell, while Goku chooses to remain in the afterlife, refusing an offer by his friends to use the Namekian Dragon Balls to bring him back. Trunks returns to his timeline and uses his bolstered power to finally slay the Future Androids and Cell.

Majin Buu Saga

[edit]

Seven years later, Goku is allowed to go back to Earth for one day to reunite with his loved ones and meet his youngest son, Goten, at the World Martial Arts Tournament (天下一武道会, Tenkaichi Budōkai; "Number One Martial Arts Gathering Under the Heavens"). Soon after, Goku and his allies are drawn into a fight by the Supreme Kai against a magical being named Majin Buu (魔人ブウ, "Majin Buu") summoned by the evil wizard Babidi. All efforts to stop the resurrection prove to be futile as Buu is successfully revived and begins slaughtering Earth's inhabitants. Goten and Trunks are taught the fusion technique by Piccolo, while Gohan gets his latent potential unlocked by the Elder Supreme Kai.

Meanwhile, Buu befriends Mr. Satan and vows to never kill anyone ever again, but is interrupted when a deranged gunman shoots and nearly kills Mr. Satan. As a result, Majin Buu becomes so angry that he expels the evil within himself, creating an evil Buu that proceeds to absorb the good Buu. The result is Super Buu, a psychopathic monster who wants nothing more than the destruction of the universe. After numerous battles that result in the deaths of many of Goku's allies as well as the destruction of Earth, Goku is fully restored by the Elder Supreme Kai and defeats Kid Buu (the original form of Majin Buu) with a Spirit Bomb attack containing the energy of all the inhabitants of Earth, who were resurrected along with the planet by the Namekian Dragon Balls. Goku makes a wish for Kid Buu to be reincarnated as a good person and, ten years later at another Tenkaichi Budōkai, he meets Kid Buu's human reincarnation, Uub. Leaving the match between them unfinished, Goku departs with Uub so he can train him to become Earth's new defender.

Production and broadcasting

[edit]

Kazuhiko Torishima, Akira Toriyama's editor for Dr. Slump and the first half of Dragon Ball, felt that the Dragon Ball anime's ratings were gradually declining because it had the same producer that worked on Dr. Slump. Torishima said this producer had this "cute and funny" image connected to Toriyama's work and was missing the more serious tone in the newer series, and therefore asked the studio to change the producer. Impressed with their work on Saint Seiya, he asked its director Kōzō Morishita and writer Takao Koyama to help "reboot" Dragon Ball, which coincided with Goku growing up. The new producer explained that ending the first anime and creating a new one would result in more promotional money. The result was the start of Dragon Ball Z.[8] Toriyama suggested the title because Z is the last letter of the alphabet. He wanted to finish the series because he was running out of ideas for it.[9] Ironically enough, the sequel series would end up producing more episodes than its predecessor.

Dragon Ball Z is adapted from the final 324 chapters of the manga series which were published in Weekly Shōnen Jump from 1988 to 1995. It premiered in Japan on Fuji Television on April 26, 1989, taking over its predecessor's time slot, and ran for 291 episodes until its conclusion on January 31, 1996.[10] Because Toriyama was writing the manga during the production of the anime,[11] Dragon Ball Z added original material not adapted from the manga, including lengthening scenes or adding new ones, and adding new attacks and characters not present in the manga. For example, Toriyama was asked to create an additional character for Goku's training with King Kai, resulting in the cricket Gregory.[12]

Throughout the production, the voice actors were tasked with playing different characters and performing their lines on cue, switching between roles as necessary.[13] The voice actors were unable to record the lines separately because of the close dialogue timing. When asked if juggling the different voices of Goku, Gohan and Goten were difficult, Masako Nozawa said that it was not and that she was able to switch roles simply upon seeing the character's picture.[13] She did admit that when they were producing two films a year and television specials in addition to the regular series, there were times when they had only line art to look at while recording, which made giving finer nuanced details in her performance difficult.[14]

One of the character designers for Dragon Ball Z was Tadayoshi Yamamuro. He was responsible for designing and animating Goku's Super Saiyan form in the series. He used the martial artist Bruce Lee as a reference for Goku's Super Saiyan form, stating that, when he "first becomes a Super Saiyan, his slanting pose with that scowling look in his eyes is all Bruce Lee."[15] In the original manga itself, Goku's piercing eyes in Super Saiyan form were also based on Bruce Lee's paralyzing glare.[16]

English dub production and broadcasting

[edit]

In 1996, Funimation Productions (now known as Crunchyroll LLC) licensed Dragon Ball Z for an English-language release in North America, after cancelling their initial dub of Dragon Ball half-way through their originally-planned 26-episode first season.[17][18] Funimation's 1996 release was not the first broadcast in the United States, as some networks had already aired versions of the series in other languages on a smaller scale. This included Nippon Golden Network's broadcast of a subtitled Japanese version in Hawaii from 1994.[19] Funimation worked with Saban Entertainment to syndicate the series on television, and Pioneer Entertainment to handle home video distribution.[20] A Vancouver-based cast recording at the Ocean Studios were hired by Funimation to dub the anime (Funimation had previously used a similar Vancouver-based voice cast in their initial Dragon Ball dub, recorded at Dick & Roger's Sound Studio).[21][22] Contract musicians for Saban, Ron Wasserman[23] and Jeremy Sweet,[21] known for their work on the Power Rangers franchise, composed a new guitar-driven soundtrack. The dub's opening theme (nicknamed "Rock the Dragon") was sung by Sweet, and afterwards Wasserman got hired by Saban to do background music for the dub. For contractual reasons, the background music and opening theme was officially credited to Saban founders Shuki Levy and Haim Saban (under the alias Kussa Mahehi), with the actual extent of their involvement in the soundtrack being unclear.[24][25]

Funimation's initial English dub of Dragon Ball Z had mandated cuts to content and length, which reduced the first 67 episodes into 53 (though TV episode 53 actually ends half-way through uncut episode 67).[26][27] Most of the edits were done to make the anime more tame and kid-friendly, most notably having references to death sidestepped with phrases like "sent to the next dimension".[28] It premiered in the United States on September 13, 1996, in first-run syndication, but halted production in 1998 after two seasons[26] despite strong ratings.[29] This was due to Saban scaling down its syndication operations, in order to focus on producing original material for the Fox Kids Network and its newly acquired Fox Family Channel.[30][31] Pioneer also ceased its home video release of the series at volume 17 (the end of the dub) and retained the rights to produce an uncut subtitled version,[26] but did not do so. They did, however, release uncut dubs of the first three Z movies on home video.

Christopher Sabat (left) and Sean Schemmel (right) have provided Funimation's English dub voices for Vegeta and Goku, respectively, since 1999.

On August 31, 1998, reruns of this canceled dub began airing on Cartoon Network as part of the channel's weekday afternoon Toonami block. Cartoon Network eventually ordered more episodes of Dragon Ball Z, and Funimation resumed production on the series' English dub without Saban's assistance. Cartoon Network replaced the original Vancouver-based cast with an in-house voice cast at their Texas-based studio, with the goal of the new voices sounding similar to the Vancouver cast.[32] The Saban-produced soundtrack from the first two seasons was replaced with a new background score composed by Bruce Faulconer and his team of musicians, which was used throughout the rest of Funimation's Dragon Ball Z dub.[23] This renewed dub featured less censorship due to both Saban's absence and fewer restrictions on cable programming, and aired new episodes on Cartoon Network's Toonami block from September 13, 1999, to April 7, 2003 (continuing in re-runs through 2008). Kids' WB briefly ran Dragon Ball Z in 2001 on its short-lived Toonami block.[33]

In 2005, Funimation began to re-dub episodes 1–67 with their in-house voice cast, including content originally cut from their dub with Saban.[34] This dub's background score was composed by Nathan M. Johnson (Funimation had ceased working with Faulconer Productions after the final episode of Dragon Ball Z in 2003). Funimation's new uncut dub of these episodes aired on Cartoon Network beginning in June 2005.[35][36][37] Funimation's later remastered DVDs of the series saw them redub portions of the dialogue, mostly after episode 67, and had the option to play the entire series' dub with both the American and Japanese background music.

In January 2011, Funimation and Toei announced that they would stream Dragon Ball Z within 30 minutes before their simulcast of One Piece.[38]

The Funimation dubbed episodes also aired in Canada, Ireland, the United Kingdom, the Netherlands, Belgium, Australia, and New Zealand. However, beginning with episode 108 (123 uncut), Westwood Media (in association with Ocean Studios) produced an alternate English dub, distributed to Europe by AB Groupe. The alternate dub was created for broadcast in the UK, the Netherlands and Ireland, although it also aired in Canada beginning from episode 168 (183 uncut) to fulfill Canadian content requirements. Funimation's in-house dub continued to air in the U.S., Australia, and New Zealand. The Westwood Media production used the same voice cast from the original 53-episode dub produced by Funimation, it featured an alternate soundtrack by Tom Keenlyside and John Mitchell,[39] though most of this score was pieces Ocean reused from other productions Keenlyside and Mitchell had scored for them, and it used the same scripts and video master as the TV edit of Funimation's in-house dub. The Westwood Media dub never received a home video release. In Australia, Dragon Ball Z was broadcast by the free-to-air commercial network, Network 10 during morning children's programming, Cheez TV, originally using the censored Funimation/Saban dub before switching to Funimation's in-house dub. Dragon Ball Z originally aired on the British Comedy Network in Fall 1998.[40]

The series was also available on the Funimation video streaming service (formerly FunimationNOW) upon its launch in 2016. In March 2022, Dragon Ball Z was added to Crunchyroll, a service that Funimation acquired a year before, which in turn was acquired in 2018 by its current parent company, Sony Pictures Television.[41]

Dragon Ball Z Kai

[edit]

In February 2009, Toei Animation announced that it would begin broadcasting a remastered version of Dragon Ball Z as part of the series's 20th anniversary celebrations.[42] The series premiered on Fuji TV in Japan on April 5, 2009, under the title Dragon Ball Kai. The ending suffix Kai ((かい)) in the name means "updated" or "altered" and reflects the improvements and corrections of the original work.[43] The original footage was remastered for HDTV, featuring updated opening and ending sequences, new music, and a re-recording of the vocal tracks.[43][44] The original material and any damaged frames were removed, along with the majority of the filler episodes to more closely follow the manga, resulting in a faster-moving story.[45] According to Torishima, Kai was conceived when Bandai asked if a new Dragon Ball anime could be made to increase the franchise's merchandise sales. As Toriyama refused to create a new story, it was decided to release a remastered version of the Dragon Ball Z anime that more closely follows the manga instead. He said the reception to Kai was positive, "so it all worked out".[46]

The series initially concluded on its 97th episode in Japan on March 27, 2011, with the finale of the Cell saga. It was originally planned to run 98 episodes; however, due to the Tōhoku offshore earthquake and tsunami, the final episode was not aired and was later released direct-to-video in Japan on August 2, 2011.[47]

In November 2012, Mayumi Tanaka, the Japanese voice actor of Krillin announced that she and the rest of the cast were recording more episodes of Dragon Ball Kai.[48] In February 2014, the Kai adaptation of the Majin Buu saga was officially confirmed. The new run of the series, which is titled Dragon Ball Z Kai: The Final Chapters internationally, began airing in Japan on Fuji TV on April 6, 2014, and ended its run on June 28, 2015.[49] The final arc of Kai was originally produced to last 69 episodes (as most of the international versions run[clarification needed]),[50] but the Japanese broadcast cut it down to 61 episodes.

English dub production and broadcasting

[edit]

Funimation licensed Kai for an English-language release in February 2010. The series was initially broadcast in the U.S. on Nicktoons from May 24, 2010, to January 1, 2012, continuing in re-runs until April 2013.[51][52] In addition to Nicktoons, the series also began airing on the 4Kids-owned Saturday morning programming block Toonzai on The CW in August 2010,[53] then on its successor, the Saban-owned Vortexx, beginning in August 2012 until the block ended in September 2014.[49] Both the Nicktoons and CW airings were edited for content. Kai began airing uncut on Adult Swim's Toonami block on November 8, 2014,[54] and re-runs of the previous weeks' episodes aired at the beginning of Adult Swim from February 2015 to June 2016.[55] In the United Kingdom, CSC Media Group acquired the broadcast rights to Kai and began airing it on Kix! in early 2013.[56][57][58]

Despite Kai's continuation not being officially confirmed at the time even in Japan, Funimation voice actors Sean Schemmel (Goku) and Kyle Hebert (Gohan), announced in April 2013 that they had started recording an English dub for new episodes.[59] In November 2013, Kai's Australasian distributor Madman Entertainment revealed that the Majin Buu arc of Kai would be released in 2014 and that they were waiting on dubs to be finished.[60] In February 2014, Funimation officially stated that they had not yet started recording a dub for the final arc of Kai.[61] On December 6, 2016, Funimation announced the continuation of Kai would begin airing on Adult Swim's Toonami block. The series aired from January 7, 2017, to June 23, 2018, alongside Dragon Ball Super.[62]

An alternate English dub of Kai by Ocean Productions was recorded for the original 98 episodes, featuring many of the original Vancouver cast reprising their roles, but it has yet to air.[when?][63][64][65][66]

Editing

[edit]

Dragon Ball Z's original North American release was the subject of heavy editing which resulted in a large amount of removed content and alterations that greatly changed the original work. Funimation CEO Gen Fukunaga is often criticized for his role in the editing; but it was the initial distributor Saban which required such changes or they would not air the work, as was the case with the episode dealing with orphans.[67][Note 2] These changes included altering every aspect of the show from character names, clothing, scenes and dialogue of the show. The character Mr. Satan was renamed Hercule and this change has been retained in other English media such as Viz's Dragon Ball Z manga and video games, though the English dubs of Dragon Ball Kai and Dragon Ball Super changed the name back to Mr. Satan.[68] The dialogue changes would sometimes contradict the scenes itself; after the apparent fatal explosion of a helicopter, one of the characters said, "I can see their parachutes; they're okay!"[67] Funimation's redub for the 2005 release would address many of the issues raised by Saban, with the uncut releases preserving the integrity of the original Japanese release.

During the original Japanese TV airing of Dragon Ball Kai, scenes involving blood and brief nudity were removed. Nicktoons would also alter Kai for its broadcast; it released a preview showcasing these changes which included removing the blood and cheek scar from Bardock and altering the color of Master Roshi's alcohol.[69] The show was further edited for its broadcast on The CW; most notoriously, the character Mr. Popo was tinted blue. The show's DVD and Blu-ray releases only contained the edits present in the original Japanese version. A rumor that Cartoon Network would be airing Kai uncut was met with an official statement to debunk the rumor in June 2010.[70] However, it would later air uncut on the channel as part of Adult Swim's Toonami block.

Steven Simmons, who did the subtitling for Funimation's home video releases, offered commentary on the subtitling from a project and technical standpoint, addressing several concerns.[71][Note 3] Simmons said that Gen Fukunaga did not want any swearing on the discs, but because there was no taboo word list, Simmons would substitute a variation in the strength of the words by situation with the changes starting in episode 21.[72] The typographical errors in the script were caused by dashes (—) and double-quotes (") failing to appear, which resulted in confusing dialogue.[72]

Music

[edit]

Dragon Ball Z has released a series of 21 soundtracks as part of the Dragon Ball Z Hit Song Collection series. In total, dozens of releases exist for Dragon Ball Z which includes Japanese and foreign adapted releases of the anime themes and video game soundtracks.

Shunsuke Kikuchi composed the score for Dragon Ball Z. The opening theme for the first 199 episodes is "Cha-La Head-Cha-La" performed by Hironobu Kageyama. The second opening theme used up until the series finale at episode 291 is "We Gotta Power" also performed by Kageyama. Both opening themes were replaced with an original instrumental piece by Mark Menza, the composer of the alternate soundtrack, in the remastered Funimation dub due to licensing issues. The ending theme used for the first 199 episodes is "Detekoi Tobikiri Zenkai Power!" (でてこいとびきりZENKAIパワー!; "Come Out, Incredible Full Power!") performed by MANNA. The second ending theme used for the remaining episodes is "Bokutachi wa Tenshi Datta" (僕達は天使だった; "We Were Angels") performed by Kageyama. The initial English-Language release used a completely new musical score composed by Faulconer Productions. It was used for the North American broadcasts of the show from 1999 to 2005.[73]

Kenji Yamamoto composed the score for Dragon Ball Kai. The opening theme, "Dragon Soul", and the first ending theme used for the first 54 episodes, "Yeah! Break! Care! Break!", are both performed by Takayoshi Tanimoto of the unit, Dragon Soul, in Japanese. Sean Schemmel, Justin Cook, Vic Mignogna, Greg Ayres, Sonny Strait and Brina Palencia performed the English version of the opening theme, while Jerry Jewell performed the English version of the ending theme.[74] The second ending theme, used from episodes 55–98, is "Kokoro no Hane" (心の羽根; "Wings of the Heart") performed by Team Dragon, a unit of the idol girl group AKB48, in Japanese and Leah Clark in English.[75] On March 9, 2011, Toei announced that due to Yamamoto's score infringing on the rights of an unknown third party or parties, the music for remaining episodes and reruns of previous episodes would be replaced.[76] Later reports from Toei stated that except for the series' opening and closing songs, as well as eyecatch music, Yamamoto's score was replaced with Shunsuke Kikuchi's score from Dragon Ball Z.

The music for The Final Chapters is composed by Norihito Sumitomo.[77] The opening theme is "Kuu Zen Zetsu Go" (空•前•絶•後) by Takayoshi Tanimoto of Dragon Soul, while the first ending song is "Haikei, Tsuratsusutora" (拝啓、ツラツストラ; "Dear Zarathustra") by Japanese rock band Good Morning America,[78] and the second "Junjō" (純情; "Pure Heart") by Leo Ieiri from episode 112 to 123.[79] The third ending song is "Oh Yeah!!!!!!!" by Czecho No Republic from episode 124 to 136,[80] the fourth "Galaxy" by Kyūso Nekokami from 137 to 146, and the fifth is "Don't Let Me Down" by Gacharic Spin from 147 to 159.[81] The international broadcast features two pieces of theme music. The opening theme, titled "Fight It Out", is performed by rock singer Masatoshi Ono, while the ending theme is "Never Give Up!!!", performed by rhythm and blues vocalist Junear.

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Home media

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In Japan, Dragon Ball Z did not receive a home video release until 2003, seven years after its broadcast. Pony Canyon announced a remastering of the series in two 26-disc DVD box sets, that were made-to-order only, released on March 19 and September 18 and referred to as "Dragon Box". Since then, Pony Canyon content of these sets began being released on mass-produced individual 6-episode DVDs on November 2, 2005, and finished with the 49th volume released on February 7, 2007.[82][83] In July 2009, Funimation announced that they would be releasing the Japanese frame-by-frame "Dragon Box" restoration of Dragon Ball Z in North America. These seven limited edition collector's DVD box sets were released uncut and unedited in the show's original 4:3 fullscreen format between November 10, 2009, and October 11, 2011.[84]

The international home release structure of Dragon Ball Z is complicated by the licensing and release of the companies involved in producing and distributing the work. Releases of the media occurred on both VHS and DVD with separate edited and uncut versions being released simultaneously. Both versions of the edited and uncut material are treated as different entries and would frequently make Billboard rankings as separate entries. Home release sales were featured prominently on the Nielsen VideoScan charts.[34] Further complicating the release of the material was Funimation itself; which was known to release "DVDs out of sequence in order to get them out as fast as possible"; as in the case of their third season.[85] Pioneer Entertainment distributed the Funimation/Saban edited-only dub of 53 episodes on seventeen VHS between 1997 and 1999,[86][87] and seventeen DVDs throughout 1999.[88][89] Two box sets separating them into the Saiyan and Namek arcs were also released on VHS in 1999,[90][91] and on DVD in 2001.[92][93] In 1999, Funimation's own distribution of their initial onward dub, which began with episode 54, in edited or uncut VHS ran between 1999 and 2006.[94][95][96] A DVD version was produced alongside these, although they were only produced uncut and contained the option to watch the original Japanese with subtitles.[97][98]

In 2005, Funimation began releasing their onward dub of the beginning of Dragon Ball Z on DVD, marking the first time the episodes were seen uncut in North America.[99] However, only nine volumes were released, leaving it incomplete.[100] Instead, Funimation remastered and cropped the entire series into 16:9 widescreen format and began re-releasing it to DVD in nine individual "season" box sets; the first set released on February 6, 2007, and the final on May 19, 2009.[101][102] On August 13, 2013, Funimation released all 53 episodes and the three movies from their first Dragon Ball Z dub created with Saban and Ocean Studios in a collector's DVD box set, titled the Rock the Dragon Edition.[103]

In July 2011, Funimation announced plans to release Dragon Ball Z in Blu-ray format, with the first set released on November 8, 2011.[104] However, production of these 4:3 sets was suspended after the second volume, citing financial and technical concerns over restoring the original film material frame by frame, with Funimation noting that the restoration costs incurred exceeded the retail price they were able to sell them for.[105] Only a year later, the company began producing a cropped 16:9 remastered Blu-ray release in 2013, with nine sets released in total.[106]

In March 2019, Funimation announced plans to release a 30th anniversary Blu-ray release of Dragon Ball Z, with the box set being remastered in 4:3 aspect ratio, and containing an artbook and a collectible figure.[107][108] It would be crowdfunded, originally requiring a minimum of 2500 pre-orders in order to be manufactured, but was later increased to a minimum of 3,000 units.[109] The release sparked controversy amongst fans due to the framing of the video, color saturation and digital video noise reduction.[110][111] Funimation responded by stating that they cropped the release by going in "scene-by-scene to make judgements based on the image available in each frame of how much to trim to get to a consistent 4:3 aspect ratio, while still attempting to cut as little out of the picture as possible," and that they felt the digital video noise reduction was "mandatory for this release based on the different levels of fan support from various past DBZ releases with different levels of noise reduction over the years."[112]

Kai

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In Japan, Dragon Ball Kai was released on wide-screen on 33 DVDs and fullscreen on a single Blu-ray and eight four-disc Blu-ray sets from September 18, 2009, to August 2, 2011.

Funimation released eight DVD and Blu-ray box sets of Dragon Ball Z Kai from May 18, 2010, to June 5, 2012.[113][114] These sets contain the original Japanese audio track with English subtitles, as well as the uncut version of the English dub, which does not contain any of the edits made for the TV airings. Before the final volume was even published, Funimation began re-releasing the series in four DVD and Blu-ray "season" sets between May 22, 2012, and March 12, 2013.[115][116] Funimation released The Final Chapters in three DVD and Blu-ray volumes from April 25 to June 20, 2017.[117][118][119]

Manga

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While the manga was all titled Dragon Ball in Japan, due to the popularity of the Dragon Ball Z anime in the west, Viz Media initially changed the title of the last 26 volumes of the manga to "Dragon Ball Z" to avoid confusion. The volumes were originally published in Japan between 1988 and 1995. It began serialization in the American Shonen Jump, beginning in the middle of the series with the appearance of Trunks; the tankōbon volumes of both Dragon Ball Z and Dragon Ball were released simultaneously by Viz Media in the United States.[120][121] In March 2001, Viz continued this separation by re-shipping the Dragon Ball and Dragon Ball Z titles starting with the first volumes of each work.[122] Viz's marketing for the manga made distinct the differences between Dragon Ball and Dragon Ball Z tone. Viz billed Dragon Ball Z: "More action-packed than the stories of Goku's youth, Dragon Ball Z is pure adrenaline, with battles of truly Earth-shaking proportions!"[123] Between 2008 and 2010, Viz re-released the two series in a format called "Viz Big Edition," which collects three individual volumes into a single large volume.[124] Viz Media republished the series in fourteen 3-in-1 volumes, including what they previously released as Dragon Ball Z, under the Dragon Ball name, between June 4, 2013, and September 6, 2016.[125][126]

Films

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The Dragon Ball Z films comprise a total of 15 entries as of 2015. The first 13 films were typically released every March and July during the series' original run by the spring and summer vacations of Japanese schools. They were typically double features paired up with other anime films, and were thus, usually an hour or less in length. These films themselves offer contradictions in both chronology and design that make them incompatible with a single continuity. All 15 films were licensed in North America by Funimation, and all have received in-house dubs by the company. Before Funimation, the third film was a part of the short-lived Saban syndication, being split into three episodes, and the first three films received uncut English dubs in 1998 produced by Funimation with Ocean Studios and released by Pioneer. Several of the films have been broadcast on Cartoon Network and Nicktoons in the United States, Toonami UK in the United Kingdom (these featured an alternate English dub produced by an unknown cast by AB Groupe), and Cartoon Network in Australia.

Television specials and original video animations

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Three TV specials based on Dragon Ball Z were produced and broadcast on Fuji TV. The first two were Dragon Ball Z: Bardock – The Father of Goku in 1990 and Dragon Ball Z: The History of Trunks in 1993, the latter being based on a special chapter of the original manga. Both were licensed by Funimation in North America and AB Groupe in Europe. In 2013, a two-part hour-long crossover with One Piece and Toriko, titled Dream 9 Toriko & One Piece & Dragon Ball Z Chō Collaboration Special!!, was created and aired.

Additionally, two original video animations (OVAs) bearing the Dragon Ball Z title have been made. The first is Dragon Ball Z Side Story: Plan to Eradicate the Saiyans, which was originally released in 1993 in two parts as "Official Visual Guides" for the video game of the same title. Dragon Ball: Plan to Eradicate the Super Saiyans was a 2010 remake of this OVA. None of the OVAs have been dubbed into English, and the only one to see a release in North America is the 2010 remake, which was subtitled and included as a bonus feature in Dragon Ball: Raging Blast 2.

Video games

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Over 57 video games are bearing the Dragon Ball Z name across a range of platforms from the Nintendo Entertainment System to the current generation consoles, with the most recent release being Dragon Ball Z: Kakarot in 2020.

In North America, licensing rights had been given to both Namco Bandai and Atari. In 1999, Atari acquired exclusive rights to the video games through Funimation, a deal which was extended for five more years in 2005.[127] A 2007 dispute would end with Atari paying Funimation $3.5 million.[128] In July 2009, Namco Bandai was reported to have obtained exclusive rights to release the games for a period of five years.[129] This presumably would have taken effect after Atari's licensing rights expired at the end of January 2010.[128]

Reception

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Dragon Ball Z was listed as the 78th best animated show in IGN's "Top 100 Animated Series",[130] and was also listed as the 50th greatest animated show in Wizard magazine's "Top 100 Greatest Animated shows" list.[131] The series ranked sixth on Wizard's Anime Magazine on their "Top 50 Anime released in North America".[132]

In Asia, the Dragon Ball Z franchise, including the anime and merchandise, earned a profit of $3 billion by 1999.[133] In the United States, the series sold over 14 million videos by 2002,[134] and over 25 million DVDs by January 2012.[135]

In 2005, media historian Hal Erickson wrote that "Dragon Ball may be the closest thing on American television to an animated soap opera — though this particular genre is an old, established and venerated one in Japan, the series' country of origin."[136] Christopher J. Olson and CarrieLynn D. Reinhard note that "Western fans flocked to Dragon Ball Z because it offered exciting action not found in movies or television shows (animated or otherwise) at that time."[137] A key characteristic that set Dragon Ball Z (and later other anime shows) apart from American television shows at the time was a serialization format, in which a continuous story arc stretches over multiple episodes or seasons. Traditional American television had an episodic format, with each episode typically consisting of a self-contained story. Serialization has since also become a common characteristic of American streaming television shows during the "Peak TV" era.[138]

Funimation's in-house English dub though has received mixed reviews from some critics over the years. IGN criticized the dub for "having poor quality, along with some over the top, and quite annoying voice acting." Frieza's female voice in particular left many fans confused over the character's gender.[139] Other criticisms have been towards the English dub's script, and inaccurately translating the source material, such as portraying Goku's character as a more stoic superhero.[140][141]

Cultural impact and legacy

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Dragon Ball Z's popularity is reflected through a variety of data through online interactions which show the popularity of the media. In 2001, it was reported that the official website of Dragon Ball Z recorded 4.7 million hits per day and included 500,000+ registered fans.[142] The term "Dragonball Z" ranked fourth in 1999 and second in 2000 by Lycos' web search engine.[143][144] For 2001, "Dragonball" was the most popular search on Lycos and "Dragonball Z" was fifth on Yahoo!.[145] and "Dragonball" was the third most popular search term in 2002.[146]

It's Over 9000! became a famous Internet meme and is referenced both within and outside Dragonball related media.

In 2015, Ford Motor Company released two commercials featuring characters from the series, the first advertising the Ford Fusion and the second for the Ford Focus.[147]

Dragon Ball fans set a Guinness World Record for Largest Kamehameha attack move at San Diego Comic-Con on July 17, 2019.[148]

Ratings

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Dragon Ball Z's Japanese run was very popular with an average viewer rating of 20.5% across the series. Dragon Ball Z also proved to be a rating success in the United States, outperforming top shows such as Friends and The X-Files in some parts of the country in sweeps ratings during its first season.[149] The premiere of season three of Dragon Ball Z in 1999, done by Funimation's in-house dub, was the highest-rated program ever at the time on Cartoon Network.[150] In 2001, Cartoon Network obtained licensing to run 96 more episodes and air the original Dragon Ball anime and was the top rated show in the Toonami block of Cartoon Network.[151] Beginning March 26, 2001, Cartoon Network ran a 12-week special promotion "Toonami Reactor" which included a focus on Dragon Ball Z, which would stream episodes online to high-speed internet users.[152] Many home video releases were met with both the edited and unedited versions placing on in the top 10 video charts of Billboard. For example, "The Dark Prince Returns" (containing episodes 226-228) and "Rivals" (containing episodes 229-231) edited and unedited, made the Billboard magazine top video list for October 20, 2001.[153][Note 4] In 2002, in the week ending September 22, Dragon Ball Z was the #1 program of the week on all of television with tweens 9-14, boys 9-14 and men 12-24, with the Monday, Tuesday and Wednesday telecasts of Dragon Ball Z ranked as the top three programs in all of television, broadcast or cable, for delivery of boys 9-14.[154]

The first episode of Dragon Ball Kai earned a viewer ratings percentage of 11.3, ahead of One Piece and behind Crayon Shin-chan.[155] Although following episodes had lower ratings, Kai was among the top 10 anime in viewer ratings every week in Japan for most of its run.[156][157] Towards the end of the original run the ratings hovered around 9%-10%.[158][159] Dragon Ball Z Kai premiered on Nicktoons in May 2010 and set the record for the highest-rated premiere in total viewers, and in tweens and boys ages 9–14.[160] Nielsen Mega Manila viewer ratings ranked Dragon Ball Kai with a viewer ratings with a high of 18.4% for October 30 – November 4 in 2012.[161] At the end of April 2013, Dragon Ball Kai would trail just behind One Piece at 14.2%.[162] Broadcasters' Audience Research Board ranked Dragon Ball Z Kai as the second most viewed show in the week it debuted on Kix.[163] On its debut on Vortexx, Dragon Ball Z Kai was the third highest rated show on the Saturday morning block with 841,000 viewers and a 0.5 household rating.[164]

Merchandise

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Dragon Ball Z merchandise was a success prior to its peak American interest, with more than $3 billion in sales from 1996 to 2000.[165] In 1996, Dragon Ball Z grossed $2.95 billion in merchandise sales worldwide.[166] By January 2012, Dragon Ball Z grossed $5 billion in merchandise sales worldwide.[135]

In 1998, Animage-ine Entertainment, a division of Simitar, announced the sale of Chroma-Cels, mock animation cels to capitalize on the popularity of Dragon Ball Z.[167] The original sale was forecasted for late 1998, but were pushed back to January 12, 1999.[168]

An acrylic replica of the Five-Star Dragon Ball.

In 2000, MGA Entertainment released more than twenty toys, consisting of table-top games and walkie-talkies.[169] Irwin Toy released more than 72 figures consisting of 2-inch and 5 inch action figures, which became top-selling toys in a market dominated by the Pokémon Trading Card Game.[170] Irwin Toys would release other unique Dragon Ball Z toys including a battery powered Flying Nimbus Cloud which hovered without touching the ground and a die-cast line of vehicles with collector capsules.[171] In June 2000, Burger King had a toy promotion which would see 20 million figures; Burger King bore the cost of the promotion which provided free marketing for Funimation.[165] The Halloween Association found Dragon Ball Z costumes to be the fourth most popular costumes in their nationwide survey.[172]

In December 2002, Jakks Pacific signed a three-year deal for licensing Dragon Ball Z toys, which was possible because of the bankruptcy of Irwin Toy.[173] Jakks Pacific's Dragon Ball Z 5-inch figures were cited as impressive for their painting and articulation.[174]

In 2010, Toei closed deals in Central and South American countries which included Algazarra, Richtex, Pil Andina, DTM, Doobalo and Bondy Fiesta.[175] In 2012, Brazil's Abr-Art Bag Rio Comercio Importacao e Exportacao closed a deal with Toei.[176]

Notes

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Dragon Ball Z (commonly abbreviated as DBZ) is a Japanese television series produced by , serving as the sequel to the original and adapting the latter portion of Akira Toriyama's * manga. The series follows the adult Son Goku, a powerful Saiyan warrior, as he and his allies—known as the Z Fighters, including his son , rival , and former enemy —defend from escalating threats posed by interstellar villains such as the Saiyan invaders Raditz and , the tyrant , the bio-android Cell, and the demonic . It aired weekly on in from April 26, 1989, to January 31, 1996, spanning 291 episodes across nine story sagas, along with two feature-length TV specials. Premiering amid the peak of the Dragon Ball franchise's popularity, Dragon Ball Z shifted the tone from the original series' adventure-comedy roots toward more intense action, epic battles, and themes of growth, redemption, and family, while retaining elements of humor and the quest for the wish-granting Dragon Balls. Produced under Toriyama's supervision, with character designs by the mangaka himself, the introduced iconic transformations like Super Saiyan and power escalations that became hallmarks of the shōnen genre. Its global syndication beginning in the 1990s, particularly in via edited broadcasts on networks like starting in 1998, propelled it to international phenomenon status, influencing distribution, merchandising, and fan culture worldwide. The series also spawned 13 theatrical films, numerous video games, and later adaptations like Dragon Ball Z Kai, a remastered version with reduced filler aired from 2009 to 2015.

Overview and background

Relation to Dragon Ball

Dragon Ball Z serves as the direct sequel to the original manga and anime, adapting volumes 17 through 42 (chapters 195 to 519) of Akira Toriyama's ongoing series. The story picks up five years after the conclusion of the 23rd Tenkaichi Budōkai, the final tournament arc of the original series, transitioning the narrative from Goku's youthful adventures to more intense confrontations as he enters adulthood. This continuation evolves the foundational themes of adventure and competition established in by incorporating more mature elements, including explorations of mortality through character deaths and resurrections, family dynamics as Goku balances fatherhood with his warrior lifestyle, and interstellar conflicts involving alien races and cosmic threats. Toriyama noted that the shift toward battle-focused storytelling arose from the popularity of the tournament arcs, allowing for deeper character growth amid these heightened stakes, such as Goku's transformation into a Super Saiyan to combat overwhelming foes. Recurring allies from the original series, including as the inventive supporter, as the steadfast friend, and as the reformed rival-turned-mentor, remain central to the ensemble, providing continuity in relationships and support networks. In terms of production, the original anime aired from February 26, 1986, to April 19, 1989, covering the early arcs up to the 23rd tournament, while premiered shortly after on April 26, 1989, aligning the adaptation more closely with the manga's serialization pace at that point and extending the story without interruption in broadcast scheduling. This seamless transition in airing facilitated the narrative's five-year in-universe gap, emphasizing Goku's progression from a 18-year-old newlywed at the end of to a 23-year-old father facing responsibilities on a grander scale.

Concept and development

Dragon Ball Z represents a pivotal evolution in Akira Toriyama's Dragon Ball manga, shifting from the original series' episodic, adventure-driven structure—rooted in the Chinese classic Journey to the West—toward serialized sagas centered on escalating interstellar battles and power struggles. This change was prompted by declining popularity in the manga's early arcs, leading Toriyama, at the urging of his editor Kazuhiko Torishima, to refocus on combat narratives following the 21st Tenka'ichi Budōkai tournament. To better suit the intensified action, Toriyama aged Goku into adulthood, noting that his childlike proportions had made fight choreography challenging, thus allowing for more dynamic and visually engaging confrontations. The manga's narrative arc encompassing Dragon Ball Z began in in September 1988 with chapter 195, building on the full serialization that commenced on November 20, 1984. Toei Animation greenlit the adaptation in 1988 to leverage the franchise's rising success, with Dragon Ball Z premiering on on April 26, 1989, as a direct sequel to the original (1986–1989). Toriyama contributed key conceptual elements, including character designs for new antagonists and allies, as well as story outlines for pivotal sequences like Goku's journey along Serpent Road and the backstory of the Saiyans and Tsufruians, though the production team expanded these with original filler content to bridge gaps between releases. A cornerstone of Dragon Ball Z's world-building is the introduction of the Saiyan race, retroactively establishing (originally named Kakarot) as an alien sent to as an infant, which cohesively explained his , tail, and affinity for battle from the original series. Toriyama conceived the Saiyans as a that measures innate potential through birth assessments, with high-power individuals groomed as elite fighters, emphasizing their innate combat talent while requiring training for advanced techniques like flight. This heritage infused the series with elements, drawing parallels to epic sci-fi narratives through themes of galactic conquest and hidden origins. The concept of power levels emerged as a narrative tool via the Saiyans' scouters—devices that quantify combat potential numerically—to heighten tension in early battles, such as Raditz's arrival and the escalating threats from and Nappa. Toriyama used these readings to underscore the protagonists' underdog status against overwhelming foes, though he later deemed the system impractical for prolonged , abandoning explicit quantification as transformations and stakes grew more complex. While Toriyama supplied foundational designs and plot memos, Toei's extended the series far beyond initial expectations, incorporating filler arcs like the Garlic Jr. to sustain momentum amid the manga's ongoing serialization until 1995.

Plot

Saiyan Saga

The Saiyan Saga serves as the opening arc of Dragon Ball Z, introducing the extraterrestrial Saiyan race and escalating the series' conflicts through intense battles on . Spanning episodes 1 to 35, which originally aired from April 26, 1989, to February 7, 1990, the arc adapts manga chapters 195 to 242, serialized in by . It begins five years after the original series, with , aged 24, now married to Chi-Chi and father to , aged 4, as a mysterious warrior named Raditz arrives seeking his long-lost brother, Kakarot—Goku's birth name. The saga opens with Raditz landing on Earth and confronting and , revealing 's Saiyan origins as a warrior from the destroyed planet , sent as an infant to conquer worlds. Raditz kidnaps to force 's compliance in a Saiyan mission to eliminate Earth's population, prompting an uneasy alliance between and his former rival . In a desperate battle, grapples with Raditz while charges his Makankosappo (Special Beam Cannon) technique; ultimately sacrifices himself by grabbing Raditz, allowing 's attack to pierce both brothers, resulting in 's death. Before dying, Raditz discloses that two more powerful Saiyans, , aged 29, and Nappa, will arrive in one year to conquer the planet, setting the stage for global preparation. Following Goku's demise, the Z Fighters— including , Tien, Chiaotzu, and —train under and at the Lookout, while takes into the wilderness for rigorous survival training, unlocking the child's latent rage and hidden power. Meanwhile, Goku's soul travels to the , where he trains under King Kai (Kaiō) on his tiny planet, learning the Kaio-ken technique, which multiplies his strength at the cost of physical strain, and the Spirit Bomb (Genki-Dama), a energy-gathering attack. 's training reveals his ability to transform into a Great Ape (Ōzaru) under a , leading to destroy the moon to prevent further rampages. These preparations culminate as and Nappa arrive, deploying Saibamen—plant-like fighters—as initial scouts. The arrival of the Saiyans unleashes devastating battles, with Nappa's overwhelming power leading to the deaths of (exploded by a Saibaman's ), Chiaotzu (sacrificing himself with a failed explosive attack), Tien (exhausted after his Kikoho technique), and (fatally shielding from Nappa's blast). , revived via the Dragon Balls and rushing back to Earth using Snake Way, defeats Nappa with a enhanced Kaio-ken punch, sparing his life at 's plea before the Saiyan is eliminated by for his failure. The ensuing -Vegeta duel showcases 's debut of Kaio-ken x2 and x3 multipliers, pushing his limits against Vegeta's superior base power and Galick Gun energy wave. 's hidden potential awakens during the fight, aiding , while the Dragon Balls are used to resurrect the fallen warriors, though 's death merges Earth's with him, rendering the Dragon Balls inert temporarily. As the battle intensifies, desperate, creates an artificial moon with the Power Ball and transforms into Oozaru (Great Ape) form, increasing his power tenfold; the giant form crushes , breaking most of his bones and leaving him near death, while 's Spirit Bomb attempt against the Great Ape fails. then destroys the artificial moon to revert him. gathers energy for the Genki-Dama, striking but not fully defeating him; Yajirobe severs 's tail, and an enraged transforms into a Great Ape, pummeling the prince until destroys the moon to end the rampage. , battered and revealing the Saiyan concept of Zenkai—a power boost from recovering near death—attempts a final escape in his pod after spares him at 's request, vowing revenge. The arc concludes with the surviving Z Fighters mourning losses and beginning recovery, establishing Saiyans' resilience through Zenkai as a key mechanic for future power growth.

Frieza Saga

The Frieza Saga, spanning episodes 36 to 107 of the Dragon Ball Z anime series, aired in Japan from February 14, 1990, to September 11, 1991. This arc adapts manga chapters 242 to 329, written and illustrated by , and shifts the narrative from to the distant Namek, introducing a galactic scale of conflict centered on the tyrannical alien emperor and his forces. Building briefly on the power escalations from the Saiyan Saga, the story follows , , and as they journey to Namek in search of its Dragon Balls to revive the fallen , Tien, Chiaotzu, and , while , aged 25, recovers from his injuries against . Upon arriving on Namek, the group encounters 's henchmen, including the brutal Dodoria and the transforming warrior Zarbon, leading to intense battles that highlight the heroes' vulnerabilities against superior foes. , seeking immortality for himself, arrives separately and forms an uneasy alliance with and amid escalating threats. The situation intensifies with the arrival of the elite Ginyu Force, a squad of uniquely powered mercenaries who body-swap and pose devastating challenges, culminating in 's timely recovery and intervention after training under King Kai. , revealed as a multi-formed monster capable of destroying planets, slaughters Namekians and eventually kills in a pivotal moment, pushing to his limits. The saga's climax features Goku's rage-fueled transformation into the legendary Super Saiyan form during his battle with 's final, most powerful state, a golden-haired warrior state that overwhelms the emperor and shatters long-held myths about Saiyan potential. As Namek begins to explode from Frieza's earlier energy blasts, the survivors summon Porunga, Namek's dragon, to wish back and , restoring the Earth's Dragon Balls and enabling further revivals. defeats a regenerating Frieza but escapes the planet's destruction alone, while the arc concludes with a mysterious youth—later revealed as Future Trunks—arriving on Earth to warn of impending threats, teasing future events. The Saga marked a commercial and viewership peak for Dragon Ball Z in , achieving ratings up to 25.6% for key episodes and solidifying the series' status as a cultural phenomenon through its exploration of alien worlds, alliances, and transformative power-ups.

Androids and Cell Saga

The Androids and Cell Saga encompasses episodes 118 to 194 of Dragon Ball Z, which aired in from , 1991, to July 21, 1993. This arc adapts manga chapters 330 to 420, written and illustrated by , introducing human-engineered threats from the revived and shifting the narrative toward technological antagonists and a tournament-style climax. Unlike the interstellar conflicts of prior sagas, it emphasizes , forms, and the evolution of the Super Saiyan transformation, including several filler episodes expanding on android origins and character backstories, such as the human identities of Androids 17 and 18. The saga opens with the arrival of Future Trunks, a warrior from a dystopian timeline three years in the future, who travels to the present via a time machine built by his mother, . He warns , aged 30 by the Cell Games, and the Z Fighters of impending doom from Dr. Gero's androids—cybernetic beings designed for revenge against for dismantling the in his youth—and provides medicine to cure 's fatal heart virus, which claims his life in Trunks' timeline. Three years of preparation follow, marked by intense training, but the androids emerge as Androids 19 and 20 (Dr. Gero in disguise). confronts 19 in his Super Saiyan form but collapses from the virus, allowing to intervene and destroy 19 with newfound power. Dr. Gero then activates Androids 16, 17, and 18, who defy their programming, murder Gero, and begin a rampage across cities, effortlessly defeating the Z Fighters—including 's loss to 18—while sparing during his recovery. Parallel to the android threat, the bio-engineered Cell emerges from the in his larval form, a creation of incorporating cells from Earth's strongest warriors to achieve perfection through absorption. After maturing by absorbing humans for energy, Imperfect Cell ambushes and absorbs Android 17, evolving into his Semi-Perfect form, then pursues 18 despite interventions from and Future Trunks, who have trained in the Hyperbolic Time Chamber. 's overconfidence allows Cell to absorb 18, granting him his Perfect form—complete with regeneration, energy absorption, and bio-android offspring. Cell announces the Cell Games, a global tournament in 10 days where Earth's champions can challenge him for the planet's fate, prompting and to enter the Time Chamber for advanced training. The Cell Games unfold on a makeshift arena, drawing worldwide attention. Goku, revived and at full strength, battles Perfect Cell evenly but forfeits to Gohan, recognizing his son's untapped potential. Enraged by Cell's minions, the Cell Juniors, Gohan awakens as a Super Saiyan 2, surpassing all prior power levels and demolishing the offspring while dominating Cell. Desperate, Cell initiates self-destruction to destroy Earth, but Goku teleports him to King Kai's planet, sacrificing himself in the explosion. Cell regenerates from his core nucleus and returns as Super Perfect Cell, nearly killing Gohan until Goku's spirit intervenes, aiding Gohan's father-son Kamehameha that obliterates Cell. With victory secured, Gohan briefly assumes the role of Earth's primary protector, as Goku remains deceased, while Trunks returns to his timeline—altered by events—to defeat the androids there.

Majin Buu Saga

The Majin Buu Saga serves as the concluding canon arc of Dragon Ball Z, shifting the narrative from technological threats to ancient magical perils unleashed by the wizard Babidi. Set seven years after the Cell Games, the story begins with the 25th World Martial Arts Tournament, where , aged 37, returns from the to compete, reuniting with his family and allies including a teenage , now a scholar, and the young Goten and Trunks. Babidi arrives on Earth with his demon subordinate Dabura, seeking to harvest the fighters' energy to resurrect the destructive entity , drawing on the saga's themes of redemption, fusion, and collective heroism. As tensions escalate at the tournament, succumbs to Babidi's mind control, becoming Majin Vegeta and engaging in a fierce battle with , who reveals his new Super Saiyan 3 transformation to delay Buu's awakening. Buu emerges as a pink, childlike yet immensely powerful being, absorbing energy and regenerating endlessly; sacrifices himself in a attack to destroy Buu, but the monster reforms and begins terrorizing , forcing and the others into desperate alliances. The saga introduces innovative fusion techniques, such as the Potara earrings used later by and to form Vegito, and the for Goten and Trunks to become Gotenks, highlighting evolving power dynamics among the Z Fighters. Buu's evolutions intensify as Super Buu absorbs Gotenks, , and the empowered Ultimate —unlocked through Old Kai's ritual—leading to 's destruction and the survivors' relocation to the Supreme World. In the arc's climax, Super Buu regresses into the primal Kid Buu, a mindless force of destruction who annihilates planets; Goku, with Vegeta's aid, channels the universe's energy into a Spirit Bomb to vanquish him, restoring Earth via the Dragon Balls and marking an emotional resolution with themes of atonement and legacy. The epilogue depicts a peaceful world ten years later, where Goku encounters Uub, Kid Buu's reincarnation, at a new tournament, symbolizing renewal as he bids farewell to King Kai before departing for further training. This saga adapts Dragon Ball manga chapters 421–519 and spans episodes 220–291 of the anime, airing from March 9, 1994, to January 31, 1996 (72 episodes in the canon adaptation).

Filler arcs

Filler arcs in Dragon Ball Z consist of anime-original storylines and episodes not adapted from Akira Toriyama's , designed to extend the series' runtime while the progressed. These segments, totaling over 40 episodes and comprising approximately 14% of the 291-episode run, primarily served pacing adjustments to synchronize the anime's broadcast schedule with the 's publication pace, preventing the adaptation from overtaking the source material. They often incorporated humor, interpersonal relationships, and supplementary training sequences, enhancing character development without significantly altering core canon events, such as by exploring Gohan's everyday school life or Vegeta's emotional growth through family interactions. One prominent filler arc is the Garlic Jr. Saga, spanning episodes 108–117 and airing from September to November 1991. In this storyline, the villain Jr., previously introduced in the film Dragon Ball Z: Dead Zone, escapes his dimensional prison known as the Dead Zone and seeks through a tournament-like confrontation with the Z Fighters. Leveraging the Makyo Star's energy to empower himself and his Demon Clan henchmen—the —he unleashes the Black Water Mist to corrupt Earth's inhabitants into mindless servants. With Goku absent following the battle, takes center stage, showcasing his maturing rage-fueled power by defeating the henchmen and ultimately overpowering Jr.; resists the Dead Zone technique, destroys the Makyo Star to strip of his amplified strength, and knocks the immortal demon back into the void, sealing his defeat. This arc contributes to 's by emphasizing his protective instincts and solo heroism, while adding light-hearted moments among the supporting cast like and . Additional filler content includes expansions on Future Trunks' backstory in episodes 126–132, which delve into the dystopian future timeline through reflective flashbacks and training vignettes, providing deeper insight into Trunks' motivations and resilience amid the android apocalypse. Similarly, episodes 195–200 feature Other World training sequences set in the , where Goku participates in a tournament under Grand Kai, introducing the warrior Pikkon (Paikuhan) as a formidable rival in intense sparring matches that highlight Goku's adaptability and humility. These episodes build on post-Cell Saga downtime, allowing for power progression and comedic rivalries without disrupting the main narrative. Pikkon, originally an anime-exclusive creation, later gained expanded roles in official video games like the Dragon Ball Z: Budokai series, bridging filler elements into broader franchise lore. Overall, these fillers enriched the series by inserting romantic subplots, such as Gohan's high school escapades and budding relationship with Videl, and supplementary power unlocks reminiscent of canon events like Guru's potential awakenings on Namek, fostering emotional depth and fan engagement during transitional periods between major sagas. By avoiding substantial canon deviations, they maintained narrative cohesion while offering breathing room for character exploration.

Production

Animation and staff

Dragon Ball Z was produced by , a prominent Japanese animation studio founded in 1948, which handled the adaptation of Akira Toriyama's sequel from 1989 to 1996, resulting in 291 episodes aired over seven years. The series was directed by for the initial 199 episodes, covering the Saiyan, Namek, and early sagas, before Shigeyasu Yamauchi took over for the remaining 92 episodes starting from the Garlic Jr. Saga through the arc. Character design responsibilities evolved during production; Minoru Maeda served as the initial chief character designer and animation director for the early episodes, with Tadayoshi Yamamuro succeeding him from the Android Saga onward, notably refining designs for Super Saiyan transformations and later antagonists. Animation techniques in Dragon Ball Z relied heavily on traditional cel animation throughout most of its run, employing methods to manage production demands, particularly in high-action fight scenes where speed lines, impact frames, and static poses with minimal frame counts conveyed dynamic movement and energy blasts. Staff changes reflected the long production timeline and Toei's evolving roster; maintained ongoing input by providing original designs and concepts for anime-specific elements, including refinements to Namekian physiology such as their vulnerability to high-frequency sounds, which influenced scenes in the Saga and related media. Key animators like contributed significantly to fight choreography, handling expressive sequences such as versus , where fluid motion and dramatic posing enhanced the choreography's intensity. Budget constraints and tight weekly schedules often necessitated reused footage, especially for recurring transformation sequences like Super Saiyan awakenings, to allocate resources toward new action content.

Voice acting and music

The Japanese voice cast of Dragon Ball Z was led by veteran seiyū who delivered performances emphasizing emotional versatility, particularly in intense sequences involving power-ups and battles. Masako Nozawa provided the voices for Son Goku and his son Gohan, portraying their growth from youthful determination to explosive rage with distinctive screams that conveyed raw power and vulnerability. Her long-standing role since the original Dragon Ball series ensured continuity, with minimal recasts across the production except for adjustments to reflect aged characters in later arcs. Ryō Horikawa voiced Vegeta, capturing the Saiyan prince's arrogance and gradual redemption through nuanced shifts in tone during confrontations. Mayumi Tanaka lent her voice to Krillin, balancing humor and heroism in the character's supportive role amid escalating threats. The series' music was primarily composed by , whose score blended orchestral arrangements with rock influences, including riffs to heighten the energy of combat scenes. Kikuchi's work spanned the full run, creating over 100 cues and insert tracks that synchronized with pivotal moments, such as Goku's debut as a Super Saiyan, where swelling strings and percussion amplified the transformation's drama. Voice direction under prioritized syncing these auditory peaks with animation, allowing seiyū like Nozawa to layer screams over Kikuchi's dynamic motifs for heightened impact. Dragon Ball Z featured 3 distinct opening sequences across its 291 episodes, evolving with story arcs to maintain freshness while retaining core themes. The flagship opening, "" performed by , ran from 1989 to 1992 and became synonymous with the series' high-octane spirit through its upbeat rock fusion. Endings varied similarly, often featuring character-focused ballads to reflect emotional resolutions. The soundtrack's popularity led to over 20 dedicated albums, including the extensive Dragon Ball Z Hit Song Collection series by Columbia Music Entertainment, which compiled vocal themes and instrumental highlights.

Editing and censorship

In the original Japanese broadcasts of Dragon Ball Z on Fuji TV starting in 1989, minor edits were made primarily for time constraints to fit the standard 24-minute slot, including trimming of recaps and transitions. Later reruns in the 1990s and beyond occasionally removed or digitally altered blood and gore due to evolving broadcast standards on violence, particularly to align with guidelines for family viewing audiences. These changes were limited compared to international versions and did not alter the core narrative. Funimation's initial English dub for the United States, produced in collaboration with Saban Entertainment from 1996 onward, implemented extensive censorship to comply with American children's television regulations, such as those from the FCC and networks like Cartoon Network. Violence was toned down by removing or recoloring blood— for instance, Piccolo's blood during Raditz's death was changed from red to green— and deaths were euphemistically rephrased as characters being "sent to the next dimension" to avoid direct references to mortality. Guns and alcohol were excised or substituted; cigarettes smoked by characters like the farmer encountering Raditz were digitally erased, and beer consumed by Master Roshi was replaced with "soda" or "milk." Nudity and sexual innuendo were censored, with added foliage covering Goku and Gohan's exposed scenes or angles adjusted to obscure Bulma's underwear. Cultural sensitivities prompted additional alterations, including name changes like "Kakarot" spelled as "Kakarott" for phonetic ease and "Mr. Satan" renamed "Hercule" to avoid religious connotations. Vulgar gestures, such as middle fingers, were replaced with clenched fists, and references to on uniforms were altered to "HFIL" (Home for Infinite Losers). To extend the original 20-minute Japanese runtime to 22 minutes for syndication, inserted recaps, next-episode previews, and filler clips, further padding episodes. These edits primarily affected the early sagas in the initial broadcasts and home releases. In 2005, began releasing the Ultimate Uncut Edition DVDs using the original dub made uncut and restoring footage for early episodes, with a new in-house redub track for the first 67 episodes following from 2006 onward and eliminating prior and fillers to match the Japanese version more closely. This remaster, later expanded in subsequent home media, addressed fan demand for fidelity to Akira Toriyama's vision and became the standard for international distributions.

Broadcasting and distribution

Japanese broadcast

Dragon Ball Z premiered on in on April 26, 1989, succeeding the original anime in its established Wednesday evening time slot at 7:00 PM JST. The series ran for 291 episodes, airing weekly in half-hour installments in a continuous run with occasional interruptions until its conclusion on January 31, 1996. The broadcast achieved significant domestic popularity, with household ratings averaging 20.5% throughout its run and peaking above 25% during the high-stakes Saiyan and sagas, reflecting strong viewer engagement in the early years. Reruns of the series have continued on networks like since the channel's launch in 2003, extending its accessibility to new audiences. Promotional efforts integrated the deeply with its source material in , where new chapters often synchronized with episode releases to drive magazine circulation and merchandise sales. Fuji TV also produced holiday-themed specials, such as the Dragon Ball Z Summer Vacation Special in 1992 and the Year-End Show in 1993, which recapped key events and featured original content to capitalize on seasonal viewership.

International dubs and adaptations

The English-language adaptation of Dragon Ball Z was primarily produced by Entertainment, which began dubbing the series in 1996 in partnership with Saban Entertainment for syndication. The initial 53 episodes were dubbed by Ocean Studios in , covering the Saiyan Saga up to the start of the Namek arc, before production paused due to distribution challenges. then shifted to in-house in 1998 with a new voice cast, including as and as , completing the remaining 238 episodes by 2003 to cover the full 291-episode run. This dub aired on Cartoon Network's programming block from August 1998 to September 2003, drawing an average of 1.5 million U.S. viewers per week during its peak in the late and early . Ocean Studios also handled the English dubs for the first three Dragon Ball Z feature films, released between 1998 and 2000. Beyond the English version, Dragon Ball Z received widespread international dubs tailored to regional audiences. The Latin American Spanish dub, produced starting in the early 1990s by studios in , featured as the voice of and became a cultural staple across Spanish-speaking countries in the . The European French dub, which began airing on December 24, 1990, covered all 291 episodes and served as the basis for several other European localizations, including adaptations in Dutch, , and Italian with name changes like "Sangoku" for . In , the dub incorporated altered character names to align with local linguistic preferences, such as "Ogong" for and "Son O Ban" for , reflecting adaptations for cultural resonance. Early distribution of Dragon Ball Z outside Japan involved Saban Entertainment's licensing for North American syndication in the mid-1990s, which facilitated initial broadcasts but included heavy edits for younger audiences. In the post-2000s era, the series transitioned to digital streaming platforms, with making episodes available on its service starting in 2011. Following the 2022 merger with , the full catalog became available on in March 2022. also began streaming the series in select regions, such as around 2016, with expansions to areas like as of July 2025. By 2010, had finalized uncut English dubs for the entire series, followed by a 2013 remaster that updated audio for the first 53 episodes to align with the later cast while restoring original music cues.

Dragon Ball Z Kai

Dragon Ball Z Kai, known as Dragon Ball Kai in , is a remastered and condensed edition of the original Dragon Ball Z series, produced by to more closely align with Akira Toriyama's . The series premiered on Fuji TV on April 5, 2009, and initially aired 98 episodes until March 27, 2011, covering the Saiyan, Namek, and Android/Cell sagas. It resumed on June 28, 2014, with the saga as Dragon Ball Kai: The Final Chapters, adding 61 episodes that concluded on June 28, 2015, for a total of 159 episodes in the Japanese version. Internationally, the series totals 167 episodes due to the inclusion of minor additional content in the Buu arc to extend pacing. Key production differences include the removal of filler episodes and recap sequences from the original series, resulting in tighter 20-minute episodes that adhere more faithfully to the manga's narrative structure. The animation underwent a new high-definition remastering process, featuring updated opening and ending sequences, restored frames, and revised dialogue to better match Toriyama's original script. For the English adaptation, Funimation Entertainment produced a redub in 2010, directed by Christopher Sabat at his OkraTron 5000 studio, which retained much of the original voice cast while updating performances for improved synchronization and manga accuracy. Akira Toriyama contributed new designs and supervision for the ending sequences in the final Majin Buu arc, ensuring alignment with the manga's conclusion. In the United States, Dragon Ball Z Kai began broadcasting on Adult Swim's Toonami block in November 2010, running through 2013 before a hiatus, and resumed in 2014 to complete the series. Nicktoons aired an edited version starting in May 2011, which retained some censored elements from the original Dragon Ball Z broadcasts, such as toned-down violence and language, to suit a younger audience. The series' conclusion coincided with the full adaptation of Toriyama's Dragon Ball manga, and its Blu-ray releases by Funimation received positive reception for the enhanced visuals and condensed format.

Feature films

The Dragon Ball Z feature films comprise 13 theatrical movies produced by , released in from to 1995. These standalone narratives, typically running 45 to 60 minutes, introduce original villains and scenarios outside the main television storyline, often emphasizing high-stakes battles and team-ups among protagonists like and . They were primarily screened during holiday seasons, such as Golden Week, to capitalize on family audiences, with the first four films coinciding with the early years of the original Dragon Ball Z broadcast (–1992). Akira Toriyama, the series creator, contributed original character designs to several entries, including Dr. Wheelo in The World's Strongest (1990), Turles in The Tree of Might (1990), and Broly in Broly – The Legendary Super Saiyan (1993), enhancing their integration with the core franchise aesthetic. The films achieved significant commercial success in Japan, collectively grossing over ¥40 billion at the box office through the sale of over 50 million tickets across the broader Dragon Ball movie series up to 1995, though individual earnings varied from ¥800 million for the debut to ¥3.3 billion for later installments like Fusion Reborn (1995). English-language dubs of the films were produced by Funimation starting in 2000, beginning with Dead Zone released on VHS in September of that year, followed by subsequent movies in remastered formats with updated voice acting and scores.
No.English TitleJapanese TitleYearDirectorBrief Plot SummaryProduction Notes
1Dead ZoneDoragon Bōru Zetto: Ora no Gohan o Kaese!!1989Daisuke NishioGarlic Jr. and his henchmen kidnap Gohan to gather the Dragon Balls for immortality; Goku and Piccolo team up to rescue him, with an enraged Gohan ultimately banishing Garlic to the Dead Zone.Toei Animation production; approximately 50 minutes; introduces Garlic Jr. as a new antagonist.
2The World's StrongestKono Yo de Ichiban Tsuyoi Yatsu1990Daisuke NishioDr. Wheelo, revived in a mechanical body by his assistant Kochin, seeks to possess Goku's body; Goku, with help from Gohan, Krillin, and an initially controlled Piccolo, defeats Wheelo using a Spirit Bomb.Toei Animation; approximately 60 minutes; Toriyama designed the villain Dr. Wheelo.
3The Tree of MightChikyū Marugoto Chōkessen: Chōgekisen1990Daisuke NishioThe rogue Saiyan Turles plants a parasitic Tree of Might to drain Earth's energy; Goku confronts Turles and his team, destroying the tree with a Spirit Bomb empowered by planetary life force.Toei Animation; approximately 60 minutes; Toriyama designed Turles and his minions.
4Lord SlugSūpā Saiya-jin da Son Gokū1991Mitsuo HashimotoThe Super Namekian Lord Slug attempts to terraform Earth into a frozen wasteland; Goku achieves Super Saiyan form to overpower Slug after he is weakened by a jammed device.Toei Animation; approximately 50 minutes; focuses on Goku's early Super Saiyan transformation.
5Cooler's RevengeTobikkiri no Saikyō tai Saikyō1991Mitsuo HashimotoFrieza's brother Cooler ambushes Goku on Earth for revenge; Goku defeats him in a rematch using Super Saiyan power, destroying Cooler's spacecraft.Toei Animation; approximately 45 minutes; introduces Cooler as an original sibling villain.
6The Return of CoolerGekitōtsu!! 100-boku Pawa no Senshi-tachi1992Daisuke NishioCooler returns fused with the Big Gete Star, a mechanical entity absorbing planets; Goku and Vegeta escape and destroy the core, liberating absorbed life forms.Toei Animation; approximately 45 minutes; features early Goku-Vegeta cooperation.
7Super Android 13!Kyokugen Batoru!! San Dai Sūpā Saiya-jin1992Daisuke NishioAndroids 13, 14, and 15 target Goku per Dr. Gero's programming; a fusion of Goku's energy with Piccolo and Vegeta forms Super Android 13, whom Goku defeats with a powerful punch.Toei Animation; approximately 45 minutes; ties loosely to the Android saga with original machines.
8Broly – The Legendary Super SaiyanMoetsukiro!! Nessen · Ressen · Chō Gekisen1993Shigeyasu YamauchiThe berserk Legendary Super Saiyan Broly rampages across the South Galaxy; Goku absorbs energy from allies to deliver a final blow, calming Broly temporarily.Toei Animation; approximately 70 minutes; Toriyama designed Broly, who became a fan-favorite recurring threat.
9Bojack UnboundGinga Giri-Giri!! Butchigiri no Sugoi Yatsu1993Yoshihiro UedaGalactic tyrant Bojack and his pirates invade a tournament after King Kai's universe; teen Gohan unlocks Super Saiyan 2 to defeat Bojack in a Kamehameha clash.Toei Animation; approximately 50 minutes; highlights Gohan's growth post-Cell saga timeline.
10Broly – Second ComingKiken na Futari! Sūpā Senshi wa Nemurenai1994Shigeyasu YamauchiResurrected Broly, mind-controlled by bio-engineers, targets Gohan; Goten and Trunks fuse into Gotenks briefly before Goku intervenes from Other World.Toei Animation; approximately 50 minutes; sequel emphasizing family dynamics against Broly.
11Bio-BrolySūpā Senshi Gekiha!! Katsu wa Ore da1994Yoshihiro UedaMr. Satan's duplicitous manager creates Bio-Broly clones using genetic material; Goten, Trunks, and Android 18 dissolve the clones in sulfuric acid to save an island lab.Toei Animation; approximately 50 minutes; comedic tone with clone imperfections.
12Fusion RebornFukkatsu no Fusion!! Goku to Vegeta1995Shigeyasu YamauchiA rift in Other World revives villains like Frieza and Cell; Goku and Vegeta fuse into Gogeta to battle the demon Janemba, restoring balance between realms.Toei Animation; approximately 50 minutes; introduces the fusion technique central to later stories.
13Wrath of the DragonRyūken Bakuhatsu!! Goku ga Yaraneba Dare ga Yaru1995Mitsuo HashimotoThe monster Hirudegarn is unleashed via a cursed music box; Goku taps into Super Saiyan 3 and uses a Dragon Fist to seal the beast within Tapion's sword.Toei Animation; approximately 60 minutes; Toriyama designed Tapion and Trunks' sword; final DBZ film.

Television specials and OVAs

Dragon Ball Z features three official television specials and a handful of original video animations (OVAs) that delve into backstories, alternate timelines, and expanded lore beyond the main series. These productions, primarily aired on Fuji TV or released on , provide deeper insights into characters like and future scenarios involving Trunks, while occasionally crossing over with other franchises. Produced by , they maintain the series' action-oriented style and were later dubbed in English by for integration into releases starting in the early . The first special, Dragon Ball Z: Bardock – The Father of Goku, aired on October 17, 1990, between episodes 63 and 64 of the series. It serves as a , depicting , Goku's father and a low-class Saiyan warrior, leading his team in conquering planets for the Freeza Force before gaining prophetic visions of his race's impending doom. Bardock uncovers Freeza's plan to betray and exterminate the Saiyans, leading to a rebellion that culminates in the destruction of Planet Vegeta; the special introduces key dynamics of the Freeza Force's oppressive hierarchy and Bardock's futile stand against it. Achieving a 23.6% ratings share in , it highlighted the special's popularity during on Fuji TV. The second special, Dragon Ball Z: The History of Trunks, premiered on February 24, 1993, airing between episodes 175 and 176. Set in an alternate future timeline, it explores a world where succumbs to a heart virus, leaving as the primary defender against the rampaging Androids 17 and 18 created by Dr. Gero. Over 13 years, mentors a young Trunks, who witnesses his mentor's death and awakens as a Super Saiyan; the story concludes with adult Trunks preparing to to alter the past, emphasizing themes of loss and resistance in a post-apocalyptic . Like its predecessor, it garnered a 23.6% ratings share on Fuji TV. In 2013, the crossover special Dream 9: Toriko & & Super Collaboration Special aired on April 7 as a one-hour event split across episodes of (episode 99) and (episode 590). Celebrating the anime adaptations' anniversaries, it brings together and other Z Fighters with protagonists from and from the titular series in a gourmet-themed organized by the International Gourmet Organization, escalating into a battle against the villainous Deep Sea Glutton Akami. Featuring ensemble casts including , , Sanji, and Zebra, the special blends the franchises' humor and combat styles without advancing core Dragon Ball Z continuity. Among the OVAs, Dragon Ball Z Side Story: Plan to Eradicate the Saiyans consists of two 20-minute animated shorts released on in on July 23, 1993, as promotional tie-ins for the Famicom of the same name. In this non-canon tale, the Z Fighters confront Dr. Raichi, a surviving Tuffle seeking vengeance against the Saiyans by unleashing phantom clones of defeated foes like the Saiyan Army; Goku and company dismantle Raichi's plot across multiple planets, underscoring the lingering resentments from Saiyan conquests. The OVAs were bundled with strategy guides and later remastered for . The later OVA Dragon Ball: Episode of Bardock, a 24-minute special, was released on December 17, 2011, bundled with V-Jump magazine and based on a 2011 spin-off by Naho Ooishi under Akira Toriyama's supervision. Following the events of the Bardock special, it portrays surviving Planet Vegeta's destruction via a space-time rift, awakening on the prehistoric Planet Plant where he battles alien invaders Tobi and Cabira, ultimately unlocking Super Saiyan power against a young Freeza. This alternate backstory expands Bardock's legend while tying into Saiyan origins. Funimation's English dubs of these specials and OVAs, featuring voice actors like as and as , were incorporated into , DVD, and Blu-ray home releases beginning in 2000, often as bonus features in collections like the Dragon Ball Z season sets and standalone specials.

Video games

The Dragon Ball Z video game franchise, spanning adaptations of the , has produced over 100 titles since the original games began in 1986, with Dragon Ball Z-specific entries starting in the early 1990s. has published the majority of these games, contributing to the series' global success through diverse genres that capture the high-energy battles and character transformations central to the property. By March 2024, Dragon Ball video games had generated over $10 billion in revenue, underscoring their commercial impact within the broader franchise. Fighting games dominate the lineup, exemplified by the Budokai series (2002–2008), which introduced 3D arena-style combat allowing players to execute ki blasts, transformations, and beam clashes in story-driven modes recreating key sagas like the Saiyan and Cell arcs. Titles such as Dragon Ball Z: Budokai (2002) for PlayStation 2 emphasized accessible controls and dramatic cutscenes, evolving through sequels like Budokai 3 (2004) with expanded rosters and fusion mechanics. Later entries, including Dragon Ball Z: Infinite World (2008), refined these elements for next-gen consoles, blending faithful adaptations with competitive multiplayer. Role-playing games (RPGs) offer narrative depth, with Dragon Ball Z: Kakarot (2020) serving as a prominent action RPG that retells the Z sagas from Goku's perspective, incorporating open-world exploration, side quests, and real-time across platforms like , , and PC. Released on January 17, 2020, by and developed by , it emphasizes character growth through level-ups and bonding events, selling over 10 million units worldwide as of January 2026, with the 'DAIMA: Adventure Through the Demon Realm Part 2' DLC released on January 15, 2026. Developed by CyberConnect2, the DLC features animated cutscenes of adult Goku's Super Saiyan 4 transformation, mini Goku transformations, Goku's Kamehameha against Gomah, Adult Vegeta's Super Saiyan 3 transformation, and allows players to adventure as mini Vegeta in the Demon Realm. Arena battlers continue the tradition of large-scale destruction, as seen in Dragon Ball: Sparking! Zero (2024), a sequel to the Budokai Tenkaichi series featuring over 180 playable characters and dynamic environments that react to attacks; it sold more than 3 million units worldwide within 24 hours of launch, exceeded 5 million by February 2025, and reached 5.4 million as of March 2025. The games have appeared on a wide array of platforms, from early (NES) titles like Dragon Ball Z: Kyoushuu! Saiyajin (1990) to modern consoles such as , Xbox Series X/S, and , alongside PC and mobile. Early examples include handheld RPGs on , while mobile adaptations like Dragon Ball Z: Dokkan Battle (2015) introduced gacha mechanics and puzzle-based battles, amassing hundreds of millions of downloads globally by 2025 through ongoing events and character collection. Saga recreations, such as the turn-based RPG Dragon Ball Z: Attack of the Saiyans (2009) for , faithfully adapt the Saiyan and early Namek arcs with strategic team battles and hidden quests, released in on November 10, 2009, by Namco Bandai Games. In contrast, what-if stories explore alternate timelines, prominently in the Xenoverse series (2015–2024), where players as custom Time Patrollers correct distortions, enabling scenarios like preventing certain deaths or altering villain origins across Dragon Ball Z, Super, and GT eras; Xenoverse 2 (2016) expanded this with DLC adding new parallel quests and sold over 14 million units combined with its predecessor by 2021.

Home media releases

In Japan, Dragon Ball Z was initially released on LaserDisc starting in the early by Pioneer LDC, with volumes covering the series episodes and feature films in uncut format, presented in the original 4:3 . These releases spanned from 1990 to the late , providing high-fidelity analog video and audio for collectors before the shift to digital formats. began distributing uncut English-dubbed home media in with and DVD releases in the mid-2000s, transitioning from edited syndication versions to full bilingual editions. The Ultimate Uncut Edition DVD sets, launched in April 2005 and continuing through 2006, covered the first 27 episodes across nine volumes in 4:3 with Japanese and English audio tracks. This was followed by the Remastered Season Sets, known as "Orange Bricks," released from February 2007 to May 2009, comprising nine six-disc DVD volumes that remastered all 291 episodes in cropped 16:9, including the original Japanese score and 's dub. By 2010, reported that Dragon Ball Z DVD units in the U.S. had exceeded 10 million in sales, underscoring the series' strong market performance. Blu-ray releases began in with HD remasters of Dragon Ball Z Kai in 2009, featuring the recut series in high definition across box sets from . In the U.S., announced a 30-volume Blu-ray edition of the original Dragon Ball Z in July 2011 at , though initial "Level" sets covering the first 54 episodes were released in November and December 2011 before cancellation; these were followed by complete nine-season Blu-ray sets from December 2013 to December 2014, each with four discs in cropped 16:9. For Dragon Ball Z Kai, issued Blu-ray volumes starting in 2010, culminating in 13 volumes by December 2015 that encompassed the 159 Japanese episodes plus the international-exclusive 167-episode version, with the latter's "Final Chapters" (episodes 160–167) available only on home media in regions like where they were not televised. Digital distribution expanded in the 2010s, with Dragon Ball Z and Kai becoming available for streaming on platforms including and , offering both subbed and dubbed versions to subscribers. In 2019, to mark the 30th anniversary, released the Dragon Ball Z: 30th Anniversary Collector's Edition, a 37-disc Blu-ray set containing all 291 episodes in the original 4:3 , remastered in HD for the first time, accompanied by an 11-inch artbook, a figure, and additional memorabilia.

Reception

Critical reception

Dragon Ball Z has received widespread praise for its epic battles and emotional storytelling, particularly in the development of characters like Gohan, whose arc from a timid child to a powerful warrior highlights themes of growth and inner strength. Critics have lauded the series' intense, fast-paced fight sequences as a hallmark of the shonen genre, with IGN noting in a 2008 retrospective that the anime "has always highlighted intense, fast-paced battles between incredibly powerful fighters." The original Dragon Ball manga, serialized in Weekly Shōnen Jump from 1984, was an immediate hit, boosting the magazine's circulation and earning acclaim for its blend of adventure, humor, and martial arts action during the 1980s. In Japan, where the series originated, Dragon Ball Z enjoyed immense popularity, with the manga contributing to Weekly Shōnen Jump reaching circulation peaks of over 6 million copies weekly and total sales exceeding 160 million copies domestically. The anime aired on Fuji TV with average viewership ratings of 21.2%, underscoring its cultural significance. User reviews on Japanese platforms like Filmarks rate the series at an average of 4.4 out of 5 from over 160 reviews, commending the action, character arcs, and music while echoing international critiques of repetitive battles and pacing. However, the anime adaptation faced criticism for repetitive fight structures and escalating power levels, often described as "power creep" that diminished tension over time. Reviewers pointed out drawn-out sequences where characters excessively before clashing, leading to formulaic confrontations that prioritized spectacle over innovation. , early broadcasts in the late drew backlash for heavy , including toned-down and altered dialogue to suit broadcast standards, as detailed in a interview with producers who acknowledged the edits' impact on the story's integrity. The 2010 recut version, Dragon Ball Z Kai, addressed some pacing issues by trimming filler episodes and aligning more closely with the , earning a 7/10 from for its improved flow and reduced redundancy. Retrospectives have since acclaimed the series for pioneering modern shonen tropes, such as tournament-style arcs and rivalries that influenced successors like and One Piece. Related films, such as the 2018 remake Dragon Ball Super: , garnered positive reviews with an 84% critics' score on for revitalizing the franchise's action and character dynamics. Filler content in the original remains a point of mixed reception, often criticized for disrupting momentum with non-canonical side stories, though some arcs provide additional character insights.

Viewership and ratings

In , Dragon Ball Z was a major television success during its original run from 1989 to 1996, achieving an average household rating of 20.5% and drawing an estimated 15 to 25 million viewers per episode. The series frequently ranked among the top programs on Fuji TV, with peak episodes surpassing 25% ratings in key demographics. In the United States, Dragon Ball Z reached its highest popularity on Cartoon Network's block, began to see a large rise in popularity beginning in 1999, with about 1.7 million households watching. This surge helped establish the series as a cornerstone of early , with weekly viewership often exceeding 3 million households. The franchise's commercial success extends to sales metrics, with the overall Dragon Ball series generating over $30 billion in total revenue by 2023, according to estimates from Toei Animation. In the fiscal year 2024-2025, the Dragon Ball franchise generated a record ¥190.6 billion (~$1.3 billion USD) in revenue, the highest for any Bandai Namco intellectual property. The Dragon Ball manga, which includes the arcs adapted in Dragon Ball Z, has sold over 260 million copies worldwide as of 2024. In the U.S., home video releases performed strongly, bolstered by complete season box sets. Globally, Dragon Ball Z achieved remarkable penetration in during the 1990s, becoming a cultural staple in countries like and through syndicated broadcasts, where it became a cultural staple with massive public viewings. On streaming platforms, the series reflects sustained digital demand. The 2019 remastered Blu-ray releases contributed to ongoing home media interest, while post-2020 viewership experienced a temporary dip due to the hiatus in new content, which was revived by media like the Dragon Ball Z: Kakarot that sold over 3 million copies shortly after its 2020 launch.

Cultural impact and legacy

Dragon Ball Z has profoundly shaped and pop culture, particularly through its introduction of the Super Saiyan transformation, a golden-haired that became a defining trope for escalating battles and heroic ascensions in shonen series. This visual and narrative device influenced countless works, establishing a blueprint for protagonist growth via intense training and emotional triggers. Similarly, the English dub's exaggerated line "It's over 9,000!" during Vegeta's scouter reading in the Saiyan Saga spawned one of the earliest viral internet memes in , symbolizing hyperbolic power levels and permeating online humor for over a decade. The series' global reach expanded dramatically in the West via Cartoon Network's block, where Dragon Ball Z aired starting in 1998 as the first major blockbuster on American TV, igniting the U.S. boom and introducing millions to the genre through its action-packed episodes. Creators like of have cited Dragon Ball Z as a primary influence, praising its impact on storytelling and character dynamics in modern shonen . Likewise, illustrator drew inspiration from Dragon Ball Z's epic fights, such as Goku versus and , incorporating similar high-stakes action into his redraws. Post-2020, the franchise's enduring appeal is evident in , with Dragon Ball FighterZ hosting major tournaments like Evo France 2025, fostering competitive communities worldwide. Dragon Ball Z's legacy includes ongoing discussions about gender representation, where female characters like and Chi-Chi are often critiqued for being sidelined into supportive or domestic roles amid male-dominated battles, limiting strong arcs for women despite early promise in the original . The English dubs featured experienced performers. received posthumous recognition with induction into the Hall of Fame in 2024 for his contributions to and . Recent releases like the 2022 film Dragon Ball Super: Super Hero, which grossed $86.5 million worldwide, and the 2024 game Dragon Ball: Sparking! Zero, selling over 5 million units, highlight sustained interest. Dragon Ball Z serves as the foundational bridge to (2015–2018), which directly continues its storyline post-Majin Buu Saga, expanding the universe while honoring core themes of rivalry and growth.

Merchandise

Toys and collectibles

Bandai's S.H. Figuarts line, produced under the Tamashii Nations brand, has been a cornerstone of Dragon Ball Z collectible figures since its inception in , offering highly detailed, articulated action figures that capture key characters and transformations from the series. With over 100 models released to date, including iconic variants like Super Saiyan Goku and , these figures typically retail for $50 to $150 depending on exclusivity and accessories, appealing to adult collectors with their premium sculpting and poseability. Tamashii Nations exclusives, often available through limited releases at events like , further enhance the line's desirability, such as the 2024 SDCC edition of Son Goku and Kid Gohan with Kintoun. The Dragon Stars series, manufactured by America starting in 2017, targets a broader audience with 6-inch scale figures featuring 20+ points of articulation and battle-damaged variants, including characters like Super Saiyan Blue Goku and . Complementing these, Pop! vinyl figures entered the market in 2014 but saw significant expansion from 2018 onward, with over 50 variants by 2025, such as glow-in-the-dark editions of and metallic Super Saiyan Vegeta exclusives. These collectibles emphasize stylized, affordable displays for fans, often bundled in multi-packs for series recreations. Bandai's trading card system, launched in the for Dragon Ball Z, revolutionized collectible cards with holographic and premium editions depicting battles and character stats, achieving massive popularity in and internationally with sales exceeding 1 billion cards produced. Apparel merchandise, including hoodies featuring power level motifs and Super Saiyan symbols, extends the franchise's reach through licensed collaborations like ' 2023 line, blending with iconic imagery. In 2023, Dragon Ball intellectual property generated approximately 144.5 billion yen (about $970 million USD) in sales for Namco across merchandise, games, and related products, underscoring the enduring commercial impact of Z-era content. To mark the 35th anniversary of 's 1989 premiere, 2024 releases included Loungefly's exclusive glow-in-the-dark wallet and backpack sets, featuring Shenron and character cameos. Bootleg Dragon Ball Z toys, particularly figures mimicking S.H. Figuarts styles, remain prevalent in Asian markets like and Korea, where unregulated production leads to affordable but lower-quality alternatives sold at flea markets and online. These counterfeits, often from third-party factories, pose challenges for official licensors but highlight the franchise's global demand.

Publications and tie-ins

The Daizenshuu series consists of seven guidebooks published by from 1995 to 1996, providing comprehensive lore, character profiles, timelines, and artwork for the Dragon Ball franchise, including Dragon Ball Z. These volumes, titled Daizenshuu 1: Complete Illustrations through Daizenshuu 7: Dragon Ball Encyclopedia, compile interviews with creator , episode summaries, and technical details on battles and transformations, serving as authoritative references for fans and creators. V-Jump, 's monthly magazine launched in 1993, has featured numerous artbooks and special editions tied to Dragon Ball Z, including illustrated strategy guides and anniversary collections with original Toriyama artwork on covers and inserts. For instance, V-Jump Books have released visual guides like the Dragon Ball Sparking! ZERO , blending promotional art with game lore extensions from the Z era. In addition to the core manga, Dragon Ball Z inspired several comic adaptations and side stories. Akira Toriyama oversaw the Dragon Ball Z Film Comics, a series of manga-style novelizations adapting the franchise's theatrical films, such as Broly – The Legendary Super Saiyan, published by Shueisha in the late 1990s and early 2000s. These volumes retell movie plots with expanded dialogue and illustrations, bridging anime visuals with print storytelling. Side stories like the Dragon Ball Z: Bardock – The Father of Goku manga, originally tied to the 1990 TV special, were expanded in spin-offs such as Episode of Bardock (2011), a one-shot by artist Naho Ooishi depicting Bardock's alternate survival and Super Saiyan transformation in a parallel universe. Cross-media tie-ins extended Dragon Ball Z's reach through branded publications and collaborations. In the 2000s, released English-language editions of the Dragon Ball Z volumes, starting with single issues in 2000 and transitioning to tankobon collections by 2002, localizing over 200 chapters for North American audiences and contributing to the series' global popularity. The overall , encompassing Z, has sold more than 260 million copies worldwide as of 2025. Promotional tie-ins included food collaborations, such as the 2000 U.S. promotion featuring Dragon Ball Z trading cards and toys bundled with meals, which distributed collectible items inspired by key characters. For anniversaries, announced the Dragon Ball 40th Anniversary Project box set in 2025, a 42-volume with dual covers illustrated by contemporary mangaka, including Z-era tributes, packaged in four collector's boxes with exclusive dividers and cards, scheduled for release in 2026. Following Akira Toriyama's death in 2024, tribute publications emerged to honor his legacy, such as the comic biography Tribute: Akira Toriyama, The Genius Behind Dragon Ball, released in 2024 by independent publishers, featuring illustrated retrospectives of Dragon Ball Z's impact with contributions from artists and writers. These works compile essays, artwork, and timelines emphasizing Z's role in shaping modern manga and anime.

References

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