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Prince
Prince
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William, Prince of Wales

A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. Prince is also a title of nobility (often highest), often hereditary, in some European states. The female equivalent is a princess. The English word derives, via the French word prince, from the Latin noun prīnceps, from primus (first) and caput (head), meaning "the first, foremost, the chief, most distinguished, noble ruler, prince".[1]

In a related sense, now not commonly used, all more or less sovereign rulers over a state, including kings, were "princes" in the language of international politics. They normally had another title, for example king or duke. Many of these were Princes of the Holy Roman Empire.

Historical background

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The Latin word prīnceps (older Latin *prīsmo-kaps, lit.'the one who takes the first [place/position]'), became the usual title of the informal leader of the Roman senate some centuries before the transition to empire, the princeps senatus.

Emperor Augustus established the formal position of monarch on the basis of principate, not dominion. He also tasked his grandsons as summer rulers of the city when most of the government were on holiday in the country or attending religious rituals, and, for that task, granted them the title of princeps.

The title has generic and substantive meanings:

  • Generically, prince refers to a member of a family that ruled by hereditary right (such as the House of Sverre in Norway) or to non-reigning descendants, the title referring to sovereigns, former sovereigns' descendants (Such as descendants of King Haakon V) or to cadets of a sovereign's family. The term may be broadly used of persons in various cultures, continents or eras. In Europe, it is the title legally borne by dynastic cadets in monarchies, and borne by courtesy by members of formerly reigning dynasties.
  • As a substantive title, a prince was a monarch of the lowest rank in post-Napoleonic Europe, e.g. Princes of Andorra, Hohenzollern-Sigmaringen, Mingrelia, Monaco, Waldeck and Pyrmont, Wallachia, etc.
  • Also substantively, the title was granted by popes and secular monarchs to specific individuals and to the heads of some high-ranking European families who, however, never exercised dynastic sovereignty and whose cadets are not entitled to share the princely title, viz the Princes de Beauvau-Craon, von Bismarck, Colonna, von Dohna-Schlobitten, von Eulenburg, de Faucigny-Lucinge, von Lichnowsky, von Pless, Ruffo di Calabria, (de Talleyrand) von Sagan, van Ursel, etc.
  • Generically, cadets of some non-sovereign families whose head bears the non-dynastic title of prince (or, less commonly, duke) were sometimes also authorized to use the princely title, e.g. von Carolath-Beuthen, de Broglie, Demidoff di San Donato, Lieven, de Merode, Pignatelli, Radziwill, von Wrede, Yussopov, etc.
  • Substantively, the heirs apparent in some monarchies use a specific princely title associated with a territory within the monarch's realm, e.g. the Princes of Asturias (Spain), Grão Pará (Brazil, formerly), Orange (Netherlands), Viana (Navarre, formerly), Wales (U.K.), etc.
  • Substantively, it became the fashion from the 17th century for the heirs apparent of the leading ducal families to assume a princely title, associated with a seigneurie in the family's possession. These titles were borne by courtesy and preserved by tradition, not law, e.g. the princes de, respectively, Bidache (Gramont), Marcillac (La Rochefoucauld), Tonnay-Charente (Mortemart), Poix (Noailles), Léon (Rohan-Chabot), etc.

Prince as generic term for ruler

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The original but now less common use of the word was the application of the Latin word prīnceps, from late Roman law and the classical system of government that eventually gave way to the European feudal society. In this sense, a prince is a ruler of a territory that is sovereign or quasi-sovereign, i.e., exercising substantial (though not all) prerogatives associated with monarchs of independent nations, such as the immediate states within the historical boundaries of the Holy Roman Empire. In medieval and early modern Europe, there were as many as two hundred such territories, especially in Italy, Germany, and Gaelic Ireland. In this sense, "prince" is used of any and all rulers, regardless of actual title or precise rank. This is the Renaissance use of the term found in Niccolò Machiavelli's famous work, Il Principe.[2] It is also used in this sense in the United States Declaration of Independence.

As a title, by the end of the medieval era, prince was borne by rulers of territories that were either substantially smaller than those of or exercised fewer of the rights of sovereignty than did emperors and kings. A lord of even a quite small territory might come to be referred to as a prince before the 13th century, either from translations of a native title into the Latin prīnceps (as for the hereditary ruler of Wales) or when the lord's territory was allodial. The lord of an allodium owned his lands and exercised prerogatives over the subjects in his territory absolutely, owing no feudal homage or duty as a vassal to a liege lord, nor being subject to any higher jurisdiction. Most small territories designated as principalities during feudal eras were allodial, e.g. the Princedom of Dombes.

Lords who exercised lawful authority over territories and people within a feudal hierarchy were also sometimes regarded as princes in the general sense, especially if they held the rank of count or higher. This is attested in some surviving styles for e.g., British earls, marquesses, and dukes are still addressed by the Crown on ceremonial occasions as high and noble princes (cf. Royal and noble styles).

In parts of the Holy Roman Empire in which primogeniture did not prevail (e.g., Germany), all legitimate agnates had an equal right to the family's hereditary titles. While titles such as emperor, king, and elector could only be legally occupied by one dynast at a time, holders of such other titles as duke, margrave, landgrave, count palatine, and prince could only differentiate themselves by adding the name of their appanage to the family's original title. This tended to proliferate unwieldy titles (e.g. Princess Katherine of Anhalt-Zerbst; Karl, Count Palatine of Zweibrücken-Neukastell-Kleeburg; or Prince Christian Charles of Schleswig-Holstein-Sonderburg-Plön-Norburg) and, as agnatic primogeniture gradually became the norm in the Holy Roman Empire by the end of the 18th century, another means of distinguishing the monarch from other members of his dynasty became necessary. Gradual substitution of the title of Prinz for the monarch's title of Fürst occurred, and became customary for cadets in all German dynasties except in the grand duchies of Mecklenburg and Oldenburg.[3] Both Prinz and Fürst are translated into English as "prince", but they reflect not only different but mutually exclusive concepts.

This distinction had evolved before the 18th century (although Liechtenstein long remained an exception, with cadets and females using Fürst/Fürstin into the 19th century) for dynasties headed by a Fürst in Germany. The custom spread through the Continent to such an extent that a renowned imperial general who belonged to a cadet branch of a reigning ducal family, remains best known to history by the generic dynastic title, "Prince Eugene of Savoy". Note that the princely title was used as a prefix to his Christian name, which also became customary.

Cadets of France's other princes étrangers affected similar usage under the Bourbon kings. Always facing the scepticism of Saint-Simon and like-minded courtiers, these quasi-royal aristocrats' assumption of the princely title as a personal, rather than territorial, designation encountered some resistance. In writing Histoire Genealogique et Chonologique, Père Anselme accepts that, by the end of the 17th century, the heir apparent to the House of La Tour d'Auvergne's sovereign duchy bears the title Prince de Bouillon, but he would record in 1728 that the heir's La Tour cousin, the Count of Oliergues, is "known as the Prince Frederick" ("dit le prince Frédéric").[4]

The post-medieval rank of gefürsteter Graf (princely count) embraced but elevated the German equivalent of the intermediate French, English and Spanish nobles. In the Holy Roman Empire, these nobles rose to dynastic status by preserving from the Imperial crown (de jure after the Peace of Westphalia in 1648) the exercise of such sovereign prerogatives as the minting of money; the muster of military troops and the right to wage war and contract treaties; local judicial authority and constabulary enforcement; and the habit of inter-marrying with sovereign dynasties. By the 19th century, cadets of a Fürst would become known as Prinzen.

Princes consort and princes of the blood

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The husband of a queen regnant is usually titled "prince consort" or simply "prince", whereas the wives of male monarchs take the female equivalent (e.g., empress, queen) of their husband's title. In Brazil, Portugal and Spain, however, the husband of a female monarch is accorded the masculine equivalent of her title (e.g., emperor, king), at least after he fathered her heir. In previous epochs, husbands of queens regnant were often deemed entitled to the crown matrimonial, sharing their consorts' regnal title and rank jure uxoris.

However, in cultures which allow the ruler to have several wives (e.g., four in Islam) or official concubines (e.g., Imperial China, Ottoman Empire, Thailand, the Zulu monarchy), these women, sometimes collectively referred to as a harem, often have specific rules determining their relative hierarchy and a variety of titles, which may distinguish between those whose offspring can be in line for the succession or not, or specifically who is mother to the heir to the throne.

To complicate matters, the style His/Her (Imperial/Royal) Highness, a prefix often accompanying the title of a dynastic prince, may be awarded/withheld separately (as a compromise or consolation prize, in some sense, e.g., Duke of Cádiz, Duchess of Windsor, Princesse de Réthy, Prince d'Orléans-Braganza).

Although the arrangement set out above is the one that is most commonly understood, there are also different systems. Depending on country, epoch, and translation, other usages of "prince" are possible.

Foreign-language titles such as Italian: principe, French: prince, German: Fürst, German: Prinz (non-reigning descendant of a reigning monarch),[5][6] Ukrainian and Russian: князь, romanizedknyaz, etc., are usually translated as "prince" in English.

Some princely titles are derived from those of national rulers, such as tsarevich from tsar. Other examples are (e)mirza(da), khanzada, nawabzada, sahibzada, shahzada, sultanzada (all using the Persian patronymic suffix -zada, meaning "son, descendant"). However, some princely titles develop in unusual ways, such as adoption of a style for dynasts which is not pegged to the ruler's title, but rather continues an old tradition (e.g., "grand duke" in Romanov Russia or "archduke" in Habsburg Austria), claims dynastic succession to a lost monarchy (e.g. Prince de Tarente for the La Trémoïlle heirs to the Neapolitan throne), or descends from a ruler whose princely title or sovereign status was not de jure hereditary, but attributed to descendants as an international courtesy, (e.g., Bibesco-Bassaraba de Brancovan, Poniatowski, Ypsilanti).

Specific titles

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José, Prince of Brazil, Duke of Braganza, died before he could ascend to the throne of Portugal.

In some dynasties, a specific style other than prince has become customary for dynasts, such as fils de France in the House of Capet, and Infante. Infante was borne by children of the monarch other than the heir apparent in all of the Iberian monarchies. Some monarchies used a specific princely title for their heirs, such as Prince of Asturias in Spain, Prince of Brazil in Portugal, and (customarily but not automatically) Prince of Wales in the United Kingdom.

Sometimes a specific title is commonly used by various dynasties in a region, e.g. Mian in various of the Punjabi princely Hill States (lower Himalayan region in British India).

European dynasties usually awarded appanages to princes of the blood, typically attached to a feudal noble title, such as Prince of Orange in the Netherlands, Britain's royal dukes, the Dauphin in France, the Count of Flanders in Belgium, and the Count of Syracuse in Sicily. Sometimes appanage titles were princely, e.g. Prince of Achaia (Courtenay), Prince de Condé (Bourbon), Prince of Carignan (Savoy), but it was that their owners were of princely rank rather than that they held a princely title which was the source of their pre-eminence.

For the often specific terminology concerning an heir apparent, see Crown prince.

Prince as a substantive title

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Other princes derive their title not from dynastic membership as such, but from inheritance of a title named for a specific and historical territory. The family's possession of prerogatives or properties in that territory might be long past. Such were most of the "princedoms" of France's ancien régime, so resented for their pretentiousness in the memoirs of Saint-Simon. These included the princedoms of Arches-Charleville, Boisbelle-Henrichemont, Chalais, Château-Regnault, Guéménée, Martigues, Mercœur, Sedan, Talmond, Tingrey, and the "kingship" of Yvetot,[7] among others.

Prince as a reigning monarch

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A prince or princess who is the head of state of a territory that has a monarchy as a form of government is a reigning prince.

Extant principalities

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Micronations

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In the same tradition, some self-proclaimed monarchs of so-called micronations style themselves as princes:

Prince exercising head of state's authority

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Various monarchies provide for different modes in which princes of the dynasty can temporarily or permanently share in the style and/or office of the monarch, e.g. as regent or viceroy.

Though these offices may not be reserved legally for members of the ruling dynasty, in some traditions they are filled by dynasts, a fact which may be reflected in the style of the office, e.g. "prince-president" for Napoleon III as French head of state but not yet emperor, or "prince-lieutenant" in Luxembourg, repeatedly filled by the crown prince before the grand duke's abdication, or in form of consortium imperii.

Some monarchies even have a practice in which the monarch can formally abdicate in favour of his heir and yet retain a kingly title with executive power, e.g. Maha Upayuvaraja (Sanskrit for Great Joint King in Cambodia), though sometimes also conferred on powerful regents who exercised executive powers.

Non-dynastic princes

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Coat of arms of Otto, prince of Bismarck (German Empire).

In several countries of the European continent, such as France, prince can be an aristocratic title of someone having a high rank of nobility or as lord of a significant fief, but not ruling any actual territory and without any necessary link to the royal family, such as Andora, which makes it difficult to compare with the British system of royal princes.[citation needed]

France and the Holy Roman Empire

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The kings of France started to bestow the style of prince, as a title among the nobility, from the 16th century onwards. These titles were created by elevating a seigneurie to the nominal status of a principality—although prerogatives of sovereignty were never conceded in the letters patent. Princely titles self-assumed by the princes du sang and by the princes étrangers were generally tolerated by the king and used at the royal court, outside the Parlement of Paris. These titles held no official place in the hierarchy of the nobility, but were often treated as ranking just below ducal peerages, since they were often inherited (or assumed) by ducal heirs:

This can even occur in a monarchy within which an identical but real and substantive feudal title exists, such as Fürst in German. An example of this is:

Spain, France and Netherlands

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Coat of arms of the princes of Waterloo (the Netherlands).

In other cases, such titular princedoms are created in chief of an event, such as a treaty or a victory. Examples include:

Eastern Europe

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Coat of arms of the princes Sanguszko-Lubartowicz (Poland).

In the former Polish-Lithuanian Commonwealth, the titles of prince dated either to the times before the Union of Lublin or were granted to Polish nobles by foreign monarchs, as the law in Poland forbade the king from dividing nobility by granting them hereditary titles: see The Princely Houses of Poland.[citation needed]

Coat of arms of Galicia-Volhynian princes

In Ukraine, landlords and rulers of Kievan Rus' were called князь (knjazʹ), translated as "prince". Similarly, foreign titles of "prince" were translated as knyaz in Ukrainian (e. g. Ivan Mazepa, "knyaz of Holy Roman Empire"). Princes of Rurik Dynasty obeyed their oldest brother, who was taking the title of Grand Prince of Kiev.[9] In 14th their ruling role was taken by Lithuanian princes, which used the title of Grand Prince of Lithuania and Ruthenia.[10] With the rise of cossacks, many former Ukrainian princes were incorporated into the new Cossack nobility.[citation needed]

Coat of arms of the princes Youssoupoff

In the Russian system, knyaz was the highest degree of official nobility. Members of older dynasties, whose realms were eventually annexed to the Russian Empire, were also accorded the title of knyazʹ—sometimes after first being allowed to use the higher title of tsarevich (e.g. the Princes Gruzinsky and Sibirsky).[citation needed]

Title in various European traditions and languages

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In the Netherlands, Belgium, France, Italy, Ukraine, Japan, Lithuania, Portugal, Russia, Spain, Belarus and Hungary the title of prince has also been used as the highest title of nobility (without membership in a ruling dynasty), above the title of duke, while the same usage (then as Fürst) has occurred in Germany and Austria but then one rank below the title of duke and above count.[11]

In each case, the title is followed (when available) by the female form and then (not always available, and obviously rarely applicable to a prince of the blood without a principality) the name of the territory associated with it, each separated by a slash. If a second title (or set) is also given, then that one is for a Prince of the blood, the first for a principality. Be aware that the absence of a separate title for a prince of the blood may not always mean no such title exists; alternatively, the existence of a word does not imply there is also a reality in the linguistic territory concerned; it may very well be used exclusively to render titles in other languages, regardless whether there is a historical link with any (which often means that linguistic tradition is adopted)

Etymologically, we can discern the following traditions (some languages followed a historical link, e.g. within the Holy Roman Empire, not their language family; some even fail to follow the same logic for certain other aristocratic titles):

Romance languages

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  • Languages (mostly Romance) only using the Latin root prīnceps:
    • Catalan: Príncep/Princesa, Príncep/Princesa
    • French: Prince/Princesse, Prince/Princesse
    • Friulian: Princip/Principesse, Princip/Principesse
    • Italian: Principe/Principessa, Principe/Principessa
    • Latin (post-Roman): Princeps/*Princeps/*
    • Monegasque: Principu/Principessa, Principu/Principessa
    • Occitan: Prince/Princessa, Prince/Princessa
    • Portuguese: Príncipe/Princesa, Príncipe/Princesa
    • Rhaeto-Romansh: Prinzi/Prinzessa, Prinzi/Prinzessa
    • Romanian: Prinţ/Prinţesă, Principe/Principesă
    • Spanish: Príncipe/Princesa, Príncipe/Princesa
    • Venetian: Principe/Principessa, Principe/Principessa

Celtic languages

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  • Celtic languages:
    • Breton: Priñs/Priñsez
    • Irish: Prionsa/Banphrionsa, Flaith/Banfhlaith
    • Scottish Gaelic: Prionnsa/Bana-phrionnsa, Flath/Ban-fhlath
    • Welsh: Tywysog/Tywysoges, Prins/Prinses

Germanic languages

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  • Languages (mainly Germanic) that use (generally alongside a prīnceps-derivate for princes of the blood) an equivalent of the German Fürst:
    • English: Prince/Princess, Prince/Princess
    • Afrikaans: Prins
    • Danish: Fyrste/Fyrstinde, Prins/Prinsesse
    • Dutch: Vorst/Vorstin, Prins/Prinses
    • Faroese: Fúrsti/Fúrstafrúa/Fúrstinna, Prinsur/Prinsessa
    • West Frisian: Foarst/Foarstinne, Prins/Prinsesse
    • German: Fürst/Fürstin, Prinz/Prinzessin
    • Icelandic: Fursti/Furstynja, Prins/Prinsessa
    • Luxembourgish: Fürst/Fürstin, Prënz/Prinzessin
    • Norwegian: Fyrste/Fyrstinne, Prins/Prinsesse
    • Old English: Ǣðeling/Hlæfdiġe
    • Swedish: Furste/Furstinna, Prins/Prinsessa

Slavic languages

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  • Slavic:
    • Belarusian: Karalevich/Karalewna, Prynts/Pryntsesa, Knyazhych/Knyazhnya
    • Bosnian: Кнез/Кнегиња (Knez/Kneginja), Краљевић/Краљевна (Kraljević/Kraljevna), Принц/Принцеза (Princ/Princeza)
    • Bulgarian (phonetically spelt): Knyaz/Knyaginya, Prints/Printsesa
    • Croatian: Knez/Kneginja, Kraljević/Kraljevna, Princ/Princeza
    • Czech: Kníže/Kněžna, Kralevic, Princ/Princezna
    • Macedonian: Knez/Knegina, Princ/Princeza
    • Polish: Książę/Księżna, Królewicz/Królewna
    • Russian: Князь/Княгиня (Knyaz/Knyagina/Knyazhna), Tsarevich/Tsarevna, Korolyevich/Korolyevna, Prints/Printsessa
    • Serbian: Кнез/Кнегиња (Knez/Kneginja), Краљевић/Краљевна (Kraljević/Kraljevna), Принц/Принцеза (Princ/Princeza)
    • Slovak: Knieža/Kňažná, Kráľovič, Princ/Princezná
    • Slovene: Knez/Kneginja, Princ/Princesa, Kraljevič/Kraljična
    • Ukrainian: Княжич/Кяжна (Kniazhych/Kniazhna), Королевич/Королівна (Korolevych/Korolivna), Принц/Принцеса (Prynts/Pryntsesa), Гетьманич/Гетьманівна (Hetmanych/Hetmanivna)
Georgian prince, Tavadi.

Other Western languages

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  • Albanian: Princ/Princeshë, Princ/Princeshë
  • Estonian: Vürst/Vürstinna, Prints/Printsess
  • Finnish: Ruhtinas/Ruhtinatar, Prinssi/Prinsessa
  • Georgian: თავადი/Tavadi, უფლისწული/"Uplists'uli" ("Child of the Lord")
  • Greek (Medieval, formal): Πρίγκηψ/Πριγκήπισσα (Prinkips/Prinkipissa)
  • Greek (Modern, colloquial): Πρίγκηπας/Πριγκήπισσα (Prinkipas/Prinkipissa)
  • Hungarian (Magyar): Herceg/Hercegnő or Fejedelem/Fejedelemnő if head of state
  • Latvian: Firsts/Firstiene, Princis/Princese
  • Lithuanian: Kunigaikštis/Kunigaikštienė, Princas/Princese
  • Maltese: Prinċep/Prinċipessa, Prinċep/Prinċipessa

Title in non-European traditions and languages

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The below is essentially the story of European, Christian dynasties and other nobility, also 'exported' to their colonial and other overseas territories and otherwise adopted by rather westernized societies elsewhere (e.g. Haiti).

Applying these essentially western concepts, and terminology, to other cultures even when they don't do so, is common but in many respects rather dubious. Different (historical, religious...) backgrounds have also begot significantly different dynastic and nobiliary systems, which are poorly represented by the 'closest' western analogy.

It therefore makes sense to treat these per civilization.

Prince 'Abdul Mateen of Brunei, holds the title of Pengiran Muda (Prince) as he's the son of Sultan Hassanal Bolkiah.

Brunei

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It's crucial to use the proper title while speaking to members of the royal family because Brunei is an absolute monarchy, and inappropriate use might be uncomfortable.[12] The heir apparent and crown prince, styled as Duli Yang Teramat Mulia Paduka Seri (His Royal Highness), is officially known as Pengiran Muda Mahkota (Crown Prince); A blood prince is officially known as Pengiran Muda (Prince); their names are styled differently: If they do not have additional titles, the Sultan's sons are addressed as Duli Yang Teramat Mulia Paduka Seri (His Royal Highness); The Pengiran Muda Mahkota's sons are addressed as Yang Teramat Mulia (His Royal Highness).

China

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Before Qin dynasty, prince (in the sense of royal family member) had no special title. Princes of the Zhou dynasty were specifically referred to as Wangzi (王子) and Wangsun (王孫), which mean "son of the king" and "grandson of the king," while princes of the vassal states were referred to as Gongzi (公子) and Gongsun (公孫), which mean "son of the lord" and "grandson of the lord," respectively. Sons of the vassals may receive nobility titles like Jun (君), Qing (卿), Daifu (大夫) and Shi (仕).

Since Han dynasty, royal family members were entitled Wang (, lit. King), the former highest title which was then replaced by Huang Di (皇帝, lit. Emperor). Since Western Jin, the Wang rank was divided into two ranks, Qin Wang (親王, lit. King of the Blood) and Jun Wang (郡王, lit. King of the Commandery). Only family of the Emperor can be entitled Qin Wang, so prince is usually translated as Qin Wang, e.g. 菲利普親王 (Prince Philip). For the son of the ruler, prince is usually translated as Huang Zi (皇子, lit. Son of the Emperor) or Wang Zi (王子 lit., Son of the King), e.g. 查爾斯王子 (Prince Charles).

As a title of nobility, prince can be translated as Qin Wang according to tradition, Da Gong (大公, lit., Grand Duke) if one want to emphasize that it is a very high rank but below the King (Wang), or just Zhu Hou (诸侯, lit. princes) which refers to princes of all ranks in general. For example, 摩納哥親王 (Prince of Monaco).

Japan

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In Japan, the title Kōshaku (公爵) was used as the highest title of Kazoku (華族 Japanese modern nobility) before the present constitution. Kōshaku, however, is more commonly translated as "Duke" to avoid confusion with the following royal ranks in the Imperial Household: Shinnō (親王 literally, Prince of the Blood); Naishinnō (内親王 lit., Princess of the Blood in her own right); and Shinnōhi 親王妃 lit., Princess Consort); or Ō ( lit., Prince); Jyo-Ō (女王 lit., Princess (in her own right)); and Ōhi (王妃 lit., Princess Consort). The former is the higher title of a male member of the Imperial family while the latter is the lower.

Korea

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In the Joseon Dynasty, the title "Prince" was used for the king's male-line descendants. The title was divided into two: the king's legitimate son used the title daegun (대군, 大君, literally "grand prince"), but any other male royals used the title gun (군, 君, lit. "prince"). These included the descendants of the king up to the grandsons of illegitimate sons of the king and the crown prince, and up to the great grandsons of daeguns,[13] with other royals being able to be named gun if they reached the second rank. But the title of gun wasn't limited to the royal family. It was also granted as an honorary title to the king's father-in-law and to gongsin (공신, 功臣, lit. "servant of merit") and was only conditionally hereditary for gongsins.[14]

As noble titles no longer exist in modern Korea, the English word "Prince" is now usually translated as wangja (왕자, 王子, lit. "king's son"), referring to princes from non-Korean royal families. Princes and principalities in continental Europe are almost always confused with dukes and duchies in Korean speech, both being translated as gong (공, 公, lit. "duke") and gongguk (공국, 公國, lit. "duchy").

Sri Lanka

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The title 'Prince' was used for the King's son in Sinhalese generation in Sri Lanka.

India

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Indian Prince And Parade Ceremony (by Edwin Lord Weeks)

In the former Empire of India, during the British Colonial Era, the title of a Prince was conferred upon by the Emperor to the hereditary Indian rulers of the numerous principalities of varying sizes in the empire called "princely states", who ruled their territories in the name of the Emperor of India, who was also simultaneously the Monarch of the United Kingdom and the Dominions. They acknowledged the Emperor as their imperial sovereign till the empire's dissolution in 1947 and subsequently acceded to the newly formed Union of India and the Dominion of Pakistan between 1947 and 1949.

Indochina

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See Cambodia, Vietnam, and Laos

Philippines

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See Principalia, the Sultanate of Maguindanao and the Sultanate of Sulu.

Thailand

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In Thailand (formerly Siam), the title of Prince was divided into three classes depending on the rank of their mothers. Those who were born of a king and had a royal mother (a queen or princess consort) are titled Chaofa Chai (Thai: เจ้าฟ้าชาย: literally, "Male Celestial Lord"). Those born of a king and a commoner, or children of Chaofas and royal consorts, are tilted Phra Ong Chao (พระองค์เจ้า). The children of Chaofas and commoners, or children of Phra Ong Chaos, are titled Mom Chao (หม่อมเจ้า), abbreviated as M.C. (or ม.จ.).

African traditions

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A Western model was sometimes copied by emancipated colonial regimes (e.g. Bokassa I's short-lived Central-African Empire in Napoleonic fashion). Otherwise, most of the styles for members of ruling families do not lend themselves well to English translation. Nonetheless, in general the princely style has gradually replaced the colonialist title of "chief", which does not particularly connote dynastic rank to Westerners, e.g. Swazi Royal Family and Zulu Royal Family. Nominally ministerial chiefly titles, such as the Yoruba Oloye and the Zulu InDuna, still exist as distinct titles in kingdoms all over Africa.

Title in religious traditions

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Saint Robert Cardinal Bellarmine was a prince of the Roman Catholic Church during his lifetime.

In states with an element of theocracy, this can affect princehood in several ways, such as the style of the ruler (e.g. with a secondary title meaning son or servant of a named divinity), but also the mode of succession (even reincarnation and recognition).

Christianity

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Certain religious offices may be considered of princely rank, or imply comparable temporal rights. Pope, Hereditary Prince-Cardinals, Cardinals, Prince-Lord Bishops, Prince Bishops, Lord Bishops, Prince-Provost, and Prince-abbots are referred to as Princes of the Church.

Also, in Christianity, Jesus Christ is sometimes referred to as the Prince of Peace.[15] Other titles for Jesus Christ are Prince of Princes,[16] Prince of the Covenant,[17] Prince of Life,[18] and Prince of the Kings of the Earth.[19] Further, Satan is popularly titled the Prince of Darkness;[20] and in the Christian faith he is also referred to as the Prince of this World[21][22][23] and the Prince of the Power of the Air.[24] Another title for Satan, not as common today but apparently so in approximately 30 A.D. by the Pharisees of the day, was the title Prince of the Devils.[25][26][27] Prince of Israel, Prince of the Angels, and Prince of Light are titles given to the Archangel Michael.[citation needed] Some Christian churches also believe that since all Christians, like Jesus Christ, are children of God,[28] then they too are princes and princesses of Heaven. Saint Peter, a disciple of Jesus, is also known as the Prince of the Apostles.

Islam

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  • Arabian tradition since the caliphate: In several monarchies it remains customary to use the title sheikh (in itself below princely rank) for all members of the royal family. In families (often reigning dynasties) which claim descent from Muhammad, this is expressed in either of a number of titles (supposing different exact relations): sayid, sharif; these are retained even when too remote from any line of succession to be a member of any dynasty.
  • In Saudi Arabia the title of Emir is used in role of prince for all members of the House of Saud.
  • In Iraq, the direct descendants of previous Emirs from the largest tribes, who ruled the kingdoms before modern statehood, use the title of Sheikh or Prince as the progeny of royalty.[29]
  • In the Ottoman Empire, the sovereign of imperial rank (incorrectly known in the west as (Great) sultan) was styled padishah with a host of additional titles, reflecting his claim as political successor to the various conquered states. Princes of the blood, male, were given the style Şehzade.
  • Persia (Iran)—Princes as members of a royal family, are referred to by the title Shahzadeh, meaning "descendant of the king". Since the word zadeh could refer to either a male or female descendant, Shahzadeh had the parallel meaning of "princess" as well. Princes can also be sons of provincial kings (Khan) and the title referring to them would be the title of Khanzadeh. Princes as people who got a title from the King are called "Mirza", diminutive of "Amir Zadeh" (King's Son).
  • In Indian Muslim dynasties, the most common titles were Mirza (from Amirzada) and Shahzada; while Nawabzada and Sahibzada were also given to younger blood princes.
  • In Kazakh Khanate the title Sultan was used for lords from a ruling dynasty (direct descendants of Genghis Khan), that gives them a right to be elected as khan, as an experienced ruler; and an honorific tore, another name for the clan, (ru:Торе (род)) for ordinary members of a ruling dynasty.[30]

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Prince was an American singer, songwriter, multi-instrumentalist, and record producer known for his innovative fusion of funk, rock, soul, pop, and other genres, as well as his prolific output and transformative influence on contemporary music. Born Prince Rogers Nelson on June 7, 1958, in Minneapolis, Minnesota, he grew up in a musical household where his father performed as Prince Rogers and his mother was a singer, fostering an early immersion in music that led him to master multiple instruments from a young age. He formed his first band in high school and signed with Warner Bros. Records at age 18, releasing his self-produced debut album For You in 1978, on which he played every instrument himself. Prince achieved global stardom in the 1980s with breakthrough albums such as 1999 and the multimedia phenomenon Purple Rain (1984), which included a hit film and signature songs that defined his flamboyant style and genre-defying sound. He continued to push boundaries throughout his career, writing hits for other artists, experimenting with his image—including adopting an unpronounceable symbol as his name during the 1990s—and maintaining creative control over his work. Over the course of more than four decades, Prince released dozens of albums, performed with virtuosic skill, and earned widespread acclaim for his live shows and inventive production, amassing a legacy that includes multiple Grammy Awards, induction into the Rock and Roll Hall of Fame, and influence on generations of musicians. He died on April 21, 2016, at his Paisley Park estate in Minnesota.

Early life

Childhood and family background

Prince Rogers Nelson was born on June 7, 1958, in Minneapolis, Minnesota, to John L. Nelson and Mattie Della Shaw. His father, John L. Nelson, was a pianist and lyricist who led a jazz band called the Prince Rogers Trio, while his mother, Mattie Della Shaw (later Mattie Della Shaw Baker), was a jazz singer who later earned a master’s degree in social work and worked as a social worker for Minneapolis Public Schools. The couple met through music when John invited Mattie to sing with his band after noticing her in the audience at the Blue Note jazz club, and they married on August 31, 1957. Prince was named after his father’s stage name, “Prince Rogers,” and he had a younger full sister, Tyka Nelson, born in 1960. From 1959 to 1965, Prince lived with his parents and sister in a pink house in Minneapolis, which he later described as having “funky energy” and “simple furniture.” His parents separated when he was seven years old, around 1965–1966, and later divorced, after which his father left the family home. Following the separation, his mother remarried Hayward Baker, and Prince struggled to adjust to his stepfather, eventually running away from home during junior high school. He then lived in various places, including his father’s home in North Minneapolis, his aunt’s home in South Minneapolis, and the home of Bernadette Anderson, the mother of his friend André Cymone. Prince also had several half-siblings, including Sharon, Norrine, and John Jr. from his father’s first marriage, Alfred Frank Alonzo Jackson from his mother’s previous relationship, and Omarr Baker from his mother’s marriage to Hayward Baker. In his memoir The Beautiful Ones, Prince reflected on his early family life, noting there were “2 Princes in the house where we lived,” with his father bearing the responsibilities of heading the household and himself as the younger one focused on fun, and he was regularly called by the nickname “Skipper.”

Early musical development

Prince demonstrated an early and remarkable aptitude for music, teaching himself to play multiple instruments including piano, guitar, drums, and bass without formal lessons. His self-taught proficiency extended to various other instruments over time, reflecting his intense dedication to mastering sound from childhood. He reportedly composed his first song at age seven, marking the beginning of his songwriting, and continued creating music throughout his youth. Prince developed home demo recordings and early original material during this period, honing his skills as a composer and multi-instrumentalist. In his teens, Prince formed his first band, Grand Central (later known as Grand Central Corporation), with childhood friend André Anderson (later André Cymone) on bass and other instruments, initially with cousin Charles Smith on drums. Morris Day later joined on drums, replacing Smith, as the group evolved and performed extensively in the local Minneapolis scene. Prince primarily played guitar and piano in the band, contributing to its sound while emphasizing originality in their repertoire. The band played at community centers, high school dances, and battles of the bands against other local acts during the mid-1970s, immersing Prince in the vibrant Minneapolis music environment. They recorded early demos featuring original songs, which helped showcase Prince's talents beyond live performances. These efforts culminated in Prince recording a significant demo tape with producer Chris Moon, which caught the attention of manager Owen Husney and led to auditions and negotiations. This paved the way for his signing with Warner Bros. Records in 1977 at age 19.

Music career

Debut and early albums (1978–1983)

Prince released his debut studio album For You in October 1978 through Warner Bros. Records after signing a recording contract that granted him significant creative control. He produced, arranged, composed, and performed every instrument on the album himself, including guitars, bass, drums, keyboards, and various percussion, while also handling all vocals across the record's nine tracks. The album blended funk, R&B, soul, and experimental elements, with the lead single "Soft and Wet" marking his first entry on the Billboard Hot 100 at number 92 and performing better on the R&B chart. Though it peaked at only number 163 on the Billboard 200 and sold modestly, For You established Prince as a prodigious multi-instrumentalist capable of creating a fully realized solo work at age 20. His self-titled follow-up, Prince, arrived in October 1979 and achieved greater commercial traction. Certified platinum, the album featured the breakout single "I Wanna Be Your Lover," which reached number 11 on the Billboard Hot 100 and number one on the Hot Soul Singles chart, broadening his appeal beyond R&B audiences. Prince continued to handle most production and instrumentation, though he incorporated session players on select tracks, and the record showcased a more polished pop-funk sound compared to his debut. The 1980 album Dirty Mind represented a daring stylistic evolution, incorporating new wave and punk influences alongside increasingly explicit lyrical content. Prince played most instruments and produced the record largely alone, with tracks like the title song, "Uptown," and "Head" pushing boundaries in theme and arrangement. Critics praised its boldness and musical innovation, though the provocative nature restricted mainstream radio exposure and commercial performance remained modest compared to its predecessor. Controversy, released in October 1981, sustained this confrontational approach while addressing public scrutiny of his persona and beliefs. The title track became a signature song, blending funk with political and religious commentary, and Prince again served as primary producer and multi-instrumentalist. The album solidified his reputation as an artist unafraid to provoke, gaining a dedicated following even as it challenged conventional pop norms. Prince's artistic and commercial ascent culminated with the double album 1999 in October 1982. Featuring hits "1999," "Little Red Corvette," and "Delirious," the record crossed over to pop audiences, peaking at number nine on the Billboard 200 and eventually selling over four million copies in the United States. Prince produced and performed most of the instrumentation, though contributions from his growing backing ensemble appeared, marking the early development of what would become The Revolution as his live and studio band. The album's futuristic themes, synthesizer-driven sound, and memorable singles established him as a major force in popular music by the end of 1983.

Breakthrough and 1980s dominance (1984–1992)

Prince achieved his mainstream breakthrough with the 1984 album Purple Rain, recorded with his backing band The Revolution and released as the soundtrack to his feature film of the same name. The album spent 24 consecutive weeks at number one on the Billboard 200 and was certified platinum by the RIAA within two months of release, eventually reaching 13× platinum status with worldwide sales of 25 million copies. It generated two number-one singles on the Billboard Hot 100, "When Doves Cry" and "Let's Go Crazy," along with the title track "Purple Rain" which reached number two, establishing Prince as a dominant force in popular music. Prince and The Revolution won two Grammy Awards in 1985 for the project: Best Rock Vocal Performance by a Duo or Group with Vocal and Best Album of Original Score Written for a Motion Picture or a Television Special. During the mid-to-late 1980s, Prince maintained commercial and artistic dominance through a prolific output of albums and collaborations. He worked closely with associated acts such as The Time, Vanity 6 (later Apollonia 6), and Sheila E., producing and promoting their work while integrating their contributions into his broader musical universe. Parade (1986) featured the number-one hit "Kiss," while the ambitious double album Sign o' the Times (1987) peaked at number six on the Billboard 200 and included the top-ten singles "Sign o' the Times" and "U Got the Look." Lovesexy (1988) was supported by the innovative Lovesexy Tour, which ran from July 1988 to February 1989 and featured an in-the-round stage design. In addition, Prince contributed uncredited distorted guitar to Madonna's 1989 single "Like a Prayer", specifically the riff heard at the beginning of the track before the door slam, as confirmed by co-producer Patrick Leonard. Prince continued his chart success into the early 1990s with the Batman soundtrack (1989), which included the number-one single "Batdance," followed by Graffiti Bridge (1990), Diamonds and Pearls (1991) featuring hits like the number-one "Cream" and the title track, and the Love Symbol Album (1992). The Purple Rain Tour in support of the 1984 album further solidified his live performance reputation during this peak period of commercial and creative influence.

Symbol era and independence (1993–2000)

In 1993, amid mounting frustrations with Warner Bros. Records over creative control, release schedules, and ownership of his master recordings, Prince changed his stage name to an unpronounceable symbol—a glyph merging male and female gender symbols—on June 7, his 35th birthday. He described the change as a means to think in new ways and tune into a new frequency, while also divorcing himself from past associations and contractual constraints. The move was widely interpreted as a strategic protest against the label, which owned and trademarked the name "Prince" and used it for marketing, leading media to refer to him as "The Artist Formerly Known as Prince" or simply "The Artist." Prince publicly emphasized his grievances by appearing with the word "SLAVE" written on his cheek during performances and interviews, underscoring his view of the contract as burdensome and akin to servitude. To satisfy his Warner Bros. obligations, he released Come in 1994 and The Gold Experience in 1995, both credited to the symbol. Emancipation, a triple album issued in 1996, fulfilled the final terms of his contract and allowed his departure from the label that year. He then pursued greater independence through his New Power Generation (NPG) Records imprint, which facilitated direct-to-fan distribution and more flexible release timing. Notable independent projects included the three-CD box set Crystal Ball in 1998, sold primarily via pre-orders by phone and internet, and Rave Un2 the Joy Fantastic in 1999, distributed through Arista Records. His prolific output continued during this period, though commercial and critical peaks did not match his 1980s dominance. The name change and associated disputes persisted until his Warner Bros. contract fully expired around 2000.

Later years and final releases (2001–2016)

In 2000, Prince announced his return to using his birth name after seven years of being known by an unpronounceable symbol, signaling a new phase of independence and creative control. He launched the NPG Music Club, an online subscription service that allowed direct distribution of his music to fans, bypassing traditional labels. His first album of the period, The Rainbow Children (2001), explored jazz-funk fusion with lyrics heavily influenced by his Jehovah's Witness faith. This was followed by more experimental releases like One Nite Alone... (2002) and the instrumental Xpectation (2003). Prince returned to broader appeal with Musicology (2004), which he supported with a major North American tour that included the album given away free with concert tickets. The album 3121 (2006) became his first to reach number one on the Billboard 200 in over a decade. He continued innovative distribution with Planet Earth (2007), which was given away free with copies of the British newspaper The Mail on Sunday, sparking debate about album value in the digital age. In 2009, he released the three-disc set Lotusflow3r through his website and limited retail, accompanied by the film of the same name. After a period of relative quiet in studio output, he formed the rock band 3rdeyegirl and released Plectrumelectrum (2014). Prince's final studio albums were the Tidal-exclusive Hit n Run Phase One (2015) and Hit n Run Phase Two (2015), which emphasized funk and R&B with contributions from collaborators like Judith Hill and Joshua Welton. He maintained an active touring schedule during this era, including residencies and one-off shows, while continuing to experiment with direct-to-fan releases and streaming platforms. Among his most acclaimed performances were his 2004 Rock and Roll Hall of Fame induction appearance, where he delivered an iconic guitar solo during a tribute to George Harrison's "While My Guitar Gently Weeps" using a flanger effect that produced a distinctive swelling, whooshing, or jet-like sound often described in Japanese guitar communities as "ぎゅわぁん" (gyuwaan), and his 2007 Super Bowl XLI halftime show in Miami, widely regarded as one of the greatest in the event's history for its energy and technical execution amid heavy rain.

Film and television career

Acting and directing roles

Prince made his acting debut in the semi-autobiographical musical drama Purple Rain (1984), starring as the Kid, a talented but conflicted musician who channels personal turmoil into his performances while navigating family issues and rivalries in Minneapolis's music scene. Directed by Albert Magnoli, the film blended dramatic narrative with live concert sequences and became a breakout success, grossing approximately $70 million worldwide and receiving acclaim as one of the most accomplished modern movie musicals. Prince took on directing duties for the first time with Under the Cherry Moon (1986), in which he also starred as Christopher Tracy, a charismatic con artist working the French Riviera who falls for a wealthy heiress. Shot in elegant black-and-white, the film drew inspiration from 1930s screwball comedies and highlighted his playful, flirtatious persona, though it struggled commercially and earned criticism for perceived vanity. It received multiple Golden Raspberry Awards, including recognitions for Worst Actor and Worst Director. He directed the concert film Sign o' the Times (1987), which captured his electrifying stage presence and musical versatility through live footage, interspersed with brief narrative vignettes and fantasy elements tied to his accompanying album. Regarded as a strong showcase of his performance charisma and band leadership, it marked a creative rebound after the previous film's reception. Prince wrote, directed, and reprised his role as the Kid in Graffiti Bridge (1990), a loose sequel to Purple Rain centered on club ownership disputes and musical rivalries, with extended song-and-dance sequences. The film was widely panned and commercially unsuccessful, earning several Golden Raspberry Awards, including Worst Picture, Worst Actor, and Worst Director. He also directed and starred in the direct-to-video 3 Chains o' Gold (1994), an adventure story featuring him alongside the New Power Generation in a plot involving an Egyptian princess, sacred artifacts, and romance. The project remains one of his rarest and least accessible works.

Soundtrack and score contributions

Prince won the Academy Award for Best Original Song Score for his music in the film Purple Rain at the 57th Academy Awards in 1985. This now-defunct category, which required at least five original songs in the score, was awarded to Prince for the last time in Academy history due to insufficient qualifying musical films in subsequent years. He accepted the honor onstage in a sequined purple cape, accompanied by Revolution members Wendy Melvoin and Lisa Coleman, in a notably subdued appearance for the artist. In 1989, Prince composed and performed the soundtrack for Tim Burton's Batman, releasing the album Batman on June 20, 1989. The album reached number one on the Billboard 200 on July 22, 1989, and remained there for six weeks. It achieved worldwide sales exceeding 11 million copies, marking a major commercial success. The lead single "Batdance" became a chart-topping hit, while other tracks included "The Arms of Orion" (a duet with Sheena Easton), "Partyman," "Vicki Waiting," "Trust," and "Scandalous." Only "Batdance" appeared in the film itself during the closing credits, while the album served as a parallel artistic interpretation inspired by the movie's themes, with the film's score composed by Danny Elfman. Prince also provided original music for other film projects, including the full soundtrack for Spike Lee's 1996 film Girl 6, which was released as the album Girl 6. These contributions highlighted his versatility in creating music tailored to cinematic narratives beyond his own on-screen appearances.

Personal life

Relationships and family

Prince was married twice. His first marriage was to dancer and singer Mayte Garcia, whom he met when she was a teenager and who later joined his Diamonds and Pearls tour as a backup dancer; they wed on February 14, 1996. The couple's son, Amiir, was born on October 16, 1996, but died six days later from Pfeiffer syndrome type 2, a rare genetic disorder. Garcia suffered a miscarriage in a subsequent pregnancy, and the emotional toll of these losses contributed to the breakdown of their relationship. They divorced in 2000. Prince's second marriage was to Manuela Testolini, a Toronto native who worked as a consultant for his charity Love 4 One Another. They married on December 25, 2001, but Testolini filed for divorce in 2006, with the divorce finalized in 2007. No children were born during this marriage. Prince's only full sibling was his younger sister Tyka Nelson, a singer-songwriter. He also had several half-siblings from his parents' previous relationships.

Beliefs, name change, and public persona

In June 1993, Prince changed his name to an unpronounceable symbol—commonly known as the Love Symbol—as a deliberate protest against his long-standing contract with Warner Bros. Records. He argued that the label had trademarked his birth name "Prince," using it as a primary marketing tool to control and profit from his music while treating him as a commodity and restricting his creative freedom. In a press release, he described the change as a step toward emancipation from these constraints and explained that the symbol encouraged thinking in new ways and tuning into a new frequency, reflecting his desire to challenge conventional notions of identity and artistic autonomy. This act underscored his advocacy for artists' rights and copyright ownership, as he sought to resist corporate exploitation of personal identity and creative output. In the early 2000s, Prince began studying the Bible intensively with bassist Larry Graham, which led to his commitment to Jehovah's Witnesses around 2001 and his baptism in 2003. He characterized this not as a conversion but as a practical realization of truth, adopting a straightforward, dogma-free approach to spirituality. As a Jehovah's Witness, he actively participated in door-to-door ministry, introducing himself as Rogers Nelson or Brother Nelson, and attended congregational meetings modestly, dressed in simple suits and contributing to Bible discussions without seeking special attention. His faith prompted changes in his personal conduct, including the removal of profanity and sexually explicit content from his performances, and he expressed conservative views aligned with the religion's teachings, such as opposition to same-sex marriage based on biblical interpretations. Prince's public persona blended flamboyance and eccentricity with increasing reclusiveness over time. He was known for extravagant, androgynous attire—including frilly jackets, women's underwear, and provocative stage outfits—as well as unconventional performance habits like playing guitar blindfolded or behind his back. In his later years, particularly after embracing Jehovah's Witnesses, he adopted a more private and understated demeanor, living near his hometown of Minneapolis, guarding personal details closely, and insisting on being treated as an ordinary individual in religious and everyday settings. This evolution reflected his desire for normalcy amid fame while maintaining a distinctive, boundary-challenging presence rooted in his spiritual and artistic convictions.

Death

Prince died on April 21, 2016, at the age of 57 at his Paisley Park estate in Chanhassen, Minnesota. He was found unresponsive near an elevator on the property at approximately 9:43 a.m. and was pronounced dead about 25 minutes later. According to the Midwest Medical Examiner's Office, his death was accidental, caused by fentanyl toxicity from a self-administered overdose. A subsequent investigation concluded that Prince likely ingested counterfeit Vicodin tablets laced with fentanyl, unaware of the contents, with no evidence of criminal involvement or sufficient grounds for charges.

Legacy

References

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