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List of South Park characters
List of South Park characters
from Wikipedia

four of the main five boys are in the foreground, waving at the viewer. Kenny is climbed on a wooden sign labeled "SOUTH PARK". In the background, the entire population of the city and all the other characters present on the show have gathered, looking at the viewer also.
South Park title image from season 17 with the four main characters: (left to right) Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman in the foreground and most of the recurring, supporting characters in the background.

South Park is an American adult animated television series created by Trey Parker and Matt Stone for the Comedy Central television network. The ongoing narrative revolves around four boys, Stan Marsh, Kyle Broflovski, Kenny McCormick, and Eric Cartman and their bizarre adventures in and around the fictional Colorado town of South Park.[1] The town is also home to an assortment of characters who make frequent appearances in the show, such as students and their family members, elementary school staff, and recurring characters.[1]

Stan Marsh is portrayed as the everyman of the group,[2] as the show's official website describes him as "a normal, average, American, mixed-up kid."[3] Kyle is the lone Jew among the group, and his portrayal in this role is often dealt with satirically.[2] Stan and Kyle are best friends, and their relationship, which is intended to reflect the real-life friendship between South Park creators Trey Parker and Matt Stone,[4] is a common topic throughout the series. Cartman—loud, obnoxious, and obese—is sometimes portrayed as the series' antihero[5] and his antisemitic attitude has resulted in an ever-progressing rivalry with Kyle.[2] Kenny, who comes from a poor family, wears his parka hood so tightly that it covers most of his face and muffles his speech. During the show's first five seasons, Kenny died in almost every single episode before returning in the next without explanation.

Stone and Parker perform the voices of most of the male South Park characters.[2][6][7] Mary Kay Bergman voiced the majority of the female characters until her death in 1999.[8] Eliza Schneider (1999–2003), Mona Marshall (2000–present), April Stewart (2004–present), and Kimberly Brooks (2008–present) have voiced most of the female characters since.[8] A few staff members such as Jennifer Howell, Vernon Chatman, John Hansen, and Adrien Beard have voiced other recurring characters.

Creation and inception

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Two seated men. One holds a microphone in one hand and gestures with the other.
Trey Parker (left) and Matt Stone (right) created the show and currently voice the majority of the male characters on the show.

Following the success of the 1995 short Jesus vs. Santa, creators Trey Parker and Matt Stone conceived a plan to create a television series based on the short, with four children characters as the main stars. The series was originally set up at 20th Century Fox Television for its primetime premiere on FOX, which previously commissioned Parker and Stone to develop the short. However, FOX was not pleased with the show's inclusion of Mr. Hankey, a talking poo character, and felt it wouldn't bode well with viewers. The network's executives also said that placing kids as the stars could not be as funny and popular as it would with the grown-ups and families, like The Simpsons and King of the Hill.[9][10][11]

As a result, Parker and Stone broke off relations with FOX and took the series somewhere else. They pitched the series to MTV and Comedy Central, and decided it was best suited for the latter, fearing the former could turn it to a more kid-friendly show later on.[9] Comedy Central agreed to pick up the series, and the premiere episode, "Cartman Gets an Anal Probe", debuted on the network on August 13, 1997, while Mr. Hankey would debut in the tenth episode, "Mr. Hankey, the Christmas Poo".[12][13]

In tradition with the show's cutout animation style, the characters are composed of simple geometrical shapes and uninflected patches of predominantly primary colors.[14][15] They are not offered the same free range of motion associated with hand-drawn characters, as they are mostly shown from only one angle, and their movements are animated in an intentionally jerky fashion.[2][14][15] Ever since the show's second episode, "Weight Gain 4000", all the characters on the show have been animated with computer software, though they are portrayed to give the impression that the show still utilizes the original technique of cutout animation.[14]

Cast

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Stone and Parker voice most of the male South Park characters.[2][7] Mary Kay Bergman voiced the majority of the female characters until her death in 1999, near the end of the third season.[8] Eliza Schneider and Mona Marshall succeeded Bergman in 1999 and 2000 respectively, with Schneider leaving the show in 2003, after the seventh season.[8] She was replaced by April Stewart, who, along with Marshall, continues to voice most of the female characters.[8] Bergman was originally listed in the credits under the alias Shannen Cassidy to protect her reputation as the voice of several Disney characters.[16] Stewart was originally credited under the name Gracie Lazar,[17] while Schneider was sometimes credited under her rock opera performance pseudonym Blue Girl.[18]

Some South Park staff members voice other recurring characters; supervising producer Jennifer Howell voices student Bebe Stevens,[7] writing consultant Vernon Chatman voices an anthropomorphic towel named Towelie,[7] and production supervisor John Hansen voices Mr. Slave, the former gay lover of Mr. Garrison.[19] South Park producer and storyboard artist Adrien Beard, who voices Tolkien Black, the only African-American child in South Park, was recruited to voice the character "because he was the only black guy [in the] building" when Parker needed to quickly find someone to voice the character during the production of the season four (2000) episode "Cartman's Silly Hate Crime 2000".[20][21]

Main characters

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Stan Marsh

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Stanley "Stan" Marsh is voiced by and loosely based on series co-creator Trey Parker.[4][22] He first appeared in The Spirit of Christmas and is portrayed (in words of the show's official website) as "a normal, average, American, mixed-up kid."[23] Stan is a third- then fourth-grade student who commonly has extraordinary experiences not typical of conventional small-town life in his hometown of South Park. Stan is also commonly portrayed as the main protagonist of the series. He acts as the de facto leader of his friend group, often encouraging them in difficult times and taking charge in social causes. Much like his best friend Kyle, Stan often learns a valuable lesson by the end of episodes. Stan has black hair, light skin, blue eyes (animation error to be brown in the anime style in "Good Times with Weapons"), and is of average nine-year-old height. He usually wears a navy-blue beanie cap with a red trimming and a red pom-pom ball on the top of it, matching red gloves, a light-brown jacket with a matching red collar, blue jeans, and black shoes. Stan has his father's hair color (black) and his mother's skin tone.

Kyle Broflovski

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Kyle Broflovski is voiced by and loosely based on series co-creator Matt Stone.[7] Having appeared first in The Spirit of Christmas shorts, he often displays the highest moral standard of all the boys and is usually depicted as the most intelligent.[24] When describing Kyle, Stone states that both he and the character are "reactionary", and susceptible to irritability and impatience.[25] In some instances, Kyle is the only child in his class to not initially indulge in a fad or fall victim to a ploy. This has resulted in both his eagerness to fit in, and his resentment and frustration.[24][26] Kyle is distinctive as one of the few Jewish children on the show, and because of this, he often feels like an outsider amongst the core group of characters.[25][27] His portrayal in this role is often dealt with satirically, and has elicited both praise and criticism from Jewish viewers.[6][28][29][30] In many episodes, Kyle contemplates ethics in beliefs, moral dilemmas, and contentious issues, and will often reflect on the lessons he has attained with a speech that frequently begins with, "You know, I learned something today..."[31] Kyle has curly red hair, a light skin tone, (no visible eye color due to how the series is animated), and is of average nine-year-old height. He wears a bright-green ushanka hat (ear-flap hat), matching green gloves, an orange coat with a matching green collar, army green cargo pants, and black shoes.

Eric Cartman

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Eric Theodore Cartman first appeared in the 1992 short series The Spirit of Christmas and is voiced by Trey Parker.[7] Cartman has been portrayed as the main antagonist of the show due to his short-tempered, aggressive, prejudiced and emotionally unstable character. These traits are significantly augmented in later seasons as his character evolves, and he begins to exhibit psychopathic and extremely manipulative behavior. Cartman is depicted as highly intelligent, able to execute morally appalling plans and business ideas with success. His intelligence goes further, as Cartman is shown to be a multi-linguist, able to speak many different foreign languages fluently. Among the show's main child characters, Cartman is distinguished as "the fat kid",[2] for which he is continuously insulted and ridiculed.[32] Cartman is frequently portrayed as a villain whose actions set in motion the events serving as the main plot of an episode.[5] Other children and classmates are alienated by his insensitive, racist, homophobic, antisemitic, misogynistic, lazy,[a] self-righteous, and wildly insecure behavior.[33][34][35][36][37] Cartman is also the most prejudiced character on the show. He often makes antisemitic insults towards Kyle for being Jewish,[2][38] constantly teases Kenny for being poor,[39] particularly manipulates and mistreats Butters Stotch and displays an extreme disdain for hippies.[40][41] As a result, Cartman usually gets the consequences for his actions due to a flaw in schemes or other characters proving to be smarter than him. Despite his antagonistic tendencies, Cartman has been portrayed as a protagonist or antihero on several occasions. He has short straight neatly-parted brown hair, pale skin, (no visible eye color due to how the series is animated), and an extremely-fat body with neck flab and a double chin. Cartman wears a small teal hat with a small flat yellow puff-ball on top and a matching yellow band where the forehead part of the hat begins, a large bright-red coat, matching yellow gloves, brown khaki pants, and black shoes.

Kenny McCormick

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Kenneth "Kenny" McCormick debuted in the 1992 shorts. His soft-muffled and indiscernible speech—the result of his parka hood covering his mouth—is voiced by co-creator Matt Stone.[7] He is friends with Stan and Kyle, while maintaining a friendship with Eric Cartman.[42] Kenny is regularly teased for living in poverty, particularly by Cartman.[39] Prior to Season Six, Kenny died in almost every episode, with only a few exceptions.[note 1] The nature of the deaths was often gruesome and portrayed in a comically absurd fashion,[43] and usually followed by Stan and Kyle respectively yelling "Oh my God! They killed Kenny!" and "You bastard(s)!".[44] In the episode "Kenny Dies", Kenny dies after developing a terminal muscular disease,[45] while Parker and Stone claimed that Kenny would not be returning in subsequent episodes and insisted they grew tired of having Kenny die in each episode.[46] For most of season six, his place is taken by Butters Stotch and Tweek Tweak.[47][48] Nevertheless, Kenny returned from the year-long absence in the season six finale "Red Sleigh Down", and has remained a starring character since, although he only appears once in Season 20. Kenny's character no longer dies in each episode, and has only been killed occasionally in episodes following his return.[49] Kenny's superhero alter ego, Mysterion, first appeared in the season 13 episode "The Coon".[50][51] It is revealed in the season 14 three-part story arc "Coon 2: Hindsight", "Mysterion Rises" and "Coon vs. Coon and Friends" that Kenny canonically has an ability to resurrect after dying, though he is always the only one who can ever remember dying, despite his friends always bearing witness. It is revealed that each time he dies, Kenny's mom spontaneously gives birth to him, and then is put back in his orange parka and in bed, to regenerate overnight. This was due to his parents' involvement in the cult of Cthulhu, whose meetings they would only attend because of the free alcohol. Kenny has bright-blond hair, a light skin color, blue eyes, and an average eight-year-old height. He wears a large orange parka whose large hood conceals his blond head completely with a faded-brown inside, matching faded-brown gloves, orange pants that match his parka, and black shoes. Kenny has a brother named Kevin, and a younger sister named Karen with whom he has a good relationship.

Secondary characters

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Butters Stotch

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Leopold "Butters" Stotch is a major character and a student of South Park Elementary. He is voiced by series co-creator Matt Stone. Butters is depicted as more naive, optimistic, and gullible than the show's other child characters and can become increasingly anxious, especially when faced with the likelihood of being grounded, of which he is extremely terrified. As a result, he is often sheltered and unknowledgeable of some of the suggestive content his peers understand, and is also frequently the victim of abuse and manipulation by Eric Cartman. Butters debuted as an unnamed background character when South Park first premiered on Comedy Central on August 13, 1997. His role gradually increased, becoming one of the series's most frequently present characters beginning with season 3 and eventually the de facto fifth main character. Creators Trey Parker and Matt Stone have stated that he is one of their favorite characters.He has a supervillain version of him named Professor Chaos.

Randy Marsh

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Randy S. Marsh is a major character and the most prominent parent on the show. He is a middle-class married father who alongside his wife Sharon raises their 10-year-old son Stan and 13-year-old daughter Shelley. His first name is derived from the first name of series co-creator Trey Parker's father,[52] and Parker describes Randy as "the biggest dingbat in the entire show."[53]

Randy is 45 years old, and like Parker's father, is a geologist, making his first appearance in the series while monitoring a seismometer in the episode "Volcano" (parodying Pierce Brosnan in Dante's Peak). He was depicted to work at the South Park Center for Seismic Activity, and was later shown to work for the U. S. Geological Survey. He was briefly fired from his geologist job near the end of the 12th season, and quit briefly during the end of the 14th season, but has since been-rehired both times. He also serves on the city council, specializing in the town's parks and public grounds. A recurring character trait of Randy's is his being prone to overreacting and obsessively seizing upon irrational ideas and fads, whether by himself or as part of a large contingent of the town's adult population. Though the show frequently depicts him to be a moderate to heavy drinker, numerous episodes have dealt with Randy's belligerent and negligent behavior brought upon by his severe intoxication.

A few instances of personal achievement have made Randy a hero in the eyes of his friends and fellow townsfolk, such as being awarded a Nobel Prize, and twice setting a record for producing the world's largest piece of human excrement. Randy has conversely been subjected to ridicule from the entire town, ranging from when he inadvertently accelerated the effects of global warming by suggesting the entire populace take on a more uninhibited approach to passing gas in order to avoid the hazard of spontaneous combustion, to when he reluctantly exclaimed "niggers" while attempting to solve a puzzle during a live broadcast of Wheel of Fortune. In addition to the professional singing he did in his youth, Randy can also play guitar, as seen in "Guitar Queer-O". He can also speak a little Mongolian, having learned some in college, as seen in the episode "Child Abduction Is Not Funny".

The episode "Gluten Free Ebola" revealed that Randy produces music and performs as the noted musician Lorde, a fact that was explored subsequently in "The Cissy". This has become a running gag that has continued through multiple episodes, such as suggesting much of the Marsh family's income comes from his music career as Lorde rather than his geology job. As of season 22, Randy quit his job and moved the family to the countryside where he sets up Tegridy Farms to grow and distribute cannabis. For most of season 23, Randy was officially the protagonist of South Park as the show focused on his work at the Tegridy Farms instead of the town of South Park and its elementary school. Randy is also responsible for the ongoing COVID-19 pandemic after Mickey Mouse encouraged him to have sexual intercourse with a bat and a pangolin while he was sick during his trip in China ("Band in China").

Mr. Garrison

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Herbert Garrison was the boys' fourth grade teacher at South Park Elementary until his dismissal, after which he mounted a campaign that resulted in his election as President of the United States. Garrison is particularly cynical, especially in comparison with the rest of South Park's adults, and he is one of the few characters to ever break the fourth wall on the show.

For the first eight seasons of the series, the character was known as Mr. Garrison. He underwent a sex change in the season 9 premiere "Mr. Garrison's Fancy New Vagina". The character was thereafter known to the other characters as Janet Garrison or Mrs. Garrison, despite being unmarried. In the season 12 episode "Eek, a Penis!", he undergoes yet another sex change operation, returning to being a man.

Mr. Garrison was in part inspired by a kindergarten teacher who taught Trey Parker, and who used a puppet named Mr. Hat as a teaching resource. Mr. Garrison was also inspired by a British literature professor Parker had at the University of Colorado; Parker said the voice he uses for the character is a dead-accurate impression of him. Parker said he believes Mr. Garrison has become one of the most complex characters on South Park, particularly due to his ever-growing relationship with Mr. Hat and his sexuality and gender issues; Parker said of Mr. Garrison, "He's the soap opera element to the whole series. [He] has a real story going on."[54]

PC Principal

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Peter Charles,[55] more commonly known as PC Principal, is the current principal of the school, who replaced Principal Victoria after she was fired in season 19 (Mr. Mackey plotted for her to be fired); also an alumnus member of the PC Delta fraternity and an alumnus of Texas A&M University. He is dedicated to bring a more politically correct agenda to South Park Elementary. Though he is initially portrayed as an antagonist, particularly towards Stan, Kyle, Kenny, Cartman, and anyone else who is not "PC", he mellows out significantly in the middle of season 19. He is eventually revealed merely to be a pawn in the grand scheme of things, which causes him to become a protagonist in the season's final episode, "PC Principal Final Justice". PC Principal later married to Strong Woman, who is the new assistant principal, and is the loving and caring father to their five children, the PC Babies. by "Sermon on the 'Mount", he says his name is Power Christian Principal, owing to President Donald Trump's push for more Christianity in public schools.

Mr. Mackey

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Mr. Mackey Jr. is the school guidance counselor. He has a disproportionately large head and mumbles "m'kay" after most sentences. He speaks with a Southern accent, and he is believed to be from Louisiana. It is assumed he is at least 40 years old (he once said he had sex at 19 and that it has been about 21 years since). He is based on Trey Parker's junior high school counselor, Stan Lackey. He has occasionally taught classes at the school, and taught sex education with Ms. Choksondik. During this time he had a sexual relationship with Ms. Choksondik until her death. After her death, he took over the fourth grade class until Mr. Garrison returned.

Despite his awkward appearance and mannerisms, Mr. Mackey is an able and responsible counselor who, much unlike other South Park Elementary faculty and staff, cares about his students. He sometimes appears with Principal Victoria when punishing a student or announcing an important message. His methods as a counselor often reflect real-life controversies in education. For example, when Kyle talks about seeing Mr. Hankey the Christmas Poo, he places Kyle on a heavy dose prescription of Prozac. In an early episode, the children feign having attention deficit disorder, and he prescribes them all Ritalin. During a drug-education class in the episode "Ike's Wee Wee", he passes some marijuana around the classroom, and it is stolen (apparently by one of the children, though it is later revealed that the actual thief was Mr. Garrison). For this, Mr. Mackey is fired by the school and evicted by his landlord, and, feeling depressed, he ends up using alcohol, marijuana and LSD. The episode suggests that his large head is caused by the tightness of his tie around his neck, but in "Child Abduction Is Not Funny", his parents are shown to have large heads as well. He becomes a hippie and travels to India with a like-minded woman. Mr. Mackey is captured by The A-Team, and his former employers, along with Jimbo, say that they should have helped him with his drug problem rather than firing him. Mr. Mackey protests, saying that he likes his new life and that he actually has not done drugs since his first experimentations back in South Park. Nobody listens and in rehab at the Betty Ford Clinic, he is "cured" of his addiction to drugs. Mr. Mackey's social worker then re-ties his tie, which makes his head swell back to its original size.

Sharon Marsh

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Sharon Marsh is Stan and Shelley Marsh's mother, as well as Randy Marsh's wife. She first appeared in the Season One episode, "An Elephant Makes Love to a Pig".

Sharon was portrayed in earlier seasons as a loving but stern suburban mother. She wanted to protect Stan from the 'dirty' language and vulgar humor of his favorite cartoon, Terrance and Phillip, in "Death" and South Park: Bigger, Longer & Uncut. In "Spookyfish", she was so protective that she buried the bodies of people she thought Stan had killed, in order to prevent Stan from being charged with murder. In actuality, it was his new pet goldfish that murdered the people, to which Sharon felt regretful for not realizing in the first place. She was also unofficially in charge of the movement against Chinpokomon dolls in "Chinpokomon". However, she has often been caught up in fads around town, such as holistic medicine in "Cherokee Hair Tampons" and atheism in "Red Hot Catholic Love".

During the episodes in which she was voiced by April Stewart, Sharon had become the sane half of her marriage. She serves as a foil to the craziness that surrounds her; craziness is often caused by her husband, Randy. In "The Losing Edge", she was embarrassed by Randy getting drunk and starting fights at Stan's little league games. This was lost on Randy, who imagined her cheering him on in his big fight against the Bat Dad. In "With Apologies to Jesse Jackson", she is noticeably upset and disappointed in the car ride home after Randy says the N-word on Wheel of Fortune. In the Pandemic story arc, she gets repeatedly angry at Randy for videotaping the guinea pig attacks.

Sharon is named after Trey Parker's mother, Sharon Parker. Sharon was referred to her as "Carol" in the Season One episode, "Death", however, many characters had different names when they were first introduced. Sharon Parker, unlike Mrs. Marsh, is an insurance broker while Mrs. Parker is an insurance saleswoman.

In the episode "You're Getting Old", she reveals she has been unhappy with her marriage and could not fake it anymore, claiming her life feels like the same ridiculous shit every week, and as a result divorces her husband and moves with her son and daughter to a new home while Randy moves away from himself.

Gerald and Sheila Broflovski

[edit]

Gerald and Sheila Broflovski are an upper-middle-class, Jewish married couple who raise their ten-year-old son Kyle and three-year-old Canadian son Ike. Gerald is a lawyer who also serves on South Park's council as the city attorney,[56] and his role in this profession has been put on display in episodes such as "Sexual Harassment Panda" and "Chef Goes Nanners" in which a trial or legal issue plays a large part in the plot.[57][58][59] He is a generally kind, amiable person, though at intervals he has been shown to assume a snobbish attitude that disaffects his friends and family. Examples include the episode "Chickenpox" where it is revealed that he used to be close with Stuart McCormick when they were younger but that the two had a falling out due to economic differences or when he begins acting like an arrogant snob after buying a hybrid car in "Smug Alert!". In "Sexual Harassment Panda", Gerald repeatedly sued South Park Elementary (which was faultless in every case), and later every citizen of South Park, showing his shameless monetary greed and disregard for civil propriety. Gerald was once seen to have a repressed gambling problem,[60] and prior struggles with a fictional form of inhalant abuse known within the show as "cheesing".[57] Gerald is, in season 20 of the show, revealed to be an internet troll. His internet alias is 'Skankhunt42', and initially, everyone thinks that Eric Cartman is, in fact, Skankhunt42. When trolling, he makes provocative statements against women, and, most notably, creates images where he "puts a dick in [women's] mouths". He always drinks red wine and listens to music by Boston when trolling. His antics eventually place him in the news after trolling a Danish Olympian making him of the two main antagonists of the entirety of season twenty alongside Lennart Bedrager.

Sheila made her first appearance in the season one episode "Death" (where she was originally named Carol), and she exhibits several traits commonly associated with those of a stereotypical Jewish mother. In the episode "It's a Jersey Thing", it is revealed that Sheila was originally from New Jersey, where she was known as "S-Wow Tittybang", and that she and Gerald moved to South Park to avoid having their newly conceived child grow up there. Apart from being briefly appointed to the fictional federal position of "Secretary of Offense" under the Clinton Administration, Sheila is a stay-at-home mother. In earlier seasons, Sheila often spearheaded public opposition to things she deemed harmful to children or to the Jewish community. She led a group to New York City to protest Terrance and Phillip, a Canadian comedy duo whose television show's toilet humor is what she believed to be a negative influence on Kyle.[61] Her outrage escalated in South Park: Bigger, Longer & Uncut when she further protested Terrance and Phillip by forming "Mothers Against Canada", which eventually instigated a war between Canada and the United States making her one of the main antagonists of the film. At the climax of the film, she takes her crusade against the duo to the extreme by shooting Terrance and Phillip despite her son's protests, which fulfills an apocalyptic prophecy allowing Satan, his minions, and his ex-lover Saddam Hussein to invade Earth. This aspect has been toned down in recent years, and is more or less completely absent from newer episodes.

Liane Cartman

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Liane Cartman is the generally sweet-natured mother of Eric Cartman; though in later seasons, she is a more proactive mother who does not tolerate his antics or foul language. Her promiscuity, often with total strangers, was a running gag initially. It seemed as though all of the adults in South Park had slept with her (probably the women, too). Although in episode 7, she is indicated to be a "crack whore", she says in "The Poor Kid" that she has not done drugs in some time, and works "two jobs." Liane's commuting from the home during normal daytime hours implies that at least one of the jobs is a traditional, non-prostitution form of employment, though the nature of this work is never specified. Despite the multiple sources of income, Eric comes to believe that he and Liane are the second poorest family in South Park (at least of those whose children attend South Park Elementary) after Kenny McCormick's.[62] At other times, it is implied that the Cartman household's IRS-reported income mostly comes from government welfare programs,[63] that Liane has simply transformed her prostitution career into a better-organized, safer "escort"-style operation,[64] or that in fact Liane has never held a traditional job and the family is in a more precarious economic state than their depicted lifestyle indicates.[65] As of season 25, current continuity states that Liane has been unable to maintain legitimate employment due to constant demands on her time from Eric, and as a result of this economic stress combined with increases in rent on the family's house, the Cartmans are unable to keep up with their bills and find themselves living in an abandoned hot dog stand. Eric refuses to allow Liane to work, instead of attend to him, when he is awake even when explicitly told that this will cause financial disaster for the family, a storyline which may tie in to depictions of Cartman as homeless in the future.

It is seemingly revealed in season 2 that Liane is a hermaphrodite (and so is Eric's father),[66] though in episode "201"[67] it is revealed that Eric's real father is Jack Tenorman, the father of his nemesis Scott Tenorman. Jack Tenorman was a member of the 1991 Denver Broncos, and the ruse about her being a hermaphrodite was made up to maintain the Broncos' reputation since "they were having a good year".

She was named after creator Trey Parker's ex-fiancé, Liane Adamo, whom he broke up with after he discovered that she had an affair.[68]

Jimmy Valmer

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James "Jimmy" Valmer (originally James "Jimmy" Swanson) is one of the boys' two handicapped classmates, alongside Timmy Burch. He is physically disabled, requiring forearm crutches in order to walk. His disability has never been specified on the show but seems visually and functionally similar to cerebral palsy. In Season 7 Episode 2 "Krazy Kripples", it is made clear that both Jimmy and Timmy were born with their disabilities. In any case, hampered by his legs, which in many cases he appears not to be able to use, Jimmy primarily uses his crutches both as substitutes for his legs and sometimes even as extra (weaponized) extensions for his arms. He prefers to be called "handi-capable".[69][70] Jimmy is able to speak coherently, and his various aspirations on several different levels of journalism over time also sometimes even makes him more articulate than any of the other children, though his speech is largely affected by his stuttering, and sometimes also his tendency to end some of his sentences with "...very much". He aspires to be a stand-up comedian, and is often featured performing his routines. His catchphrase during his routines is "Wow, what a terrific audience!"

Jimmy first appears in the season five (2001) episode "Cripple Fight", in which he moves to South Park from a neighboring town and antagonizes Timmy.[71] Parker and Stone initially intended for this to be Jimmy's only appearance, but decided to include the character in subsequent episodes.[72] Now portrayed as a South Park resident, student, and good friend of Timmy, Jimmy has been a recurring character ever since. Jimmy's parents had made fun of disabled children in high school, and believe that Jimmy's disability is a punishment from God. The season eight (2004) episode "Up the Down Steroid" ends with Jimmy addressing the issue of anabolic steroid use in athletic competitions, declaring it as "cheating" while suggesting that professional athletes who use steroids voluntarily reject the accolades and records attributed to them.[73] The episode also reveals that Jimmy has a girlfriend named Nancy. Jimmy is also commonly seen with Craig Tucker, Clyde Donovan, and Tolkien Black as part of "Craig's Gang". Despite his disability, he is also shown to be an extremely accomplished drummer, performing with Stan Marsh's death metal group Crimson Dawn in the episode "Band in China".

In the near future in the movie South Park: Post Covid, Jimmy has his own talk show named "Late Night with Jimmy", à la Jimmy Kimmel Live!, and is called "the king of woke comedy".[74]

Tolken Black

[edit]

Tolken Black first appeared in "Cartman Gets an Anal Probe". He is the only black child in South Park until the introduction of Nichole Daniels in "Cartman Finds Love" in season 16.[71] Originally named "Token", "Token Williams", and finally "Token Black" as a play on the notion of a token black character,[75] it is retconned in the second episode "The Big Fix" of the twenty-fifth season (2022) his first name is actually "Tolkien", after J. R. R. Tolkien. In the episode, Tolkien addresses an assembly hosted by Stan in which he states that he hates his namesake, saying that he finds J.R.R. Tolkien's work to be "a bunch of nerdy, jive-ass dragon shit". After his name was changed, Comedy Central changed the synopses and subtitles for every past episode that mentions the name "Token" to "Tolkien".

Episodes in which he plays a major role often address ethnicity-related topics. In "Here Comes the Neighborhood", he becomes self-conscious when his classmates mock him for being the wealthiest one in their class. He attempts to address this by inviting several other wealthy families to move to South Park (who all happen to be black) including Will Smith and Snoop Dogg, leading the townspeople to refer to them as "richers". When he realizes he does not fit in with his wealthy peers either, he goes to live with lions at the zoo, before he learns that his classmates mock him not because they do not like him, but because they all mock each other and because it is part of how they relate to each other.

In "Cartman's Silly Hate Crime 2000", his father declares hate crime legislation to be "a savage hypocrisy".[76] In the season 11 (2007) episode "With Apologies to Jesse Jackson", Stan is perplexed by Tolkien's rebuffs of his attempts to make amends with Tolkien after Stan's father reluctantly exclaimed "niggers" when attempting to solve a puzzle as a contestant during a live taping of Wheel of Fortune. When Stan has an epiphany, he tells Tolkien "I've been trying to say that I understand how you feel, but I'll never understand. I'll never really get how it feels for a black person to [hear] somebody use the N-word", to which Tolkien accepts Stan's apology by saying "Now you get it".[77]

Wendy Testaburger

[edit]

Wendy Testaburger is the show's most prominent female student. Her best friend is Bebe Stevens, she is the on-and-off girlfriend of Stan. She is also the other voice of reason (besides Kyle). Wendy has previously been voiced by Karri Turner (in the unaired pilot), Mary Kay Bergman, Mona Marshall, Eliza Schneider, and is currently voiced by April Stewart. Fellow co-creator Matt Stone has also cited the name of Wendy Westerberg, the wife of an old friend from his childhood.[54] She wears a pink beret, a purple coat and yellow pants. She has long black hair with uneven bangs. Wendy made her first appearance unnamed, but clearly recognizable, in "The Spirit of Christmas".

Like her boyfriend Stan, Wendy is mature for her age, critical of popular trends, moral and intellectual, as well as being a feminist, as noted in many of her appearances. She campaigns in several episodes on causes such as breast cancer and the suffering of Bottlenose dolphins, often arguing with Eric Cartman who calls her a "bitch" or "ho" in response. Although the two generally only argue, he pushes her to the limit in the Season 12 (2008) episode "Breast Cancer Show Ever" wherein the two engage in a fight on the playground, in which Wendy badly beats up Cartman.

Wendy is known to be protective of her relationship with Stan. In the Season 1 (1997) episode "Tom's Rhinoplasty" when Stan, along with the other boys, falls in love with an attractive substitute teacher, Wendy accuses her of stealing Stan from her, and eventually formulates a complex plan to get her thrown into the sun. She also sometimes displays jealousy – in the Season 6 (2002) episode "Bebe's Boobs Destroy Society", her best friend, Bebe Stevens, receives more attention than she does because of Bebe's developing breasts. Wendy then gets breast implants, but the boys end up ridiculing her after only just realizing the control Bebe's breasts had on them. This behavior is somewhat contradicted by episodes such as "Stupid Spoiled Whore Video Playset" and "Dances with Smurfs" where she is more concerned with principles than trends and attention.

Wendy is more prominent in the show's earlier seasons, usually quarreling with Eric Cartman or reinforcing her relationship with Stan. She speaks in several episodes (especially in the first season) and is often chosen to help the boys out over her classmates. Wendy and Stan's relationship received less focus over the course of the Season 5 (2001), and she has only one minor role in Season 6 (2002). This culminates in her breakup with Stan and pairing with Tolkien Black in "Raisins", after which she makes only scattered prominent appearances until the end of the eleventh season, where she gets back together with Stan in "The List". They subsequently pair up as partners on a field trip in "Super Fun Time", she beats Cartman in a fight in "Breast Cancer Show Ever" and in the episode "Elementary School Musical" Stan suspects that she may leave him for a popular boy called Bridon. Wendy is able to kiss Stan on the cheek in "Elementary School Musical" without his previous nauseated reaction.

Wendy was voted student council president, something first noted in "Bebe's Boobs Destroy Society" and re-addressed seven seasons later in "Dances with Smurfs", when Cartman becomes the morning announcer and starts spreading defaming comments about her—most notably her supposed genocide of the Smurfs. In response to the allegations, Wendy becomes a guest on Cartman's morning show and manipulates his own story of the Smurf holocaust before announcing her resignation and electing him as the new school council president, effectively relieving him of his morning announcement job. Throughout the episode, Stan solidly defends her.

Clyde Donovan

[edit]

Clyde Donovan[b] maintains a friendship with the show's main characters and is among the most often-seen of the boys' extended group, playing supporting roles in several episodes. Clyde first appeared in the show's pilot episode "Cartman Gets an Anal Probe". He makes his first prominent appearance in the 1999 season 3 episode "Tweek vs. Craig" in which he tells everyone that both Tweek and Craig decided against fighting each other and went home instead. He has medium-brown hair, wears a burgundy coat, grayish-brown trousers, and sometimes wears ocean-blue mittens. In the season 4 episode "Cartman's Silly Hate Crime 2000", he is nominated as "the second fattest kid in class" besides Cartman, and is chosen to replace him in the sled race. The season 11 episode "Lice Capades" focuses heavily on Clyde and a group of anthropomorphic lice, who are portrayed as living in a civilized society on Clyde's head. Clyde was so embarrassed when a girl at the doctor's office asked what he was going in for that he said he had AIDS.[78]

In "The List", the girls vote him the cutest boy in class, turning him into a superficial ladies' man, though this list is later revealed to have been manipulated by political considerations. Clyde appears in the three-part story arc "Coon 2: Hindsight", "Mysterion Rises", and "Coon vs. Coon and Friends" as his alter-ego, Mosquito. He is the focus of the episode "Reverse Cowgirl", in which he causes his mother Betsy's death when he fails to put the toilet seat down in their home, causing her to fall in and have her organs ripped out by the pressure. The episode also reveals Clyde's father's name to be Roger, and that he has a sister. In the episode South Park (Not Suitable for Children), it is revealed that Roger has remarried with a woman named Janice and Clyde had slowly accepted her as his stepmother.

Despite his friendship with the four main characters, Clyde serves as the main antagonist of the video game South Park: The Stick of Truth. He also plays a role as one of the main characters in South Park: The Fractured but Whole as his superhero alter-ego, Mosquito. who supposedly has the ability to control and has the abilities of a mosquito.

Craig Tucker

[edit]

Craig Tucker, commonly characterized by his blue aviator or chullo hat and deep nasal monotone voice, is one of the more prominent members of the children's classroom. Craig dislikes the four main characters and rivals them in several episodes. Craig is a pragmatist[79] and has no wish to become involved in any extraordinary adventures the other main characters on the show customarily experience.[80] In the first several seasons, Craig has a habit of giving people the finger,[81] a trait the show's official website attributes to his learning the behavior from his family, all of whom frequently use the gesture as well, most notably in the third season episode, "Tweek vs. Craig", in which his entire family take turns flipping each other off at the dinner table.[82][83] This trait was used less throughout the show's runtime, and was last seen in the episode "Fun with Veal". Along with the rest of the characters, Craig moved to the fourth grade in "Fourth Grade".

Despite his dislike of the main characters, particularly Cartman, he is often depicted as one of the boys who repeatedly join Cartman in his many schemes, at times serving as a right-hand man. Craig is also involved in a homosexual relationship with fellow fourth-grade student Tweek Tweak. In the Season 19 episode "Tweek x Craig", female students of Asian backgrounds started drawing homoerotic "yaoi" images of Craig and his classmate Tweek Tweak, depicting them as lovers, in contrast to their rival-like role in "Tweek vs. Craig". Immediately, the two try to repudiate the rumors about them prompted by this. They eventually resolve to stage a public "break-up" to end the rumors. Though Tweek fears he cannot do this believably, Craig encourages him that he indeed can.[84] However, Tweek goes too far by claiming that Craig is a manipulative cheater, which has the effect of ruining Craig's reputation with girls. During a later argument between the boys, Tweek reveals that Craig's encouragement gave him the confidence to believe in himself. Following the father-to-son talk between Craig and his father about how "you can't fight being gay", the two boys decide to continue their fake relationship, appeasing the town and maintaining their friendship. In later episodes however, such as the season 21 episode "Put It Down" and the video game The Fractured but Whole, they are shown to have become sincere romantic partners, calling each other "babe" and "honey" and holding hands regularly even when not around the townspeople.

Tweek Tweak

[edit]

Tweek Tweak is a fourth-grade student at South Park Elementary. He drinks lots of coffee, which is laced with methamphetamine, which causes him to be paranoid and have jittery muscle spasms. He made his first appearance in the Season Two episode "Gnomes". He was meant to replace Butters as one of the "Broship" or "Stan's Gang", being the fourth and blond boy of the group as Kenny McCormick's replacement as fourth member of the group. Tweek's namesake, physical appearance, clothing, and speaking voice all match his personality, behaviors, mannerisms, and general nature. Tweek obviously has an anxiety disorder. As a character who is almost always under near constant anxiety, his catchphrase is either "Too much pressure!" or "GAAH! Too much pressure!". When anxious, he will usually exclaim "That's too much pressure!". He usually likes to refer to other members his own age and gender as "man" in his speech.

Beginning with "Tweek x Craig", Tweek is allegedly in a relationship with Craig Tucker. In "Wieners Out", Butters refers to the two as a gay couple when encouraging his male peers to join his movement. Despite their relationship being forced at the start, the two stay together of their own free will and are now more open about their sexualities and their relationship. In "Put It Down", Craig refers to Tweek as "honey" and "babe" even when not in front of other people. Assuming this means that they are actually in a relationship and they are not faking for publicity. This is further shown with them as adults in the future, where they still spend the most time together and are inferred to still be together.

Tweek's personality matches his appearance and his way of speaking. He is rarely seen smiling or expressing positive emotions, being almost constantly on the verge of outright panic. He is usually seen gritting his teeth or generally flipping out. Sometimes he may seem slightly calmer with fewer twitches and spasms when around his boyfriend Craig. He also appears to be easily manipulated, making him a frequent pawn of Cartman's plots ("The Simpsons Already Did It", "Free Hat"), although he does maintain a disliking to Cartman as most others do.

Chef

[edit]

Jerome "Chef" McElroy was a major character in the first nine seasons of the show. He was voiced by Isaac Hayes. The former cafeteria worker at South Park Elementary, Chef is generally portrayed as more intelligent than the other adult residents of the town, and understanding to the children. His advice is often sought by the boys, as he is the only adult they completely trust. He frequently gives completely honest advice without considering whether it is appropriate for children, usually in the non sequitur form of a lascivious soul song.

Chef was inspired by Hayes and other popular soul singers of the 1970s, as well as an actual dining hall worker encountered by Parker while he attended the University of Colorado. Chef played a less prominent role as the series progressed beyond its earlier seasons, and the character was retired at the beginning of the tenth season in "The Return of Chef" following the controversial departure of Hayes.

Terrance and Phillip

[edit]

Introduced in the first season, Sir Terrance Henry Stoot and Sir Phillip Niles Argyle are two Canadian comedians who host The Terrance and Phillip Show: a sketch comedy program which the children of South Park adore. The duo have been compared to Bob and Doug McKenzie as well as Beavis and Butt-Head for their cartoonishly exaggerated stereotypical Canadian mannerisms and crude humor respectively.[85] Series creators Trey Parker and Matt Stone have explained that they view the Canadians as stand-ins for themselves, and often utilize their sketch comedy show to comment on South Park itself.[86] Bolstering this claim, the children have occasionally made reference to the show being animated, with Eric Cartman explaining that he finds the animation "crappy" in South Park: Bigger, Longer & Uncut, though it is subsequently revealed that all Canadians are depicted in a visually similar manner.

Both South Park: Bigger, Longer & Uncut and "Freemium Isn't Free" explain that the success of Terrance and Phillip's show accounts for the majority of Canada's economy. In the episode "Terrance and Phillip: Behind the Blow", it is revealed that the two met in "The Canadian School for Gifted Babies", and began performing across Canada due to their aptitude for musical theater, eventually leading them to perform across North America. Their show features crude low-brow humor, with the punchline often involving the duo farting on one another. In South Park: Bigger, Longer & Uncut the Canadians explain to Conan O'Brien that this is a staple of their country's humor, and go on to explain a variety of "classic Canadian jokes" which are similarly crude and low-brow, although it is later revealed that Terrance pioneered this style of humor accidentally when he farted during an appearance on The Ed Sullivan Show.

The two are nearly identical in design (though Terrance is occasionally depicted as fatter than Phillip), with their only distinguishing features being their hair color and their shirts: Phillip is blonde while Terrance is black-haired, their respective shirts are marked with the letters T and P. Phillip is generally depicted as a more serious actor than his costar, having briefly performed in a production of Hamlet and vehemently protesting the Canadian Broadcasting Company's decision to censor a depiction of the prophet Muhammed in their show, thought it is revealed in Terrance and Phillip: Behind the Blow that Terrance is responsible for much of the content of the duo's show: having written the majority of the sketches they perform.

The plot of South Park: Bigger, Longer & Uncut centers on the release of Asses of Fire: a film starring Terrance and Phillip, and Kenny's attempt to mimic a scene from the film. Asses of Fire causes a mass hysteria amongst parents whose children attempt to mimic the vulgar language featured throughout the movie. Mothers Against Canada is thus formed in order to vilify the duo and the entirety of Canada for the crass crude nature of Terrance and Phillip's work.

In the episode "Eat, Pray, Queef", they are married to the Queef Sisters: two female comedians who briefly overshadow the duo (though the sisters' show is later canceled offscreen).

Stephen Stotch

[edit]

Stephen Willis Stotch[87] is Butters Stotch's father and Linda Stotch's husband. He and his wife began appearing more frequently towards the end of the show's fourth season, in correlation with their son becoming a more significant character. His most prominent role as a couple with his wife occurred during the season five finale "Butters' Very Own Episode", where they had a deal with the issues of Stephen's extramarital homosexual affairs and adhering to their concocted story about their son being abducted when Linda mistakenly thought she had successfully murdered Butters.

Recurring characters

[edit]
Character Voiced by Role First appearance
Linda Stotch Mona Marshall[88] Butters' (sometimes) mentally unstable mother. She is also strict like her husband, but not as much. Season 4, episode 16

"The Wacky Molestation Adventure"[89]

Shelley Marsh Mary Kay Bergman,[90] Eliza Schneider,[91] April Stewart[92] Stan's violent, snobbish, ill-tempered and mischievous older sister who despises her brother and his friends. Season 1, episode 5

"An Elephant Makes Love to a Pig"[89]

Ike Broflovski various children of South Park employees[7] Currently: Bettie Boogie Parker Kyle's younger brother, the Canadian-born adoptive son of Gerald and Sheila. Season 1, episode 1

"Cartman Gets an Anal Probe"[89]

Timmy Burch Trey Parker[7] One of the boys' two handicapped classmates, whose vocabulary is mostly limited to the enthusiastic shouting of his own name. Jimmy's best friend. Season 4, episode 1

"The Tooth Fairy's Tats 2000"[89]

Scott Malkinson Matt Stone[7] A classmate of the boys, who they often make fun of for his lisp and diabetes. Season 8, episode 6

"The Jeffersons"[89] (HD Version) " Season 12, episode 13 Elementary School Musical" (Original)

Bebe Stevens Jennifer Howell[7] The boys' blonde female classmate, Wendy's best friend, Clyde's on-again, off-again girlfriend, and the only child of Mr. and Mrs. Stevens. Season 1, episode 1

"Cartman Gets an Anal Probe"[89]

Mayor McDaniels Mary Kay Bergman, Eliza Schneider[8] The Mayor of South Park. Season 1, episode 2

"Volcano"[89]

Harrison Yates Trey Parker[92] A police detective, married to Maggie with an unnamed son. Season 7, episode 9

"Christian Rock Hard"[89]

Strong Woman Jessica Makinson The vice principal of the school beginning in "Super Hard PCness", who is in a secret relationship with PC Principal. She later gives birth to five children, the PC Babies Season 21, episode 9

"Super Hard PCness"[89]

Towelie Vernon Chatman[7] A talking stoner towel; father of Washcloth. Season 5, episode 8

"Towelie"[89]

Jimbo Kern Matt Stone[7] Sharon's brother, Randy's brother-in-law,[93] and Stan's uncle, who is portrayed as a hunter, TV show host, and gun store owner. Season 1, episode 2

"Volcano"[89]

Ned Gerblansky Trey Parker[7] A hunter and a soldier in the Vietnam War. Jimbo Kern's best friend who lost his right arm and speaks through an electric voicebox. Season 1, episode 2

"Volcano"[89]

Stuart McCormick Matt Stone[7] Kenny's alcoholic and violent father. Season 1, episode 6

"Death"[89]

Carol McCormick Mary Kay Bergman, Eliza Schneider,[8] April Stewart[92] Kenny's alcoholic and violent mother. Season 1, episode 9

"Starvin' Marvin"[89]

Heidi Turner Jessica Makinson One of the boys' female classmates, who briefly was Cartman's on-again, off-again girlfriend. Season 3, episode 1

"Rainforest Shmainforest"[89]

Nichole Daniels Kimberly Brooks Nichole is part of the group of girls at South Park Elementary, with Wendy, Red, Bebe and Heidi. Cartman secretly arranges for her and Tolkien Black to be together. Season 16, episode 7

"Cartman Finds Love"

Red McArthur
Mary Kay Bergman[94]
Eliza J. Schneider[95]
April Stewart[96]
Currently:
Mona Marshall[97]
Red is one of the girl characters, she is often seen in the larger friend group of the fourth grade girls, including Wendy, Bebe, and Heidi. Season 1, episode 1

"Cartman Gets an Anal Probe"

Principal Victoria Mary Kay Bergman (seasons 1-3)
Eliza J. Schneider (seasons 4-7)
April Stewart (seasons 8-present)
The former principal of South Park Elementary School. She spoke with an Upper Midwestern accent and was rational. She was often seen with the school counselor. Season 1, episode 7

"Pinkeye"

Officer Barbrady Trey Parker[7] The town's highly untrained and undereducated police officer with a heart of gold. Season 1, episode 1

"Cartman Gets an Anal Probe"[89]

Grandpa Marvin Marsh Trey Parker[7] Randy's father and Stan's grandfather, who attempts to kill himself or have others do so in “Death”. He has Alzheimer's disease, and often referring to Stan as "Billy" as a result. Season 1, episode 6

"Death"[89]

Father Maxi Matt Stone[7] The town's Catholic priest, who is a moral voice and works to help the town. Season 1, episode 9

"Mr. Hankey, the Christmas Poo"[89]

Tuong Lu Kim Trey Parker[98] The owner of City Wok, a local Chinese restaurant, known for his incredibly thick Chinese accent. It is later discovered that Lu Kim is not actually a Chinese man but rather one of many personalities of William Janus, a therapist with multiple personality disorder. His surname is taken from the Roman god Janus, who is depicted with two faces.[99] Season 6, episode 1

"Jared Has Aides"[100]

Michael Matt Stone Known as the Goth Kids, this clique of four stereotypically goth children often hang out behind the school, at a local coffee shop, or sometimes in the bedroom of Henrietta, one of their members. They typically listen to goth music and smoke cigarettes. Season 7, episode 14

"Raisins"

Pete Thelman Trey Parker
Henrietta Biggle Jessica Makinson
Firkle Smith Nico Agnone

Sebastian Yu Tyrone Jenkins Bill Hader (South Park: The Stick of Truth)

Mr. Slave John Hansen[19] Mr. Garrison's former lover and classroom assistant, who later married Big Gay Al. Season 6, episode 14

"The Death Camp of Tolerance"[89]

Jesus Matt Stone[7] The central figure of Christianity, Jesus lives in an ordinary house and hosts a talk show on the local TV-station, and is the leader of the Super Best Friends, a superhero team primarily composed of religious figures. The Spirit of Christmas: Jesus vs. Frosty
Mr. Hankey Trey Parker[8] A sentient piece of poo who serves as a figure of Christmas. He is kicked out of South Park in "The Problem with a Poo" over some offensive social media posts, ending up in Springfield. Season 1, episode 9

"Mr. Hankey, the Christmas Poo"[89]

Satan Trey Parker[7] The ruler of Hell, portrayed with the outline of a massive phallus upon his abdomen and chest. Killed by ManBearPig in "Nobody Got Cereal?", ironically raising up to heaven afterwards. By the time of "Sermon on the 'Mount", he would be revived and would be the boyfriend of Donald Trump. Season 1, episode 10

Damien

Saddam Hussein Matt Stone The former dictator of Iraq who repeatedly schemes to take over Canada, often successfully. He is briefly the boyfriend of Satan, and the central antagonist of South Park: Bigger Longer and Uncut. Season 2, episode 1

Terrance and Phillip in Not Without My Anus

Nathan Trey Parker Nathan is a child with Down's Syndrome who appears to adults to be an innocent child, but in reality he is a cunning and shrewd manipulator. He is frequently involved in questionable or criminal activity. His arch-rival is Jimmy Valmer, and by extent, Jimmy's friend, Timmy Burch. He is often accompanied by his burly sidekick, Mimsy. Season 8, episode 2

"Up the Down Steroid"

Mimsy Matt Stone Mimallah "Mimsy" is a mentally handicapped student at South Park Elementary. He is Nathan's henchman in the episodes "Crippled Summer", "Handicar", and "Moss Piglets". Season 14, episode 7

"Crippled Summer"

Darryl Weathers Trey Parker A middle-class construction worker who made his first appearance in Season Eight episode "Goobacks", as a worker who was upset over losing his job to immigrants from the future. Since then, he has made numerous appearances, often leading other redneck or working class characters in chanting "They took our jobs!". Season 8, episode 7

"Goobacks"

Big Gay Al Matt Stone[7] Former scout leader who used to own a sanctuary for gay animals; portrayed as the show's stereotypical gay character. Season 1, episode 4

"Big Gay Al's Big Gay Boat Ride"[89]

Dr. Alphonse Mephesto Trey Parker[7] Local mad scientist and Brando look-alike. Season 1, episode 5

"An Elephant Makes Love to a Pig"[89]

Kevin Mephesto N/A Dr. Alphonse Mephesto's adoptive son and his lab assistant. Kevin is a quiet character who doesn't have any lines, except for him screaming in “201”. Season 1, episode 5

"An Elephant Makes Love to a Pig"[89]

Santa Claus Trey Parker[7] A figure of Christmas, who often makes appearances in the show during Christmas-themed episodes. The Spirit of Christmas: Jesus vs. Frosty
Pip Pirrup Matt Stone[7] The boys' unpopular, stereotypically British classmate, based on the main character in Charles Dickens' 1861 novel Great Expectations. Killed off in "201" by Mecha-Streisand. Season 1, episode 1

"Cartman Gets an Anal Probe"[89]

Bradley Biggle Matt Stone The younger brother of Henrietta Biggle, Bradley was portrayed as a background character until his first major appearance in the Superheroes Saga, beginning with "Coon 2: Hindsight" as Mintberry Crunch. It is actually revealed later on that he indeed is a real superhero with real breakfast cereal-themed superpowers. Season 3, episode 1

"Rainforest Shmainforest"

Kevin Stoley Matt Stone Frequently used as a background character. He wears a light-blue jacket and red gloves. He has an interest in Star Wars and Star Trek, and often quotes lines from them, triggering a response from Cartman saying "Kevin, goddammit." He has a major role in "Fatbeard" where he joins Eric and other kids to sail to Somalia. Season 1, episode 1

"Cartman Gets an Anal Probe"

Dougie O'Connell Trey Parker Dougie is shown to be a loud and lonely kid. Like Butters, he is often picked on. He hangs out with other outcasts and is claimed to be a nerd by others. During Butters' stunts as his supervillain alter ego, Professor Chaos, Dougie joins him as his sidekick, General Disarray. Season 3, episode 8

"Two Guys Naked in a Hot Tub"

Karen McCormick Celeste Javier, Colleen Villard[7] Kenny's shy and reclusive younger sister, who looks to Kenny for protection and comfort when she is upset. Season 9, episode 4

"Best Friends Forever"[89]

Kevin McCormick Trey Parker The eldest child of Stuart and Carol McCormick. He is Kenny and Karen's older brother. Season 1, episode 8

"Starvin' Marvin"

Skeeter Trey Parker Skeeter is the current owner and bartender of Skeeter's Wine Bar and a prominent townsperson. He made his first cameo appearance in the Season One episode, "Cartman's Mom is a Dirty Slut", but his first prominent appearance was in the Season Three episode, "Sexual Harassment Panda". He is often seen at his bar or leading protests. Season 3, episode 6

"Sexual Harassment Panda"

Diane Choksondik Trey Parker Diane Choksondik was a woman that replaced Mr. Garrison as the 4th Grade Teacher until “Professor Chaos” when she dies. Season 4, episode 11

Fourth Grade

Margaret Nelson Kimberly Brooks Margaret Nelson was a former fourth-grade teacher at South Park Elementary after Herbert Garrison left to run for president until he get his job back. She first appeared in the Season Nineteen episode, "The City Part of Town" and died from COVID-19 in the Vaccination Special. Season 19, episode 3

"The City Part of Town"

Scott Tenorman Toby Morton

Trey Parker

Scott Tenorman is the kid Cartman humiliates in front of a crowd of onlookers at the Chilli Con Carnival in the episode “Scott Tenorman Must Die”. Cartman tricked Scott into eating his own parents in front of his favorite band, Radiohead. Season 5, episode 4

Scott Tenorman Must Die

Betsy Betty-Boogie Parker She was part of Lil' Qties, the children's arm of the conspiracy theory group QAnon. She is based off of Betty Boogie Parker, Trey Parker's daughter. she became an average South Park Elementary student. Season 24, Episode 1 “South ParQ Vaccination Special
Les Claypool Les Claypool is a singer and bassist. He is best known on South Park as the singer of the South Park Theme, composed by PRIMUS. He and PRIMUS also recorded "Mephesto and Kevin" for Chef Aid: The South Park Album. Claypool is visible in the original South Park intro, where he is shown walking through the town of South Park, singing and playing an acoustic bass guitar. Season 2 Episode 14

Chef Aid

The New Kid/Douchebag/Dovahkiin Trey Parker The New Kid, also known as Butthole, Buttstuff, and Douchebag in South Park canon, is the main protagonist of every South Park Video Game, Their "real name" is revealed by the Big Bad Government Guy to be Dovahkiin, but the only time they are addressed to by that name is when the Big Bad Government Guy starts exposing information about the New Kid. It is also unknown whether this name is the real name or a simple code name. South Park: The Stick of Truth

Reception and impact

[edit]

Kyle, Cartman, Stan and Kenny have all appeared on the cover of Rolling Stone magazine.

Cartman is a South Park fan favorite,[32] and is often described as the most iconic character from the series.[5][101][102] With a headline to their online written version of a radio report, NPR declared Cartman as "America's Favorite Little $@#&*%".[5] "Respect my authoritah!" and "Screw you guys ...I'm going home!" became catchphrases and, during the show's earlier seasons, were highly popular in the lexicon of viewers.[103][104] His eccentric enunciation of "Hey!" was included in the 2002 edition of The Oxford Dictionary of Catchphrases.[105] Stone has said that when fans recognize him or Parker, the fans will usually do their imitation of Cartman, or, in Parker's case, request that he do Cartman's voice.[47] Both Cartman's commentary and the commentary resulting in response to his actions have been interpreted as statements Parker and Stone are attempting to make to the viewing public,[106] and these opinions have been subject to much critical analysis in the media and literary world.[107]

Cartman ranked 10th on TV Guide's 2002 list of the "Top 50 Greatest Cartoon Characters",[108] 24th on TV Guide's "25 Greatest TV Villains", 198th on VH1's "200 Greatest Pop Culture Icons",[109] and 19th on Bravo's "100 Greatest TV Characters" television special in 2004.[110] When declaring him the second-scariest character on television (behind only Mr. Burns of The Simpsons) in 2005, MSNBC's Brian Bellmont described Cartman as a "bundle of pure, unadulterated evil all wrapped up in a fat—er, big-boned—cartoony package" who "takes a feral delight in his evildoing".[111]

While Parker and Stone portray Stan and Kyle as having common childlike tendencies, their dialogue is often intended to reflect stances and views on more adult-oriented issues, and have been subject to much critical analysis in the media and literary world and have frequently been cited in publications by experts in the fields of politics, religion, popular culture and philosophy.[112][113][114][77] [115][116][117] Kenny's deaths are well known in popular culture,[44] and was one of the things viewers most commonly associated with South Park during its earlier seasons.[118] The exclamation of "Oh my God! They killed Kenny!" quickly became a popular catchphrase,[4][45] while both Kenny and the phrase have appeared on some of the more popular pieces of South Park merchandise,[44] including shirts, bumper stickers, calendars and baseball caps,[39] and inspired the rap song "Kenny's Dead" by Master P,[44] which was featured on Chef Aid: The South Park Album. The catchphrase also appears in MAD magazine's satire of TITANIC where Stan, Kyle and Cartman are shown on a lifeboat while they were supposedly escaping from the sinking ship. Kenny's deaths have been subject to much critical analysis in the media and literary world.[119][120][121] When Sophie Rutschmann of the University of Strasbourg discovered a mutated gene that causes an adult fruit fly to die within two days after it is infected with certain bacteria, she named the gene "Kenny" in honor of the character.[122]

Merchandise

[edit]

The characters of the South Park franchise have spawned several merchandise items, varying from toys to apparel items. In 2004, the first action figure collection was released by Mirage Toys containing five series each with four characters.[123] In 2006, Mezco toys released a second collection containing a total of six series, each containing six or four figures.[124] Comedy Central itself has made available a variety of products through its website, including T-shirts, figures, hats, pants, and even shot glasses.[125] A number of fan websites provides an even more extended amount of merchandise, ranging from posters, to magnets, ties and even skateboards, South Park Studios offer through their website the possibility of creating personalized South Park avatars.[126] Similar possibilities have been available on multiple fan sites.[127]

See also

[edit]

Notes

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
The list of South Park characters encompasses the fictional residents, protagonists, antagonists, and guest figures populating the American adult South Park, created by and . The series, which debuted on on August 13, 1997, centers on the misadventures of four fourth-grade boys—, , , and —in the fictional town of , supported by an extensive ensemble of parents, teachers, authority figures, and satirical archetypes. These characters, often voiced by the creators themselves, embody exaggerated traits to facilitate the show's rapid production cycle and commentary on politics, culture, and human behavior through crude humor and recurring gags, such as Kenny's frequent deaths. Notable figures include manipulative bully , principled , everyman , and impoverished , alongside adults like geologist Randy Marsh and teacher , whose arcs highlight the series' blend of episodic storytelling and serialized elements across more than 25 seasons. The roster extends to hundreds of one-off parodies of celebrities, historical persons, and cultural phenomena, enabling the show's reputation for timely, boundary-pushing that has sparked debates over free speech and offensiveness.

Development and Production

Origins and Early Concepts

The principal characters of South Park originated in the 1995 animated short film "The Spirit of Christmas" (Jesus vs. Santa), produced by Trey Parker and Matt Stone while they were recent film school graduates. This five-minute work introduced Stan Marsh, Kyle Broflovski, Eric Cartman, and Kenny McCormick as profane-speaking elementary-aged boys residing in the imagined mountain town of South Park, Colorado. The boys witness and react to a fantastical clash between Jesus Christ and Santa Claus over the holiday's significance, employing crude language to underscore cultural and religious inconsistencies. These archetypes functioned as unvarnished stand-ins for grown-up viewpoints, channeling irreverent commentary on societal norms through child proxies. Character designs prioritized rudimentary construction-paper cutouts manipulated in low-fidelity stop-motion, a technique inherited from an earlier 1992 short and selected for its expediency in enabling swift iteration amid limited funding of $2,000. Parker characterized the aesthetic as deliberately "shitty" to juxtapose endearing kid visuals with shocking , such as screams of expletives, thereby amplifying the and viral potential without investing in refined artistry. This allowed focus on behavioral exaggerations drawn from observed realities, including Cartman's corpulence and scheming tied to lax , and Kenny's muffled emblematic of impoverished upbringings, reflecting causal links between environments and individual traits. The early framework eschewed polished or moralizing portrayals typical of youth-oriented media, opting instead for archetypes that pierced through hypocrisies via unmediated juvenile lenses. By having the boys profane adult debates on tradition versus commercialism, Parker and Stone set a precedent for dissecting moral panics and institutional pretensions, grounded in direct causal analysis of human incentives rather than deferential narratives. This raw approach, born from improvisational college skits evoking Colorado childhoods, established the series' commitment to empirical irreverence over sanitized convention.

Voice Casting and Character Design Evolution

Trey Parker and Matt Stone have voiced the majority of male characters throughout South Park's run, initially handling nearly all roles themselves to maintain creative control and minimize production costs in the show's early low-budget seasons. This approach allowed rapid iteration on satirical elements, with Parker providing voices for protagonists like Stan Marsh and Eric Cartman, while Stone voiced Kyle Broflovski and others. Over time, the core duo supplemented their work with a small regular cast, including female voices by Mona Marshall and April Stewart, preserving vocal consistency amid the series' expansion to over 300 episodes. As South Park incorporated more celebrity parodies, guest stars frequently voiced themselves to heighten authenticity and satirical precision, such as in the 1998 episode "" and in "" (2001). Examples include in season 22 (2018) and Rick James in "" (2005), enabling direct mockery of public personas without intermediary interpretation. This evolution balanced the creators' dominance—covering about 90% of voices in many episodes—with targeted external contributions that amplified the show's critique of fame and media. Character designs originated from crude, construction-paper cutouts in the 1997 pilot, transitioning to computer-assisted animation by season two for efficiency while retaining a deliberately unpolished aesthetic to contrast with mainstream cartoons' gloss. A significant upgrade occurred in 2009 with the shift to high-definition production starting in season 13, enhancing visual fidelity through improved CGI rendering without altering core proportions or simplicity, thus sustaining the anti-elitist visual style that underscores the series' realism-oriented satire. Specific design choices facilitated recurring comedic motifs, exemplified by Kenny McCormick's parka, which muffles his speech to permit profane dialogue and frequent death gags in early seasons without requiring narrative resolution or clear audibility. This element persisted through animation evolutions, allowing seamless integration of mortality humor—Kenny died in nearly every episode from the 1997 premiere through season five—while the hood's opacity minimized modeling complexity in upgrades. Such adaptations ensured technical advancements supported rather than diluted the show's provocative, gag-driven consistency over 26 seasons.

Central Protagonists

Stan Marsh

Stan Marsh functions as a central in , typically embodying the archetype of the relatable who provides grounded commentary amid the series' absurd scenarios. Voiced by co-creator throughout the show's run since its 1997 debut, Stan leads the core group of boys with a pragmatic demeanor, frequently expressing toward overhyped trends or unfounded . His reactions underscore a recurring theme of disillusionment with adult irrationality, positioning him as the voice of reason that highlights causal disconnects between events and exaggerated interpretations. A notable example occurs in the Season 9 episode "Two Days Before the Day After Tomorrow," which aired on October 19, 2005, where Stan destroys a during play, triggering a local that adults misattribute to global warming catastrophe despite his confession. This arc critiques environmental alarmism by contrasting Stan's factual accountability with the grown-ups' ideologically driven panic, revealing how hype overrides evidence-based reasoning. Stan's familial environment, particularly his father Randy Marsh's pattern of impulsive and self-absorbed escapades, reinforces the causal link between parental immaturity and youthful cynicism, as these antics repeatedly expose the unreliability of adult guidance. Over the series' 26+ seasons, Stan's portrayal shifts from an initially optimistic grade-schooler to a more jaded adolescent, mirroring empirical observations of disenchantment arising from prolonged exposure to inconsistent authority figures and societal contradictions. This development maintains realism, avoiding idealized growth in favor of incremental weariness grounded in recurring disappointments.

Kyle Broflovski

is one of the four central child protagonists in , portrayed as an intelligent, principled Jewish boy whose moral compass drives him to confront hypocrisies in religion and progressive ideologies, often through impassioned outrage against ethical inconsistencies. Voiced by co-creator , Kyle's character draws from Stone's own Jewish background, emphasizing a commitment to truth over , as seen in his repeated clashes with manipulative narratives that prioritize group identity over individual accountability. Kyle's forms a core element of his principled stance, making him a frequent victim of Eric Cartman's antisemitic schemes, which highlight tensions between faith-based ethics and prejudice-fueled . In the season 8 episode "The Passion of the Jew," aired December 8, 2004, Cartman exploits the hype surrounding Mel Gibson's to intensify his taunts, leading Kyle to temporarily grapple with the film's influence before rejecting its misuse as a tool for blind hatred, satirizing how cultural phenomena can amplify unexamined biases. Kyle consistently critiques causal lapses in identity-driven politics, positioning himself as a defender of rational ethics against hypocritical . This is evident in arcs like the 2007 Imaginationland trilogy, where, in Episode III aired October 31, 2007, he argues before a government tribunal that imaginative constructs—such as fictional characters—exert tangible real-world influence deserving of protection, underscoring a free speech absolutism that prioritizes unrestricted expression over censored moralizing.

Eric Cartman

Eric Cartman is a central character in the animated series , co-created by and , where he functions as a scheming among the group of elementary school boys. Voiced by Parker, Cartman is portrayed as an obese ten-year-old with pronounced sociopathic traits, including manipulation, deceit, and a lack of empathy, often prioritizing personal gain over ethical considerations. His actions embody raw self-interest, frequently clashing with the moral reservations of peers like , positioning him as a counterpoint to ideals of communal restraint or collectivist conformity. A pivotal example of Cartman's amoral cunning occurs in the episode "Scott Tenorman Must Die," which aired on July 11, 2001, as the fourth episode of season five. After being defrauded by older boy Scott Tenorman, who sells him pubic hair under false pretenses, Cartman devises an elaborate revenge scheme involving the orchestrated murder of Tenorman's parents by luring them into a trap with a pony and farm animals. He then grinds their remains into chili and tricks Tenorman into eating it, demonstrating a calculated disregard for human life driven solely by vindictiveness and ego preservation. This episode, praised by creators Parker and Stone for escalating Cartman's villainy, underscores his capacity for psychological and physical cruelty without remorse, traits they attribute to exaggerated real-child behaviors amplified for satirical effect. Cartman's manipulations extend to satirizing cultural entitlements and identity-based claims, as seen in episodes critiquing fluid self-conceptions where he exploits social trends for advantage, such as feigning alignments to undermine opponents or gain leverage. His persistent scheming—often enabled by maternal overindulgence that fails to impose boundaries—illustrates a causal chain wherein unchecked permissiveness fosters escalating antisocial patterns, a dynamic Parker and Stone use to probe the consequences of absent accountability in child-rearing. Unlike passive or ethically conflicted counterparts, Cartman's agency highlights the disruptive force of unbridled , frequently derailing group dynamics through bigotry, , and calculated betrayal.

Kenny McCormick

is one of the four primary child protagonists in the South Park, distinguished by his perpetual orange parka hood that conceals his face and renders his speech muffled and often indecipherable to peers. Voiced by co-creator in a nasal, obscured style, embodies the of the overlooked figure, hailing from 's most economically disadvantaged household in a rundown trailer amid chronic parental unemployment and substance dependency. His family's plight, including father Stuart's sporadic mill jobs and mother Carol's homemaking amid , perpetuates a cycle of deprivation evident in episodes showing utility shutoffs, food scarcity, and child welfare interventions. This socioeconomic entrapment underscores Kenny's ritualistic deaths—a staple gag through early seasons where he perishes in outlandish mishaps, from animal maulings to industrial accidents, only to resurrect unremarked upon, highlighting the series' theme of existential absurdity and human expendability in indifferent systems. The pattern peaked in the season 5 finale "Kenny Dies," aired December 5, 2001, wherein Kenny succumbs to terminal muscular dystrophy amid stem cell debates, prompting his cremation and season-long absence before unexplained return, signaling a narrative shift from disposable gag to recurring survivor. Later arcs infuse Kenny's endurance with supernatural dimensions, as in season 9's "Best Friends Forever," aired March 30, 2005, where a vehicular death propels him to heaven as an armored angel thwarting demonic incursions, his celestial prowess contrasting earthly destitution and suggesting latent otherworldly potency unhindered by material want. Such elements, alongside family crises like the parents' meth lab exposure and arrests in "The Poor Kid" (season 15, episode 14), portray dysfunction as rooted in self-perpetuating behaviors amid structural poverty—parental neglect forcing Kenny to shield sibling Karen—without idealizing hardship as virtue or fate. Kenny's persistence thus mirrors gritty tenacity forged in adversity, detached from the insulated perspectives of wealthier town elites, as his unyielding reappearances defy both mortal frailty and social immobility.

Supporting Student Characters

The supporting student characters include recurring fourth-grade students in Mr. Garrison's class at South Park Elementary, encompassing both prominent figures detailed in subsections below and additional background students. These are categorized as regulars (most frequent/recurring in classroom scenes): Annie Knitts, Bebe Stevens, Butters Stotch, Clyde Donovan, Craig Tucker, Eric Cartman (central protagonist), Jimmy Valmer, Kenny McCormick (central protagonist), Kevin Stoley, Kyle Broflovski (central protagonist), Lola Paxton, Red McArthur, Scott Malkinson, Stan Marsh (central protagonist), Timmy Burch, Tolkien Black (Token Black), Tweek Tweak, Wendy Testaburger; and other recurring students (appear in multiple episodes but less consistently): Allie Nelson, Betsy, Esther, Francis, Heidi Turner, Jenny Simons, Meagan Ridley, Millie Larsen, Nichole Daniels, Sally Turner, Theresa. These students form the fourth-grade class, with core protagonists central to most plots since advancing to fourth grade in Season 4.

Butters Stotch

Leopold "Butters" Stotch is one of the supporting student characters in , depicted as an unusually innocent and gullible fourth-grader whose childlike trust in authority figures and peers frequently results in exploitation. This trait underscores the series' of how , stemming from limited real-world exposure, renders individuals susceptible to manipulation by more cunning or opportunistic personalities, such as , who often cons Butters into schemes for personal gain. Butters' recurring victimization highlights causal links between overprotection and impaired social discernment, as his unawareness of deceit allows absurd fads or directives to override basic skepticism. Voiced by , Butters embodies delayed emotional maturity, frequently punished for minor or fabricated infractions in a manner that isolates him further, amplifying his dependence on external validation. Episodes portray this through patterns of grounding that excessive parental intervention, confining him to mundane activities and stunting independent judgment, as evidenced by his literal interpretations of rules leading to self-imposed absurdities. Such dynamics critique how rigid enforcement fosters vulnerability rather than resilience, with Butters' compliance enabling broader social absurdities like peer-led hoaxes or viral trends. In response to rejection, Butters adopts alter egos like , a persona introduced in the season 6 episode "Professor Chaos" (aired June 26, 2002), where exclusion from his friends' group prompts him to orchestrate petty disruptions with sidekick Dougie O'Connell as General Disarray. This escapist rebellion satirizes immature coping mechanisms, as Butters' "chaos" amounts to harmless pranks like tampering with laundry cycles, revealing how sheltered upbringings channel frustration into fantastical outlets rather than constructive adaptation. The persona recurs in later plots, emphasizing the futility of such personas in addressing underlying social isolation.

Wendy Testaburger

serves as a recurring fourth-grade student in , characterized by her advocacy for feminist causes that frequently devolve into parodies of progressive excess and unintended consequences. Voiced by since season eight, following Bergman's tenure from the show's debut through 1999 and Eliza J. Schneider's interim period, embodies a self-righteous often leading to hypocritical or counterproductive outcomes in the series' satirical framework. Her activism highlights pitfalls such as escalating minor offenses into disproportionate retaliation, critiquing the causal linkages assumed in identity-based grievances without the narrative affirming those assumptions. A prime example occurs in the "" (season 12, 9, originally aired October 15, 2008), where presents a school assembly on to promote early detection and research funding. Cartman's subsequent mockery, including jokes about the disease's fatality rates and symbolism, provokes to challenge him to a fight after repeated provocations; she ultimately delivers a severe beating, fracturing his bones and requiring medical intervention, which the frames as an overreaction parodying vigilante enforcement of sensitivity norms. This confrontation underscores the show's examination of how "enlightened" outrage can mirror the very aggression it condemns, with victory celebrated by peers yet revealing the hollowness of such performative justice. Wendy's portrayal recurs as a cautionary figure for zealous interventionism in dynamics, where her attempts to impose progressive ideals—such as -segregated protests or equity mandates—frequently backfire, exposing logical inconsistencies or social disruptions. In instances like leading girls' initiatives against perceived male dominance, her positions amplify divisions rather than resolve them, satirizing the overextension of causal claims in feminist , such as attributing broad societal ills to individual male behaviors without empirical substantiation. The series deploys her arc to illustrate how self-proclaimed moral superiority can engender alienation, aligning with 's broader pattern of lampooning ideological rigidities across the spectrum through character-driven absurdities.

Bebe Stevens

Barbara "Bebe" Stevens, mainly known as Bebe, is a female fourth-grade student at South Park Elementary who first appears in the series pilot "Cartman Gets an Anal Probe". She briefly became part of the boys' group in "Bebe's Boobs Destroy Society" (season 6, episode 10, aired July 30, 2003), but only because of her early developed breasts, which provoke primitive behavior among the boys and satirize superficial physical attractions overriding social norms in childhood dynamics. Bebe resides in South Park and recurs as part of the girls' peer group.

Jimmy Valmer

is a in the , portrayed as a fourth-grade boy with physical disabilities requiring forearm crutches for mobility. Voiced by series co-creator , he was introduced in the season five episode "," which aired on June 27, 2001. Jimmy's design draws from real-world mobility challenges, emphasizing ataxic and speech impediments without explicit medical labeling in the show. Jimmy maintains an upbeat personality, aspiring to stand-up comedy where he incorporates his crutches and verbal quirks—such as inserting "very" into words like "gimvery" for gym—into routines that highlight personal agency over dependency. His performances, seen in episodes like "Empty House" (season 7, 2003), attract audiences through self-deprecating humor that prioritizes resilience and talent. This approach contrasts with entitlement-driven narratives, as Jimmy advises peers on jokes while sustaining a "super positive outlook" amid setbacks. In "," Jimmy's arc critiques institutional opportunism, depicting how scout leaders leverage disabled children for fundraising via a "" contest, prompting Jimmy to compete through comedic skill rather than . The episode exposes causal incentives behind exploitation, favoring merit-based recognition; Jimmy's victory via ingenuity reinforces humor as a tool for overcoming barriers without perpetual grievance. His recurring role embodies this ethos, using wit to navigate social dynamics in Elementary.

Timmy Burch

Timmy Burch is a recurring student character at South Park Elementary, portrayed as a wheelchair user with severe physical impairments and limited verbal ability, primarily expressing himself through yells of "Timmy!". Voiced by series co-creator Trey Parker, Timmy was introduced in the season 4 premiere "The Tooth Fairy's Tats 2000," which aired on March 29, 2000, where he has a minor role involving his wheelchair being temporarily used by Kyle Broflovski. His communication style consists almost exclusively of variations on his name, delivered in a distinctive, high-pitched shout, which underscores his minimalistic yet disruptive presence in the show's narratives. Timmy's prominence increased in the episode "," which aired on April 19, 2000, as the third episode of season 4. In this storyline, is erroneously diagnosed with attention deficit disorder amid a town-wide trend parodying the era's Ritalin prescriptions and medical hype, leading him to join the band Lords of the Underworld and achieve fleeting celebrity status akin to manufactured pop sensations. The episode highlights Timmy's non-conformist agency, as his simple exclamations and wheelchair maneuvers propel him into chaotic influence, subverting expectations of passivity associated with his condition. Timmy's relationship with fellow disabled student evolves from rivalry to close friendship, beginning with their conflict in the season 5 episode "," which aired on February 27, 2002, over recruitment into the gang. This feud resolves into mutual support, with the duo frequently collaborating in subsequent episodes, such as joining gangs or navigating school events, demonstrating merit-based camaraderie that transcends labels and critiques overly protective societal attitudes toward the impaired. Their bond emphasizes causal independence, as Timmy's unfiltered disruptions—often amplified by his yells—complement Jimmy's verbosity, allowing both to challenge paternalistic interventions without reliance on accommodations beyond basic mobility.

Craig Tucker

Craig Tucker is a supporting student character in the South Park, voiced by co-creator . He leads a secondary group of fourth-grade boys, including Clyde Donovan and Token Black, often serving as a foil to the central protagonists through his detached observations of group absurdities. In the season 3 episode "," aired June 23, 1999, Craig is instigated into a staged fight with Tweek Tweak, highlighting his reputation as a no-nonsense enforcer among peers. Tucker's personality embodies apathetic realism, characterized by sarcasm, , and cynicism toward social pretensions. He frequently critiques the irrational hierarchies and decisions within peer groups, such as calling out flawed plans without positioning himself as a moral leader or hero. A signature trait is his habitual flipping off of others—directed at authority figures, family, or peers—as a reflexive expression of irritation or disdain, underscoring his unfiltered disdain for performative norms. In season 19's "," aired October 28, 2015, Tucker's arc satirizes externally imposed identity labels, where rumors from fanfiction and pressure from PC Principal compel him and Tweek into a public homosexual relationship despite their denials, illustrating causal consequences of ideological mandates overriding personal agency. This storyline critiques how social enforcement of identities distorts individual realities, with Tucker resuming the relationship post-exile only after recognizing the inescapability of the fabricated narrative.

Tweek Tweak

Tweek Tweak is a in the animated television series , portrayed as a fourth-grade student characterized by extreme hyperactivity, , and physical tics resulting from chronic overload. His condition stems directly from his parents' ownership and operation of Tweek Bros. Coffeehouse, where they routinely administer coffee to him under the misguided belief that it soothes his nerves, thereby inverting its pharmacological effects and amplifying his symptoms. This setup causally links his twitchiness to environmental and parental factors, critiquing how everyday stimulants contribute to behavioral dysregulation in children exposed to adult-managed excesses. Tweek first appeared in the Season 2 episode "Gnomes," which originally aired on December 16, 1998, establishing his role as a foil to the more composed protagonists through episodes of frantic outbursts and conspiracy-laden rants fueled by his dependency. The character's design satirizes the cultural epidemic of diagnosed anxiety in youth, attributing it not to innate but to tangible overstimuli like , which empirical confirms induces jitteriness, elevated , and cognitive agitation via antagonism and release. This portrayal underscores parental projection, as his mother and father—voiced in early episodes by series voice actors—externalize their business pressures onto him, exemplifying how caregivers can inadvertently manufacture the neurotic traits they seek to alleviate. In later seasons, Tweek forms a with , an ostensibly unflappable peer, creating a dynamic where Craig's restraint tempers Tweek's volatility, positioning them as a parody of relational "normalcy" amid the show's chaos. Voiced by , Tweek's high-pitched, erratic delivery reinforces the caffeine-induced frenzy, with the duo's interactions highlighting how interpersonal contrasts can mitigate individual excesses without resolving underlying causes. This pairing extends the satire to modern relational tropes, implying that stability arises from complementary dispositions rather than therapeutic interventions, while avoiding romanticization of dysfunction.

Clyde Donovan

Clyde Donovan is a recurring fourth-grade student at South Park Elementary School in the South Park, characterized by his low intelligence, susceptibility to peer influence, and passive role in group dynamics. Primarily voiced by series co-creator , he frequently appears as a background follower rather than a leader, reflecting a mentality of over initiative. Clyde's gullibility manifests in episodes where he readily adopts prevailing hysterias without critical scrutiny, such as in the "Black Friday" trilogy aired November 13, 2013, where he aligns with the faction in a violent mall driven by console , satirizing entitled consumer frenzies and among children. This passivity underscores his tendency to mirror group impulses, contrasting with more detached or assertive classmates. His poor performance in subjects like further portrays him as intellectually pliable, often lagging in scenarios requiring independent reasoning. The character's traits extend to sensitivities around food, though specific allergies are episodically implied rather than central, aligning with his overall vulnerability to external triggers and reliance on others for guidance. In broader arcs, like those exploring childhood regression—exemplified by toy-centric narratives around 2011—Clyde embodies unreflective immaturity, prioritizing comfort in familiar patterns over confrontation or growth. This follower orientation positions him as a causal participant in collective delusions, amplifying satirical commentary on unthinking entitlement and .

Tolkien Black

Tolkien Black is a recurring student character in South Park, introduced in the show's early seasons as the sole Black child in the fourth-grade class at South Park Elementary, serving as a satirical jab at in media and diversity quotas. His original designation as "Token Black" explicitly mocked the practice of inserting minority figures merely to check representational boxes, without deeper narrative purpose, reflecting the creators' critique of superficial inclusivity efforts. This naming highlighted the absurdity of treating individuals as demographic placeholders rather than fully realized persons. In the season 25 episode "The Big Fix," aired on February 23, 2022, the character's name was retconned to , purportedly his longstanding moniker inspired by author , with the episode framing prior references to "Token" as a widespread misremembering akin to a Mandela effect. This change amplified the satire on by the audience's recollection, underscoring how public discourse and media can retroactively alter perceptions to align with evolving cultural mandates, such as heightened diversity pressures. The retcon positioned Tolkien as a wealthy, high-achieving kid from affluent parents, emphasizing his normalcy over racial stereotypes. Tolkien is voiced by , a South Park producer and storyboard artist, beginning in 2000 after initial appearances by co-creator . In the season 11 premiere "," which aired on March 7, 2007, Tolkien initially demands reparations from Stan after Randy Marsh utters a racial slur on national television, but ultimately recognizes the incident stems from Randy's intellectual limitations rather than deliberate malice toward . This arc illustrates causal realism in racial tensions, distinguishing ignorant from systemic hatred and critiquing reflexive grievance responses that overlook individual agency and context. Throughout the series, Tolkien avoids portraying Black identity through a lens of perpetual victimhood, instead depicted as level-headed, intelligent, and integrated into without emphasizing racial difference, which contrasts with grievance-oriented narratives in contemporary . His characterization prioritizes empirical normalcy—such as family wealth and personal merits—over identity-based , aligning with the show's broader rejection of causal fallacies that attribute outcomes solely to race. In the season 28 episode "Turkey Trot," aired on November 26, 2025, Eric Cartman attempts to recruit Tolkien Black for his team in a Saudi Arabia-sponsored race, motivated by pseudoscientific race theories presuming exceptional speed among Black people. Tolkien declines, citing human rights concerns in Saudi Arabia and opting to remain at home. Cartman's subsequent theft of Tolkien's Xbox precipitates a chase, during which Tolkien recovers the console and unintentionally wins the race, securing the $5,000 prize.

Key Adult Characters

Randy Marsh

Randy Marsh is a central adult character in the animated series , portrayed as the father of and a whose career frequently yields to personal obsessions and ill-conceived ventures. Voiced by co-creator , Randy embodies manic incompetence through impulsive decisions that prioritize fleeting trends over family stability or rational assessment, often satirizing self-absorbed adult behaviors akin to boomer generational tendencies toward fad-chasing without accountability. His character arc highlights causal hypocrisy, particularly in environmental and political frenzies, where initial leads to disproportionate actions that exacerbate problems rather than resolve them. For instance, Randy's leadership in town-wide panics—driven by media hype or personal —frequently spirals into chaos, underscoring how adult regression burdens children like Stan with real-world fallout from unchecked emotionalism. This paternal absurdity contrasts with more grounded adult figures, emphasizing the disruptive ripple effects of prioritizing self-indulgent narratives over evidence-based responses. A prominent example is the storyline, initiated in the season 22 episode "Tegridy Farms," which aired on October 17, 2018, where abandons urban life to cultivate on a rural farm, promoting it as a bastion of moral "tegridy" while ignoring regulatory realities and family strain. The arc methodically debunks cannabis mysticism by depicting 's operation devolving from artisanal idealism into cutthroat commercialization, complete with exploitative marketing and health risks like youth vaping epidemics, revealing the gap between ideological romanticism and practical outcomes. This extended narrative, spanning multiple seasons, illustrates how such pursuits reflect broader cultural hypocrisies in commodifying wellness trends.

Sharon Marsh

Sharon Marsh is a in the animated series , serving as the wife of Randy Marsh and mother to Stan and Shelley Marsh. Voiced by following the death of original actress , Sharon is frequently portrayed as the comparatively rational and patient family member, often displaying exasperation toward Randy's erratic schemes and poor judgment. Her reactions underscore a critique of unchecked spousal and parental enabling, where she tolerates dysfunction to preserve household stability but intervenes when absurdities escalate, reflecting relational realism rather than permissive idealization. In the episode "," aired November 6, 2002, Sharon confronts Randy's formation of a misguided cult after he believes the boys' ladder project accesses following Kenny's death, urging him to abandon the delusion amid mounting dangers. This instance exemplifies her occasional assertiveness against family madness, prioritizing practical intervention over indulgence, though her efforts often prove futile against Randy's persistence. Similar dynamics appear in limited arcs, such as the temporary in "Clubhouses" (, 1998), where relational strains from Randy's immaturity prompt separation before reconciliation, highlighting the causal toll of enabling without romanticized resolution. Sharon's portrayals avoid glorification, instead grounding maternal roles in the of enduring a partner's volatility, as seen in her restrained responses to events like Randy's public embarrassments or obsessions, which critique norms of unquestioned family . Her character thus functions as a counterbalance, emphasizing empirical limits to tolerance in chaotic domestic settings without broader activism or dominance narratives.

Mr. Garrison

Mr. Garrison, full name Herbert Garrison, is a in the South Park, serving primarily as the fourth-grade teacher at South Park Elementary School. Voiced by series co-creator , Garrison first appeared in the pilot episode "Cartman Gets an Anal Probe" on August 13, 1997, and embodies erratic personal and ideological shifts that satirize societal obsessions with identity and politics. His character arc highlights volatility in self-conception, beginning with denial of and progressing through surgical alterations and political opportunism, often portraying these as driven by fleeting whims rather than stable traits. A pivotal early development occurs in the Season 9 premiere "," aired March 9, 2005, where undergoes sex reassignment surgery, claiming to feel like "a trapped in a man's body," only for the procedure to yield immediate complications and regret, underscoring the episode's critique of rapid identity transitions as superficial or impulsive. This storyline, predating widespread cultural debates by over a decade, parodies the causal disconnect between professed inner feelings and biological realities, with 's post-surgery experiences—including attraction reversals and physical dysfunction—depicted as absurd consequences of ideological overreach rather than authentic fulfillment. Later episodes revert his identity, reinforcing the portrayal of as performative and reversible, not rooted in immutable essence. From Season 19 onward (2015), 's narrative pivots to , positioning him as a and eventual winner in a clear analogue to Trump's 2016 campaign and term, spanning Seasons 20 through 23 (2016-2019). His candidacy, marked by inflammatory rhetoric against immigrants and chaotic governance, satirizes the disruptive effects of populist figures on institutions, with Garrison's incompetence as educator mirroring his presidential bungling—exemplifying how ideological capture erodes rational policy and personal stability. This phase critiques political fluidity, as Garrison abandons prior personas for expediency, embodying how power incentives warp identity and amplify institutional dysfunction without regard for empirical outcomes.

PC Principal

PC Principal serves as the principal of South Park Elementary, portrayed as a hyper-aggressive enforcer of who physically confronts perceived violators of speech norms. Introduced in the season 19 premiere episode "Stunning and Brave," aired on September 16, 2015, the character immediately supplants the previous principal after she fails to address a parent's "" complaint, establishing his role as an authoritarian figure imposing strict ideological conformity. In the episode, PC Principal assaults for questioning the media's portrayal of as a hero, framing such dissent as intolerable offense requiring violent correction, a direct of campus culture's hunts for microaggressions and mandatory affirmative language. This enforcement extends to demanding reparations and public shaming for verbal slips, highlighting the causal mechanism by which speech codes suppress open discourse under the guise of sensitivity. The character's bro-like physique and affiliations later revealed parody the ironic fusion of hyper-masculine aggression with progressive dogma, as seen in his group's internal use of slurs while policing others, exposing inherent hypocrisies in the application of these norms. Unlike advisory figures in the series, PC Principal embodies unyielding intolerance normalized within left-leaning institutional settings, with no arc toward or moderation, underscoring the show's critique of ideological rigidity that prioritizes orthodoxy over empirical or reasoned debate. Creators and positioned the character to illustrate how such enforcers, often emerging from environments, perpetuate division by equating disagreement with moral failing, a dynamic they contrasted with broader anti-PC backlash in media discussions. This portrayal aligns with empirical observations of speech suppression incidents on U.S. campuses, where administrative overreach has led to documented cases of and intimidation without corresponding accountability for the enforcers themselves.

Mr. Mackey

Mr. Mackey functions as the guidance counselor at South Park Elementary, specializing in anti-drug education and behavioral admonitions delivered with unwavering prohibitionist fervor. Voiced by series co-creator Trey Parker, he debuted in the season 1 episode "Mr. Hankey, the Christmas Poo" and recurrently lectures students on topics like substance avoidance, employing simplistic, repetitive messaging to enforce compliance. His signature catchphrase, "m'kay," appended to nearly every declarative sentence, satirizes the rote, condescending tone of institutional authority figures, underscoring the perceived inanity of bureaucratic edicts that prioritize verbal affirmation over substantive impact. This tic amplifies the character's portrayal as a symbol of futile therapeutic interventionism, where emphatic repetition fails to alter behavior and instead highlights systemic disconnects in public education efforts. In the season 2 episode "Ike's Wee Wee," aired May 27, 1998, Mackey's zealotry backfires when he mishandles a marijuana sample during a classroom demonstration modeled after DARE program tactics, resulting in his dismissal and rapid spiral into personal drug dependency. The narrative arc causally links overzealous prohibition enforcement to unintended consequences, depicting how such programs may inadvertently glamorize forbidden substances for youth, provoke rebellion through heavy-handed moralism, and expose the hypocrisy of enforcers lacking resilience against the very temptations they decry. This episode exemplifies South Park's critique of the therapeutic state's emphasis on counseling over addressing root incentives like prohibition-induced scarcity and risk allure, revealing empirical shortfalls in deterrence where real-world DARE evaluations have shown negligible reductions in youth drug use.

Officer Barbrady

Officer Barbrady is the recurring town police officer in the animated series South Park, known for his incompetence, illiteracy, and limited vocabulary in handling law enforcement duties. His illiteracy is prominently featured in "Chickenlover" (Season 2, Episode 4), where he learns to read to apprehend the "Chickenlover" criminal. Voiced by co-creator Trey Parker, he often asserts authority through his catchphrase "Respect mah authoritah!" despite frequent mishaps, such as failing to read reports, misinterpreting situations, or the trigger-happy shooting in "Naughty Ninjas" (Season 19, Episode 7) during debates over defunding the police. These elements satirize ineffective small-town policing.

Jerome "Chef" McElroy

Jerome "Chef" McElroy serves as the cafeteria cook at South Park Elementary, frequently dispensing advice to the young protagonists through soulful songs that blend mentorship with overt sexual themes, positioning him as a hypersexualized in the series' early seasons. Voiced by soul singer from the show's 1997 debut through 2006, Chef's character draws inspiration from 1970s African American vocalists, emphasizing smooth, delivery in episodes where he aids the boys in navigating and relationships via innuendo-heavy lyrics. A prominent example occurs in the season 2 episode "," which aired on August 19, 1998, where Chef achieves brief celebrity by vending his phallically suggestive treats—"deep roasted nuts" and chocolate coating—at a local , satirizing fame's superficial allure while amplifying his libidinous persona. This mentorship style, initially portrayed as comically helpful, underscores the show's early critique of unchecked adult influence , with Chef's counsel often prioritizing eroticism over prudence. In season 10's "Super Adventure Club" storyline, beginning with "The Return of Chef" on March 22, 2006, the narrative subverts Chef's established role by depicting him as brainwashed by a cult promising immortality through harvesting children's "life force" via sexual acts—a direct parody of Scientology's pseudoscientific cosmology and celebrity recruitment tactics. Here, his prior advisory songs are retroactively framed as cult-induced manipulations, exposing how charismatic authority can mask exploitative ideologies, with the boys attempting to deprogram him amid escalating absurdity like frog-launching rituals. Hayes' exit from the series, announced on March 13, 2006, followed the prior season's episode mocking , with his spokesperson initially citing the creators' "intolerance" of his faith despite Hayes having voiced similar satirical content for years. Subsequent revelations, including from Hayes' son, reveal he suffered a in January 2006 impairing speech and , indicating the resignation was drafted by associates within his network without his direct input, thus inverting the narrative to suggest cult-like overreach in silencing dissent. This episode illustrates broader free speech frictions, as creators and proceeded with the arc, prioritizing satirical integrity over retaining the voice actor and critiquing how ideological affiliations can coerce public stances, even posthumously aligning with Chef's fictional .

Liane Cartman

is the single mother of in the animated series , depicted as a promiscuous and overly indulgent parent whose leniency directly fosters her son's manipulative and antisocial traits. She is routinely shown catering to Eric's whims, such as preparing excessive meals and excusing his obesity as being "big-boned," which reinforces his self-delusions and lack of accountability. This pattern of unchecked doting extends to ignoring or minimizing his cruelties toward others, positioning her as a cautionary figure of parental failure where absence of discipline enables pathological development. Voiced primarily by since the show's eighth season in 2004, Liane's character has appeared in numerous episodes highlighting her sexual history and maternal shortcomings. A pivotal revelation occurs in the fourteenth-season episode "201," aired on April 21, 2010, where it is disclosed that Eric's biological father was Jack Tenorman, a former player, rather than the fabricated identities Liane previously claimed; this truth emerges amid Eric's confrontation with half-brother Scott Tenorman, underscoring Liane's history of to shield her son from harsh realities. The series uses Liane to satirize the long-term consequences of permissive , contrasting her default enabling with rare instances of assertiveness, such as attempts to impose boundaries in episodes like "" (season 10, 2006), where professional intervention fails due to her underlying reluctance to enforce consequences. Empirical patterns in 's narrative consistently link her indulgence—rooted in a desire for companionship with her son—to the escalation of Eric's sociopathic behaviors, illustrating causal harms of over-accommodation without structure.

Gerald Broflovski

Gerald Broflovski is a recurring adult character in the animated series , serving as the father of and husband of Broflovski, portrayed as a prone to self-serving . Voiced by co-creator , whose natural vocal inflections inform the character's delivery, Gerald often embodies opportunistic behaviors that exploit social tensions for personal gain. In episodes like "Jewpacabra" (season 16, episode 5, aired April 4, 2012), participates in family rituals amid Cartman's fabricated myth of a blood-sucking creature targeting non-Jews, highlighting satirical jabs at cultural myths and Jewish traditions through exaggerated familial dynamics. This portrayal draws on of Jewish professionals as litigious or culturally insular, with Gerald's legal background enabling him to navigate controversies in ways that prioritize advantage over principle. Gerald's arc peaks in season 20's "Skankhunt" storyline (episodes 1-10, commencing September 7, 2016), where he is unmasked as the anonymous troll "Skankhunt42," disseminating crude, provocative posts across platforms to incite global outrage, particularly against feminist figures and movements. This depiction parodies troll culture's causal role in amplifying divisions, as Gerald derives thrill and influence from engineering viral backlash, contrasting sharply with Kyle's consistent ethical stance against such manipulation. His actions underscore a critique of how individuals weaponize victimhood narratives online, not for ideological purity but for the perverse satisfaction of disruption, revealing underlying hypocrisies in activist posturing.

Sheila Broflovski

Sheila Broflovski is the mother of and adoptive mother of Ike Broflovski in the animated series , depicted as an overzealous activist frequently intervening in community matters under the guise of moral improvement. Voiced by since 1999, following Bergman's initial portrayal, her character exemplifies a pre-woke of the meddlesome whose self-righteous campaigns prioritize ideological purity over practical outcomes. A prominent instance of her militant progressivism occurs in the season 1 episode "Death" (aired October 1, 1997), where Broflovski organizes a protest against the crude Canadian cartoon Terrance and Phillip, decrying its scatological humor as harmful to children and demanding censorship. This action escalates into broader societal restrictions, including a ban on public discussions of death, indirectly contributing to suicides among town residents fixated on avoiding euphemisms. The episode highlights the unintended consequences of such crusades, as Broflovski's intolerance for irreverent content stifles free expression without resolving underlying issues. Her role amplifies in South Park: Bigger, Longer & Uncut (released June 30, 1999), where she founds to lobby for banning Terrance and Phillip nationwide, framing its fart-based comedy as a existential threat to youth morality. This pressure culminates in U.S. military retaliation against after a misattributed execution, sparking an international that endangers millions—demonstrating how her censorship drives, rooted in puritanical outrage, generate catastrophic far exceeding the perceived offense. The narrative critiques the causal chain from individual activism to systemic overreach, portraying Broflovski as a catalyst for authoritarian responses disguised as . In "The Death Camp of Tolerance" (season 6, episode 14, aired November 20, 2002), Broflovski's advocacy aligns with the episode's of reeducation camps enforcing compulsory , where non-conforming students like Kyle endure psychological torment to inculcate "tolerance." Her character's push for such interventions underscores the show's examination of how progressive moral enforcers, in pursuing ideological , enable dehumanizing institutions reminiscent of historical camps, albeit framed through absurd to expose the illogic of forced . This portrayal consistently positions Broflovski as a driver of censorious policies that prioritize subjective offense over empirical harm or individual liberty.

Recurring Antagonists and Parodies

Terrance and Phillip

Terrance and Phillip are fictional Canadian comedians portrayed in the South Park as hosts of a lowbrow variety program dominated by scatological routines. The characters, with Terrance voiced by and Phillip by , debuted in the episode "Death," which aired on September 17, 1997. Their show-within-a-show recurs as a staple viewed by the child protagonists, symbolizing unapologetic vulgarity amid the series' broader irreverence. The duo gained central narrative focus in the 1999 theatrical film South Park: Bigger, Longer & Uncut, released on June 30, 1999, where their movie Asses of Fire—featuring profane gags—sparks outrage among U.S. parents, leading to a fictional war with . This plotline causally depicts drives as self-defeating, with moralistic overreactions from figures like Sheila Broflovski mirroring real parental and institutional pushes against the series itself, including MPAA rating disputes that heightened the film's visibility. As recurring parodies, Terrance and Phillip function as avatars for 's defense of crude comedy's tenacity, illustrating how efforts to suppress base humor—often rooted in subjective offense rather than substantive harm—tend to entrench it further by provoking backlash and amplifying discourse on expressive freedoms. The characters thus highlight causal dynamics where prudish interventions inadvertently bolster the very content they seek to erase, aligning with the creators' documented resistance to external sanitization pressures.

Scott Tenorman

Scott Tenorman is a fictional character in the animated television series , debuting as a ninth-grade student known for initiating a deceptive prank against younger elementary school boys. In his introductory episode, "," which premiered on July 11, 2001, Tenorman sells shaved to for $16.16, falsely claiming it to be from a "sexy pony" to exploit the boy's ignorance about . This scheme establishes Tenorman as a cunning who leverages age-based superiority to humiliate and financially exploit peers, deriving satisfaction from their embarrassment without apparent remorse. Voiced by Toby Morton in this appearance, Tenorman's red-haired, lanky design underscores his position as an older teen preying on preteens. Tenorman's vengeful tactics escalate through orchestrated public failures designed to reinforce his dominance. He invites Cartman to a fabricated game, only to strand him and mock his gullibility, then feigns friendship to lure him into further traps, such as a rigged setup where Cartman is left isolated and ridiculed. These maneuvers form a calculated pattern of retribution, responding to Cartman's retaliatory attempts—such as framing Tenorman for or cruelty—by amplifying the psychological torment, including staging scenarios that expose Cartman's insecurities about maturity and . The absence of heroic resolution in this dynamic reveals a raw causal chain of escalating malice, where each act of begets more severe countermeasures devoid of restraint or external intervention. The portrayal of Tenorman illuminates traits of juvenile , characterized by manipulative deceit, lack of , and enjoyment in others' , all executed with adolescent ingenuity rather than adult sophistication. His schemes, rooted in petty grievances like the initial , demonstrate how unchecked vindictiveness in children can spiral into profound cruelty, satirizing the unfiltered consequences of immature power plays in a small-town environment. This episode's narrative arc positions Tenorman as a recurring , embodying the perils of reciprocal antagonism that prioritizes dominance over .

Stephen Stotch and Linda Stotch

Stephen Stotch and Linda Stotch are recurring characters in South Park, serving as the parents of Leopold "Butters" Stotch and exemplifying hypocritical authoritarian parenting. Stephen, a dentist, is primarily voiced by series co-creator , with providing the voice in the early episode "" (season 4, episode 4, aired July 26, 2000). Linda, a homemaker, is voiced by starting from "The Wacky Molestation Adventure" (season 4, episode 16, aired December 12, 2000). Their portrayals emphasize inconsistent , where minor child behaviors trigger disproportionate responses, satirizing zero-tolerance approaches that prioritize control over proportionality. The Stotches frequently impose extended groundings on their son for trivial offenses, such as perceived disobedience or accidental mishaps, reflecting a causal chain from parental overreaction to reinforced behavioral patterns in the child. In (season 5, episode 14, aired December 12, 2001), they ground him after he draws on classmates' faces during a , ignoring context while concealing Stephen's own secretive activities at a , which exposes their selective moralism. This episode arc underscores hypocrisies in enforcing rules they flout, as Stephen's explorations contradict the family's outward propriety. Similarly, in "Grounded Videodrome" (season 12, episode 7, aired November 12, 2008), they escalate punishment by unplugging all electronics and isolating the household, based on a delusional belief in virtual entrapment, parodying parental panic over media without evidence-based reasoning. By season 16 (2012), the characters evolve to reveal underlying libertinism, contrasting their prior rigid facades and critiquing assumptions of uniform prudery among disciplinarians. Episodes in this period depict the Stotches engaging in or tolerating adult sexual openness, such as through community scandals involving swingers, which dismantles the narrative of their strictness stemming from genuine moral consistency rather than performative control. This shift highlights causal realism in character development: extreme often masks personal indulgences, leading to unstable family dynamics rather than effective guidance.

Satirical Roles and Cultural Impact

Critiques of Ideological Excesses Through Characters

Characters such as PC Principal, introduced in 2015, embody the enforcement of , including demands for safe spaces and to perceived microaggressions, which the series depicts as fostering division and eventual societal backlash through overreach and hypocrisy. Creators and have described this character as a vehicle for illustrating how such ideological rigidity stifles open discourse, causally contributing to polarized reactions observed in real-world cultural tensions post-2015. Mr. Garrison's evolving arcs from 2015 onward satirize by portraying transitions into fluid gender roles as disruptive personal experiments that amplify chaos rather than resolve it, linking suppression of dissenting speech to broader institutional absurdities. Parker and Stone have noted these narratives highlight how ideological excesses in self-identification can predict escalations in entitlement-driven conflicts, mirroring observable patterns in public debates over pronouns and biological realities. Eric Cartman's manipulative schemes recurrently expose hypocrisies in victimhood narratives and entitlement epidemics, where feigned grievances secure unearned advantages, foreshadowing real societal shifts toward amplified claims of for personal gain. Stone and Parker have emphasized that such character-driven deconstructions ground critiques in behavioral patterns, catalyzing public skepticism toward unchecked orthodoxies while risking oversimplification of complex motivations—though empirical correlations, like rising identity-based litigiousness since the mid-2010s, validate the causal realism of backlash against excess.

Reception and Influence on Public Discourse

The satirical portrayals of characters in South Park have garnered critical recognition for their role in challenging orthodoxies, contributing to the series' five for Outstanding Animated Program between 2005 and 2012. Episodes featuring controversial character arcs often correlate with elevated viewership, as evidenced by the Season 27 premiere mocking political figures drawing 5.9 million viewers across the first three days in 2025, surpassing prior benchmarks amid ensuing media scrutiny. Similarly, a 2025 episode satirizing achieved 2.3 million live viewers, marking a 26-year high for premieres and underscoring empirical demand during periods of backlash. Characters such as Randy Marsh have permeated online culture through memes that amplify critiques of fleeting social fads, from his exaggerated pursuits in marijuana advocacy to celebrity impersonations, fostering broader discourse on irrational collective behaviors. This meme-ification extends the show's influence beyond television, embedding character-driven archetypes into public lexicon for dissecting ideological overreach without deference to prevailing sensitivities. While catalyzed the adult animation genre—paving the way for series like —its creators distinguished their approach by prioritizing narrative-driven satire over disjointed gags, as articulated in direct on-air rebukes of 's style during a 2006 episode. Despite recurrent calls for boycotts from groups like the Parents Television Council, which condemned the series from its inaugural season for indecency, South Park's characters sustain viewer engagement on streaming platforms, with recent seasons posting record global metrics even as select episodes face removal amid licensing disputes and content flags. This endurance reflects a causal disconnect between media condemnations—often rooted in institutional biases favoring —and preferences for unfiltered causal analyses of cultural phenomena via the show's ensemble.

Controversies and Backlash

Depictions Challenging Political Orthodoxy

Mr. Garrison's arc, particularly from seasons 19 through 23 (2015–2019), utilized the character to parody Donald Trump's presidential campaign and tenure, incorporating elements like border wall obsessions and bombastic rhetoric that mirrored real events with unsparing accuracy, prompting backlash from outlets expecting partisan alignment rather than detached satire. This depiction defied expectations of media portrayals that often framed Trump supporters through lenses of pathology, instead highlighting absurdities in political tribalism on both sides, as Garrison's gender transition storyline—initiated earlier in season 9 (2005)—intersected with identity politics to mock performative wokeness and electoral opportunism. In episodes "" and "201" (aired April 14 and 21, 2010), characters including a concealed and celebrity figures like were deployed to satirize religious taboos and the fear-driven they induce, with overriding the creators' intent by bleeping references to and violence threats from Islamist groups. The censored explicitly critiqued how threats compel creators to "censor ourselves," challenging progressive norms that prioritize avoiding offense to certain faiths over unfettered expression, even as the show equalized by lampooning celebrity scientologists and Hollywood elites in the same narrative. PC Principal, introduced in season 18 (), embodies exaggerated advocacy, using characters like this muscular enforcer of "safe spaces" and hunts to expose hypocrisies in language policing and , often resulting in violent overreactions that underscore the authoritarian undercurrents of orthodoxy. Creators and have consistently framed such portrayals as equal-opportunity offense, targeting pieties across the spectrum rather than aligning with any ideology, a stance that defenders cite to rebut claims of disproportionate harm to progressive causes. Progressive critics have argued these depictions foster insensitivity or indirectly enable real-world bigotry, particularly in religious and sexuality satires, yet analyses of the show's violence as satirical device find no empirical causal ties to societal harm or increased aggression, aligning with broader research questioning media effects on behavior. Defenders counter that the balanced irreverence—evident in equal skewering of conservative hypocrisies like anti-gay stances alongside left-leaning excesses—promotes critical thinking over conformity, with no documented spikes in violence attributable to specific episodes despite decades of controversy. In April 2006, censored depictions of the Prophet Muhammad in the episode "," bleeping audio and blacking out intended visuals of the character in a bear suit, citing safety concerns amid the ongoing controversy over Danish Muhammad cartoons published in 2005. This network intervention occurred without external legal compulsion, as Parker and Stone later confirmed their intent to air the uncensored of . A more extensive censorship followed in April 2010 for episodes 200 and 201, after the extremist group issued a public against creators and [Matt Stone](/page/Matt Stone) on April 15, warning of consequences "worse than Theo van Gogh" for satirizing . responded by blacking out Muhammad's image with a "CENSORED" bar, bleeping an entire concluding speech revealing the episode's satirical mechanism, and forbidding any reruns or home releases with original content, overriding the creators' design where itself was the punchline. No formal legal challenges ensued from the threat, which instead drew widespread media coverage that boosted the episodes' visibility. These incidents highlight institutional deference to violent intimidation over First Amendment protections, with no successful lawsuits ever curtailing South Park's production or distribution. Parker and Stone publicly mocked the censorship in subsequent episodes, such as "2010" in 2013, underscoring unmet threats and the counterproductive publicity gained from suppression efforts. Streamer platforms in the 2010s expressed hesitations over the show's provocative content, yet a 2021 overall deal with Paramount—valued at $935 million and committing to new specials—affirmed the satire's commercial viability, as exclusivity arrangements prioritized audience draw over risk aversion. Such backlash, far from silencing the series, empirically expanded its audience through controversy-driven discourse.

References

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