Hubbry Logo
Father TimeFather TimeMain
Open search
Father Time
Community hub
Father Time
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Father Time
Father Time
Father Time
View on Wikipedia
from Wikipedia

A 19th-century Father Time with Baby New Year
Detail of Father Time in the Rotunda Clock in the Thomas Jefferson Building, Washington, D.C. (1896)
Father Time in Fountain of Time

Father Time is a personification of time, in particular the progression of history and the approach of death. In recent centuries, he is usually depicted as an elderly bearded man, sometimes with wings, dressed in a robe and carrying a scythe and an hourglass or other timekeeping device.

As an image, the origins of "Father Time" are varied.[1] The ancient Greeks themselves began to associate Chronos Protogenos with the god Cronos, who had the attribute of a harvester's sickle. The Romans equated Cronos with Saturn, who also had a sickle, and was treated as an old man, often with a crutch. The wings and hourglass were early Renaissance additions and he eventually became a companion of the Grim Reaper, personification of Death, often taking his scythe. He may have as an attribute a snake with its tail in its mouth, an ancient Egyptian symbol of eternity.[2]

Father Time on an Irish memorial stone, displaying an empty hourglass to a mourning widow

New Year

[edit]

Around New Year's Eve, the media (in particular editorial cartoons) use the convenient trope[3] of Father Time as the personification of the previous year (or "the Old Year") who typically "hands over" the duties of time to the equally allegorical Baby New Year (or "the New Year") or who otherwise characterizes the preceding year.[4][5] In these depictions, Father Time is usually depicted wearing a sash with the old year's date on it.

Time (in his allegorical form) is often depicted revealing or unveiling the allegorical Truth, sometimes at the expense of a personification of Falsehood, Fraud, or Envy. This theme is related to the idea of veritas filia temporis (Truth the daughter of time).

In the arts

[edit]

Father Time is an established symbol in numerous cultures and appears in a variety of art and media. In some cases, they appear specifically as Father Time while in other cases they may have another name (such as Saturn), but the characters demonstrate the attributes which Father Time has acquired over the centuries.

Art

[edit]

Visual art

[edit]
Chronos and his child by Giovanni Francesco Romanelli, National Museum in Warsaw, is a 17th-century depiction of Titan Cronus as "Father Time" wielding the harvesting scythe
Father Time statue atop a grave at Mount Moriah Cemetery

Sculpture

[edit]

Books

[edit]
  • Old Father Time appears in the fantasy novel series Nightside by Simon R. Green, as an elderly character tending to peoples' needs for time travel—and in some cases—guidance.
  • Father Time appears in the fairy tale themed short story, written by L. Frank Baum. Entitled "The Capture of Father Time". That Father Time was captured by the son of an Arizonian cowboy named Jim because of his foolishness.
  • Time is one of the Incarnations of Immortality in Piers Anthony's series of the same name. Time (also referred to as "Chronos") appears in several of the books and is the main character of Bearing an Hourglass. For most of the series he appears as a middle-aged man in a blue robe (which has the power to age to oblivion anything which attacks him) and bearing an hourglass which he can use to control the flow of time and move through both time and space.
  • Father Time is painted in the ceiling of the dungeon, in the Edgar Allan Poe's short story "The Pit and the Pendulum".
  • In Mitch Albom's book The Time Keeper, Dor, the central character, is Father Time. He is freed from exile and sent to Earth on the condition that he teaches two people on Earth the true importance of time, a teenage girl who does not wish to live anymore, and a dying old billionaire who wishes to live forever.
  • "Little Father Time" is a character in Jude the Obscure, a novel by Thomas Hardy. The name is given to Jude Fawley's son, who is dreadfully melancholy and who commits suicide and kills his siblings at a young age.
  • Father Time also appears in C. S. Lewis' novels The Silver Chair and The Last Battle which are the final two novels (chronologically) in the series The Chronicles of Narnia.
  • In Lewis Carroll's Alice's Adventures in Wonderland, he is referred to as Time and is responsible for making the Hatter and his friends to have an endless tea party as punishment.

Comics, magazines and periodicals

[edit]
  • Father Time made numerous appearances in the classic comic Little Nemo in Slumberland, both as a general representation of time and as a symbol of the new year.[21][22]
  • A Norman Rockwell painting of Father Time appeared on 31 December 1910 cover of The Saturday Evening Post.
  • Father Time is a recurring character in Tatsuya Ishida's webcomic Sinfest, often appearing as an infant immediately on or after the Western New Year, and as an old man fated to die during the end of the year.
  • Father Time appears in Neil Gaiman's graphic novel The Sandman: Overture, depicted as father to the Endless – seven embodiments of natural forces – through marriage to Mother Night.

Film and television

[edit]

Music

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Father Time

View on Grokipedia
from Grokipedia
Father Time is the of time, particularly the relentless progression of , aging, and mortality, commonly depicted as an elderly, bearded man clad in a flowing and carrying a and an as symbols of life's inevitable and finite duration. The figure's origins trace back to mythology, where a linguistic and conceptual occurred between the Titan —god of , often portrayed with a or —and chronos, the abstract term for time itself, leading to an anthropomorphic embodiment of temporal forces. In Roman tradition, this evolved into an association with Saturn, the god of and renewal, whose imagery of the scythe further reinforced themes of cyclical time and , influencing later European . During the , artists enhanced Father Time's depiction by adding wings to signify the swift, inescapable flight of moments, as seen in allegorical works drawing from Cesare Ripa's Iconologia (1603), where he appears bald-headed with long hair and beard to evoke wisdom tempered by decay. By the , this symbolism proliferated in fine and , such as German figures (ca. 1745) and British sculptures (ca. 1790), often portraying him in a seated, weary pose to underscore human vulnerability to time's toll. In modern culture, Father Time holds particular prominence in New Year's celebrations, where he is frequently shown passing an hourglass or clock to the infant Baby New Year, symbolizing the transition from the old year to the new and the eternal cycle of renewal amid decay—a tradition rooted in his ancient ties to Chronos.

Origins and Etymology

Mythological Roots

The mythological roots of Father Time trace back to ancient Greek and Roman deities associated with time's destructive and cyclical nature. In Greek mythology, Cronus (also spelled Kronos) was the Titan ruler who personified time as an all-devouring, destructive force, often depicted wielding a sickle to symbolize his emasculation of his father Uranus and his role in devouring his own children to prevent their overthrow. The Romans equated Cronus with their god Saturn, who embodied not only time but also agriculture and renewal, portrayed as an elderly figure carrying a sickle or scythe, reflecting his dominion over seasons and inevitable decay. During the Renaissance, humanists like those interpreting classical texts solidified this equivalence, conflating Cronus-Saturn with the emerging personification of time as "Father Time," emphasizing his role as an inexorable agent of change and the passage of ages. Medieval alchemical and astrological traditions further shaped this imagery, portraying time through the lens of Saturn as an aged, melancholic overseer of cosmic cycles. In astrological manuscripts, Saturn was commonly illustrated as an elderly man with a long beard, hunched and cloaked, symbolizing the slow, burdensome progression of time that governs creation, maturity, decline, and decay in the natural world. Alchemical texts drew on these planetary associations to depict time as a transformative force, akin to the processes of and rebirth in the quest for the , where the old figure represented the dissolution of matter before renewal. This depiction reinforced time's dual role in overseeing the eternal cycles of generation and corruption, bridging with medieval esoteric thought. Early textual references to time's personification appear in classical literature, evolving into visual forms in later manuscripts. In Ovid's Metamorphoses (Book 15, ca. 1st century CE), the poet describes time's relentless flow as a gliding river that erodes all things, underscoring its inexorable passage without yet fully anthropomorphizing it as an old man. By the 14th century, European illuminated manuscripts began featuring elderly personifications evoking the passage of time and transience, as seen in allegorical works like the Roman de la Rose. Father Time is distinct from related figures like the Grim Reaper, as the former emphasizes chronological progression and the neutral march of eras, while the latter focuses solely on mortality and the end of life. This separation highlights Father Time's broader mythological scope as a steward of continuity rather than abrupt termination.

Linguistic Evolution

The of Time as a paternal figure of chronology appears in 16th-century English literature, such as in Edmund Spenser's (1590), particularly in the Mutability Cantos, where Time is depicted alongside Mutability to symbolize change within the flow of chronology. This representation built on classical influences, referencing mythological ties to (Greek) and Saturn (Roman), gods associated with time's passage. The linguistic roots trace to Greek "Chronos," the primordial deity embodying sequential time, and Latin "tempus," meaning time, with humanistic scholarship anthropomorphizing these abstract concepts in iconographic and textual developments. This evolution reflects efforts to embody temporal forces, as analyzed in Erwin Panofsky's studies on time's iconographic development in Western tradition. Cross-cultural parallels highlight variations in time's nomenclature and personification. In Hinduism, "Kala" denotes time as a devourer, personified through figures like or (a form of ), emphasizing time's destructive and cyclical force without a paternal emphasis. Norse mythology lacks a direct paternal figure for time, instead conceptualizing it cyclically through the ' weaving of fate, leading inexorably to , underscoring Western dominance in the anthropomorphic "Father" framing. The specific term "Father Time" first appears in English in the late , achieving standardization in the 19th and 20th centuries via authoritative dictionaries, with the recording usages from 1688 onward, and its adoption in during the colonial era through literary and print traditions.

Iconography and Symbolism

Physical Depiction

Father Time is conventionally depicted as an elderly man with a long, flowing white beard and disheveled white hair, often bald on top with wisps framing the ears, embodying the of advanced age and the inexorable passage of years. His attire typically consists of a simple, tattered or hooded , evoking universality and the of mortality rather than grandeur. Depictions vary in posture to convey different facets of : he is frequently shown striding forward with a leaning to represent time's unyielding advance, or stooped and leaning on one or two crutches to highlight frailty and decay, while seated poses suggest reflective . Over time, these representations evolved within from cosmic, chariot-borne but frail and decrepit elders in early illustrations—emphasizing human vulnerability amid political and existential uncertainties—to more vigorous, destructive forms by the sixteenth century, reflecting heightened .

Associated Symbols

Father Time is most commonly associated with the , serving as his primary emblem to represent the finite and irreversible flow of time from past to future, emphasizing its relentless progression and the brevity of human life. This symbol, introduced in depictions around 1450 during the early , underscores time's impartial measurement and the impending end it signals for all endeavors. The or is another key motif, borrowed from the of the Roman Saturn (the Greek equivalent ), who wielded it as an agricultural tool symbolizing harvest and seasonal cycles. In Father Time's representations, it metaphorically evokes the harvesting of life spans, cutting through the illusions of eternity and highlighting time's role in severing mortal existence. This attribute stems from ancient linguistic and mythological conflations between , the Titan of agriculture, and , the personification of time itself. Wings were added during the to signify the swift flight of time, while 17th- and 18th-century European occasionally included accompanying clocks, which denote the swift velocity of time's passage and its precise measurement, respectively. These elements, evolving from innovations, portray time as both ephemeral and mechanical, yet the remains a distinguishing feature that sets Father Time apart from mere emblems of , linking him to themes of inevitable decay. Color symbolism in Father Time's iconography further reinforces his attributes, with the white beard signifying advanced age, , and the purity associated with time's neutral passage. The dark cloak, often enveloping his form, evokes the shadow of mortality and the unavoidable approach of , paralleling somber tones in allegorical depicting elderly figures.

Cultural Role

New Year Traditions

Father Time plays a central role in and customs, particularly in Western cultures, where he personifies the culmination of the departing year and the inevitable progression toward renewal. Traditionally depicted as an elderly, robed figure carrying a and , Father Time is often shown handing off his attributes to the , an infant symbolizing fresh beginnings and the promise of the coming year. This handoff ritual underscores the cyclical nature of time, with the old year yielding to the new in a poignant for life's continuity. The association of Father Time with New Year's celebrations emerged prominently in 19th-century American and British contexts, evolving from earlier into a staple of festive imagery. , the figure gained traction through editorial cartoons in newspapers, where Father Time appeared as the weary guardian of the expiring year, passing wisdom and responsibilities to the incoming . This motif drew from and Roman depictions of but was secularized and popularized in the late 1800s, reflecting Victorian-era fascination with time's inexorable march amid rapid industrialization. British influences, including satirical illustrations in periodicals, contributed to its adoption, blending mythological roots with contemporary holiday observance. While Father Time's New Year role is most entrenched in English-speaking countries like the , , , and , where it features in holiday cards, advertisements, and public festivities, direct equivalents are absent elsewhere. In , New Year's Eve celebrations such as Germany's Silvester emphasize fireworks, feasts, and communal gatherings but lack a specific anthropomorphic figure like Father Time. In , includes traditions like first-footing and bonfires that parallel themes of seasonal transition. The tradition remains largely a product of Anglo-American cultural export, with limited adoption in non-English-speaking regions. In the 20th and 21st centuries, Father Time has persisted in modern New Year rituals, appearing in parades, theatrical costumes, and broadcast media as a nostalgic emblem of temporal change. For instance, during celebrations in the United States since the early 1900s, costumed performers embodying Father Time have joined processions in cities like New York and , often dramatically "retiring" at midnight to herald the . The iconic Times Square ball drop, initiated in 1907, symbolically evokes Father Time's domain by marking the precise passage from one year to the next, drawing millions annually and amplifying the figure's cultural resonance through global television coverage. These evolutions have transformed the archetype from static illustration to dynamic participant in communal rites, reinforcing themes of reflection and optimism. In contemporary social media, Father Time is frequently depicted in memes and videos as a weary figure expressing exhaustion from the year's events, relief at its conclusion, and reluctant goodbyes to the departing year.

Broader Societal Symbolism

Father Time serves as a profound for mortality and the inexorable passage of time, often evoking themes of legacy and the fleeting nature of human . In philosophical and cultural discourse, this underscores the inevitability of aging and , reminding individuals of the need to prioritize meaningful pursuits amid life's brevity. The traditionally associated with Father Time symbolizes the sudden cessation of life, paralleling the Grim Reaper and inspiring a sense of urgency to fulfill personal and societal purposes before time runs out. Philosophically, Father Time embodies the tension between linear progression and cyclical views of , illustrating time's dual nature as both relentless and renewing. In the 20th and 21st centuries, Father Time has permeated literature as a for , often portrayed as a "" that steals if not confronted through disciplined habits and . In advertising, particularly for timepieces, he symbolizes reliability and endurance; the , for instance, adopted Father Time as its trademark in the late , depicting him to convey the precision and lasting quality of their watches. Psychologically, Father Time appears in discussions of aging gracefully, where embracing his inevitability fosters resilience and acceptance, as seen in therapeutic approaches that encourage viewing aging not as decline but as an opportunity for wisdom and adaptation. Gender dynamics in Father Time's symbolism reveal critiques of paternal authority, particularly in feminist readings that contrast his structured, controlling linear time with maternal figures like , who embody cyclical, nurturing fertility. This dichotomy reflects patriarchal constructs where time is masculinized as an authoritative, unyielding force, often chaotic or oppressive in its demands, while is feminized as life-giving yet unpredictable. Such interpretations urge a reevaluation of gendered temporal roles, challenging the dominance of paternal metaphors in societal narratives. Occasionally, this symbolism extends to the New Year's tradition where Father Time hands off to the , signifying renewal under ongoing paternal oversight.

Representations in Arts and Media

Visual Arts

Father Time has been a recurring figure in since the , often personified as an elderly man symbolizing the inexorable passage of time, mortality, and revelation. In early illustrations accompanying Petrarch's Trionfo del Tempo (Triumph of Time), dating from 1440 to 1500, Time appears as a decrepit, winged old man carrying an to emphasize the brevity of human life, contrasting with the poem's more abstract descriptions of temporality. These and manuscript depictions marked a shift toward visual allegories that humanized abstract concepts, influencing later artistic traditions. By the 17th century, Baroque artists expanded on this iconography with more dynamic and narrative-driven portrayals. Giovanni Francesco Romanelli's oil painting Chronos and His Child (c. 1650s), housed in the National Museum in Warsaw, depicts the Titan Cronus reimagined as Father Time, wielding a harvesting scythe while holding a child, blending mythological origins with themes of generational succession and inevitable decay. In France, Antoine Coypel's Time Discovering Truth (c. 1702) portrays Father Time in a dramatic pose, using his scythe to lift a veil from the nude figure of Truth, symbolizing how time exposes hidden realities amid swirling clouds and allegorical elements. These works, rooted in classical motifs, emphasized motion and emotion, aligning with Baroque theatricality. In the 19th century, Father Time appeared in satirical illustrations, particularly in British periodicals like Punch magazine, where he featured in New Year's cartoons to mock social and political changes. A notable 1892 Punch cartoon by Harry Furniss shows Father Time with his scythe and hourglass ushering in the new year amid "coming events," critiquing contemporary anxieties about progress and obsolescence. Such depictions shifted toward humor and commentary, reflecting Victorian-era reflections on industrialization's relentless pace. Modern interpretations abstracted Father Time further into surreal forms. Salvador Dalí's (1931), an oil on canvas at the , New York, evokes the fluidity of time through melting pocket watches draped over barren landscapes, interpreted as a surrealist meditation on time's subjectivity and decay, indirectly personifying Father Time's dominion without a literal figure. In sculpture, 18th-century European garden art often included allegorical statues of Father Time; for instance, figures in the Palace of Versailles gardens from the era incorporated motifs in broader schemes of seasons and eternity, though specific standalone examples emphasize his role in landscaped symbolism. A prominent public monument is the Father Time statue integrated into Philadelphia City Hall's clock tower, completed around 1907 as part of Alexander Milne Calder's extensive sculptural program, where he holds an to signify civic endurance amid the building's 250 allegorical figures. These works highlight Father Time's evolution from moral emblem to cultural critique across visual media.

Literature and Performing Arts

In classical literature, frequently alluded to the inexorable effects of time on human aging and mortality within (c. 1387–1400), portraying time as an unrelenting force that erodes youth and vitality, as seen in where the elderly narrator reflects on the physical toll of years passed. Similarly, William Shakespeare's (1599) features Jaques' renowned , "," which delineates the seven ages of man—from infancy to —under the governance of time, emphasizing its role in dictating life's inevitable progression and decay. The saw Father Time emerge more explicitly in narrative fiction, often as a paternal or antagonistic figure embodying temporal authority. In ' A Christmas Carol (1843), the Ghosts of Christmas Past, Present, and Yet to Come function as spectral embodiments of time's continuum, guiding through reflections on his life's timeline to prompt moral redemption; Dickens further personified time in works like (1844), where he described "Father Time" as a parent who "tarries for none of his children" yet treats the virtuous gently. incorporated Father Time into his early 20th-century tales, notably in "The Capture of Father Time" (1901) from American Fairy Tales, where a young cowboy lassoes the personified deity, halting the world's clockwork and unleashing chaos, a motif echoing the whimsical yet cautionary tone of Baum's contemporaneous Oz series like (1900). In , Father Time has been allegorically enacted on stage to explore temporality's philosophical dimensions. Eighteenth-century ballet master , a pioneer of narrative dance, incorporated personifications of abstract forces like time in his works advancing the ballet d'action tradition where temporal themes symbolized human transience through choreographed allegory. In modern theater, Tom Stoppard's Arcadia (1993) delves into time's nonlinearity and via interleaved historical and contemporary scenes, portraying time not as a linear paternal overseer but as a chaotic, iterative force disrupting order, as characters grapple with mathematical proofs of temporal irreversibility. Father Time appears prominently in 20th-century , blending mythological roots with . In Gaiman's The series (1989–1996), particularly the prequel The Sandman: Overture (2013–2015), Time manifests as the patriarchal progenitor of the Endless anthropomorphic entities, depicted as a bearded, age-shifting figure embodying cosmic chronology and familial strife among his offspring, including Dream. Periodical illustrations in have recurrently featured Father Time since the 1920s, often in New Year's covers symbolizing renewal, such as Rea Irvin's 1927 depiction of the figure atop a cloud overseeing the year's transition.

Film, Television, and Music

Father Time has appeared in several animated films and television specials, often as a wise, elderly figure overseeing the passage of years and aiding protagonists in time-related quests. In the 1976 Rankin/Bass animated television film , directed by , Father Time serves as the narrator and guardian of the , residing in the Palace of Time on the Isle of Time with his companions, the and the Aeon. Voiced by comedian , he dispatches Rudolph to retrieve the missing baby, Happy, from the Archipelago of Last Years, emphasizing his role in maintaining chronological order and preventing temporal chaos. This portrayal draws on the character's traditional of an aged man with a and , blending whimsy with the inexorable march of time. The character reemerged in live-action family comedies within Disney's The Santa Clause franchise. In The Santa Clause 2 (2002), directed by Michael Lembeck, Father Time is a member of the Council of Legendary Figures, appearing briefly in a meeting to counsel Santa Claus (Tim Allen) on his duties. Played by Peter Boyle, who reprises the role in The Santa Clause 3: The Escape Clause (2006), directed by Michael Lembeck, Father Time contributes to the film's exploration of holiday mythology and the burdens of eternal responsibility, using his authority over time to underscore themes of legacy and seasonal renewal. These depictions position Father Time as a supportive elder in ensemble casts of folklore icons, reinforcing his symbolic role without dominating the narrative. On television, Father Time has featured in episodic and series formats, typically in animated contexts that anthropomorphize abstract concepts. In the Cartoon Network series (2010–2017), the episode "It's Time" (Season 2, Episode 2, aired January 3, 2011) introduces Father Time as a clock-constructed entity voiced by Alan Sklar, who confronts protagonists and Rigby after they misuse a time-manipulating device, leading to a comedic battle against temporal paradoxes. Similarly, in the educational animated series Histeria! (1998–2000) on , Father Time acts as the recurring host, portrayed as a robed, scythe-wielding elder guiding historical sketches and time-travel segments, voiced by to educate young audiences on chronology and events. These appearances highlight Father Time's function as a narrative device for resolving time-based conflicts, often with humorous or didactic undertones. Recent short films continue this tradition; for example, the 2024 animated short Father Time explores themes of loss and family through the character's lens. In music, Father Time is invoked more metaphorically, symbolizing mortality, legacy, and the human struggle against aging in lyrics across genres. Nat King Cole's "Mother Nature and Father Time" (recorded 1955, from the album After Midnight), co-written by and , personifies the duo as cosmic forces dictating life's cycles, with Cole's smooth vocals reflecting on their intertwined influence over joy and sorrow. The song's orchestral arrangement evokes mid-century style, using Father Time to convey the inevitability of change in romantic and familial contexts. Later, Richie Sambora's "Father Time" (1991, from the Bon Jovi guitarist's solo album ), written by Sambora and Bruce Brozman, grapples with personal reflection and loss, portraying Father Time as a relentless companion urging introspection amid rock-infused ballads. Contemporary tracks continue this tradition, blending hip-hop introspection with mythological nods. Kendrick Lamar's "Father Time" (2022, from the Mr. Morale & the Big Steppers, featuring ), co-written by Lamar, , and others, reinterprets the figure through the lens of generational trauma and fatherhood, with lyrics like "Daddy issues run deep" juxtaposing personal healing against time's unyielding progression, backed by ful production. Similarly, Sammy & The Circle's "Father Time" (2022, from Crazy Times), penned by and others, addresses historical reflection and resilience, with 's raspy delivery emphasizing how "the songs we sing won't change it," citing the to frame societal endurance. More recent examples include Cautious Clay's "Father Time (10am)" (2025), which uses indie to meditate on daily routines and temporal pressure. These musical references prioritize emotional depth over literal depiction, using Father Time to explore themes of and impermanence. In contemporary digital media, Father Time frequently appears in online memes and short videos, especially around New Year's transitions, depicted as a weary, bearded old man with an hourglass and scythe, embodying exhaustion from the year's chaos, relief at its conclusion, and reluctant goodbyes to the old year.

References

  1. https://samblog.seattleartmuseum.org/2016/11/father-time/
  2. https://campuspress.yale.edu/ycbateachers/a-3-2-1-look-father-time/
  3. https://www.britannica.com/topic/Saturn-god
  4. https://www.museumofthegrandprairie.org/Blog/baby-new-year-and-father-time
  5. https://www.theoi.com/Titan/TitanKronos.html
  6. https://sk.sagepub.com/ency/edvol/time/chpt/father-time
  7. https://www.researchgate.net/publication/288124794_Tempus_Edax_Rerum_Time_and_Demise_of_Human_Achievement_in_Renaissance_Allegory
  8. https://blogs.getty.edu/iris/written-in-the-stars-astronomy-and-astrology-in-medieval-manuscripts/
  9. https://www.hyle.org/journal/issues/9-2/obrist.htm
  10. https://www.theoi.com/Text/OvidMetamorphoses15.html
  11. https://www.getty.edu/art/collection/object/103RVZ
  12. https://www.academia.edu/28340536/6_The_Renaissance_Personification_of_Time_in_Illustrations_to_Petrarch_s_Trionfo_del_Tempo
  13. https://fellowdustmag.com/2024/05/16/change-and-rest/
  14. https://grammarphobia.com/blog/2006/10/a-brief-history-of-father-time.html
  15. https://www.hinduwebsite.com/hinduism/h_time.asp
  16. https://www.oed.com/dictionary/time_n
  17. https://www.researchgate.net/publication/315558822_The_early_Renaissance_personification_of_time_and_changing_concepts_of_temporality
  18. https://www.academia.edu/44804309/Saturns_Sickle_and_Father_Time
  19. https://blogs.getty.edu/iris/18th-century-clock-reminds-us-that-time-flies/
  20. https://www.wisdomlib.org/concept/white-beard
  21. https://artuk.org/discover/artworks/portrait-of-an-elderly-man-in-a-black-robe-114995
  22. https://www.cnn.com/2015/12/29/living/baby-new-year-origin-feat
  23. https://phantammeron.com/2016/11/who-is-father-time/
  24. https://www.dw.com/en/10-german-traditions-on-new-years-eve/a-36648029
  25. https://www.history.com/news/how-times-square-became-the-home-of-new-years-eve
  26. https://www.saturdayeveningpost.com/2014/12/new-years-babies/
  27. https://imgflip.com/tag/father+time
  28. https://manhoodjourney.org/time-management-skills-for-busy-lifestyles/
  29. https://www.novanumismatics.com/the-elgin-national-watch-co-its-father-time-tokens/
  30. https://www.psychologytoday.com/ie/blog/how-to-do-life/201501/aging-gracefully
  31. https://english.stackexchange.com/questions/142830/etymology-of-mother-nature-and-father-time
  32. https://msmagazine.com/2021/06/18/feminist-fathers-day-dad-girls-women-fatherhood/
  33. https://www.worldhistory.org/image/16550/chronos-and-his-child/
  34. https://www.sothebys.com/en/auctions/ecatalogue/2015/master-paintings-part-ii-n09307/lot.351.html
  35. https://magazine.punch.co.uk/archive/
  36. https://www.moma.org/collection/works/79018
  37. https://en.chateauversailles.fr/discover/estate/gardens/sculptures
  38. https://www.associationforpublicart.org/tours/around-city-hall/
  39. https://chriskirsch.medium.com/a-middle-ages-meaning-of-time-6aee9acf7f90
  40. https://poets.org/poem/you-it-act-ii-scene-vii-all-worlds-stage
  41. https://www.sparknotes.com/lit/christmascarol/section1/
  42. https://www.charlesdickenspage.com/charles-dickens-quotes.html
  43. https://www.goodreads.com/book/show/26206676-the-capture-of-father-time
  44. https://www.britannica.com/biography/Jean-Georges-Noverre
  45. https://muse.jhu.edu/article/418010/summary
  46. https://www.worldcomicbookreview.com/2015/06/09/gaimans-sandman-overture-and-the-elves-that-come-in-the-night-why-comic-books-release-dates-matter/
  47. https://www.newyorker.com/culture/culture-desk/new-yorker-covers-for-the-new-year
  48. https://www.imdb.com/title/tt0073640/characters/nm0804026/
  49. https://rankinbass.fandom.com/wiki/Father_Time
  50. https://www.imdb.com/title/tt0452681/characters/nm0001967/
  51. https://www.imdb.com/title/tt0452681/
  52. https://tvtropes.org/pmwiki/pmwiki.php/Main/FatherTime
  53. https://warnerbros.fandom.com/wiki/Father_Time
  54. https://www.imdb.com/title/tt32659388/
  55. https://open.spotify.com/track/4G0xwm556YZOchAg6oGlm7
  56. https://www.youtube.com/watch?v=toEW7_-pvOY
  57. https://www.youtube.com/watch?v=vk3jVb0Ofu4
  58. https://www.youtube.com/watch?v=Drdw_VBfNuI
  59. https://www.tiktok.com/discover/father-time-meme
Add your contribution
Related Hubs
User Avatar
No comments yet.