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Kaval
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Kaval

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Kaval

The kaval is a chromatic end-blown oblique flute traditionally played throughout the Balkans (in Albania, Romania, Bulgaria, Southern Serbia, Kosovo, North Macedonia, Northern Greece, and elsewhere) and Anatolia (including Turkey and Armenia). The kaval is primarily associated with mountain shepherds.

Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more unfingered intonation holes near the bottom of the kaval. As a wooden rim-blown flute, kaval is similar to the kawala of the Arab world and ney of the Middle East.

While typically made of wood (cornel cherry, apricot, plum, boxwood, mountain ash, etc.), kavals are also made from water buffalo horn, Arundo donax Linnaeus 1753 (Persian reed), metal and plastic.

A kaval made without joints is usually mounted on a wooden holder, which protects it from warping and helps keep the interior walls oiled. According to the key, the kaval can be in the high register (C, C#)???, middle (D, H) or low (A, B). The kaval plays two octaves and a fifth, in the chromatic scale. Its sound is warm, melancholic and pleasant.

The kaval is primarily associated with mountain shepherds throughout the Balkans and Anatolia. Musician Pat MacSwyney suggests[unreliable source?] that the kaval spread with the Yoruks from the Taurus Mountains of southern Anatolia into the southern Balkans of southeast Europe.

While in the past it was almost entirely a shepherd's instrument, today it is widely used in folk songs and dances as part of ensembles or solo.

Unlike the transverse flute, the kaval is fully open at both ends, and is played by blowing on the sharpened edge of one end. The kaval has eight playing holes (seven in front and one in the back for the thumb) and usually four more near the bottom of the kaval. These holes are not used for playing the instrument, but determine the lowest tone's pitch and timbre and are supposed to improve tone and intonation. In Bulgaria they are known as "devil's holes", based on a folk tale in which the devil tries to out-play a shepherd in a musical duel. While the shepherd is sleeping, the devil drilled holes in the shepherd's kaval but instead of ruining the kaval, this only served to enhance the shepherd's kaval playing thus thwarting the devil. In North Macedonia they are known as "glasnici" (гласници) meaning "giving voice to/of".

When played, the kaval is held with both hands, at an angle of approximately 45° to the side, with the four fingers of the one hand covering the lower holes; the upper three holes and the thumbhole are covered with the other hand. The mouth covers approximately three quarters of the end. Change of the breath air pressure also changes the pitch.

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