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Niguma

Niguma is considered one of the most important and influential yoginis and Vajrayana teachers of the 10th or 11th century in India. She was a dakini, and one of the two female founders of the Shangpa Kagyu school of Vajrayana Buddhism, along with dakini Sukhasiddhi. Her birth name was Shrijnana (or Palgyi Yéshé in Tibetan).[1] Like many of the mahasiddhas and Tantric practitioners of the time, Niguma was known by several names both during her lifetime and afterwards. She was called Yogini Vimalashri, or Vajradhara Niguma, or Jñana (wisdom) Dakini Adorned with Bone (ornaments),[2] or The Sister referring to her purported relationship to the great Buddhist teacher and adept Naropa. She was also sometimes called Nigupta,[3] which is explained by the historical Buddhist scholar Taranatha as follows: "The name Nigu accords with the Indian language, which is Nigupta, and is said to mean 'truly secret' or 'truly hidden.' In fact, it is the code-language of the dakinis of timeless awareness."[2]

There is often confusion between the biographical details of Niguma's life and spiritual accomplishments and that of the renowned Vajrayana teacher and mahasiddha Naropa.[4][5] While the biographical information for Niguma is scarce, what is available often offers details that are identical with the biography of Naropa.[5] While not much can be confirmed about the historical details of Niguma's life, what does remain is the corpus of her teachings and her impact on the founding of the Shangpa Kagyu Buddhist spiritual lineage, known as one of the "“Eight Great Chariots of the Practice Lineages” (Wylie, sgrub brgyud shing rta chen po brgyad), meaning one of the eight great Buddhist spiritual traditions that eventually were transmitted from India to Tibet.[citation needed] The importance of the dakini Niguma as a spiritual practitioner, teacher, and lineage founder continues to the present day.

Life and history

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As secret, or hidden, as her name implies, there are only a few facts known about Niguma's life. This may partially be because of genuine lack of sources from both India and Tibet as well as the nature of the dakini. One author offers this explanation:

The elusiveness of Niguma is typical of the lore of the dakini, the very embodiment of liminal spiritual experience. Additionally the difficulty of pinpointing historical information may well be due to the lack of ancient sources from India and the lack of concern about such mundane matters by the Tibetan masters who encountered her in dreams and visions and maybe in person. After all, when confronted with the blazing apparition of the resplendent and daunting dark dakini bestowing cryptic advice, a background check would be rendered irrelevant. Indian Buddhist hagiographies are virtually unknown, whether of men or women. In Tibet, where hagiography became a prolific genre in its own right, those of women are extremely rare, for all the usual reasons. It is in the experience of those heroes who encountered the dakini that one finds the most information, and these experiences are invested with the value of spiritual meaning.[6]

What most sources agree upon is that Niguma was born into a rich Brahmin family in the town (or monastery) of Peme in Kashmir[7] in the 10th or 11th century. Her father was named Santivarman (Tib.: Zhi ba’i go cha) and her mother was called Shrimati (Tib.: dPal gyi blo gros ma).[1] According to different sources, Niguma was either the sister or consort of Naropa.[8] Her family relationship with Naropa is not entirely clear from the existing sources. One scholar who has done extensive research presents and discusses the available evidence and concludes that Niguma was indeed Naropa's older sister, not his wife or consort.[9]

Previous incarnations

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Niguma was considered an emanation of the great dakini Mandarava, Guru Rinpoche's foremost Indian disciple.[10]

Teachers

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There is almost no information about Niguma's teachers in the extant sources. As one scholar writes:

The only specific information about Niguma's teachers that I have from my sources is her connection with a certain Lavapa, according to two accounts by Taranatha. However Lavapa is not mentioned by name in Niguma's Life Story, where it says only that 'she directly saw the truth of the nature of phenomena just by hearing some instructive advice from a few adept masters.' The only two named masters in the Life Story are Naropa and Ratnavajra, and then only as cohabitants in Kashmir.[11]

Thus, from the perspective of the spiritual lineage, it is said that Niguma's spiritual realization originates directly from the Buddha Vajradhara, rather than from any living human teachers.[12]

Notable students and transmission lineages

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Sukhasiddhi

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There is some evidence that the great dakini and Vajrayana teacher Sukhasiddhi may have been a student of Niguma's. Other evidence indicates that they may never have met even while living during the same time period. Both Niguma and Sukhasiddhi were teachers of Khyungpo Neljor, and both Niguma and Sukhasiddhi are credited with the formation of the Shangpa Kagyu lineage of Vajrayana Buddhism.[13]

Marpa Lotsawa, or Marpa the Translator

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The great meditation master and translator, Marpa Lotsawa received teachings from Niguma on at least two occasions. Marpa is said to have visited Niguma each time he traveled to India. Sources say that he sought out Niguma on the advice of Naropa.[12][14] The story is told thusly, in The Life of Marpa:

Naropa said, "On the shores of the poison lake in the South, in the charnel ground of Sosadvipa,[15] is Jnanadakini Adorned with Bone Ornaments. Whoever encounters her is liberated. Go before her and request the Catuhpitha. You can also request of the kusulus there whatever teachings you desire." Having arrived in the charnel grounds at Sosadvipa, Marpa met this yogini, who was living in a woven grass dome. offering her a mandala of gold, he supplicated her. She joyfully gave him the full abhiseka and oral instructions on Catuhpitha.[16]

Another source says that Marpa's first visit to Niguma was suggested by Naropa and that a later visit to Niguma was suggested by Shantibhadra. During the first meeting, Marpa received the Catuhpitha empowerment and instructions. During his second visit with Niguma, he received prophecy about meeting Naropa again, even though Naropa had already died.[17]

Khyungpo Neljor

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Niguma had many important students during her lifetime. The Tibetan meditation master Khyungpo Neljor (Wylie: khyung po rnal 'byor) stands out both for his intensive travel to seek teachings and transmissions from qualified masters and also for receiving the entire corpus of teachings from Niguma that would become the basis of the Shangpa Kagyu lineage. Khyungpo Neljor traveled to Nepal and India seeking teachings and transmissions from a variety of teachers, including Niguma.[12] Some of Niguma's realization, and teaching style, can be seen in the description of Khyungpo Neljor meeting Niguma for the first time. While in India studying with various teachers, Khyungpo Neljor asked those he met if there were any teachers who had met the Buddha Vajradhara. He was told that Niguma had. So, he sought out Niguma in order to receive even higher levels of teaching from her. He found the dakini Niguma in the Sosa charnal ground of eastern India.[18] It is traditional for a student to request teachings and transmissions three times before they are bestowed. When Khyungpo Neljor first requested transmissions, Niguma is said to have replied in the code-language of the dakinis: "I am a flesh-eating dakini!" One source says that she claimed to be the queen of the cannibals.[12] Finally when Khyungpo Neljor again asked for transmissions, Niguma demanded gold from him. He had been traveling with great amounts of gold in order to make offerings to any teacher he met. When he offered the gold to Niguma, she threw it up into the air and it scattered throughout the forest. Then,

... her retinue of ḍākinī formed a maṇḍala, bestowing on Khyungpo Naljor the initiation of the Illusory Body (sgyu lus) and Dream Yoga, two sections that make up the Nigu Chodruk (ni gu chos drug), or Six Yogas of Niguma. Niguma then transported him to a golden mountain summit where she bestowed the complete Six Yogas, the Dorje Tsikang (rdo rje tshig rkang) and the Gyuma Lamrim (sgyu ma lam rim).[18]

Khyungpo Naljor then returned to Tibet, and established a monastery at Zhangzhong in the Shang region in western Tsang. This was his main seat, and he became known as the Lama of Shang. Although he was reputed to have founded hundreds of monasteries and had thousands of students, he passed the teachings of Niguma to only one of his students, Mochok Rinchen Tsondru. The Shangpa lineage is often referred to as the "secret lineage" because Niguma instructed Khyungpo Neljor to transmit the teachings to only one student for the first seven generations beginning with Vajradhara and Niguma. Niguma then passed the lineage to Khyungpo Neljor who passed it to Mokchokpa Rinchen Tsondru (1110-1170). After that, Niguma's lineage went to Wonton Kyergngpa (or Chokyi Senge, 1143–1216), Sangye Nyenton (or Rigongpa, 1175-1247/1255?), and Drogon Sangye Tonpa (1207-1278). At this point, the lineage stream was opened up and teachings and practices were given to many others.[19]

Thang Tong Gyalpo

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The famous architect, scholar, and yogi Thang Tong Gyalpo (1385–1464CE[20] or 1361–1485CE[21]) was one of Niguma's students,[22] yet in a unique way. He was instructed by Niguma in a vision two to three centuries after she lived.[23] He is well known for being a great Buddhist adept, a yogi, physician, blacksmith, architect, and a pioneering civil engineer. He is considered a reincarnation of Dolpopa Sherab Gyaltsen and founded the Iron Chain lineage (Wylie: thang lugs) of the Shangpa Kagyu school of Tibetan Buddhism which was founded by Niguma.

Teachings and spiritual practices

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Overview

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The legacy of Niguma's teachings and spiritual practices is still available today within the Shangpa Kagyu tradition.[24] Included in the corpus are songs and prayers (including aspiration prayers),[25] a sadhana cycle called The Six Dharmas of Niguma (see below),[26] mahamudra practices,[27] as well as unique sadhana practice cycles for Chakrasamvara,[28] and Hevajra.[29]

The Six Dharmas of Niguma or The Six Yogas of Niguma?

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Niguma brought forth a tantric sadhana cycle, a cohesive set of spiritual practices, referred to properly as the Vajra Lines of the Six Dharmas, sometimes also referred to as the Six Yogas of Niguma. This is a parallel to the more well known Six Yogas of Naropa. Yet, for both Niguma's and Naropa's Vajrayana sadhana cycles, it is more accurate to use the term six dharmas.

"The term yoga (sbyor ba) is never used for this set of practices in Tibetan, and they should not be confused with the Kālacaka tradition's group of six practices that are called yogas."[30]

Her six dharmas are as:
1.Inner fire (gtum mo)
2. Illusory body (rgyud lus)
3. Dreaming (rmi lam)
4. Clear light ('od gsal)
5. Transference of consciousness ('pho ba)
6. Intermediate state (bar do).[31]

The Six Dharmas of Niguma are classified as completion stage (rdzogs rim) practices focusing on controlling and refining the channels, winds, and energies of the subtle body. Details of the sadhana cycle brought forth by Niguma can be found in Selected Works of the Dalai Lama: The Tantric Yogas of Sister Niguma (Mullin (1985)). An interesting comparison of The Six Dharmas of Niguma with The Six Dharmas of Naropa can be found in Niguma: Lady of Illusion (Harding (2010), pp. 135–136).

References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Niguma (Sanskrit: Śrī-jñāna; Tibetan: ནི་གུ་མ་, Wylie: ni gu ma) was an 11th-century Indian and from , renowned in for her profound spiritual realizations and esoteric teachings. Born to the father Santivarman and mother in the illusory city of Peme (Anupama), she was the of the (956–1040 CE), though some accounts variably describe her as his consort. Niguma attained the rainbow body, a sign of complete enlightenment, after receiving direct instructions from the primordial buddha through the adept Lavapa, bypassing conventional lineages. Her teachings, particularly the Six Yogas of Niguma—comprising practices on heat (gtum-mo), illusory body (sgyu-lus), dream (rmi-lam), light (snang-ba), transference (pho-ba), and clear light ('od-gsal)—form the foundational esoteric cycle of the Shangpa (shangs pa bka' brgyud), one of the eight major practice lineages in . These instructions, along with the broader Five Golden Doctrines (gser chos lnga), were transmitted orally to the Tibetan Khyungpo Naljor (990–1139 CE), who founded the Shangpa lineage upon returning from in the late . Niguma's legacy emphasizes the principle of feminine wisdom and illusion, influencing tantric practices across Tibetan traditions, including revivals in the 19th century by the and in the by masters like . Seventeen texts attributed to her appear in the Tibetan Tengyur canon, though many were likely compiled by her disciples.

Early Life and Background

Birth and Family

Niguma was born in the 11th century in the town of Peme, known as "Incomparable" (: Anupama; Tibetan: dpe med), an illusory city located in , . This region served as a vibrant center of tantric Buddhism and during the 11th century, where Buddhist traditions, including practices, continued to flourish alongside Hindu influences under local dynasties, fostering an environment rich in esoteric teachings and scholarly pursuits. She was born into a prominent family, the highest caste in the Hindu social order, which provided access to education and ritual knowledge in a society where religious scholarship was highly valued. Her father was the scholar Shantivarman (Tibetan: Zhi ba'i go cha), though some accounts refer to him as Shantasamnaha, and her mother was (Tibetan: dPal gyi blo gros ma). She was the sister (or in some accounts, consort) of the (956–1040 CE). Niguma's at birth was Srijnana (Tibetan: dPal gyi ye shes), reflecting her family's emphasis on wisdom and learning. In traditional hagiographies, Niguma's origins include legendary elements portraying her as a self-arisen or emanation of , manifesting without ordinary human conception after accumulating merit over three incalculable eons, which underscores her innate enlightened qualities from birth. These accounts emphasize her early environment as one steeped in and spiritual potential, aligning with Kashmir's for mystical and magical traditions during that .

Initial Spiritual Aspirations

Despite her family's prominent lineage, Niguma, originally named Shrijnana, exhibited prodigious spiritual inclinations from an early age, amassing profound merit over three incalculable eons and hinting at her innate nature through exceptional wisdom and meditative aptitude. Hagiographic accounts portray her as a natural adept, rapidly grasping complex doctrines and displaying signs of advanced realization that set her apart as a yogic prodigy destined for enlightenment. Though accomplished in scholarly pursuits, Niguma grew deeply dissatisfied with the constraints of worldly existence, finding no lasting fulfillment in material or social obligations despite her mastery of Buddhist sutras, tantras, and even Hindu philosophical texts. This inner unrest compelled her to renounce familial duties and societal expectations, including the conventional role of marriage, in favor of a life dedicated to spiritual liberation and the pursuit of ultimate awakening. Driven by this aspiration, Niguma embarked on extensive travels throughout , seeking out renowned gurus to deepen her understanding of tantric and sutric traditions. Under their guidance, she accumulated vast esoteric knowledge, honing practices that cultivated direct insight into the nature of reality while progressively unveiling her latent qualities as a .

Spiritual Path and Realizations

Direct Teachings from

Niguma's enlightenment is attributed to a direct transmission of ultimate tantric teachings from , the primordial , received in visionary and subtle forms primarily through the adept Lavapa, without reliance on conventional human guru lineages. According to traditional accounts in the Shangpa Kagyu lineage, she encountered face-to-face, beholding his form and obtaining the four complete empowerments within an emanated maṇḍala, which conferred the profound instructions on illusory body and other advanced practices. These non-physical initiations marked the culmination of her path, transforming her ordinary perception into the direct realization of and inherent in all phenomena. Through this divine bestowal, Niguma attained the status of a , renowned as the "mistress of illusion" for her mastery over the deceptive nature of appearances. She manifested as a black , embodying fierce wisdom adorned with bone ornaments, often appearing in charnel grounds to feast and instruct worthy disciples. This form symbolized her complete transcendence of dualistic illusions, allowing her to emanate freely for the benefit of sentient beings while abiding in a at the tenth level, known as the Cloud of . Her realization integrated the three kayas—dharmakaya, sambhogakaya, and nirmanakaya—arising spontaneously from the purity of her mind. These attainments were rooted in Niguma's accumulation of merit and over three immeasurable eons, during which she engaged in vast practices of purification and dedication, ripening the conditions for Vajradhara's direct intervention in her lifetime. This extraordinary prelude underscores the rarity of her path, as such eons-long preparation enabled the instantaneous dawning of enlightenment upon receiving the primordial Buddha's instructions. The primarily nature of Niguma's core spiritual journey through Lavapa highlights her as a rare self-manifested , whose authority derived from Vajradhara's unmediated grace, distinguishing her lineage as one of sealed and purity. This direct lineage, often termed the "golden dharmas," preserved the teachings in their original form, transmitted to visionaries without dilution through successive links.

Connection to Naropa

Niguma is traditionally identified as the of the renowned Indian (956–1040 CE), both hailing from a prominent family in . According to Tibetan historical accounts, they shared the same parents, Santivarman and , with Niguma's given name recorded as Srijnana, aligning with references to Naropa's in his . Some Western interpretations, drawing on earlier translations, portray her instead as Naropa's consort or wife, a view attributed to scholar Herbert V. Guenther, though primary Tibetan sources such as the Blue Annals consistently describe her as his sibling (Tibetan: lcam mo or sring mo). This familial connection underscores their shared cultural and regional origins in 11th-century , where both engaged deeply with tantric Buddhist practices. While and Niguma pursued parallel spiritual paths within the tradition, their approaches diverged significantly in transmission and methodology. endured twelve major and minor trials under his guru to receive key instructions, embodying a rigorous, guru-dependent progression toward realization. In contrast, Niguma obtained her core teachings through a direct visionary transmission from the primordial buddha via Lavapa, bypassing conventional human intermediaries and emphasizing innate enlightenment. This distinction highlights Niguma's independent trajectory, as her path culminated in the attainment of the rainbow body, a profound dissolution into light, separate from 's earthly trials and teachings. Their teachings exhibit a shared emphasis on the illusory nature of phenomena (maya) and the of dakinis as vehicles for awakening, with Niguma's instructions presented in Tibetan sources as independent and parallel to 's rather than derivative. Both lineages stress the transcendence of dualistic perception through tantric yogas, with dakinis symbolizing the dynamic expression of enlightened awareness. Niguma's Six Yogas, for instance, integrate these elements in a framework that parallels Naropa's but adapts them for direct insight into and bliss, fostering a unique -centered . According to some hagiographies, directed his disciple Marpa to seek teachings from a adorned with bone ornaments, possibly Niguma, affirming her as a parallel authority. Historical debates surrounding Niguma's connection to often center on her relative compared to his more documented life, with scant primary records for her versus abundant accounts of . Tibetan sources like Taranatha's 17th-century histories and the Shangpa biographies consistently pair them hagiographically, yet Western scholars note overlaps and ambiguities in their life stories, suggesting possible or elements in Niguma's narrative. Such uncertainties stem from the oral and secretive nature of tantric lineages, where women's roles were less chronicled, but the enduring tradition upholds their sibling bond as foundational to the Shangpa lineage's legitimacy.

Core Teachings and Practices

The Six Yogas of Niguma

The Six Yogas of Niguma, also known as the Six Dharmas of Niguma, form a cornerstone of tantric practice within the Shangpa Kagyu tradition of , comprising a series of advanced meditative and yogic techniques aimed at realizing the nature of mind and achieving enlightenment in a single lifetime. These practices were directly revealed to Niguma by the primordial in visionary encounters, distinguishing them as a unique oral transmission unmediated by textual lineages common in other systems. Niguma subsequently transmitted them orally to her primary disciple Khyungpo Naljor in the , who founded the Shangpa Kagyu lineage, ensuring their preservation through restricted guru-disciple instructions rather than widespread scriptural dissemination. The core components of the Six Yogas mirror the structure of similar systems but feature distinct emphases tailored to Niguma's realization. They begin with inner yoga (gtum-mo), which involves breath control, visualization, and physical exercises to generate psychophysical energy (bindu) along the central channel, melting the white drop at and producing blissful to dissolve ordinary dualistic perceptions. This is followed by illusory body yoga (sgyu-lus), where practitioners meditate on the body as a mere projection of mind, like a mirage, to realize the empty, luminous nature of all phenomena and purify the aggregates. (rmi-lam) builds on this by cultivating lucidity in sleep states, transforming dreams into opportunities for recognizing the mind's empty and practicing within non-lucid and lucid dreams alike. The sequence advances to clear light yoga ('od-gsal), focusing on the subtlest level of mind beyond conceptual elaboration, accessed through the dissolution of coarser elements during deep or near-death experiences. Transference yoga (pho-ba) teaches the ejection of consciousness through the crown aperture at death to achieve liberation or rebirth in pure lands, emphasizing control over vital winds. Finally, (bar-do) addresses the post-death bardo phases, guiding the practitioner to recognize and avoid rebirth by integrating prior yogas into the dying process. These elements are outlined in Niguma's source verses and commentaries, such as those preserved in the Shangpa cycle. Unique to Niguma's system is a pronounced emphasis on as the fundamental quality of samsara and nirvana, with the serving as a central pivot that infuses all practices with the understanding of phenomena as dreamlike displays of mind, often visualized through figures embodying and . This contrasts with Naropa's Six Yogas by placing greater weight on feminine manifestations—such as Niguma herself appearing as a dark-blue —and integrating physical trulkhor exercises (up to 25 sets, including 18 principal yogic postures) to activate channels, winds, and drops, fostering a more embodied, non-monastic approach suitable for lay practitioners. activity is woven throughout, portraying enlightenment as a dynamic interplay of bliss and , realized through consort practices or visionary unions in some transmissions. The practices follow a rigorous step-by-step progression, beginning with extensive preliminaries (ngondro) including refuge, , and purification to prepare the practitioner's channels and winds. Mastery of inner heat unlocks the central channel, enabling progression to illusory body and dream yogas, where dualistic clinging is dissolved through sustained on and . then reveals the mind's innate purity, while and yogas apply these realizations to the death process, culminating in the "vajra yoga seal" of non-dual awareness. This sequential path demands disciplined retreat practice under a qualified , with signs of accomplishment (e.g., the ten signs in ) marking advancement toward full .

Mahamudra and Other Instructions

Niguma's teachings on represent a profound emphasizing the direct realization of the mind's nature as empty, luminous, and self-liberating, distinct from preparatory yogic practices. In her Vajra Verses of the Self-Liberating , she instructs practitioners to rest in the uncontrived innate state, allowing thoughts to arise and dissolve without modification, revealing their lack of intrinsic nature. This approach, received directly from in visionary encounters, underscores as the spontaneous liberation of phenomena within the mind's expanse, free from acceptance or rejection. Among the seventeen works attributed to Niguma in the , several focus on and complementary realizations, including source verses for the practice and commentaries elucidating as the union of clarity and awareness. Key themes in these texts include the inseparability of samsara and nirvana, where all appearances are mind-only, and devotion as the gateway to non-dual wisdom. For instance, her instructions on highlight the illusory quality of phenomena, urging recognition of their empty essence to transcend dualistic grasping. These works, preserved in the Shangpa tradition, prioritize experiential insight over ritual elaboration. Niguma's guidance on integrates visualization and devotion to dissolve ego-clinging, beginning with meditating on the root guru at in Vairocana's posture, invoking timeless as blazing along the central channel to receive nectar-like blessings. Practitioners then dissolve the visualization into , embodying bliss-. This practice fosters unwavering faith in the guru as the embodiment of enlightenment, essential for realization. Devotion to dakinis forms a core element of her instructions, portraying them as manifestations of energy that dispel obscurations and reveal innate . Niguma, revered as a , teaches supplications and offerings to invoke dakini blessings, transforming ordinary perceptions into enlightened activity through their dynamic presence. Her teachings on integrating into daily life instruct viewing all sensory experiences as dream-like and baseless, training the mind to recognize appearances as the play of without reification. This non-yogic path applies insight continuously, turning mundane activities into opportunities for liberation by maintaining awareness of phenomena's illusory nature. These original Indian formulations emphasize direct transmission and personal verification, differing from later Shangpa adaptations that incorporate Tibetan commentarial frameworks while preserving the core emphasis on unmediated realization.

Legacy and Lineage

Primary Disciples

Niguma's primary disciple was Khyungpo Naljor (born 990 CE), a Tibetan from the Khams region who traveled extensively to seeking profound teachings. After consulting numerous Indian masters, Khyungpo Naljor was directed to Niguma, whom he encountered in the Sosa (or Sosadvipa) in eastern . There, she initially appeared as a fierce, flesh-eating black adorned in bone ornaments, warning him of the dangers of her retinue before accepting offerings of and bestowing oral transmissions. Khyungpo Naljor's meetings with Niguma occurred on three occasions: once in a dream and twice in visionary person, including a transport to a golden mountain summit where she formed a mandala with her dakini retinue to impart empowerments such as the illusory body initiation on the fifteenth day of the Vaiśākha month. During these encounters, Niguma transmitted the core instructions of the Six Yogas of Niguma, along with practices like Dorje Tsikang and Gyuma Lamrim, emphasizing their secrecy until the seventh lineage holder. She prophesied that Khyungpo Naljor would establish a distinct lineage in Tibet based on these teachings. In parallel, Sukhasiddhi, another eminent female master and disciple of Virupa, served as a co-transmitter of complementary instructions to Khyungpo Naljor, showing him special kindness through a lineage from via Nairātmyā, Sukhasiddhi, Āryadeva, and finally to him. Unlike Niguma's fierce demeanor, Sukhasiddhi manifested as a peaceful, light-skinned figure, contributing to the balanced foundation of the Shangpa tradition through her role as one of Khyungpo Naljor's root gurus. Historical accounts clarify that figures such as Marpa Lotsawa, a student of , were not disciples of Niguma, as their lineages remained distinct despite shared roots. Similarly, later masters like received visionary transmissions from Niguma but did not form part of her immediate disciple circle through Khyungpo Naljor.

Transmission and Shangpa Kagyu

Khyungpo Naljor (990–1139), a Tibetan yogi who made multiple journeys to and , received the core teachings of Niguma directly from her in a visionary encounter and was instructed to transmit them to only one disciple per generation for seven successive holders, establishing the Shangpa Kagyu lineage upon his return to in the 11th century. This "secret lineage," as it became known, emphasized oral transmission and meditative practice over widespread dissemination, with Khyungpo Naljor founding the at Shang Shung as its initial seat. The primary transmission line, often called the Iron Chain lineage, maintained an unbroken chain from Vajradhara through Niguma to the seven "jewels" of the lineage: Khyungpo Naljor, Mokchokpa Rinchen Tsöndru, Kyergangpa Chökyi Sengé, Rigongpa Sangpo Drakpa, and culminating with Sangye Tönpa (1213–1285), who first expanded the teachings to multiple disciples, allowing broader proliferation. Over time, Shangpa instructions integrated into other Tibetan schools, including the , , , and traditions; for instance, Tsongkhapa (1357–1419) received key empowerments through the Jagchen lineage, while the Drugpa Kagyu incorporated elements via masters like Lorepa Wangchuk Tsöndrü (1187–1250). Prominent later holders further shaped the lineage's evolution, such as (1361–1485), a visionary who reportedly received direct transmissions from Niguma on three occasions and integrated Shangpa practices with his broader tantric and endeavors, helping preserve the "close lineage." In the , the tradition experienced significant revival under (1905–1989), who, having completed traditional retreats and received full transmissions, established three-year retreat centers in and , disseminated the teachings non-sectarianly through the , and introduced them to Western practitioners via centers in and . His recognized , the 2nd (born 1990), continues to disseminate the teachings globally, including through retreats and online programs as of 2025. Today, Shangpa Kagyu practices, centered on Niguma's Six Yogas and related instructions, continue in and monasteries such as Benchen and Tsurphu, as well as independent centers like those founded by Kalu Rinpoche's successors, including the Shangpa Foundation and Sukhasiddhi Institute, where they are taught alongside other traditions to address historical gaps in documentation and ensure ongoing vitality.
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