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The Parlor of the Nuns at San Zaccaria, by Francesco Guardi, 1745-50

A parlour (or parlor) is a reception room or public space. In medieval Christian Europe, the "outer parlour" was the room where the monks or nuns conducted business with those outside the monastery and the "inner parlour" was used for necessary conversation between resident members. In the English-speaking world of the 18th and 19th century, having a parlour room was evidence of social status.

Etymology

[edit]
A Greek Revival parlour in the Metropolitan Museum of Art

In the early 13th century, parlor originally referred to a room where monks could go to talk, derived from the Old French word parloir or parler ("to speak"), it entered the English language around the turn of the 16th century.[1][2]

History

[edit]

The first known use of the word to denote a room was in medieval Christian Europe, when it designated the two rooms in a monastery where clergy, constrained by vow or regulation from speaking otherwise in the cloister, were allowed to converse without disturbing their fellows. The "outer parlour" was the room where the monks or nuns conducted business with those outside the monastery. It was generally located in the west range of the buildings of the cloister, close to the main entrance. The "inner parlour" was located off the cloister next to the chapter house in the east range of the monastery and was used for necessary conversation between resident members.

It was the function of the "outer parlour" as the public antechamber of the monastery that was adapted into domestic architecture. In the early modern period homes became larger and concepts of privacy evolved as material prosperity was more widely shared. Rooms were increasingly set aside for the reception of guests and other visitors, screening them from the rest of the home. Although aristocratic homes might have state rooms, the frequent name for this reception room among the emerging middle classes (not likely to host state functions or royalty) was the "parlour".

Makart-style parlour, by Georg Janny

In the English-speaking world of the 18th and 19th century, having a parlour room was evidence of social status. It was proof that one had risen above those who lived in one or two rooms. As the parlour was the room in which the larger world encountered the private sphere of middle class life (the family's face to the world) it was invariably the best room (it was often colloquially called that) in the home. The parlour frequently displayed a family's best furnishings, works of art and other status symbols.[3]

Chamaedorea elegans, parlour palm, was one of several houseplants regularly grown in a parlour due to its ability to cope with low light and cooler temperatures.[4]

The parlour was used for receptions on formal family occasions such as weddings, births and funerals. Some tradespeople used the parlour of their houses (or later houses bought specifically for business) in the service of their businesses. Hence, funeral parlours (for those who wished to lay out their deceased in a grander style than their own home), beauty parlours, and the like.

In the 20th century, the increasing use of the telephone and automobiles, as well as the increasing casualness of society, led to the decline of formal reception rooms in domestic architecture in English-speaking countries. The secondary functions of the parlour for entertaining and display were taken up by various kinds of sitting rooms, such as the living room in North American usage and the drawing room in British countries.

Despite its decline in domestic architecture, the term parlour continues to have an afterlife in its second meaning as nomenclature for various commercial enterprises. In addition to "funeral parlour" and "beauty parlour" (mentioned above), it is also common to say "betting parlour", "billiard parlour", "ice cream parlor", "pizza parlour", "massage parlour", "tattoo parlour" and "cafe parlor". Less common uses include "beer parlour",[5] "wine parlour",[6] "spaghetti parlour",[7] and "coffee parlour".[8]

The dialect-specific usage of this English term instead of another (i.e., as opposed to "ice cream shoppe" or "pizzeria") varies by region.[citation needed]

See also

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Parlour

View on Grokipedia
from Grokipedia
A parlour (British English spelling; "parlor" in ) is a formal sitting room in a private home, traditionally reserved for receiving and entertaining guests, often located near the entrance to provide a welcoming yet semi-private space for and social interaction. The term originates from the parleor (12th century), derived from the verb meaning "to speak," reflecting its initial purpose as a designated area for . By the early 13th century, it entered English as "parlour," initially referring to a monastic room where monks could converse, breaking the silence of their vows, and evolving by the late into a private chamber off a main hall for confidential talks. In the 16th to 19th centuries, the parlour became a staple in middle- and upper-class English homes, serving as the family's most elegantly appointed room for hosting visitors, displaying through fine furnishings like sofas, tables, and decorative items, and hosting events such as teas or games. During the (1837–1901), it functioned as a "" for formal occasions like weddings, funerals, and parlor games, often cluttered with bric-a-brac, pianos, and elaborate moldings to showcase wealth and gentility, while everyday family activities occurred in less formal areas. By the early , shifting social norms toward informality led to the parlour's decline in everyday use, with many homes repurposing it as a more relaxed "" for family relaxation and casual entertaining, though the concept persists in historic restorations and period architecture.

Terminology and Etymology

Origins of the Word

The word parlour derives from the parleor or parloir (12th century), denoting a "speaking " or , which stems from the verb meaning "to speak." This verb parler traces back to parabolare ("to speak"), derived from Latin parabola ("speech, discourse; comparison"), ultimately from Greek parabolē ("a throwing beside" or "comparison"). In medieval Christian Europe, from around 1200, the term initially described monastic spaces designed for limited verbal exchange. The "outer parlour" in monasteries and nunneries functioned as a designated area for controlled conversations between and outsiders, such as visitors or laypeople conducting business, while preserving the separation from inner cloistered zones where vows of prevailed. This setup emphasized regulated interaction, often through or partitions, to uphold monastic discipline. By the late , the meaning shifted in English usage to a adjacent to the main hall that offered for talks. In the early , it denoted the public reception area of a private residence, evolving further by the into a dedicated sitting or reception space in homes, differentiated from larger, more communal halls.

Spelling Variations and Regional Usage

The spelling of the term for the reception has varied primarily between "parlour" and "parlor," a divergence rooted in 19th-century orthographic reforms led by lexicographer . In his 1828 An American Dictionary of the English Language, Webster advocated simplifying spellings to distinguish from British influences, dropping the "u" in words ending in -our, such as changing "" to "honor" and "parlour" to "parlor," as part of a broader effort to foster national linguistic independence. This reform gained traction in the United States, where "parlor" became the standard by the mid-19th century, while "parlour" persisted in Britain as the traditional form derived from the parleor. In other English variants, usage aligns more closely with British conventions. Australian English predominantly employs "parlour," reflecting its historical ties to British colonization and adherence to spelling norms. similarly favors "parlour" in formal and traditional contexts, though American-influenced "parlor" appears in informal or U.S.-proximate usage, creating a hybrid pattern influenced by proximity to the . By the late , the term extended beyond domestic rooms to non-residential spaces, such as "," which emerged in the around as a public venue for serving treats in a conversational setting, evoking the social function of the original room but distinct in commercial purpose. Similarly, "beauty parlor" arose in the same era as a designation for hairdressing and grooming establishments, borrowing the connotation of a refined reception area for . The everyday application of the term for a home reception room declined sharply in the 20th century, particularly after , as societal shifts toward informality rendered the formal parlor obsolete in favor of multifunctional "living rooms." High maintenance costs, infrequent use, and perceptions of the space as overly stiff contributed to its replacement by casual family areas, though "parlour" or "parlor" endures in historical restorations, literary references, and preserved architectural contexts. Non-domestic extensions like "" and "beauty parlor" have likewise waned in modern usage, often supplanted by terms such as "shop" or "salon," but persist in branding for nostalgic appeal.

Historical Evolution

Medieval and Early Modern Periods

The parlour, known as the locutorium, appeared in European monastic architecture as early as the 9th century, with notable 12th- and 13th-century examples such as the Royal Monastery of Santes Creus in serving as a designated room adjacent to the where monks could engage in necessary conversations with visitors or fellow religious, thereby providing a limited exception to the strict rule of silence observed elsewhere in the . This semi-public space facilitated external interactions, such as or family visits, without allowing outsiders full access to the sacred monastic enclosure, and it was typically positioned near the chapter house for practical oversight. Examples include the parlour at the Royal Monastery of Santes Creus in , which connected the main and rear s to serve these dual purposes of controlled dialogue. During the late medieval and periods (13th to 17th centuries), the parlour transitioned into secular domestic settings across , particularly in affluent households, where it functioned as a withdrawing room—a private retreat separate from the noisy —for family members or select guests to converse, dine, or relax in greater comfort and intimacy. In , this evolution aligned with architectural shifts toward compartmentalized spaces, enabled by improved chimneys and hearths that allowed for heated, enclosed s beyond the central hall. The room's name reflected its communicative purpose, deriving from the parler (to speak), emphasizing its role as a venue for speech amid the era's growing emphasis on in elite homes. Prominent examples from Tudor illustrate this development in manor houses, where parlours became smaller, specialized areas for intimate gatherings. At in , built starting in 1490, the Oak Parlour—dating to around 1567—features a carved overmantel depicting the Norris family lineage and a Jacobean plaster ceiling from 1612 adorned with symbolic motifs like Tudor roses and heraldic elements, providing a heated, paneled environment distinct from the public hall. Similarly, in featured a Tudor parlour with a painted ceiling of roses and intricate heraldic paneling, underscoring the room's status as a marker of refined domestic life.

19th Century Developments

In the 19th century, particularly during the Victorian era, the parlour rose to prominence as a standard feature in middle-class homes across Britain and America, driven by rapid urbanization and the expansion of the middle class. The Industrial Revolution, accelerating after the 1830s, facilitated population growth and economic shifts that led to widespread speculative building of row houses and suburban villas, where parlours became essential spaces for displaying social status. In Britain, this era saw a dramatic increase in housing for the burgeoning middle class, with parlours typically measuring around 30 by 20 feet, serving as dedicated rooms for formal social interactions. Similarly, in America, urbanization in cities like Long Beach, California, integrated parlours into middle-class dwellings as symbols of gentility and respectability. Parlours functioned primarily for , , and formal visits, embodying the era's emphasis on propriety and . In American homes, such as those in the Rancho Los Cerritos Historic Site, parlours housed elaborate furnishings like sets to impress visitors and facilitate under supervised conditions, reinforcing social hierarchies and family status. Influenced by the Industrial Revolution's of affordable yet ornate furniture, these spaces enabled middle-class families to mimic elite customs, with formal visits often centered on displaying heirlooms and hosting structured entertainments. rituals further defined their role, as parlours accommodated wakes where the deceased lay in state, surrounded by family and friends for vigils lasting up to several days to ensure against . By the late , the parlour reached its peak as a "" reserved for solemn rituals like wakes, where customs such as drawing curtains, stopping clocks, and covering mirrors created an atmosphere of reverence and spiritual containment. However, signals of decline emerged around the , as shifting cultural values favored casual family interactions over formal displays, leading to the gradual replacement of single-purpose parlours with multipurpose family rooms. This transition reflected broader societal moves away from Victorian rigidity, with parlours increasingly viewed as impractical and showy by the early .

Design and Function

Architectural Features

The parlour, as a distinct room in historical homes, was typically positioned as the front-facing space near the main entrance, providing immediate visibility to the street and serving as a buffer between public access and private areas. In English and American from the medieval period onward, this placement allowed for natural light through prominent windows, often bay or designs in later eras, while fireplaces ensured warmth in cooler climates. For instance, in Victorian-era terraced housing, the parlour was commonly the first room off the entry, facilitating both reception and separation from rear living spaces. Key structural elements emphasized privacy and formality, including separate access via ornate doorways or archways connecting to hallways, which minimized intrusion into household activities. In the hall-and-parlor plan prevalent in early modern and colonial America, the smaller parlour adjoined the larger hall with a single off-center exterior door, often timber-framed and featuring a central stack for the . English designs frequently incorporated alcoves or niches along walls for spatial , as seen in Georgian-influenced layouts, while American variants in Federal-period homes maintained simpler partitions without extensive hallways, prioritizing compact efficiency. These features evolved to include fluted chimneys and multi-pane windows by the , enhancing ventilation and aesthetic prominence. Over time, parlour adapted from rudimentary medieval constructions to more refined 19th-century configurations, reflecting advancements in materials and building techniques. Early versions in medieval hall houses often featured stone or beaten-earth floors for durability in damp environments, with exposed timber beams and minimal glazing. By the Victorian period, these spaces transitioned to carpeted floors over wooden substructures and wallpapered walls for improved insulation and visual appeal, while retaining core elements like bay projecting outward for expanded views and light. Such changes underscored a shift toward comfort and status in urban dwellings, with remaining a constant focal point for heat distribution.

Furnishings and Decor

In the , English parlours featured upholstered sofas and settees covered in rich fabrics such as scarlet velvet or , often paired with armchairs in styles by designers like or , emphasizing comfort and grandeur. emerged as a dominant wood for these pieces, valued for its durability and fine grain, while side tables with tops and writing desks completed the core furnishings, supporting formal social interactions. stuffing typically included for resilience, contributing to the formal posture encouraged in these spaces. By the , Victorian parlours standardized around seven-piece furniture suites, including a sofa, armchair, lady's chair, and four side chairs, upholstered in , , or brocades to convey and status. Woods like , , and were preferred for their exotic appeal and carving potential, with inlaid details on center tables and occasional tables for service. continued as a key stuffing material, paired with deep or coverings to evoke warmth and luxury. Decorative elements in parlours emphasized ornamentation and reflection, with large gilt-framed mirrors positioned over marble mantelpieces to amplify light and space. Mantelpiece ornaments included porcelain figurines and Parian ware statues, alongside étagères displaying ferns, aquaria, or peacock feathers for a touch of nature amid formality. Wall hangings featured elaborate swagged drapes with fringes or William Morris wallpapers in dark olive green, complemented by oriental rugs and lace "glass" curtains at windows to filter daylight softly. Color schemes in both periods favored opulent tones, with 18th-century parlours using scarlet reds and gilt accents for vibrancy, evolving into Victorian deep reds, golds via gilt frames, and accents in ornaments to create an atmosphere of refined prosperity. Pre-electricity, gas lighting fixtures like wall sconces or chandeliers provided illumination, though candles and oil lamps supplemented them in more conservative parlours.

Social and Cultural Role

In Domestic Life

In 19th-century households, particularly among the middle and upper classes, the parlour functioned as the dedicated space for receiving visitors through formal social calls, often accompanied by afternoon rituals that emphasized genteel conversation and . These gatherings, typically held in the afternoons or on Sundays, allowed families to showcase their refinement without daily intrusion into the room's sanctity. In many households, the parlour was kept unused on a day-to-day basis, with doors firmly closed to preserve a dust-free environment and protect delicate furnishings from everyday wear, though usage varied by class and region—working-class homes often lacked a dedicated space or used it more multifunctionally. Occasional family activities, such as singing at a on Sunday evenings, might occur in the parlour, reinforcing social bonds in a controlled setting. However, in many households, routine family use was minimal, as the space's primary role centered on external interactions rather than internal domesticity. This selective access highlighted the parlour's role in structuring household routines around propriety and infrequent, purposeful gatherings. The parlour often served as a women's domain, where middle-class women engaged in pursuits like , , and playing to cultivate and display their accomplishments. These activities underscored its gendered exclusivity within the home. Maintenance of the parlour involved rigorous weekly cleaning rituals, including scouring surfaces, polishing grates and fire-irons, and sweeping carpets to ensure a pristine, dust-free state reflective of status. Doors were commonly kept firmly closed to restrict children's entry, preventing damage to ornate decor and upholding the room's formal aura as a preserved showcase rather than a lived-in area. These practices, overseen by the lady of the house or housemaids, demanded significant effort to align with Victorian ideals of domestic order.

Symbolism and Status

In 19th-century society, the parlour emerged as a key , where elaborate furnishings such as pianos, tables, and upholstered sofas showcased a family's and social standing. Double parlours, in particular, signified affluence by dedicating substantial space exclusively to formal entertaining, a luxury that underscored respectability amid rising middle-class aspirations. This emphasis on opulent domestic presentation aligned with broader cultural pressures to maintain appearances, as depicted in Jane Austen's novels, where drawing rooms—often interchangeable with parlours in Regency contexts—highlighted class distinctions and the performative nature of social propriety, such as the General Tilney's boasts about their cost and elegance in . The parlour also carried strong moral connotations as a space enforcing "proper" behavior and etiquette, particularly during courtship and funerals, where it facilitated controlled social interactions reflective of Victorian ideals of restraint and decorum. In courtship rituals, young couples met in the front parlour under chaperone supervision, engaging in subdued activities like conversation or piano playing to uphold modesty and familial oversight. For funerals, the parlour served as a sacred site for viewings and mourning gatherings, hosting the deceased amid formal solemnity to honor communal grief and ethical norms. In the Southern United States, these functions intertwined with hospitality traditions, where the parlour's formal setup reinforced regional values of gracious entertaining and kinship ties, often through women's handwork during visits. By the 20th century, the parlour faced critiques as an outdated and ostentatious relic, emblematic of rigid hierarchies that clashed with emerging egalitarian values. Observers like Lillian Hart Tyron in 1915 described it as a tense, underutilized space burdened by maintenance costs, prompting its evolution into the more democratic living room amid post-World War I shifts toward informality and women's expanded roles. Publications such as Ladies' Home Journal in 1910 further lambasted its association with death and formality, advocating a reimagining to foster lively family life over performative status.

Modern Interpretations

Transition to Living Room

The transition from the formal parlour to more casual living spaces began in the early , influenced by economic shifts, which encouraged multifunctional rooms over dedicated formal areas reserved for guests. These changes reduced the emphasis on elaborate parlour displays, as households adapted to changing lifestyles with spaces that served daily needs rather than ceremonial ones. By the 1920s, the term "" gained popularity in the United States through magazines like , where editor promoted it as a more approachable alternative to "parlour," reflecting a desire for rooms centered on everyday living rather than stiff formality. Key drivers of this shift included the advent of in and television in the 1940s and 1950s, which transformed into central hubs for family entertainment and information consumption, drawing people away from isolated parlours toward open, shared areas. During the , economic constraints further diminished parlour usage, as families prioritized practical, versatile spaces amid financial hardship, with radios becoming focal points for communal listening, such as President Franklin D. Roosevelt's . The rise of television post-World War II amplified this trend, as sets were integrated into living room designs, encouraging furniture arrangements oriented around screens and fostering informal gatherings that merged former parlour functions like receiving visitors with daily relaxation. Following , the suburban housing boom in the United States solidified the living room's dominance, as new homes featured larger, integrated spaces that absorbed parlour roles while accommodating growing middle-class families and consumer technologies. Levittown-style developments and similar projects emphasized open-plan living rooms connected to kitchens and family areas, promoting casual domestic life over segregated formality, driven by postwar affluence and the GI Bill's housing incentives. Regionally, the parlour's decline varied; in the , "living room" largely supplanted it by mid-century, whereas in the , terms like "sitting room" persisted alongside "living room," maintaining a blend of formal and informal connotations in domestic through the .

Contemporary Usage

In efforts, restored parlours serve as key features in museums and bed-and-breakfast establishments, allowing visitors to experience original Victorian-era setups. For instance, guided historic tours in , highlight meticulously restored parlour ceilings, walls, and woodwork, often accompanied by original furnishings to illustrate 19th-century domestic life. Similarly, award-winning historical B&Bs like the Laurium Manor Inn in preserve parlour spaces with period decor, emphasizing authenticity in their 2025 operations to attract guests seeking immersive heritage stays. These restorations not only maintain architectural integrity but also educate on parlours' roles as formal reception areas, with organizations like the Cape May MAC offering self-guided tours of private Victorian homes and inns that showcase such preserved interiors. Modern adaptations of the parlour concept appear in luxury homes and short-term rentals, where formal reception rooms function as elegant entry points for entertaining. Homeowners increasingly repurpose underutilized spaces into contemporary parlours designed for and relaxation, incorporating flexible furniture arrangements to blend historical charm with modern comfort. In high-end Airbnbs, such as restored carriage houses blending historic elements with luxury amenities, these rooms provide intimate gathering spots for guests, often featuring curated vintage pieces alongside sleek updates. The term "parlour" also extends to niche commercial spaces like studios, which borrow it to evoke private, personalized service environments reminiscent of traditional sitting rooms, a usage rooted in the word's evolution to denote intimate service-oriented establishments. Cultural revivals have fueled 21st-century interest in parlours, driven by period dramas and practices. The influence of has popularized opulent, layered interiors with rich fabrics and historical motifs, inspiring homeowners to revive parlour-style rooms for a sense of grandeur in everyday living. Concurrently, sustainable trends emphasize , where old parlours in historic homes are repurposed with eco-friendly materials like reclaimed wood, reducing waste while preserving —evident in 2025 hospitality projects transforming period buildings into modern venues. This resurgence positions the parlour not as a relic of the 20th-century shift to open living rooms, but as a versatile space for mindful, conversation-focused design in contemporary settings.

References

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