Recent from talks
Contribute something
Nothing was collected or created yet.
Lobby (room)
View on Wikipedia
A lobby is a room in a building used for entry from the outside,[1] sometimes referred to as a foyer, entryway, reception area or entrance hall.[2] It is often a large room or complex of rooms (in a theatre, opera house, concert hall, showroom, cinema, etc.) adjacent to the auditorium. It may be a repose area for spectators, especially used before performance and during intermissions, but also as a place of celebrations or festivities after performance. In other buildings, such as office buildings or condominiums, lobbies can function as gathering spaces between the entrance and elevators to other floors.
Since the mid-1980s, there has been a growing trend to think of lobbies as more than just ways to get from the door to the elevator but instead as social spaces and places of commerce.[3][4] Some research has even been done to develop scales to measure lobby atmosphere to improve hotel lobby design.[5] Many office buildings, condominiums, hotels and skyscrapers go to great lengths to decorate their lobbies to create the right impression and convey an image.[6][7][8]
Etymology
[edit]The word "lobby" comes from Medieval Latin lobia, laubia or lobium.[1]
Gallery
[edit]-
Opera House of Paris, Palais Garnier's grand salon
-
Lobby at the Sokos Hotel Torni in Tampere, Finland
-
Elevator lobby at the InterContinental Hotel, Singapore
-
Lobby of the Crowne Plaza Vientiane hotel in Laos
-
Pszczyna Castle in southwestern Poland
-
Lobby of the InterContinental Mauritius Resort Balaclava Fort
-
Reception area of the Hudson Institute in Washington, D.C.
-
Lobby of Synetic Theater in Crystal City, Virginia
-
Entryway of an apartment in the United States, looking at the front door
-
A "mudroom" at Camp Warren summer camp, Minnesota
-
Lobby at a leasing office
See also
[edit]References
[edit]- ^ a b Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica. Vol. 16 (11th ed.). Cambridge University Press. p. 836.
- ^ Oxford American Writer's Thesaurus. Oxford University Press. 2012. p. 358. ISBN 978-0-19-982992-7.
- ^ Goldberger, Paul (13 May 1984). "LOBBIES COMING BACK INTO THEIR OWN". The New York Times – via NYTimes.com.
- ^ "Office lobbies become new battleground in landlords' fight to boost | Long Island Business News | Find Articles at BNET.com".
- ^ Countryman, Cary Carl (1 January 2001). "An atmospheric scale for the evaluation of hotel lobbies". Theses and Dissertations Available from ProQuest: 1–118.
- ^ "USATODAY.com - Hotels hope visitors check out livelier, upgraded lobby". usatoday30.usatoday.com.
- ^ "Lobbying for space: renovated and revived office building lobbies seek to make the segue from garages and the street inviting to office workers and pedestrians alike - Style - Brief Article | Los Angeles Business Journal | Find Articles at BNET.com".
- ^ A Building Lobby, "Way of Design, Book One" Archived 2007-01-05 at the Wayback Machine
Lobby (room)
View on GrokipediaDefinition and Terminology
Definition
A lobby is the entrance hall or foyer of a building, serving as the primary transitional interior space immediately following the entrance door, where visitors, guests, and residents are initially received and directed toward other areas such as elevators, staircases, or reception desks.[1] This space acts as the "public face" of the building, designed to welcome and orient occupants while controlling access and facilitating circulation.[1] It typically encompasses foyers, entry halls, and security screening zones at or near the building's ingress, emphasizing a balance of functionality, security, and user experience.[1] Distinguished from a vestibule, which is a smaller enclosure often functioning as an air lock to reduce heating or cooling loss, a lobby is generally larger and more accommodating, intended for temporary gathering, waiting, or brief interactions rather than mere passage.[1] Unlike outdoor features such as porticos or covered entrances, the lobby is strictly an indoor environment that bridges the exterior threshold with the building's core, using durable finishes and flexible layouts to support diverse activities.[1] For instance, in office buildings, lobbies may include secure entry points with visitor screening, while in residential complexes, they often integrate amenities like mailboxes for resident convenience.[1]Etymology
The word "lobby" originates from Medieval Latin lobium or lobia, denoting a covered walk, portico, or gallery, particularly in monastic or architectural contexts around the 14th century.[14] This term likely derives from a Germanic source, such as Frankish laubijā meaning "arbor" or "shelter," related to words for leaf or foliage, evoking a shaded or enclosed passageway.[3] It also appears in Old French as lobie, referring to a similar covered walkway or gallery around a courtyard.[15] The term entered English in the mid-16th century, initially describing a cloister or covered walk in a monastery, with the earliest recorded use around 1563.[14] By the late 16th century, around the 1570s–1590s, it had evolved to mean a room or corridor adjoining a hall in large houses, serving as a waiting area or passageway.[3] In the 17th century, the sense extended to parliamentary contexts, such as the waiting areas outside legislative chambers like the House of Commons. The political sense of gathering to influence proceedings developed in the late 18th century, giving rise to the verb "to lobby" in the 1830s.[3][16] Over time, the meaning underwent semantic shifts, influenced by related terms like Italian loggia (an open-sided gallery), which shares the same Medieval Latin root laubia.[17] By the 19th century, "lobby" had broadened to denote a general entrance hall or vestibule in public buildings, emphasizing its role as a transitional space rather than a strictly architectural feature.Historical Development
Origins in Medieval Architecture
The earliest architectural precedents for lobbies appeared in 12th- to 14th-century European monasteries, castles, and manors, where they functioned as "lobiae" or covered galleries offering sheltered access and communal waiting areas. The term "lobby" itself derives from Medieval Latin laubia or lobia, denoting a covered walk within monastic complexes, derived from a Germanic root related to arbors or leaf-covered shelters.[3] These spaces evolved as essential transitional elements in monastic layouts, providing protection from inclement weather while facilitating movement and initial interactions between residents and visitors. In cooler northern European climates, they contrasted with more open ancient designs by emphasizing enclosed arcades to maintain usability year-round. A prominent example is found in the cloister walks of Cistercian abbeys, such as those at Fountains Abbey in England, constructed beginning in the 1130s under the order's austere principles. The cloisters there, featuring arcaded walkways of local Nidderdale marble and sandstone surrounding a central garth, served monks for daily processions, study, and exercise, while also acting as reception zones for guests arriving at the abbey.[18] These covered passages buffered the harsh Yorkshire weather, allowing sheltered waiting before entry into the church or chapter house, and exemplified the lobia's role in organizing monastic life around contemplative yet practical circulation. Similar features appeared in other 12th-century English abbeys, like Rievaulx, where cloister alleys provided communal benches for reading or deliberation. In secular contexts, entrance halls in Gothic residences and castles during the 13th and 14th centuries mirrored these monastic forms, serving as vestibules between the public exterior and private interiors. For instance, in manors like those of the emerging gentry class, such halls often included built-in benches for petitioners seeking audience with lords, functioning as formal waiting areas amid the damp and variable climate.[19] These spaces drew conceptual influence from Roman atria—open courtyards central to domus layouts for reception and light—but were adapted with vaulted roofs and arcades to suit northern Europe's colder, wetter conditions, prioritizing enclosure over openness.[20] This evolution underscored the lobby's practical utility as a social threshold, blending protection, hierarchy, and accessibility in medieval built environments.Evolution in Modern Buildings
During the Renaissance period, entrance halls in grand estates and early public buildings began to evolve from simple medieval galleries into more elaborate spaces emphasizing classical symmetry and proportion, drawing on Roman architectural orders such as columns and entablatures.[21] These designs incorporated decorative elements like garlands and elaborate staircases, as seen in structures like the Palazzo Ducale in Urbino, completed around 1500, which featured intarsia paneling and balanced spatial layouts to convey prestige.[21] By the 17th century, Baroque influences amplified this grandeur, particularly in royal residences where lobbies served as status displays of power and wealth. The Palace of Versailles, constructed under Louis XIV, exemplifies this shift with its King's and Queen's Grand Apartments functioning as opulent reception areas, designed by Louis Le Vau to showcase symmetry through mirrored halls and frescoes.[22] The iconic Galerie des Glaces, begun in 1678 and completed in 1684 by Jules Hardouin-Mansart, further emphasized dramatic spatial effects and light to symbolize monarchical authority.[22] In the 18th century, neoclassical revivals reinforced these principles, prioritizing Vitruvian proportions and orderly balance in public buildings, as promoted by architects like Andrea Palladio, influencing widespread imitation across Europe.[21] The 19th century's industrial era marked a transition toward lobbies in hotels and theaters designed for mass reception, reflecting urbanization and increased public access. The InterContinental Paris Le Grand, opened in 1862 in anticipation of the 1867 Universal Exhibition, featured a grand Second Empire-style entrance with gilded arcades and a 14-meter dome, accommodating large crowds as a social hub in Haussmann's modernized Paris.[23] This era's lobbies prioritized functionality alongside opulence to handle growing visitor volumes in commercial spaces. By the early 20th century, Art Deco and Modernist styles simplified these areas for efficiency, as evident in the Empire State Building's 1931 lobby, designed by Shreve, Lamb & Harmon with streamlined marble panels, bronze accents, and a celestial ceiling mural symbolizing the Machine Age.[24] The design's rapid construction in just 14 months underscored Modernist emphases on speed and practicality in skyscraper entrances.[24] In the 21st century, lobbies have integrated advanced technology and sustainability features, adapting to globalization and inclusive design standards. Digital check-in systems, such as mobile apps and kiosks, have become standard since the 2010s, allowing guests to bypass traditional front desks for contactless experiences, as implemented in chains like Marriott and Hilton to enhance efficiency and hygiene.[25] Sustainability efforts post-2000 include biophilic elements like green atriums; for instance, the 1 Hotel Brooklyn Bridge (opened 2017) incorporates a multi-story living plant wall and natural light in its lobby to promote environmental wellness and reduce energy use.[26] Additionally, in the United States, the Americans with Disabilities Act (ADA) of 1990 mandates accessibility in lobbies, requiring features like wide doorways, ramps, and reachable counters in new constructions and alterations, ensuring equitable access in public buildings.[27] These trends reflect broader priorities for technological seamlessness, ecological responsibility, and universal design.Architectural Features
Spatial Layout
The spatial layout of a lobby is fundamentally organized to facilitate smooth entry, circulation, and interaction within a building, typically featuring a central axis that aligns the main entrance with core areas such as elevators, stairs, or interior spaces. This axial arrangement creates a logical flow from the exterior threshold into the building's interior, often employing spatial compression at the entry—such as a vestibule—for transition before expanding into a more open volume to enhance orientation and grandeur. Double-height volumes or atriums are commonly incorporated along this axis to amplify verticality and light penetration, promoting a sense of arrival while accommodating high-traffic movement. Circulation paths branch from this central spine to vertical transportation elements like stairs and elevators, ensuring efficient distribution, while peripheral zones along the edges provide buffer areas for secondary activities without impeding primary flow.[1] Lobby scales vary significantly based on building function and user capacity, with compact layouts in residential or small-scale structures typically ranging from 10 to 50 square meters (approximately 108 to 538 square feet) to support basic entry and waiting needs. In contrast, expansive lobbies in commercial or hospitality settings often exceed 500 square meters (over 5,380 square feet), allowing for zoned subdivisions that delineate arrival areas near entrances, central waiting zones for queuing or brief interactions, and departure paths toward exits or amenities. These zoning strategies optimize space utilization by allocating roughly 20 square feet (1.89 square meters) per seated occupant in waiting areas, with minimum overall dimensions starting at 80 square feet (7.43 square meters) to maintain clear circulation.[6][1][28] Modern lobby designs prioritize accessibility to comply with building codes, incorporating features such as ramps with a maximum slope of 1:12, doorways at least 32 inches (813 mm) wide, and thresholds no higher than 1/2 inch (13 mm) to ensure unobstructed paths. Clear sightlines are emphasized through open layouts and minimal obstructions, aligning with the International Building Code (IBC) standards introduced in 2000, which mandate universal design principles including accessible routes from entrances to all functional areas and sufficient turning space (60 inches or 1,525 mm diameter) for wheelchairs. These elements, drawn from IBC Chapter 11, enhance inclusivity by integrating seamless transitions for diverse users without compromising overall spatial efficiency.[1][29]Materials and Furnishings
Lobbies often feature durable flooring materials to withstand high foot traffic, with marble and terrazzo being prominent choices for their longevity and aesthetic appeal. Marble flooring, prized for its elegance and resistance to wear, was commonly used in 19th-century bank lobbies to convey stability and prestige, as seen in historic structures like Chicago's Fisher Building where marble finishes covered the floors. Terrazzo, a composite of marble, granite, quartz, or glass chips embedded in a cement or epoxy binder, offers similar durability while allowing for intricate patterns; it has been favored in commercial lobbies for its low maintenance and seamless integration with modern designs.[30][31] Wall treatments in lobbies prioritize functionality and ambiance, typically employing plaster for smooth, paintable surfaces in traditional settings or glass panels for enhanced light diffusion in contemporary ones. Plaster walls provide a versatile base that can be textured or colored to complement the space's overall theme, ensuring acoustic control and ease of maintenance in high-use areas. Glass walls or partitions, often frosted or channel-style, allow natural light to permeate deeper into the lobby, creating an open and inviting atmosphere while maintaining privacy where needed.[32][33] Furnishings in lobbies are selected to promote comfort and efficiency, with seating arrangements such as benches and armchairs often clustered to facilitate conversation and waiting. These groupings, typically upholstered in durable fabrics or leather, encourage social interaction in hotel or office lobbies by forming intimate zones amid the flow of movement. Reception desks, central to guest interaction, are commonly constructed from wood for a warm, approachable feel or metal for a sleek, modern edge, frequently incorporating laminate or stone accents for added resilience.[34][35] Lighting plays a crucial role in setting the lobby's mood, blending ornate chandeliers for grandeur in historic or luxury venues with energy-efficient LEDs for versatile, adjustable illumination in everyday spaces. Chandeliers, often featuring crystal or metal elements, cast dramatic patterns that elevate the sense of arrival, as utilized in upscale hotel lobbies to create a welcoming glow. LED fixtures, including recessed panels and linear accents, allow for dimming and color temperature control to adapt to different times of day, enhancing usability without excessive energy use.[36][37] Decorative elements further refine the lobby's aesthetic, incorporating artwork to reflect the building's identity, mirrors to amplify perceived space, and plants to introduce biophilic elements. Walls may display curated paintings or sculptures that align with the venue's theme, providing visual interest without overwhelming the functional layout. Mirrors strategically placed near entrances expand the sense of depth, bouncing light and making compact lobbies feel more expansive. Since the 2010s, biophilic trends have popularized living walls or potted greenery in wellness-oriented lobbies, fostering a calming environment that connects occupants to nature and improves overall well-being.[38][39]Functions and Contexts
Social and Practical Roles
Lobbies serve essential practical functions as transitional zones within buildings, primarily facilitating the greeting and direction of visitors. They act as the initial point of contact, where staff or automated systems provide information, wayfinding assistance, and access control to guide individuals efficiently through the structure.[1] This role extends to security screening, often incorporating elements like reception desks, turnstiles, or surveillance to separate public and private areas while maintaining a welcoming atmosphere.[1] Additionally, lobbies commonly include amenities such as coat checks, vending machines, or seating areas to enhance visitor comfort and convenience during brief waits.[1] In social dynamics, lobbies function as multifunctional spaces for informal interactions, enabling spontaneous meetings, people-watching, and even hosted events that foster community. Urban sociologist Ray Oldenburg described such areas as "third places"—informal gathering spots distinct from home and work that promote conversation and social bonds, with examples including hotel lobbies designed for lingering and casual encounters.[40] These spaces encourage voluntary mingling among diverse individuals, serving as neutral grounds for networking or relaxation without the pressures of formal settings.[13] Psychologically, lobbies mitigate entry anxiety by operating as threshold spaces that provide a gradual transition between exterior and interior environments, promoting a sense of openness and tranquility. Environmental design research indicates that thoughtful spatial layouts in these areas reduce stress through graceful progression, allowing individuals to adjust mentally before engaging with the building's core functions.[41] Such designs, often featuring inviting elements like natural light or comfortable furnishings, enhance overall user well-being by creating motivational cues for exploration.[41]Applications in Building Types
In hospitality settings such as hotels and theaters, lobbies are often designed with lavish elements to immerse guests in an atmosphere of grandeur and anticipation. During the 1920s, cinema palaces featured opulent lobbies that extended the cinematic experience, with marquees illuminating entrances to draw crowds and create a sense of spectacle before entering the auditorium.[42] Similarly, luxury hotel lobbies of the era incorporated Art Deco motifs, including geometric patterns and rich materials, to evoke elegance and exclusivity for arriving patrons.[43] Following the COVID-19 pandemic, these spaces shifted toward contactless technologies, such as self-service kiosks and mobile check-in systems, to minimize physical interactions while maintaining welcoming aesthetics.[44][45] Residential lobbies in apartments and condominiums prioritize functionality and security over ornamentation, serving as controlled entry points for mail distribution and resident verification. These areas typically adopt a minimalist design to facilitate quick passage, with features like intercom systems and secure mailboxes integrated into compact layouts. In high-rise buildings, keycard access systems became prevalent from the 1980s onward, allowing residents to activate elevators and doors electronically, thereby enhancing privacy and reducing unauthorized entry.[46][47] In commercial and public buildings like offices and museums, lobbies emphasize efficient circulation and subtle branding to guide movement while projecting organizational identity. Corporate office lobbies function as the "face" of the company, incorporating signage, artwork, and spatial arrangements that reinforce brand values and create positive first impressions for clients and employees. Studies on reception spaces from the late 1990s highlight how these designs influence perceptions of professionalism and trustworthiness.[48][49] In museums, lobbies are engineered for smooth visitor flow, with wide pathways, clear signage, and admission stations positioned to prevent bottlenecks and direct patrons toward exhibits seamlessly.[50][51]Cultural and Symbolic Aspects
Representations in Art and Media
In modernist literature of the 1920s, hotel lobbies frequently appear as liminal spaces embodying transience and social instability, serving as thresholds between private lives and public encounters. Virginia Woolf, in her interwar short fiction such as "The Lady in the Looking-Glass: A Reflection" and "Lappin and Lapinova," portrays hotel environments as fleeting sites that evoke creative impulses alongside impermanence, mirroring the era's themes of mobility and fragmentation.[52] These depictions align with broader modernist explorations of hotels as microcosms of societal flux, where lobbies facilitate anonymous interactions and underscore the instability of modern existence.[53] In film, lobbies often function as atmospheric backdrops that heighten narrative tension or nostalgia, particularly in thrillers and period pieces. In the 1972 thriller The Godfather, directed by Francis Ford Coppola, the lobby of New York City's Hotel Edison serves as the entry point for Luca Brasi's fateful meeting with Virgil Sollozzo, establishing an undercurrent of impending danger through its opulent yet foreboding setting.[54] Similarly, Wes Anderson's 2014 film The Grand Budapest Hotel features a meticulously stylized lobby that encapsulates the hotel's bygone elegance and whimsical absurdity, with its symmetrical design and vibrant palette reinforcing themes of loss and confectionery allure.[55] Artistic representations of lobbies capture their role as transitional public realms, from 19th-century urban vitality to modern isolation. Impressionist painters like Claude Monet depicted crowded urban thresholds, such as the bustling entrances and interiors of Paris train stations in works like Gare Saint-Lazare (1877), symbolizing modernity's flux through fleeting crowds and industrial grandeur.[56] In the 20th century, Edward Hopper's Hotel Lobby (1943) portrays a dimly lit space with isolated figures—a seated woman reading, an older couple entering, and a standing woman observing—evoking alienation and voyeurism in anonymous transient environments.[57] Contemporary photographers, such as Noëmie Rubinsztejn, document hotel lobbies and bars as diverse social hubs, using natural light and candid compositions to reveal multicultural interactions and urban anonymity in global cities.[58]Symbolic Interpretations
In anthropology, lobbies are often interpreted as liminal spaces embodying threshold symbolism, marking the boundary between public and private realms in alignment with Arnold van Gennep's 1909 theory of rites of passage. Van Gennep described such rites as consisting of three phases—separation, transition (or liminality), and incorporation—where the liminal phase represents an ambiguous "in-between" state that facilitates transformation.[59] Applied to architecture, this framework positions lobbies as transitional zones where individuals undergo a symbolic shift, shedding external identities upon entry and preparing for internal activities, much like the threshold rituals in cultural ceremonies.[60] For instance, hotel lobbies exemplify this by serving as neutral, transient arenas that evoke both anticipation and disorientation, reinforcing their role as symbolic gateways.[61] Sociological analyses of the 20th century further frame grand lobbies, particularly in luxury hotels, as potent symbols of status and power, where opulent designs delineate social hierarchies and project prestige. These spaces encode elite exclusivity through architectural elements like lavish furnishings and spatial grandeur, acting as "temporary settlements" of symbolic boundaries that distinguish the affluent from others while maintaining cultural consonance with societal values.[62] In luxury contexts, such lobbies function as both equalizers—temporarily allowing access to diverse visitors—and dividers, subtly enforcing class distinctions via visual and performative cues that signal belonging or exclusion.[63] This dual role underscores their interpretive power in reflecting broader power dynamics, as seen in historical U.S. hotel developments from the late 19th to mid-20th centuries. Post-2000 urban studies reinterpret lobbies in public buildings as democratizing spaces that promote inclusivity and community, drawing on Jane Jacobs' enduring influence on participatory urban design. Jacobs' advocacy for mixed-use, people-centered environments—emphasizing diversity and organic social interactions—has inspired contemporary designs where lobbies serve as accessible entry points fostering civic engagement and reducing social isolation.[64] For example, inclusive lobby configurations in civic and commercial structures post-2000 prioritize open layouts and multifunctional elements to encourage broad public use, aligning with Jacobs' vision of cities as self-organizing democratic ecosystems that empower residents through everyday spatial interactions.[65] This shift highlights lobbies' evolving symbolism from elite markers to communal hubs that enhance urban equity.[66]References
- https://en.wiktionary.org/wiki/lobby