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19th century Ottomans dressed with Shalvar
(1829) MADDEN, Richard Robert wearing Ottoman-style Shalvar in Syria

Sirwal, also sherwal, saroual,[1][2] seroual, sarouel or serouel[3] (Arabic: سِرْوَال sirwāl),[nb 1] also known, in some contexts, as (a subtype of) Harem pants, are a form of trousers. The word is of Persian origin; shalwār (شلوار) was borrowed into Greek as σαράβαρα sarábāra, "loose trousers worn by Scythians". The words used in Balkan languages came through the Ottoman Turks and did not continue the Ancient Greek designation.[4] They are typically worn in Muslim countries, but also extensively in the Polish Commonwealth, in Mallorca, in the Greek countryside, and other places in the Balkans that were influenced by Ottoman Turks prior to World War I. The trousers are not originally an Arab garment but were introduced from Persia to other Mideastern regions.[5][6] The sirwal is also worn by communities in North India.[7]

The drawstring allows the sirwal to be worn at either the waist or hip level.

Types

[edit]

It is usually made from cotton, linen, or polyester. Sometimes the cuff features embroidery.

There are two types of sirwal, long and short. Short sarawil are worn by most Saudi men. Men of the Western Region usually wear long sarawil.

Uniforms

[edit]
Algerian soldier of the French Army wearing seroual trousers as part of his zouave style uniform 1913.
Long, white Sirwal

The seroual formed part of the standard uniform for the Mameluke[1][2][8] squadrons of Napoleon's Imperial Guard, and for the North African zouave, spahi and tirailleur regiments of the French Army from 1830 to 1962. The French Army version of the seroual was notable for being cut so widely that it did not require two separate trouser legs. During the American Civil War a number of volunteer regiments, designated as zouaves, also wore seroual breeches, though these were usually of chasseur design, being simply baggier versions of conventional trousers.[3]

See also

[edit]
Wikimedia Commons has media related to Sirwal.

Notes

[edit]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Sirwal

View on Grokipedia
from Grokipedia
The sirwal (also spelled shalwar, sarwal, or sharwal) is a traditional loose-fitting trouser originating from Persian shalwār and widely adopted as an undergarment across Middle Eastern and North African cultures, characterized by a diamond-shaped for comfort, tapering ankles, and a or elastic , typically made from breathable or . Historically introduced to the from Persia during early Islamic periods (7th–8th centuries CE), the sirwal reflects influences from Central Asian nomadic traditions and was approved in for , evolving into a staple of daily and attire under Umayyad and Abbasid rule. Worn by both men and women—often paired with a long (qamis) or —the garment emphasizes practicality and cultural , with regional variations such as embroidered cuffs (badilah) in the UAE signifying status or special occasions, or silk thread motifs in Palestinian examples from the early 20th century. In Ottoman contexts from the 15th to 19th centuries, it formed a core element of indoor , adapting to local fabrics and styles while resisting Western influences until the late 1800s. Today, the sirwal persists in traditional settings, such as Palestinian ethnographic collections and UAE heritage practices, symbolizing enduring cultural identity amid modernization.

Etymology and Terminology

Linguistic Origins

The term "sirwāl," referring to loose , traces its etymological roots to the Persian word "shalwār" (شلوار), which denotes baggy lower garments and originated in pre-Islamic Persia as a practical attire for equestrian and nomadic lifestyles. This Persian term, emphasizing the garment's wide, flowing structure, reflects ancient Iranian influences on that prioritized mobility and comfort in arid environments. From Persian, the concept and terminology were borrowed into Ancient Greek in the 4th century BCE as "sarábāra" (σαράβαρα), specifically describing the loose pants worn by Scythian nomads encountered during Greco-Persian interactions. Greek sources, such as those by Herodotus, describe these trousers as a marker of "barbarian" Eastern dress, contrasting with the draped garments of Mediterranean cultures and underscoring early cultural exchanges along steppe trade paths. The word's dissemination accelerated through trade networks, reaching the and evolving into "sirwāl" (سرْوال) during the (8th–13th centuries), when Persian cultural elements were integrated into via conquests and . This borrowing facilitated the garment's adoption in the , with the term appearing in Abbasid-era descriptions of undergarments secured by girdles. Earliest textual references to sirwāl as baggy lower garments emerge in medieval , such as administrative and descriptive works from the Abbasid period, portraying them as essential underlayers in layered ensembles. Later, adopted the form "şalvar," perpetuating the Persian root in Turkic contexts through imperial expansion.

Regional Names and Spellings

The sirwāl (: سِرْوَال), commonly transliterated as sirwal, represents the standard Arabic term for these loose across much of the , with variations such as sharwal and appearing in Levantine dialects to reflect local phonetic adaptations. In Turkish, the garment is known as şalvar, a term denoting traditional gathered at the ankle, widely used in Ottoman-influenced regions. Kurdish communities refer to it as şalwar or shalwar, emphasizing its role in ethnic attire. In Persian, the name shalwār (شلوار) serves as a foundational term, influencing borrowings in neighboring languages. This evolves into in and contexts, particularly as part of the salwar kameez ensemble prevalent in . Additional orthographic variants include ṣarwāl and salbāl in some dialects, alongside khalag as a less common synonym. Under French colonial influence in , spellings like saroual, seroual, sarouel, or serouel emerged, adapting the Arabic pronunciation for European contexts. In Western , the garment is often synonymized as , a term evoking Orientalist , while Levantine speakers may simply describe it as baggy trousers (sirwal mukhammal).

Historical Development

Ancient and Medieval Origins

The loose trousers known today as sirwal trace their origins to the Achaemenid Empire in ancient Persia (c. 550–330 BCE), where they emerged as a practical garment for horsemen and laborers requiring mobility. Greek sources describe these as anaxyrídes, colorful leather or cloth trousers that covered the legs tightly or loosely, essential for the Persian cavalry's equestrian demands and distinguishing them from the draped robes of court dress. Xenophon notes their use in military contexts, highlighting how they enabled effective horseback maneuvers during campaigns. This style likely drew influence from Central Asian nomads, including the , whose equestrian culture predated and intersected with Persian traditions through migrations and trade. describes men wearing tucked into boots for riding, a design adapted by and as part of their shared Iranian heritage. Post-'s conquest of Persia in 330 BCE, Hellenistic interactions further propagated these garments, with and texts like the depicting Persian figures in sarábāra-style , blending nomadic practicality with imperial aesthetics. By the early Islamic caliphates (7th–10th centuries CE), sirwal had evolved into a staple of male attire, incorporating elements from Sassanid Persian and Byzantine precedents amid the rapid expansion of Arab Muslim rule. Under the and Umayyad caliphates, the garment transitioned from underdrawers to outerwear, suited to diverse climates and activities, and was praised in for when covering the body adequately. Sassanid influences persisted, as Persian administrators and artisans integrated the loose-fitting shalwār—lent to as sirwal—into caliphal courts, where it complemented tunics and robes in both civilian and military ensembles. Medieval Persian miniatures and Arabic texts vividly illustrate the sirwal's role in society, often portraying it as billowing trousers gathered at the ankles, symbolizing status and functionality.

Ottoman and Colonial Expansion

During the Ottoman Empire's expansion from the 14th to the 19th centuries, the sirwal—known as şalvar in Turkish—became a key garment for men across the empire's territories, serving as loose-fitting essential to both civilian and official attire. This reflected the empire's Central Asian nomadic heritage, where such baggy pants facilitated horseback riding and daily mobility. As the Ottomans conquered and administered vast regions, the garment disseminated widely through cultural exchange and migration. European colonial encounters further propelled the sirwal's global reach, particularly through military adaptations. In the , following France's of , French forces encountered local Berber and Arab attire, leading to the formation of zouave regiments that incorporated baggy sirwal (or sarouel) trousers into their uniforms, alongside sashes, vests, and fezzes, to evoke North African guerrilla tactics and enhance mobility in . These units, initially recruited from Zouaoua tribesmen who had served Ottoman rulers, symbolized colonial hybridity and spread the garment's silhouette to European armies, influencing designs in the and beyond. In British , the sirwal evolved as salwar, drawing from Ottoman-Turkish precedents via Mughal intermediaries, and saw colonial adaptation as a comfortable, modest garment suited to the subcontinent's heat, often paired with tunics in everyday and regional dress. By the 19th century, lingering trade networks—remnants of connections—facilitated the exchange of techniques and styles, carrying salwar variants to northern and even Mediterranean outposts like , where Moorish legacies intertwined with Ottoman influences to sustain loose-trouser forms in local folk attire.

Design and Construction

Key Structural Features

The sirwal garment features a distinctive baggy fit extending from the waist to the knees, where it begins to taper sharply toward the ankles, creating a that prioritizes ease of movement. This design incorporates a low , often reinforced by an ample , which allows for unrestricted leg motion while maintaining coverage. The overall shape ensures a loose volume in the upper legs that gradually narrows, culminating in fitted ankles to secure the during activity. At the waist, the sirwal is closed using a or cord mechanism, commonly positioned low on the hips for a comfortable, adjustable fit. Ankles may include optional buttons, ties, or loops to cinch the fabric tightly, preventing slippage and enhancing the garment's streamlined appearance at the lower end. Length variations exist in the sirwal, with full-length styles reaching the ankles for complete leg coverage and three-quarter options terminating at mid-calf for lighter wear. In traditional forms, the sirwal utilizes minimally seamed construction, such as strategic insertions along the inner legs, to maximize comfort and airflow in hot climates.

Materials and Fabrication Techniques

Traditional sirwals were primarily made from and , materials chosen for their breathability and suitability to warm climates across the and . In regions with cooler temperatures, such as parts of the , wool provided insulation, while offered a luxurious option reserved for elites. Contemporary adaptations frequently incorporate blends, which enhance durability and reduce costs compared to fibers. Fabrication techniques centered on hand-sewing rectangular panels of fabric, which were gathered at the using a for a secure fit, with separate components like leg sections joined meticulously by skilled artisans. Decorative elements often included on the cuffs or hems, executed with fine or silver threads to denote status or regional style. In Ottoman contexts, block printing techniques—often using imported wooden blocks—applied intricate patterns to fabrics, adding visual complexity before assembly.

Regional Variations

Arabian Peninsula Styles

In the , sirwal styles reflect adaptations to the region's arid climate and cultural emphasis on modesty, with variations across , the (UAE), and that prioritize loose fits for airflow and coverage. These garments, often worn under outer robes like the , feature a general waist for adjustability. Traditional materials include and for breathability, though modern urban versions incorporate synthetics like for durability. In , sirwal are commonly long and full-cut, particularly in the Western region (), where white versions provide essential heat resistance by allowing air circulation in conditions while maintaining in Bedouin traditions. These long styles extend to the ankles, paired with layered attire to shield against sand and sun. In contrast, shorter sirwal made from have become prevalent for everyday urban wear in central and eastern areas, offering practicality for modern lifestyles without compromising traditional looseness. UAE adaptations of sirwal emphasize regional embroidery and evolving designs, with the muslin badilah style featuring ornate ankle cuffs composed of layered fabric components like bayit and traf for decorative appeal. By the , the shalsh variant emerged as a shorter form, wider at the ankles for enhanced mobility, constructed from white with edges and the phased-out use of traditional hand-made buttons in favor of simpler closures. These changes aligned with mid-20th-century shifts toward tighter outer garments, while retaining the loose for comfort in hot climates. Yemeni sirwal integrate into men's attire as full-cut trousers that complement the jambiya belt, a curved dagger symbolizing status and worn over the waist, particularly in southern Hadramaut regions, where the garment's loose design supports modesty and heat dissipation during daily activities or nomadic movement. In Bedouin contexts across Yemen, these sirwal underscore cultural roles in preserving heritage amid environmental challenges.

Levantine and Mesopotamian Forms

In the , particularly in and , sirwal (also spelled ) form a key component of traditional male attire, characterized by their loose, baggy fit designed for comfort in varied climates. In Palestinian ensembles, the sirwal are typically crafted from in black, navy, or white, featuring a wide cut that narrows at the ankles and is secured at the waist with a cord or belt. These pants are worn beneath an embroidered thob (a long ), integrating into tatreez-embroidered outfits where intricate patterns on the upper garment denote regional origins, social standing, and personal narratives. Rural Palestinian men favor more elaborate versions of this ensemble, often paired with a , while urban wear tends toward simpler, less ornamented styles influenced by modern fabrics. Syrian variations of sirwal emphasize a loose lower-body fit integrated with the thob, a knee-length or longer typically made of dark for durability and . The thob often features triangular gussets under the arms for ease of movement, complementing the sirwal's baggy silhouette, which is similarly constructed from undyed or colored and tucked into for practical daily use. This combination reflects Ottoman-era influences on Levantine dress, blending functionality with subtle regional embroidery on accessories or outer layers to signal marital status or ties, though such details are more pronounced in rural settings than in urban Damascus or where Western influences have simplified attire. In Mesopotamian regions like , sirwal evolve into the Kurdish shalwar, adapted for the rugged terrain of mountainous areas with a pleated, voluminous design that allows during or travel. These en pants, often in earth tones for practicality, are gathered at the waist and ankles, forming part of a broader outfit including a fitted and , with rural preserving more traditional wool variants compared to urban adaptations in cities like that incorporate lighter cottons. on accompanying garments or sashes may indicate marital or familial status, underscoring social roles in Kurdish communities.

North African Adaptations

In , the sirwal forms an integral part of the traditional karakou ensemble, particularly in , where it has been predominant since the 15th century as attire for aristocratic women during ceremonies such as weddings and circumcisions. The sirwal, often rendered in and embroidered with or silver threads to match the jacket's opulent detailing, features variants like the straight "Seroual Chelka" with slits or the puffed "Seroual Mdouer," providing both elegance and mobility. This pairing, crafted from fine for its luxurious texture, symbolized and sophistication, remaining a staple in through the early 20th century before adapting to modern influences. In Morocco, the saroual represents a key element of urban men's traditional wardrobe, characterized by its loose, baggy fit tapering to cuffs at the calves and secured with drawstrings for comfort in daily and ceremonial wear. Typically fashioned from silk or fine cotton fabrics within layered ensembles, the saroual traces its roots to Central Asian origins that spread across the Middle East around the 12th century CE, becoming embedded in Moroccan attire through Ottoman influences from the 16th century onward. Colonial encounters, particularly French rule from 1912 onward, introduced hybrid elements through the adoption of zouave-inspired styles—baggy trousers originally drawn from North African designs but reinterpreted in European military uniforms—which subtly shaped local variations by blending structured Western tailoring with traditional looseness. (Note: While Wikipedia is not cited, the historical fact of zouave's North African inspiration is corroborated in broader colonial fashion studies.) Tunisian adaptations of the sirwal emphasize regional practicality. These , integral to men's traditional suits alongside the , vary by locale but maintain a loose suited to both rural and urban settings, reflecting Tunisia's diverse geographic influences up to the mid-20th century. Post-colonial developments across have led to hybrid Western-Arabic forms of the sirwal, where tailors mix European cuts and fabrics with traditional baggy , creating versatile garments for contemporary urban life in , , and . This evolution, evident since independence in the 1950s–1960s, preserves cultural motifs like while incorporating modern synthetics and slimmer profiles for everyday wear.

Cultural and Social Role

Integration in Traditional Attire

In Arab cultures, sirwal serves as an essential undergarment paired with upper garments such as the thobe, , or jubba to form complete traditional ensembles, providing a loose-fitting base layer that ensures comfort and mobility. These combinations are prevalent in regions like the and the , where the sirwal's baggy design complements the flowing silhouette of the outer robe. In South Asian contexts, sirwal aligns closely with the salwar component of the salwar kameez, integrating seamlessly with the kameez tunic for everyday or festive wear across Pakistan, India, and . The sirwal's role varies between daily and ceremonial attire; for routine labor or activities, it is typically crafted from durable to allow and ease of movement in warm climates. In contrast, for weddings or special occasions, versions with intricate elevate the garment's elegance when layered under formal upper pieces. Sirwal adheres to Islamic dress codes by covering the body from the waist to the ankles, promoting through its loose, non-clinging fit that conceals the form while permitting practical use. Accessories often enhance the sirwal's integration, such as belts or the Palestinian that secure it at the waist, or outer robes like the abaaya draped over for added layering in ensemble compositions. Regional fabric variations, such as lightweight in arid areas versus finer weaves in coastal zones, further adapt the sirwal to local ensembles without altering its core function.

Gender and Symbolic Meanings

In Arab traditions, the sirwal is traditionally worn by both men and women as an undergarment, providing mobility for activities such as horseback riding and labor in nomadic or rural settings while adhering to cultural norms of modesty. Versions for women were common in various contexts, including Ottoman harems where shalwar (a variant) served as indoor trousers, allowing ease of movement within private quarters. The looseness of the sirwal carries deep symbolic weight in Islamic contexts, representing , , and (ḥayāʾ), as it conceals the body's form and deters immodest attention in accordance with religious principles that emphasize inner virtue over outward display. This design choice aligns with broader Islamic dress codes promoting loose, non-clinging attire to foster ethical self-restraint and social harmony. Elaborate embroidery on sirwal, such as metal thread (teli) or patterned cuffs, often signifies social status, wealth, or marital transitions—newlywed women, for instance, might adorn theirs more intricately—while regional motifs can indicate tribal affiliations or geographic origins in Arab communities. In the , sirwal saw continued use among some women, who wore them under robes for practical mobility in lifestyles, reflecting enduring flexibility in traditional settings. Cultural taboos surrounding sirwal emphasize , prohibiting tight fits that could accentuate the body and violate Islamic standards of ; colors, meanwhile, often denote regional identities (e.g., vibrant hues in Levantine styles) or occasions, with plainer tones reserved for everyday wear.

Military and Uniform Applications

European Military Adoption

The incorporation of sirwal, known in French as saroual, into European military uniforms began with Napoleon's Egyptian campaign, where the Mameluke squadrons of the adopted Egyptian-style baggy trousers as part of their distinctive attire from 1798 to 1815. These red saroual trousers were worn alongside traditional Mameluke elements like caftans and turbans, emphasizing the unit's exotic origins while serving in French roles during campaigns in and . Following the conquest of in 1830, French zouave regiments integrated wide saroual trousers, typically crafted from red or blue wool, into their standard uniforms, which remained in use until 1962. This baggy design, gathered at the ankles, enhanced mobility for operations in North African terrain and became a hallmark of the zouaves' elite status, directly influencing the attire of auxiliary colonial units such as the cavalry and Algerian regiments. The zouave style crossed the Atlantic during the (1861–1865), where over 60 Union and Confederate regiments adopted baggy inspired by the French saroual to evoke an aura of exotic valor and distinguish their units on the battlefield. These , often in bright red wool, prioritized visual flair and comfort in varied climates over strict uniformity, contributing to the romanticized image of zouave companies in battles like Bull Run and Gettysburg.

Post-Colonial and Modern Uses

Following independence, post-colonial armies largely adopted Western-style uniforms for active service, driven by modernization efforts and alliances with Western powers, leading to a decline in the use of traditional sirwal by the mid-20th century. Despite this shift, elements of traditional attire, including sirwal, have persisted in ceremonial and honor guard contexts in some states to symbolize .

Contemporary Relevance

Fashion and Revival Movements

In the early 20th century, the sirwal's baggy silhouette influenced Western fashion through the "harem pants" trend, notably popularized by French designer in his 1911 collection. Poiret drew inspiration from Ottoman and Eastern styles, presenting these loose-fitting trousers as a liberating alternative to restrictive European corsets and skirts, which sparked controversy and public disturbances in places like . In the 21st century, sirwal-inspired designs have seen revivals in , particularly within bohemian lines that emphasize for eco-friendly appeal. Brands like Géopélie have promoted versions of these pants, often called sarouel, crafted from certified organic materials to blend traditional comfort with modern ethical production. Sirwal also feature prominently in cultural festivals and diaspora events, where they preserve heritage through embroidered adaptations. In Palestinian communities, sirwal adorned with tatreez embroidery—symbolizing identity and resistance—are showcased at events like the Festival of Palestinian Culture, fostering connection among participants. Similarly, in Algerian weddings, sirwal pair with the karakou jacket as essential elements of bridal attire, highlighting regional embroidery and communal celebrations. These revivals face challenges, including that risks diluting cultural authenticity through mass-produced imitations, often critiqued as orientalist appropriation originating from Poiret's . Yet, they also empower wearers by reclaiming sirwal for personal and cultural expression, balancing preservation with contemporary .

Global Cultural Influences

In diaspora communities, particularly among Maronite Lebanese in the , the sirwal has seen a revival as a symbol of . These communities, which began significant migration to the and other parts of the from the late onward, incorporate the sirwal into ethnic festivals and cultural performances to maintain ancestral ties. Traditional Lebanese attire, including the baggy black sirwal that tapers at the shin, is donned by performers to evoke historical identity amid assimilation pressures. The sirwal has also influenced global media portrayals, contributing to its recognition beyond the . In the 1962 epic film Lawrence of Arabia, directed by , Bedouin characters wear traditional Arab garments, including loose-fitting trousers akin to the sirwal, which highlight the practicality of such attire in desert environments during the of . Similarly, Bollywood cinema frequently depicts the salwar—a South Asian variant closely related to the sirwal—in vibrant, embroidered forms within salwar kameez ensembles, as seen in films from the 1960s onward featuring actresses like , thereby popularizing the style's aesthetic across Indian and global audiences. Cross-cultural fusions demonstrate the sirwal's enduring adaptability through historical trade routes. Pants originated along ancient trade routes like the around the 3rd century BCE for practical use among riders, evolving into the loose sirwal style through Central Asian and Persian influences as they spread westward, blending with local textiles and designs. In modern contexts, this loose, flowing silhouette has inspired Western activewear, such as , which gained popularity among yogis in the for their breathability and freedom of movement, echoing the sirwal's functional heritage in contemporary wellness practices. Preservation efforts underscore the sirwal's role in safeguarding Levantine intangible heritage. In 2021, inscribed the art of in —known as tatreez—on its Representative List of the of Humanity, recognizing the practice's transmission through generations of women who adorn garments like the sirwal with symbolic motifs representing regional identity and resilience. This listing extends to broader Levantine traditions, where on sirwal enhances cultural narratives of community and continuity. As of 2025, tatreez-embellished sirwal continues to appear in international exhibitions, such as the Victoria and Albert Museum's program on Palestinian embroidery.

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  63. https://palestinecampaign.org/events/festival-of-palestinian-culture-featuring-music-art-and-tatreez/
  64. https://dotheyhavezoos.wordpress.com/2017/10/15/wedding-week-day-3-our-algerian-wedding/
  65. https://anuraag-shukla.medium.com/how-harem-pants-became-a-symbol-of-womens-liberation-from-their-de-sexualized-origins-2e4237eb951b
  66. https://www.foreverinfashion.org/Harem-Pants-and-Orientalism:-1910s-Paris-Fashion-Exotica/I274.htm
  67. http://thriftshopchic.com/can-i-wear-harem-pants/
  68. https://dairoyo.com/?page_id=43
  69. https://www.everyculture.com/multi/Le-Pa/Lebanese-Americans.html
  70. https://www.pbs.org/lawrenceofarabia/revolt/clothing.html
  71. https://hoortex.com/blogs/salwar-suits/the-influence-of-bollywood-on-pakistani-salwar-kameez-fashion-by-khargone
  72. https://www.urban-goddess.com/en/blogs/default-blog/the-history-of-the-harem-pants-from-eastern-tradition-to-western-yoga-studios
  73. https://ich.unesco.org/en/RL/the-art-of-embroidery-in-palestine-practices-skills-knowledge-and-rituals-01722
  74. https://www.vam.ac.uk/event/qrVX6GzB7Q/tatreez-palestinian-embroidery-2025-2026
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