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Safaitic
View on WikipediaThis article includes a list of general references, but it lacks sufficient corresponding inline citations. (October 2019) |
| Safaitic | |
|---|---|
| Script type | |
Period | 3rd century BCE to 4th century CE |
| Languages | Old Arabic |
| Related scripts | |
Parent systems | |
Sister systems | Ancient North Arabian, Ancient South Arabian script, Ge'ez script |
Safaitic (Arabic: ٱلصَّفَائِيَّة Al-Ṣafāʾiyyah) is a variety of the South Semitic scripts that was used by the Arabs in southern Syria and northern Jordan in the Ḥarrah region, to carve rock inscriptions in various dialects of Old Arabic and Ancient North Arabian. The Safaitic script is a member of the Ancient North Arabian (ANA) sub-grouping of the South Semitic script family, the genetic unity of which has yet to be demonstrated.[1]
The first attempt at a comprehensive Safaitic dictionary was published in 2019 by Ahmad Al-Jallad and Karolina Jaworska.[2]

Geographical distribution
[edit]Safaitic inscriptions are named after the area where they were first discovered in 1857: As-Safa, a region of basalt desert to the southeast of Damascus, Syria. Since then they have been found over a wide area including south Syria, eastern Jordan and northwestern Saudi Arabia. Isolated examples occur further afield in places such as Palmyra in Syria, in Lebanon, in Wadi Hauran in western Iraq, and in Ha'il in north central Saudi Arabia. The largest concentration appears to be in the Harrat al-Shamah, a black basalt desert, stretching south and east from Jabal al-Druze through Jordan and into Saudi Arabia. Approximately 30,000 inscriptions have been recorded, although doubtless many hundreds of thousands more remain undiscovered due to the remoteness and inhospitable nature of the terrain in which they are found. Typically the inscriptions are found on the rocks and boulders of the desert scatter, or on the stones of cairns. In many cases it is unclear whether the inscriptions on the cairns pre- or post-date the construction of the cairns.
A small number of Safaitic inscriptions have been found outside the Harrat al-Sham, including examples from Palmyra, the Hejaz, Lebanon, and Pompeii.[3]
Script
[edit]The Safaitic alphabet comprises 28 letters. Several abecedaries (lists of the alphabet) are known, but all are written in different orders, giving strength to the suggestion that the script was casually learned rather than taught systematically.
The Safaitic script exhibits considerable variability in letter shapes and writing styles. The inscriptions can be written in nearly any direction and there are no word dividers. There are two primary variants of the script: normal and square. The normal variant exhibits a large degree of variation, depending on the hand of individual authors and writing instrument. The square script appears to be a deliberate stylistic variant, making use of more angular forms of the letters.[1] Inscriptions rarely employ the square variants consistently, but mix these shapes with normal letter forms. Finally, a minority of inscriptions exhibit a mix of Safaitic and Hismaic letter shapes.
Letters
[edit]| Letter[4] | Name | Pronunciation (IPA)[5] | Classical Arabic transcription[6] (Modern Arabic form) | Latin transcription | |||
|---|---|---|---|---|---|---|---|
| Normal | Square | OCIANA[4] | Winnett & Harding[7] | SSHB[7] | |||
| alif | [ʔ] ⓘ | ا، ى، و) أ، إ، ئ، ؤ) | ʾ | ||||
| ayn | [ʕ] ⓘ | ع) ع) | ʿ | ||||
| ba | [b] ⓘ | ٮ) ب) | b | ||||
| dal | [d] ⓘ | د) د) | d | ||||
| dhal | [ð] ⓘ | د) ذ) | ḏ | ||||
| Ḍād | [dˤ] | ص) ض) | ḍ | ||||
| fa | ڡ) ف) | f | |||||
| gim | [g] ⓘ | ح) ج) | g | ||||
| ghayn | [ɣ] ⓘ | ع) غ) | ġ | ||||
| ha | [h] ⓘ | ه) ه) | h | ||||
| hha | [ħ] ⓘ | ح) ح) | ḥ | ||||
| kha | [x] ⓘ | ح) خ) | ẖ | ||||
| kaf | [kʰ] | ک) ك) | k | ||||
| lam | [l] ⓘ | ل) ل) | l | ||||
| mim | [m] ⓘ | م) م) | m | ||||
| nun | [n] ⓘ | ں) ن) | n | ||||
| qaf | [q] ⓘ | ٯ) ق) | q | ||||
| ra | [r] ⓘ | ر) ر) | r | ||||
| sin | س) س) | s¹ | s | ||||
| shin | [ɬ] ⓘ | س) ش) | s² | š | ś | ||
| sad | [s] ⓘ | ص) ص) | ṣ | s | |||
| ta | [tʰ] ⓘ | ٮ) ت) | t | ||||
| tha | [θ] ⓘ | ٮ) ث) | ṯ | ||||
| tta | ط) ط) | ṭ | |||||
| waw | [w] ⓘ | و) و) | w | ||||
| ya | [j] ⓘ | ى) ي) | y | ||||
| zayn | [z] ⓘ | ر) ز) | z | ||||
| za | ط) ظ) | ẓ | |||||
Language
[edit]| Safaitic | |
|---|---|
| Safa'itic[8] | |
| Region | Syria |
| Era | 3rd century BCE to 4th century CE |
| Safaitic | |
| Language codes | |
| ISO 639-3 | None (mis) |
xna-saf | |
| Glottolog | safa1245 |
The traditional view held that because the Safaitic inscriptions often make use of the definite article ha-, in contrast to Classical Arabic 'al, that their language should not be regarded as Arabic proper, but rather as Ancient North Arabian.[9] However, as more inscriptions have come to light, it is clear that the Safaitic dialects make use of a variety of definite article forms, including 'al, and even a simple 'a-.[1] Based on this fact, the competing view holds that the dialects attested in the Safaitic script represent a linguistic continuum, on which Classical Arabic and other older forms of the language lie.
Content
[edit]Most Safaitic inscriptions are graffiti that reflect the current concerns of the author: the availability of grazing for his camel herd, mourning the discovery of another inscription by a person who has since died, or simply listing his genealogy and stating that he made the inscription. Others comment on raids and pray for booty, or mention religious practices. A few inscriptions by female authors are known. Inscriptions are sometimes accompanied by rock art, showing hunting or battle scenes, camels and horses and their riders, bedouin camp scenes, or occasional female figures.[10]
References
[edit]Citations
[edit]- ^ a b c Al-Jallad 2015, p. 1–22.
- ^ Al-Jallad & Jaworska 2019, p. 20.
- ^ Macdonald, M. C. A. (1993). "Nomads and the Hawran in the late hellenistic and roman periods : a reassessment of the epigraphic evidence". Syria. Archéologie, Art et histoire. 70 (3): 303–403. doi:10.3406/syria.1993.7341.
- ^ a b Al-Jallad 2015, p. 37.
- ^ Al-Jallad 2015, p. 48.
- ^ Al-Jallad 2015, p. 40.
- ^ a b Al-Jallad 2015, p. 39.
- ^ "Pre-Islamic North and East Arabian". LINGUIST List. Archived from the original on 1 May 2016. Retrieved 11 June 2025.
- ^ Macdonald, Michael C.A. (2000). "Reflections on the linguistic map of pre-Islamic Arabia". Arabian Archaeology and Epigraphy. 11: 28–79. doi:10.1111/j.1600-0471.2000.aae110106.x.
- ^ Østerled Brusgaard, Nathalie (2019). Carving Interactions: Rock Art in the Nomadic Landscape of the Black Desert, North-Eastern Jordan. Oxford: Archaeopress. ISBN 978-1-78969-311-9.
Sources
[edit]- Al-Jallad, Ahmad (2015). An Outline of the Grammar of the Safaitic Inscriptions. Brill.
- Al-Jallad, Ahmad; Jaworska, Karolina (2019). A Dictionary of the Safaitic Inscriptions. Leiden: Brill. ISBN 978-90-04-40042-9.
Further reading
[edit]- Al-Jallad, Ahmad (2022). The Religion and Rituals of the Nomads of Pre-Islamic Arabia: A Reconstruction Based on the Safaitic Inscriptions. Brill.
- King, G. (1990) "The Basalt Desert Rescue Survey and some preliminary remarks on the Safaitic inscriptions and rock drawings" Proceedings of the Seminar for Arabian Studies 20:55-78
- Macdonald, M. C. A. (1992) "Inscriptions, Safaitic" in The Anchor Bible Dictionary Vol 3 (editor in chief D N Freedman) Doubleday
- Macdonald, M. C. A. (2000) "Reflections on the linguistic map of pre-Islamic Arabia" Arabian Archaeology and Epigraphy 11(1):28–79
- Oxtoby, W. G. (1968) Some Inscriptions of the Safaitic Bedouin American Oriental Society, Oriental Series 50. New Haven, Connecticut
- Winnett, F. V. and Harding, G. L. (1978) Inscriptions from Fifty Safaitic Cairns Toronto
External links
[edit]
Media related to Safaitic at Wikimedia Commons- Online Corpus of the Inscriptions of Ancient North Arabia (OCIANA)
- Readings in Early Arabic: #4 Safaitic War Chant from Marabb al-Shurafā' on YouTube
Safaitic
View on GrokipediaOverview and Discovery
Historical Context
Safaitic inscriptions emerged within the pre-Islamic nomadic societies of the Syro-Jordanian Ḥarrah, a vast basalt desert spanning southern Syria, northern Jordan, and parts of northern Saudi Arabia, where Bedouin herders and traders roamed from the 3rd century BCE to the 4th century CE.[6] These mobile groups, often organized into tribes, sustained themselves through pastoralism, seasonal migration, and participation in regional trade networks, leaving behind graffiti-like carvings on rocks to document their lives amid the harsh desert environment. The Ḥarrah's isolation from major urban centers fostered a distinct cultural milieu, yet these nomads were not entirely detached from surrounding settled powers. The creators of Safaitic inscriptions interacted extensively with neighboring civilizations, including the Nabataeans, Romans, and Palmyrenes, whose influences permeated the Ḥarrah through trade routes, military campaigns, and shared religious practices.[6] Nabataean deities and terminology appear in the texts, reflecting cultural exchanges during pilgrimages to sites like Seia, while Roman military presence is evident in references to affiliations and artifacts such as helmets depicted in accompanying rock art.[6] Palmyrene connections, particularly in caravan protection and guidance, are attested in inscriptions mentioning aid to Palmyrene traders traversing the desert, highlighting symbiotic relations that facilitated long-distance commerce across the Near East.[7] In ancient Near Eastern nomadic cultures, rock art and epigraphy served as vital media for personal and communal expression, allowing herders to commemorate travels, invoke divine protection, and mark territorial or ritual spaces without reliance on permanent settlements.[6] These carvings, often accompanied by simple drawings of animals or humans, functioned as ephemeral yet enduring testaments to daily hardships, grief over lost kin, and aspirations for safety, embedding the nomads' worldview into the landscape itself. Safaitic forms part of the broader Ancient North Arabian (ANA) writing traditions, which encompassed various scripts employed by Arabic-speaking nomadic and semi-nomadic groups across the Arabian Peninsula and its fringes from the 1st millennium BCE onward. Distinct from Ancient South Arabian systems, ANA scripts like Safaitic were adapted for informal, monumental use in the north, capturing the linguistic and cultural nuances of pre-Islamic Arabic dialects in a region bridging the Levant and Arabia. This tradition underscores the nomads' role in preserving early Arabic expressions that later contributed to the Islamic-era script.[6]Discovery and Early Documentation
The Safaitic inscriptions were first discovered in 1857 by the Scottish explorer Cyril Graham during an expedition into the basaltic desert of al-Ṣafā, located southeast of Damascus in southern Syria. Graham encountered rocks etched with unfamiliar characters accompanied by drawings of animals and humans, which he described and partially copied in subsequent publications, marking the initial recognition of this ancient script in the Ḥarrah volcanic region. This discovery introduced the corpus to European scholarship, though the texts remained undeciphered for decades due to their isolation in remote nomadic territories. Early 20th-century efforts shifted toward systematic surveys by international teams, significantly expanding documentation. The Princeton University Archaeological Expeditions to Syria, conducted in 1904–1905 and 1909 under Howard Crosby Butler, recorded approximately 1,300 Safaitic inscriptions, with Enno Littmann's detailed analysis and publication in 1943 confirming the script's Old Arabic affinities and distinguishing it from other Ancient North Arabian varieties.[8] Concurrently, French scholars Antonin Jaussen and Raphaël Savignac undertook expeditions in 1907–1908 across northern Arabia, copying and photographing hundreds of texts in the Syrian and Jordanian deserts, as detailed in their three-volume Mission archéologique en Arabie (1909–1914). British archaeologist Gerald Lankester Harding further advanced recording during his surveys in Transjordan from the 1930s to the 1950s, publishing key collections that highlighted the script's prevalence in the northeastern Badia.[9] Documentation faced substantial challenges, including the inscriptions' wide dispersal across vast, arid landscapes shaped by nomadic pastoralism, which made exhaustive surveys logistically demanding and prone to incomplete coverage. Early classifications often conflated Safaitic with the broader "Thamudic" category of undifferentiated North Arabian graffiti, delaying specialized study until Littmann's paleographic work in the early 1900s established its unique identity. Access was further hindered by political instability and the lack of precise mapping in the region. By the mid-20th century, the documented corpus had grown to several thousand inscriptions, with the Corpus Inscriptionum Semiticarum Pars V (1951) compiling 5,081 Safaitic texts, though estimates suggested a total exceeding 10,000 when accounting for unpublished field notes and scattered finds.[10]Geographical and Chronological Distribution
Regions of Occurrence
Safaitic inscriptions are predominantly concentrated in the Syro-Jordanian Ḥarrah, a vast basalt desert extending across southern Syria (particularly Ḥarrah al-Shām), northeastern Jordan (such as Jebel Qurma), southern Jordan (such as Wadi Rum), and northern Saudi Arabia (notably around Tabuk).[1][11] These regions form the core distribution area, where the vast majority of the over 40,000 known inscriptions have been documented, reflecting the mobility of nomadic pastoralists who carved them.[12] The highest densities of inscriptions occur in volcanic basalt fields and wadis, which provided suitable terrain for grazing livestock and natural rock surfaces for engraving.[1] These environmental features in the desert fringes facilitated the nomadic lifestyle of the inscribers, who avoided urban or sedentary centers, opting instead for exposed outcrops in arid, open landscapes.[13] Some overlap exists with Nabataean archaeological sites in these areas, suggesting shared routes without direct urban association.[14] Peripheral discoveries include isolated Safaitic texts in southern Lebanon, such as at Trāk and Qubur al-Acjàm, in the Negev region of southern Israel, at Palmyra in Syria, at Hatra in Iraq, in the Hejaz region of Saudi Arabia, and even as far as Pompeii in Italy, likely indicating influences from trade or migration routes extending beyond the core Ḥarrah zone.[11][15][16][17]Dating and Chronology
The Safaitic inscriptions span approximately from the 3rd century BCE to the 4th century CE, with the majority produced during the peak period of the 1st and 2nd centuries CE.[17][18] This chronological framework is established primarily through relative dating methods, as absolute dates are rare due to the nomadic context of the inscriptions, which were typically carved on exposed rock surfaces without associated datable structures.[18] A small subset of inscriptions employs explicit dating formulas introduced by the term s¹nt ("year of"), referencing contemporary historical events or figures to anchor the text in time. These often allude to regional conflicts, such as the "year of the Nabataean war" (s¹nt ḥrb nbṭ), or the demise of notable individuals, like the "year of the death of 'Adram" (s¹nt myt ʾdrm).[18] References to external powers provide further chronological markers; for instance, mentions of qysr ("Caesar") link inscriptions to specific Roman emperors, such as those from the reigns of Trajan or Hadrian in the 1st-2nd centuries CE, while allusions to Nabataean kings or campaigns, like the war between Alexander Jannaeus and Obodas I dated to 90 BCE, help date earlier examples.[19][20] Local rulers and events, including potential ties to groups like the Ghassanids in later phases, occasionally appear, though identifications remain debated and are used cautiously for post-3rd century CE contexts. Corroboration comes from stratigraphic and paleographic analyses, where inscriptions found in association with datable artifacts—such as Roman-era pottery sherds or coins in wadi deposits—support the relative timelines derived from textual references.[17] Paleography examines script variations over time, revealing gradual shifts from earlier Ancient North Arabian forms toward more angular styles in later inscriptions, aligning with the proposed span.[21] These methods collectively refine the chronology, though challenges persist due to the inscriptions' dispersed, non-monumental nature. The decline of Safaitic usage after the 4th century CE coincides with the emergence of cursive scripts derived from Nabataean, which evolved into the proto-Arabic forms used in early Islamic inscriptions.[18] This transition reflects broader sociocultural shifts, including increasing sedentarization and the influence of imperial writing traditions in the region.[17]The Script
Alphabet and Letters
The Safaitic alphabet is a 28-letter consonantal script derived from the South Semitic family of writing systems, which trace their ultimate origins to the Proto-Sinaitic script of the 2nd millennium BCE, with possible influences from early Phoenician forms through shared Semitic traditions.[22] This derivation positioned Safaitic as a sister script to other Ancient North Arabian varieties, such as Thamudic, while adapting to the phonology of its users.[1] The script represents 28 consonantal phonemes without dedicated vowel letters, relying on contextual inference for vocalization, and lacks consistent matres lectionis for indicating long vowels.[22] Employed for informal graffiti inscriptions, the Safaitic script features an angular, lapidary style optimized for rock carving using tools like hammers or chisels, resulting in bold, linear forms that vary slightly by execution but maintain core identifiability.[1] Standard letter shapes include beth (𐤁), depicted as a vertical line with two horizontal strokes or a half-circle bow, and daleth (𐤃), formed as a vertical line with a loop or an open-based triangle.[22] Unique to its inventory are letters like shin (𐤔), a serriform vertical with undulations or three connected vertical strokes representing /š/, and waw (𐤅), an oval with a diameter line for /w/.[22] The direction of writing is typically right-to-left, aligning with broader Semitic conventions, but exhibits flexibility including boustrophedon (alternating lines), left-to-right, vertical, or even coiling arrangements, reflecting the informal, nomadic context of inscription production.[22] No word dividers or punctuation appear, emphasizing the script's utilitarian design for brief graffiti.[1] To illustrate the evolutionary links, the following table compares representative Safaitic letters to their approximate Proto-Sinaitic and Phoenician antecedents, based on shared acrophonic principles and form adaptations in Semitic paleography (note: exact correspondences vary by scholarly reconstruction, with Proto-Sinaitic being more pictographic).[22]| Letter (Safaitic) | Phoneme | Proto-Sinaitic Form (ca. 1850 BCE) | Phoenician Form (ca. 1000 BCE) | Notes on Evolution |
|---|---|---|---|---|
| 𐤁 (beth) | /b/ | House pictogram (bayt) | Angular house (𐤁) | Simplified from pictograph to linear strokes for carving.[22] |
| 𐤃 (daleth) | /d/ | Door pictogram (dalt) | Triangular door (𐤃) | Retained triangular motif, angularized for lapidary use.[22] |
| 𐤔 (shin) | /š/ | Teeth pictogram (šinn) | W-shaped teeth (𐤔) | Evolved to serrated line, emphasizing /š/ distinction in South Semitic.[22] |
| 𐤅 (waw) | /w/ | Hook pictogram (waw) | Y-shaped hook (𐤅) | Adapted to oval or vertical form for /w/.[22] |