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Baba Marta
Baba Marta
Baba Marta
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Baba Marta (Bulgarian: Баба Марта, "Granny March") is the name of a Bulgarian mythical figure who brings with her the end of the cold winter and the beginning of the spring.[1][2] Her holiday of the same name is celebrated in Bulgaria on 1 March with the exchange and wearing of martenitsi. Baba Marta folklore is also present in southeastern Serbia, namely in the municipalities of Bosilegrad and Dimitrovgrad, where there is a majority ethnic Bulgarian population living there. This is done as a reference as to a freezing weather change after a spring break. The Romanian holiday Mărțișor is related to Baba Marta.

Baba Marta Day

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Main article: Baba Marta Day

Bulgarians celebrate on March 1 a centuries-old tradition and exchange martenitsi on what is called the day of Baba Marta. The tradition of giving friends red-and-white interwoven strings brings health and happiness during the year and is a reminder that spring is near.

Baba Marta ("Grandma March") is believed to be a feisty lady who always seems to be grudging at her two brothers, January and February, while the sun only comes out when she smiles. As folklore there are different versions of the Baba Marta tale. One says that on that day she does her pre-spring cleaning and shakes her mattress for the last time before the next winter - all the feathers that come out of it pour on Earth like snow - the last snow of the year. This story can also be found in German folklore, for instance in the "Frau Holle" or Mother Hulda legend.

Baba Marta Beach

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Baba Marta Beach is a beach on the southern coast of Nelson Island, an Island off of Antarctica. The beach was named after the Baba Marta.

Martenitsi

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Martenitsi, hung on fruit tree in blossom, Bulgaria.

Martenitsi are red and white coloured bands or figurines that symbolise health and happiness, a lucky charm against evil spirits. They are given away to friends and family and are worn around the wrist or on clothes. In the small villages in the mountains people decorate their houses, kids and domestic animals.

The white color first symbolized man, the power light solar zone. Later, under the influence of Christian mythology it began to indicate integrity and virginity – white is the color of Christ. Red represents the woman and health: it is a sign of blood, conception and birth. In ancient times women’s wedding dresses were red. The martenitsa comes in all shapes and sizes - from building packages to strings on a newborn's arm. Children usually compete who will get the most.

People wear martenitsa for a certain period, the end of which usually is connected with the first signs of spring birds like storks or swallows. Some people then tie their martenitsa to a tree, others place it under a rock and based on what they find there the next morning guess what kind of a year this one would be.

The Bulgarian tradition resembles folklore known in parts of Asia and South America, to wear a lucky bringing friendship bracelet around the wrist until it wears out. It also resembles the German tradition of hanging empty eggs in blossoming trees during the (now Christian) Eastern folklore and the Persian tradition of hanging fruit in trees at midwinter.

Other names

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The Romanian holiday Mărțișor is a variant of Baba Marta.

See also

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Baba Marta

View on Grokipedia
from Grokipedia
Baba Marta is a traditional folk holiday celebrated primarily in on 1 , symbolizing the arrival of spring and the end of winter through the exchange and wearing of martenitsi—red and white woolen amulets or ornaments that represent health, prosperity, and protection from misfortune. These martenitsi, often in the form of twisted threads, bracelets, or small dolls depicting figures like Pizho (a boy) and Penda (a ), are worn on the , , or pinned to garments until the first signs of spring appear, such as a stork's arrival or a blooming , at which point they are removed and tied to a branch or placed under a stone to ensure good fortune and fertility. In Bulgarian folklore, the holiday centers on the mythical figure of Baba Marta ("Grandma "), an elderly woman often portrayed as the irritable sister of the winter months, (Golyam Sechko) and (Malak Sechko), whose moods are believed to influence the unpredictable weather of —warm and sunny when she is pleased, cold and stormy when angered. The tradition is linked to legends involving Khan Asparuh, the founder of the in the ; one tale recounts how a white thread, stained red by blood during an escape or battle, was sent by his sister or wife as a signal of victory and survival, evolving into the martenitsa's dual colors where red signifies vitality and passion, and white denotes purity and joy. This narrative underscores the tradition's role in warding off evil and illness during the seasonal transition. Rooted in ancient Thracian and proto-n customs dating back over a millennium, Baba Marta fosters community bonds through intergenerational crafting and gifting, with practices like young girls learning to make martenitsi from elders, and it extends beyond to neighboring countries including , , and , where similar rituals occur under names like . In 2017, the recognized these cultural practices associated with 1 as an of Humanity, highlighting their promotion of social cohesion, , and harmony with nature amid seasonal change. Today, the holiday remains a vibrant expression of Bulgarian identity, blending with modern celebrations that emphasize hope and renewal.

Folklore

Mythical Figure of Baba Marta

In Bulgarian , Baba Marta, meaning "Grandma ," is depicted as a grumpy and temperamental old woman who personifies the month of and its erratic weather patterns. Her rapid mood swings—from cheerful smiles to frowning irritation—directly mirror the unpredictable shifts between sunny warmth and sudden cold snaps typical of early spring. One folk tale describes her performing pre-spring cleaning on by shaking out her feather mattress, with the falling feathers symbolizing the final snowflakes of winter before the thaw. As the bringer of spring following the harsh winter months, Baba Marta embodies impatience for renewal and warmth, often portrayed in conflict with her two brothers who represent and . Known as Golyam Sechko (Big Chill) and Malak Sechko (Little Chill), these siblings dwell with her in the mountains, prolonging the cold until she asserts her arrival; in some variants, she is the sister of 11 brothers symbolizing the months. Her irritable disposition stems from frustration with their lingering winter grip, yet she ultimately drives the transition to blooming nature when her mood lightens, fostering growth and vitality. Symbolically, Baba Marta's fiery temper aligns with the color red, evoking health, passion, and life's energy, while her white hair or the snow she scatters represents purity and the fading remnants of winter. This dual nature blends her benevolence as a herald of spring with underlying grumpiness, reflecting the bittersweet end of dormancy. To appease her and seek mercy from her whims, people offer martenitsi as protective charms.

Associated Legends

In Bulgarian , Baba Marta is portrayed as an impatient elderly woman weary of winter's prolongation. Various etiological tales link her to the protective symbolism of the , underscoring her role in ushering spring while highlighting the tradition's role as a safeguard during seasonal change. Another associated explains March's erratic weather through Baba Marta's feuds with the winter months, personified as her brothers (Goliam Sechko) and (Malak Sechko). Impatient for warmer days, she quarrels with them over their lingering cold. Only when appeased does she release spring, allowing nature to bloom, thereby accounting for the month's unpredictable shifts from frost to mildness. A key myth casts Baba Marta as a guardian against malevolent spirits stirred by the vulnerable shift from winter to spring, with martenitsi serving as ritual offerings to avert her potential wrath and ensure communal well-being. Woven from red and white threads—red for vitality and warding off demons, white for purity—these amulets are believed to invoke her favor, protecting wearers from illness, evil eye, and supernatural threats that folklore warns accompany seasonal renewal. This narrative emphasizes her dual nature as both temperamental force and benevolent protector in the folk imagination.

Traditions and Customs

Martenitsi

Martenitsi are traditional Bulgarian amulets consisting of twisted red and white woolen threads, often formed into bracelets, tassels, or small figurines, and are exchanged as gifts among family, friends, and loved ones on March 1 to mark the beginning of the Baba Marta tradition. These adornments can be handmade by elderly women or purchased commercially, with the figurine variants typically featuring two small dolls known as Pizho (a white male figure) and Penda (a red female figure), symbolizing a harmonious couple or newlyweds. They are attached to wrists, clothing, necks, or even farm animals to invoke and . The symbolism of martenitsi is deeply rooted in Bulgarian folklore, where the red thread represents health, vitality, and protection against evil forces, drawing from the sun's life-giving power, while the white thread signifies purity, innocence, and the melting snow heralding winter's end. Together, the intertwined colors embody the balance between opposing forces and the arrival of spring's renewal, fertility, and abundance. The Pizho and Penda figures further reinforce themes of unity and procreation, with white evoking masculine purity and red denoting feminine vitality. Strict rules govern the wearing of martenitsi: they must remain attached until the wearer sights a , , , or a blooming —signs of spring's true onset, usually around mid-March—or specific religious dates such as (Feast of the Forty Holy Martyrs) or (Feast of the Annunciation)—after which they are removed to avoid misfortune. Upon removal, the martenitsi are typically hung on a to transfer wishes for and to the branches, placed under a rock to ensure bountiful crops, or thrown toward the sun or a passing as a symbolic offering. Traditionally made from , they should not be unwound or synthetic to preserve their protective efficacy. Variations in martenitsi forms include simple twisted bracelets, elaborate dolls like Pizho and Penda, or shapes resembling animals such as for , with regional differences like multicolored versions in the . While the handmade tradition persists, especially in rural areas where they are crafted by hand to maintain authenticity, modern commercial production has introduced mass-made versions sold in markets and online, blending cultural preservation with wider accessibility.

Observance of Baba Marta Day

Baba Marta Day, observed on , involves the core ritual of exchanging martenitsi among family, friends, and colleagues as symbolic wishes for and in the coming year. Participants greet one another with the traditional phrase "Chestita Baba Marta," which translates to "Happy Baba Marta," to express joy and solidarity in welcoming spring. This communal exchange fosters social bonds and reinforces cultural continuity. Additional customs enrich the observance, including the preparation of , a traditional layered pastry often enjoyed as a festive treat symbolizing abundance and shared meals. Homes are decorated with red and white motifs, such as ribbons or martenitsa-inspired ornaments, to honor the holiday's colors and invite positive energy. A longstanding advises limiting outdoor activities in early March to avoid provoking Baba Marta's ire, rooted in that portrays her as capable of sending harsh sun to burn unprotected skin or unleashing sudden cold snaps. These practices underscore the day's emphasis on caution and respect for nature's transitional moods. In modern contexts, Baba Marta Day features school events where children craft martenitsi and learn through activities and performances, alongside public festivals and bazaars that showcase handmade crafts and traditional music. communities organize gatherings to exchange martenitsi and share meals, preserving the tradition abroad. Individuals typically wear martenitsi throughout or until encountering personal signs of spring, such as the arrival of a or the budding of a tree, extending the observance through the month. The erratic weather of is popularly linked to Baba Marta's temperament, depicted in as a fickle figure whose smiles bring mild days and frowns summon storms or frost. Proverbs capture this variability, such as those describing as "unpredictable like an old woman's whims," highlighting her role in personifying the season's caprice and the anticipation of renewal.

History and Origins

Ancient and Pre-Christian Roots

The Baba Marta tradition likely draws from ancient Thracian influences, connecting to spring prevalent in Balkan as early as the 2nd millennium BCE. Scholars propose that the custom of exchanging red-and-white amulets originated in Thracian practices, where such dual-colored items served as protective talismans to hasten the end of winter and ensure agricultural renewal. These rites emphasized the invocation of seasonal vitality, with red symbolizing life force and blood, and white representing purity and the onset of light. Archaeological evidence from pre-Roman Thracian tombs in supports symbolic associations with life-death transitions through the prominent use of and pigments and adornments. Funerary art in chamber tombs frequently incorporates these colors in murals, , and , interpreted as markers of rebirth and the cyclical passage from winter's dormancy to spring's vitality, predating widespread Christian influence. Such finds, including colored beads and threads in burial contexts, underscore the ' belief in amulets facilitating the soul's journey and seasonal harmony. Indo-European parallels to Baba Marta's depiction as a temperamental harbinger of spring appear in various mythologies, sharing motifs of deities embodying seasonal mood swings and renewal. In Slavic traditions, the goddess Marzanna, associated with winter's harshness, is ritually drowned or burned to usher in spring, mirroring Baba Marta's irritable transition from cold to warmth. features Persephone's reluctant return from the , symbolizing earth's awakening, while the Roman god Mars—linked to the month of March—represents both destructive war and fertile growth, reflecting the dual nature of early spring. These shared archetypes highlight common Indo-European roots in personifying nature's capricious shifts. Prior to Bulgaria's 9th-century , these pagan elements evolved into enduring folk practices, as Thracian and proto-Bulgarian rituals merged with incoming Slavic influences to form syncretic customs. Spring amulet traditions persisted through oral lore and communal rites, resisting full assimilation while adapting to new cultural layers, thus preserving core motifs of protection and seasonal optimism in pre-medieval society.

The Legend of Khan Asparuh

The legend of Khan Asparuh, a foundational figure in Bulgarian folklore, links the Baba Marta tradition to the Proto-Bulgar migration and the establishment of the First Bulgarian Empire in the late 7th century. Khan Asparuh (r. 680–700 CE), son of Khan Kubrat, led his people westward from the Pontic steppes following the Khazar conquest of Old Great Bulgaria around 670 CE. After crossing the Danube into Byzantine territory, Asparuh engaged in battles against imperial forces, culminating in the decisive victory at the Battle of Ongal in 680 CE, which enabled the founding of the empire in 681 CE. In one common folk narrative, Asparuh, having found suitable land south of the Danube, sends a message to his captive sister Huba in the lands of Old Great Bulgaria, promising to signal her for escape with a bird bearing a white thread. Huba ties a white thread to a falcon's leg and releases it to find her brother, but the bird is wounded by an arrow during the journey, staining the thread red with blood. This red-and-white thread reaches Asparuh as a symbol of his sister's survival and determination, where red signifies vitality and blood sacrifice, and white purity and hope. Asparuh distributes pieces of the thread to his warriors for protection and unity. The legend, though romanticized and popularized in early 20th-century literature such as Nikolay Raynov's works, draws from medieval Bulgar chronicles like those referencing the clan's migrations and triumphs, blending historical memory with mythic elements. Variations exist, sometimes involving a brother like Bayan being wounded and staining the thread. Commemorated annually on as Baba Marta's benevolent gift, the entwined threads evolve into martenitsi—worn amulets embodying , , and national unity. They serve as a enduring of the ' endurance and the spring renewal tied to the empire's origins, reinforcing across generations.

Cultural Significance

In Bulgaria

Baba Marta holds a central place in Bulgarian , serving as a potent of resilience against harsh winters and the hopeful renewal of spring. This embodies the enduring spirit of the Bulgarian people, reflecting their deep connection to seasonal cycles and communal harmony. It is woven into the fabric of national life through educational programs, where children learn about its and crafting techniques as part of curricula in schools and ethnographic museums. Although not an official with a day off, Baba Marta is widely observed as a national celebration, often featured in festivals that highlight regional and preserve oral histories. In contemporary , the observance of Baba Marta has evolved with modern adaptations while retaining its core rituals. Commercial markets spring up in cities and towns around , where vendors sell mass-produced martenitsas alongside handmade ones, blending tradition with economic activity and attracting both locals and tourists. Nationwide participation includes media coverage on television and social platforms, emphasizing stories of family exchanges and creative variations. Regional differences persist, with rural areas like the producing more elaborate, colorful martenitsas incorporating additional hues such as green and blue, often crafted during community gatherings. A notable highlight was the 2015 Guinness World Record for the largest , a 16,704-meter chain created by the Vidin Municipality, showcasing collective effort and innovation in tradition. The tradition's inscription in on 's Representative List of the of Humanity, under "Cultural Practices Associated to the 1st of ," underscores Bulgaria's commitment to its preservation amid . This recognition highlights efforts by cultural institutions to document and transmit the practice through workshops and exhibitions, ensuring its vitality for future generations. Societally, Baba Marta fosters community bonding by encouraging the exchange of martenitsas among family, friends, and colleagues, reinforcing social ties and intergenerational . Crafting often involves traditional roles, with women and girls in rural settings passing down techniques from elders, though urban adaptations include broader participation. Environmentally, it ties to reverence, as worn martenitsas are hung on blossoming trees or fruit-bearing branches to wish prosperity to the land, symbolizing harmony with seasonal renewal.

In Other Cultures and Diaspora

In neighboring countries with Bulgarian minorities, such as and southeastern , similar martenitsa customs are observed, involving the exchange of red and white amulets to symbolize health and the arrival of spring. A close parallel exists in with the holiday of , celebrated on March 1 through the gifting of red and white thread amulets or jewelry, which are worn for good fortune and removed upon sighting spring symbols like blossoms or birds. This tradition shares thematic elements and potential Thracian-Dacian roots with Baba Marta, as both mark the agrarian and nature's renewal, with legends linking the amulets to ancient solar and . Bulgarian expatriate communities worldwide preserve the observance through cultural events, online exchanges of martenitsi, and festivals that adapt the tradition to local contexts. In the United States, organizations like the Bulgarian Cultural and Heritage Center in host workshops where participants craft traditional martenitsi to celebrate . In Australia, communities have erected public martenitsa trees, such as in Brisbane's King George Square, where red and white decorations are distributed to promote health and prosperity among locals and expatriates. Similarly, in the United Kingdom, Bulgarian groups in organize gatherings to share martenitsi and greetings, fostering cultural continuity. In warmer climates like those in or the southern , martenitsi are often removed earlier, upon the first signs of blooming, to align with local seasonal shifts. Thematically, Baba Marta's emphasis on and amulets for and seasonal transition echoes elements in other global . Informally, the holiday is referred to as Martenitsa Day, Grandma March, or the March 1st Holiday in and English-language contexts.

Named Geographical Features

Baba Marta Beach

Baba Marta Beach is an ice-free coastal feature located on the south coast of Nelson Island in the , , extending approximately 1.8 km eastward from Ross Point. This area falls under the , which designates for peaceful scientific purposes and prohibits territorial claims. The beach consists of a rocky shoreline, providing a rare ice-free zone amid the surrounding polar environment, suitable for geological and biological studies during austral summer expeditions. The feature was officially named by the Antarctic Place-names Commission of Bulgaria, honoring the traditional Bulgarian holiday of Baba Marta, which symbolizes the transition from winter to spring. This naming choice evokes the warmth and renewal associated with the figure in a starkly contrasting frozen landscape, highlighting the symbolic bridging of cultural heritage with extreme polar conditions. There is no permanent human habitation on the beach, though it has been visited by members of Bulgarian expeditions for mapping and research activities. The designation of Baba Marta Beach exemplifies Bulgaria's efforts to promote its through Antarctic toponymy, contributing over 1,400 Bulgarian-inspired names to the continent's since the late . It stands alongside other culturally significant features, such as Asparuh Peak on , named after the founder of the , underscoring Bulgaria's active participation in international polar and .

References

  1. https://ich.unesco.org/en/RL/cultural-practices-associated-to-the-1st-of-march-01287
  2. https://bnt.bg/news/the-bulgarian-tradition-of-baba-marta-and-martenitsa-134433news.html
  3. https://privateguidebulgaria.com/blog/bulgarias-beautiful-martenitsa-tradition/
  4. https://www.themendelssohn.org/wp-content/uploads/2020/12/Baba-Marta-instructions.pdf
  5. https://visitmybulgaria.com/grandmother-marta/
  6. https://bnr.bg/en/post/100118844/granny-marta-and-her-brothers
  7. https://www.novinite.com/articles/148298/Bulgaria+Celebrates+Traditional+%27Baba+Marta%27+Holiday
  8. https://www.trtworld.com/article/12791621
  9. https://www.openbulgaria.org/post/legends-of-baba-marta/
  10. https://www.turkiyetoday.com/culture/wishes-in-red-and-white-all-you-need-to-know-about-martenitsa-128180
  11. https://openbulgaria.org/post/legends-of-baba-marta/
  12. https://www.balkanfolk.com/news-print.php?id=43
  13. https://bnr.bg/en/post/100525734/pizho-and-penda-the-folklore-symbolism-of-the-martenitsa
  14. https://bnr.bg/en/post/102122846/red-and-white-the-bulgarian-spring-health-amulet-is-shrouded-in-legends-and-beliefs
  15. https://www.hurriyetdailynews.com/turkish-cities-celebrate-baba-marta-to-welcome-spring-206434
  16. https://academy.europa.eu/mod/page/view.php?id=18362&lang=pl
  17. https://www.academia.edu/49413481/The_Decoration_of_Thracian_Chamber_Tombs
  18. https://www.researchgate.net/publication/348976061_Archaeological_textiles_in_pre-Roman_Thrace_state_of_the_evidence
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  28. https://www.guinnessworldrecords.com/world-records/largest-martenitsa
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  34. https://www.youtube.com/watch?v=ihFtluMaTQw
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  36. https://apcbg.org/gazet.pdf
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  39. https://data.aad.gov.au/aadc/gaz/display_name.cfm?gaz_id=134532
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