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Martin Landau
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Martin James Landau[2] (/ˈlændaʊ/; June 20, 1928 – July 15, 2017) was an American actor. His career began in the late 1950s, with early film appearances including a supporting role in Alfred Hitchcock's North by Northwest (1959). His career breakthrough came with leading roles in the television series Mission: Impossible (1966–1969) and Space: 1999 (1975–1977).
Key Information
Landau earned Academy Award nominations for his performances in Tucker: The Man and His Dream (1988) and Woody Allen's Crimes and Misdemeanors (1989).[3] He won the Academy Award for Best Supporting Actor as well as the Screen Actors Guild Award and a Golden Globe Award for his portrayal of Bela Lugosi in Ed Wood (1994). Other notable roles include in Cleopatra (1963), The Greatest Story Ever Told (1965), Rounders (1998), Sleepy Hollow (1999), and Remember (2015). He headed the Hollywood branch of the Actors Studio until his death in July 2017.[4]
Early life and education
[edit]Landau was born on June 20, 1928, in Brooklyn, New York, the son of Selma (née Buchman) and Morris Landau.[5] His family was Jewish. His father was an Austrian-born machinist who tried to rescue relatives from the Nazis.[6]
After attending both James Madison High School and Pratt Institute,[7] he found work at the New York Daily News. There he spent the next five years as an editorial cartoonist and worked alongside Gus Edson to produce the comic strip The Gumps.[8][9][10] He quit the Daily News when he was 22 to concentrate on theater acting. "I told the picture editor I was going into the theater," he recalled. "I think he thought I was going to be an usher."[11]
After auditioning for the Actors Studio in 1955, Landau and Steve McQueen were the only applicants accepted out of 500.[12] While there, he trained under Lee Strasberg, Elia Kazan, and Harold Clurman, and eventually became an executive director with the Studio alongside Mark Rydell and Sydney Pollack.[8]
Career
[edit]1957–1965: Rise to prominence
[edit]
Influenced by Charlie Chaplin and the escapism of the cinema, Landau pursued an acting career.[13] While at the Actors Studio, he became good friends with James Dean. He recalled, "James Dean was my best friend. We were two young would-be and still-yet-to-work unemployed actors, dreaming out loud and enjoying every moment ... We'd spend lots of time talking about the future, our craft and our chances of success in this newly different, ever-changing modern world we were living in."[14][13]
In 1957, he made his Broadway debut in Middle of the Night. Landau made his first major film appearance in Alfred Hitchcock's North by Northwest (1959) starring Cary Grant and Eva Marie Saint. Landau portrayed Leonard, the right-hand man of a criminal portrayed by James Mason.[15] Variety praised Landau's performance writing, "[His performance] creates individuality and excitement."[16] That same year he acted in the Korean War film Pork Chop Hill starring Gregory Peck and directed by Lewis Milestone, and the black comedy The Gazebo starring Glenn Ford and Debbie Reynolds and directed by George Marshall. He appeared on television in Wanted: Dead or Alive S2 E19 "The Monster" as Khorba, a rogue elephant trainer who uses his elephant to rob miners of their gold. The series starred Steve McQueen; the episode first aired on January 14, 1960. In 1962, he acted in the Western film Stagecoach to Dancers' Rock. In 1963, he played a survivor of a post-pandemic world in The Outer Limits episode, "The Man Who Was Never Born." He returned for a second guest appearance on the series as scientist Richard Bellero in "The Bellero Shield." (1964). Landau appeared in two episodes of the science fiction series The Twilight Zone; as town bully Dan Hotaling in S1 E3 "Mr. Denton on Doomsday", and as Major Ivan Kuchenko in S5 E29 "The Jeopardy Room." In 1965, he played villain General Grimm in the TV series The Wild Wild West S1 E11 "The Night of the Red-Eyed Madmen." Other TV series credits during this period include Maverick, Rawhide, Wagon Train, Bonanza, The Rifleman, I Spy, The Big Valley, The Man from U.N.C.L.E., and as Doc Holliday in Tales of Wells Fargo, S3 E34.
He had featured roles in two 1960s epics: Rufio in the Joseph L. Mankiewicz directed Cleopatra (1963) and Caiaphas in the George Stevens directed The Greatest Story Ever Told (1965). The latter was an historical epic which cost a reported $20 million and featured performances from stars such as Charlton Heston, Max Von Sydow, Claude Rains, Dorothy McGuire, Jose Ferrer, Roddy McDowall, and Angela Lansbury. The following year he played a ruthless killer in the Western action adventure prequel Nevada Smith (1966) starring Steve McQueen.[13]
1966–1969: Mission: Impossible and acclaim
[edit]Landau played the supporting role of master of disguise Rollin Hand in the first three seasons of the US television series Mission: Impossible, from 1966 to 1969, for which he received three straight Emmy nominations. Landau at first declined to be contracted by the show because he did not want it to interfere with his film career; instead, he was credited for "special guest appearances" during the first season.[17] He became a full-time cast member in the second season, although the studio agreed to Landau's request to contract him only on a year-by-year basis rather than the then-standard five years.[18] The role of Hand required Landau to perform a wide range of accents and characters, from dictators to thugs, and several episodes had him playing dual roles—not only Hand's impersonation, but also the person whom Hand is impersonating.[19] In the series Landau acted alongside his then-wife Barbara Bain,[18] who won an Emmy for her performances each year for all three years. He was replaced by Leonard Nimoy, playing a very similar role but not exactly the same character, for the next two seasons of the series after Landau and Bain left the show.
1970–1987: Movie and television roles
[edit]During this period, Landau took few film roles and focused on television. He acted in the film They Call Me Mister Tibbs! (1970), The second installment in a trilogy, the release was preceded by In the Heat of the Night (1967) and followed by The Organization (1971). The film starred Sidney Poitier. That same year he starred in the Italian comedy film Operation Snafu. He then acted in the Spaghetti Western A Town Called Bastard (1971), and the neo-noir blaxploitation movie Black Gunn (1972). In 1973, Landau guest-starred in the Columbo episode Double Shock alongside Peter Falk, as twin brothers involved in the murder of their rich uncle. The episode also costarred Dabney Coleman, Julie Newmar, and Jeanette Nolan.
In the mid-1970s, Landau and Bain returned to TV in the British science-fiction series Space: 1999 produced by Gerry Anderson in partnership with Sylvia Anderson, and later with Fred Freiberger.[20] Critical response to Space: 1999 was unenthusiastic during its original run, and it was canceled after two seasons.[21] Landau was critical of the scripts and storylines, especially during the series' second season, but praised the cast and crew.[20] He later wrote forewords to Space: 1999 co-star Barry Morse's theatrical memoir Remember with Advantages (2006) and Jim Smith's critical biography of Tim Burton.[22] Following Space: 1999, Landau appeared in supporting roles in a number of films and TV series. He appeared in low-budget genre pictures, such as the science fiction films Without Warning (1981) and The Being (1983) or the horror film Alone in the Dark (1982). He appeared in roles in, among others, the TV film The Harlem Globetrotters on Gilligan's Island (1981), which co-starred Bain in their final on-screen appearance together.[23]
1989–1999: Career resurgence
[edit]
In the late 1980s, Landau made a career comeback, earning an Academy Award nomination for his role in Tucker: The Man and His Dream (1988).[21] He said he was grateful to the film's director, Francis Ford Coppola, for the opportunity to play a role he enjoyed: "I've spent a lot of time playing roles that didn't really challenge me," he said. "You want roles that have dimension. The role of Abe Karatz gave me that."[8] He won the Golden Globe Award for his part in the film.[8] In 1989, Landau appeared in Woody Allen's Crimes and Misdemeanors (1989) The film is split into two stories: one humorous, one dark in nature. Landau starred in the darker storyline as Judah Rosenthal, a successful ophthalmologist who tries to prevent his mistress, played by Anjelica Huston, from revealing their affair to his wife (Claire Bloom). Landau's character confides his worries to patient and rabbi Sam Waterston as well as his mobster brother Jerry Orbach. Allen remembered of the cast that:
I just couldn't find anybody good for the part of Judah... He read it, and he was completely natural. It's an interesting thing. Of all the actors I've ever worked with, he gives expression to my dialogue exactly as I hear it. His colloquialisms, his idiom, his inflection is exactly correct. So of all the people who've ever read my lines, he makes them correct every time... One of the reasons for this must be that Martin Landau came from my neighborhood in Brooklyn, right near where I lived, only a few blocks away.[24]
The film received critical acclaim, with Roger Ebert giving the film four stars, writing,
The movie generates the best kind of suspense, because it's not about what will happen to people—it's about what decisions they will reach. We have the same information they have. What would we do? How far would we go to protect our happiness and reputation? How selfish would we be? Is our comfort worth more than another person's life? Allen does not evade this question, and his answer seems to be, yes, for some people, it would be.[25]
Landau received an Academy Award nomination for Best Supporting Actor for this performance, losing to Denzel Washington in Glory.
He won an Oscar for Best Supporting Actor for his performance in Ed Wood (1994), a biopic in which Landau plays actor Bela Lugosi. Landau researched the role of Lugosi by watching many old Lugosi movies and studying Lugosi's Hungarian accent, which contributed to Lugosi's decline in acting. "I began to respect this guy and pity him," said Landau. "I saw the humor in him. This, for me, became a love letter to him, because he never got a chance to get out of that. I got a chance to make a comeback in my career. And I'm giving him one. I'm giving him the last role he never got."[26] Landau also received a Screen Actors Guild Award, a Golden Globe Award and a Saturn Award for the role, as well as accolades from a number of critics' groups.[21]
Landau's film roles in the 1990s included a down-on-his-luck Hollywood producer in the comedy Mistress (1992) with Robert De Niro, and judges in the dramas City Hall (1995) with Al Pacino, Rounders (1998) with Matt Damon,[19] B.A.P.S. (1997) with Halle Berry, and Ready to Rumble in 2000. He played Geppetto in The Adventures of Pinocchio (1996). Landau provided the voice of Scorpion for the first two seasons of the 1990s Spider-Man television series.[27] Landau left the series after two seasons when he won the Academy Award and lacked time for the series; Richard Moll was recast as Scorpion.[28] He played the part of Jacob, son of Isaac, in the TV miniseries Joseph, alongside Ben Kingsley as Potiphar and Paul Mercurio as Joseph.[29]
2000–2017: Final roles
[edit]He played a supporting role in The Majestic (2001), starring Jim Carrey. The film received mostly negative reviews, although one reviewer wrote that "the lone outpost of authenticity is manned by Martin Landau, who gives a heartfelt performance," as an aging father who believes that his missing son has returned from World War II.[30] In the early seasons of Without a Trace (2002–2009), Landau was nominated for a Primetime Emmy Award for his portrayal of the Alzheimer's-afflicted father of FBI Special Agent in Charge Jack Malone, the series' lead character.[21] In 2006, he made a guest appearance in the series Entourage as Bob Ryan, a washed-up but determined and sympathetic Hollywood producer attempting to relive his glory days, a portrayal that earned him a second Emmy nomination.[21]

Landau appeared in The Aryan Couple, in which he played Joseph Krauzenberg, a very wealthy Hungarian Jewish industrial tycoon. Landau appeared in the television film Have a Little Faith (2011) based on Mitch Albom's book of the same name, in which he played Rabbi Albert Lewis.[31] In 2012, Landau voiced Mr. Rzykruski in the Tim Burton animated Disney film Frankenweenie. In 2015, Landau starred alongside Christopher Plummer in the film Remember. The film received critical praise, with reviewers lauding Landau's and Plummer's performances.
In recognition of his services to the motion picture industry, Landau has a star on the Hollywood Walk of Fame at 6841 Hollywood Boulevard.[19]
Acting coach
[edit]Encouraged by his own mentor, Lee Strasberg, Landau also taught acting. Actors coached by him include Jack Nicholson and Anjelica Huston.[32]
Personal life and death
[edit]Landau married actress and former co-star Barbara Bain on January 31, 1957. They had two daughters, Susan and Juliet. Landau and Bain divorced in 1993.[33]
On July 15, 2017, Landau died at age 89 at the Ronald Reagan UCLA Medical Center in Los Angeles; he had been briefly hospitalized.[33] The cause of death was hypovolemic shock brought on by internal bleeding and heart disease.[2] Landau is buried at the Beth David Cemetery in Elmont, New York.[citation needed]
Filmography
[edit]Awards and nominations
[edit]| Year | Award | Category | Title | Results |
|---|---|---|---|---|
| 1988 | Academy Awards | Best Supporting Actor | Tucker: The Man and His Dream | Nominated |
| 1989 | Crimes and Misdemeanors | Nominated | ||
| 1994 | Ed Wood | Won | ||
| 1967 | Primetime Emmy Awards | Outstanding Actor in a Drama Series | Mission: Impossible | Nominated |
| 1968 | Nominated | |||
| 1969 | Nominated | |||
| 2004 | Outstanding Guest Actor in a Drama Series | Without a Trace | Nominated | |
| 2005 | Nominated | |||
| 2007 | Outstanding Guest Actor in a Comedy Series | Entourage | Nominated | |
| 1967 | Golden Globe Awards | Best Actor - Television Series Drama | Mission: Impossible | Won |
| 1988 | Best Supporting Actor - Motion Picture | Tucker: The Man and His Dream | Won | |
| 1994 | Ed Wood | Won | ||
| 1994 | British Academy Film Award | Best Supporting Actor | Nominated | |
| 1994 | Screen Actors Guild Award | Outstanding Supporting Actor | Won |
References
[edit]Citations
- ^ "Martin Landau Died from Massive Internal Bleeding". TMZ. July 27, 2017. Archived from the original on August 3, 2020. Retrieved July 28, 2017.
- ^ a b "Martin Landau Died From Massive Internal Bleeding". TMZ. July 27, 2017. Archived from the original on August 3, 2020. Retrieved July 27, 2017.
- ^ Gleiberman, Owen (July 19, 2017). "Martin Landau Was a Slyly Versatile Actor Who, in Late Middle Age, Attained Greatness". Variety. Archived from the original on July 22, 2017. Retrieved July 21, 2017.
- ^ Wiegand, Chris (July 17, 2017). "Martin Landau obituary". The Guardian. ISSN 0261-3077. Archived from the original on June 11, 2020. Retrieved July 21, 2017.
- ^ Gates, Anita (July 16, 2017). "Martin Landau, Actor Who Won an Oscar for 'Ed Wood,' Dies at 89". The New York Times. Archived from the original on January 7, 2020. Retrieved July 17, 2017.
- ^ Pfefferman, Naomi. The 'Majestic' Martin Landau Archived June 12, 2018, at the Wayback Machine. JewishJournal.com. December 21, 2001.
- ^ Roberto Dominguez (July 16, 2017). "Martin Landau's first job was a cartoonist at the New York Daily News". New York Daily News. Archived from the original on June 29, 2022. Retrieved July 16, 2017.
- ^ a b c d Welsch, James M. The Francis Ford Coppola Encyclopedia, Scarecrow Press (2010) p. 159
- ^ Welsh, Phillips, and Hill, p. 159.
- ^ Lindsey, Robert. "Martin Landau Rolls Up in a New Vehicle" Archived July 14, 2020, at the Wayback Machine, The New York Times, August 7, 1988.
- ^ "Martin Landau obituary" Archived July 23, 2017, at the Wayback Machine, Sunday Express, U.K., July 22, 2017
- ^ Thomas, Bob. "Landau Took the Long Way", Associated Press, October 28, 1989
- ^ a b c Susan King (March 12, 2016). "Martin Landau on his acting life with James Dean, Steve McQueen and now Christopher Plummer". Los Angeles Times. Archived from the original on July 17, 2017. Retrieved July 16, 2017.
- ^ James Dean: A Rebel's Life in Pictures, Life magazine, November 14, 2014
- ^ Burrows, Tim (October 12, 2012). "Martin Landau: 'I chose to play Leonard as gay'". The Telegraph. Archived from the original on January 12, 2022. Retrieved July 16, 2017.
- ^ "North by Northwest". Variety. June 29, 1959. Archived from the original on March 5, 2016. Retrieved August 1, 2023.
- ^ Patrick J. White (October 1, 1991). The Complete Mission: Impossible Dossier. Avon Books.
- ^ a b Herbie J. Pilato. "The Indestructible Mission: Impossible at 50". Emmy Awards. Archived from the original on June 20, 2017. Retrieved July 16, 2017.
- ^ a b c "Martin Landau". Los Angeles Times. Archived from the original on January 28, 2017. Retrieved July 16, 2017.
- ^ a b "Martin Landau-Space: 1999". Catacombs Remembrance Library. Archived from the original on July 8, 2017. Retrieved July 16, 2017.
- ^ a b c d e Ralph Ellis (July 16, 2017). "Actor Martin Landau, star of 'Mission: Impossible,' dies at 89". CNN. Archived from the original on July 17, 2017. Retrieved July 16, 2017.
- ^ Barry Morse (November 13, 2006). Remember With Advantages. McFarland & Company.
- ^ "The Harlem Globetrotters on Gilligan's Island". Hollywood.com. February 28, 2015. Retrieved July 16, 2017.
- ^ Allen, Woody. Woody Allen on Woody Allen: In Conversation with Stig Björkman, Grove Press (1993) p. 214
- ^ Ebert, Roger (October 13, 1989). "Crimes and Misdemeanors". Chicago Sun-Times. Archived from the original on September 20, 2015. Retrieved September 19, 2015.
- ^ Walcott, Gregory. "On the eve of the big night, Martin Landau talks about his acting", Asbury Park Press, March 26, 1995
- ^ "Martin Landau Has Died At 89". Nerdist.com. July 16, 2017. Archived from the original on January 29, 2019. Retrieved July 18, 2017.
- ^ "The Voices of Scorpion". Behind The Voice Actors. Archived from the original on December 4, 2020. Retrieved July 18, 2017.
- ^ Joseph, IMDb, archived from the original on January 13, 2019, retrieved February 19, 2019
- ^ Muller, Bill. "Can't Copy Capra", Arizona Republic, December 21, 2001, p. 97
- ^ "Have A Little Faith Begins Filming in Detroit on Monday June 20, 2011". On Location Vacations. July 1, 2011. Archived from the original on October 23, 2021. Retrieved July 16, 2017.
- ^ Ron Rosenbaum (July 13, 1986). "The Creative Mind; Acting: The Method and Mystique of Jack Nicholson". The New York Times. Archived from the original on February 6, 2018. Retrieved July 16, 2017.
- ^ a b Barnes, Mike (July 16, 2017). "Martin Landau, Oscar Winner for 'Ed Wood,' Dies at 89". The Hollywood Reporter. Archived from the original on July 17, 2017. Retrieved July 16, 2017.
General and cited references
- Riggs, Thomas (1999). Contemporary Theatre, Film and Television. Detroit, Michigan: Gale Research. ISBN 978-0787690458.
- Hellmann, Paul T. (2005). Historical Gazetteer of the United States. Florence, Kentucky: Taylor & Francis. ISBN 978-0415939485.
- Laufenberg, Norbert B. (2005). Entertainment Celebrities. Victoria, British Columbia: Trafford Publishing. ISBN 978-1412053358.
- Stewart, John (1994). Italian Film: A Who's Who. Jefferson, North Carolina: McFarland & Company. ISBN 978-0786467563.
- Welsh, James Michael; Phillips, Gene D.; Hill, Rodney (2010). The Francis Ford Coppola Encyclopedia. Lanham, Maryland: Scarecrow Press. ISBN 978-0810876507.
- Who's Who in Entertainment. Wilmette, Illinois: Marquis Who's Who. 1989. ISBN 978-0837918570.
- Willis, John; Monush, Barry, eds. (2006). Screen World 2005 Film Annual. New York: Applause Theatre Book Publishers. ISBN 978-1557836687.
External links
[edit]- Martin Landau at IMDb
- Martin Landau at Rotten Tomatoes
- Martin Landau at the TCM Movie Database
- Martin Landau at the University of Wisconsin's Actors Studio audio collection
- Martin Landau at The Total Picture Seminar
- Martin Landau at Find a Grave
Martin Landau
View on GrokipediaEarly years
Early life
Martin Landau was born on June 20, 1928, in Brooklyn, New York, to Jewish parents Morris Landau, an Austrian-born machinist who had aspired to a career as a singer, and Selma Landau (née Buchman), a homemaker.[4][7] Morris balanced his machinist work with unfulfilled artistic ambitions, while Selma managed the household for their three children, including Martin and his sisters.[7][8] From a young age, Landau displayed a precocious talent for drawing and cartoons, influenced by his father's creative inclinations.[9] At 17, while still a senior at James Madison High School, he secured a position at the New York Daily News as a staff cartoonist and illustrator, contributing to Billy Rose's "Pitching Horseshoes" column and assisting on the comic strip The Gumps.[8][7] This early professional role highlighted his artistic aptitude and provided financial stability, though it also foreshadowed his shift toward performance arts.[8]Education and early aspirations
After graduating from James Madison High School, Landau, at age 17, began working as a staff cartoonist and illustrator at the New York Daily News, where he contributed to features like Billy Rose's "Pitching Horseshoes" column and assisted on the comic strip The Gumps for nearly five years, while briefly attending the Pratt Institute in Brooklyn to study art and illustration, though he did not complete a degree.[4][10] Lacking formal higher education, Landau pursued self-directed learning in acting by reading extensively on the craft and observing live performances, drawing from his childhood exposure to theater and films that his parents took him to see in New York.[11][12] His aspiration to become an actor was sparked early by these theatrical experiences, which ignited a passion for performance over his initial artistic pursuits.[11] At 22, after years in illustration, Landau quit his newspaper job upon realizing he sought a more dynamic creative outlet, influenced by encounters with emerging actors and admiration for figures like Marlon Brando, whose innovative approach to roles exemplified the depth he craved.[13][14] In 1955, Landau auditioned for the prestigious Actors Studio in New York, where out of approximately 2,000 applicants, he and Steve McQueen were the only two accepted, allowing him to train under Lee Strasberg in Method acting techniques.[4][10] This rigorous, selective entry marked a pivotal shift, providing structured guidance to complement his informal preparations and fueling his determination to transition fully into theater despite initial professional hurdles.[10]Acting career
Rise to prominence (1957–1965)
In 1955, Martin Landau auditioned for Lee Strasberg's Actors Studio alongside 2,000 other applicants and was accepted with only Steve McQueen, marking the beginning of his formal Method acting training under Strasberg.[15] By 1957, he had immersed himself in the Studio's rigorous sessions, which emphasized emotional authenticity and spontaneity, shaping his approach to character work.[16] This training propelled him into professional theater, where he honed his craft in demanding roles that showcased his intensity and versatility. Landau's stage breakthrough came with his Broadway debut in Paddy Chayefsky's Middle of the Night in 1957, where he replaced Lee Philips and impressed director Josh Logan with his deep understanding of the working-class character, earning critical notice for his raw emotional depth.[16] Prior to this, he had gained attention in the 1956 off-Broadway revival of Anton Chekhov's Uncle Vanya, stepping in for Franchot Tone and delivering a nuanced performance as the tormented intellectual Astrov.[17] These theatrical successes, including additional stage work in the late 1950s, established him as a promising talent in New York theater circles, though opportunities remained limited for leading roles. Transitioning to film, Landau made his screen debut as Lieutenant Arthur Marshall in Lewis Milestone's war drama Pork Chop Hill (1959), portraying a determined officer amid the brutal Korean War battles, which highlighted his ability to convey quiet resolve under pressure.[18] His breakthrough came later that year in Alfred Hitchcock's thriller North by Northwest, where he played Leonard, the enigmatic and menacing henchman to James Mason's villain Phillip Vandamm; Landau's subtle portrayal, including a bold interpretation of the character as secretly infatuated with his boss, added layers of ambiguity and tension to the film.[19] Hitchcock had spotted him during his Broadway run and cast him for his "menacing presence."[16] On television, Landau built his reputation through guest spots in anthology series, appearing as the ruthless gunslinger Dan Hotaling in The Twilight Zone episode "Mr. Denton on Doomsday" (1959), a role that pitted him against Dan Duryea's washed-up protagonist in a supernatural Western tale.[20] He also featured in The Untouchables as a nervous informant in the 1959 episode "Mexican Stake-Out," showcasing his skill in portraying morally conflicted figures.[21] These early TV roles, often as antagonists, began to typecast him in villainous parts, leading to initial struggles for more varied leading opportunities as he navigated Hollywood's preferences for his sharp features and intense gaze. Despite this, his supporting work across media solidified his rising prominence by the mid-1960s.Mission: Impossible and acclaim (1966–1969)
In 1966, Martin Landau was cast as Rollin Hand, the disguise expert of the Impossible Missions Force (IMF), in the CBS television series Mission: Impossible, created by Bruce Geller. The show, which premiered on September 17, 1966, centered on a team of secret agents using high-tech gadgets, elaborate deceptions, and espionage tactics to thwart international threats during the Cold War era. Landau's portrayal showcased his versatility, as he frequently transformed into various characters through intricate makeup applications and diverse accents, contributing to the series' signature self-destructing message tapes and intricate plot twists. He appeared in 76 episodes across the first three seasons (1966–1969), co-starring with his wife Barbara Bain, who played fellow agent Cinnamon Carter. Landau's performance earned critical acclaim and bolstered his status as a leading television actor. In 1967, he received his first Primetime Emmy nomination for Outstanding Supporting Actor in a Drama Series for his work on the show, followed by another in 1968 and a third in 1969 in the category of Outstanding Continued Performance by an Actor in a Leading Role in a Dramatic Series. The series itself garnered widespread praise, winning the Primetime Emmy for Outstanding Drama Series in 1967 and 1968, with Landau and Bain sharing in the recognition as key ensemble members. These three consecutive nominations highlighted his ability to blend physical transformation with nuanced dramatic depth. Despite the success, Landau departed the series after the third season in 1969 amid contract disputes with the producers over salary increases and greater creative control. He sought higher pay commensurate with the show's rising popularity and more input on his character's development, but negotiations broke down, leading to his replacement. During this period, Landau balanced his television commitments with film roles, including a supporting part as Jesse Jacklin in the Western Nevada Smith (1966), a prequel to The Man Who Shot Liberty Valance, starring Steve McQueen. He also appeared as Logan Sharpe in the crime thriller They Call Me Mister Tibbs! (1970), filmed in 1969, which served as a sequel to In the Heat of the Night and featured Sidney Poitier. These projects underscored his transition from stage and early screen work to a multifaceted career in both mediums.Mid-career roles (1970–1987)
Following his success on Mission: Impossible, Landau transitioned to a series of international and genre films in the early 1970s, seeking to diversify beyond television. In 1971, he appeared in the Spanish-Italian Western A Town Called Bastard (also known as A Town Called Hell), directed by Robert Parrish, where he portrayed a mysterious priest entangled in a tale of revenge and corruption in a Mexican border town.[22] The following year, 1972, saw him in the blaxploitation action film Black Gunn, directed by Robert Hartford-Davis, playing the mobster Capelli opposite Jim Brown as a nightclub owner seeking vengeance after his brother's death.[22] These roles marked Landau's exploration of B-movies and overseas productions amid a shifting Hollywood landscape. A significant portion of Landau's mid-career output came from his lead role in the British science-fiction series Space: 1999 (1975–1977), where he starred as Commander John Koenig, the authoritative leader of Moonbase Alpha after a nuclear explosion propels the Moon out of Earth's orbit.[22] The show, produced by Gerry and Sylvia Anderson, spanned two seasons totaling 48 episodes and was the most expensive television series at the time, with a budget of approximately $600,000 per episode (equivalent to £250,000 at the time) due to elaborate sets, models, and effects.[23] Production faced significant challenges, including creative tensions between Landau and producer Sylvia Anderson over script quality and direction, as well as delays from the high costs of special effects; these issues contributed to cast frustrations, with Landau advocating for more character-driven storytelling focused on the human isolation of space travel.[24] Despite mixed critical reception at the time, Space: 1999 developed a dedicated cult following for its ambitious visuals, philosophical undertones, and guest appearances by actors like Christopher Lee, influencing later sci-fi like Star Trek: The Next Generation.[25] In the late 1970s, Landau returned to American television with projects like the 1979 TV movie The Death of Ocean View Park, directed by Bob Kelljan, in which he played the park owner Tom Flood, navigating a supernatural thriller involving premonitions of disaster at a soon-to-be-demolished amusement park.[22] He also made guest appearances on series such as Hart to Hart during this period, contributing to episodic mysteries alongside stars Robert Wagner and Stefanie Powers.[17] These television efforts provided steady work but highlighted broader career hurdles. By the early 1980s, Landau's film work included low-budget genre entries like Without Warning (1980), a horror sci-fi directed by Greydon Clark, where he portrayed the hunter Fred "Sarge" Dobbs tracking an alien predator in rural America, and The Return (also 1980, directed by Clark), in which he appeared as Mr. Bosworth in a story of alien abductions and cattle mutilations revisited 25 years later.[22] These roles exemplified his struggles with typecasting as a character actor from television, a predicament he attributed to the "kiss of death" effect of Mission: Impossible fame, which limited major studio opportunities and led to financial strain from reliance on direct-to-video and international projects.[10] He also acted as Captain Garrity in the 1979 crime drama The Last Word, directed by Roy Boulting.[22] This transitional phase underscored Landau's resilience in navigating a fluctuating career through diverse, often underappreciated work.Career resurgence (1988–1999)
Landau's career experienced a significant revival in the late 1980s, marked by critically acclaimed supporting roles in high-profile films that showcased his versatility and depth as a character actor.[26] In 1988, he earned his first Academy Award nomination for Best Supporting Actor for portraying Abe Karatz in Francis Ford Coppola's Tucker: The Man and His Dream, a biographical drama about inventor Preston Tucker, where Landau's performance highlighted the character's loyalty and moral complexity amid corporate intrigue.[27][28] The following year, Landau received another Oscar nomination in the same category, along with a Golden Globe win for Best Supporting Actor – Motion Picture, for his role as the conflicted ophthalmologist Judah Rosenthal in Woody Allen's Crimes and Misdemeanors. In this moral drama exploring guilt and infidelity, Landau delivered a nuanced portrayal of a man grappling with ethical dilemmas after arranging his mistress's murder.[29] Landau's pinnacle of this resurgence came in 1994 with his Academy Award-winning performance as Bela Lugosi in Tim Burton's Ed Wood, a comedic biography of the infamous filmmaker Ed Wood. To prepare, Landau immersed himself in research on Lugosi's life, studying the Hungarian-born actor's films, mannerisms, and personal struggles with addiction and fading stardom; he also underwent a physical transformation, losing 30 pounds and working with makeup artist Rick Baker for three hours daily to achieve Lugosi's gaunt, aged appearance in his final years.[30][31] This role, which also earned him a Golden Globe and Screen Actors Guild Award, captured Lugosi's tragic dignity and vulnerability, revitalizing Landau's standing in Hollywood at age 65.[29] Throughout the decade, Landau continued to take on diverse supporting parts in film and television. In 1996, he appeared as Judge Walter Stern in the political thriller City Hall, directed by Harold Becker and starring Al Pacino, contributing to the ensemble's exploration of urban corruption and justice.[32] That same year, he portrayed the gentle woodcarver Geppetto in the live-action family film The Adventures of Pinocchio, bringing warmth to the classic tale of the puppet who yearns to become a real boy.[33] In 1997, Landau starred in the short drama The Elevator as Roy Tilden, a Hollywood producer confronting his past while trapped in an elevator with an aspiring screenwriter.[34] On television, Landau lent his voice to animated projects and appeared in prestige cable films, drawing on his mid-career experience in episodic roles to inform these later endeavors. Notably, in the 1997 HBO satirical drama Weapons of Mass Distraction, written by Larry Gelbart, he played media mogul Mason Silver in a story critiquing corporate greed and tabloid sensationalism during a football franchise bidding war.Final roles (2000–2017)
In the early 2000s, Martin Landau continued to leverage the momentum from his 1990s resurgence, taking on character roles that highlighted his versatility in both live-action and voice work, though his output grew sparser as he aged into his 70s and beyond. Landau appeared in the 1999 comedy Edtv as Al, a family member caught up in the film's reality TV satire, marking a transitional project into the new millennium that showcased his ability to blend humor with familial dynamics. Extending this phase, he played the American boxing promoter Frank Spedding in the 2000 British crime drama Shiner, opposite Michael Caine, portraying a shrewd rival navigating the gritty underworld of professional fighting.[35] That same year, Landau lent his voice to the villainous Scorpion (Mac Gargan) in the animated Spider-Man TV series, demonstrating his enduring appeal in genre entertainment.[36] In 2001, Landau delivered a poignant performance as Harry Trimble, the principled father figure in Frank Darabont's heartfelt drama The Majestic, earning praise for infusing warmth and quiet authority into the role amid Jim Carrey's lead turn.[37] His voice work continued with the minor but memorable part of the supercomputer "2" in Pixar's 2004 animated blockbuster The Incredibles, adding to the film's ensemble of quirky characters.[36] On screen, he took supporting turns in 2003's action-comedy Hollywood Homicide as Jerry Duran, a shady entertainment lawyer entangled in a murder investigation with Harrison Ford, and in the historical drama The Commission as Senator Richard Russell, a key figure in the Warren Commission inquiry into JFK's assassination. Landau's television presence remained notable, particularly in his recurring role as the tenacious, faded Hollywood producer Bob Ryan on HBO's Entourage from 2006 to 2011, a character spanning multiple seasons that drew on his industry insights and earned him an Emmy nomination for Outstanding Guest Actor in a Drama Series in 2004 for a related guest spot on Without a Trace as Frank Malone. He also voiced the eccentric science teacher Mr. Rzykruski in Tim Burton's 2012 stop-motion animated film Frankenweenie, reuniting with the director from Ed Wood and infusing the role with a Bela Lugosi-inspired gravitas.[36] Other projects included the role of the wise mentor figure Rabbi Albert Lewis in the 2011 TV movie Have a Little Faith and the authoritative mayor Sul in the 2008 family adventure City of Ember. As Landau entered his 80s, his film appearances tapered due to advancing age and health considerations, with his final major role coming in 2015's thriller Remember as Max, a Holocaust survivor aiding a quest for justice, a performance that underscored his commitment to roles with emotional and historical depth.[38] In these later years, Landau increasingly prioritized mentorship, teaching at the Actors Studio and guiding younger performers over pursuing an exhaustive schedule of new projects.[22]Other professional activities
Acting coach
In the mid-1960s, Martin Landau co-founded the Actors Studio West in West Hollywood, California, alongside Mark Rydell, after proposing the idea to his mentor Lee Strasberg, who approved it following a trial session.[15][39] The studio, modeled directly on Strasberg's approach, served as a professional training ground rather than an entry-level program, catering exclusively to working actors seeking to refine their craft through intensive scene work and critiques.[15] Landau's teaching philosophy was deeply rooted in Method acting, drawing from Strasberg's emphasis on emotional recall and sensory memory to achieve authentic "emotional truth" in performances.[15] He stressed the integration of psychological depth with physical expression, instructing actors to embody characters through precise physicality and repeatable techniques that avoided superficial emotional displays.[15] As co-artistic director, Landau moderated sessions with a rigorous, problem-focused style, identifying individual actors' obstacles to foster consistent, truthful portrayals rather than dictating interpretations.[15] Among the talents he mentored at the studio were Jack Nicholson and Anjelica Huston.[1] Demonstrating unwavering dedication, Landau led classes at the studio for over five decades, from its inception in 1966 until his death in 2017, even as his own acclaimed film and television roles demanded significant time.[15][39] His personal experiences as a Strasberg-trained performer, where he honed his skills alongside peers like Steve McQueen, directly shaped this lifelong commitment to mentoring professionals in a supportive yet demanding environment.[15]Additional pursuits
Before embarking on his acting career, Landau worked as a staff cartoonist for the New York Daily News starting in the late 1940s at the age of 17.[8] During his approximately five-year tenure, he assisted on the comic strip The Gumps by creating Sunday pages and illustrations, while also developing skills as a theatrical caricaturist by drawing Broadway cast portraits from dress rehearsals and opening nights for the newspaper's Sunday edition.[8] This role allowed him flexibility, as it did not require daily office attendance, and he left in 1951 or 1952 to pursue acting after attending a play that inspired him.[40] In addition to acting, Landau ventured into film production later in his career, taking on executive producing credits for several projects.[17] Notable among these was his role as executive producer for the 2012 comedy Bachelor Trip, a film that explored themes of friendship and adventure. He also served as producer for the 2011 TV movie Take Me to Broadway, which highlighted performers' journeys in the theater world, and the 2006 short film Finding Grandma, blending family drama with lighthearted elements. These efforts reflected his interest in supporting independent storytelling outside his primary on-screen work. Throughout the late 1990s and early 2000s, Landau actively participated in the Screen Actors Guild (SAG), notably opposing a proposed merger with AFTRA and advocating for actors' rights during key periods of union negotiations and internal debates.[41][42] His engagement included voicing concerns over guild mergers and contract terms, contributing to discussions that shaped protections for performers in an evolving industry.[42]Personal life
Family and relationships
Martin Landau married actress Barbara Bain on January 31, 1957, after meeting her at the Actors Studio in New York. The couple collaborated professionally, notably on the television series Mission: Impossible, where Bain played Cinnamon Carter to Landau's Rollin Hand. They had two daughters: Susan Landau Finch, born on August 13, 1960, who pursued a career as a filmmaker and photographer, and Juliet Landau, born on March 30, 1965, who became an actress known for roles in films like Ed Wood and the television series Buffy the Vampire Slayer.[] Landau and Bain divorced in 1993 after 36 years of marriage, with reports citing strains from their demanding acting careers as a contributing factor. Despite the separation, they maintained an amicable relationship, continuing to support each other publicly. Landau remained close to his daughter Susan, who occasionally collaborated with him professionally. His relationship with Juliet was more complex and eventually estranged; she later went no contact with her parents, citing narcissistic abuse in interviews and her 2020 documentary A Place Among the Dead.[[43]][[44]]Death
Martin Landau died on July 15, 2017, at UCLA Medical Center in Westwood, Los Angeles, at the age of 89, following a short illness.[45][10] The cause of death was hypovolemic shock resulting from massive internal bleeding and hypotension, which led to organ failure.[6][46] His funeral was a private ceremony, followed by burial at Beth David Cemetery in Elmont, New York.[45][47] Immediate tributes from Hollywood peers poured in, emphasizing Landau's remarkable versatility across film and television roles.[48] Director Ron Howard described him as "one of our most consistently interesting & exciting actors," while producer Frank Marshall called him "a great talent and a wonderful human being."[49][50]Recognition and legacy
Awards and nominations
Martin Landau garnered significant recognition for his versatile performances across film and television, earning one Academy Award win and two nominations, three Golden Globe wins, multiple Primetime Emmy nominations, and other notable honors.[29][51] His most celebrated achievement was the Academy Award for Best Supporting Actor for portraying Bela Lugosi in Ed Wood (1994), awarded at the 67th Academy Awards in 1995.[3] Earlier, he received a nomination for Best Supporting Actor for his role as Abe Karatz in Tucker: The Man and His Dream (1988) at the 61st Academy Awards in 1989, and a nomination for Best Actor for Judah Rosenthal in Crimes and Misdemeanors (1989) at the 62nd Academy Awards in 1990.[52] Landau also secured three Golden Globe Awards, beginning with Best Actor in a Television Series – Drama for Rollin Hand in Mission: Impossible (1966–1969) in 1968.[53] He won Best Supporting Actor – Motion Picture for Tucker: The Man and His Dream in 1989 and again for Ed Wood in 1995.[54][29] In television, Landau earned three consecutive Primetime Emmy nominations for Outstanding Lead Actor in a Drama Series for Mission: Impossible in 1967, 1968, and 1969.[55][56][57] Additional accolades include the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role for Ed Wood at the 1st Screen Actors Guild Awards in 1995, and the Saturn Award for Best Actor for Ed Wood in 1995.[58][59]| Year | Award | Category | Work | Result |
|---|---|---|---|---|
| 1967 | Primetime Emmy | Outstanding Lead Actor in a Drama Series | Mission: Impossible | Nomination[55] |
| 1968 | Primetime Emmy | Outstanding Lead Actor in a Drama Series | Mission: Impossible | Nomination[56] |
| 1968 | Golden Globe | Best Actor – Television Series Drama | Mission: Impossible | Win[53] |
| 1969 | Primetime Emmy | Outstanding Lead Actor in a Drama Series | Mission: Impossible | Nomination[57] |
| 1989 | Academy Award | Best Supporting Actor | Tucker: The Man and His Dream | Nomination |
| 1989 | Golden Globe | Best Supporting Actor – Motion Picture | Tucker: The Man and His Dream | Win[54] |
| 1990 | Academy Award | Best Actor | Crimes and Misdemeanors | Nomination[52] |
| 1995 | Academy Award | Best Supporting Actor | Ed Wood | Win[3] |
| 1995 | Golden Globe | Best Supporting Actor – Motion Picture | Ed Wood | Win[29] |
| 1995 | Screen Actors Guild | Outstanding Performance by a Male Actor in a Supporting Role | Ed Wood | Win[58] |
| 1995 | Saturn Award | Best Actor | Ed Wood | Win[59] |
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