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Martin Landau
Martin Landau
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Martin James Landau[2] (/ˈlænd/; June 20, 1928 – July 15, 2017) was an American actor. His career began in the late 1950s, with early film appearances including a supporting role in Alfred Hitchcock's North by Northwest (1959). His career breakthrough came with leading roles in the television series Mission: Impossible (1966–1969) and Space: 1999 (1975–1977).

Key Information

Landau earned Academy Award nominations for his performances in Tucker: The Man and His Dream (1988) and Woody Allen's Crimes and Misdemeanors (1989).[3] He won the Academy Award for Best Supporting Actor as well as the Screen Actors Guild Award and a Golden Globe Award for his portrayal of Bela Lugosi in Ed Wood (1994). Other notable roles include in Cleopatra (1963), The Greatest Story Ever Told (1965), Rounders (1998), Sleepy Hollow (1999), and Remember (2015). He headed the Hollywood branch of the Actors Studio until his death in July 2017.[4]

Early life and education

[edit]

Landau was born on June 20, 1928, in Brooklyn, New York, the son of Selma (née Buchman) and Morris Landau.[5] His family was Jewish. His father was an Austrian-born machinist who tried to rescue relatives from the Nazis.[6]

After attending both James Madison High School and Pratt Institute,[7] he found work at the New York Daily News. There he spent the next five years as an editorial cartoonist and worked alongside Gus Edson to produce the comic strip The Gumps.[8][9][10] He quit the Daily News when he was 22 to concentrate on theater acting. "I told the picture editor I was going into the theater," he recalled. "I think he thought I was going to be an usher."[11]

After auditioning for the Actors Studio in 1955, Landau and Steve McQueen were the only applicants accepted out of 500.[12] While there, he trained under Lee Strasberg, Elia Kazan, and Harold Clurman, and eventually became an executive director with the Studio alongside Mark Rydell and Sydney Pollack.[8]

Career

[edit]

1957–1965: Rise to prominence

[edit]
Cary Grant, James Mason, Eva Marie Saint, and Landau in North by Northwest

Influenced by Charlie Chaplin and the escapism of the cinema, Landau pursued an acting career.[13] While at the Actors Studio, he became good friends with James Dean. He recalled, "James Dean was my best friend. We were two young would-be and still-yet-to-work unemployed actors, dreaming out loud and enjoying every moment ... We'd spend lots of time talking about the future, our craft and our chances of success in this newly different, ever-changing modern world we were living in."[14][13]

In 1957, he made his Broadway debut in Middle of the Night. Landau made his first major film appearance in Alfred Hitchcock's North by Northwest (1959) starring Cary Grant and Eva Marie Saint. Landau portrayed Leonard, the right-hand man of a criminal portrayed by James Mason.[15] Variety praised Landau's performance writing, "[His performance] creates individuality and excitement."[16] That same year he acted in the Korean War film Pork Chop Hill starring Gregory Peck and directed by Lewis Milestone, and the black comedy The Gazebo starring Glenn Ford and Debbie Reynolds and directed by George Marshall. He appeared on television in Wanted: Dead or Alive S2 E19 "The Monster" as Khorba, a rogue elephant trainer who uses his elephant to rob miners of their gold. The series starred Steve McQueen; the episode first aired on January 14, 1960. In 1962, he acted in the Western film Stagecoach to Dancers' Rock. In 1963, he played a survivor of a post-pandemic world in The Outer Limits episode, "The Man Who Was Never Born." He returned for a second guest appearance on the series as scientist Richard Bellero in "The Bellero Shield." (1964). Landau appeared in two episodes of the science fiction series The Twilight Zone; as town bully Dan Hotaling in S1 E3 "Mr. Denton on Doomsday", and as Major Ivan Kuchenko in S5 E29 "The Jeopardy Room." In 1965, he played villain General Grimm in the TV series The Wild Wild West S1 E11 "The Night of the Red-Eyed Madmen." Other TV series credits during this period include Maverick, Rawhide, Wagon Train, Bonanza, The Rifleman, I Spy, The Big Valley, The Man from U.N.C.L.E., and as Doc Holliday in Tales of Wells Fargo, S3 E34.

He had featured roles in two 1960s epics: Rufio in the Joseph L. Mankiewicz directed Cleopatra (1963) and Caiaphas in the George Stevens directed The Greatest Story Ever Told (1965). The latter was an historical epic which cost a reported $20 million and featured performances from stars such as Charlton Heston, Max Von Sydow, Claude Rains, Dorothy McGuire, Jose Ferrer, Roddy McDowall, and Angela Lansbury. The following year he played a ruthless killer in the Western action adventure prequel Nevada Smith (1966) starring Steve McQueen.[13]

1966–1969: Mission: Impossible and acclaim

[edit]
Landau in his role as Rollin Hand in Mission: Impossible

Landau played the supporting role of master of disguise Rollin Hand in the first three seasons of the US television series Mission: Impossible, from 1966 to 1969, for which he received three straight Emmy nominations. Landau at first declined to be contracted by the show because he did not want it to interfere with his film career; instead, he was credited for "special guest appearances" during the first season.[17] He became a full-time cast member in the second season, although the studio agreed to Landau's request to contract him only on a year-by-year basis rather than the then-standard five years.[18] The role of Hand required Landau to perform a wide range of accents and characters, from dictators to thugs, and several episodes had him playing dual roles—not only Hand's impersonation, but also the person whom Hand is impersonating.[19] In the series Landau acted alongside his then-wife Barbara Bain,[18] who won an Emmy for her performances each year for all three years. He was replaced by Leonard Nimoy, playing a very similar role but not exactly the same character, for the next two seasons of the series after Landau and Bain left the show.

1970–1987: Movie and television roles

[edit]
Landau with Peter Falk in Columbo in 1973

During this period, Landau took few film roles and focused on television. He acted in the film They Call Me Mister Tibbs! (1970), The second installment in a trilogy, the release was preceded by In the Heat of the Night (1967) and followed by The Organization (1971). The film starred Sidney Poitier. That same year he starred in the Italian comedy film Operation Snafu. He then acted in the Spaghetti Western A Town Called Bastard (1971), and the neo-noir blaxploitation movie Black Gunn (1972). In 1973, Landau guest-starred in the Columbo episode Double Shock alongside Peter Falk, as twin brothers involved in the murder of their rich uncle. The episode also costarred Dabney Coleman, Julie Newmar, and Jeanette Nolan.

In the mid-1970s, Landau and Bain returned to TV in the British science-fiction series Space: 1999 produced by Gerry Anderson in partnership with Sylvia Anderson, and later with Fred Freiberger.[20] Critical response to Space: 1999 was unenthusiastic during its original run, and it was canceled after two seasons.[21] Landau was critical of the scripts and storylines, especially during the series' second season, but praised the cast and crew.[20] He later wrote forewords to Space: 1999 co-star Barry Morse's theatrical memoir Remember with Advantages (2006) and Jim Smith's critical biography of Tim Burton.[22] Following Space: 1999, Landau appeared in supporting roles in a number of films and TV series. He appeared in low-budget genre pictures, such as the science fiction films Without Warning (1981) and The Being (1983) or the horror film Alone in the Dark (1982). He appeared in roles in, among others, the TV film The Harlem Globetrotters on Gilligan's Island (1981), which co-starred Bain in their final on-screen appearance together.[23]

1989–1999: Career resurgence

[edit]
Landau at the 1996 Cannes Film Festival

In the late 1980s, Landau made a career comeback, earning an Academy Award nomination for his role in Tucker: The Man and His Dream (1988).[21] He said he was grateful to the film's director, Francis Ford Coppola, for the opportunity to play a role he enjoyed: "I've spent a lot of time playing roles that didn't really challenge me," he said. "You want roles that have dimension. The role of Abe Karatz gave me that."[8] He won the Golden Globe Award for his part in the film.[8] In 1989, Landau appeared in Woody Allen's Crimes and Misdemeanors (1989) The film is split into two stories: one humorous, one dark in nature. Landau starred in the darker storyline as Judah Rosenthal, a successful ophthalmologist who tries to prevent his mistress, played by Anjelica Huston, from revealing their affair to his wife (Claire Bloom). Landau's character confides his worries to patient and rabbi Sam Waterston as well as his mobster brother Jerry Orbach. Allen remembered of the cast that:

I just couldn't find anybody good for the part of Judah... He read it, and he was completely natural. It's an interesting thing. Of all the actors I've ever worked with, he gives expression to my dialogue exactly as I hear it. His colloquialisms, his idiom, his inflection is exactly correct. So of all the people who've ever read my lines, he makes them correct every time... One of the reasons for this must be that Martin Landau came from my neighborhood in Brooklyn, right near where I lived, only a few blocks away.[24]

The film received critical acclaim, with Roger Ebert giving the film four stars, writing,

The movie generates the best kind of suspense, because it's not about what will happen to people—it's about what decisions they will reach. We have the same information they have. What would we do? How far would we go to protect our happiness and reputation? How selfish would we be? Is our comfort worth more than another person's life? Allen does not evade this question, and his answer seems to be, yes, for some people, it would be.[25]

Landau received an Academy Award nomination for Best Supporting Actor for this performance, losing to Denzel Washington in Glory.

He won an Oscar for Best Supporting Actor for his performance in Ed Wood (1994), a biopic in which Landau plays actor Bela Lugosi. Landau researched the role of Lugosi by watching many old Lugosi movies and studying Lugosi's Hungarian accent, which contributed to Lugosi's decline in acting. "I began to respect this guy and pity him," said Landau. "I saw the humor in him. This, for me, became a love letter to him, because he never got a chance to get out of that. I got a chance to make a comeback in my career. And I'm giving him one. I'm giving him the last role he never got."[26] Landau also received a Screen Actors Guild Award, a Golden Globe Award and a Saturn Award for the role, as well as accolades from a number of critics' groups.[21]

Landau's film roles in the 1990s included a down-on-his-luck Hollywood producer in the comedy Mistress (1992) with Robert De Niro, and judges in the dramas City Hall (1995) with Al Pacino, Rounders (1998) with Matt Damon,[19] B.A.P.S. (1997) with Halle Berry, and Ready to Rumble in 2000. He played Geppetto in The Adventures of Pinocchio (1996). Landau provided the voice of Scorpion for the first two seasons of the 1990s Spider-Man television series.[27] Landau left the series after two seasons when he won the Academy Award and lacked time for the series; Richard Moll was recast as Scorpion.[28] He played the part of Jacob, son of Isaac, in the TV miniseries Joseph, alongside Ben Kingsley as Potiphar and Paul Mercurio as Joseph.[29]

2000–2017: Final roles

[edit]

He played a supporting role in The Majestic (2001), starring Jim Carrey. The film received mostly negative reviews, although one reviewer wrote that "the lone outpost of authenticity is manned by Martin Landau, who gives a heartfelt performance," as an aging father who believes that his missing son has returned from World War II.[30] In the early seasons of Without a Trace (2002–2009), Landau was nominated for a Primetime Emmy Award for his portrayal of the Alzheimer's-afflicted father of FBI Special Agent in Charge Jack Malone, the series' lead character.[21] In 2006, he made a guest appearance in the series Entourage as Bob Ryan, a washed-up but determined and sympathetic Hollywood producer attempting to relive his glory days, a portrayal that earned him a second Emmy nomination.[21]

Landau in 2010

Landau appeared in The Aryan Couple, in which he played Joseph Krauzenberg, a very wealthy Hungarian Jewish industrial tycoon. Landau appeared in the television film Have a Little Faith (2011) based on Mitch Albom's book of the same name, in which he played Rabbi Albert Lewis.[31] In 2012, Landau voiced Mr. Rzykruski in the Tim Burton animated Disney film Frankenweenie. In 2015, Landau starred alongside Christopher Plummer in the film Remember. The film received critical praise, with reviewers lauding Landau's and Plummer's performances.

In recognition of his services to the motion picture industry, Landau has a star on the Hollywood Walk of Fame at 6841 Hollywood Boulevard.[19]

Acting coach

[edit]

Encouraged by his own mentor, Lee Strasberg, Landau also taught acting. Actors coached by him include Jack Nicholson and Anjelica Huston.[32]

Personal life and death

[edit]

Landau married actress and former co-star Barbara Bain on January 31, 1957. They had two daughters, Susan and Juliet. Landau and Bain divorced in 1993.[33]

On July 15, 2017, Landau died at age 89 at the Ronald Reagan UCLA Medical Center in Los Angeles; he had been briefly hospitalized.[33] The cause of death was hypovolemic shock brought on by internal bleeding and heart disease.[2] Landau is buried at the Beth David Cemetery in Elmont, New York.[citation needed]

Filmography

[edit]

Awards and nominations

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Martin Landau (June 20, 1928 – July 15, 2017) was an American actor renowned for his versatile performances across film and television, particularly his Academy Award-winning role as in (1994). Born in , New York, to Jewish parents Morris Landau, an Austrian-born machinist, and Selma (née Buchman) Landau, he grew up immersed in cinema, idolizing from an early age. After attending High School and briefly studying art at , Landau forwent a promising career as an —having been hired by the at age 17—to pursue acting in 1955. Landau's stage debut came on Broadway in 1957 with Paddy Chayefsky's Middle of the Night, marking the start of his professional career. He transitioned to film in 1959, appearing in supporting roles such as the henchman Leonard in Alfred Hitchcock's and Lt. Marshall in Pork Chop Hill. His television breakthrough arrived with the role of master-of-disguise Rollin Hand on (1966–1969), for which he earned three consecutive Emmy nominations; he co-starred alongside his wife, , whom he married in 1957 and with whom he had two daughters, actress and director Susan Landau. Following a career lull in the and early , Landau experienced a remarkable resurgence later in life, earning consecutive Academy Award nominations for Best for his portrayals of Abe Karatz in Francis Ford Coppola's Tucker: The Man and His Dream (1988) at the 61st Oscars and Judah Rosenthal in Woody Allen's (1989) at the 62nd Oscars. His transformative performance as the aging, morphine-addicted Lugosi in Tim Burton's secured him the Academy Award for Best , along with a Golden Globe and Award, at the 67th Oscars in 1995. Beyond acting, Landau was an influential figure in the craft, co-founding the Actors Studio West in 1966 and serving as its artistic director, where he mentored talents including and ; he also received a star on the in 1990. Landau continued working into his later years, appearing in films like The Majestic (2001) and voicing roles in animated projects, until his death from due to in at age 89.

Early years

Early life

Martin Landau was born on June 20, 1928, in , New York, to Jewish parents Morris Landau, an Austrian-born machinist who had aspired to a career as a singer, and Selma Landau (née Buchman), a homemaker. Morris balanced his machinist work with unfulfilled artistic ambitions, while Selma managed the household for their three children, including Martin and his sisters. From a young age, Landau displayed a precocious talent for drawing and cartoons, influenced by his father's creative inclinations. At 17, while still a senior at High School, he secured a position at the as a staff and , contributing to Billy Rose's "Pitching Horseshoes" column and assisting on the comic strip . This early professional role highlighted his artistic aptitude and provided financial stability, though it also foreshadowed his shift toward performance arts.

Education and early aspirations

After graduating from High School, Landau, at age 17, began working as a staff and at the , where he contributed to features like Billy Rose's "Pitching Horseshoes" column and assisted on the comic strip for nearly five years, while briefly attending the in to study art and illustration, though he did not complete a degree. Lacking formal higher education, Landau pursued self-directed learning in by reading extensively on the craft and observing live performances, drawing from his childhood exposure to theater and films that his parents took him to see in New York. His aspiration to become an was sparked early by these theatrical experiences, which ignited a passion for performance over his initial artistic pursuits. At 22, after years in illustration, Landau quit his newspaper job upon realizing he sought a more dynamic creative outlet, influenced by encounters with emerging and admiration for figures like , whose innovative approach to roles exemplified the depth he craved. In 1955, Landau auditioned for the prestigious in New York, where out of approximately 2,000 applicants, he and were the only two accepted, allowing him to train under in techniques. This rigorous, selective entry marked a pivotal shift, providing structured guidance to complement his informal preparations and fueling his determination to transition fully into theater despite initial professional hurdles.

Acting career

Rise to prominence (1957–1965)

In 1955, Martin Landau auditioned for Lee Strasberg's alongside 2,000 other applicants and was accepted with only , marking the beginning of his formal training under Strasberg. By 1957, he had immersed himself in the Studio's rigorous sessions, which emphasized emotional authenticity and spontaneity, shaping his approach to character work. This training propelled him into professional theater, where he honed his craft in demanding roles that showcased his intensity and versatility. Landau's stage breakthrough came with his Broadway debut in Paddy Chayefsky's Middle of the Night in 1957, where he replaced and impressed director Josh Logan with his deep understanding of the working-class character, earning critical notice for his raw emotional depth. Prior to this, he had gained attention in the 1956 off-Broadway revival of Anton Chekhov's , stepping in for and delivering a nuanced performance as the tormented intellectual Astrov. These theatrical successes, including additional stage work in the late , established him as a promising talent in New York theater circles, though opportunities remained limited for leading roles. Transitioning to film, Landau made his screen debut as Lieutenant Arthur Marshall in Lewis Milestone's war drama Pork Chop Hill (1959), portraying a determined officer amid the brutal battles, which highlighted his ability to convey quiet resolve under pressure. His breakthrough came later that year in Alfred Hitchcock's thriller , where he played Leonard, the enigmatic and menacing henchman to James Mason's villain Phillip Vandamm; Landau's subtle portrayal, including a bold interpretation of the character as secretly infatuated with his boss, added layers of ambiguity and tension to the film. Hitchcock had spotted him during his Broadway run and cast him for his "menacing presence." On television, Landau built his reputation through guest spots in anthology series, appearing as the ruthless gunslinger Dan Hotaling in The Twilight Zone episode "Mr. Denton on Doomsday" (1959), a role that pitted him against Dan Duryea's washed-up protagonist in a supernatural Western tale. He also featured in The Untouchables as a nervous informant in the 1959 episode "Mexican Stake-Out," showcasing his skill in portraying morally conflicted figures. These early TV roles, often as antagonists, began to typecast him in villainous parts, leading to initial struggles for more varied leading opportunities as he navigated Hollywood's preferences for his sharp features and intense gaze. Despite this, his supporting work across media solidified his rising prominence by the mid-1960s.

Mission: Impossible and acclaim (1966–1969)

In 1966, Martin Landau was cast as Rollin Hand, the disguise expert of the Impossible Missions Force (IMF), in the CBS television series , created by . The show, which premiered on September 17, 1966, centered on a team of secret agents using high-tech gadgets, elaborate deceptions, and espionage tactics to thwart international threats during the era. Landau's portrayal showcased his versatility, as he frequently transformed into various characters through intricate makeup applications and diverse accents, contributing to the series' signature self-destructing message tapes and intricate plot twists. He appeared in 76 episodes across the first three seasons (1966–1969), co-starring with his wife , who played fellow agent Cinnamon Carter. Landau's performance earned critical acclaim and bolstered his status as a leading television actor. In 1967, he received his first Primetime Emmy nomination for Outstanding in a Drama Series for his work on the show, followed by another in 1968 and a third in 1969 in the category of Outstanding Continued Performance by an Actor in a Leading Role in a Dramatic Series. The series itself garnered widespread praise, winning the Primetime Emmy for Outstanding Drama Series in 1967 and 1968, with Landau and Bain sharing in the recognition as key members. These three consecutive nominations highlighted his ability to blend physical transformation with nuanced dramatic depth. Despite the success, Landau departed the series after the third season in 1969 amid contract disputes with the producers over salary increases and greater creative control. He sought higher pay commensurate with the show's rising popularity and more input on his character's development, but negotiations broke down, leading to his replacement. During this period, Landau balanced his television commitments with film roles, including a supporting part as Jesse Jacklin in the Western Nevada Smith (1966), a to The Man Who Shot Liberty Valance, starring . He also appeared as Logan Sharpe in the crime thriller They Call Me Mister Tibbs! (1970), filmed in 1969, which served as a sequel to In the Heat of the Night and featured . These projects underscored his transition from stage and early screen work to a multifaceted career in both mediums.

Mid-career roles (1970–1987)

Following his success on Mission: Impossible, Landau transitioned to a series of international and genre films in the early 1970s, seeking to diversify beyond television. In 1971, he appeared in the Spanish-Italian Western A Town Called Bastard (also known as A Town Called Hell), directed by Robert Parrish, where he portrayed a mysterious priest entangled in a tale of revenge and corruption in a Mexican border town. The following year, 1972, saw him in the blaxploitation action film Black Gunn, directed by Robert Hartford-Davis, playing the mobster Capelli opposite Jim Brown as a nightclub owner seeking vengeance after his brother's death. These roles marked Landau's exploration of B-movies and overseas productions amid a shifting Hollywood landscape. A significant portion of Landau's mid-career output came from his lead role in the British science-fiction series Space: 1999 (1975–1977), where he starred as Commander John Koenig, the authoritative leader of Moonbase Alpha after a nuclear explosion propels the Moon out of Earth's orbit. The show, produced by Gerry and Sylvia Anderson, spanned two seasons totaling 48 episodes and was the most expensive television series at the time, with a budget of approximately $600,000 per episode (equivalent to £250,000 at the time) due to elaborate sets, models, and effects. Production faced significant challenges, including creative tensions between Landau and producer Sylvia Anderson over script quality and direction, as well as delays from the high costs of special effects; these issues contributed to cast frustrations, with Landau advocating for more character-driven storytelling focused on the human isolation of space travel. Despite mixed critical reception at the time, Space: 1999 developed a dedicated cult following for its ambitious visuals, philosophical undertones, and guest appearances by actors like Christopher Lee, influencing later sci-fi like Star Trek: The Next Generation. In the late 1970s, Landau returned to American television with projects like the 1979 TV movie The Death of Ocean View Park, directed by Bob Kelljan, in which he played the park owner Tom Flood, navigating a thriller involving premonitions of disaster at a soon-to-be-demolished . He also made guest appearances on series such as during this period, contributing to episodic mysteries alongside stars and . These television efforts provided steady work but highlighted broader career hurdles. By the early 1980s, Landau's film work included low-budget genre entries like Without Warning (1980), a horror sci-fi directed by Greydon Clark, where he portrayed the hunter Fred "Sarge" Dobbs tracking an alien predator in rural America, and The Return (also 1980, directed by Clark), in which he appeared as Mr. Bosworth in a story of alien abductions and cattle mutilations revisited 25 years later. These roles exemplified his struggles with typecasting as a character actor from television, a predicament he attributed to the "kiss of death" effect of Mission: Impossible fame, which limited major studio opportunities and led to financial strain from reliance on direct-to-video and international projects. He also acted as Captain Garrity in the 1979 crime drama The Last Word, directed by Roy Boulting. This transitional phase underscored Landau's resilience in navigating a fluctuating career through diverse, often underappreciated work.

Career resurgence (1988–1999)

Landau's career experienced a significant revival in the late 1980s, marked by critically acclaimed supporting roles in high-profile films that showcased his versatility and depth as a . In 1988, he earned his first Academy Award nomination for Best Supporting Actor for portraying Abe Karatz in Francis Ford Coppola's Tucker: The Man and His Dream, a biographical about inventor , where Landau's performance highlighted the character's loyalty and moral complexity amid corporate intrigue. The following year, Landau received another Oscar nomination in the same category, along with a Golden Globe win for Best Supporting Actor – Motion Picture, for his role as the conflicted ophthalmologist Judah Rosenthal in Woody Allen's . In this moral drama exploring guilt and infidelity, Landau delivered a nuanced portrayal of a man grappling with ethical dilemmas after arranging his mistress's murder. Landau's pinnacle of this resurgence came in 1994 with his Academy Award-winning performance as in Tim Burton's , a comedic of the infamous filmmaker . To prepare, Landau immersed himself in research on Lugosi's life, studying the Hungarian-born actor's films, mannerisms, and personal struggles with and fading stardom; he also underwent a physical transformation, losing 30 pounds and working with makeup artist for three hours daily to achieve Lugosi's gaunt, aged appearance in his final years. This role, which also earned him a Golden Globe and Award, captured Lugosi's tragic dignity and vulnerability, revitalizing Landau's standing in Hollywood at age 65. Throughout the decade, Landau continued to take on diverse supporting parts in film and television. In 1996, he appeared as Judge Walter Stern in the political thriller City Hall, directed by and starring , contributing to the ensemble's exploration of urban corruption and justice. That same year, he portrayed the gentle woodcarver in the live-action family film , bringing warmth to the classic tale of the puppet who yearns to become a real boy. In 1997, Landau starred in the short drama The Elevator as Roy Tilden, a Hollywood producer confronting his past while trapped in an elevator with an aspiring screenwriter. On television, Landau lent his voice to animated projects and appeared in prestige cable films, drawing on his mid-career experience in episodic roles to inform these later endeavors. Notably, in the 1997 HBO satirical drama Weapons of Mass Distraction, written by , he played media mogul Mason Silver in a story critiquing corporate greed and tabloid sensationalism during a football franchise bidding war.

Final roles (2000–2017)

In the early 2000s, Martin Landau continued to leverage the momentum from his 1990s resurgence, taking on character roles that highlighted his versatility in both live-action and voice work, though his output grew sparser as he aged into his 70s and beyond. Landau appeared in the 1999 comedy Edtv as Al, a family member caught up in the film's reality satire, marking a transitional project into the new millennium that showcased his ability to blend humor with familial dynamics. Extending this phase, he played the American boxing promoter Frank Spedding in the 2000 British crime drama Shiner, opposite , portraying a shrewd rival navigating the gritty underworld of professional fighting. That same year, Landau lent his voice to the villainous (Mac Gargan) in the animated series, demonstrating his enduring appeal in genre entertainment. In 2001, Landau delivered a poignant performance as Harry Trimble, the principled father figure in Frank Darabont's heartfelt drama The Majestic, earning praise for infusing warmth and quiet authority into the role amid Jim Carrey's lead turn. His voice work continued with the minor but memorable part of the supercomputer "2" in Pixar's 2004 animated blockbuster The Incredibles, adding to the film's ensemble of quirky characters. On screen, he took supporting turns in 2003's action-comedy Hollywood Homicide as Jerry Duran, a shady entertainment lawyer entangled in a murder investigation with Harrison Ford, and in the historical drama The Commission as Senator Richard Russell, a key figure in the Warren Commission inquiry into JFK's assassination. Landau's television presence remained notable, particularly in his recurring role as the tenacious, faded Hollywood producer Bob Ryan on HBO's Entourage from 2006 to 2011, a character spanning multiple seasons that drew on his industry insights and earned him an Emmy nomination for Outstanding Guest Actor in a Drama Series in 2004 for a related guest spot on Without a Trace as Frank Malone. He also voiced the eccentric science teacher Mr. Rzykruski in Tim Burton's 2012 stop-motion animated film Frankenweenie, reuniting with the director from Ed Wood and infusing the role with a Bela Lugosi-inspired gravitas. Other projects included the role of the wise mentor figure Rabbi Albert Lewis in the 2011 TV movie Have a Little Faith and the authoritative mayor Sul in the 2008 family adventure City of Ember. As Landau entered his 80s, his film appearances tapered due to advancing age and health considerations, with his final major role coming in 2015's thriller Remember as Max, a survivor aiding a quest for , a performance that underscored his commitment to roles with emotional and historical depth. In these later years, Landau increasingly prioritized mentorship, teaching at the Actors Studio and guiding younger performers over pursuing an exhaustive schedule of new projects.

Other professional activities

Acting coach

In the mid-1960s, Martin Landau co-founded the Actors Studio West in West Hollywood, California, alongside Mark Rydell, after proposing the idea to his mentor Lee Strasberg, who approved it following a trial session. The studio, modeled directly on Strasberg's approach, served as a professional training ground rather than an entry-level program, catering exclusively to working actors seeking to refine their craft through intensive scene work and critiques. Landau's teaching philosophy was deeply rooted in , drawing from Strasberg's emphasis on emotional recall and to achieve authentic "emotional truth" in performances. He stressed the integration of psychological depth with physical expression, instructing actors to embody characters through precise physicality and repeatable techniques that avoided superficial emotional displays. As co-artistic director, Landau moderated sessions with a rigorous, problem-focused style, identifying individual actors' obstacles to foster consistent, truthful portrayals rather than dictating interpretations. Among the talents he mentored at the studio were and . Demonstrating unwavering dedication, Landau led classes at the studio for over five decades, from its in until his death in 2017, even as his own acclaimed film and television roles demanded significant time. His personal experiences as a Strasberg-trained performer, where he honed his skills alongside peers like , directly shaped this lifelong commitment to mentoring professionals in a supportive yet demanding environment.

Additional pursuits

Before embarking on his acting career, Landau worked as a staff cartoonist for the starting in the late 1940s at the age of 17. During his approximately five-year tenure, he assisted on the comic strip by creating Sunday pages and illustrations, while also developing skills as a theatrical caricaturist by drawing Broadway cast portraits from dress rehearsals and opening nights for the newspaper's Sunday edition. This role allowed him flexibility, as it did not require daily office attendance, and he left in 1951 or 1952 to pursue acting after attending a play that inspired him. In addition to acting, Landau ventured into film production later in his career, taking on executive producing credits for several projects. Notable among these was his role as executive producer for the 2012 comedy Bachelor Trip, a film that explored themes of friendship and adventure. He also served as producer for the 2011 TV movie Take Me to Broadway, which highlighted performers' journeys in the theater world, and the 2006 short film Finding Grandma, blending family drama with lighthearted elements. These efforts reflected his interest in supporting independent storytelling outside his primary on-screen work. Throughout the late 1990s and early 2000s, Landau actively participated in the (SAG), notably opposing a proposed merger with AFTRA and advocating for actors' rights during key periods of union negotiations and internal debates. His engagement included voicing concerns over guild mergers and contract terms, contributing to discussions that shaped protections for performers in an evolving industry.

Personal life

Family and relationships

Martin Landau married actress Barbara Bain on January 31, 1957, after meeting her at the Actors Studio in New York. The couple collaborated professionally, notably on the television series Mission: Impossible, where Bain played Cinnamon Carter to Landau's Rollin Hand. They had two daughters: Susan Landau Finch, born on August 13, 1960, who pursued a career as a filmmaker and photographer, and Juliet Landau, born on March 30, 1965, who became an actress known for roles in films like Ed Wood and the television series Buffy the Vampire Slayer.[] Landau and Bain divorced in 1993 after 36 years of marriage, with reports citing strains from their demanding acting careers as a contributing factor. Despite the separation, they maintained an amicable relationship, continuing to support each other publicly. Landau remained close to his daughter Susan, who occasionally collaborated with him professionally. His relationship with Juliet was more complex and eventually estranged; she later went no contact with her parents, citing narcissistic abuse in interviews and her 2020 documentary A Place Among the Dead.[][]

Death

Martin Landau died on July 15, 2017, at UCLA Medical Center in , at the age of 89, following a short illness. The cause of death was resulting from massive and , which led to organ failure. His funeral was a private ceremony, followed by burial at in . Immediate tributes from Hollywood peers poured in, emphasizing Landau's remarkable versatility across film and television roles. Director described him as "one of our most consistently interesting & exciting actors," while producer Frank Marshall called him "a great talent and a wonderful human being."

Recognition and legacy

Awards and nominations

Martin Landau garnered significant recognition for his versatile performances across film and television, earning one Academy Award win and two nominations, three Golden Globe wins, multiple Primetime Emmy nominations, and other notable honors. His most celebrated achievement was the Academy Award for for portraying in (1994), awarded at the in 1995. Earlier, he received a for for his role as Abe Karatz in Tucker: The Man and His Dream (1988) at the in 1989, and a for for Judah Rosenthal in (1989) at the in 1990. Landau also secured three Golden Globe Awards, beginning with Best Actor in a Television Series – Drama for Rollin Hand in Mission: Impossible (1966–1969) in 1968. He won Best Supporting Actor – Motion Picture for Tucker: The Man and His Dream in 1989 and again for Ed Wood in 1995. In television, Landau earned three consecutive Primetime Emmy nominations for Outstanding Lead Actor in a Drama Series for Mission: Impossible in 1967, 1968, and 1969. Additional accolades include the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Supporting Role for Ed Wood at the 1st Screen Actors Guild Awards in 1995, and the Saturn Award for Best Actor for Ed Wood in 1995.
YearAwardCategoryWorkResult
1967Primetime EmmyOutstanding Lead Actor in a Drama SeriesMission: ImpossibleNomination
1968Primetime EmmyOutstanding Lead Actor in a Drama SeriesMission: ImpossibleNomination
1968Golden GlobeBest Actor – Television Series DramaMission: ImpossibleWin
1969Primetime EmmyOutstanding Lead Actor in a Drama SeriesMission: ImpossibleNomination
1989Academy AwardBest Supporting ActorTucker: The Man and His DreamNomination
1989Golden GlobeBest Supporting Actor – Motion PictureTucker: The Man and His DreamWin
1990Academy AwardBest ActorCrimes and MisdemeanorsNomination
1995Academy AwardBest Supporting ActorEd WoodWin
1995Golden GlobeBest Supporting Actor – Motion PictureEd WoodWin
1995Screen Actors GuildOutstanding Performance by a Male Actor in a Supporting RoleEd WoodWin
1995Saturn AwardBest ActorEd WoodWin

Influence and tributes

Landau's influence extended beyond his performances through his role as an acting coach, where he mentored several prominent actors, including during his early career, , and . Encouraged by his own teacher , Landau emphasized techniques, contributing to its revival by training actors in emotional depth and realism at institutions like the Actors Studio West, which he co-founded with . His coaching focused on transforming the actor's instrument to achieve authentic character immersion without reliance on external aids. Landau's legacy is particularly noted for his mastery of character transformations, exemplified by his Academy Award-winning portrayal of in (1994), where he captured the aging horror icon's physical decline, morphine , and tragic dignity through meticulous makeup, voice work, and mannerisms. This role showcased his ability to embody complex, aging figures, influencing subsequent actors in portraying historical or deteriorated personas with psychological nuance rather than caricature. Following his death in 2017, Landau received no new awards, but his contributions continued to garner posthumous tributes, including reflections on the 30th anniversary of in 2024, where retrospectives highlighted his Lugosi performance as a pinnacle of empathetic biopic . Although dedicated on December 17, 2001, for his motion picture career, his star at 6801 remains an enduring symbol of recognition, often cited in discussions of his late-career resurgence. Biographies and critical analyses up to 2025 praise his versatility across genres, from spy thrillers to dramas, as a model for character actors balancing intensity with subtlety. Landau's cultural impact is evident in the spy genre, where his portrayal of Rollin Hand, the master of disguise on (1966–1969), inspired disguise techniques in modern series and films, emphasizing quick-change prosthetics, accents, and behavioral as key tools.

Works

Film roles

Martin Landau appeared in approximately 80 films over his six-decade career, spanning from supporting roles in major Hollywood productions to character leads in independent features and voice work in animations. His film debut came in 1959 with Pork Chop Hill, where he played the supporting role of Lt. Marshall in the war drama directed by . That same year, Landau had a memorable turn as the henchman Leonard in Alfred Hitchcock's classic thriller , marking one of his earliest high-profile appearances alongside and . In 1963, he portrayed the Roman commander Rufio in the epic , starring and . Landau took on the biblical role of Caiaphas, the high priest, in George Stevens' The Greatest Story Ever Told (1965). He played the antagonist Jesse Coe in the Western Nevada Smith (1966), opposite Steve McQueen. In the 1970 crime sequel They Call Me Mister Tibbs!, Landau appeared as the lawyer Logan Sharpe, reuniting with Sidney Poitier from the original In the Heat of the Night. Landau depicted U.S. Army General Adlon in the disaster film Meteor (1979), featuring Sean Connery and Natalie Wood. A career resurgence began in the late 1980s, with his portrayal of automotive executive Abe Karatz in Francis Ford Coppola's Tucker: The Man and His Dream (1988), earning him an Academy Award nomination for Best Supporting Actor. The following year, he played the conflicted ophthalmologist Judah Rosenthal in Woody Allen's (1989), securing another Oscar nomination. Landau's most acclaimed film role was as horror icon in Tim Burton's (1994), a performance that won him the Academy Award for Best Supporting Actor, along with a Golden Globe and a Award. Landau voiced the wise science teacher Mr. Rzykruski in Burton's stop-motion animation Frankenweenie (2012). Later works included the lead role of Zev Guttman in the thriller Remember (2015), opposite ; Dr. Abe Mandelbaum in Abe & Phil's Last Poker Game (2017); and his final posthumous film appearance as Ward in the Without Ward (2022). His final onscreen appearance before posthumous releases was as the elderly Angelo in the The Girl Who Invented Kissing (2017), released after his death. Among his other notable films are uncredited or minor roles, such as an uncredited appearance as Peter Van Garrett in Sleepy Hollow (1999), and supporting parts in (1998) as Abe Petrovsky and The Majestic (2001) as Harry Trimble.

Television roles

Landau's television career spanned over five decades, encompassing more than 50 appearances across series, guest spots, and made-for-TV films, with a particular emphasis on lead roles in and genres. His breakthrough on the small screen came with the role of Rollin Hand in the series , where he appeared in 76 episodes from 1966 to 1969, earning three consecutive Emmy nominations for Outstanding Supporting Actor in a Drama Series. In the mid-1970s, Landau starred as Commander John Koenig in the British-Italian series Space: 1999, portraying the leader of across all 48 episodes aired from 1975 to 1977. The show, created by Gerry and , followed the Moon's ejection from Earth's orbit and the ensuing interstellar adventures of its survivors, showcasing Landau's commanding presence in a high-concept sci-fi narrative. Later in his career, he took on the recurring role of , a tenacious aging Hollywood executive, in the series Entourage from 2008 to 2011, appearing in multiple episodes and earning an Emmy nomination for Guest Actor in a Comedy Series in 2010. Landau made notable guest appearances in classic anthology and Western series, including the role of gunfighter Dan Hotaling in The Twilight Zone's "Mr. Denton on Doomsday" (1959) and the tense defector Major Ivan Kuchenko in "The Jeopardy Room" (1964). He also guest-starred as the bandit leader Emeliano in the Bonanza episode "The Gift" (1961). In animation, Landau provided voice work as the aging magician The Great Raymondo in The Simpsons episode "The Great Simpsina" (2011). Among his television movies, Landau played the determined amusement park owner Tom Flood in the disaster thriller The Death of Ocean View Park (1979), where a hurricane threatens holiday revelers at a seaside attraction. He portrayed real-life Nazi hunter in the Holocaust drama Max and Helen (1990), based on Wiesenthal's book about two survivors' reunion, earning a Golden Globe nomination for Best Supporting Actor in a or TV Movie.

References

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