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KNX-FM (97.1 MHz, "KNX News 97.1 FM") is a commercial radio station in Los Angeles, California, United States. The station is owned by Audacy, Inc. and airs an all-news radio format in a full-time simulcast with KNX (1070 AM). The station has studios at the intersection of Wilshire and Hauser Boulevards in the Miracle Mile district of Los Angeles, and the transmitter on Mount Wilson.

Key Information

In addition to a standard analog transmission, KNX-FM broadcasts in the HD Radio format and streams online via Audacy. KNX-FM’s HD2 subchannel carries Audacy's LGBTQ-oriented talk/EDM format "Channel Q", and KNX-HD3 features a non-stop dance mixshow format billed as "Fire Lane".

History

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Early years

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In 1954, the station signed on as KFMU and operated under that call sign during the 1950s and early 1960s. It was originally licensed to the Los Angeles suburb of Glendale and was owned by Nicolas M. Brazy.[2] KFMU aired an easy listening format known as "Good Music". The station was a subsidiary of Metropolitan Theatres Corp., which by 1959 was program testing KFMW in San Bernardino, and held a permit for a KFMX in San Diego as well as two other stations.[3] (KFMX-FM is now a mainstream rock station in Lubbock, Texas.)

In the late 1960s, KFMU was purchased by Storer Broadcasting and became home to KGBS-FM, as a sister station to KGBS (1020 AM). The two stations carried a country music format. Since its AM station was a daytimer, only authorized to be on the air during daylight hours, the FM station allowed the format to be heard around the clock, for those who had FM radios. In the early 1970s, the station experimented with rock and roll and pop music formats before switching to a soft country format in 1973, when it adopted the name "Gentle Country". During the July 8, 1972, edition of American Top 40, Casey Kasem listed KGBS as the show's affiliate in Los Angeles. In 1976, KGBS-FM continued with its country music format while its AM sister station switched to top 40. On August 28, 1978, the FM station changed its callsign to KHTZ while continuing with its country music format.[citation needed]

On July 31, 1979, Storer, after having sold the AM radio station which was now known as KTNQ (Ten-Q), moved its top-40 format to 97.1 FM and began broadcasting as KHTZ ("K-Hits"). For a few hours, the two stations simulcast the signal until KTNQ switched to Spanish-language programming at noon. Within a few weeks, KHTZ evolved into an adult contemporary outlet. On November 27, 1985, the station changed its callsign to KBZT and was known as "K-Best 97".[citation needed] (The KBZT calls are now assigned to an alternative rock station downstate in San Diego.)

Classic rock era (1986–1995)

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On September 26, 1986, at 3 p.m., the station was renamed KLSX and flipped to a classic rock format.[4] The call letters KLSX were chosen to sound like the word "classics".

To demonstrate the vastness of the station's on-air library, KLSX advertised "no-repeat workdays", not playing any song more than once per day. An exception was when the station played one song twice as part of a contest; listeners could win a prize for being the destination caller and identify correctly the intentionally repeated track. Additionally, KLSX hosted an annual "A—Z" event where the entire library was played in alphabetical order by artist during weekday hours, a playlist that ran about 100 hours. Whenever the station played "Southern Man" by Neil Young and Crazy Horse, it was always followed by Lynyrd Skynyrd's "Sweet Home Alabama".[citation needed]

In 1988, the long-running Beatles show Breakfast with the Beatles with host Deirdre O'Donoghue moved to KLSX from KNX-FM, a show which she began doing on KMET in 1983. After she died in 2001, the show was taken over by Chris Carter. On September 3, 2006, the station broadcast its last airing of Breakfast with the Beatles, which was then replaced by infomercials, drawing some local protest.[5][6] Paul McCartney, Ringo Starr, and Yoko Ono have all called into the program. In late November 2006, local classic rock station KLOS picked up the show.

On July 21, 1991, the station began to air the syndicated Howard Stern Show and took on the slogan "Howard Stern all morning, classic rock all day".[citation needed]

Hot talk era (1995–2009)

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Jeff Duran On KLSX 97.1 FM

On July 31, 1995, KLSX changed to a hot talk format on weekdays and went by the moniker "Real Radio 97.1", and had hosts such as Susan Olsen and Ken Ober, Scott Ferrall, Riki Rachtman, Kato Kaelin, Mother Love, Carlos Oscar, Voxx, Tim Conway Jr., Doug Steckler and the Regular Guys (Larry Wachs and Eric von Haessler).[7][8][9] Howard Stern was critical of this format change and referred to it as "Hindenburg Radio". In 1996, the station dropped the "Real Radio" name and became known as "The FM Talk Station", hiring new hosts; the following year, the station began carrying the syndicated Tom Leykis Show, becoming its flagship station. On April 1, 2002, KLSX temporarily brought back Kaelin and the "Real Radio" slogans and jingles as part of an April Fools' Day joke.

KLSX was owned by Greater Media until 1997, when Greater Media swapped KLSX and sister station KRLA for three stations: WMMR in Philadelphia and WBOS and WOAZ in Boston. The deal enabled Greater Media to operate larger clusters in these two markets while exiting Los Angeles. The swap led KLSX into the ownership of CBS Radio, where it joined FM radio stations KTWV and KCBS-FM along with AM radio stations KNX and KFWB.

From 1995 until its acquisition by CBS in 1997, KLSX played alternative music on weekends. Instead of competing with its now-sister station, established modern rock outlet KROQ-FM, it was asked to switch to adult album alternative, a blend of album rock and alternative music that appealed to a 35-and-up age demographic. That format continued on weekends until 1999, when the talk format was expanded to weekends, leaving Saturday night's Jeff Duran Metal Blitz[10] and Sunday morning's Breakfast with the Beatles as the only programs that played music. During that era and prior to being sold, KLSX boasted the only late-night talk shows in Los Angeles featuring women as hosts: Dr. X and subsequently a short-run of Shrink Rap. KLSX was also the local home of the syndicated novelty music program Dr. Demento.

KLSX was the Los Angeles-area radio home of the Oakland Raiders of the National Football League.[11] Previously, the station aired games from the Sports USA Radio Network and NFL on Westwood One Sports. In 2001, it carried the Los Angeles Xtreme of the XFL. KLSX has also aired a sports year-in-review show from Westwood One.

A number of changes came to KLSX in 2005. On October 25, it was announced that Adam Carolla would take over as the station's morning show host in January 2006 due to Howard Stern's departure to satellite radio. On that same day, the station also became known on-air as "97.1 Free FM"—so-called to highlight that its stations broadcast free-to-air, funded by commercials, whereas satellite radio requires a subscription fee. In addition to KLSX, CBS Radio introduced its Free FM branding on KSCF in San Diego, KIFR in San Francisco, and other hot talk-formatted outlets. Those three California stations carried The Tom Leykis Show and The John and Jeff Show. Locally, Tim Conway Jr. and comedy writer Doug Steckler co-hosted the evening show (The Conway and Steckler Show) until June 2005, when Steckler's contract was not renewed. Funnyman/impressionist Brian Whitman was brought in as Steckler's replacement, and the show was renamed The Conway and Whitman Show. The Frosty, Heidi and Frank Show was picked up and, until January 2007, was syndicated to KSCF.

In 2007, KLSX added Danny Bonaduce to The Adam Carolla Show (replacing sportscaster Dave Dameshek). In 2008, he was given his own (local) one-hour show following Frosty, Heidi and Frank, in a timeslot that had been vacant since the departure of entertainment reporter Sam Rubin in 2003. Also in 2008, Brian Whitman unexpectedly left the station in March. Tim Conway, Jr. ended up hosting the evening show alone. Arsenio Hall was a semi-regular guest host with Tim on The Tim Conway Jr. Show on Wednesday nights in 2008–09.

Top 40/CHR era (2009–2021)

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"97.1 AMP" logo used from March to September 2020

In early 2009, speculation arose on whether KLSX would be switching formats. On February 17, information started to emerge that KLSX was to drop hot talk on February 20 and flip to a top 40 format aimed at younger listeners, taking the "AMP" format that was created by KROQ-FM program director Kevin Weatherly and APD John Michael on the HD2 channel of KCBS-FM.[citation needed]

The station's main line up of The Adam Carolla Show, Frosty, Heidi and Frank, Danny Bonaduce (in a solo spot known as Broadcasting Bonaduce), The Tom Leykis Show, The Tim Conway Jr. Show, and The John and Jeff Show were all given advance notice of the format shift and afforded the opportunity to host final shows to explain the situation and say their goodbyes. "97.1 FM Talk" ended on February 20, 2009 at 5 p.m. (Pacific time), giving longtime radio veteran Tom Leykis the final sign-off and the opportunity to "blow up" the station (in reference to a catchphrase used by the show's callers, "Blow me up, Tom!").[12]

The new format, branded "97.1 AMP Radio", then launched with "Paranoid" by Kanye West featuring Mr Hudson (which coincidentally was also playing on its new rival KIIS-FM at the same time), beginning a commercial-free block of 10,000 songs, similar to the debuts of the current KDAY in 2004 and, in 1989, KQLZ (Pirate Radio).[citation needed] The launch of "AMP" marked the first top 40 radio battle in Los Angeles since KPWR switched to a hip hop-heavy rhythmic contemporary format in 1994. On June 30, 2009, the station changed its callsign to KAMP to match the new format branding, the call letters having become available when student-run LPFM station KAMP-LP in St. Michael, Alaska went silent on April 20 of that year. On July 7, the "-FM" suffix was added, making the calls KAMP-FM, in order to avoid confusion with KAMP (AM), an unlicensed student-run radio station at the University of Arizona, which had for several years been exploring the possibility of starting a LPFM as well[13] which would presumably have revived the KAMP-LP call letters.

On January 4, 2010, KAMP-FM rounded out their on-air lineup, which featured Carson Daly in mornings, Chris Booker middays, Ted Stryker afternoons, and Casey McCabe at night. CBS Radio would later expand the "AMP Radio" brand to Detroit, Boston, Orlando, New York City, Philadelphia, and Dallas. As of 2021, all of these stations had dropped the "AMP Radio" brand and flipped to different formats.[citation needed]

On February 2, 2017, CBS Radio announced it would merge with Entercom.[14] The merger was approved on November 9, 2017, and was consummated on November 17.[15][16]

Many personnel changes have occurred in the years following the merger. Carson Daly left KAMP-FM on July 28, 2017.[17] The morning drive timeslot remained open until February 2018, when the station introduced a new morning show hosted by former WBMP New York morning host Edgar "Shoboy" Sotelo, former WWWQ Atlanta morning show co-host and comedian Brian Moote, and Billboard news correspondent Chelsea Briggs.[18][19] Moote left KAMP-FM in July 2019,[20] while Sotelo left in October 2019. The departures would result in the on-air lineup being revised, making Booker move from afternoons to mornings, and adding former KPWR morning co-host Krystal Bianca to mornings, Christen Limon to middays, and Yesi Ortiz to afternoons, while McCabe remains as night host.[21] Booker was cut by Entercom due to layoffs from the COVID-19 pandemic on April 3, 2020.[22] On August 3, 2020, The Morning Mess from Phoenix sister station KALV-FM, hosted by Joey Boy, Aneesh Ratan, Jeana Shepherd, and Karla Hernandez, began broadcasting on KAMP-FM.[23] In addition, the station would again overhaul its on-air lineup, this time adding Julia Lepidi (from Chicago sister station WBBM-FM) and former Detroit host Josh "Bru" Brubaker; the two would later serve as national hosts for the company’s CHR stations in April 2021, replacing local talent in various dayparts.[24].

On March 30, 2020, KAMP-FM dropped "Radio" from their moniker and re-branded as "97.1 AMP". At some point the following September, it reverted to the original "97.1 AMP Radio" branding.[citation needed]

Following Entercom's rebranding as Audacy earlier that month, on April 15, 2021 KAMP-FM rebranded as "97.1 Now", and the slogan changed to "LA's Party Station". The station concurrently applied to change its call letters to KNOU (which were previously used on a sister station in St. Louis which had similar branding from 2015 to 2020), which took effect on April 22.[25] At the time of the rebrand, KAMP-FM was the last remaining "AMP Radio" branded station launched by CBS.[citation needed]

KNX simulcast (2021–present)

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KNX logo used from 2021-2023

On December 6, 2021, Audacy announced that KNOU would flip to a simulcast of KNX. The change took place at 3 p.m. that day, dropping the "Now" format about 30 seconds into playing "Sunflower" by Post Malone and Swae Lee. With this move, KIIS-FM remained as the only top 40-formatted station in the Los Angeles market.[26]

On December 21, 2021, KNOU changed its call letters to KNX-FM, further reflecting the AM station's primary signal shift to the FM band, while still being heard on the existing 1070 AM frequency. This marked the return to the Los Angeles airwaves for the KNX-FM call sign, last used on March 2, 1989; 36 years ago (1989-03-02). KNX-FM originally signed on the air on March 30, 1948, on 93.1 MHz, the frequency of current-day KCBS-FM.[27]

HD Radio

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KNX-FM broadcasts in HD Radio with three digital subchannels:

  • KNX-HD1 is a digital simulcast of the FM analog signal.
  • KNX-HD2 carries "Channel Q", an LGBTQ-oriented talk/EDM format.[28]
  • KNX-HD3 airs a non-stop dance mixshow format billed as "Fire Lane".

HD2 history

[edit]

On January 8, 2018, Entercom entered a deal to bring the New York City-based dance/EDM webcast Pulse 87 to the Los Angeles airwaves as a HD2 subchannel of KNX-FM, billing it as "Pulse 97.1 HD2". The subchannel replaced the simulcast of KNX, which moved over to the HD2 subchannel of KCBS-FM.[28][29]

On August 31, 2018, KNX-HD2 dropped Pulse 87 to make room for the newly launched "Out Now Radio", a talk/EDM format targeted to the LGBTQ community.[30] Many of the hosts on Out Now Radio were based at Entercom's Los Angeles studios. On November 1, 2018, Out Now Radio rebranded as "Channel Q".[31]

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
KNX-FM (97.1 MHz), branded as KNX News 97.1 FM, is a commercial station licensed to , , , providing 24-hour coverage of local, national, and international news along with traffic reports every 10 minutes. The station is owned by Audacy, Inc., and operates as the FM of its KNX (1070 AM), extending the reach of Southern California's oldest continuous all-news format to a broader audience via . Launched as a news simulcast on December 6, 2021, KNX-FM addresses the shift of younger listeners (ages 13-34) toward FM platforms, where spoken-word audio consumption has grown 113% over seven years, while also mitigating AM reception issues like interference from electric vehicles. The underlying KNX-AM brand traces its origins to , when it began as experimental station KGC before adopting the KNX call letters in and establishing itself as a leading source of , weather, and traffic in the region. acquired the stations in 2017 through its merger with . KNX-FM's programming emphasizes real-time connectivity to communities, featuring expert analysis, alerts, and freeway updates tailored to the region's commuters and diverse population. The station streams online via the app and maintains a strong digital presence, reinforcing its role as ' primary all-news outlet in an era of evolving audio consumption.

Station overview

Ownership and licensing

KNX-FM operates on the frequency of 97.1 MHz as a Class B FM station under (FCC) licensing. The station was initially licensed in 1954 to Nicolas M. Brazy in , with the original call sign KFMU. In the late , Storer Broadcasting acquired the station and changed the call letters to KGBS-FM around 1966, establishing it as a to KGBS (1020 AM). The station underwent several call sign changes during subsequent ownership periods. It became KHTZ on August 28, 1978; KBZT on November 27, 1985; and KLSX on September 27, 1986. In 1997, Greater Media, which had owned the station since the mid-1980s, swapped KLSX (along with ) to in exchange for stations in other markets. retained ownership until 2017, when Entercom Communications merged with in a tax-free all-stock transaction, creating one of the largest radio broadcasters in the United States. Further call sign evolutions under CBS and Entercom included KAMP (later KAMP-FM) on June 30, 2009, followed by a brief stint as KNOU in 2021. Entercom rebranded to in March 2021, maintaining ownership of the station. Audacy filed for Chapter 11 bankruptcy in January 2024 and emerged from restructuring in September 2024, with the station remaining under its ownership. On December 21, 2021, the call letters changed to the current to reflect its full-time partnership with all-news station KNX (1070 AM).

Studios and transmitter

The studios of KNX-FM are located in the Miracle Mile district of , at the intersection of Wilshire and Hauser Boulevards, where they are shared with its sister station KNX (AM) and other properties. In December 2024, the station relocated to a newly constructed studio and newsroom within the same building, enhancing operational efficiency for the shared all-news format. KNX-FM's transmitter is situated on Mount Wilson in the , approximately 20 miles northeast of . The facility operates with an (ERP) of 21,000 watts and a (HAAT) of 915 meters (3,002 feet), utilizing a to optimize signal distribution. , the station's owner, maintains the transmitter site as part of its regional broadcast infrastructure. The station's primary coverage encompasses the area, providing reliable reception across the , Orange County, and the due to the FM band's characteristics and the elevated Mount Wilson location. The signal extends further into surrounding regions of , including parts of Ventura, Riverside, and San Bernardino counties. No major upgrades to the transmitter facilities have been reported following the 2021 simulcast integration with .

History

Early years (1954–1986)

KNX-FM, operating on 97.1 MHz, traces its origins to , 1954, when it signed on as KFMU under the ownership of Nicolas M. Brazy, broadcasting an format known as "" that featured mellow pop standards and instrumentals. This format catered to adult audiences seeking relaxed programming distinct from the more energetic AM offerings in the market, including the all-news KNX on 1070 AM, with which it had no affiliation. Early programming emphasized light classics and contemporary artists, marking one of the frequency's initial efforts to establish independent FM identity amid the growing popularity of the band. Notable early hosts included Fred Anderson, who contributed to the station's smooth, unobtrusive on-air presence during the . In the late 1960s, Storer Broadcasting acquired KFMU and paired it with its daytime-only AM sister KGBS (1020 AM), changing the FM calls to KGBS-FM in 1966 to simulcast a country music format that ran 24 hours on FM while limited by the AM's sunset restrictions. The station evolved from beautiful music roots in the early 1960s to full country by 1965, adopting a "Gentle Country" approach by 1973 that blended soft country hits with easy listening elements to appeal to a broader demographic. This period highlighted the frequency's experimentation with genre-specific FM programming, separate from mainstream AM trends like top 40 or news, and featured personalities such as Brad Edwards, who hosted country shows in the mid-1970s. The format persisted until 1976, when the FM continued country independently as the AM shifted to other programming. By August 1978, under continued Storer ownership, the calls became KHTZ with "The New K-Hits 97," initially retaining country before flipping to adult contemporary/top 40 on July 31, 1979, focusing on hits from the 1960s through current charts to target younger adults. This transition represented a key evolution toward rock-influenced pop, with high-energy jocks like Charlie Tuna, Jackson Armstrong, and Ken Levine (as Beaver Cleaver) driving the station's vibrant imaging and contests. In November 1985, the calls shifted to KBZT "K-Best 97," adopting a "beautiful rock" format that softened the playlist with melodic rock and adult-oriented tracks from artists like Toto and Steely Dan, bridging AC and emerging album rock trends. Steve Scott and Kenny Noble were among the on-air talents during this brief phase. By 1986, the frequency had been sold to Greater Media, setting the stage for further changes.

Classic rock era (1986–1995)

In September 1986, the station, then owned by Greater Media, adopted the call letters KLSX and launched an format emphasizing , marking a shift from the adult contemporary format as KBZT from late 1985 to 1986. The shift positioned KLSX as a purveyor of timeless rock hits, differentiating it from contemporary-oriented competitors by prioritizing deeper album cuts over singles. The format centered on from the and , featuring iconic artists such as Led Zeppelin, The Who, and , with playlists designed to appeal to adult listeners seeking nostalgic yet energetic content. Key on-air personalities included , a veteran DJ who joined in 1986 and hosted shows blending humor with rock expertise, contributing to the station's engaging personality-driven style. Other notable talent like Shana LaVigni and Tom Yates helped curate the sound, while syndicated programs such as added eclectic variety on weekends from 1987 onward. In 1988, hosted mornings, further solidifying the station's mix of music and light commentary. KLSX achieved notable ratings success in the competitive Los Angeles market, particularly in the late , where it vied closely with established album rock rival . In the winter 1988 Arbitron survey, KLSX captured a 3.6 audience share among persons aged 12 and older, up from 3.0 the previous fall, reflecting growing appeal amid the boom. This performance placed it among the market's stronger music outlets, though edged ahead with a 3.8 share, highlighting the intense rivalry for rock listeners. By the early , the addition of the syndicated morning show in July 1991 boosted visibility and ratings, setting the stage for further evolution. As the decade progressed, declining music format viability and Stern's rising talk influence prompted a format overhaul; on July 31, , KLSX transitioned to a hot talk lineup as "Real Radio 97.1," ending its run after nearly nine years. The change, the first major FM talk shift in the market, was driven by efforts to capitalize on personality-driven content amid shifting listener trends.

Hot talk era (1995–2009)

In 1995, KLSX transitioned from its classic rock format to hot talk, launching the "Real Radio 97.1" branding on July 31 as the first major FM talk station in the market. The shift retained the KLSX call sign and focused on comedy-driven and opinion-oriented programming to appeal to a younger demographic than traditional AM talk outlets, building on the station's established audience from its rock era. This move was spurred by the ratings success of syndicated , who had joined mornings in 1991 and drew strong listenership with his irreverent style. The initial lineup featured Stern in mornings, followed by novelty hosts like in late mornings, Susan Olsen in early afternoons, and comedians Mother Love and Carlos Oscar in later slots, emphasizing lighthearted banter, celebrity interviews, and pop culture commentary over hard news. By 1996, the "Real Radio" moniker was phased out, but the format evolved with additions like the nationally syndicated Show in afternoons starting that year, known for its bold social and political takes. Middays gained popularity with the Frosty, & Frank trio from 2000 onward, delivering humorous segments on entertainment and listener call-ins. National syndication played a key role, with Leykis distributed by to over 100 affiliates, enhancing KLSX's reach beyond . In 2006, after Stern departed for , assumed mornings with his self-deprecating, man-focused humor, syndicated through to stations nationwide. KLSX faced stiff competition from powerhouse AM talk station (640 AM), which consistently outrated it in the adults 25-54 demographic, often holding a 4-5 share while KLSX hovered around 2-3 during peaks. Ratings fluctuated amid format tweaks and host changes, with the station occasionally cracking the market's top 10 but struggling for sustained dominance in a crowded talk landscape. The mid-2000s brought heightened challenges from FCC indecency enforcement, part of a broader industry-wide penalty wave against Stern's program that prompted stricter content guidelines, though KLSX (CBS-owned) retained the show until Stern's 2006 departure. By 2009, economic pressures from the 2008 recession eroded ad revenue for talk formats, leading to abruptly end hot talk on , flipping KLSX to Top 40/CHR as KAMP "Amp Radio" to chase younger listeners and rival . Hosts like Leykis and Carolla signed off mid-show in a surprise pivot, reflecting the format's declining viability amid rising music streaming and regulatory costs.

Top 40/CHR era (2009–2021)

In February 2009, the station, previously operating as KLSX with a hot talk format, underwent a significant rebranding by to KAMP "97.1 AMP Radio," adopting a (CHR) format designed to appeal to younger demographics, particularly listeners aged 18-34 in the competitive market. The shift marked a return to music programming after over two decades, emphasizing high-energy with a focus on pop and rhythmic crossovers to differentiate from established rival . Programming during the era highlighted current pop sensations, featuring artists such as , , and in heavy rotation to capture the youth-driven trends of the late 2000s and 2010s. Mornings were anchored by from January 2010 to July 2017, whose show blended celebrity interviews, music, and lifestyle segments to build a vibrant on-air personality. Following Daly's departure, Entercom—after its 2017 merger with —introduced Edgar "Shoboy" Sotelo and Brian Moote as morning hosts in February 2018, joined by co-host Chelsea Briggs, maintaining the station's emphasis on engaging, pop-centric content. The format achieved peak popularity in the early 2010s, often ranking second in the market with audience shares around 4-5%, directly challenging KIIS-FM's dominance in the CHR category through aggressive promotion and live events. By the mid-2010s, however, ratings began to soften amid shifting listener habits and intensified digital competition, prompting a gradual evolution toward an adult top 40 lean by 2018 to broaden appeal with more recurrent hits and less teen-oriented tracks. In April 2021, under (formerly Entercom), the station rebranded as "97.1 Now" with the KNOU call letters while retaining the CHR format, but this proved short-lived. announced the end of the music programming on December 6, 2021, with the final broadcast concluding at 3:00 p.m. Pacific Time, transitioning away from top 40 after over 12 years.

All-news simulcast era (2021–present)

On December 6, 2021, Audacy launched a simulcast of the all-news format from KNX (1070 AM) on 97.1 FM in Los Angeles, adopting the KNX-FM call sign to reflect the expanded reach across both AM and FM bands. The transition began at 3:00 p.m. PT, marking the end of the station's previous Top 40/CHR programming and establishing it as Southern California's primary 24/7 news and talk outlet. This move aimed to leverage the FM dial's superior signal quality for in-car and mobile listening, addressing the limitations of AM reception in urban areas with high interference. The programming structure emphasizes round-the-clock coverage, with reports delivered every 10 minutes on the 5s and integrated updates to serve commuters in the Los Angeles metro area. Local events receive dedicated attention, including on-site reporting from key locations and expert analysis on issues like wildfires, housing affordability, and regional politics. FM-specific enhancements, such as clearer audio transmission during peak drive times, have improved accessibility for younger demographics who prefer car radios, contributing to steady audience expansion since the launch. Following the simulcast's debut, KNX-FM experienced notable listenership gains, particularly during crises; for instance, over-the-air tuning surged 354% during the January 2025 wildfires, underscoring the format's role as a reliable information source. In 2024, the station provided comprehensive election coverage, including live election night specials and co-hosted debates such as the candidates' forum with the . Audacy's Chapter 11 bankruptcy filing in January 2024, which reduced its debt from $1.9 billion to $350 million, led to company-wide and layoffs exceeding 300 employees by March 2025, though KNX-FM maintained its core all-news operations without format interruption. The bankruptcy process concluded in September 2024 with emergence as a private company under new ownership, stabilizing the owner. As of November 2025, KNX-FM continues to prioritize local content delivery, with ongoing emphasis on real-time traffic, weather, and community-focused reporting to sustain its position as ' leading all-news station amid evolving media landscapes.

Digital broadcasting

HD Radio overview

KNX-FM introduced technology in the mid-2000s under ownership, enabling on its 97.1 MHz frequency alongside the traditional analog signal. This rollout was part of a broader initiative by to enhance FM stations with digital capabilities, providing listeners with improved audio fidelity and additional data services. The primary HD1 channel delivers the station's main programming with advanced technical features, including robust error correction via Reed-Solomon coding and convolutional interleaving to minimize interference and signal degradation, particularly in urban environments like . Prior to the 2021 format shift, HD1 supported datacasting for real-time artist and song information during music formats, while post-2021, it focuses on all-news content with potential for news alerts and traffic updates. These elements ensure clearer reception and more reliable delivery compared to analog FM, with HD1 serving as a of sister station since December 2021. Adoption began around 2006–2007 during the station's hot talk era as KLSX, with full digital integration achieved by 2021 under (formerly Entercom) ownership to support the all-news . This timeline aligned with CBS's expansion of across major markets, allowing KNX-FM to transition seamlessly from music-oriented datacasting to news-focused . For listeners in , HD Radio on KNX-FM offers key advantages, including multicasting potential for future subchannels and compatibility with in-vehicle receivers prevalent in the region, delivering CD-quality audio without subscription fees. This enhances accessibility for mobile audiences navigating heavy traffic, providing interference-resistant news and information.

Subchannel history

KNX-FM's HD2 subchannel initially served as an extension of the station's programming during the under the KLSX call letters, featuring rock and talk elements to complement the main channel's hot talk format. In September 2018, during the top 40/CHR era as KAMP-FM, the HD2 subchannel soft-launched "Out Now Radio," an LGBTQ+-oriented format focused on with targeted playlists and DJ-hosted shows. It officially rebranded to on November 1, 2018, expanding its reach with queer news segments, podcasts, and music from artists like and , while maintaining a jockless daytime structure by 2023. has continued uninterrupted on HD2 since its inception, providing a distinct alternative to the main channel's programming. The HD3 subchannel debuted on August 5, 2019, as , an ad-free service offering continuous DJ mixes, niche remixes, and coverage of dance events from global contributors. This format was designed to appeal to electronic music enthusiasts with a focus on EDM, , and hip-hop blends, differentiating it from the HD2's pop emphasis. Subchannel adjustments during the 2009–2021 top 40 era emphasized complementary niche music programming, such as the dance-oriented extensions on HD2 and later HD3, to broaden listener engagement without overlapping the main channel's contemporary hits. Following the main channel's shift to an all-news in December 2021, the subchannels achieved stability, with no significant news-related integrations or format overhauls. As of November 2025, access to KNX-FM's subchannels is promoted through the app for streaming and requires HD Radio-compatible receivers for over-the-air listening, ensuring availability to targeted audiences nationwide.

References

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